#he gave out the lesson resources(?) LATE too and i did try to understand them but the exams are just so fucking weird đ
got a 79 on my economics finals i need to jump off a cliff đ
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Fuegoleon x Female Y/N
Word Count: 2,020
Laundry Day
Summary: Captain Fuegoleon had a laundry room added to the Crimson Lion base to teach it's knights about chores and responsibilities. Y/N has never seen anyone use it, until one night her captain joins her for a wash.
Warnings: Semi / Public Sex, Fuegoleon being how he is, Talk of ballsacks, Cum, Adulthood Responsibilities
Having nice clothes was an unspoken rule of the Crimson Lions. No one left their rooms without looking their best, everyone even had silk robes for late night snack adventures around the base. However, those who lived at the base lacked certain resources they were accustomed to at home, maids, servants, and mamas to do their laundry. Could they have hired a few to help the hopeless royals and noble knights? Sure, but that wouldnât bare them a lesson, so good olâ Captain Fuegoleon had instead created a room full of âmachinesâ that would âwash their clothes.â He had a very gaudy sign made for the door that had âlaundry roomâ illustrated with too many frills, but what can we expect from a team that has Kings in their name. Nonetheless, most members went home often and took their washings with them. Theyâll train day and night to put their life on the line for the kingdom, but god forbid they wash their own underwear, including the man who made the room. No one had ever seen him walking around the castle with a laundry basket on his hip.
But there were perks to this.
Y/N had the laundry room all to herself. She waited until late at night to spare herself the gossip of doing her own chores, but once everyone was settled into their dorms she made a beeline for the washers, adorning her robe so she could walk around if she felt like it and not get a âwhat are you doing up so late?â interrogation. Obviously no one else was in the room so she could use up as many machines as she wanted, taking time to sort out her delicate underwear and stained training clothes. A wicked idea crossed her mind. Y/N removed her robe and set it to the side, took over her silk pajama set and threw it into the delicate cycle, before putting her robe back on. Very little hid her from the world, but as far as she was concerned the âworldâ was asleep and wouldnât dare to enter this room.
If she were a lady, which she was, she would just sit in and wait for the cycles to finish, but as the washers went through their cycles they made vibrations that just felt⌠good against her body. She leaned against it letting the vibrations help relax her sore arms and legs.
âMaybe if I lay down on all of them Iâll be able to get my whole body at the same time!â
Y/N turned her back to the machine, placing her palms on top in order to hoist herself up on top, but as she sat down she felt a different kind of relaxing vibration.
âI shouldnât indulge in this behaviorâŚ. But no one is around to witness itâŚâ
Y/N closed her eyes and allowed her body to relax while certain feelings went through her core. Her robe became looser as the cycle went on. Her eyes were closed and head was rolled back, but as she opened her mouth to let out a moan the door to the laundry room ripped open. Fast and quiet but it was enough for her to notice. Jerking her head up she saw her captain standing in the doorway, with a woven basket full of clothes in his arm.
She had a millisecond to cover herself from him.
âCap-Captain! What are you doing here,â Y/N slammed her legs together while trying to close her robe.
He arched a brow at her, âLaundry, as one does in the laundry room⌠Why are you sitting on the machine?â
âI just⌠like the way it feelsâŚâ Idiot. Why would you say that?
Fuegoleon gave her the side eye while loading his own washer and added the soap like heâd been doing it for years. So pretty boy does his own laundry? Interesting. Y/N was still sitting on top of the washer, too scared of giving a free show if she moved.
âAre you going to sit on it until itâs done?â
âYou know, itâs good for my sore muscles. Which I have because Iâve been training so hard!â
âOh⌠well maybe I should try it too.â
Why was Captain Fuegoleon so⌠like this?
âOkay,â Y/N squeaked out and watched in horror as her captain climbed on top of the washing machine next to her, curiosity and excitement all over his face.
âIâm not sure I understand,â his eyes crossed in confusion as the vibes clearly did nothing for his ass and thighs.
So his balls arenât big enough to touch the surface he sits onâŚ
âExcuse me?â
Y/Nâs face became very red, had she said that out loud?!
âYou should try laying down on it!â She screeched out, motioning for him to use her lap as a pillow.
Fuegoleonâs eyes crossed, âYou are absolutely right, Y/N! Thank you,â he moved his legs on top of the machine, resting his head on her thigh, which gave him a perfect very of her under breast.
âH-howâs that, Captain?â
âI can feel my muscles being stimulated! This is an amazing discovery, Y/N!â
âThank you?â
âOh! You should join me, come lay down next to me.â
Y/N looked down and the limited space on top of the machines.
âIâm not sure we will both fit, Captain.â
Fuegoleon followed her eyes, thinking.
âHow about you lay on top of me and I rub your muscles, then we switch sides when your clothes are put in the dryer.â
Y/N felt something deep in her melt at the idea of getting a massage from her captain.
âO-okay.â
Fuegoleon lifted his head to give her room to remove herself. She stood on the ground, placed her hands on either side of his head and lifted herself on top of him. Hovering over him she remembered that she was naked under her robe, which was thin and now hanging off her body. She gulped and prayed he didnât notice as she laid her body on top of his.
Without a word more, his hands went to her shoulders rubbing downwards in circular motions. It took everything in Y/Nâs power to not moan whenever he stimulated a particularly sore part. It didnât help that her hips were rested right above his and she could feel the vibrations through him.
The ringing of the finished cycle was her only salvation. Fuegoleonâs face looked funny as she lifted herself up to move her clothes to the dryer. She gave him a questioning look before a draft alerted her what was wrong. Her robe had moved open, stopping at her hard nipples. She flew her hands up to shut the fabric once more before jumping off of him.
âI am so sorry Captain,â she ripped open the washer door, âI think I would like to go to my room while my clothes dry,â Y/N was throwing her wet training clothes into the washer.
âIs there any particular reason why, Y/N,â Fuegoleon asked.
âNoâŚâ she turned around to find he had opened her other washer to help her, but had pulled out one tiny, lace thong. His eyes narrowed as he observed how it stretched between his two pointer fingers.
Y/N wanted to die right then and there.
âI wasnât aware you were seeing someone,â was all he said as she chucked the underwear back into the machine and grabbed its contents completely.
âWh-why would you say that,â she squeaked, taking the load from him and turning around to throw them in another dryer.
âYou donât wear those for training, do you,â his voice tickled her ear. Y/Nâs eyes rolled from the sensation of its warmth.
âS-sometimes I do,â she slammed the door shut and messed with the settings
âWhy,â he pushed her flush against the dryers, âHoping someone might see them?â
âCaptainâŚâ
Fuegoleon removed himself from Y/N.
âI apologize, Y/N. It seems I misread you. Forgive me.â He sat in a chair on the opposite side of the room.
Y/N had 5 seconds to either go to her room or make a once in a lifetime decision. And she was brash soâŚ
After hitting start on the dryer she slowly walked to her captain.
âI wear them hoping you will invite me to your dorm afterwards for a shared bath.â
Fuegoleon looked up from his lap. Y/Nâs hands were on the tie of her robe. As he opened his mouth to speak she pulled on it and let it slide down her shoulders. Leaving herself completely bare to him.
His eyes became dark with hunger.
âThank god,â he stood up and started throwing off his clothes, âI thought I had just made an ass of myself.â
Y/N had seen his naked chest before while training, but it was different now. She let her eyes move downward, she stopped to take in his throbbing cock. She gaped at its size. It would never fit in her mouth.
âTell me, Y/N, are my balls still not big enough?â
A blush crept across her face, âI didnât mean for you to hear that.â
âThen make it up to me.â
Y/N walked forward, stopped when their chest touched before dropping to her knees.
The pair maintained eye contact as Y/N reached out her tongue, giving his member a long lick. Fuegoleon nodded in approval. Y/N wrapped her mouth around the head, lightly sucking as she made her way down his shaft.
Fuegoleon growled in pleasure as Y/N bobbed her head. His cock was so long she could only get half of it in her mouth, gagging as she tried to fit in more. Fuegoleon pushed back her shoulders and lifted her up.
âIâd rather taste you than have you taste me, darling,â then laid her down on his washers which were still vibrating.
Fuegoleon put his hands on Y/Nâs inner thighs, lightly massaging before spreading them open. His face was at level with her wet opening.
âYou have no idea how much Iâve wanted this,â he purred before taking a long lick over her bundle of nerves. âYouâre so sweet,â he sucked, hard.
Y/N reached for Fuegoleonâs hair, pulling it as she moaned on his tongue. He continued to take laps at her. Her pussy dripped down her curves and onto the washer.
âI want you,â Y/N whimpered.
Fuegoleon growled, continuing his feast.
âPlease,â she shrieked as an orgasm ripped through her body.
âThere we go,â he murmured, unbending his back.
Their eyes met, âPlease,â Y/N repeated.
Fuegoleon pulled Y/N to the edge of the washer, âThere is nothing that would make me happier.â
He lined his cock up with her vagina, taking his time sinking inside of her. Y/N gasped as his member hit her innermost wall.
âFuck, Y/N,â he leaned down to suck on her nipple, âYou feel so good.â Fuegoleon slowly pulled out, almost completely, before ramming himself back inside. He did it again and again. Y/N was a wet, mewling mess beneath him.
âFuegoleon,â she cried as his cock hit her most sensitive spot.
âThatâs what I was looking for, do you like that, Y/N?â
He taunted her, hitting the spot repeatedly. All Y/N could do was moan and scream.
âGood girl,â he latched his mouth to hers, swallowing her cries of pleasure.
She tightened around him, signalling she was close. He twitched in response.
âTogether,â he growled, âWe come together.â Y/N nodded.
A final thrust was their undoing, Y/N spasmed around him, shaking with the washer. Fuegoleon spilled inside her, so deep and hot. He stayed sheathed inside her while he caught his breath, leaning his head on her shoulder.
âThat wasâŚâ
âAmazing,â Y/N answered. He gave her a smile.
The beep of his washer was their signal to get put together.
âIâm hoping youâll join me in my room to fold our clothes once weâre done, Y/N.â
And she was more than inclined to agree.
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As It Should Be | Chapter 5: Breaking In The Newbies
Pairing: Agent Whiskey x F!Reader x Frankie Morales
Summary: After a rough and emotional night, Frankie makes a decision on Jackâs offer. Before they can get to that though, the morning debrief with Champ brings back a familiar face and Jack has you and Frankie teach the junior agents a lesson during combat training.
Rating: M
Warnings: Canon typical violence, guns, swearing, discussions about safewords.
A/N: Alright, a lot of stuff needed to happen here and weâre going to have a little action and see Frankie show off a bit. It was important to me that the discussion of safe words and Jack checking again for consent happened in a chapter separate from the actual smut. For me, it further emphasizes that Jack doesnât want Frankie to feel pressured to accept or do anything he doesnât want to because itâs âin the momentâ. Consent is sexy, friends.
I have to give my love and thanks to mi esposa @danniburgh and my friend Agent Capri Sun for the beta reads, the fantastic constructive criticism and encouragement!
Masterlist | Series Masterlist | Chapter 4: Company | AO3 | Art
The morning sun stirred Frankie. Even with his eyes still closed, he could tell the room was alight, but the warmth that surrounded him had nothing to do with the sun and everything to do with the body next to him. He opened his eyes and realized he was definitely not in Whiskeyâs guest bedroom. Instead, he was very much curled into Whiskeyâs lightly rising chest. Frankie blushed, very unused to being the little spoon, and moreover, not used to someoneâs morning wood poking at him. Whiskey was gently roused from sleep by Frankieâs small movements. He lifted his arm from around Frankieâs waist and stretched.
âGâmorning Flyboy. You were having nightmares, so I brought you in here.
âOh, sorry for waking you up and⌠thank you.â Frankie felt guilt sting at his throat.
Whiskey grunted and rolled out of bed to go shower.
âNothing to worry about, partner. Iâm no stranger to those kinds of nightmares.â
Frankie was grateful Whiskey understood and made no effort to pry. With a grunt of his own, Frankie got up from the bed and made his way to the kitchen, intent on trying to get coffee going while Whiskey showered.
Whiskey finished his shower and stepped out to dry off, then wrapped his towel around his waist. He was drawn to the kitchen by the smell of coffee, Frankieâs initiative quirking the corners of his mouth into a small smile. He leaned against the kitchen counter and watched as Frankie poured their coffee, handing Whiskeyâs to him black. Jack hummed his approval, a sound which he noted made Frankie preen a bit.
âGood boy.â Jack gestured to the coffee with a small wink as the air seemed to be pushed from Frankieâs lungs. âNow, as much as I enjoy the view of you in just my shorts, let's get you into something you can wear at the office.â
Frankie was rooted to the spot, Jackâs âgood boyâ ringing in his ears and sending a wave of warmth throughout his entire body. Jack didnât comment, just let his smirk speak for itself as he took his coffee back to his room and opened the doors to his closet. His fingers tabbed at a few of the hanging suits as he looked back to see that Frankie had finally uprooted himself and joined him.
âWeâre similar in build, so you ought to be able to pull off one of my suitsâŚâ
Frankie winced.
âRight, well then, letâs go with something a touch more casual.
Jack grabbed a pair of jeans, a blue button down, white t-shirt, belt, and socks, handing each article of clothing over to Frankie as he moved around his closet.
âThere, that should do you. Comfortable, but still presentable for Statesman.â
Jack gave him a smile only to notice Frankie shifting his weight.
âThanks,â came Frankieâs reply as he turned to get dressed. He didnât mind going without boxers, but the sudden realization that he needed more clothes of his own hit Frankie as he dressed in the clothes Jack had given him.
