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#how long and how many have you been in fandom?
momochanners · 1 day
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After a good night's sleep, I think I can better solidify my thoughts in regards to the Dragon Age trailer.
First, let's start with the positives:
- Companion diversity: This has always been part of the series' DNA that has been clearly depicted with every iteration, so those who cry foul over "Asian & Black elves", prosthethics, etc etc...I really don't get that, because values and sensibilities evolve over time. Even the series itself has course corrected when needed, eg. Player character creation influencing the family ethnicity of the Couslands in DA:O vs the Hawkes in DA2.
- Unlocked romances: Letting players choose whoever they want to romance regardless of their sexuality and race has always been a positive for me. Allowing everyone to enjoy the experience equally is great (and I'm sure the nuances of player race & gender will be addressed through dialogue and banter). Moreover, CRPGs are long and time-consuming, so to be locked out of character romances mid-way through is never going to be a good time (from personal experience and observing fandom in the past).
Now the negatives:
- Maybe it's me being on the older side of the Bioware fandom (15 years in Dragon Age, 20 years if you count older games like KotOR and Jade Empire), but I cringed very hard watching the trailer. If you followed the development of this game in the past decade, the cancelled live service element that was to be DA4 in one of its iterations was so all over the way the companions were introduced that it brought out a visceral reaction in me. The tonal whiplash from how foreboding Dreadwolf was presented in the past to the patronising happy quippy MEET OUR LITTLE GUYS YOU'RE SURE TO LOVE also did not help as a first concrete look of what to expect after all this time (also poor anachronistic choice of soundtrack when you already have Trevor Morris' compositions right there). I was so dismayed when they went with a looter-shooter-esque lighthearted vibe when they could've leaned hard on the foreboding established mood and momentum they've already got going with Dreadwolf. 
- The branding switch this late in the game that comes with it, especially one as drastic as this will always come with questions and ambivalence. I feel that mitigating uncertainty from announced changes (party number, combat mechanics, setting and environment, etc) should've have been prioritised to reassure existing and lapsed fans before appealing to new ones in such a jarring way.
-  I'm simply baffled at the marketing suit who signed off on whatever this is to be their "best foot forward" at reintroducing the final form of this game? If only there were confident with the world they've already built instead of relying on trendy gimmicks, the amount of damage control I'm seeing prior to the gameplay reveal tonight was so avoidable. Controlling the narrative from the get go is so very important especially now as opinions can easily snowball overnight into behemoth-like proportions especially from bad faith actors. You would think that lessons were learned from DA:O's "THIS IS THE NEW SHIT" and DA2's "Press a button, something AWESOME happens" debacles.
(The thing is, despite it being my least favourite DA out of the three, imho Inquisition has the best marketing campaign in the franchise despite the developmental troubles going on in the background. So it has been pulled off successfully before!)
- I think the Bioware layoffs, especially the recent extensive gutting of senior staff in September 2023, significantly depleted my goodwill as a fan. To see Varric being paraded as a mascot in the trailer, game promotion and supplementary media while having his creator unceremoniously let go after years of building the franchise we love left me so very cold. And it's a me problem, but seeing many other fans barely acknowledging that save for few hollow words before getting back into the fun frustrated me so much. I get being excited to finally get something solid after years of false starts, but with what was lost along the way...I personally don't feel right to approach this installment without cynicism.
Idk, I'm just a bundle of conflicted feelings over this series I guess? When it's so good, it's really good and stays with you as memorable gaming experiences that stays with you for life, but when it stumbles and fumbles the bag...it hurts to see.
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dollypopup · 12 hours
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People who are saying 'it's so sad/annoying that Eloise never realized Penelope was in love with Colin!' and then using that to villify her and claim she was a bad friend to Penelope are. . .so missing the point.
WE know because we see much of the show through Penelope's eyes. Debling knew because Cressida told him. Cressida knew because she had a vested interest in that being the narrative. Violet knew because Colin very obviously asked her about friendship and love, and has a grand total of ONE woman he could have been talking about.
It is not on Eloise to assume truths about Penelope.
Read that again.
It is NOT on Eloise to assume truths about Penelope!
In the same way it was not on COLIN to assume Pen had a crush on him. The thing about trust is that you HOPE that the person you care about will open up to you, and in fact, it is GOOD that Eloise didn't notice. It doesn't mean she was a bad friend, or self centered, but rather that she was of the belief that her friend would be open with her.
That's not unreasonable of her.
How is Eloise meant to listen to a fact that is never voiced, and in fact, is actively denied?
Eloise asked Penelope in Season 2 if she would ever know what it was like to have a crush on someone, the way she had on Theo. Penelope told her STRAIGHT UP "no, I wouldn't know". What did you want Eloise to do? Accuse Penelope of being a liar and then proclaim she was clearly in love with her brother?
Same with Lady Whistledown- Penelope assured multiple times she wasn't LW to Eloise because when Eloise was talking about her, and having theories, and going on a detective chase about it, Penelope never told her she was LW.
The fact that Eloise HAD to assume these things about Penelope was an indication the friendship had problems. And these problems are tied up in Penelope's arc: coming into the light and living her authenticity unapologetically. Because she kept so much close to the chest for so long. 'Eloise didn't listen'. Penelope never SAID ANYTHING about it for her to listen TO.
Now, does that mean Eloise is blameless and saintly and good? No. That would be lame and boring and would do her a disservice in being a complex, interesting female character. The way near all the women in this show are. The truth is that BOTH Eloise AND Penelope were wrapped up in the immediacy of their own lives, and had different goals and interests from one another. In many ways, Eloise and Penelope were together by proximity, rather than aligned in purpose.
