TLOZ translations always seem to be a bit shitty. I still see people talk about the weird translation of the Demise monologue at the end of SkSw. I think someone said that Demise was more general with his statement, as in there will always be forces from the demon tribe fighting against the light or smth? Not specifically "us three will always fight". (I've read it a few times, but hard to remember, sorry.)
(On the topic of SkSw, I kinda dislike how much it impacted theories within TLOZ, some theories are really cool, don't get me wrong. But now, even games that existed for years before suddenly are being pushed to fit with the lore presented in that game. Ganondorf being the best example: He no longer is his own character who did bad things because of his own will and actions, it's now "He did it all because an evil curse made him do it. He had no choice, he was born as a vessel for the demonic lord."
The implications that "the curse of Demise" also would mainly go for the already vilified race of the Gerudo, and make their one male an evil warlord is already kinda... yeah... no. (Not to mention that there are other demon lords throughout the franchise that have nothing to do with Ganon.)
Ohh speaking of this I recently saw this post that did a good translation of that very moment, and pretty much confirms what you are mentioning anon; that it's basically a promise of that cycle coming back moreso than Demise himself coming back (especially since his actual and definitive death is a big deal in that game).
But yeah, I agree it has taken a huge space in the way the series is thought about. I pretty much completely missed that hard turn, as I couldn't play Skyward Sword when it released and wasn't super into Zelda afterward anymore (I had gotten too edgy.... 2011 was the year where I got obsessed with every horror videogame in existence basically except for Resident Evil for some reason I could never get into that series ANYWAY WAY off topic........), so coming back a few years later had me very ???? puzzled about how the theories had reconstructed themselves around Hylia and Demise and endless cycles (it's not that it wasn't a thing before, but I wouldn't say it was as much a Series Trademark as it is now).
But yeah. Ganondorf having his own motivations makes him immediately stronger as an antagonist, especially since his deal is quite complicated all things considered.
I am having a thought about how a lot of Zelda villains' motivation is a sort of rebellion against nature. I have scratched enough digital paper about Ganondorf's situation, but like... Minish Cap Vaati is also very much motivated by his refusal to remain small and whimsical and seize power instead of staying in his lane (and then he gets horny in Four Sword so, maybe let's not go there), Zant is.... Zant, Hilda in A Link Between World has been cosmically punished for trying to reject the Goddesses and create a world on its own terms --like SERIOUSLY this is HORRIFYING I feel like we don't talk enough about how utterly nightmarish of a reality that paints for Hyrule as a whole-- Girahim is devoted but fights for the side more or less destined to lose... It's interesting how Hyrule is hostile to change and anything that threatens the statut quo.
(then you have the occasional Majora and Yuga, whomst I dooon't think really fit the above category --to their full credit! and then you have Bellum, who is..... a blob...... And I don't remember enough from either the Oracles game or about Malladus to put them in either category, I need to replay those games)
Hyrule really has this frightening quality to it when you stare at it for too long: that your two only options are to either graciously submit to your assigned cosmic role, or fight it and become darkness incarnate in some way. A Link Between World showed, quite starkly, that trying to escape that binary choice is *not an option*.
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God au
While stereotypically only criminals worship us up, that’s not entirely true. He is very commonly worshiped amongst gardeners.
Nope - poorer and middle class folks have gardens for food or medicine, so they thank Sanji or Chopper, upper class gardeners worked hard for their education in botany and since luck with gardening is more in being attentive, knowledgeable and patient, they mostly thank Robin and consider manipulation of plants by their own will as besting Usopp and the plant's own will to overtake or be overtaken instead of staying in the neat little rows and sections the gardener makes
Nomads worship Usopp, they reject reliance on agriculture, tend to rely on wild plants for game and shelter and medicine instead of the refined kind Chopper and Sanji tend toward. They worship Usopp for being nearly everything they rely on, everything they see and touch
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