âHey Jack?â
Whiskey hummed in acknowledgement as he finished getting dressed himself: jeans, suspenders, white button down shirt, and a navy wool blazer.
âI was thinking about your offer last night, and⌠Iâd like that.â
Whiskey turned to look at Frankie, giving him a once over, distantly thinking about how good Frankie looked in his clothes, and a mischievous smile lit up Whiskeyâs face.
âIâm looking forward to it, Flyboy. Weâll discuss things a bit more at the end of the day in my office. Itâs about as close to neutral territory as weâre gonna get for that conversation. For today though, I want you to be a good boy and stick to me like a shadow. Weâre meeting with Champ first thing. Then, weâre gonna have some fun.â
Frankie nodded, rocking back on his heels for a moment, then fell in step with Whiskey as they headed out, both of them grabbing their respective hats as they went. The ride in Whiskeyâs Bronco was quiet, and soon enough they were riding the elevator up to their floor in the Statesman tower.
You were seated at the conference table facing the double doors with Pope to your right.
âYou sleep alright, Pope? Hope Ginger didnât keep you too late.â
âSheâs something, thatâs for sure, Hawk, but she did let me go, eventually.â
He gave you a good natured laugh that slowly lost its shine.
âYou hear from Fish, Hawk? Ginger told me where she put him up and I went to check on him last night, but he never answered.â
Worry bloomed in your chest, not that it had really gone away after seeing Frankie leave yesterday. You figured if he wanted or needed to talk, he would have reached out to you. Honestly, you had hoped he would have checked in with Pope at some point since he probably felt more comfortable with him. Just then, the conference double doors opened, giving way as Jack strode in, greeting you with a smile and tilt of his head. Relief eased the tension in your chest and shoulders when Frankie followed closely behind Jack. Your eyes darted over to Whiskey, fixing him with a questioning gaze as you realized the clothes Frankie was wearing belonged to Jack.
âFish!â Pope practically jumped out of his chair, rushing over to Frankie with a duffle bag in tow. âI was worried about you, hermano. I went to the hotel, but you didnât answer.â
To Frankieâs credit, his face didnât betray much, but both you and Pope knew that Frankie didnât have any other clothes aside from what he had left with.
âUh, yeah, mustâve just missed you.â
You could tell Pope was filing the information away for later. Your eyes wandered to Jackâs again and you raised an eyebrow. At least you now had an idea why he had cancelled on you last night.
âHere, Fish. I figured youâd want your go bag.â
âGracias, hermano.â
They clasped arms, then took their seats. Frankie grabbed the orange tinted glasses he had left the day before and put them on, adjusting them on the bridge of his nose. His gaze fell to yours and he gave you a small smile, but before you could say anything, Champâs holo image flickered to life.
âCatfish! Youâre looking mighty fine! Much better than yesterday.â
âYes sir, thanks.â
Champ nodded. Heâd been worried about how the man would fare, especially considering the news yesterday.
âRight, down to the business at hand. It does appear that a new cartel is making their play at center stage, picking up where Poppy left off. Theyâre not following Poppyâs business model, though. From what we understand, the group is headed by four individuals: Isabella GĂłmez, Duke HernĂĄndez, Steven Weisel and Emily Weisel. Theyâve taken to calling themselves La Linda Rosa, likely after the Red Agent flowers. Up until now, theyâve been your run of the mill cartel, but itâs our belief that the Weisels have been instrumental in their production and processing of Agent Red. Recently, the Weisels purchased land in Colombia, and from our drone coverage, they may have set up processing plants there. We donât know why the sudden shift to Agent Red, though. The plants themselves go for $500k per plant, and they take time to mature. We donât think the Weisels are responsible for acquiring the plants, so that leaves either Isabella or Duke.â
Frankieâs attention drifted from Champ to the pictures on the screen and swore.
âFuck. Pope, you know who that is, right? I thought they were in Australia?â
Pope did a double take, recognizing his old informantâs brother. The Statesman stared at the two men, waiting for them to elaborate. Frankie sighed and settled into his seat a bit more, knee bouncing anxiously.
âFour years ago, Pope came to me and the rest of our old team to take out Gabriel MartĂn Lorea and make out with the money he had stockpiled. Popeâs CI, Yovanna, and her brother, Duke, both worked for Lorea. In exchange for helping us, Pope got the brother out of jail and we dropped them off in Peru with papers to Australia and $3M. Looks like Duke wasnât satisfied with life in Australia.â
Ginger frowned and pulled up Dukeâs known associates, Yovannaâs picture following the others on screen.
âYovanna appears to still be living in Australia, but itâs possible Duke grabbed the money and ran.â
Frankie closed his eyes, lifting his cap and carding his fingers through his hair before placing the hat back on his head and sighing.
âWhatâs the plan? Sounds like the plants and processing facilities need to be taken out, and then thereâs the compound, too.â
Pope nodded, then sighed as well. This was bringing back memories for the both of them.
âWeâll also need to be wary of the local agencies. Theyâll be on the lookout for anyone suspicious, especially if itâs anything like how it was with Lorea.â
Champ nodded and tilted his head to Ginger.
âWeâre doing our own recon and then weâll break out teams. Pope, Catfish, weâd like you to at least help with intel, and given your experience in taking down Lorea, if youâre up for it, Iâd like you both on the compound assault team.â
You saw Pope and Frankie share a look, Frankieâs jaw clenched and then he nodded.
âYes, sir.â
âGreat, not to worry boys, Statesman has the best resources, stateside or otherwise. For now, Iâm sure we can keep you plenty busy. Whiskey, donât forget, today is your day for combat training with the new recruits. Bourbon, Cranberry needs you to test equipment in the lab later today.â
âPope, could you actually stick around again for a bit? Iâve got some more intel I want to run through with you.â Ginger chimed in, and you were surprised he didnât grimace at the idea of being locked in a room for hours again.
With that, the meeting was over, Champâs holo image disappeared and they took their glasses off. Jack stood up and Frankie was quick to follow him, much to your intrigue. You stood up as well. You were eager to watch Jack have his way with the new agents. It was always fun. Whiskey seemed to know you would be following and beckoned for you to enter his office first, followed by Frankie, and Jack closed the door behind him.
âGo ahead and set your bag down wherever youâd like, Flyboy.â
Frankie dropped his bag in a corner then promptly started to rifle through it, pulling his shoes out and quickly swapping his dress shoes for them. He let out a sigh of relief as he rolled up on the balls of his feet and rocked back on his heels. He hated dress shoes.
You took a short minute to admire Frankie in the blue button down while he rolled up his sleeves. Jackâs fingers wrapped around your wrist and he tugged you into him.
âMissed you, darlinâ.â
Smiling, you took his face in your hands and tugged him down for a kiss.
âMissed you too, Jack.â
You murmured against his lips, and you resolved not to ask about last night. Whatever happened, Frankie must have reached out to Jack, not you or Santi, and youâd leave it at that. Jack hummed contentedly for a moment before he pulled back and winked at you.
âAre you coming to watch us break in the newbies, darlinâ? I was thinking you and Flyboy could do the first demo.â
You narrowed your eyes suspiciously, but there was a playfulness in them as well.
âUs?â You questioned Jack with a raised eyebrow.
âFirst demo?â Came Frankieâs question as he whirled around to face you and Whiskey.
Jackâs smile broadened and he started out of his office and towards the elevator, expecting you and Frankie to follow.
âWhat are we demoing, Whiskey?âFrankie asked, more pointedly this time.
âWell, our newbies are scheduled to learn about disarms and what happens when the enemy goes for their gun. I thought itâd be good to have them start out seeing Bourbon disarm you.â
Frankie huffed as he crossed his arms and leaned against the elevator wall. You smiled as you leaned against the wall opposite Frankie.
âItâll be just like old times, Fish.â
He groaned and shook his head.
âWhy have me do the demo though? Iâm not a Statesman agent.â
Before you could respond to reassure Frankie, Jack chimed in, eyeing him with nothing short of gleeful mischief. Jack enjoyed breaking the new agents in almost a little too much sometimes, but it was good for them, and he was good at it.
âNo, youâre not, youâre ex-Delta Force, Frankie. These agents have had plenty of training, but they donât have your experience, Flyboy. Theyâre gonna learn the difference today.â
Jack shared a similar philosophy with you when it came to combat training and sparring. You had been a terror in hand-to-hand, still were, you were proud to say. You knew there was often a size disadvantage, but you had learned to use your opponentâs momentum against them, and more importantly, you didnât follow convention. In sparring matches, most people fought like they were sparring, which was fine for beginning, but there was a big difference between practicing and being in an actual fight. You never advocated for an all out brawl, but you refused to follow the typical learned pattern that people naturally gravitated towards. Tom had been predictable and a sore loser. Will was predictable but sweet. Benny, well, there was a reason he was semi-pro, which left Santi and Frankie. Santiago was fun, and you had lost your fair share of matches to both him and Benny. Frankie had a spark in his eyes when he sparred, but no matter how hard you had tried to get him to let go, he refused. It had nothing to do with anything silly like you being a woman, more to do with the fact that Frankie never seemed to just let himself go in that way. You had only seen him let go a bit twice, both times in the field and well worn down by the day.
The elevator dinging startled you out of your reverie, and you followed right behind Jack towards the training room. Frankie assumed they would be entering a gym of sorts, but he was sorely mistaken, and he realized the âfloorâ they were on must have been composed of several. The âroomâ was really more of a training complex housed in the unassuming tower. To the right, a group of 20 people stood, waiting. He gave them a cursory glance, and then his eyes were pulled to the range. Heâd definitely have to visit to let off some stress. He followed as you and Whiskey led the way to the group of agents and hung back slightly as the group stood to attention.
âWell, look at this promising group of newbies, Bourbon. Dâyou think theyâre up for todayâs lesson?â
You let the smirk on your lips turn into a full crooked smile, you had more than a small idea as to what Jack was going to do. Looking over your shoulder, you caught Frankieâs eye and nodded for him to join you.
âI donât know, Whiskey, simple concept, but weâll see what their execution is like. My money is on our guy.â
The agents before you bristled, full of young pride that was well-earned. Whiskeyâs hand clasped over Frankieâs shoulder as he introduced him to the new agents.
âYâall are in for a treat. Our friend, Catfish, here, has generously volunteered to help train you on close quarters combat and disarms. Bourbon will demo the defense first. Catfish,â Whiskey took a pistol from the long table off to the side and handed it to Frankie. âYour objective is simple: shoot a blank at Bourbon.â
Frankieâs eyebrows shot up in surprise, and his eyes sought yours to make sure you were comfortable. An answering smile was good enough for him, and he checked the pistol, confirming there were no live rounds, before looking back up at you. The two of you easily slid into a ready position, and Jack gestured for the new agents to give you some room.
âHalcĂłn, when you go for the takedown, ten cuidado con mi espalda. Ya no soy joven.â [be careful with my back. Iâm not young anymore.]
It only mildly annoyed you that he already knew you were going to go for the takedown, after priding yourself on your spontaneity earlier, but you pushed that out of your mind as you both stood a few steps apart. There would be a split second when Frankie pulled his pistol and took a readying step. That would be where you would have an opening and make your move. A tense handful of seconds that seemed to stretch on filled the air. Jack watched the new agents, the tension between you and Frankie seemed to embed itself in the junior agentsâ lungs as they all waited with bated breath.
Nothing telegraphed Frankieâs quick movements as he drew his pistol, but on instinct, your body was moving. He saw your left hand fly out to redirect his momentum and push his gun hand away, quickly shifting to plant his weight, keeping you from landing the takedown this early. The training you and Frankie had received taught you to be efficient and end things quickly. That was easier said when you had spent years training together. The junior agents seemed to still be holding their breath while you traded blows. Your moment of opportunity came, and you took it. Frankie seemed to understand what was happening but his balance was off. You stepped into him, your hip bumping his as your hand came to grip over the top of his pistol. The next thing everyone knew, you were both on the ground, the gun skittering harmlessly away, and Frankieâs arm in an arm bar. He grunted and quickly tapped at your leg to surrender, and you let him go. The class was quiet until Whiskey broke the silence as you helped Frankie to his feet.
âI hope you lot were paying attention to Catfish here, he did a great job demonstrating what to do when facing a difficult opponent like Bourbon. For this exercise, the rest of you will attempt to take a shot at Catfish and he will disarm you by whatever means he deems necessary.â
You canât help but let out a small laugh, knowing Whiskey was being intentional with his wording.The laugh died quickly, however, at the words of one of the junior agents.
âHow was that a good example? He lost, he was disarmed. We should be practicing against someone better, who would last longer.â
At your side, you saw Frankie stand up straighter, his feet moving shoulder width apart as his hands clasped behind his back and he fixed the younger agent with a steely gaze. Even as his breathing remained calm, it was obvious the words had gotten to him. Whiskeyâs good natured grin turned into a smug smirk.
âDavis,â Whiskey began, calling the man out by his last name and emphasizing he hadnât earned a Statesman moniker. âSince youâre so eager, by all means, approach Catfish when youâre ready and show us how your Statesman training fares.â
Frankie kept his gaze leveled at the cocky junior agent, noticing in his periphery that you had moved away to give them plenty of room. Davis moved to be a few steps in front of him. Frankie continued to hold the stare as he questioned Whiskey.
âAre you sure about this, Whiskey?â
Whiskey nodded, Frankieâs gaze flickering over to him for the briefest of seconds, then he brought his hands to a loose ready position at his sides. Davis drew his pistol, but Frankie grabbed the barrel with his left hand, stepped forward and hooked his right foot behind Davisâ lead leg and pushed on the agentâs chest with his right hand. Davis went down, but found himself suspended by Frankieâs hold on his shirt. The class was filled with littered gasps and snickers. The âfightâ was over before it had really begun. Frankie helped right the agent and stepped aside to let him retrieve his firearm.