But also. . .we are ALL more invested in our own lives than those of our friends. We care for our friends, yes, but we live our own lives first and foremost. And when we have friendships, we trust that they will talk to us about their lives, their truths, their passions, and their hopes and that we will celebrate such with them. Whilst Eloise has ignored Penelope at times, Penelope has also ignored Eloise. Eloise has assumed Penelope to have the same interests in feminism and not in marriage as she does, but Penelope does not talk to her otherwise until they have a fight about it.
It explodes out of her. Comes out, almost against her will.
They have issues communicating. That's relatable.
But people don't want to see the relatability of these women. They want to compare them and pit them against each other, instead of trying to understand BOTH of them.
Listen, the truth is that this fandom has a misogyny problem. We only want to empathize with the woman we see as the most relatable for our own viewing, and any other woman who is in any way contesting their immediate happiness is turned into a villain. In fact, in Polin, it's extended to ANYONE who has done Penelope any form of disservice ever, as if tension and conflict isn't what drives a narrative.
Colin said one thing that was hurtful to Pen? Burn him at the stake. Eloise is hurt by Penelope's secrecy? Well, she should have listened more, and fuck her, she was a bad friend. Marina told Penelope to butt out of her relationship and to stay in her lane? She's evil and cruel and treated Pen horribly. Penelope never did anything wrong, everyone else is the problem.
This denies Penelope her own accountability, her own narrative of growth, firstly,
But secondly, ALL the women in this show have compelling reasons for acting the way they do. Not just the one you like the most.
I see people talking about how they feel so bad for Penelope, that she has undergone so much and has no one to really confide in, that she feels she has no friend with which to unburden herself with: but the same is true for Eloise. She had no one to talk to about the pain and grief she experienced at the end of Season 2, and kept mum about Penelope's identity as LW all throughout. The same was true for Marina, who had been Otherized from the moment she stepped into the ton, and had been physically and emotionally abused by her own family as she faced down a future of potential misery. Why can you see and sympathize from one character's perspective and yet not the other? Why is it okay to proclaim one a villain, and the other an innocent?
If you can feel empathy for Penelope, you better be ready to feel it for Eloise, for Cressida, for Marina, for Kate and Edwina, because ALL these women underwent some very painful circumstances in their lives, and all of them made mistakes that resulted in other people getting hurt. They have all been hero in her story, and the antagonist in another. As we all are.
How ironic to see 'well, Eloise is terrible because she's' not seeing it from HER perspective!'
when we are doing the same
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aceof-stars · 2 days
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Azula's Motivations in ATLA
I haven’t been in the ATLA fandom long enough to know how popular this opinion is, but I think at her core, Azula wants to be accepted, to be loved, to belong.
I think you can tell a lot about a character by finding out what breaks them. Looking at goals can be helpful, but a lot of the times goals can mask true desires.
What truly begins to break Azula is the betrayal from Mai and Ty Lee. She's also strangely bothered by the belief that her mother thinks she's a monster. In the scene where she hallucinates her mother, Azula only breaks down and shatters the mirror when her mother says she loves her. As if Azula desperately wants it to be true but can't believe it, so she lashes out.
In the finale when Ozai leaves her behind to go destroy the earth kingdom, she says: “I thought we were going to do this together” and “you can’t treat me like Zuko”. She’s desperate to belong, to be accepted by her father. And even though she’s had his approval for her entire life, she’s immediately afraid of being cast aside.
While she is pretty obsessed with succeeding at everything she does and doing things perfectly (ie “almost isn’t good enough”), I think the real reason she’s so obsessed is because she believes she must earn her worth in order to be accepted.
Azula hasn't had many experiences with healthy relationships as a child so she makes people stay by instilling fear and proving her worth. Power and success aren't what she truly desires. They are more so a means to an end.
I also think in the last Agni Kai, she breaks down not just because she's defeated, but because Zuko and Katara defeat her together. A painful reminder that other people have support they can rely on, but she has no one.
It's also really interesting to compare her to Zuko because I don't think Zuko has the same motivation at his core. Yes Zuko became obsessed with chasing the Avatar to be accepted by his father, but really it was about his honor. Zuko saw acceptance in the Fire Nation as a means to an end for his own worth and honor.
And that's the reason Zuko isn't satisfied when he's back to belonging in the Fire Nation again in season 3. And he's not satisfied in the Earth Kingdom with his uncle's support, nor satisfied being accepted and trusted by Katara in that cave.
I'm not saying Zuko doesn't care about or want acceptance from people, just that there is something deeper motivating him.
When Azula pushes people away, it's defense mechanism. When Zuko pushes people away, he's yearning for something more.
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fanhackers · 2 days
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On Thirsty Audiences
Dramatic literature and theatre is my first field: though I was a fan before I was anything else, I wasn’t a fan studies scholar till later in my career.  But, like many academics, my interest in the subjects I’ve studied borders on fannish interest, and so theatre is one of my fandoms.
Kirsty Sedgwick is a major figure in audience studies, and she’s recently crossed over from academia into more general public intellectual spaces with her latest book, On Being Unreasonable: Breaking the Rules and Making Things Better (Faber & Faber, 2023.)  There’s always been an overlap between fan studies and audience studies, and Sedgwick is a scholar of theatre audiences. Her work frequently questions the rules (explicit and implicit) of being an audience member and asks who those rules exclude: for instance, mothers with small children. In her 2018 book, The Reasonable Audience: Theatre Etiquette, Behaviour Policing, and the Live Performance Experience, Sedwick talks about the ways in which behavior standards can be sexist, racist, ableist, and otherwise exclusionary of the very diversity of audience members that theatre-makers claim that they want to attract.
