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bl-recs-and-reviews · 1 year

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Zenra Meshi - Naked Dinner

Futa Ichijo, who likes to eat naked as a way of relieving stress after work, one day gets caught by Mahiro Miki, the owner of a fruits and vegetables store.

watch the trailer here

#全ラ飯 #zenra meshi #naked dinner bl #bl news #yuutarou #shori kondo #honestly I like the premise #it's weird as only japan can be #and I like seeing yuutarou in a bl again

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isjasz · 5 months

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Part 1- The Orphanage

IT BEGINS WOOOOOOOO this was meant to inform ppl of the lore in tpn for the sake of the au then it got out of hand helpme

Designs | Part 1 | Part 2 (End)

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thestobingirlie · 1 year

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“eddie is actually super smart and he didn’t want to graduate” or “eddie is actually a genius. all his teachers just held him back.”

boooooo. hiss. let eddie be bad at things. he very clearly desperately wanted to graduate, he was trying in lessons. he just wasn’t naturally good.

#if it was just the occasional fic i wouldn’t care. because it is an interesting premise #but why does everyone have an inability to accept that eddie isn’t academic #i honestly think it comes from people wanting eddie to be smarter than steve. and not being able to accept that in this regard.#steve is better #like. eddie didn’t graduate. steve did. why do people make out like eddie is sooooo gifted and steve is as dumb as rocks #let eddie struggle with school #eddie munson #stranger things #my post

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epicdogymoment · 3 months

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#leologisms #leography #gintama #for a second can we all pretend like hijikata is pictured wearing tabi more often than he actually is. thanks #multiple things. one. i probably shouldve pushed this one further but unfortunately im relearning how to draw (head in hands)#two. i dont think this image is Real (as in. i dont think that this is something that would happen from what i remember of the dkbk arc.#which is honestly not a lot. but from what i can remember of the premise. combined with followkata followshirou being dedicated to #playing the role hes given. or that he thinks hes been given. i dont think this would happen) BUT i wanted to draw it so what. ever.#the haterisms. may it further embolden me to create what i want to see in the world #ALSO the sword looks like its just coming out of nowhere bwaaaahhhhhhhh <- 🎺

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greenerteacups · 2 months

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hi GT!

Lionheart had me the moment you kicked it off with “it’s a nice day to start again.” Might i ask why you chose that particular line?

And, if you havent already answered to this emoji:

❄️

P.s: you have my eternal gratitude for creating the most brilliant piece of writing i’ll ever read. I shout about it from the rooftops, share it on my socials, requested my spouse to read it so we may discuss it together (in lieu of a present for my 30th birthday), et cetera.

I see from your URL you are a fellow lad of taste.

There's a couple things going on in the epigraph for Book 1. On one level, it's a lyric from the first muggle song I picture Draco listening to on his walkman at the end of the book, so there's a cute full-circle thing there. The second layer is the theme of change and redemption, which, in Lionheart, doesn't so much come from major moments or self-sacrifice, but from the slow, grueling, everyday work of living, and living better. It's a nice day to start again because every day is. You always have the opportunity to start making better choices, no matter what lies behind you. That's the thesis of any Draco redemption arc, right? You have to imagine that he could have chosen to be better.

And then thirdly, there's the audacity of doing a full Hogwarts canon rewrite, a good 30 years after the original books came out, millions upon millions of words of fanfic later, and basically asking everyone to read the same story they did the first time around, only different. So it's a kind of winking entreaty. It's saying to readers, many of whom are understandably wary of doing it over, zeroing out the characters to starting positions, and starting from the beginning with 11-year-olds all over again. It's going: "hey. That was fun, right? Why not do it again?"

#thank you so much for the compliment -- honestly it's terribly kind #i hope your spouse likes it. for their own sake also because by god that is so much assigned reading #you're iconic for that tbh. all birthdays should come with a syllabus #oh! and ❄️ ⇢ what’s your dream theme/plot for a fic #and who would write it best?#tbh i've wanted someone to write a really good pacific rim AU for years and years #and it has always fallen juuuuust low enough on my writing pile for me to never get around to it #like it's always the thing i want to write 3rd most and i only let myself have 2 projects at a time #not sure who would write that best - I think anyone who loves and Gets the movies #the premise of which is 'what if you and your soulmate could pilot a 50-foot mech by having mindsex so good it killed godzilla?'#and if you don't want to stand up and cheer just thinking about that i don't know what to tell you. perhaps you have never seen a movie #also like it's about love and trust and trauma and healing. AND killing really giant monsters #and it takes itself JUST seriously enough to nail all of that without getting mopey or goofy #movie of all time. someday i will kiss guillermo del toro on the lips #in my (delusional) world his oscar win was actually a belated award for pacific rim.