âAttaboy, Catfish! Davis, looks like youâve got some work to do. Hereâs another lesson, agents: Statesman agents arenât your only competition out there. Weâve got some fancy gear and traininâ here, but thereâs a world of intelligence agents and mercs out there. Catfish served with Bourbon, and that should tell you all you need to know.â He paused a moment to let the information sink in as Davis returned to the line to lick his wounds. Then Whiskey called the next agent.
Frankie breathed in, then out through his nose, and got ready. As they went, the junior agents in waiting began to pick up on a few of his techniques, and he had to adjust, but time spent practicing and training at Bennyâs gym had prepared him well for this.
You watched as Jackâs eyes danced while he followed Frankieâs movements. The circumstances earlier had prevented him from truly appreciating how efficient and capable the quiet man was. The last of the junior agents had made their attempt and consequently failed. Frankieâs breath was coming more unevenly now, and rightly so. What he had gone through would be exhausting for anyone.
âWell done, everyone, a round of applause to Catfish for taking the time to demonstrate yâall have a lot to learn before getting approved for field work. Now go on and line up at the range and get warmed up. Weâll be running sims next.â
The junior agents dispersed to the range towards the back of the room. Frankie let out a breath and rolled his shoulders to let out some of the tension he had been carrying, then started heading for the range, eager to let off some more steam.
âWhere do you think youâre going, partner?â
Frankie frowned, his eyes darting between you and Whiskey in confusion.
âI thought we were going to go shoot?â
Jack smiled then winked at Frankie.
âTheyâre warming up, you still have one more person to disarm, Flyboy.â
Frankieâs fingers twitched, and you could see that the exercise earlier had worn at his usual restraint.
âNo lasso.â
Whiskey handed you his lasso, then unloaded his revolvers and passed you the ammo. He holstered his revolvers again and stepped into position in front of Frankie. You watched as a new kind of energy seemed to crackle between them, and some of the junior agents seemed to sense it, stopping to watch as well.
Whiskey was fast, but training at the boxing gym had helped Frankie with his speed. As Whiskey drew his revolver, Frankie sprung forward. He didnât bother to grab the gun. Instead, he brought his fist down on the barrel, sending it skittering away. Whiskeyâs fist connected with Frankieâs side, and you heard, rather than saw, Frankieâs reservations fall away with a snarl. He took hold of the inside of Jackâs blazer, grabbing the grip of the other revolver holstered there and made to pull it out and take the âshotâ. Jackâs eyebrows shot up in surprise. He hadnât expected Frankie to go on the offensive, but he found he was impressed. He liked a challenge. Before Frankie could draw the revolver from the holster, Jack grabbed his wrists and wrenched them down, then back up quickly to break Frankieâs hold, and then Jack threw them both to the ground. Both men recovered quickly, but in the chaos, the revolver had fallen to the ground and Frankie scrambled for it. Just as his fingertips touched cold metal, Whiskeyâs whip flicked the revolver further away, and they closed the distance to grapple with each other again.
Your match with Frankie had been a well practiced dance, and this was too, in its own right. However, where yours had been fluid, Whiskey and Frankie were bordering on feral. For a moment, it appeared that Frankie had gotten the upper hand. Whiskey staggered backwards, about to fall, but as he went, he flicked his whip, the corded length wrapping around Frankieâs throat. He tugged, sending them both to the ground. Frankie grunted and struggled against the snare he was in. Whiskey wasted no time in scrambling up and pinning Frankie, his knee to the pilotâs back. Frankie continued to struggle until Whiskey leaned down so that only the other man could hear.
âEasy now, Tiger, save your strength for tonight. You did good.â
Frankie relaxed under Jackâs weight and nodded. Whiskey got off of him with a grunt and unwound the corded length of the whip from Frankieâs neck, then pressed a button on the handle to recall it. He helped Frankie up and dusted him off a bit.
A few of the junior agents were still watching in awe. It was rare to see a senior agent like you or Whiskey truly need to put some effort in, and to see it twice in one day was something else entirely. You walked over to the two men and put your hand on Frankieâs shoulder.
âYou did great, Fish, nice to see you let loose for once.â
He scoffed good naturedly and swooped to pick his hat up from off the ground.
âYou guys had quite the audience while you were at it, too.â Your smile was barely contained as you raised an eyebrow at Jack.
This time it was Whiskeyâs turn to scoff.
âWell, I hope theyâve been practicing. Theyâll be running the sim after Frankie does.â
Whiskey patted Frankie on his shoulder then gestured for him to follow. He led him to an enclosed area that occupied the majority of the left side of the training complex. A small structure that looked like a house sat inside the enclosure, and you knew it was furnished to match whatever simulation scenario had been determined. Whiskey stopped at a table just outside of the enclosure and gestured to the rifle, combat knife, folder, and headset.
âAlright, Flyboy, I know youâve done this sort of exercise before. Your brief is on the table there. Good luck.â
You and Whiskey walked a bit further along the enclosure to two screens. One cycled through a variety of camera angles while the other would connect to the headset once Frankie turned it on.
âYouâre really having Frankie run the simulation?â
Whiskey nodded, âI didnât have him help with the demo just to teach those newbies a lesson, darlinâ. Heâs been through hell, and I figured getting him to work through some of that in sparring and the sim would help. That, and, well⌠you canât blame me for beinâ curious, Bourbon. Last time I got to see what he could do, we were a bit busy trying not to get shot.â
You canât help but to chuckle and shake your head, your attention going back to Frankie as he geared up.
âFrankie turns into a different person on missions sometimes, used to scare the hell out of people on base who saw it. No one ever suspected it because he was always the quiet one, but heâs just as competitive as the rest of the guys on the team. He was just always scary good at keeping a level head and focusing on the mission. Youâll see.â
Frankie put on the kit provided for him then flipped through the brief before lowering the headset and advancing. The brief had been fairly simple: infiltrate the compound, rescue the target, and escort the target to the exfil location. They even provided a decent description of the target. The virtual course populated guards patrolling the 3 entrances. He opted for the path of least resistance with only 2 guards posted.
From the screen, you and Jack could see Frankie take a deep breath, his shoulders relaxing even as he crept towards the two guards. You knew it was because he was willing himself to let go, to let his instincts and muscle memory take over. He was lightning fast as his knife came out and he landed brutal and precise fatal blows to the targets on the screen. In a normal situation, he would hide the bodies but the miracle of technology meant he didnât have to. It was beautiful in a devastating way to watch Frankie move with such confidence, stealth, and precision. He peered around a hallway, noting the sudden influx of guards and catching a glimpse of red at the end of the hall. The brief had indicated the target would be in red, and it made sense that there would be more guards to ensure the target didnât run off. He counted five hostiles in the hallway.
Five guards, five bullets.
Once he had downed the hostiles, Frankie stepped through the hallway, catching a glimpse of the target and swore at how clichĂŠ the scenario was. The brief had just said the target had last been seen wearing red.
âÂĄMe estĂĄn jodiendo! ÂżEn serio? ÂżUna mujer en un vestido rojo?â [Theyâre fucking with me. Really? A woman in a red dress?]
You could both hear Frankie through the mic link in his headset, and you couldnât help but laugh. It quickly died as you and Whiskey tensed. The woman in red was a decoy, one that statistically caught the majority of users by surprise.
âMaâam, are you-â She moved just barely and he saw the glint of where a gun was holstered. Frankie didnât finish his sentence. Instead, he fired a shot to her chest and grumbled to himself before moving on. Normally, it wouldnât have taken him that long to figure it out.
Whiskey whistled, thoroughly impressed. It wasnât long after that Frankie found the real target and reached the âexfil locationâ.
âDamn, sweetheart, you sure picked a good one.â
He winked at you, and you grinned back as Frankie pulled off the headset and his kit, then walked over to you.
âAlright, agents! Catfish successfully completed the sim in 15 minutes, thatâs your time to beat!â
A chorus of groans echoed in the training room. Whiskey ignored them and clapped Frankie on his shoulder.
âYou did good, Flyboy, really set the bar high. Most people get caught up by the decoy.â
Frankieâs chest puffed out a little at the praise, but he was soon shaking his head. Before he could deflect the compliment, Whiskey squeezed his shoulder.
âFeeling hungry, Flyboy? Figured the three of us could grab a quick lunch before Cran steals Bourbon here away from us.â
âYeah, Iâm starving. Didnât expect you to keep me busy like that.â
Vermouth entered the training room, and you waved him down.
âHey, Vermouth! Watch the junior agents for us. Whiskeyâs just got them running the sim. Weâre going to go grab lunch!â
Without waiting for Vermouthâs answer, you grabbed Whiskey and Frankieâs hands, dragging them out of the training room and to the elevator.
âThereâs a deli not far from the office we can walk to, and itâs late enough that we should miss the rush.â
Walking arm in arm with both of your boys, you could think of very few things better than right now. You didnât care that you were in the middle of downtown New York. All that mattered was Whiskey on your right, and Frankie on your left.
Frankie did his best to relax and not let his anxiety and internal struggles get the best of him. Whiskeyâs words echoed in his mind: âWhen it comes to me and Bourbon, keep an open mind and try not to overthink it.â That was a lot easier said than done, but he was working on it.
You were right, the timing made it so that you had missed the lunch rush. You all ordered your food, Whiskey stepping in to pay with a look that silenced both you and Frankie, then you all went to sit down.
Whiskey practically sprawled in his chair, his legs encroaching your space under the table and Frankieâs space next to him. Frankie sat somewhat stiffly but the more he ate, the more he seemed to relax. You nudge his foot with yours playfully to grab his attention.
âHowâs your back? Mr. Ya-no-soy-joven.â
The three of you laughed, and Frankie shook his head with a wide grin on his face.
âIâm not! Gotta leave that shit for the young guys who think theyâre invincible.â
âYoung guys like Davis?â You shot back, smug on Frankieâs behalf.
âCocky kid had it coming.â
There was no anger in Frankieâs eyes, only the slightest lilt of mirth in his voice as his gaze met yours, then Whiskeyâs. Whiskey leaned forward and barked a laugh while patting Frankie on the back.
âHe sure did. The lot of them were in need of a reality check. Thatâs why Champ specifically likes to have me or Bourbon take at least one pass at our junior agents. After all those hours spent training, they tend to forget that there are much bigger fish out there.â
Conversation flowed easily between them for the rest of their lunch. It reminded Frankie of the prior morning, when they were enjoying breakfast and everything just felt right. It felt as if all of the pieces of the puzzle were coming together, and this time, this time, it didnât feel fleeting.
Walking to the office was much more comfortable than the walk to the deli had been. You noticed that Frankie was far less stiff under your touch on his arm, even leaning into you occasionally. You parted ways in the elevator. You were heading to the lab to play guinea pig for Cranberry, and your boys were headed upstairs to Whiskeyâs office. Frankie seemed hesitant to let you go, and you did your best not to spook him, your heart fluttering in your chest.
Given everything that had happened, things needed to be almost wholly in Frankieâs court, at least until he was more comfortable around you. You had certainly noticed, however, how easily Frankie and Whiskey seemed to allow each other into their respective spaces. The elevator doors closed behind you as you strode down the hall. You were glad that they were comfortable together, though. It had definitely been a concern of yours, considering their respective pasts, but you also thought that there was the potential for them to relate and understand each other better than most.
The rest of the day passed by slowly, and as directed, Frankie remained Jackâs shadow. Jack did his best to keep from laughing when 5pm rolled around and Frankie began to subconsciously bounce his knee. He was scrolling on his phone, lower lip pulled between his teeth and brow furrowed as he tried to focus on whatever was on the screen.
You knocked on Jackâs open office door, raising an eyebrow when you saw Frankie startle at the sound. He wasnât usually this jumpy. Jackâs gaze met yours, and you could see the amusement and mischief that bubbled in his eyes.
âHey there, darlinâ, you getting ready to head out for the night?â
âJust about, wanted to come see my boys before I do.â
Frankieâs knee stopped bouncing at your words, his phone falling into his lap as he looked up at you. You motion for him to scoot over a bit as you sit down on the couch next to him and rest your chin on your hand.
âWeâre still on for dinner tomorrow, right?â
You posed the question to the room in general, even though the three of you knew that it was really directed towards Frankie.
âUh yeah, Iâm-Iâm looking forward to dinner tomorrow,â Frankie says after clearing his throat and gives you both a shy smile. Leaning over, you take his large hand in your own and give it a squeeze.
âGreat!â Standing up from the couch, you smooth your clothes, give Frankie a kiss on his cheek, and then kiss Jack. âIâll find us a place, and weâll figure it out more tomorrow. Night, Frankie. Night, Jack.â
A minute later, youâre gone, and suddenly thereâs nothing keeping Frankieâs mind off of the time, which is painfully close to 6pm, when Jack said heâd be done with work. The moment the clock turned that final, eternal minute, Frankie sat up straight, attentive, and alert as his eyes watched Whiskey.
Jack leaned back in his chair, stretching, then relocated next to Frankie on the couch.
âI donât want you to feel obligated to do anything tonight, Flyboy. If you feel like youâre not up for it, weâll just grab dinner and head home.â
Frankie shook his head and took a steadying breath.
âNo, I want this. I-I could really use it, Jack.â
Whiskey nodded, eyes wandering over Frankie as he adjusted on the couch.
âAlright, I use the green, yellow, red system. You need me to stop for whatever reason, call red, and thatâs it, no questions, no hard feelings or fuss. Iâll get you cleaned up and help you come down. Sound good?â
Frankie nodded, his tongue suddenly thick and his mouth dry in anticipation. Jack tutted.
