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#he sucks but I still love him
literaryspinster · 2 years
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I know why Kory can never stay mad at Dick because I can never stay mad at Dick 😭
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raveartts · 4 months
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gonna take a break and make another sketch page later :3
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happyfoxx-art · 6 months
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Aftermath Impact 21 | have some disaster twin drama this monday my loves <3
PREV | NEXT | FIRST
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sir3n-s · 1 year
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Italian Steve Harrington hcs because why not:
He was born in Italy (ovbisouly) but moved to hawkins when he was around 10 or 11.
He speaks fluent Italian, it's his first language, which is why he asks what certain words mean so much. He's still expanding his English vocabulary.
He always writes his notes in Italian, he was forced to stop writing in Italian at school but after he graduated he started again. Robin keeps trying to read his little notes but she doesn't know Italian yet. (He has a journal that's in Italian because he knows Robin keeps trying to read it)
He teaches Robin Italian because she wanted to learn. Mainly so she could understand what he mumbles.
When he's stressed, scared, or angry he'll start rambling/yelling in Italian. No one understands him but Eddie always gets him to calm down. Robin does too but for some reason Eddie does it the best. Unless he's arguing then he has to be reminded to speak English.
He's an amazing cook, everything he makes is good. Steve tries his best to introduce everyone to certain Italian dishes.
He has several of his grandma's old cook books.
During the holidays his parents force him to fly out to Italy to see the rest of his family. After the age of 13, his parents are already there waiting for him.
He insults people in Italian so they don't understand him. Dustin, Mike, and Robin are normally the victims.
Sometimes he'll just switch into Italian and has to be reminded to speak English.
He loved living in Italy but refuses to move back because all of his friends (family) that matter live in Hawkins.
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starry-bi-sky · 2 months
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Stuck in the middle of a forest made of
Flesh and bones and they're all scared of
A lost little boy who has lost his heart
Fear's not enough, they have to
Tear him apart —-------
There are two things Daniel Fenton knows that his family knows as well: 
He’s adopted.
He can’t remember anything else before that.  
‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 
What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 
When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.
(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 
The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.
It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 
The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 
His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.
(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 
(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 
They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  
(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)
Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 
He turned back around and went inside.
—-------
Where do we go
When the river's running slow
Where do we run
When the cats kill one by one
—------
One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  
He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 
It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 
He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 
Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 
(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)
After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 
He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.
—------
Hazel beneath our claws
While we wait for cerulean to cry
Unsettled ticks run through time
Enough for the hunt to go awry
—-----
There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 
He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 
Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 
(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 
(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  
He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 
A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 
He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 
His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.
Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   
—-------
Harpy hare
Where have you buried all your children?
Tell me so I say
—-------
When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 
Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.
He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.
Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 
(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)
(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)
(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  
—--------------
It clicks and it clatters in corners and borders
And they will never
Hear me here listen to croons and a calling
I'll tell them all the
Story, the sun, and the swallow, her sorrow
Singing me the tale of the Harpy and the Hare
—-------
More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 
Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 
His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 
They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 
It is a fast dream. 
His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.
His brother, face obscured in all but his eyes, which are green as emeralds, nods. 
The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 
The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 
His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 
(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 
—---  
She can't keep them all safe
They will die and be afraid
Mother, tell me so I say
(Mother, tell me so I say)
—-------
When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 
The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 
(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 
(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   
Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 
(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)
—------
Seeker, do you ever come to wonder
If what you're looking for is within where you hold
Will you leave a trail for them to follow a path
You'll soon forget
Home
—---------
When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 
When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.
‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 
He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.
He ends up calling himself Phantom. 