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arty-cakes · 6 months

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As someone somewhat new to the Fandom who really wants to write Bretta in an upcoming (non-shipping with her) fic... What would you say are the biggest pitfalls in characterization for her?

anon i've tried to answer this so many times without turning it into an essay 💔 (i've decided instead that i'll make a separate headcanons post with all my thoughts because I have quite a few for a lot of characters so it'll be fun to talk about)

but my biggest issue that i end up seeing a lot is when people have her running straight back to ghost and then have the narrative act like its a good thing. that never made sense to me, but also i just don't see her doing that. with the way she perceives things i think she wants to feel important and have incredibly high standards (like shit have you seen her house. she is a Lady.) so even if she realizes zote was wrong about them, she's kind of just as stubborn as he is about what she wants and i think that if she decides to do something or leave something behind she never goes back for it, like her town and her crushes. i actually think its pretty cool. let her be unforgiving let her be a little ruthless. You can have her and ghost interact in other ways but it should be clear that her obsession with them wasn't supposed to be positive it was supposed to be VERY absurd but i feel like sometimes ppl forget that

also when people simplify her and she's just there to glorify other characters... you gonna include this complicated weirdo in your story just so that she gets wasted on other people girl 😢 i always feel so baited lol. same goes for zote bigtime except he's only there so that every single character can hate him no matter how much it mischaracterizes them in the process i hate it here

#i really want to expand on these in a future post whenever i can because honestly why not #btw i have yet to read your fic but i like your premise very much! thank you for letting me rant a little about this lol #this has been in my drafts for days im releasing it #ive got a ton of headcanons i want to talk about that expands on these! just my personal viewpoints :p nothing super serious at all

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revelisms · 1 year

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Braindumping about Silco and Vi, because these two are such fantastic narrative foils for each other—and, in the same breath, completely cut from the same cloth.

I keep wishing they had more scenes together, another square-off, something to put them head-to-head—because there's so much potential for them to counteract the layers of each other.

At the root of it all, Vander's looming between them, this monolith of a presence that ties their pasts together. But above that, still, we have Jinx—who not only is their driving tension, but their greatest possibility for reconnection.

Here, we have Vander's daughter—someone who, for all intents and purposes, has become what he wanted, but who has also been someone he saw too much of himself in; who he did his best to reshape, instead of enable, and who put him on a pedestal, and truly saw him as hers, more than perhaps anyone (except, well, Silco).

Vi treasured Vander, fully looked up to him as her father—and losing him shattered her. In between all the layers of it, there's this underlying thread in his actions towards her, a tension that just sits with her through Act 1—Do as I say, not as I do (or, rather, as I did).

Here, we also have Vander's partner—someone who knew him before, knew what he was, what he resented, and what he became, instead; and who bears the scars of what all their fallout grew to be. Someone who holds the memory of him tangibly, in multiple respects, as though it is something he physically cannot sever: Vander's knife, the Drop—and even, in some ways, Jinx.

Silco is still clinging to the idea of Vander, throughout the entire series. To the potential in their reunion at the cannery; to the reassurance of what he knew him to be (I knew you still had it in you; Vander wasn't the man you thought he was); to this need he has to still speak to him, even after everything.

But Vi was raised with the burden of being the eldest; being the one most capable of providing protection—and, as a consequence, with the burden of responsibility.

She's not only a sister to Jinx. She's a guardian to her—and in many respects, a stand-in mother. And Silco, as a surrogate father, is standing right in the middle of that. A roadblock between "Powder," as Vi knows her sister as, and "Jinx," as Silco knows his daughter to be.

Right at the forefront, we have so much conflict here. Vi is so similar to Vander, to the point that she is nearly his spirit incarnate—so much so that having her resurface from a presumed grave just sets fuel to fire for a vendetta Silco has never been able to snuff out.

