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#his best performance
dickfarmdunnz · 1 month
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Say my name
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shinelikethunder · 3 months
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You asked me to teach you chess, and I've done that. It's a useful mental exercise. Through the years, many thinkers have been fascinated by it. But I don't enjoy playing. Do you know why not?
Because it was a game that was born during a brutal age when life counted for little and everyone believed that some people were worth more than others. Kings and pawns.
I don't think that anyone is worth more than anyone else. I don't envy you the decisions you're going to have to make. And one day I'll be gone, and you'll have no one to talk to. But if you remember nothing else, please remember this:
Chess is just a game. Real people aren't pieces. You can't assign more value to some of them than to others. Not to me. Not to anyone. People are not a thing that you can sacrifice.
The lesson is: Anyone who looks on the world as if it were a game of chess deserves to lose.
— Harold Finch, not knowing how to explain to his AI offspring that it should care about people (but doing his best), Person of Interest 4x11 “If-Then-Else”
youtube
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caemidraws · 18 days
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--- [gift for @persychan]
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sunsetandthemoon · 7 months
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"Sand. I'm sorry. Can you please forgive me? I was stupid. But I want you to understand me. I was mad at you because I cared so much about you. You can be angry or hate me all you want. I know now that you want nothing from me. On this Earth, there's no one who's more caring or loving than you. Though I've been nothing but an asshole to you, you are always there for me. Sand, please understand me. Being with me requires some patience. But if you don't want to put up with me anymore, that's alright. I get you. No one can put up with me."
Only Friends (2023)
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wasyago · 9 months
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im just gonna uhmmmm leave this here
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blackthornluce · 1 month
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the endless list of my favorite movies : Shutter Island (2010) directed by Martin Scorsese.
-You know, this place makes me wonder. -Yeah, what's that, boss? -Which would be worse - to live as a monster, or to die as a good man?
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naamahdarling · 3 months
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catabasis · 10 months
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“I feel like my heart is getting broken, my own personal heart, every night. Do I just keep doing it? Without knowing anything?”
Jason Schwartzman as Jones Hall ASTEROID CITY (2023, Wes Anderson)
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turtleblogatlast · 6 months
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Leo’s love for magicians and magic shows isn’t brought up enough tbh, because it directly ties into the idea of a persona and fooling the audience’s eyes to see something that’s not actually there. This connects to his love of performance in general but also ties into why he struggled so much with his mystic powers.
Magic tricks are exactly that, tricks, a performance, masked actions hiding the truth. Meanwhile mysticism is intrinsically linked to the self and so Leo’s difficulty in even unmasking to himself is a big part of his journey that he continues to struggle with and in this essay I will-
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yeah still thinking about this actually
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mysillyside · 4 months
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The way I completely lose all interest in Lawlight as a ship if Light isn't Kira. And frankly, I feel like L would agree with me on this one. I don't think he'd gaf abt Light in the slightest if Light wasn't Mr. Serial Killer.
#Lawlight only works if Light is Kira bc otherwise light is just some rly smart pretentious teenager.#Like you're telling me L a 24 y/o self made multi-millionaire and the world's greatest detective (top 3 if you count the aliases)-#would care in the slightest abt mr “i got a perfect score on my college entrance exam”. Be fr!!#Idk the ship loses everything that makes it fun and appealing to me if you remove Kira from the mix#Ik ppl do “Light isn't Kira” AUs to make the ship more wholesome but i'd argue it just becomes problematic in a diff way.#L is not only way older but also extremely rich and successful. If Light is innocent but still a suspect- L also has immense power over him#Ig i don't see the point of trying to make Lawlight wholesome. It's still problematic but without the goofy homoerotic enemyship.#Light being Kira not only makes them equals but gives them spice!#However I DO get the appeal of “Light isn't Kira” AUs where Light is still a fake asshole who's performatively nice but hides his real feel#But removing his misogynistic swag/superiority complex/his bitchy internal monologues to make him normal? No...#Imo even if he isn't Kira he'd still be a weirdo. The only Yotsuba!Light is so normal/nice is bc he's trying to prove to everyone-#but most importantly himself- that he's a good person incapable of being Kira. He's trying to be the best version of himself.#Pre-Death Note Light for example is never as outstanding and good as Yotsuba!Light for this reason. Yotsuba!Light is the exception.#Like the Death Note doesn't make you pretentious or hate women that was all Light Yagami.#this is such a random rant sorry guys XD again more power to ppl who enjoy this AU or normalguy!Light but I don't get it personally 😔#death note#light yagami#l lawliet#lawlight#💬 katposts#🤪 sillygoofy
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gummi-ships · 4 months
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Kingdom Hearts Dream Drop Distance Link Attack - Paw Groove
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truly the most egregious part of the 2012 Les Mis is that they changed Valjean’s line from
“It’s the story of those who always loved you, your mother gave her life for you then gave you to my keeping.”
to
“it’s the story, of one who turned from hating. The man who only learned to love when you were in his keeping.”
LIKE?????!! How dare they remove Valjean specifically mentioning Fantine’s sacrifice and putting that before he mentions his own part in the story?? How dare they make Valjean imply that it was only when Cosette came into his keeping that he stopped hating everything and learned to love WHEN THE FUCKING BISHOP IS THE REASON FOR THE GODDAMN SEASON????
Like OF COURSE Cosette softened Valjean, of course he became a better man when he became her father, of course their relationship is important.
But this story would not have happened without the love of the bishop and it was his love that rekindled the love that was dormant in Valjean’s heart. And it was Fantine that fanned that flame, then Cosette’s that kept it steady.
I just hate how flat it makes Valjean’s story seem. “It’s the story, of those who always loved you.” Is THE answer Cosette has been searching for her whole life. I wish they’d kept it in instead of feeling like the audience would only feel fulfilled by Valjean’s story if he only mentioned his direct relationship to Cosette.
Whatever idk. It’s a good Les Mis for a lot of reasons, but a bad one for a lot of reasons too 🥲
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aquickstart · 4 months
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ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
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another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
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but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
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but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
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farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
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the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
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but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
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to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
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and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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mcybree · 3 months
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God this is still so funny. “montage of some of our best moments and memories that I have with him” and it’s:
moment they first met (ok)
passing by him down the stairs (ok)
ruining tango’s cow operation (fun activity they did together!!)
zoomed in footage of jimmy dying (???)
That’s it (youtube scene slide transition and cartoon sound effect)
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korvessa · 6 months
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Kris LOVES Käärijä
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