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#human connection is beautiful
sapphic-squid · 28 days
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aphel1on · 16 days
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compilation of dunmeshi images saved to my computer under variations of "FOUND FAMILY REAL":
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bizarrelittlemew · 2 months
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i can't wait to be 30+ and still in fandom and i can't wait to be 40+ and still in fandom and i can't wait to be 50+ and still in fandom and i can't wait to be 60+ and still in fandom and i can't wait to be 70+ and still in fandom and i can't wait to be 80+ and still in fandom and i can't wait to be 90+ and still in fandom and i can't wait to look back on my life and know that i loved things deeply and passionately and was inspired to create and was part of communities with incredible people from all over the world brought together by the stories that touched us
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gaywarcriminals · 1 month
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The soggier a Bingge is, the better. Bingges looking "cool" is actually a sign of distress. A happy, healthy, and properly resocialized Bingge must be a a pathetic creature with mop-like quantities of water dripping from his fur.
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I can’t stop thinking about the eye contact between Mae and Noa. It just says so much without a single word being spoken. Also something about the scene when she sees him looking for her, screams out his name, and then they run to each other. Literally burned into my brain
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For some reason this didn’t post the first time😭😤
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symphonyincoordination · 11 months
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Been trying to articulate why I am compelled to be weird about Maxwell Q Klinger and thus far I’ve failed to organise my thoughts coherently 😅 So here’s a line from The Wind They Call Korea that I think is very important in thinking about him
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stardotnet · 4 months
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yes, there will be singing
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sophrosign · 1 year
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i had to annotate a bit. sorry. ❤️=🦀
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rozecrest · 1 year
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happy 25th birthday to the utena finale 🌹
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doctors-star · 1 month
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me (trying to keep up with dracula daily and letters from watson and whale weekly) 🤝 some random victorian (trying to keep up with the original publications in the newspaper)
"ah fuck i've got so much classic literature to read after work"
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respectthepetty · 29 days
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hey! Sorry for the incoherent thoughts here but I finally watched the your dear daddy trailers and the way u keep talking about the colors and likening sila to being the Angel that lifts tharn up makes me think about how at some parts of the pilot it shows like, a huge difference in platform between them? Like the part where Sila and Tharn first meet in the club, Tharn is waaaay at the bottom of the floor looking up at Sila and Sila is looking down at him…I’ll need to rewatch the pilot to see how much they kinda emulate that
(the other one I can think of rn is near the end where sila is kneeling 🧎‍♀️ by tharn’s feet)
Idk I just wouldn’t have noticed these at all if u didn’t point out the symbolism haha
THIS!
This is the energy I love to see, Anon!
Because there is clearly a height difference between the two leads.
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But the way the trailer escalates that difference is brilliant.
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I'm trying not to analyze the pilot too much, but as you so beautifully mentioned, it's very interesting that Saitharn, a man who doesn't believe in a higher power, immediately gravitates to Sila who 1) is initially shown to be physically higher than him and 2) has power.
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I already stated that I liked that even though Sila enters the club in the red and off-centered,
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He instantly walks into Saitharn's blue and centers himself.
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But the blue also envelopes him as a he looks down on Saitharn.
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And we get that visual again - Sila in the center, higher, and looking down at his farm. His home. His tiny universe where he is the master.
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However, Sila doesn't mingle with his people.
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He watches them from a distance.
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He doesn't even speak directly to them. His right-hand man gives Siatharn his gear while Sila just observes the exchange.
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He is an omnipresent god.
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And I'm going to go out on a limb and state he probably didn't want that responsibility.
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However, Saitharn seems to have changed this.
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Sila saves Saitharn.
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Sila helps Saitharn.
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Sila protects Saitharn.
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And even though Sila is still a god and higher than Siatharn, each time he interacts with Siatharn, the space between them shortens.
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Until Sila is on his knees, worshiping his god.
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So I think we are getting a story about two men who lost their way and gave each other something to believe in. I think Sila saves Siatharn from himself physically and emotionally, while Saitharn will give Sila a reason to care and embrace humanity.
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And even though I doubt Your Dear Daddy will give me this level of happiness, I do love when a god (who is white-color coded because he is heavenly yet actually devoid of color and love) wants to be seen as a man.
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And the way that god's love helps a blue boy rise.