(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 
----------
Home is where we are
Home is where you are
Home is where I am
-----------------
Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#dpdc#danyal al ghul au#amnesiac danyal al ghul au#songs in order of the album: the hartebeest / harpy hare / and the hound / neath the grove is a heart#musician danny has my heart and soul#yes this danyal IS an alternative danny from the other au. an au where things were a little better :) but still sucks#implied good mom talia al ghul#danyal is a momma's boy send tweet#dpxdc ficlet#dpxdc prompts#dp x dc au#dp x dc fanfic#danyal is sTILL five years older than damian in this au#no beta no edits we die like danny fenton#poc danny fentons#i didnt know where to end this :(( i was gonna go on but i blanked. i thought about going into his relationships with his rogues and so on.#but that felt too much like trying to just increase the word count rather than actually writing?? if that makes sense#ugh im gonna have forgotten to include things and im gonna be kicking myself later#morally ambiguous danny whoo! we love to see it#since this was just for fun it doesnt really go into it all that much other than like. it happens. and that danny realizes he's dangerous#phantom in a hazmat suit? nah phantom looking like an assassin >:].#danyal al ghul with damian and his mom: 🥰🌸✨#danyal al ghul with everyone else: 👹🔪#am i heavily implying that clockwork had smth to do with Danyal’s amnesia and appearance by the cabin? 👀 maybe#not enough danyal al ghul aus where him being an assassin actually. has some kind of affect on him
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hecksupremechips · 2 months
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Mizuki and Date though like. Imagine being 8 and your parents are filthy rich and going through a bad divorce. Your mom treats you like shit, lashing out at you, hitting you, saying she wishes you were never born all because you were behaving like a child. Your dad is more comforting, but he doesn’t do anything to stop the abuse and he spends his time invested in a completely different family, a girl who you love and look up to but he loves her more than you and it fucking shows. Then your dads new friend, some fucking bachelor in his late 20s, is just like "wow you guys are the worst fucking parents ive ever seen" and next thing you know your dad is sending you off to live with him. And it’s just a massive kick in the head cuz you go from a rich lifestyle to living in some really shitty tiny ass apartment with this guy who’s clearly never been around a child in his entire life and he doesn’t know how to behave and does a really bad job of censoring himself like he has a bunch of dirty magazines that he can’t hide very well cuz it’s literally a studio apartment and also he talks to himself sometimes, it’s really weird. He doesn’t even have the slightest clue what he’s doing
And he’s the best parent you’ve ever had
Because fuck, it all really hurts. You have to cope with having never received any love from anyone, and with the fact that your parents clearly don’t want you and can’t even be bothered to send you with anyone even kinda responsible. And this guy has a scary job with crazy hours and you don’t know anything about him and neither does he. But still, he never once hits you or tells you you’re not allowed to cry. He just gives you space and doesn’t push you to feel any sort of way about him. And sometimes, he’s even kind. He makes you some stew, even though it’s a bit chunky. He lets you sleep in the bed and takes the couch for himself, even though he complains about the massive back pain he’d never trade his spot for a second. He pays attention to events at your school and gives you your favorite stuffed animal when you make good grades, even though you called it ugly. He gets worried sick when you come home with bruises and puts on a goofy voice and trains you to defend yourself and you develop some highly deadly skills and even though it’s really abnormal, he buys you a bench press so you can get stronger. There’s this distance there, and you feel really weird caring about someone who you aren’t related to, but you find yourself wishing it was meant to be like this all along, that maybe, he’s secretly your real dad and he loves you like his real daughter
And when you say "I’m back" he says "welcome home"
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ronanxing · 1 year
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i love gay people
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sluckythewizard · 4 months
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THEY could give me the surgurey i need (inspired alot by evojellys designs for em. GREAT STUFF)