I thought that I would highlight a different essay from Sedgwick’s oeuvre: 2018’s “How can we talk about ‘thirst’ in theatre?” written for Exeunt magazine.  In it, Sedgwick talks about the ways in which women are seen to enjoy theatre for the “wrong” reasons, stinking up lobbies with their love of Benedict Cumberbatch or Hugh Jackman or Tom Hiddleston or Kit Harrington. Sedgwick describes how  “the fear of female audiences reached its peak recently in the handsome-celebrities-onstage trend – like when the theatresphere nervously anticipated how swarms of Benedict Cumberbatch fans might ruin the star’s 2015 Hamlet with their tardiness and addiction to instagram, or when Tom Hiddleston’s fans were criticized for “colonizing the pavement” after Coriolanus.  Sedgwick argues that “the real mystery is how theatres have been able to get away for so long with using the desires of girls to fill their seats while simultaneously shaming them for it.“ 
Sedgwick also argues that not all forms of thirst are equal, and that while male thirst can be dangerous because of how it keeps women down, “female thirst almost always operates to build men up.” In particular, she cites the ways in which fans work to “give underappreciated actors of colour the attention they deserve.” She quotes Bim Adewunmi and Nichole Perkins of the Thirst Aid Kit podcast talking about John Cho.  The podcasters explain that:
“every time we saw him, we’d say, ‘Oh my gosh, he’s so amazing, he’s so hot.’ We really wanted to give him some shine. We see you–not just because you’re beautiful, but because we see what you’re doing on and off screen, and we want to amplify that.” 
Sedgwick concludes that “If male thirst simplifies women to bits of flesh, then female thirst tends to be all about fleshing out the person inside,” and concludes that thirst can be radical. The whole article is worth a read, as is much of Sedgwick’s other work.
–Francesca Coppa, Fanhackers volunteer
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galadrieljones · 12 hours
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Gala! I need to hear all your thoughts about seeing Solas again!! (When and if you’re willing to share ofc) ☺️
Omg. Honestly, I don't know. It's been so long, and in so many ways, I've moved on completely, but also, like, no. I will never move on lol. It seems I will probably need to go back and replay DA:I this summer, which is perfect, because I'm just about done with Death Stranding, and this will be a great way to pass the time between now and the Fall (at which point Daryl Dixon season 2 also starts so idk how I shall survive the inundation with characters I love--I will just have to find some sort of balance LOL). I really do need to brush up on the lore and try to even remember what was happening, and also get back into Sene's POV, because I do believe the Inquisitor is going to make an appearance in this story, and I am very excited for that but also very anxious. I do actually trust Patrick Weekes to give closure to the DAI fans and Solavellan shippers, particularly knowing how hard he worked to give us that notorious "COLE GREATLY APPROVES" moment in Trespasser 😭 Tbh though, I'm just not sure entirely what that will look like. I'm nervous!
I will say that I am really very happy to see how Solas is portrayed in this scene with Varric. He's actually nowhere near as cold as he seems at the end of Trespasser. He seems much more reluctant than he did back then, like he legitimately doesn't believe there's a better way. He doesn't seem evil or beyond repair. I wonder if that's because he's spent so many years alone, plotting, and it has actually served to soften him. In those first two years, after Corypheus, it's clear he was able to scrub his experience with the Inquisition from his heart, but most likely what he's learned is that it was merely a cosmetic fix. The connections he made back then are still with him, and seeing Varric again bubbled them up to the surface, even if only briefly.
I won't lie when I say that I actually really did not like the reveal trailer at ALL, which came out a couple days ago. It gave me like, Fortnite vibes and I was really concerned, because I've been out of the loop and not paying attention to the development of the game at all. Like this came completely out of left field for me, and then the name change...yikes. BUT the gameplay trailer fixed all of that. The game looks dark, gritty, and EXTREMELY fun. I love that they will start us out with Varric and Harding. I love them both so much, like old friends I haven't seen in such a long time. It filled me with warmth when Varric tried to reason with Solas, because that is EXACTLY what Varric would do, and even just hearing his voice, and Harding's voice, and of course Solas's voice, it made me tear up. I cannot wait. I am SO excited!!!!!!!!
I'm also really excited to reconnect with some of our old crew on here. I know lots of us are still around to various degrees even as we've all dispersed to different fandoms and real life circumstances for years. But Solavellan was my first real ship and Dragon Age was my first true fandom, and in my heart, we and our Lavellans will always be the GOAT. 💫
HOW are you feeling about all of this @bearlytolerant??????
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Hi! I just wanted to say that I like your attitude and resilience (I'm a weak man, and every toxic anti-buddie/anti-buddie-shippers/pro bucktommy idea just hits me straight in the heart).
I don't understand how people can suddenly start hating Buddie because of "crazy fans", but still be smitten by bucktommy despite of how crazy some of their fans are.
And I really hate that they have this ammunition (their ship still going, Eddie happening to be hetero) to bully us with (haven't Buddie shippers been through enough of hate these past six years? And who knows how much more of it we'll have to yet to go through...)
Ah, sorry for the rant😅
The long ass message anon from lenaboskow's asks xD
🏝️
awwwww, thank you anon 😭 <3
if i’m being honest, the public resilience comes from years of being bullied and ridiculed, so at this point hate (especially anonymous hate) just rolls off my back bc atp it’s just par for the course with these people.
i definitely understand the toxicity hitting you right in the feels though. i have mentioned before but i have really bad anxiety and depression, and there are times when if i haven’t taken my meds i will start to spiral over the smallest things (just ask @lenaboskow who has been present for a lot of this unmedicated spiraling)… so i definitely understand that some of the toxicity and hate can be hard. especially when the writers continued to give them ammunition after seeing what what was happening on twitter during the premiere period of season 7.