But beneath that—far beneath that—they have so much in common. Vi's headstrong rebuttals in Act 1 about going against Piltover and striking them down, about being made to feel lesser her whole life and needing to fight against it, just sings with Silco's anger in the cannery (You'd die for the cause, but you won't fight for one?).

These are two kindred spirits, two revolutionaries willing to do anything for their city and those they love, and who aren't afraid to fight for it. Who want to fight for it.

But trapped between it all, we have Jinx. Someone Vi is not willing to sacrifice (i.e., her memory of Powder), and who Silco, by the end of the series, isn't willing to sacrifice, either (i.e., his loyalty to Jinx).

Vi, of course, could never fathom Silco being a father to Powder (how could she, after he is the reason Vander was taken from her?)—and looks for justifications for her hatred, in everything he does.

But the unfortunate truth of the matter is that for all Vander cherished and nurtured Vi as a vision of himself—so has Silco, to Jinx. He sees himself in her. He has empowered her, cherished her. He is so incredibly tender with her, in his own ways. And—for all his absolute faults, his skewed morals, his tunnel-visioned zealousy to achieve Zaun—he is a good father to Jinx, just as Vander was a good father to Vi.

The question I keep finding myself mulling over, though, is whether these two could find elements of that, once again, in each other.

There are so many things Silco isn't—not only in Vander's shadow, but simply in the character that he is. He doesn't come in swinging; he plots, he strategizes, he fights with words. He isn't a warm presence, or a jovial one; he's chilling, he's dry, he's distanced. There are countless contradictions one can draw between the two of them—and so many layers one can tease apart, on how their opposites attracted each other, how they worked (a balance that will no longer ever be).

But there are so many things Silco is. He's critical, he's fiercely rational, he knows how to weave a crowd around his finger with a single intonation. He admires the outcasts, the scrappers, those that have dredged through society to claw for what they can. He surrounds himself with them—and he operates alongside them, as an equal as much as an usurper.

He's a flavor of parenthood Vi didn't receive, but could have—the one that would have validated her need to fight; who would have taught her that strength comes in numbers, not in one's single ability to protect; who would have seen her snarkiness, her quick wit on her feet, and taught her to use it to her leverage.

The tragedy of the whole series is that Jinx needs them both to have balance in her life—to keep the tether of her child self and her trauma from splitting her apart at the seams—yet for Silco and Vi, as the narrative destines them for (and as it destined Silco and Vander for), any semblance of a connection between them is doomed for destruction.

There's too much they hold fiercely to themselves, in their own traumas, that they cannot set down—even for the sake of Jinx's needs. They are equally selfish, in that way. They want the version of Vander that they are not willing to let go of; and they want the version of Jinx that they know her to be.

But they could change. They could.

Silco did, by the end. Chose his daughter, his legacy, over the cause, over his vision of progress. And Vi did, too. Chose "peace," chose to set down the gauntlets, chose politics (and—arguably—complacency, in the same way Vander did) as the path forward.

But what if they set it all down, for Jinx? What if they became what she needed, on both sides? A father who sees her, nurtures her, like Vander saw and nurtured Vi—and a sister who loves and protects her, like Vi loved and protected Powder; who could learn, maybe, to love and protect "Jinx," too?

And maybe—just maybe—Silco and Vi could learn to appreciate each other, for all their surface hatreds. Find mentorship, find balance again, in each other. And through it, Vi could learn that protection, responsibility, isn't the only quality to strive for. That even she can be nurtured again, too.

#yes this is rapidly becoming the entire basis of heron blue and yes this is the central premise of the WIP i'm working on #shhh #listen these two are just #hhGHGHGH #silco and jinx have that special dysfunctional flavor of daddy issues out the roof #but let's just talk about vi with all that for a second #like????#yes she will loathe silco until her deathbed for taking vander from her but like...vander gave this girl parentification issues for DAYS #there's some complications big time on both sides #arcane #rambles #arcane meta #arcane vi #arcane silco #arcane vander #i know i have completely left caitlyn out of the equation here #honestly - i could see their relationship developing more...genuinely's not the right word but?#separate from the context of vi being freed from prison?#something that comes more naturally from them seeing each other in their own contexts/working environments #and admiring/appreciating each others' opposites all the more for it #also just like #this is what jinx NEEDS it is the whole shakespearian tragedy of the entire conflict with these three #and the total angst ball of what that *could* be is just divine

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bananonbinary · 5 months

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oh my godddd just got recommended a post about how the slay the princess fandom is misogynistic and giving in to "the trend where fandom ignores the female characters" bc people are having fun shipping the voices. several comments were like 'ugh i know its so bad already ://" shut up. shut up shut up shut uppppppp

the slay the princess fandom is VERY small. if you check ao3, we've got less than 200 fics total. and guess what? the hero/princess ship is by FAR the most popular. the voice ships are miniscule in comparison. if people playing with m/m ships at ALL bothers you, you may in fact just be homophobic. (and maybe instead of bitching about how what a handful of other people create isn't to your liking, you could like. create something yourself.)