âI need you to use your words, Flyboy.â
Frankie swallowed, his heart beating wildly in his chest.
âI understand, s-sounds good.â
âGood. NowâŚâ Jack pulled a small pad of stationary paper and a pen from the side table. âI want you to write out what youâre ok with and any hard or soft limits you have.â
Frankie nodded, then took the pen and paper and began writing.
[click for better quality]
A blush took hold of Frankie as he handed it back.
âItâs what I can come up with off the top of my head, for tonight at least. Iâll let you know if anything else comes up though.â
Jackâs eyes were dark as he perused the list, looking up from the paper to Frankie, he stood up with a smile.
âCâmon Flyboy⌠weâre gonna have some fun tonight.â
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Two Steps Forward, One Step Back | Nathan Bateman | Ex Machina
Summary: You and Nathan hit it off at a tech expo. One thing leads to another and the two of you pull a stunt, claiming youâre married. Things get out of hand, and you end up going to stay with Nathan at his home to avoid people trying to harass you about Nathanâs work. The time you spend together will allow for a real relationship to bloom. [Swearing] [Fake Marriage Trope] [Soft!Nathan] [F!ReaderxNathan]
Word Count: 3.3k
|Masterlist In Bio|
One day you realize Kyoko is missing. You're not sure when she stopped appearing, in fact you can't remember the last time you actually saw her. Last week? No. A month ago? Wait,have you been here that long? Time seems to have lapsed here in the facility with Nathan. You worried about this when you arrived. Or maybe when you took the job. Was it really a job? Everything is a little fuzzy in terms of what you are. An assistant one might think, a housekeeper perhaps? No. You took the job as Nathan Bateman's wife. Yes. Job....well...sort of. Letâs go back to the beginning shall we?
Three months ago you met Nathan at the biggest tech expo in Las Vegas. You weren't exactly there for the inventions and hottest tech on the market. You were a handler, an escort of sorts for the creators and investors from companies attending. Your job was simple. Make things as smooth as possible while the people with disgusting amounts of money make big decisions. It was a great gig. It paid incredibly well for being temporary. But Nathan didn't think it suited you.
The second he laid eyes on you it was all over. You had been nervous for days after learning you were assigned to Nathan Bateman for Thursday, Friday and Saturday of the expo. The Nathan Bateman, creator of Blue Book and the AI Project. You may not be a tech genius or even understand most of the things on display at the expo, but you would have to be living under a rock not to know who this man is and what he has done. He is illusive, handsome, sought after by many people the world over. Nathan is the definition of a sugar daddy if you ever did see one. Notoriously single, generous with his money, beyond genius intellect. He is the whole package.
One thing lead to another after you met Nathan at the expo and before you knew it he had your collar bones a mess with hickies and you were dressed in his sweater to attempt to cover them up. It hadnât taken long before he was all over you, hands in your hair, on your butt, lips on your neck. You and Nathan had just sparked the moment you got close and you let that fire burn as hot as it could.
Of course all things in life have consequences, good or bad, and as you were leaving the rest area for creators, where the little hands on session had gone down, some press junkie saw you together. Photos were taken. Nathan had not been seen with anyone privately in years. He was never seen with a woman, let alone a woman wearing his sweater and looking a proper mess. It was a scandal to be had.
By the end of Friday Nathan was introducing you as his wife, a plan he had come up with on the fly. He had even procured a huge diamond ring for you too. Somehow you were playing along with all of this. Nathan offered to pay you, just for the appearance because it would be good for the company that he was seen as a man like any other, nothing more needed to come of your relations. It was fine. You were getting paid more than you could hope to make in your lifetime and getting to hang out with Nathan Bateman who you actually clicked with and liked to be around. Win win. You had it made. In less than 24 hours you were to be done with all of this and have cash in pocket to do whatever you wanted with.
Until.
A week after you had your crazy weekend with Nathan you were being followed. People kept showing up at your part time job in the travel agency downtown. They asked questions about Nathan, about his work. You didn't know anything. You were half tempted to tell everyone it was fake, that he never even properly kissed you, but Nathan paid you to be quiet, to play along. You signed his NDA. After a man followed you home from work and watched your apartment for two days, that's when you decided to reach out to Nathan. You could call the police and have the man removed, but there would just be others. This wasnât a matter for the police, it was a matter for Nathan to handle.
Reaching a man like Nathan wasn't easy. He had left you a business card. A number that went to Blue Book human resources. It wasn't a way of contacting him directly, but it was. On the card was scribbled a word. "REQUIEM" You called the number and listened to the prompts. None reached an operator or customer service line. It seemed that no matter what you did it sent you to an automated system. Eventually you got so annoyed you just said the word requiem as if it were a prompt. Sure enough the phone started ringing, connecting to a line.
"Hello?"
"Nathan?"
"How did you get this number?"
"You gave it to me. At the expo." You tell him that it's you and he sighs heavily in relief. "I need your help."
"My help? With what?"
"I'm being harassed because of the expo." Your voice trembles and you realize how much of a toll this is taking on you. "People have followed me to my home."
"Fuck. Can you get to an airport first thing in the morning?"
"Yes."
"Perfect, give me your email. I'll send you everything you need to get away. Pack your bags for a few months. I'll bring you to my facility as a guest until this blows over or we decide what to do next. It's the least I could do."
And that's how you ended up in his home in the middle of nowhere Alaska for the last month and a half. Your whole world uprooted because you decided that a few hundred thousand dollars was worth playing fake wife to the country's richest and most sought after man for two nights. It was so stupid at hindesight, but here you are actually the happiest you've ever been and connecting with Nathan on a deeper level than you thought possible. The two of you just understand each other, it's as if you're two sides to one coin.
______________________
"So, where is Kyoko?"
Nathan looks over from his desk, peering at you over his glasses. You're leaning against the door frame in a nightgown you know he likes. "She's in storage."
"Why?"
"Because I decommissioned her." He turns his attention back to the computer and begins typing.
You step in and he lets out a little warning hum. You know better than to bother him while he's toiling away on code. Being here for this long has been a learning experience with his reclusiveness, but also a lesson on reading his moods. He's not irritated, yet. "Why did you do that?"
"Kitten, you are distracting me."
Kitten. The nickname he picked out day one. Who gives a guest a nickname?
"I'm curious."
"I'm working. You know the rules."
You lean against the desk and he flicks his gaze to you for a moment as your nightgown rides up your thighs. His rules were simple. Donât bother him while he works, no kissing, no sex. Really you thought the rules were ridiculous. You were meant to be a guest, hiding while the world forgets about your fake relationship. But things donât go as planned do they? The two of you have been pushing the boundaries of entering a relationship, though it has never been discussed.
"We haven't talked in days."
Nathan sighs irritably. "I am on to something that could be the greatest breakthrough in AI history." He pushes his chair back and pats his lap. "Come sit."
You do as told and plop down onto his lap.
"Now, if I promise to go to bed in two hours will you stop asking questions?" He runs a hand up your back, fingertips dancing against your skin delicately and making you shiver.
"That's a long time. It's already late."
"My patience is wearing thin."
"Alright deal."
"Good girl." He swats your butt gently and you slide off his lap. "Go make that bed nice and warm for me."
You take one last look back and he's already returned to typing. "One more thing."
"Nope. Get out."
"But-"
"Out, Kitten."
"Nathan, come on."
He stops typing and even in the dim light you can tell he is tense and irritated. This is the time to stop pushing his rules. "Go, or I won't be nice."
You cross the room quickly to kiss his cheek and then hurry from the room. You know he is probably going to do something to get back at you for disrupting him amid a coding session. But that's fine. You like seeing him break his own rules just for you.
__________________
Nathan comes to bed some time late in the night. You just recently began sleeping in his room, itâs what really started to blur the lines of what you were to each other. He had invited you to sleep with him after you found that your brain seemed to wander when you were alone in your cold windowless room in the inner workings of the complex and sleep never came easy. Nathan's room is upstairs, with a view out to the forest should you wish to set the windows to day mode. His bed is huge, elevated on a platform, covered in blankets and plush pillows. One may think Nathan's bed would be neat and clean like the rest of the house but no. It's like a nest of comfort, a bog of pillows that you could get lost in.
"Hey, I can tell you're awake."
"Just woke up."
"Everything is okay, you can sleep."
You arch back against him, butt pressed into his legs. "I still wanna know about Kyoko."
"Don't worry about it."
You yawn and he wraps arm arm around your chest. "It's weird. You said she was fine."
"Hush." He kisses your ear. "Sleep."
You fall silent, stewing in your thoughts. What purpose could he have for decommissioning Kyoko? She seemed fine. He said she had been working for years seamlessly. It just didn't make sense.
_____________________
Morning comes and the bed is empty. Nothing new. You wonder what it would be like to wake up to a sleepy eyed Nathan. Bet he'd look so cute. He's so hot without his glasses on. Well, he is hot with them on too but there is just something different about it you canât describe.
"You wanna go for a walk?"
You look to the doorway and Nathan has his cargo pants and a jacket on. "I'm not awake yet."
"Suit yourself sweetheart. Call if you need me."
"Yep."
You throw your arm over your face. Your dream is coming back to you. It makes you shiver. You had been riding Nathan, hips rolling down into him desperately, his cock filling you so full. God you couldn't wait to do everything with him, if you ever do. You haven't even kissed yet. Even at the expo, he kept his mouth away froms yours, letting his lips travel elsewhere.
Nathan made his rules very clear at the expo and again when you arrived at the facility. No sex. No kissing. You suppose it has to do with attachments for him. You're just supposed to be staying with him until everything settles down around your fake marriage stunt. It's not supposed to be a real thing, but like you mentioned, everything has become blurry and unclear around your relationship with each other. Of course you both know that you have feelings for each other. Head kisses, throat, shoulder and back kisses are now allowed. Bed sharing is allowed. Cuddling. Snuggling. Talking and sharing memories is allowed. You think it's a matter of time before one of you fucks up and throws caution to the wind. What kind of host shares their bed with their guest? What are you doing here?
You crawl out of bed and grab some sweatpants on the floor along with a hoodie. If you hurry you can catch up with Nathan on the trail. Assuming he took the trail. Â
The air is crisp, a typical fall morning for Alaska. It's beautiful, so clean, so easy to breathe. Nothing like back home. You jog along the trail that leads away from the back porch and sure enough you find Nathan walking with his hands in his pockets.
"Hey! Wait up!"
Nathan turns and stops, smiling softly at you. "Thought you were too tired."
"I changed my mind."
"Uh huh." He plucks at your hoodie. "This is mine."
"Yeah I just grabbed something in a hurry." You stuff your hands in the front pocket.
He runs a hand through your hair, fingertips lingering along the ends. "I like it on you."
"Thanks? It's just a hoodie."
Nathan pulls his gloves from his pocket and passes them to you. "Take these. I don't need you to lose a finger to the cold."
"You won't make me a cool robot one if I do?"
He pulls the gloves back teasingly. "Mmm, on second thought let's see if I can actually do that."
"No!" You giggle and he allows you to take them.
The two of you walk along in silence just enjoying the outdoors and everything it has to offer. Eventually you end up at the bottom of a waterfall. It's loud, beautiful, almost icy when you touch the water at the edge where it pools. Â
"Do you want to know why I decommissioned Kyoko?" His sudden choice of topic startles you but itâs nothing new. He was always jumping on subjects randomly.
"Yes."
"Because of you."
"What?" You turn away from the water and walk to where he's leaning against a tree. "What did I do?"
"You took her place."
"What? She was your housekeeper and like an assistant or whatever. I'm neither, I'm just a house guest aren't I?"
âJust a house guest...â Nathan chuckles. "Kyoko was everything for me while I was here alone. A friend, a helper, my lover."
Your eyebrows shoot up. "She could fuck?"
"Of course she could fuck." He waves his hand dismissively. "When I say you took her place I mean in my life. I felt that she was unfair to you, that once you moved into my bed she didn't belong anymore. Kyoko is a great distraction but she isn't human, she doesn't think for herself, or feel for me. She doesn't connect like you and I do. It felt wrong to have her keep me company when you are here."
"But when I leave you'll bring her back out."
"No." He purses his lips and looks down. "Actually I wanted to ask you about that."
"Leaving? Have I overstayed my welcome?"
"Quite the opposite actually."
"The opposite? I haven't stayed long enough?"
Nathan pulls his hands from his pockets and gestures for you to come closer. You do as he asks and he cradles your face. "If you're interested, I'd like to actually start a relationship with you."
"Does that mean we can stop dancing around the edges of whatever this is between us? Because I don't think house guests normally sleep in their host's bed, or wear his clothes, or get neck kisses and give shoulder massages."
He smiles and licks his lips. "I wanted to see how far we could go until one of us broke down and drew a line."
"Nathan, I think we probably would have started showering together next if you hadn't said something by now." You laugh softly. "But yeah, I wanna see where this goes."
"So you'll stay with me a little longer?"
"As long as you'll have me."
"Don't say that." He puts his hands on your hips. "I might keep you forever. Might make you my wife for real."
"I'm not doing much for the rest of my life, so why not?"
Nathan laughs and it makes your heart swell. He rarely does so, it's such a treat to hear. "Never thought I'd meet someone I connect with so completely. Really I didn't think I'd ever meet anyone."
"Why not?"
"I'm not exactly social as you can tell by my living situation. But also I didn't think I deserved someone. Like I deserved to be alone, and be the way I am because I was gifted with such talent. I sort of accepted that it was a trade off for my intellect."
You lay your hand on his chest and his heart is pounding. "No one deserves to be alone. No one."
He smiles weakly. "When you called that day, saying you needed help because of the stunt we pulled, I knew it was you. I knew you were my chance at love in this life. There was no way I was going to let you slip through my fingers a second time."