I’ve been a buddie shipper since s2. I have put up with seeing ridicule and disrespect from the fandom for shipping buddie for years (granted i only started getting actively involved in the fandom very recently, i still kept up with cast interviews, articles, etc. and could see plenty of it there) so i understand it can be hard seeing so many people that once were hardcore buddie shippers suddenly turning into violently hateful stan accounts for this new ship is jarring and disappointing… i have seen so many of my favorite fic writers turn into anti-buddie-eddie-bashing enthusiasts seemingly overnight and it’s hard to see.
that being said, i still have not lost hope. abc and tptb see what is happening— they see screeners being harassed for talking about buddie, they see buddie shippers getting doxxed and getting death threats, they see lou stirring the pot (though thankfully it seems something has been done about that)
these creators know that stoking this kind of fandom behavior is not okay- they know that it’s a bad idea to reward toxicity and hate. they have also been the ones actively laying the groundwork for buddie for six years. a lot of the writers actually care about buck AND eddie, rather than just buck (regardless of whatever is going on in kristen reidel’s cesspool of a creative mind), and we know that queer eddie has been discussed at length before to the point where the queer storyline of s7 was almost eddie’s. these writers see what we see, the actors see what we see, tim minear sees what we see.
i don’t know what they have in store for next season, but regardless of whether or not we get buddie canon, i am very optimistic that the pilot won’t be around much longer, especially after the drama and toxicity he has stirred up within the fandom, bc the last thing a network tv show wants is bad press, and that situation has the potential to boil over into something much worse if they didn’t put a stop to it immediately.
anyway, anon, never apologize for sending a long ask, i love to yap and i love being an outlet for people to vent if they need to <3 i believe in you, that you will be able to withstand this blip in the fandom; as someone who’s had to go through similar situations in other fandoms it will not matter a year from now once everyone has moved on. unfortunately we are caught upnin the novelty of it, but once it either peters out or becomes a sort of “new normal” (which i hope it is the former and not the latter) it will be so much easier to bear with.
i hope you have a lovely morning, afternoon, or evening, sweet anon 💕💕
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dykeyangel · 3 hours
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the whole queer eddie being included in a queer characters posts reminds me of like when people were wishing the bucktommy date scene got cut instead of the eddie and buck in Bobby’s room and eddie praying …when there is that whole random ass scene with no real adherence to the plot or the characters with polly the neighbour right there as an option for them to cut..but no they wanna cut the scene with the mlm queer couple (that many mlm queer men in this fandom love) all because they hate tommy, can’t handle a daddy issues joke, and the fact that it’s not eddie with buck
yeah ultimately a lot of their cries for activism and queer rep are performative. they do not truly care about queer characters or queer representation and i think most people could smell that from a mile away. these people have always been way more concerned with their own ship than with anything else. they like to pretend that if you don't ship The Thing or if you don't hate bucktommy then you must not want eddie to be queer or even like his character and that's. a thought lol. but i think it's really interesting why they've come to that conclusion.
like for me, i love eddie enough that i don't have to change his character to make him something that i like. i love eddie enough to allow him to be his own character outside of my own interpretation of his queerness and outside of his relationship with buck. but at the same time i also love eddie enough to see myself in him and create theories about his identity. these two things co-exist: seeing the character for what the canon shows me he is AND seeing the character for what i'd like him to be. i think most people are able to find the balance and be pretty normal about it. i think these people are genuinely so far deep into whatever they want the story to be that they have to rewrite canon to fit that perception of the character and feel threatened when that gets pointed out.
which again, like i truly do not give a shit if you do cherry pick canon, just don't come for people who are like hey you know that's just your headcanon right? like don't act like your own interpretation is better than anyone else's. it's not, it's still just an interpretation. i do read eddie as queer while still acknowledging that within the canon universe, he is identified as a straight man by canon. which makes my reading of him just a headcanon (aka canon in your head but not anywhere else), no less valid and important but still not the story they may be trying to tell.
i've talked about this a little bit before but i think a lot of the issue here is the idea of playing nice and remembering that this is all pretend which i don't think they've really had to deal with before. a lot of these people have never been confronted with another big kid on the block. their ship has kind of held precedent for a really long time, along with their headcanons and their ideas of what these characters are. so now that buck actually is bisexual and is dating a man, who isn't eddie, suddenly their entire worldview of canon breaks down.
now there's canon gay representation. now you don't have a moral argument to justify your ship bc that thing you've been begging for, "canon bi buck/more canon queer characters" does exist. so now what are you arguing for? just a preferred ship? no that can't be, it must be more than, we must be fighting for something bigger.
but now you're forced to confront that it's all just headcanons and vibes and theories that have ran unchallenged for years and years. so now you have a group of people who do not know how to grapple with the reality they are being shown vs the reality they've created in their heads clashing against people who are fans of the same reality the show lives in and don't really care about the non-canon anymore. which, if that's your prerogative, if you prefer non-canon stuff, then go for it, that's what fandom is for, but the issue here is that they view this as genuinely a threat. they don't want any other interpretation. it doesn't just feel like a threat to their ship, it feels like a threat to the canon world they've created about these characters. they see other people coming in excited for something that isn't their thing, and now feel like we're taking something away from them. they don't want to see canon anymore, even if it's something they used to claim they want. they don't want queer rep, they want to be proven right.
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crusherthedoctor · 2 days
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Hey all, hope everyone's doing good. Thought I should give an update on my current perspective on things around here, as it's shifted for reasons I'll get into.
In a nutshell, I'm feeling better than before... but I also think it's time for me to semi-check out of current Sonic discussion.
