When I was a kid my family pretended to get raptured so I would think I was left behind on earth while they all went to heaven.
I was like 8 years old and my sister and mom had gotten really into the Left Behind novels (bible fan fic about the rapture). In the books when the rapture happened the clothes that people were wearing when they got raptured were left behind in neatly folded piles.
One day when I was getting home from school my family decided that they would leave piles of neatly folded clothes around the house, and then hide in the basement.
The intended effect was that I would get home and see the clothes then, think that my family had been raptured and that I wasn’t good enough to get into heaven… or something?
The problem was that I had never read these books, and didn’t really think about the rapture very often. There was no reason that I would see some laundry on the floor and think “The rapture happened and I’ve been abandoned by God! I’ll never see my family again!! Oh nooo!!!!”
I just sat down and watched cartoons and eventually my family got bored and revealed that they were all hiding in the basement.
It’s a good thing I didn’t understand the joke, otherwise that shit would have been traumatic.
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i think ultimately the core of what irritates me about the t swift craze is that she’s constantly getting props for things that … literally aren’t true. people act like she’s self made, she is not. people act like she’s a social activist, she is not. people act like she’s constantly going to great lengths to uplift other women, she is not. like if people were just like yeah i love her music :) then okay! but it’s the constanttttt applause and praise and worshipping for things that are just patently false that really makes me feel insane
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Y'know, there's this gripe I've had for years that really frustrates me, and it has to do with Love, Simon and people joking about it and calling it too-pg and designed-for-straight-people and all the like. (A similar thing has happened to Heartstopper, but that's another conversation.)
I saw Love, Simon in theaters when it came out my senior year in high school. I saw it three times, once with my friends/parents on opening night, once with my brother over spring break, and once with my grandparents.
On opening night, the air in the room was electric. It was palpable. Half the heads in there were dyed various colors. Queer kids were holding hands. We were all crying and laughing and cheering as a group. My friends grabbed my hands at the part where Simon was outed and didn't let go until his parents were saying that they accepted him. My friend came out to me as non-binary. Another person in our group admitted that she had feelings for girls. It was incredible. I left shaking. This was the first mainstream queer romance movie that had ever been produced by one of the main five studios, and I know that sounds like another "first queer character from Disney" bit but you have to understand that even in 2018 this was groundbreaking. Getting to have a sweet queer rom-com where the main character was told that he got "to breathe now" after coming out meant so much to me and my friends.
But also, from a designed-for-straight-people POV (which, to be frank, it was written by a bisexual author and directed by a gay man, this was not designed for straight audiences), why is it a bad thing that it appealed to the widest possible audience? That it could make my parents and grandparents see things in a new light? My stepdad wasn't at all interested in rom-coms but he saw it with me because it was something I cared about and he hugged me when we came out of the theater. My very Catholic grandparents watched it with me and though my grandpa said he still didn't quite understand the whole 'gay thing,' all he wanted was for me to be happy and to have a happy ending like Simon did. My Nana actually cried when Simon came out and squeeze my hand when his mother told him he could breathe.
And when Martin blackmailed Simon, my mom, badass ally that she is, literally hissed "Dropkick him. Dropkick him in the balls" leading to multiple queer kids in the audience to laugh or smile. Having my parents there- the only parents, by the way, out of my group of queer and questioning friends- made multiple people realize that supportive adults were out there. That parents like those in Love, Simon do exist in real life.
When people complain about Heartstopper not being realistic or Love, Simon being too cutesy, I remember seeing Love, Simon on opening night. I remember my friend coming out and my stepdad hugging me and my mom defending us through this character. I remember the cheers that went through the audience when Bram and Simon kissed and the chatter in the foyer after the movie was over and the way that this movie made me understand that happy endings do exist.
Queer kids need happy endings. Straight people need entry points to becoming allies. Both of these things can come together in beautiful ways. They can find out about more queer culture later, but for now, let them have this. Let them all have a glimpse at a better, happier world. Let them have queer joy.
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“How is 12 year old Annabeth head of the Athena cabin??”
1. Demi gods have the life expectancy of a lemming.
2. Gifted kids often burn out by age 16 & I doubt any of the Athena teens have the energy or desire to argue with their little sister who willingly takes care of all the family paperwork.
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