#fan wank /#i dont get too into actually angry fan wank like this very often #but oh my god #one of the comments said it 'failed the bechdel test'#IT HAS TWO CHARACTERS #THE GIRLS DONT EVER TALK TO EACH OTHER BECAUSE WE ARE IN THE BOY'S HEAD #ITS PART OF THE FUCKING PREMISE #(arguably 3 characters ig if the narrator counts as 'separate' but tbh im not sold on that)#anyway my friend wrote some very fun f/f about the nightmare and advarsary meeting within the shifting mound #i honestly think that if we WERE in the princess' head we'd see a lot like that #except we CANT be in the princess' head by definition bc she is a reflection of what the mc thinks of her #it HAS to be from his perspective

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carnivalcarriondiscarded · 10 months

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Is there a post explaining the fnaf Lights Out AU lore?

hold on FNAF??? WYM FNAF GET BACK HERE

#im trying to connect in my mind what the correlation is #fnaf... lights out...#both have at least One puppet.... both have taken place in at least One abandoned building....#uh... its usually dark... there is at least One murderous non-human being....#though honestly i could probably explain fnaf lore better than i can explain the au #cause like. how Do i explain the lore. dym the basic premise? something else? i dont do well with vague questions sorry!!#rambles from the bog #god... fnaf... i cackled but im So confused #yeah puppet. dark. abandoned building. uh. lotsa names ending with a 'ee' sound. a chicken character.#characters beloved by children becoming horror stories #aaaaand those are the only connections i could find #oh wait both have a superstar!!!#god... glamfred come back we miss you.... snf sob wail...#i need new encouraging gay bear-dad voicelines.... even if hes just a head now #everyone @ ruin!freddy: so no head?#SORRY sorry this was a wh ask... you just cant bring up one of my longest running interests and expect me to be normal about it <3

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evadingreallife · 2 months

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Just watched the first tadaima okaeri episode and yes its cute and all its just... uhmmmm... how in the world did they manage to have non tradional abo dynamics be the traditional abo dynamics?? Also like, are all kids in this universe adopted? Surrogated? I mean its abo for a reason, if you tell me the traditional couple is alpha+alpha etc how are they reproducinggggg

Edit: someone posted the manga explanation

#tadaima okaeri #cmon i cannot be the only one wondering that #maybe alpha+alpha= baby does work somehow?#what in the omegaverse is going on here here #is it like a few abo where female alphas still have a uterus?#but in that case the mc omega wouldnt have one....#im perplexed #IM JUST WONDERING since the premise is be abo but its all scrambled already lol #anyways if there are any manga readers feel free to explain im curious #AT LEAST all this is what i got from the first ep maybe ive misunderstood something here #honestly i dont love the omegaverse lore the manga gives that are shown in the link above #seems very off as an omegaverse #also omega having lowest fertility rate??? since when???#anyways artistic freedom and all that i guess

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utilitycaster · 1 year

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Something I've been thinking about a lot lately is the importance that mechanics and external factors have in understanding actual play, but how it's also really important to understand that the instant one leaves actual play as a medium, even if you are adapting the same story, you need to leave that behind.

I think the easiest example would be Scanlan's 9th level Counterspell. In the context of D&D 5e, we understand the following simply from the word "Nine": it is his highest spell slot; he only has one per day; and he has just expended an incredibly valuable and powerful resource that means he cannot use any spells that require it.

In an eventual adaptation, however, this is meaningless. That doesn't mean you can't depict something with a similar emotional weight and meaning; it's just that it will need to be portrayed differently (perhaps as an expendable scroll). The idea of "this is both very necessary to do and very powerful, and also is an immense trade-off" is what's important but the mechanics of it will necessarily fall away when you're no longer bound by mechanics. If you're adapting actual play or writing fic about it? You do need to have some degree of treating magic as a limited resource per day and staying true to broad abilities, but the idea of spell slots is "how can we provide limits to this storytelling system so that it is also a fun game" and the idea is that if you are looking at the story, and not the game, no one is saying "I have no more spell slots"; they're saying "I'm drained and need to rest before I can do more magic other than the most basic things."

