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#hi helen
driskk · 5 days
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pop him!
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kigiom · 11 months
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can I tell everyone on your tumblr how you picked your name
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hazel-sawyer · 2 years
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To say Hazel didn’t want to beat Holland to the punch would’ve been apt. The Victor frightened her to her core – what did it mean to be a murderer like that? How could she confront someone who she couldn’t even stand to hear the name of? Hazel supposed she’d figure it out sooner, rather than later given the impending Games. There was the awkward song and dance of obviously wanting to avoid Holland, but that would defeat half of Hazel’s purpose for volunteering; Holland was the reason Aspen was dead and she needed to face consequences for her actions or – rather – her inaction.
It had been nearly a year since her sister had died – since her sister had been murdered. Aspen was always kind, bubbly, patient, and wholly undeserving of a violent death from rose-tinted glasses and the presumption some girl she had never met before would save her life. Hazel thought that was bullshit. Blame was an easy thing to parse around, an almost liquid-like state of matter and she would ensure that every last drop of it would be poured onto Holland.
If Aspen hadn’t trusted her, she wouldn’t have helped kill that Capitolite, if Aspen hadn’t trusted her, she wouldn’t have killed the boy from Twelve,
If Aspen hadn’t –
If Aspen –
If –
The elevator dinged as it announced the arrival to the rooftop and Hazel was pulled from her inner spiral. Great metal doors slid open to unveil the rooftop and for the first time since she had arrived in the Capitol, she breathed clean, fresh air, in direct opposition to the concrete jungle below. Her arms stretched above her head, an easy smile pressed across her face as she stepped onto the greenery, pleasantly surprised it had lived up to her expectation. Catching a glance of the exact person she hadn’t wanted to see, however, sucked the air right back out of her lungs.
Hazel’s jaw set askew for a moment and her eyes felt heavy – way too wide and doe-like, a deep pit of dread forming in her stomach. Would Holland know who she was? It wasn’t like it was a secret – how many Sawyers really existed in Panem, let alone in Seven? How many of them would look like Aspen, too?
“So...”
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@hollandwestbrook​
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bulletsgirl · 2 years
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I forgot how to blog
it’s ok so did i
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night-eyes1 · 1 year
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ascesabo · 5 months
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the great irony of early one piece antagonists believing zoro was the actual captain and using luffy as a puppet ... oda really threw us a bone and curb-stomped it right in our faces. yes, zoro could be a captain in his own right. yes, zoro could match luffy in strength. yes, zoro knows this perfectly well. and you know what? he chose luffy two years ago, and he will continue to choose luffy again and again. roronoa zoro, the pirate hunter, who followed a wannabe pirate with a nonexistent crew on a whim because luffy brought him his swords and made a half-assed attempt at a bargain. zoro, who made a vow to never lose again on both his and luffy's honor. zoro, who told luffy he'd make him commit harakiri if he got in the way of zoro's goal, only to turn around and be willing to sacrifice his dream if it means that luffy reaches his. zoro, who stood in place and took luffy's pain and told a warlord to take his head instead of luffy's, who got down on his knees before his supposed rival and begged mihawk to mentor him so that he could return strong enough to protect his captain. zoro, who has conqueror's haki- a natural born leader- but chooses to stay at the right hand of a man he has deemed greater than himself.
and the thing that luffy fears most? being alone. being rejected. being left behind. and what should have been his foil- the pirate hunter to his pirate king, the nonbeliever to his divine, the king of hell to his sun god- instead becomes his first and most devout follower; the one who demands to follow him to hell and back. oughhhggg i'm sick to my stomach
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mashbrainrot · 9 months
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'Stańczyk' by Jan Matejko, 1862 // Alan Alda as Hawkeye Pierce, Mash episode 'As You Were', 1974
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itisonlyeyes · 13 days
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Spirla lady... ily
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Girlfriend.... <3
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prismatic-et-al · 1 year
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I don’t think we’re examining closely enough the smalltalk helen and philip must have made while they were waiting for benoit to get out of the bath and dressed. what did they talk about. did philip offer her his homemade bread. did helen accept it. was it burned.
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blackbatcass · 16 days
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i can’t stop being plagued by thoughts of bart allen. can you. can you imagine being fourteen years old and waking up every day knowing that your loved ones will always be beyond your reach? that you have family who are alive and well but you’ll never see them again? that there isn’t just physical distance between you and your mom but hundreds of years? that no matter how much family you have in this time, no matter how much they love you, you’ll never be whole? you will never have everyone you love in one room? that not one single person in the world speaks your native language? that your mom wants you and loves you desperately and you still can’t be with her? that you can never go home?
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cryptocism · 2 months
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Since I think about clones like I’m getting paid for it, I've been rotating those alternate universe "what if Bart and Thad were actually raised together" scenarios in my brain, with Thad either post-redemption-arc or pre-villainy. Because adjusting Thad's character to fit an ally role while still keeping true to his core motives and personality is so so fascinating to me.
Like I think there's an immediate first instinct to slot Thad into a "bad" twin category: ie rebellious and prickly, doesn't get along with people, mean lil shit. And obviously it's not wrong bc we're outside the realm of canon, but the reading still feels a little left of center.