By now, you all know that with the exception of Superstars and Dream Team - and Jimbotnik, because of course - I've not been enthusiastic about much of the current stuff. Whether that be the likelihood that they'll continue with a Frontiers direction, the SA2 milking that has made me more sick to death of its influence than I thought was possible, the Year of Shadow in general not being all that enticing if your top ten does not include him, IDW still causing the same repetitive back-and-forths with its characteristically terrible decisions and disproportionate praise from fans who don't actually buy the comic, various other bits and pieces that plant further Eggdad seeds into people's heads, a bunch of other stuff that I'm just apathetic about while everyone else goes crazy over them... it's not been a great time for me. I'm the Garfield, and the current direction is the Monday.
That would all be one thing, but as you may expect, it's the fandom that really irks me. I don't like how it's considered necessary to make every post a bestseller in order for your opinion to be seen as valid and insightful. I don't like how you're expected to not criticise something just because it's popular or "iconic". I don't like how everyone dedicates themselves to the same old lengthy discourse that will continue to not change anyone's minds either way, since the only people listening are the ones who already agreed with them. I don't like how you have Flynn/Archie/IDW stans on one side, and an increasingly common "Japan only, no one else should ever touch the series, also the Japanese fandom is the only one with good people in it, I was born in the wrong country uwu" mentality on the other side.
And... I don't like that I've brought these concerns up so many times before when I know it'll always fall on deaf ears. Why do I do this? Why do I bother? For the fandom, I guess. But if the fandom doesn't even respect me, if my words are always doomed to ring in an empty hallway, why should I bother?
While all this has been going on, the Paper Mario Thousand-Year Door remake has been on my mind quite a bit, as it has been for a lot of folk. As someone who has always loved TTYD, as well as the original N64 Paper Mario, I'm happy to report that I absolutely adore the remake, and quickly considered it a gold standard as far as faithful remakes go. :) There's a lot of reasons for that, but that's best for another time. Anyway, after a certain point, it occurred to me... hasn't it been a while since I've been able to just relax and join in on the hype for something? Hasn't it been a while since my opinion lined up with that of the majority? Hasn't it been a while since, regardless of not actually posting, I felt like I belonged somewhere, and wasn't being made to constantly feel like I'm worthless because I'm not an artist, animator, etc?
I think this is something I've been needing for a long time now. The irony of it coming from the bing bing wahoo man is not lost on me.
After how the past few years in the Sonic fandom have felt like a classroom more than anything, watching everyone repeat the same Why ___ Is Secretly Good/Bad three hour manifestos over and over, and flogging themselves for being Not-Japanese, can you see why the simple pleasures of "hehe Vivian :3" would appeal to me? Can you see why I'd prefer to unwind? I made a valiant effort, but now, I can't force myself to keep up with shit that I'm not passionate about for the sake of a community that doesn't care about what I have to say anyway. I need to find myself a place on here that I can be at ease with.
So what does this mean for my blog? Well, nothing too jarring, just that my focus may shift a little for the time being. Despite what all of the above may imply, I'm not turning in my Sonic badge. I still love the franchise, even if I'm not so fond of its overall current direction. And obviously, I still love Eggman, that'll never change. I'll still answer asks about the series, talk about things I like, reblog stuff I like, work on Stellar, spread Egg Propaganda, and so on. But unless I'm asked about them in certain contexts (ie: "how would you improve this character"?), I refuse to talk about IDW, Frontiers, or anything else whose contents and fandom circles cause me migraines.
Not because toxic positivity, but because after the joy of gushing over Vivian TTYD, and remembering the feeling of belonging, I can't do this again. I can't change Tails calling himself Wildly Inconsistent. I can't change The End being a nothingburger. I can't change Lanolin being an arsehole. I can't change Surge's shilling. I can't change how unprofessional the IDW crew is. I can't change what they're doing with Eggman, and various other characters. I can't change any of these things, no matter how much I or anyone else rants about them, and half the time, no one is seriously listening anyway. So many words for so little results. So I need to move on, stop wasting my time, and turn my attention on things that actually make me happy instead of just... deflated. Maybe if I do that, I can belong again. Maybe when the direction inevitably changes again in the future, it'll feel like it came faster.
So yeah. That's where I'm at now. I hope you guys can understand.
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fauzhee10069 · 1 year
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Hey I saw your post in the beefleaf tag about why you don’t ship beefleaf and I’d just like to say that even though I find your argument interesting … perhaps you can keep entire paragraphs about not shipping beefleaf out of the tag meant for shippers of beefleaf. It’s sort of impolite and I’m sure many shippers were upset by you tagging it that way and then saying “don’t like don’t read.” Yes they can avoid reading it but something against the ship just doesn’t belong in the tag. Hope this doesn’t seem too aggressive - I wasn’t sure if you knew the usual protocol for this sort of thing and I’m not good with words.
I already answered why I won't remove the tag here.
And again, I'D RATHER HAVE YOU BLOCK ME THAN REMOVE MY TAGS if you think that my post is an eye-shore to you.
Thank you for respecting my opinion but you're more disappointing than previous anon (who agreed to just block me) because I already give major warning in CAPSLOCK and bold for those of you who can't handle criticism for your favorite ship (Yeah, I think I have to add more "to block me" because of this).
Yes they can avoid reading it but something against the ship just doesn’t belong in the tag.
It still belongs to the tag because it’s about beefleaf. It’s not even an anti-post because it’s not all negative about them.
If you think the tag is exclusive for 'favorite things' or 'shipping' for liking, you need to learn more about tumblr in general.
I need the tag to sort my archive, it's more important than to satisfy you which you can handle it yourself by just hit (...) then block and...