"Second time?"
"I didn't want to leave you at the expo. I wanted to bring you home with me, I wanted to show you everything. But I knew I pushed it already with the wife stunt, and I knew you had a life and I couldn't be so selfish as to take you away from everything while chasing a high I got."
You smile softly and kiss his cheek. "I probably would have gone with you. That was the best weekend of my life and I didn't want it to end."
"I'm glad you let me play with you in that rest area and we got caught. If we hadn't I don't think we would be here right now."
"Don't make it sound so dirty."
"It was a little dirty." He kisses your cheek. "Hot too. You were so ready to just let me do whatever."
"Nathan!" You giggle and he presses his lips to yours. The sensation takes your breath away.
He cradles your face and slides a hand into your hair. He licks into your mouth and you let out a soft whimper. You grip his jacket and he turns you around so your back is against the tree. "Thought this would go a little differently."
"Yeah? How so?"
He presses another kiss to your lips. "Thought we'd be in the house, maybe curled up by the fire or in bed."
"Nathan Bateman a romantic? I'm shocked."
"I live to shock people." He chuckles. "I shocked my investors and my agent with our little marriage announcement."
"You didn't tell anyone it was fake? Not even your agent?"
"Not yet." He grins. "I like to make him sweat a little."
"You're mean."
"Sometimes."
"Well now we've established that this is happening, why don't we head back to the house? Are you free today?"
Nathan takes your hand in his and steps away from the tree. "I'm free every day."
"No you're not."
"I'm free every day you want me from now on." He threads your fingers together. "I promise."
"That's a big promise to make."
"I'll keep it." He brings your hand up and kisses it. "I'm a man of my word, you know that."
"Yes you are."
"Come on, I'm tired of waiting." He pulls you along the path and you walk quickly to keep his pace. "The last month and half have been torture."
You get ahead of him and pull your hand out of his. He raises an eyebrow. He knows what you're thinking. He knows you're going to run for the house and make him chase you.
"Don't you do it."
"Too late." You take off and he follows in hot pursuit. "You gotta catch me if you wanna keep me!"
His arm encircles your waist the moment you reach the porch and he tumbles you both down onto the sun warmed smooth wood. He rolls you under him and pins you by your arms. "You're mine now."
"I guess I am." You smile big and he captures your lips with his once more. âI wouldnât be anyone else's.â
End .
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More movies (and a tv series) on youtube to keep you busy
List 1 / List 2
Hereâs a third update of movies that you can watch in full on youtube since youâre stuck inside
Documentaries about movies:
Visions of Light: The Art of Cinematography (1992): Featuring interviews with more than two dozen major cinematographers and a ton of clips, this is a useful and enjoyable primer for anyone interested in learning what a DoP does
Vittorio Storaro: Writing With Light (1992): This is a shorter (40 minute) television doc focusing on one specific cinematographer, Vittorio Storaro, famed for his collaborations with Bertolucci and for shooting Hollywood movies like Apocalypse Now and Reds
The Epic That Never Was (1965): In 1937, Josef Von Sternberg started shooting an adaptation of I, Claudius starring Charles Laughton as Claudius. Dirk Boagarde hosts this lively documentary examining why the film was never completed, featuring the surviving footage from the 1937 shoot.Â
Hollywood: A Celebration of the American Silent Film (1980): Kevin Brownlow and David Gillâs 13-episode miniseries about the silent film era is considered the gold standard for documentaries about film history, but the impossibility of negotiating the rights to all the clips used at a reasonable price has kept it off of dvd or blu-ray. Luckily, that didnât stop someone from putting it on youtube, although episode 12 has in fact been blocked due to a copyright claim.
Buster Keaton: A Hard Act To Follow (1987) Part 1 / Part 2 / Part 3: Another Kevin Brownlow and David Gill miniseries, this one, as youâve probably guessed, covers the life and films of Buster Keaton over three episodes.
More movies:
Powell/Pressburger: Michael Powell and Emeric Pressburger, aka the Archers, were one of the greatest writer/director teams in film history (and a favorite of Scorsese, who seemingly made it his lifeâs mission to ensure that their films were restored and available), and three of their incredibly charming, magical movies are on youtube. Of the available ones, I Know Where Iâm Going! is probably the best to start with.
I Know Where Iâm Going! (1945): Dave Kehr on the film:Â âMichael Powell's 1945 film resists easy classification: it opens as a screwball comedy, grows into a mystical, Flaherty-like study of man against the elements, and concludes as a warm romance. Wendy Hiller, in one of the best roles the movies gave her, is a toughened, materialistic young woman on her way to meet her millionaire fiance in the Hebrides; Roger Livesey is the young man she meets when a storm blows up and prevents her crossing to the islands. Funny and stirring, in quite unpredictable ways, with the usual Powellian flair for drawing the universal out of the screamingly eccentric.â
A Canterbury Tale (1944):Â The Criterion jacket copy: âMichael Powell and Emeric Pressburgerâs beloved classic A Canterbury Tale is a profoundly personal journey to Powellâs bucolic birthplace of Kent, England. Set amid the tumult of the Second World War, yet with a rhythm as delicate as a lullaby, the film follows three modern-day incarnations of Chaucerâs pilgrimsâa melancholy âlandgirl,â a plainspoken American GI, and a resourceful British sergeantâwho are waylaid in the English countryside en route to the mythical town and forced to solve a bizarre village crime. Building to a majestic climax that ranks as one of the filmmaking duoâs finest achievements, the dazzling A Canterbury Tale has acquired a following of devotees passionate enough to qualify as pilgrims themselves.â
Gone To Earth (1950): Made under unhappy circumstances (David O. Selznick producing), this is a gorgeous technicolor romance starring Jennifer Jones as a nature loving young woman forced into a choice between two âcivilizedâ men, with tragic results.
Straub/Huillet: If youâre looking for something easy and relaxing to watch during the quarantine, Iâd recommend literally anything else other than the films of Jean-Marie Straub and Danièle Huillet. J. Hoberman on the couple: âStraub-Huillet, as they preferred to be called, are cinemaâs conscience â an antidote to all the junk movies youâve ever seen. Drawing on Kafka, CĂŠzanne, Brecht, Schoenberg and Malraux, to name only some of their best-known sources, Straub-Huillet films are meant to raise ethical questions on subjects as varied as proper camera placement and the appropriate political approach to the subject.âWe make our films so that audiences can walk out of them,â Mr. Straub once said, perhaps not altogether in jest.â Of the available ones, Class Relations, their adaptation of Kafkaâs unfinished novel Amerika, seems to be agreed upon as the easiest place to start as itâs the closest to a straightforward narrative, although History Lessons has also been recommended as a relatively easy starting place by some people. Not Reconciled, which compresses an epic Heinrich Boll novel following three generations throughout multiple timelines into 52-minutes, is not recommended to start with. MUBI did a retrospective of their works and had essays commissioned for each one to help viewers out so Iâll link those with each film. Hit Closed Captions for subtitles.
Not Reconciled (1965): Hereâs a 10-minute video essay by critic Richard Brody that will help you have a slightly easier time with Not Reconciled if you decide to give it a try. Hereâs the MUBI essay
Othon (1970): In the 17th century Pierre Corneille wrote Othon, set in ancient Rome. Straub-Huilletâs adaptation is shot in the actual ruins of Roman palaces with modern buildings and cars visible in the background. The MUBI essay
History Lessons (1972): An adaptation of Bertolt Brechtâs The Business Affairs of Julius Caesar. From the MUBI essay:Â âIn the film, an unnamed young man tours Rome and conducts interviews with toga-clad members of ancient Roman society on the subject of âC,â meaning of course Julius Caesar. It plays like Citizen Kane shorn of any of the flashbacks that bulk out that film: here, it is all exposition, reminisces, impressions. Interspersed through these sedentary discussions are a series of randomly protracted car rides through the city, all recorded in unbroken takes from the backseat of the young manâs Fiat 500.From this brief description alone, Iâm sure you can see why structuralist-minded academics in the seventies had a field day.â
Fortini/Canti (1976): From the MUBI essay:Â âIn Fortini/Canti, the Italian Communist writer Franco Fortini reads aloud from his Dogs of the Sinai (only recently translated into English for the first time), a memoir of his life as an Italian Jew and an extended reflection on the aftermath of the Third ArabâIsraeli War of 1967 and its representation in the Italian media and by the political class. [...]Â Like all of Straub-Huilletâs movies, this astonishingly combative film follows an internal rhythm born out of the particulars of landscape, of speech, and of the physiognomies of its actors. It begins with an extended recording of a television newscast about Israel/Palestine (thus distancing the audience from the warped words and images on screen), a quotation from Fortini that connects like a punch in the jaw (âPeople donât like having to change their minds. When they have to, they do so in secret. The certainty of having been tricked turns into cynicism. Gain for the cause of conservatismâ), and then alternates between short jabs like these and more sustained verbal and visual attacks.â Â
Too Early/Too Late (1982): Serge Daney on the film: âNo actors, not even characters. If there is an actor in TOO EARLY, TOO LATE, itâs the landscape. This actor has a text to recite: History, of which it is the living witness. The actor performs with a certain amount of talent: the cloud that passes, a breaking loose of birds, a break in the clouds; this is what the landscapeâs performance consists of. This kind of performing is meteorological. One hasnât seen anything like it for quite some time. Since the silent period, to be precise.â The MUBI essay
Class Relations (1984): The aforementioned adaptation of Kafkaâs Amerika, often recommended as a place to start with Straub/Huillet. The MUBI essay
Hitchcock: Back to fun stuff, three Hitchcock classics.
The 39 Steps (1935): Dave Kehr:Â âAs an artist, Alfred Hitchcock surpassed this early achievement many times in his career, but for sheer entertainment value it still stands in the forefront of his work.â
Shadow of a Doubt (1943): Kehr again:Â âAlfred Hitchcockâs first indisputable masterpiece. . . . Hitchcockâs discovery of darkness within the heart of small-town America remains one of his most harrowing films, a peek behind the facade of security that reveals loneliness, despair, and death. Thornton Wilder collaborated on the script; itâs Our Town turned inside out.â
Spellbound (1945): No one would argue itâs Hitchcockâs best and the psychoanalysis is very dated but with Gregory Peck, Ingrid Bergman, and Dali-designed dream sequences thereâs still enjoyment to be had.
Ozu: One of Japanâs most beloved and revered filmmakers, heâs primarily known for his post-WWII family dramas, but his career stretched back to the silent era (although most of his silent films are lost). I Was Born But... is a good place to start but itâs not representative of the style heâs known for. Late Spring is where his later style fully emerges, and itâs a good place to start, so you might want to go in chronological order with these (Tokyo Story, widely considered one of the greatest films of all time, is also not a bad place to start).