Because Thad is mean and prickly in canon. In the Impulse comics he belittles Bart and Bart’s friends/family constantly in his appearances. He loves to goad, and monologue about his own superiority and intelligence. He’s very Not Nice, and he causes many problems, and he even does it on purpose.
But, I think it’s important to consider the context. From the jump Thad knows very little about anything except which team he’s on and who he’s playing for. He gets his orders from an unseen authority and he carries out his tasks because success means his team wins.
For all his self-aggrandizing talk, everything he does is in service of an end goal that doesn't actually center him. He's trying to get revenge for grievances he's never personally suffered, retribution for actions never committed against him. Everything he does is on someone else's behalf.
Thad sees in black and white, us or them. Up until the final few issues of Mercury Falling, Bart and co. are Thad's enemies, of course he's not going to be nice.
So Thad's motivation seems pretty simple: Thawne Supremacy™.
But it’s in Mercury Falling where this starts to fall apart, and the real core of his motivation gets revealed. Thad pretends to be Bart and suddenly Helen is nice to him. Bart’s friends think he’s funny. Bart’s teachers are impressed with his grades. Max ruffles his hair and gives him hugs and tells him he’s done a good job.
If he was actually an inherently mean and standoffish character, if Thad actually had significant personal stake in the Thawne VS Allen conflict, the weight of such tiny acts of kindness wouldn’t completely break him the way that it does in canon.
Thad thinks his goal is superiority and revenge and Thawne Supremacy™, but he's chasing validation. Thad doesn’t have a personal stake in the Thawne VS Allen conflict. He wouldn't get much satisfaction if he actually destroyed Bart and his family. Thad's personal victory would be the recognition after the fact: the praise and attention from the other Thawnes (a group of people he has literally never met) for his success.
He wants validation. That's basically it. And the fact that he gets it so easily from Bart's family and friends doesn't align with how he's told himself things are supposed to work.
Actually tangentially, Bart and Thad’s respective relationships to authority is so diametrically opposed and tbh kind of subversive in a superhero narrative. Where the hero is the one carving his own path without regard to social or societal rules, no fucks to give what anybody thinks of it. And the villain is a chronic people-pleaser.
Just based on Thad’s reaction to simple praise and affection from Max I really think Thad’s motivation has more to do with the response he gets than whatever the details are of any given task. He has no actual personal convictions beyond getting positive attention, and whatever he did have crumbled as soon as Bart’s friends laughed at his joke one time. Which of course leads into the core of his whole conflict at the end of Mercury Falling. He cares too much about Bart’s friends and family now, he doesn’t want to kill them, but worse than that, he’s faced with the sudden realization that he’s on the wrong side.
The Allens gave Thad everything he actually wanted and needed, but his conception of himself is inexorably tied to the Thawnes: who gave him jack shit. These two facts are in opposition to each other, and he can’t reconcile the reality of it.
Anyway all this to say, in an AU where Bart and Thad are raised together or Thad gets an actual redemption arc etc etc, I think my personal take on Thad’s personality whether it be pre-or-post-villainy would be one that is extremely socially conscious. He is much more of a people-person than Bart. Whether he's actually accurate in assessing people's feelings and how to respond to them can be hit or miss, but he wants to behave in a way that gets people to like him.
Pretending to be Bart isn’t remarked upon as, like, a difficult task for Thad. In his internal monologue he’s literally bragging to himself about how easy it is. But what’s especially notable to me is where his act differs from Bart's typical MO. Everyone notices, and lots of people comment, and presumably if Thad didn’t have the excuse of Max’s illness to “motivate” Bart to do better he would’ve been found out immediately. And those things are, specifically: paying attention in class, doing his chores, staying on task, and being helpful around the house. The one thing about Bart he chooses not to emulate is Bart’s rebelliousness.
Thad wants to prove himself, constantly, to whatever authority he respects (probably Max in this scenario) and will do whatever it takes to make that happen. In contrast to Bart, who only listens to authority when the shit they're saying actually makes sense to him. It’s excessively difficult to convince him to go against his own interests. (And I think a key part of that is Bart’s security in knowing that no matter how much he fucks up or doesn’t listen, the people he loves will always love him back.)
Thad’s got the people-pleaser in him that has to deserve whatever he’s given. It’s why he’s happiest when he’s given a clear goal or objective to complete, because it gives him an opening to prove himself.
All this to say that if we are quantifying Bart and Thad as a "good" or "bad" twin, in the eyes of every authority: Bart is the bad twin. Bart is the bad twin, Bart is the bad twin. Bart is the one who doesn’t care about school and whose grades vary wildly depending on his personal interest. He’s the one who goes off to do dangerous shit for fun and gets in trouble constantly and doesn’t do his chores and is thoroughly unconvinced by any authority figure trying to sell him bullshit. 
Thad is the one who needs to know all the rules just so he can experience the joy of following them. Relentlessly obedient. He'll put all his effort into doing all the right things that’ll endear him to whoever he wants to impress - meaning he’s the asshole who reminds the teacher about the assigned homework. Bart might be the most popular boy in school, but Thad is a pleasure to have in class.