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...your dashboard page is clean again from negative posts about beefleaf.
I’ve been in tumblr for a decade and as long as I know ‘the tag’ is not equal with ‘the fanclub’, it’s equal to ‘related topic’.
And tumblr will always be like this.
Unless the feature of creating exclusive group/fanclub can be realized.
Sorry for eventually dragging other fandom, but even ‘Final Fantasy 7′ with massive ship-wars handle this better, tag like #cloti or #clerith are not exclusively for what's good for them, even valid criticism often uses these tags.
I never experienced anything like this when I was criticizing #cloti, and over the time I actually grew to see the good side of said pairing.
The FF7 fans maybe just brushed it off or block the haters in silent idk, because I still can see the variety of the contents using those tags.
Or these #destiel posts: 1, 2, 3, 4, 5, 6 that should’ve offended destiehellers in ‘Supernatural’ fandom.
And with this much fandoms I’ve never experienced this tag-keeping before.
You need to realize that there must be a moment when someone doesn’t like what you like.
Do you think I’ve never experienced it? Many times I’ve accidentally found things that I love got severely criticized by others.
You may hate to see dust on your table, but you can’t just expect dust to never get on your table, you need to clean it by yourself.
You may hate to see a post you don’t like, but you can’t just expect people to stop posting it, you need to filter it by yourself.
If you really need a special space that contains only positive things you like, you need to figure out which platform that is suitable for that.
Tumblr is not a fanclub, it only provides you feature to block posts you don’t like.
Go make fanclub/livejournal/group/subreddit etc dedicated for beefleaf, anything that you have the right to moderate. Trust me, you won’t find me there to badmouthing them because I know my place.
Now, you add another reason why I dislike beefleaf.
I won't respond post like this again in the future.
Or probably stop writing TGCF related all together and leaving the fandom.
Thanks for being polite at least, but I still stand in my stance. At least you won’t find me writing about beefleaf or anything that doesn’t conform your expectation anymore.
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petricorah · 3 months
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scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]
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lucienarcheron · 3 months
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Seeing some of those comments on the fairyloot edition of tog gives me the ick so bad. this fandom can be so disgusting sometimes.
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rhaenin-time · 2 months
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No, House Targaryen is not inherently "doomed" by the very same flaws (and themes) that doomed the civilization that they left.
No, they're not fated to succumb to the Doom that they survived specifically because of the foresight that set them apart from everyone else who perished. Not only would it be terrible, simplistic writing, it would also endorse a terrible, simplistic worldview.
People choosing to make House Targaryen a representation of and thematic successor to not just the civilization that they differentiated themselves from, but the power structure that they chose to leave, literally divested from, and actively worked to prevent from rising again in another form... really rubs me the wrong way.
Why isn't this projection and generalization done for any of the families that come from the cultures that are not coded as other? Why is it only the family that's been separated from their cultural context? Why do the other families each get to be unique, complex manifestations not just of different aspects of their cultures, but of their own specific histories?
Why is the foreign degenerate family both a representation of everything wrong with the culture they come from, and a scapegoat for everything wrong with the system they assimilated into? How is it they represent everything bad about what they left behind, and also everything bad about the land they came to? Even though all those flaws are not only shared by the system as a whole, but are flaws that predate their arrival, that they were punished for resisting, and that they are demonstrated to be incompatible with. Why is it always both?
It just rings so familiar to the way so many people view the other in real life. Because the Targaryens are overtly, and intentionally written as the other. It's the reason so many people identify with them, and it's the very same reason that other people vilify them. They're not just the in-universe other to the 'default' culture established in the text, but they're also given characteristics that we, the reader and audience, can recognize as other and even sometimes anathema to Western Christian culture.
Perhaps the old tales were true, and Dragonstone was built with the stones of hell
A Storm of Swords, Chapter 25, Davos III
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I want you to ask yourself: Why is the idea of "fire and brimstone" evil?
To paraphrase the annoying people that love to cite Ramsay when they feel like it: If you look at a morally complex family surrounded by other morally complex families in a morally complex world in a story that's famed for seeking to challenge your underlying assumptions, and think that their association with fire and brimstone is meant to signify their singular satanic evilness, rather than say... challenge that very Eurocentric assumption, you haven't been paying attention.
This vilification mindset where the Targaryens are the singular evil of Westeros is so common to people who seem to want to consume ASoIaF without engaging with the criticisms of the Eurocentric worldview of history at the heart of it. And they end up using the convenient “others” to project all the wrongs of that world onto so they don't need to examine it any deeper.
This is the part where I so often get crucified!
This is the take that so often gets me crucified for "trivializing real world bigotry" in an attempt to "moralize interpretations of fiction" by an onslaught of people with troubling ideologies who then ironically steer the onslaught to moralizing their interpretations of fiction in a way that seeks to either mask or justify their troubling ideologies.
The worldbuilding of ASoIaF is an almost unparalleled projection of the Eurocentric worldview. That's what makes the world feel so rich. That's why GRRM and even the readers and audience are able to craft so many details that feel intuitive. But that also means that how you choose to interpret that world is often driven by underlying biases and ideologies that relate to that worldview — especially if you're not willing to challenge them the way George RR Martin does and encourages you to do.
It means that certain potential biases and ideologies people might balk at outwardly expressing in the real world are recontextualized in a way that feels more comfortable to indulge in.
There are countless examples from countless parts of the narrative. Honestly, you could fill books on the matter. But the one I'll point to right now is how the vilification I pointed out earlier is so emblematic of how the Eurocentric worldview often seeks to project their own flaws onto the other or choose scapegoats for systemic issues.