#THE SUCKENING IS S O COOOOL GUYS VIV N VEX ARE SO FUCKING COOL AND FUNNY... CHARLIES FLAVOR OF DERANGED IS JUST#SO PERFECT FOR THIS CAMPAIGN.. I LOVE HOW HE DOES HORROR AND EVIL AND SCARY AND AAUAUUUGHGHGUUHGHG#their teeht arnt spiked like normal vampires but theyre sharp n smooth like a Beak. in my beautiful heart#ALSO UGHGHGH BIG SPOILERS FOR EPISODE 7 BUT#THAT THING WITH THE MAP. WITH THE DEMONS N VAMPS. THEYRE KEEPING TRACK OF THEM.#'so viv. was that one of mine or one of yours?' IS THIS A PET PROJECT OF THEIRS OR SOMETHING. ARE THEY PULLING MORE STRINGS THAN WE THINK#IS ONE TUGGING AT THE DEMONS AND THE OTHER TUGGING AT THE FANGS? PITTING THEM AGAINST EACHOTHER SO THEY KILL EACHOTHER?#AND THEN ITS EASIER TO TAKE THE BODIES FOR THEIR FUNNY CREATIONS?? IT PROLLY WASNT EASY TO GET SUPPLIES B4 EDWARD CAME INTO POWER#BUT OH MY GOD.. POOR EMIZEL.. THE MEMORY OF HIS CREW WAS TAKEN AND THEN HE WATCHES A BUNCHA THEM GET HORRIBLY DISMATNLED N DISTORTED#HE KNOWS HE CARED FOR THEM AT SOMEPOINT N HE KNOWS THE MEMORIES WERE TAKEN BUT HE JUST. CANT. AUAUUGGUAHGUAHGUAHGUHG#THAT SUCKS SO BAD FOR HIMMM EMIZEEEELL EMIZEL CMERE BABY BOY ILL SMOKE U OUT BOY. GET AWAY FROM THOSE EVIL GUYS I AM BETTER N CAN BE TRUSTE#viv n vex are so cool...theyre fuckin CRAAZYY N SCARYYY BUT ALSO. SO FUNNY... I LOVE A PUNNY JACKASS... 'LOOKS LIKE YOUVE BEEN: DISARMED!'#'IVE MADE THAT JOKE 6 TIMES AND ITS STILL FUNNY EVERYTIME' i gotta draw more of their bullshit...#im already doodling up the 'YOU CAN CALL ME MOMMY!!' bit. i gotta draw more o the monstors n the horrors too... especially emizels sire UGH#I LOVE VILLIAINS THAT ARE SO GENUINELY SCARY BUT SO FUNNY... charlie just does evil ppl like no one else idk what it ISSSS#okayokayoka y im normal im. relistening to the ep n im at the edward part. oh my god. i actually love him. he actually makes my skin crawl#IM DONEthats my rambles for tha day. back into my hole i go. also i have comms open. cmere pspspss i need moneyyy heyyyy cmereeeee#check out my main artblog. GO!!!
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jestierabbit · 3 months
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N… Nega Mark Beaks
Markus Beaks, intern of Dr. Gyro Gearloose, and (unknowingly) his future replacement.
Young Gyro/Mad Ducktor design by @soulcured my beloved
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zeb-z · 6 months
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I just think Tallulah gets to be upset about this. “It’s not Wilbur’s fault” “He’s not a bad dad” “He loves his daughter so much” yes! These are all true! And it’s not his fault! But he’s still not there. And Tallulah has gone through so much and still hasn’t seen him, the one time he was around was the one time she wasn’t, and all she has are letters and “I’m thinking of you always” and things that used to be theirs together, but he’s still not there. She’s waited and she’s been patient and she’s loved him all the same, and he’s still not there. Like yesterday, and the day before, and the day before, from the happy milestones to the traumatic events, he’s still not there.
She knows that it’s not his fault, but it doesn’t change the fact that he’s absent. That in and of itself just adds to the sorrow, because she knows why he’s gone, and she’s been told time and time again it doesn’t mean he doesn’t care, she knows this - it doesn’t mean it doesn’t sting, that it doesn’t hurt, that she doesn’t yearn for her father to be there more than anything in the world, and he’s just not there.
So yes, she gets to be upset, and be caustic, and stomp her feet and write bitter messages, and be angry and vitriolic, because she’s a little girl missing her father, who feels things with her whole heart and soul - and that means she gets to feel the ugly parts of it, too.
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ik ppl hate fictional deadbeat moms but im an avid enjoyer. my feminism knows no bounds truly/j
like i get it she did a bad job. but shit she still did a job that's for sure!! like. she did it do you understand. 14 year old girl is pregnant. it's disgraceful. a shameful stain on her family. yusuke doesn't seem to have grandparents or anything so besides yusuke's bio dad she's got no one. and then when yusuke is a toddler the father disappears and considering who he is and what he's like that's probably for the best. gonna go out a limb and say that yusuke was maybe 4 or 5 when his dad cleared out so. at 18 and entirely alone. atsuko looked down at this little thing. this baby because he's still a baby to her this is a baby who only has her. Not even 4 feet tall with the biggest brown eyes looking to her for everything because he quite literally has no one else.
he doesn't know she's a failure yet. he doesn't know people will look down on them just because he exists as he is. he doesn't know how hard this is going to be from now on. all he knows is he loves his momma
so she doesn't cry. she just meets his big innocent eyes and goes "it's just you and me kid" and yusuke doesn't know that that's a sad thing.
so she takes care of him the best she can and it still sucks but yusuke doesn't know what the standard she should be held to is yet. for a small time she is the greatest and best person in his world and he's the only one who thinks so
then he meets keiko and her parents and finds out that his normal is actually dysfunctional and that his mom actually isn't all that great. that living day to day in the bottom of a bottle isn't healthy. so she's no longer praiseworthy but this person he's responsible for. just like that the roles reverse. because while she was all yusuke had yusuke is also all atsuko has. he doesn't respect her but he still punched the motherfucker in the mouth that called her a tramp. she taught him how to do it.