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But, yeah, I'm not thinking that deeply about the pilot trailer.
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*I have not been normal about this since it dropped and I will NEVER be normal about it*
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vampirepunks · 4 months
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I really love all the DS2 theories I've seen so far but one thing I'm picking up is a lot of people expecting Higgs to still be on the same trajectory/goal set as he was in the first game and y'know....... I don't think that's the case.
The overall theme of DS2 from what we've seen so far + Kojima's comments seems to be the concept of opposites, inverses, and dualities, as though it's saying, "take the entire idea and turn it inside out and upside down." It appears to challenge the viewer to subvert whatever expectation/understanding they have based on the first game. It's eternal recurrence as seen through a mirror. The first game was themed around blue and black, this one is red and white. Connection becomes disconnection. Hope becomes despair. Age becomes youth. Repetition becomes change.
Buckle up, I've got thoughts.
(This pattern of contrasts illustrates a theory I've had since DS1 based on Nietzsche's "Thus Spake Zarathustra" and the three-stage journey of metamorphoses--camel -> lion -> child--required to become the overman, but that'll be a separate post. If you're already familiar with the book, just know that in this context DS1 would be the camel and thus DS2 encompasses the lion.)
So, in DS1, Higgs is a hyper-fatalist obsessed with extinction. It's easy to assume that hasn't changed, that he's still dedicated to Amelie and wants to end the world... Too easy, right? Has anything Kojima has written ever been that simple?
I raise you this: In the vein of eternal recurrence, Sam becomes Cliff and Higgs becomes Amelie/Bridget... but this is not a literal retelling, rather, a metaphorical one. A dark mirror to the stories we already know.
So if the theme is opposition, what's the opposite of extinction? Creation. What's the first thing we learn about Higgs in the DS2 trailers? He's a musician now. He sings and he plays guitar. And, arguably, music is the very essence and lifeblood of creation itself, one of the very first things mankind created when our species was in its infancy. Further, Higgs uses his own umbilical cord (yes, it's an umbilical cord), as a guitar jack, channeling his ties to life, death, and his own soul in his performance, highlighting that he has an intimate connection to this core act of creativity. More about that in this post.
Now, DS1 already has a lot of themes and motifs surrounding duality, most notably the concept of chirality: two things that are each other's opposite, two hands imperfectly overlapping, two objects that act as one another's mirror. Powerful things happen when they collide--anything ranging from drug interactions to voidouts to the very birth of the universe.
If I'm reading this right, Sam is set to become the chiral counterpart to his father's tragedy and Higgs is set to become the chiral counterpart to the extinction entity. The same narratives we know, recurring once more, but flipped to become something entirely new at the same time. A rope that becomes a stick and a stick that becomes a rope. Humanity will always need both; the stick is not evil for serving its purpose, nor is the rope inherently good for doing its job. "Whatever is done for love always occurs beyond good and evil."
I'm calling it now: Higgs is not serving Amelie, not seeking to bring her back, not trying to become her. He is rebelling against the idea of her, unshackling himself from the role she placed him in, taking back the autonomy he lost and acting to avenge the abandonment and manipulation he suffered. He's claiming her image as his own to make a mockery of what she represents, painting himself up to look like her decaying corpse, all in an effort to prove she no longer controls him, defiantly asserting, "The queen is dead... long live the king." And so, what is there left for him to do but throw himself into reckless acts of creation? Life from death. Extinction Entity? Cute. Try this on for size: Creation Entity.
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my-darling-boy · 15 days
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Have you had any ✨Ghost Experiences✨ in Scotland yet? Meet any new ghosts???
Ohhhh plenty, but far too many to list without going off on a ramble haha
We’ve done many overnights in castles and old buildings up and down the UK with a team of investigators which has led to really neat experiences, some of them absolutely poignant. I think my favourite interaction has been with a sweetheart of a young seaman called William aboard the RRS Discovery docked in Dundee, also the best K2 session I’ve ever had was there. But yeah, various castles, historic buildings, manors, prisons, etc with some really fascinating results.
