You complain about the life that you chose! You’re not a victim! Not at all! Your generosity conceals something dirtier and meaner. You’re incapable of facing your ambitions, and you resent me for it. But I’m not the one who put you where you are. I have nothing to do with it! You’re not sacrificing yourself, as you say. You choose to sit on the sidelines because you’re afraid! Because your pride makes your head explode before you can even come up with a little germ of an idea! And now you wake up and you’re forty, and you need someone to blame. And you’re the one to blame! You’re petrified by your own fucking standards and your fear of failure. This is the truth!
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It's kind of funny that Kendall and Shiv are both equally delusional about their ability to charm people for business and somehow think they can do it even though they choke almost every single time, whereas it's like the one thing Roman is consistently good at despite being the "least legitimate" option.
I think part of this comes down to the fact that Shiv and Kendall both have very clear ideas of the versions of themselves they're trying to be and the images they're trying to project, and they're trying so hard to be seen that way that they end up coming off as a little desperate and off-putting. Meanwhile Roman "knows" that there's something wrong with him and he's worthless, so he doesn't get sucked into the trap of trying to force people to see his idea of himself and instead molds himself into whatever he thinks the other person wants from him because that's the only way he can compensate for "being him," which works very well in the short term but also means he's the least capable of maintaining any relationship for very long because he has no sense of self.
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I don't need to see a therapist I got my own online emotional support twink network.
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I will be on my deathbed and I will still be like
he dug him out of the grave and crushed him in his arms and told him to never scare him like that again
she was crying and he knew her struggle to be good so he told her that’s what makes them ‘them’. that they are the protectors and do what others won’t to keep their found family safe
he said that he liked how she turned out
he said he doesn’t work alone anymore
he had to stay calm as his best friend was drowning behind him
he volunteered to kill for her even though he doesn’t kill anymore simply because she was sad and asked
she asked what the worst thing he did was and he said he would tell her if she really wanted but begged her not to because he didn’t want her to know that dark part of himself that he loathes
ROBOT BODIES
his eyes told her kiss this man because I can’t
’til his dying day
she said that for better or worse, they change together
‘are you okay?’ ‘I don’t know’
they lived together for over a decade
(I don’t believe in luck) (I don’t need luck) kiss for luck
he said he isn’t going anywhere no matter what
he bought him a brewpub
time and space can’t keep them apart
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Hi Bones!! Thank you for you hard work on this project and for sharing it with us!
I've seen your posts about weird representation of society (regarding the "natural order of things") in xenofiction, especially in lion king, so I wanted to ask:
could you recommend any xenofiction media that has all (or most of the) animal species sapient? Or is the only solution to make just one or two species sapient while the others (especially prey) are plain animals?
Really sorry if you've seen this ask from me before - my account had a weird laggy period when I couldn't send or receive messages and asks, so I don't know if you got the previous one! I just know that now it's fixed so I double all the asks sent haha
Honestly I'm not totally sure! If any 3rd person has some good recommendations for "every being is alive" xenofiction types, feel free to weigh in.
If you want to jump in with me though, I am following the webcomic Africa. It updates every Wednesday. Africa is about a mother Leopard on the verge of a great ecological disaster, the relationship between her children and the animals around her, and the strength of both instinct and choice as the characters face an uncertain future.
Since it's ongoing, I still don't know how it's going to end and can't judge it as a full work! But it's absolutely fascinating and I think the author is doing a fantastic job so far. Bonus points for the way it portrays humans, btw.
No more spoilers though, if you're interested, it's on Webtoons.
(I'm also planning to read Oren's Forge soon. Ask me about it again in a few months over on Bonebabbles and I'll give you my thoughts)
As an aside though, funny you mention it because like... ever since I was a kid I've had a story I want to tell with the premise. It's a scintilla I've kept close to me for well over a decade but haven't done anything official with. So this is actually a theme I've thought about a lot.
It's rare to see it done well though because like... its very premise butts heads with reality. The "natural order" that an animal follows is not something it moralizes. A tiger doesn't have the capacity to think about how fucked up it is to kill to stay alive, the deer doesn't know that if its population isn't controlled it will destroy the forest.
They're animals. They don't HAVE that agency. Your dog does not care about being sterilized. A snake doesn't differentiate between a pinky and an adult mouse except in terms of if it will fit in its mouth. But the minute you put human morality in there... they have the ability to reason, create and agree on the rules of a society, make choices about MORALITY.
If nothing is going to change about their world, you just end up putting human arguments about "natural order" in their mouths and, well... start telling a parable justifying this "natural order."
(Genuine) Does what I'm saying make sense? Animals DON'T rationalize or negotiate. HUMANS do.
So the minute you're approaching a world with that logic, like it or not, you are invoking those "arguments from nature." And you're putting them in a being that is not fully an animal or a human, but an anthropomorphic mix which CAN rationalize but WON'T make an effort to change their world.
(Which is why tbh the best examples i know of are works with a theme of "change.")
OH WAIT I also remember another that's interesting!! Leafy: Hen into the Wild actually has a fascinating take on it. It's not interested in "moralizing" or really being about an animal society. It's a very emotional sort of movie, and it's about joys in adversity, the freedom that choice gives you, how bad things are going to happen and you can never completely prevent them.
INTENSE movie emotionally, the ending will wreck you (especially in the English translation which leaves out a really important theme making it feel abrupt x_x) but it's really good. Check that one out.
OH and also You Are Umasou. That one has more pitfalls imo (it does try to moralize a bit) but it's super unique as a movie. And is about dinosaurs.
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