I Was Born But... (1932): Jonathan Rosenbaum on the film:Â âOne of Yasujiro Ozu's most sublime films, this late Japanese silent describes the tragicomic disillusionment of two middle-class boys who see their father demean himself by groveling in front of his employer; it starts off as a hilarious comedy and gradually becomes darker. Ozu's understanding of his characters and their social milieu is so profound and his visual styleâwhich was much less austere and more obviously expressive during his silent periodâso compelling that the film carries one along more dynamically than many of the director's sound classics. Though regarded in Japan mainly as a conservative director, Ozu was a trenchant social critic throughout his career, and the devastating understanding of social context that he shows here is full of radical implications.â
The Only Son (1936): Criterionâs jacket copy:Â âYasujiro Ozuâs first talkie, the uncommonly poignant The Only Son is among the Japanese directorâs greatest works. In its simple story about a good-natured mother who gives up everything to ensure her sonâs education and future, Ozu touches on universal themes of sacrifice, family, love, and disappointment. Spanning many years, The Only Son is a family portrait in miniature, shot and edited with its makerâs customary exquisite control.â
Late Spring (1949): Ignatiy Vishnevetsky:Â âEach shot in Late Spring is striking on its own; the mature Ozu belongs to that rare category of filmmakers whose work can be recognized from a single frame. But togetherâwith all their abrupt shifts in visual perspective and timeâthey become a mosaic, deeply poignant and ultimately mysterious in the way it envisions a relationship between two people trapped by how much they care for one another. There are domestic dramas, and then thereâs this.â
Tokyo Story (1953): Dave Kehr: âThe film that introduced Yasujiro Ozu, one of Japan's greatest filmmakers, to American audiences (1953). The camera remains stationary throughout this delicate study of conflicting generations in a modern Japanese family, save for one heartbreaking moment when Ozu tracks around a corner to discover the grandparents, alone and forgotten. A masterpiece, minimalist cinema at its finest and most complex.â
Early Spring (1956): Ozu on the film: âI wanted to portray the life of a white-collar man â his happiness over graduating and becoming a member of society. His hopes for the future when he got his job have gradually dissolved and he realizes that, even though he has worked for years, he has accomplished nothing worth talking about. By delineating his life over a period of time, I wanted to portray what you might call the pathos of the white-collar life...I tried to avoid anything that would be dramatic and to accumulate only casual scenes of everyday life in hopes that the audience would feel the sadness of that kind of lifeâÂ
Equinox Flower (1958): Vincent Canby:Â âOne of Ozu's least dark comedies, which is not to say that it's carefree, but, rather, that it's gentle and amused in the way that it acknowledges time's passage, the changing of values and the adjustments that must be made between generations.â
Late Autumn (1960): Peter Bradshaw: âAnother gem from the Ozu canon, a masterpiece of tendernesss and serio-comic charm, as tonally ambiguous and morally complex as anything he ever made.â
And the tv series:
The Armando Iannucci Shows: You may know Armando Iannucci from his films, In The Loop and The Death of Stalin, or from some of his other television shows like The Thick of It or Veep, or from his involvement in all the Alan Partridge series with Steve Coogan. You probably missed The Armando Iannucci shows, his stream of consciousness sketch comedy that ran for one season back in 2001 (it didnât help that it debuted in September of 2001), but itâs probably the most purely funny thing heâs ever done.Â
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Part two of the college apps series~ Also it was pretty hard to imagine Port Mafia members in these scenarios guys :â)
How BSD characters would help their S/O through college apps (Part 2) [Port Mafia]
[Chuuya]
- Chuuya didnât know what to do or how to react when he saw you breaking down in front of your computer. He tried to calm you down, but it just made the situation worse and he had to leave you alone for a few moments before he dared approach you again.Â
- He doesnât know too much about the university system because he didnât have a chance to go through it when he was younger, but he was determined to help you through it, so he did some quick research and realised that you could rack up qualifications through taking extra classes, or the fact that someone could get through university applications through taking tuition.Â
- So he decided to sign you up for those because there is no way he would let his resources go to waste. Chuuya did sit you down and tell you his plans, making sure you agreed before going ahead with them.Â
- After leaving you in the hands of the experts, Chuuya takes over the part of relieving your stress and spoils you rotten. While he doesnât get you everything you demand for, he takes you out on fancy dates every week, such as a romantic dinner or a really fashionable cafe; small things that allow you much needed relaxation but still ensure you have time left to tackle your applications.Â
[Akutagawa]Â
- Akutagawa is one who doesnât give a damn about university. However, when you break down in front of the computer, he froze and momentarily panicked. Why were you suddenly crying in front of a lit screen at 2am in the morning? Initially, he had thought to leave you to it because he doesnât think he can do anything to stop the stream of tears, but at the end he decided to approach you.Â
- Even if you explain it ten times over, this man wonât understand the problem. But one thing he understands it that itâs important to you, so heâll help you (or be as helpful as he could)Â
- He decided, unwillingly, to call in Higuchi, who practically fell over herself to offer assistance. At first she was a bit miffed to be helping you rather than her âsenpaiâ, but she eventually got over it. The stuff she dug out were....amazingly detailed. They practically guided you through the process, making it so much easier.Â
- Whenever you start to feel down or unmotivated, Akutagawa is always there. And by âthereâ, I mean literally. Most of the time he doesnât really do much, but you could always feel his presence nearby, which was comforting most of the time, but also gave you a boost whenever you feel like giving up. (due to the fear)
[Mori]Â
- Oho, what are you doing? Applying to med school without his knowledge? Thatâs a no-no. Mori will come forth and personally offer his assistance. As in, subtly slide in and take matters into his own hands.Â
- Regardless of his shady background, Mori does have a medical degree and he did go to med school. He had enough qualifications to be running an underground clinic after all; simple things like gearing you up for entrance tests were easy to him.Â
- That said, he, like Fukuzawa, was of the older generation. All those details about applying to which college and which university baffles him, along with the different application processes and...reference letters? Does one from Port Mafiaâs boss count? (No it doesnât Mori please donât)Â
- Mori however, is a very helpful person at the end. While he may tend to wander around or tease you, ultimately it would be kind of impossible to get everything done without sticking to his schedule. It even leaves time for relaxation and private time. If you get over Eliseâs constant arguing with him in your study, that is.Â
[Kouyou]
- She takes no excuses and adopts a no-nonsense attitude. As de-facto mom of Port Mafia, she is used to taking care of others, as well as putting up with other peopleâs excuses or shit (cough cough, Chuuya and Mori). Therefore, while she may not be the nicest supervisor in the world, you can bet everything could be done in record time under her guidance.Â
- That said, sheâs often softer towards her partner. Instead of adopting her Mafia Mom persona, she tries to be more gentle and guides you around things. Though she couldnât help you on the technical side of things, like how to maneuver the common app/UCAS website, she makes up for it by helping you on the practical side of things.Â
- For example, she makes sure everything isnât left until the last minute and that you plan things out to do each day. Kouyou knows how paperwork can be overwhelming, being one of the five executives, and while she couldnât employ her personal secretary to help you, she does know how to ease your workload and make sure you donât procrastinate so you could get everything done.Â
- That said, Kouyou does subtly manipulate her connections to help you a bit. While it might not be something as outright as threatening the admissions officer, she might be able to schedule a lesson with one of the best university admissions counsellors in town, for example. Or alternatively, when you feel down and burnt out, she makes sure to bring you to one of the more lavish and expensive restaurants for a treat.Â
[Higuchi]Â
- As a respectable young lady, Higuchi of course have went to university. She probably did management science, but thatâs beyond the point. What mattered was that she did go through the grueling process herself, and that it was probably a few years ago.Â
- Higuchi would probably take an approach similar to Kouyouâs; while letting you iron out the technicalities, sheâll be on the practical side of things like taking care of your deadlines and health. With her constantly following up on Akutagawaâs work, sheâs used to doing things like these. One thing Higuchi would be good at is reminding you about your deadlines. She keeps your deadlines tacked to a post-it on her desk, so she is constantly reminded of it and as a result became even more paranoid about you missing them.Â
- However, because of her hectic schedule, itâs hard to do too much; for one, even though sheâs dying to make a bento to cheer you up, work schedules make it impossible to do so. All she can do is takeout with some fancy wine, but then again itâs the thought that matters.Â
- That said, she does work late nights and might even do overtime. With you following a night owl schedule as well, Higuchi would try to take some paperwork home to keep you company. Working into the late hours with a cup of coffee by her side is honestly the best way to combine a date and work.Â
[Gin]
- Gin is very busy; not only does she have to participate in Port Mafiaâs assassinations, she also has to put up with Tachihara and his personality. Even though sheâs a very calm individual, she may get stressed and burnt out after work so again, she probably couldnât help much.Â
- That said, emotional and mental support is as important as practical help so that was what she is in charge of. Gin may not talk much during evenings after sheâs off work, but sheâll sit next to you and accompany you through the grueling process of applying to college. Sometimes having someone next to you is reassuring enough in itself.
- I feel like Gin is the kind of girl that goes to cafes and gets herself a drink whenever she needs to relax or just wants something cute (especially when her job consists of so much bloodshed). Itâs likely sheâll pick up your favourite cake or drink along the way if she does buy something, so you could have a sweet boost while working.Â
- Assuming that the Akutagawa siblings live together, Gin would even play an active role in driving her older brother away whenever he tries to lurk. Especially when he lurks. Even if you two plant yourselves into her room or the study and safely out of his sight, he would still lurk. Heâs her older brother, after all.Â
[Tachihara]
- Tachihara is another one that doesnât care about university. Who needs to go to higher education to join the mafia, anyways? Itâs a total waste of his time. Plus, he doesnât have the patience for stuff like this; his hotheadedness needs an outlet, and what better way to do so than fighting?Â
- He gets annoyed whenever he goes to your place (Tachihara has a habit of showing up randomly) and you were just working away at your computer, even though itâs fricking summer. He whines about not being able to have your attention and is actually quite good at it. If you canât get away from the computer, heâll settle for annoying you until you do - which doesnât take that long, to be honest.Â
- Eventually youâll have to put your foot down, because by his rate youâll never get anything done. Youâll have to be resolutely firm about it though, because he can and will pick up on any hesitation and immediately try and steal your attention again.Â
- However, Tachiharaâs hotheadedness and competitiveness is a good way to relieve stress. If the work gets to you, you can bet heâll be down for a match or two on whatever video game you guys were working on before. Alternatively, play wrestling might work as well. That is, if it doesnât turn out to be something more ;)Â
[Hirotsu]
- Another old veteran, Hirotsu honestly doesnât remember much about university in his days. Likely he never even went, seeing as it was an immense privilege during his time. Besides, spending so many years in the Port Mafia wouldâve dulled his interest in learning, if he even had any.Â
- When and if you start stressing out about the possibility of not being able to go to college, Hirotsu would offer some hard-earned advice that comes with his age. He tells you that while college is important, failure is not the end of the world; there are other opportunities available. Heck, you could even join the mafia, if you wanted to.Â
- While he might not look like it, Hirotsu does consider reading as one of his past times.While most of it is related to literature, if you prompt hard enough there may very well be a book mildly linked to whatever course you decided to take in university.Â
- One pro tip, however, is not to let Hirotsu go into the near vicinity of where you are working, or if you want to spend time together, usher him to the balcony. Likely heâll unconsciously take out a cigarette and start puffing away, and unless youâre well acquainted with the smell of cigarette smoke, itâll be better for your mental state and physical health that you donât inhale too much of it.Â
[Kajii]
- Do not let this man be anywhere near you while youâre writing your essays. Seriously. Especially when heâs in the middle of one of his scientific ecstasies. Get him out of the house, imprison him in his underground lab, just steer clear of him because you would feel like tearing your hair out within three minutes.
- All jokes aside, if you manage to catch him at just the right moment, he could give you a pretty good debate on the principles of science and religion, if youâre interested in that or if it could help your application. Heâs even a seasoned scientist (if he could even be called that), so you could...quote him?Â
- One thing you could try out is to participate in his scientific experiments. No, not as a subject but as an assistant. If you managed to make his lemon bombs into bombs that are non-explosive, such as bath bombs or confetti bombs, thatâll be a mild breakthrough to boast of.
- That said, I canât imagine him in any way helping his S/O in college. Just let him roam free and out of your way so you can have some peace.Â
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For young men (Part 1)
In my latest lockdown induced depressive episode I have been meeting some new people online. They are all young, male, mostly heterosexual, very nice and extremely considerate. However, they also are often afraid becoming a burden, insecure in their appearance or social skills, and often struggling with mental health. Given this, they are also usually extremely afraid of never finding themselves having sex or getting into a meaningful relationship in the late stage neoliberal capitalist dystopia we find ourselves in.
To be honest I didnât understand them at first, especially their obsession with sex. But the more I am thinking about it, the more I realize that we are united in the same dynamic of seeing sex or love as magic verfication of... What?
Growing up, I used hookups as a way to prove to myself that I am worth something. I thought that my value was defined by menâs desire. I originally in writing this wanted to show my perspective from the other side of the same coin, but after realizing how much of an undertaking that would be, I decided to start with the two most common answers from men used as justification to why they think they wonât get laid. These are things I find will help these kinds of people out, but as a great thinker once said...
âI canât mom you through this one, boys. You are on your own.â - Contrapoints
(I link songs I like through out btw, the underlined text are links you can click on)
Foreword: Social factors
The average age of first intercourse has been rising in the US. Teenagers have less sex than ever before. These changes will affect you. In teen movies and shows charakters often experiment with sexuality before the age of 18. Everything else is played as an abnormality. If we compare ourselves to this misrepresentation of teenage sexuality, of course we seem like the losers.
âThe proportion of young people who have had sexual intercourse increases rapidly as they age through adolescenceâ. Itâs very likely, at least from my view, that you are just going to grow out of the awkward zone of wanting intimacy but not getting it. Just like you grew out of other things, such as bad musical taste or that one gaudy outfit. Donât stress over this one specifically either.
Adolescence is weird for all of us. Even if your first encounter is after college, letâs be real here: having such a good thing in your own place without your parents looming or having to share your room with a roommate you barely know is so much better anyway.
The Ugly fuck too
A common answer to my question why they think that they will never have sex is that they are âunattractiveâ. The implication being, that sex is the prize for looking a certain way.
But is it? We are so used to the perfect, porn-ready bodies in the media that we forget that the Ugly fuck too. We never see the foldes of fat and skin, never see acne warriors or moles, never see people who actually look like us.
In the movie âThe Parasiteâ, there is a scene where the husband of Gook Moon-gwang, the former housekeeper, is implied to have sex. (the clip, starts at 3:00) It gave me weird feelings of discomfort, as the illusion so stereotypically found on the silver screen was not present. These two characters are not pretty. They look old. She is fat and he is a balding skeleton. They are not special, and thatâs okay.
Being fuckable does not equal beauty. Being fuckable does not equal beauty. It was a terrifying thought initially for someone like me who defined their value over beauty & their beauty as being fuckable. It might also be a scary thought for someone who doesnât think that they deserve love and intimacy because of their looks. I promise you that you still deserve love! Sex did not cure my problems with my appearance, or the fact that I based my self-esteem on the way I look. It will not make you feel normal. It will not make you feel better, prove your worth or even give you more self esteem in the long term beyond the initial rush of dopamine. It is not a caravan to fulfillment.
Beauty is a concept that is based on exclusion. Allow yourself to feel the pain of being excluded, of not reaching the impossible beauty standards and the disadvantages that come with it. Allow yourself to feel the fear of not being âman enoughâ and be happy in spite of it.
âPatriarchal masculinity teaches us to control our pain, but it can block us from experiencing the grief that is part of a full life. Chasing pleasure and controlling pain is patriarchal. Opening ourselves up to joy and grief is to be fully human.â
âThose of us in that skinny nerd category are especially prone to thinking that we arenât âman enough.â [..] But the more I talked to men, the more convinced I became that almost all men at some point in their lives donât feel man enough. Even the men I thought were the âreal menâ were scared.
Thatâs not surprising. Masculinity in patriarchyâthat is, masculinity in a system of institutionalized male dominanceâtrains men to be competitive, in pursuit of conquest, which leads to routine confrontation, with the goal of always being in control of oneself and others. But no matter how intensely competitive one is, no matter how complete the conquest, no matter how many successful confrontations, and no matter how much one stays in controlâmen are haunted by the fear that they arenât man enough, that they can never stop proving their masculinity.â - Robert Jensen
Stop comparing your appearance to other menâs. Start talking and bonding with them over your undoubtably shared insecurities rooted in societyâs relentless toxic masculinity. Unlearning the things youâve been indoctrinated into since conception is damn hard. I am still in the middle of it personally, but I promise you it is worth it. It will improve not only your relationships with other men, but also with yourself and that one girl youâre pining after.