It comes from the same place with how someone pointed out that the baffling bastardphobia that would have medieval peasants giving the side eye is so often people jumping at the chance to “cosplay” as bigots who base their arguments in misogyny and bio-essentialism. Because it's an acceptable channel to indulge in that mindset in a way that they'd often otherwise question, or at least hold back from expressing out of caution.
And there I go again. "Moralizing fandom" for pointing out that fandom is so often used as a 'safe space' to build communities that share and spread troubling ideologies that you're not allowed to criticize because those ideologies have been 'appropriately' decontextualized from their real-world parallels, even though those parallels are still very much there.
But the problem is that it's impossible to simply 'channel' bigotry and leave it in an 'acceptable' space, because bigotry doesn't work like that. It's not a static object you can carry around in your pocket to play with when you think it's safe to do so. It's a blight. A living poison that feeds and grows and spreads. And if you give it a 'safe space' and continue to feed it with 'acceptable' fuel, it will always find its way out.
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beanghostprincess · 4 months
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When Robin was first introduced, she had been working with Crocodile in Alabasta for the past several years, so I could understand her skin tone being a little lighter than it used to be, but not this bad.
It's extremely fucked up. I would understand the "it was an animation error" argument if it wasn't because it happens with all the characters (not only Robin) and they're whiter and whiter each episode (even the characters that should be black).
If we follow irl reasoning as you say, then all of them should be tanned because they're pirates. They're constantly under the sun. But no, they go backward and instead, they lack melanin every episode. It was already bad, but Egghead fucked up big time.
And don't get me started on Usopp because people could use that excuse on any other character, but Usopp?? I truly, really, don't think it takes too much thinking to get that he's black and Toei just keeps making him paler than Sanji. It's ridiculous and racist and people who ignore it or say it's been talked "too much" (because people say it and apparently there's a limit for them as to how much you can complain about racism) always get on my nerves.
What Toei is doing is just disgusting and people defending it are always the ones who refuse to see any mistakes in the things they like. News flash! You can like something and admit it has mistakes.
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reel-fear · 3 months
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MIKE BLOCKED ME ON TWITTER FOR ROASTING HIS DUMBASS RESPONSE TO THE GRAPHIC NOVEL STUFF!!
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grown ass man scared of the 19-year-old queer being mean to him over his public meltdown more at 8.
#ramblez#little white boy sad? U sad bc nobody likes you? Bc u constantly make a fool of urself and show off ur distaste for ur fans? lmao#this is one of the greatest things to ever happen to me imagine how mad he'll be when he finds out the fangame Im making has queers in it#hes gonna have a whole other white boy meltdown on main KJSNFDGKJHFGKJHGKJHSDFGSD#hes so fucking sensitive maybe just get off of social media Mike this never ends well for you#batim#batdr#bendy and the ink machine#bendy and the dark revival#and look Im joking around about this but it really is sad that the bendy devs cant handle this kind of critique towards their decisions#it seems despite the backlash once again they are choosing to ignore their fans which is yknow upsetting#But hey ig if the devs being awful was a dealbreaker for this fandom I wouldve left a long time ago and I havent#dw Im not going anywhere <3#also if anyone else here was also criticizing Mike maybe check his acct to make sure ur not blocked now since apparently#old habits die hard and this is certainly a pattern with him KJHDSFKGJHSDKFGJHDFGSD#also look before anyone asks yes I was kinda mean to him over this but to put bluntly if hes gonna be this dismissive to his fans concerns#he deserves it. Theres this persistent attitude esp in bendy fanspaces of being defensive of the devs#and I dont know why they have been extremely horrible people every single chance they get#and its very hurtful to see how many people would rather tell me to be kinder to the people who broke the heart of a child me when they#dismissed any ideas of putting queers like me in their stories than to realize Mike n Meatly bring this bad attention to themselves#to put bluntly I dont owe them kindness not until they at least apologize for the shit they did which they still havent#mike hasnt even addressed his vent poem in the code of BATDR let alone the other shit he said n did#so no I will not be kind to him ever hope this helps!