(Note - this is fine in-game though. Like, yeah, ideally, no one would shout INSIGHT CHECK and would instead bring it up narratively but also...this is a dumb hill to die on, and I will die on a lot of hills. It is in fact fine while playing the game to acknowledge that you have spell slots and would like to make an investigation check instead of saying "I can do...some magic but not a lot, and I look more closely at the carvings on the wall.")

I think what also trips people up is that DMs in combat are limited by the rules of combat, but outside of combat, they really aren't. To give an example here, Ludinus casts a spell on Kadija that isn't clearly Feeblemind - she clearly has been reverted to the mindset of a young child or similar, but mechanically doesn't act as though she is INT 1, CHA 1. It has similar vibes but isn't quite the same.

This is totally fine and only the most stick-up-their ass pedant would fuss about it. It's a homebrew spell. It's a magical effect for a monster stat block. It is completely okay that it's not exactly a match for a spell that exists. The point is that it fits the broad logic of how magical effects work in the world (a targeted save that she fails; curable) and furthers the story. (Another example is Caleb's backstory re: Vergesson, or Veth being turned into a goblin; ultimately, it doesn't matter exactly what happened as long as we get the gist, because they both fit into, for lack of a better term, the vibe of the magic).

One last related thing is that metagaming in the sense of like, actively trying to twist the scenario to your advantage based on information you as a player know and your character would not is bad (eg: if you know a certain monster is vulnerable to a certain damage type but your character has never encountered it, and you use something extremely atypical for you to leverage this? not great); but I also think fear of metagaming kind of goes too far at times, and stepping back and remembering this is a narrative and not just a rule set helps here. To give an example here: Fearne and FCG hadn't met Caleb and Beau, but as eventually was actually discussed at the table, they still do know that Ludinus and Otohan = bad guys and so it's valid to say "hmmm, freeing their prisoners is like, not a bad idea if only for the chaos." Your character might not know the characters in-game, and they certainly don't know them out of game, but I think a lot of people overcorrect and you don't need to.

This is tbh another case in which I would recommend D&D Court from NADDPod, because they do handle a lot of metagaming-related cases where people are getting far too obsessive. The fact is there is a lot of metagaming happening anyway. If your players seem upset you stop even if the characters wouldn't likely be upset. The famous Sam Smorkel joke works specifically because, on some level, no normal person would speak to Sam Smorkel first, and your players are doing it because they have medium awareness. Metagaming is constant, perfect immersion is rare, and keep an eye out for it but usually metagaming that does cross the line is pretty egregious and the rest is overly concerned.

#long post #cr tag #i also have a separate thought on like. external factors a la ashley being absent and such #but honestly that shit isn't d&d specific and on some level when people are like SEEMS LIKE A COINCIDENCE #It's like. yes this is how fiction works. there are premises on which it rests that might seem far-fetched. can you understand this.

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sparky-is-spiders · 6 months

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Normally meh about soulmate aus but I think a Jonsasha au where they aren’t originally each other’s soulmates until they both start becoming the Archivist. They make themselves the other’s soulmate without even meaning to. There is no one else who could understand them. Soulmates because they are two halves of one monster. The Archivist is only complete when they work together. When they become one mind in two bodies. By the time the world ends their soulmate marks have already been warped beyond anything that could be understood as a soulmate mark by most.