Like Thad can (and should) still be high-strung and short-tempered and sarcastic and edgy and mean, because he is. But he can’t be doing all that without rhyme or reason. Colouring every interaction has to be that one-zero binary of ally or enemy. He needs to have somebody he’s proving himself to: a team he’s on and a team he’s against. He’s not an inherently rebellious character. He can go up against The Enemy, whoever he deems as such, but it has to be in service of a hypothetical future in which somebody eventually tells him he did a great job.
And in the interest of continuing to beat a dead horse, it connects to their respective upbringings. Thad and Bart were both raised in VR, but Bart’s experience had the side effect of basically hard-wiring him against insecurity. His world was a playground tailor-made for him, and he was never made to feel bad or insufficient about any aspect of himself. His first interaction with a real human person was Iris moving heaven and earth to save him, without him knowing her, without her knowing him, with no reasoning for the act needed beyond Being Her Grandson. Which is probably a significant factor in why Bart moves through the world with frankly atomic levels of autistic swag.
Thad’s VR upbringing installed self-consciousness in his psyche before any other personality trait. As in: he is immediately made conscious of himself and his relationship with everyone he will ever encounter. He’s told two things: he’s a clone of someone else (inherently derivative, lesser) and that he was made to be superior (a status to achieve). Which is such an instant clarifier for Thad’s everything. Where superiority is a condition that everyone either has, or does not. It’s the one-zero binary again: are they better than me or am I better than them. Being above others is mandatory, and if his superiority is ever challenged by hard evidence or god forbid nuance Thad’s brain physically cannot take it. He needs to be better, to be worse is unthinkable, and there is no other way to be.
And this status of better or worse is, crucially, not up to Thad to decide. He needs The Authority to validate him. Bart never tries to prove himself because he has nothing to prove. Thad’s entire identity hinges on the self-worth he gets from doing a Good Job.
It is such an inherent part of his motives in the Impulse comics canon, which is why it always feels a little off when he’s interpreted as a jackass indiscriminately.
Like I don't think he needs everyone to like him. But I do think he has either one person or a set of very particular people that he needs to like him. Everyone else is either in that circle or outside of it.
(Which is why Bart is such a great foil for Thad tbh. There is no set of words or behaviors that’ll change Bart’s opinion of Thad, because Bart is unaffected by obedience or charm. So ironically Bart is probably one of few people that Thad doesn’t bother to put on even a little bit of an act for.)
While Bart goes with his instincts, his personal beliefs and convictions at all times, Thad is hyper-conscious of big-picture goals. They balance each other out that way. Thad's keeping track of whatever expectations he has placed on him, and how his actions reflect on him and the team beyond short-sighted solutions. He's a team player. AND he's an asshole.
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lestatlioncunt · 10 months
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THE PANIC IN NEEDLE PARK (1971) | dir. Jerry Schatzberg
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julescarstairs · 10 months
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I love how Ty is a model student at the Scholomance who helps the teachers plan new courses for other students whilst Dru is getting pulled into the headmaster’s office every other day at the Shadowhunter Academy 😭💗 No one does it quite like the Blackthorns
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allowing myself one (1) angsty post cuz i already wrote a whole fic about this idea.
so, "the eye as the fear of being outed" this is known. but have you considered "the spiral as the fear of living your entire life closeted"
michael was chosen by the spiral because of how much of his life was marked by madness. his old friend from school, him seeking out the eye as an antidote for his own doubts and confusion, and, finally, the betrayal that led to his death.
but what if helen was chosen by the spiral because of how connected she was to the idea of lying. what if she'd been lying about something her entire life, to the point where her entire life was an elaborate lie, yes, of course i love my job, of course i trust my friends, of course i'll get a husband, just give it a few more years. she lived her entire life like this, and it was never her fault, it was a situation she was forced into. she could never be honest. the spiral marked her an excellent liar.
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thecrenellations · 2 months
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Oh, you married the older sister (?) of the friend/crush you connected with on a dangerous adventure as a teenager? She has some gender stuff going on and was pretty much the only person who could get through to him when he was extremely ill after one of the most traumatic experiences of his life? On a scale of Jerott Blyth to Sounis Sophos, how well did it go?
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dootznbootz · 4 months
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Menelaus rambles a lot about not only Helen, but also Hermione. About how she used to say Olive like "Olifs". How she lost her first tooth running too fast and running into a low branch while out with Helen. How he'd sometimes wake up to Hermione leaning over him and poking his face to say, "Dad, can we go see the horses?" even though it was barely daylight. How she was much nicer waking Helen and how he thinks Hermione did that on purpose because she found "dad's face funny". How her favorite color was every color.
And Odysseus listens.
And he thinks about how his son only had a few teeth coming in when he left, teething on everything. How he could only say one syllable with his babbles. How his son needed balance to stand but Odysseus was so proud that Telemachus was very good at rolling over. How his son loved pulling at his and Penelope's hair.
How his son would be talking, walking, maybe even lost his first tooth by now. And he doesn't even know if he'll ever know his son's favorite color.
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