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seventh-district · 26 days
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not even gonna tag this properly bc i don't wanna get Involved but i do have some Thoughts i need to get out into the void so here we go
(aaa quick edit: CW for mention/discussion of Boothill leaks)
#today's gone Badly and i'm upset but instead of venting abt it i'm gonna channel that energy into doing a bit of tag rambling abt Boothill#well. less abt Him and more abt uh. self-analyzing my anxiety surrounding contributing to fandoms. he's just today's catalyst#like. i know it's mostly a me thing. i'm hypersensitive to criticism and very conflict avoidant + socially anxious + perfectionistic etc.#so I'm the one that keeps myself from posting more stuff out of fear of being criticized or called-out for what i've made#bc inevitably Someone's gonna see it and think its OOC or a problematic take or they'll misread my intent. etc etc what have you#but like. that's inevitable. there's no way to communicate every single thing with all of the nuance required to avoid misunderstandings#and other times it's not a misunderstanding it's just a difference of opinions and that's Fine!! there's no accounting for personal taste#there's no accounting for several things actually. taste‚ bias‚ lore-knowledge‚ differing levels of chronic-online-ness‚ etc#so this isn't me complaining abt the state of fandom culture (although i do think. sometimes. ppl take shit a bit too seriously)#but anyways all of this is mostly just anxiety-fueled. it's not like i very often actually even receive negative feedback or anything#if anything ppl tend to tell me that i'm overthinking it and killing my own fun and worried that my stuff is more OOC than it is#which like. yeah. Yeah u right :) but that's just the way that i am! always losing the idgaf war i suppose#anyways what's Boothill got to do w this ur wondering. well. i've been thinking abt the quickly emerging concept that he's illiterate.#and it just. has me feeling a lot of ways. and watching ppl disagree over it has me feeling some Bad ways. bc it's def a loaded topic!#if you'll pardon the pun there. and i don't rlly have anything new to add other than that i'm conflicted abt it.#like yeah i saw the leaks days ago. of him mentioning 'not hitting the books' much as a child when we ask him why he sends voice messages#or voice Transcriptions ig. ykwim. and like. *braces for impact* ...i liked it? like. it doesn't feel right to call it endearing#i'm not trying to infantilize him. ok that's not the right word either but ugh. you know? what i mean?? who am i kidding even i don't know#it's not quite right to say that it feels like Representation either. but it's something close i guess#as a southern person myself who didn't receive a 'complete' education due to factors that weren't to do with my intelligence#the concept of seeing him as a capable force to be reckoned with and respected who also happens to have not received much formal education#i like that. i do. but there's so many issues w it at the same time. like. as i said‚ being southern myself has me Wary of the way Hoyo is-#writing him. as well as of the way that the fandom is taking the bits of his lore and running away w them. and i'm Very aware of how ppl-#will see a southern character and be All Too Eager to agree that they're lacking intelligence based on our Redneck™ stereotype#sigh. and before we even go too far with this. it's not even confirmed that hes completely illiterate. which is a valid criticism i've seen#there's Multiple reasons that could make him prefer voice to text. but regardless. i'm just worried that ppl will misconstrue my intentions#like. example: that edit i made the other day of him saying 'no thanks i can't read'. wasn't me playing into the stereotype of-#'haha dumb country boy can't read!' it was. in my eyes. something he'd say as a joke to make light of a potential insecurity#like. i think there's far more depth to Boothill's character if ppl could look past the surface. and i dont wanna contribute to the problem#but sometimes ppl Will have stereotypical traits and i wish the same could apply to characters as long as it's done Thoughtfully.
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kaladinkholins · 4 months
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i think fandoms can be soooo ridiculous a lot of the time (see: all the nonsensical fan wars, discourse, etc) but i cannot understate how much i actually love fandoms.
like yeah it may be super nerdy and even cringe and outsiders look at it like "why tf do you care about these fictional characters so much?"
but 1) my field is literally..... literary studies..... in which all i do is study fiction and analyse it like an insane person, and 2) even if that WASN'T my field, thinking about the stories we consume is important even for any person to do, because thinking about stories exercises our brain to think critically!! why do you think our ancestors used stories as a medium to share knowledge, to propagate moral values and lessons? stories—telling them, thinking about what they're saying, and caring about the characters within them—are all inherent to the human experience!!!
so that brings me to fandom. because we are literally just making these little communities with each other based on our shared love for a particular story, and for a particular character or theme within them that resonated with us, or whatever. we're all here because we loved a thing so much that we built connections from it!!!
like yeah my irl friends laugh at me when i tell them i write fanfic, cuz ha ha what a nerd what a loser etc, but dude. i made genuine real friendships from fandom alone. from just obsessing over two characters we thought were cute together, we've gone to sending each other gifts and postcards and having voice calls and confiding in each other and sharing parts of us and our personal lives and our cultures (cuz we're all from different countries) with each other! like now i don't even share a fandom with most of my old fandom friends anymore but we still stick by each other and that's amazing???
also like, i cannot emphasise enough how amazing and encouraging it is to share your craft (art/writing/etc) with others in fandom. because for example if i make my own personal art or write my own original work, i'd have no one to share it to, no one interested to see it, and thus no one will be there to provide feedback or encouragement.
but if i post a piece of fan art or fanfic, people actually do see the work i post and care about the craft and the content it's depicting and even share their thoughts on it and that ??? is so motivating and lovely ??? because even though i make art for myself, art is still meant to be shared and seen at the end of the day—even if only with one person. so to be given the means of sharing our art in such a way, to have such a community that fosters so much creativity, it's amazing. i don't really get that anywhere else.
and especially to have this in like, a casual setting, you know, where you can just be yourself and do things according to your own time and energy without the pretenses of professionalism and a perfectly curated resume or portfolio, and all the confines of a rigid work schedule, which would all make the process of creation less fun and less genuine, and instead just more taxing and chore-like.
because fandom is essentially meant to be about doing what's fun for you! it's about sharing your creations and enjoying what others share with you. you make friends and you go ham with it.
and also it's why it's more frustrating when people take things too seriously and legitimately get upset over assumptions of other people's beliefs and hold the most minor grievances that could only be felt if you're like, chronically online.
but on that note, there are definitely still honest-to-god bad people in fandom spaces too (see: racists, TERFS, homophobes, groomers, harassers, etc). but that's the case with all communities, because bad people are always going to exist, and thus statistically speaking, the bigger a group or community is, higher chances are there's gonna be some awful people in there. but honestly that is its own can of worms and also that's not what this post is about, but i felt it necessary to address because i don't want to paint fandom as like, the best thing ever in the world, because fandom spaces are incredibly flawed, as everything is.
but i've always been one to appreciate things despite its flaws. and though this may be very personal to me, when i love things so much, i am still willing to stick around and try to change the culture around it in the ways that i can (like promoting internet safety measures, creating safe spaces for thoughtful and polite discussion, raising awareness on harmful stereotypes and fandom depictions or opinions, etc).
so regardless of the bullshit that online fandom spaces tend to perpetuate, i do very much still love the way that fandom allows me to connect with folks over something as silly as our little blorbos, and from there end up making life-long friends, or at the very least new acquaintances. insert reinforcement of my thesis statement about stories fostering human connection here. the end. send post.
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