I do like how it’s also putting the mediumship to the test which is something I still don’t really like bringing up in general to people but I have apparently shocked investigators/employees at these places with describing events, people, and other things with detail that is not even public or only known privately by people who frequent that location. Nearly all locations I’ve never been to and make a point not to read up on them before I go, which makes these instances more compelling? I often don’t even know the significance of what I’m (sheepishly) describing only to be told I just described a specific thing that happened in a room when there’s no way I could know about said thing. One of the best instances of this was on the RRS Discovery when trailing behind the group in the lower decks, I stopped suddenly. It felt as though something SMACKED very hard and very sudden right where I was standing, someone had lost their life in this very spot. I thought with the boilers around perhaps someone had been hit somehow and died or maybe fallen from the above platform and hit their head on the metal below but was told there were no known records of someone dying in that room and that the platforms didn’t exist at the time. I was perplexed by this as I was 100% sure something had happened there but I just ignored it, maybe I was wrong. We get up to the top deck finally and are told about a boy who, in 1901, tragically fell from the crows nest and died. The investigator and I suddenly realised I had been standing directly below the spot he would have hit on the upper deck when he fell. Another would be a nice young man I’d encountered at a private castle who seemed to be wearing some sort of chainmail and white tunic, followed me around for most of the night, and at one point I picked up on a story about a strange looking gold disc with all these markings on it on the alter in the chapel which he immediately told me not to ask about and refused to elaborate more, I had no idea why he was so adamant about this. I later learned after enquiry the castle historians have documented the place being used by the Templars and it’s a private fact at this location that the Templars have buried artefacts beneath the castle they are working to recover… most notably, beneath the chapel. I’d be talking for ages if I described the other occurrences, but that’s one I’ll always remember!
All and all, I do actually recommend doing it, even if you don’t believe in the stuff, because you get entire historic locations basically all to yourself, at night, which is cooler. I once sat for nearly an hour in a 200 year old jail on the floor, in the dark, at 2 AM, just chilling. On free roam while everyone is usually at base, I’ve been able to explore places by myself, in the dark, opening doors to rooms not even shown to us, panning my torch to old paintings and artefacts in basements to attics and bedrooms and so much more. I’ve sat alone in century old ships and played sea shanties which echoed hauntingly down the passageways. Sprawled out in the pews of medieval chapels in the pitch dark, wandered dark castle corridors alone, sometimes I’ll sing out old songs and just listen to it drift out through the halls and rooms. You feel like some character in a novel, it’s quite a liminal space! Like all these places where so many other people came before you, where people lived and died, sometimes even right where you’re sitting, and you’re able to lay out on the stones in the dark with it all and just feel connected to it yk?
Anyway that still ended up being a ramble HAHA so yeah! I recommend it for both believers and those less inclined because at the end of the day, you’ve basically got several hours of private access to historical locations, at night, no tourists, and sometimes to places the public isn’t allowed at all, and hey maybe something Strange will happen while you’re alone in the darkness.
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lilybug-02 · 5 months
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My trip to Kaua'i, Hawai'i
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Yellow Hibiscus: The state flower of Hawai'i. Called the “pua mao hau hele” or “Ma’o hau hele” in the Hawaiian Language (ʻŌlelo).
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Nēnē (Hawaiian Goose): The rarest waterfowl in the world. Nearly brought to extinction in 1990 with 50 wild individuals. Captive-breeding programs and reintroduction efforts have given the native nēnē a chance with now over 3,862 birds statewide. I was lucky enough to see wild nēnē goslings. Very special.
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Honu (Green Sea Turtle): An endangered species most commonly found near the Hawaiian Island Chain. Typically reaching sexual maturity around 20 years of age, Green sea turtles nest on the same beach where they hatched. This is a photo I took of a female rising up from the shore to lay her eggs.
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Landscape photos I took on my trip in Kaua'i.
Kaua'i is one of many islands comprising the Hawaiian Volcanic Island Archipelago. I bought a Kaua'i Geologic History Book to learn more about the island and I am very excited to read it.
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heavensickness · 2 months
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can't a bitch talk about actually negative and despairing experiences in peace. yes i know how important and live-saving positivity is (as a person who's been mentally ill since i was like 8 years old) but sometimes it's necessary to tell in an unadulterated way how awful something really is and how bad it makes you feel. it's like letting the poison out. am I allowed to see bad experiences as bad for a second before focusing on the positives and how we are not alone and how everything will be ok etc etc
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Fuck the Squid Game the challenge discourse, just go watch total forgiveness in order to understand how fucking crushing living in a capitalistic hellscape is while still being entertained
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