There are a ton of resources targeted at women about self acceptance, but not many for men. Robert Jenson comes from a tradition of critical menâs groups. Even though I donât agree with him on everything, he manages to scare most men (especially the kind I mentioned in the first paragraph) to their core, but also improves their lives drastically with his kindness and radical ideas. I implore you to look him up, and try your best to keep an open mind.
âA person who functions normally in a sick society is themselve sick.â
The other most common answer  to the initial question was âbeing socially maladjustedâ, implying that sex is something you earn by behaving a certain way. It is ingrained in the way we talk about love. âDeserving loveâ is the best example. Neither love nor sex is a product of work. Love and intimacy are a lot like sleep. It is a slow but unconscious process. You slowly work into it, with no idea of what comes next, and then, after an agonizingly long moment, youâre there. The fall is not often expected or easy, is always exhilarating, but never the product of conformity to anything except comfort with who you are.
I do acknowledge that social settings can be weird, existentially unsettling, and full of unseen complexities. This is especially true if you are neurodivergent and / or struggling with mental health. Being neurodivergent or struggling with mental health goes against the impossible, hegemonically masculine standard of always being in controll. Itâs a common cause behind feelings of emasculation. Disregard that feeling, and remember that you deserve love, no matter how manly you are or are not, no matter how you behave.
Learning social settings are lot like learning to skate. In the beginning you will be covered in bruises, but with enough effort, you will be better at it. The chance of mistakes will get lower, but never zero. You will always have awkward situations, but that doesnât mean that you are bad at them. It just means that you have room to improve still. Maybe consider getting lessons or joining a skate crew.
We tend to hyperfocus on the accidents. Think about how many nice conversations you had over the internet, text or otherwise. I ask you to value them. Value these positive experiences, value your friendships and acquaintances, value the people supporting you, online and offline. We tend to hyperfocus on meaningfull longterm friendships, just like we hyperfocus on love. Value your social enviroment, value someone who just made you feel ok for a moment. You are socially adapted, because you have a social enviroment you feel comfortable in, where you have relationships with people. The depth of a relationship is not messured by time, nor by physical touch. Being mindful of your feelings for the people around you can make you realize that you are less alone than you thought.
Some Tips
If you want to make friends additionally to that, here are some tips from someone, who is bad at social clues:
Join a group with a common interest or struggle: Book clubs, activist groups, selfhelp groups, they are great settings to meet new people and you already have a topic to talk about :)
If you feel save about it: Being open about your issues can help other people adapt to you and understand you better - especially in early on in relationships.
People sitting at the bar or smoking outside are generally more open for conversation
Donât be afraid of getting rejected: They donât reject you, when they reject a conversation with you. The reasons people donât want to talk to you is very diverse. Stay respectful and polite.
Donât expect to much: No one owes you a long conversation. A smalltalk is perfectly fine.
Learn to make compliments casually and learn to compliments that arenât based on appearance.
Find a common ground (politically, a interest ect.) and talk about it
Take a improv class, seriously TAKE A IMPROV CLASS! (there are online ones, and sometimes itâs even free)
Here are some youtube videos by Anna Akana with more tips. (1) conversations, (2) how to be a better friend, (3) overthinking
Here are is a piece about being bad at relationship I liked.
Footnote: Trophies and muses
âWe do not want to do the work of helping you to believe in your humanity. We cannot do it anymore. We have always tried. We have been repaid with systematic exploitation and systematic abuse. You are going to have to do this yourselves from now on and you know it.â - Andrea Dowkin
Behind the whole obsession with sex is often a distorted perception of women. Just remind yourself that women are human? Access to female bodies is not a human right. We are not trophies to push your ego. We are not there to inspire you or heal you. We are humans with agency. We desire love and being loved, just like everyone else.
I am tired, but I believe in your humanity...
xoxo,
aestheticritique
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So I would love to progress on my art and try comics any tips? ĂwĂ
Hi! Iâm so sorry about the late reply. D: I hope you donât mind if I take this opportunity to address all the anon messages about how we can improve as artists.Â
I have a tough time answering this question because there is so much I need to learn. Iâm super flattered that some of you feel that my art is good enough to ask me for tips, first of all!! So thank you, guys.
Itâs a struggle because I only recently started taking up art again. So Iâve forgotten a lot of the things. So Iâm probably not the best person to ask about this.
I used to draw all the time as a kid, but after high school, I stopped drawing. I stopped drawing for almost a decade, pretty much. I really regret it. I feel like I could have come such a long way if I did keep going. My parents really discouraged me from pursuing art, even just as a hobby, too. Even when I left home (Iâm back now tho), my ex-spouse, greatly discouraged me from doing art too. I mean, âproperâ art. They told me my art wasnât âreal artâ because itâs not studio art, itâs âselloutâ art, like anime/cartoons/fanart. I had even worse self-esteem as I do now, and I listened to them and gave up. I convinced myself I hated drawing.Â
Please donât deny yourself things that make you feel engaged and connected. If drawing makes you feel good, if it makes you not realize how much time has passed and makes you feel like youâre accomplishing things, even little by little, please donât stop. Even if you suffer from depression and feel like things like this are pointless, remember that just doing things in general will help you. Drawing is an awesome way to get into the flow state. To me personally, itâs almost like a meditative state and I find it helpful in dealing with chronic pain and mental health issues.Â
Anyways, Iâll try to compile some advice sort of things.
ART IN GENERAL
1. Draw what you enjoy! I think the most important thing is to draw what you like. Itâs okay if itâs âdumb stuffâ. Draw your favorite characters or pairings from your favorite tv shows if that tickles your fancy! Youâre much more likely to be spending more time drawing if youâre drawing stuff you like. And as long as youâre drawing, youâre improving. (But still, challenge yourself and get out of your comfort zone!)
Especially for those of you who are planning to pursue art as a career, itâs essential that you donât view practicing art as a chore.Â
2. Draw from life. If you really want to take your art to the next level, drawing from life is vital! I think many of us have come across artists who are just amazing, but there are things that look a little âoffâ. For example, the anatomy doesnât look quite right, or the perspective is a little wonky. Things like that can be a tell that theyâve learned to draw from other peopleâs art rather than from life. Or just havenât practiced the basics enough. (My art isnât amazing or anything close to that lmao, but it definitely suffers from this. I need lots of life drawing practice.)
There is nothing wrong with learning from your favorite artists, but to really train your âartistâs eyeâ, you need to strip away all the stylistic choices and go back to the basics. Training that Eye is one of the most crucial things you could do as an artist.Â
Just take a piece of paper, a pencil and start drawing what you see. If you can, take figure drawing classes at your local community college, or draw the animals you see at the zoo. Sit on a bench and draw the scenery in front of you. Over time, youâll start to recognize common patterns, simplify/think of things in terms of lines and shapes.
If you canât afford a class or have the ability to go outside easily, drawing from photographs can be the next best thing. (See the Resources below for an online figure drawing tool.) Iâm not experienced enough to definitively say why this isnât the #1 idea, but from what I hear, there are things that youâll miss out on, such as subtle shifts in shadows, colors, and other things that will happen from small movements in pose changes, a cloud moving, or whatever else. A different âfeelâ, if you will.
With the digital art boom, a lot of artists are learning how to do cool digital effects and fancy things, but forgoing basic anatomy, perspective, shading, etc. Which is all fine if youâre just having fun, but isnât the best idea if youâre really serious about improving. Practice the fundamentals!
(If you have been dreaming about CalArts at one point like I did when I was in high school, one advice I came across from everyone who went there was to draw from life. All the time. Itâs not an answer I expected from people who draw funny looking characters all day. You mean all these people who draw such simplified cartoon people and animals can actually draw like masters? Perfectly rendered bowls of fruit? I didnât realize how much work goes into animating simple characters.)
3. Put in the time.Â
Itâs really easy to get suckered into just watching âhow to improveâ videos all day and thinking about improving. Watching how other artists work is an important learning tool, but youâll never actually make progress if you arenât practicing.Â
Sometimes, the best thing to do is to not think about it. Just do it.Â
Itâs like when Iâm spending a whole lotta time thinking about getting physically fit than just, you know.. just doing it. âTomorrow for sure.âÂ
It may seem like itâs worthless, but doing those lame 5 push-ups a day instead of the 20-minute workout you wanted to put in, is better than nothing at all. You are making progress, no matter how small it may seem. Â
Make it a habit to practice every day. That way, you donât even hesitate. Itâs as automatic as brushing your teeth.
All the artists you see who have fantastic, awe-inspiring art may seem like Unreachable Gods sometimes, but those artists didnât just pull that out of their ass one day. They put in hours and hours and hours of work. Letâs not disrespect other artists by ignoring that and chalking it up to âtalentâ. No one is born with an innate ability to draw. WE can get there too if we practice!
I want to get good enough to draw the things I have in my head one day!
Some resources that may be helpful:
Draw a Box - This is a site for free lessons for absolute beginners. Look under âLessonsâ to learn. The creator of the site is the mod for r/ArtFundamentals. You can post your work there to get critiqued.
Check out Prokoâs videos on gesture drawing, art fundamentals, etc. Daily routines of successful artists.
Use this site to practice figure drawing, gesture drawing - Set aside some time to practice drawing people and animals every day. Start trying to see things as lines, shapes, and go big. Donât get too caught up in the details, and tiny drawings. Learning to draw fast (not draw FAST as in speed, but as in capture the gesture in a post, the âfeelâ of the movement) will force you to do this more, and with more experience, make your figures less stiff looking.Â
And itâs okay if youâre arenât good at it. Youâll make loads and loads of shit drawings until you can get decent.Â
Iâm most definitely in this stage right now, trying to train my Artistâs Eye. As in, I canât just draw a figure from memory. I donât really know what goes where without a reference, or how they move, etc. You can tell by how stiff my drawings look.
Lulusketches How to Improve video - She has similar advice, but her point about looking at âArt ofâ books something I have come across from multiple professional artists; Her advice on worrying about finding your own âstyleâ is really good too. Do challenges like she said!
Her playlist of art tutorials & advice is great. Theyâre short and sweet. Her beginner digital art tutorial got me started on digital art (the one with Ginny Weasley).Â
Not free ($30 a month), but these online Schoolism classes look helpful. Itâs run by Bobbie Chiu. I saw some great reviews and I want to try them someday. Theyâre taught by artists in the animation/film industry. But you gotta have a basic grasp on digital art/photoshop for many of the classes, I think? Iâm not 100% sure. Theyâre pre-recorded video lessons.Â
You can pay more for feedback from the teachers, but you can also just use it as a self-learning guide.Â
This drawing faces from any angle video was pretty helpful for me. The artist has loads of other tutorials.
COMICS
I donât feel qualified enough to give much advice on comics. I mean, I donât even draw the lines for the boxes, haha.. However, these comic books are basically required reading for some courses:
Scott McCloudâs Understanding Comics & Making Comics.
I canât remember which one it is that I read, I think it was Making Comics? But wow, if I remember correctly, it was FULL of really useful things about how to make effective comics. I lost the book while moving years ago, but it was FANTASTIC learning material. I loved every panel of it.Â
He talks about everything from perspective, placement of characters, speech bubbles, how big panels should be, etc.Â
If you can afford it, get a used one and start reading! Even if you donât want to make comics just yet, itâs super interesting.Â
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Wolfsbane : Noblesse Fanfic (post-ending)
(previous chapter)
Chapter 14 â From This Point and On
D-day: it is a term coined from the landings performed by the Allied at Normandy, which lay in hands of Nazi Germany during the Second World War.
There are several historical debates concerning the accurate representation of âD.â The most commonly supported argument nowadays is that âD-dayâ is an acronym for âDay-Day,â and the former âdayâ is believed to be a temporary connotation of the date of the landings, which was unsettled at the time.
Simply put, âD-dayâ was named for âthe day unknown,â in a way. Which is ironic, considering the fact that by the 21st century this term has come to denote a specific date of an event or operation.
On the other hand, had Rael known the origin of âD-day,â he would have thought that it could not be any more perfect for his situation. Because even though it was the D-day for him, he had no idea whether he could depart for Lukedonia.
At the same time, however, now kind of familiar with the human called Yuhyung Jang, he really did not care.
He did not care that the researcher did not show up on time for an hour, as long as he could leave by the end of the day.
And Rael could swear he took care in making himself sound not too irritated with the delay, but the KSA agent leading him to the lab was sweating his glands off trying to appease him.
âP-please donât worry, sir! Iâll teach him a lesson as soon as we find him!â
Rael already told him a number of times he needed not to fret, to no avail. Then again, the director and the doctor, the most authoritative personnel in KSA, and Yeonsu and Sangin, the most influential agents of KSA, looked more than ready to bark like a dog or jump off the building, if only Rael had said the word.
So Rael was not surprised to see lesser employees, including his guide, acting like a bunch of scaredy-cats.
Hence Rael gave up on relieving his guide of his anxiety by the time they reached Yuhyungâs lab, which was sealed by a wooden door fit into the frame as a provisional boundary, perhaps because Yeonsu made the original door useless with a kick.
âHey! Yuhyung! You in there?!â
The agent pounded the door, and they were met with a crashing sound within, something to be heard from a demolition site.
âWhat on earth is keeping you there for an hour?!â
âS-sorry! Sorry! Itâs just that...â
âWell, hurry up! Youâre late...!!â
âN-no! Donât open the door! Please, donât!!â
Yuhyung freaked and yelled, while Rael spied something through the opening of the wooden board.