#although honestly you don’t even need a soulmate au for most of this #just the marks I think #watching your mark change and knowing that what’s happening to you isn’t the machinations of fate #or a predestined occurrence #but a CHOICE #if you were meant for each other then maybe becoming a monster was just what was meant for you #but that’s not what happened. the marks changed. you chose to become this and you chose each other #normally I’m not super big on soulmate aus?#like I’ll read them if I like the ship or the premise catches my eye #but I don’t often think about them or seek them out unless I can find something to chew on #and I like the idea of jonsasha as eldritch soulmates #warping each other’s fates with the weight of their choices #I’m not even hyper fixated that much on tma anymore but I still love this ship so much #so much potential I love to chew on Them #jonsasha #since this’ll probably show up in the tma tag:#please no j//mart or martin #I don’t like the ship and I don’t like him #I’m not sure how many people will read this far into the tags #but I always feel like I’m throwing a fit over nothing putting my ‘no martin’ request in the actual post itself #tma enjoyed unfamiliar with my martinhate I am going to trust you to either read the tags or to not see any reason to bring martin into #*enjoyers #my nice wholesome eldritch soul-warping jonsasha au #do not let me down #jonshipping #<- tag for putting jon into relationships so that I can rotate him like the pretzel #also also not mentioned in this post but jonsasha are t4t #ok that’s all thank you #goodnight tristate area

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kidsnextdoor-doodles · 2 months

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If combining KND with any random ass interest I got was illegal I’d be in jail for life

Well

Hey what if I made an Ever After High AU

#LOOK!! Look! I like fairy tales #I like knd #and I like the premise of ever after high #well not just the premise I like the characters but the premise is the only part needed for a KND AU #also the shannon hale books are the best source don’t @ me #honestly I’m just struggling to come up with fairy tales for each character #and not just resorting to assigning my favourite characters to my favourite fairy tales #because I need them to be accurate!!#though I think I can immediately assign kuki to be a wonderlandian #knd #codename: kids next door #kids next door #I’m probably not going to tag it as Ever After High au because I don’t think it’ll be set in a high school #I still want to keep some KND elements #april 2024

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blepzebul · 5 months

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is this a safe space … a lot of hazbin rewrites don’t scratch an itch in my brain bc they don’t expand upon the “surviving hollywood”-esque undertones of hazbin’s premise that made charlie so charming as a protagonist, in the pilot at least ;;

#txt #hazbin critical #this is VERY opinion-based so take it with a grain of salt #you could even argue it could play into how the known overlords/sins are industry-based #like .. if u’ve seen cats dont dance u might get what i mean right?#this notion that charlie’s obstacles are also other demons who aren’t as influential as her #but they’re ultimately the ones who make the world go ‘round #bc they’ve *presumably* been in this gig for far longer than she has #its honestly why i was still interested in the premise even if i didnt rlly connect w/ the chars #and i generally tolerated how charlie is the princess of hell and yet SHE is bossed around

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the-halfling-prince · 2 months

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I can't believe Extreme Roller Derby isn't just a bad April fools joke...

#If this concept properly makes it off the ground 😬#They're not allowed to wear helmets. Or toe stops. What.#WFTDA: trying to get taken seriously as an actual sport #Extreme Roller Derby: ✌️#Honestly I would think it was a bad April fools joke if I hadn't seen people posting about it yesterday #So far almost everyone that's a part of the wftda I've only seen hate on extreme Roller Derby.#It's such a catastrophe the entire thing like I can't even begin to explain the entire premise #I'll be surprised if anyone actually joins that train wreck

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noxumbra · 8 months

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This image is old as hell (2021). It was made around the same time as my fake Jerma ad, but I never posted it for obvious reasons, lol.

This ad is based off of those weird romance Renta ads I used to see all the time.

I made a whole bunch of fake ads for a point-and-click Wix site game I made (which is now defunct). These showed up as you scrolled through a bunch of fake in-game websites.

#The other ads were pretty lame and standard comparatively. This and the Jerma one were my favorite fake ads I made lol.#I was on speedrun mode trying to make this so no one seen it before the website was unveiled for Christmas. (1/2)#Also because I was embarrassed at the thought of having to explain what I was doing before it fully looked like an ad lol (2/2)#I considered drawing Naruto and Sasuke's faces myself but the idea to just paste them in was way funnier. Sasuke is straight from the manga #They're also supposed to be in a sauna but you can't really tell lol #my art #my edit #fake ad #fake advertisement #suggestive #naruto #narusasu #webcore #old web #I have an ad blocker now so I can't see those weird webtoon ads anymore but honestly I miss them. They were always hilarious to me (1/3)#Like the art and premise was always so crazy and for what? I'm waiting to watch a baking vid and I get an mpreg yaoi manga ad instead. (2/3 #Honestly respect though. Those ads always made my day. Give me something crazy instead of the same three instagram ads any day. (3/3)#also sorry to anyone who had to see this lol. I'm posting it for archival reasons and also to match the Jerma ad.

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