atsuko comes to terms with the fact that Yusuke doesn't really need her anymore, probably never did so she doesn't bother to care when he skips school or beats whoever he wants to a pulp or gambles because at 14 she was expecting so what the fuck can she really say about him. he sneers at her as he makes her coffee. atsuko lights another cigarette
it feels like betrayal when her son dies. at 14 she had him so how can he die at a sorry age like that. i wasted my teenage years on you for what? so you can die and leave me here? you fucking brat. how can she recover from this? yusuke was all she had. he hadn't looked up at her with an admiring gaze since he was 7 and stopped hugging her goodbye soon after but still he was hers he was hers and then he was gone
but then he comes back. and she doesn't get much better as a mom or as a person really. she tries harder than before maybe (keeping him in school) but yusuke never expected her to. he's made up of her bad habits and uncaring attitude but he's so much better than her. became something good something strong despite how shitty of a job she did raising him.
she's not proud because she has no right to be but something like it tugs in her chest when she sees him feeding the people he cares about at his little ramen cart looking as happy as the first time she'd taken him out to park.
yusuke's dad suggests taking another crack at the whole family thing and she wants to laugh in his face. the only family she'll ever have is that little boy who's stronger and braver than she'll ever be.
she doesn't want to see him laying cold in a casket ever again. he's meant for life, a soul as bright and durable as his. atsuko hopes he lives to see the sun explode
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pttucker · 8 months
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Uriel moved to clinging to his arms and Yoo Joonghyuk asked her, "Why are you going so far to look for Kim Dokja?" [The constellation 'Demon-like Judge of Fire' is asking if it isn't the same for you.] "There seems to be a misunderstanding. I…" In fact, the Demon Realm was originally a place where he would've never come. The difficulty here was incomparable to other scenarios of the same rank. It was comforting that this was the 73rd Demon Realm. There were no demon kings and the ruler would be a duke at most. This much was worth a try. Above all, he was much stronger than he was at the same point in his previous regressions. "I just don't like people impersonating me. It doesn't matter if it is Kim Dokja or not." [The constellation 'Demon-like Judge of Fire' is laughing.] "There are also many usable items in the Demon Realm…" [The constellation 'Demon-like Judge of Fire' is laughing loudly.]
CALL. HIM. OUT.
Joonghyuk, your excuses are bad. Like really, really bad.
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spiritofjustice · 3 months
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i know Nahyuta's whole thing is he's extremely calm and well-put together but i want this dude to be constantly under the threat of disintegrating. he definitely is calm and put together SURE and that is a core element of him no matter what (and i like that about him!) but i also like the idea of, once he no longer has to be that perfect person to survive, that the reality of everything, all his anxieties n guilt n discomfort with himself comes crashing in when it's finally safe for him to feel this way. a miserable kind of catharsis, but a catharsis nonetheless. a necessary one for him to unravel the real version of himself he had to keep deep inside. do you understand my vision
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bougiebutchbitch · 2 months
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god I feel so legitimately bad for people whose 'fandom friends' make them feel like they have to continuously apologise for liking a fictional character.... like bestie 1) you do not have to apologise. love your blorbos without shame. 2) if people are making you feel like shit for liking, again, a fictional character... maybe they ain't your friends lol. 3) the problem is not you or the character. You can like any character ever and not need to 'justify' or 'explain' yourself. Or freaking beg for forgiveness for the sin of liking them.
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trans-xianxian · 7 months
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saw a post about how jiang cheng isn't selfish because he's done all of this stuff for his loved ones and it's like yeah. jiang cheng loves very deeply and that's. exactly why he's selfish. jiang cheng being selfish doesn't equal jiang cheng being heartless or unloving. his goals are to selfishly keep his loved ones, most notably wei wuxian, to himself at the expense of their own personal autonomy. when jiang cheng goes to the burial mounds and begs wei wuxian to give the wen remnants up and come home, he does it because he loves him, but he also does it because he's a selfish coward who puts his own wants for wei wuxians safety and companionship above wei wuxians personal wishes and the lives of the wens. these things are not mutually exclusive in fact they are intricately connected
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skitskatdacat63 · 1 month
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2024 Chinese Grand Prix - Fernando Alonso
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