âA smoke? Is there fire again?â
He was about to warn the agent, when the latter jerked open the door and screamed at Yuhyung demanding to tell them what kind of trouble he brewed this time. He thereby allowed the misty body flickering inside the lab to spill out to the corridor.
Rael was unfazed by the dĂŠjĂ vu of his previous visit to Yuhyungâs lab. He was only interested in what had happened to the owner of the lab.
âIt doesnât smell like something burned... But I wouldnât dub it as an ordinary smoke. What is this smell...?â
The blonde noble was about to step into the room to inspect better, when the agent next to him blocked his mouth with his hand. At the same time his knees gave out, and the man promptly collapsed.
âAgent Jung!â
Just then Yuhyung, with his nasal area protected with a thick piece of cloth, bolted out of the lab and examined the fallen agent. As soon as he recognized Rael, who was also wearing alarmed eyes, he literally groveled before him.
âP-please! I need your help!!! W-we must not let this gas spread through the building!â
Raelâs composure kicked in upon the manâs plea, and he lunged towards the chamber. He shut the door and surveyed his surroundings to find out where the smoke was coming from â under Yuhyungâs desk.
Or rather, from the center of a mass of shattered glasses scattered about the leg of his desk.
When he had to take advantage of Frankensteinâs lab in the past, Rael collected enough scientific knowledge and experimental tips to realize exactly what he would need in this situation. The noble fervently rolled his eyes, which soon landed on a round-bottom flask labeled âneutralizer.â Sparing no second, he snatched the utensil and catapulted it.
He swiftly maneuvered his body so he would be safely away from the smoke even before the chemical would hit the glasses, and instantly even thicker smoke blasted through air, with a sound of an acid scorching the surface of a metal.
However, the phenomenon was short-lived, as the first smoke blended with the new smoke and grew faint in color and stench. Rael waited for the original smell to dissipate completely until he unfastened the door.
âT-thank you so much! Thatâs right... The neutralizer. How could I forget? I was so stupid. I was...â
âSo startled you missed it. Which is natural. Totally understandable. By the way, what was that gas?â
Yuhyungâs face turned melancholy, distressed, while Rael took the agent to a nearby cot, still unconscious.
âThis gas was one of the secret weapons we were developing against the Union. Or rather, it was one of the weapons we were developing against modified humans. What we had in mind was a weapon that can subjugate modified humans.â
âYou mean only modified humans?â
âThatâs right. When humans go through body modification, their genes naturally go through man-made genetic mutations, which create unnatural biochemical molecules to last permanently in their genetic make-up. So we figured if we come up with a weapon that reacts exclusively to such molecules, we will be able to arm ourselves with a weapon that works solely on our enemies AND prove devastating against the Union. I was in the lead of the project concerning this gas.â
A weapon that makes a lethal chemical reaction with physical traits unique to the modified humans â it sounded more than efficient to Rael. Which in turn made him question how come KSA has been keeping it secret even now. And how come the researcher seemed so disappointed when he should be practically stabbing the air with his nose in pride for such a breakthrough of weaponry.
Yuhyung opened his mouth in reply, which punctually rid Rael of his questions.
âBut we were met with a problem. With our current technology and resources, it was impossible for us to adjust the effectiveness of the gas while keeping the Unionâs radar quiet. In the end, this gas became a blackout tranquilizer that takes effect on modified humans and ordinary humans â a huge waste of our time and money and effort.â
Yuhyung turned his head towards the spot where the gas used to rise, his pupils dense with dejection and mixture of affection and hatred.
âSo I decided to destroy it, after saving a sample of it in case we would need it in the future as a reference. And I was trying to make the bottle more airtight just before you arrived, so... Yeah. Uh, but Iâm not blaming you! Not at all! This is all because I was clumsy.â
â...Does our upcoming trip have anything to do with your nervousness...?â
âUhm... Itâs true that I got less sleep than usual last night, but... Uh, but that doesnât mean I blame you for this! I will never do that!!!â
Rael waved his head ever-so-slightly before he clogged his voice box. After all, his priority was not shaping his conversation with Yuhyung into an actual conversation. They were supposed to drop by the directorâs office one last time before they moved on their way.
Still, Rael could not help peeking at the man as they walked towards their destination.
âFrantic but certainly gifted in research. In other words, a puzzle of a human being.â
Now that he learned about this so-called supposed special weapon against the Union, he had even come to admire Yuhyung.
He was aware that âkeeping the Unionâs radar quietâ did not simply mean keeping the Union in the dark regarding this gas.
âIn addition to keeping this gas secret, these people would have had to downgrade their technology on the surface, to make KSA technology appear like a firefly in the face of a sun in comparison to Union technology. So that even if Union gets to take a look at their technology, those monsters wouldnât notice that KSA has been trying their hands on studies and experiments on body modification behind their backs.â
Even with limited resources and technology aside, the fact that this man managed to develop such a pioneering weapon to near completion under the invisible eyes proves how talented he is as a developer.
âNot to mention KSAâs technology on body modification would be at least a century behind that of the Union. Not that KSA must have been slacking off with their lab progress, but its technology in the essence would be no more than imitation of Union technology, thus obviously lacking in precision and quality. But this guy designed what could have been a masterpiece with inadequate resources, mimicry of technology, and progress that would not draw Unionâs attention.â
What could have happened if this human received his salary not from KSA but from Union? What if this researcher decided to antagonize nobles or werewolves?
âIâd hate to even imagine what could have happened.â
Joyful for the very first time that he was not an opponent to an ordinary human, instead of a supernatural fighter or a modified human, Rael glanced at Yuhyung with veneration.
In other words, noblekind and wolfkind have earned a superbly deft ally.
Which is why Raelâs footsteps had grown much more steadfast on his way out of the directorâs office.
âNow itâs all up to me. As long as I do my job correctly, this project will be a success. And Lukedonia and werewolves would get to boast tighter alliance and security and accelerate their recoveries. And the Kertia advisory patriarchs would hopefully acknowledge me. So I will do a good job. I must.â
Feeling his anxiety stirring, Rael calmed himself.
âA lot of things will change from this point and on.â
*****
Meanwhile, Frankensteinâs Lab
â...Beg your pardon?â
Frankenstein retorted at his visitor, apparently unhappy that she must repeat herself, as suggested by her pursed lips.
âWhere is the 3rd Elder?â
Frankenstein could tell that this was not a social or friendly visit, for Lunark was donning a face of a child whose mother verbally offered some broccolis.
âMind if I ask you why you need to see him?â
As soon as he asked, Lunarkâs grimace thickened. Now she looked like a child whose mother shoved broccolis into her face.
âMind if I ask you why you need to know?â
Lunark replied, somehow making herself sound like she had her teeth clenched tight despite her wide-open mouth.
âI asked you first.â
âI asked you before you.â
âYou sound like thereâs a reason you canât tell me.â
âYou sound like thereâs a reason you canât show him to me.â
âCanât you just let me know why?â
âCanât you just let me see him?â
The banter between two gorgeous man and woman was interrupted by a third person who was not altogether unrelated to their conversation.
âNo need to tire yourselves with a potential argument. Iâm right here.â
The 3rd Elder joined the lab, separating a towel from his half-dry hair.
âTo what do I owe the pleasure of your visit, Lady Lunark?â
Lunark turned her hesitant eyes to Frankenstein. He met her straight in the eyes, questioning if she were staring at the right person.
âThereâs nothing that Frankenstein cannot listen among the things that are meant for me. There shouldnât be anything that he canât listen.â
The 3rd Elder so very kindly explained, and Lunark signaled her acquiescence with a sigh.
âRecently, I have been in lead of my kindâs search squad, made up of warriors in order to track down Union facilities. And we picked up a couple locations. But there is a problem â or problems.â
âAnd what would they be...?â
âFirst, the facilities we found were already shut down. Second, those facilities belonged to Crombell.â
âCrombell? Are you sure?â
âYeah. And donât ask me how we figured that out; thatâs the least of your concerns. Those facilities were wiped out so clean we couldnât fathom anything about the ones that preceded us â whether they are male or female, or single or multiple. But curiously, they left the security camera footages intact, albeit tampered and therefore unhelpful.â
âPerhaps the ones who did the shutdown felt no need to delete them, with the footages already tampered beyond repair.â
âProbably. Frankenstein, has your gang ever taken a field trip overseas for their shutdown operation...?â
âNo. For now theyâre working in joint with KSA only in Korea, within its shoreline. They havenât even been to Jeju Island.â
Lunark nodded, having expected such an answer. She focused her eyes at 3rd Elder, devoid of contempt for once.
âWell? Does this ring a bell for you?â
â...Itâs hard for me to say exactly who this could be. But I think I can come up with a list of candidates behind this, if you want me to.â
âYou think you can finish it in two days?â
âIâll do that. Which is why Iâd like to be excused. Thereâs not even a second to waste.â
The 3rd Elder turned his feet, his loose hair generating a faint whistle of a wind. Frankenstein started talking only after his sounds vanished impeccably, Lunark not even looking at him.
âDid Ignesâs data include locations of Crombellâs facilities?â
â...Yeah. Guess she undertook espionage on Crombell while devising defense against him.â
Soon afterwards Lunark sighed, still not looking at him.
âSorry for being so biting back there. I wanted to speak to him in private if possible.â
âAnd why is that?â
âI figured youâd sprint outside as soon as I tell you about this. You know, so you can look into it yourself. I didnât want to add more to your shoulders when youâre already carrying a weight worth a continent.â
â...I canât deny that itâs most convenient for me to handle everything myself. But for now, Iâm anchored to this place. So I have no intention to do that. Or rather, Iâve no time to spare for that. Iâm starting to wonder how much of a busybody you take me for.â
âBusybody? Iâve never considered you a...â
Lunark rapidly rotated her head, as if complaining to him that is the most preposterous accusation she has ever heard. However, she realized how sharp her voice had become and took a deep breath.
âAnyways, sorry for barging in. Iâll be back in two days.â
Lunark turned towards the door without haste, only to glance back after a few steps.
âYou do realize youâre the one whoâs making me a busybody these days, donât you? Youâd better not keep me concerned about you.â
Frankenstein could not budge even after she was gone.
âSheâs concerned about me?â
In response, Frankensteinâs heart started to twist and turn, like a pair of socks in a dryer set to high.
When she did not tell him the purpose of her visit at first, he was oddly disappointed. Because with their entire history with Union taken into account, and simply with their relations taken into account, he anticipated her to glare at 3rd Elder, not him.
And when she later apologized on the matter, he was reassured. Reassured to find out that she was being considerate in her own way. Seemingly she is still being considerate for him.
Frankenstein then noted he was much more reassured than he is supposed to be and bit his lips.
âSnap out of it, Frankenstein. This is no time for you to let that woman sway your feelings.â
Frankenstein scattered his hair, reprimanding his heart for not being itself whenever it is concerned with Lunark.
âI need to get a grip on myself. Though Iâm not sure why she keeps getting on my nerves after all this time... I really need to get a grip.â
The QuadraNet project will come to life, starting with Lukedonia, with help from nobles, werewolves, KSA, and his family in Korea. On the other hand, more than a handful of people are working their heads off to cleanse the world of the Union, especially Crombell. Therefore, it is best for him to focus on nothing but finding a solution to his new secret that not even Raizel is knowledgeable of.
âA hoard of things will change from this point and on. I need to focus.â
*****
As for 3rd Elder, he was composing in his bedroom a rough draft of the list he promised to Lunark. Nevertheless, he knew this list would be meaningless. He was certain he knew the one Lunark was looking for, by 80% accuracy.
The fact that footages from security cameras, albeit tampered, were lingering at the scenes was more than enough to teach him who did it.
âThis is definitely her style with the job. But why? Why would she do that? I thought she was also one of Crombellâs assassins.â
Soon his brain yielded two most likely options.
âEither she chose the extremity of eradicating everything about her commander so that no one would acquire a thing about him... Or she chose anti-Crombell propaganda now that he is gone. Though that leaves a question of whether there is someone she is serving if the latter is the case.â
He had input Helgaâs name on the list, as he was typing the names in the alphabetical order. After deliberation, he began to move his hand.
âMaybe... Just maybe...â
The cursor began to delete letters with a series of clicks, starting with âaâ and ending with âh.â
Saving the list excluding Helgaâs name before closing it, 3rd Elder let the air rustle through his windpipe in low vibration.
âMaybe things will change from this point and on.â
(next chapter)
You have reached the 25% of this fanfic series! Iâm not talking about the number of chapters (which keeps changing as I am typing up this message). Iâm saying this was the last chapter of the introduction part of this fanfic, which is why the preceding chapters did not contain what could be considered a crisis or a battle (minus the skirmish Takio had gone through during his past, which was what chapter 13 featured). And of course, things will change beginning from next chapter. Hope youâd stay tuned for those!
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Aimi Otsukas Taiyuu Enterance exam!
@taiyuu-high-oct
A/n sorry it wouldnât let me add a read more page break on my iPad đŠ
Word count : 3k
Ps just realized I switched into x reader format and I didnât even see it while I was spell checking or anything it just shows how tired I am rn sorry about that.
To say Aimis nerves were a little shot was an understatement. Not that the high-end bullet train with unnecessarily good bento didn't help a little but still, anyone would be nervous on their first day at a new school.
She was lucky to have been given the chance to be admitted at all considering her application was so late. In her defense, neither she or her parents actually knew about the school existing. It was Toma whoâd suggested it.
Aimi wants to imagine that her loving boyfriend just wanted her to go to the latest and greatest hero school to open but she knew better. She knew that the big softy wanted her as close to home as possible and a two-hour train ride was better than the five hour one sheâd have to take to get home for the weekends at the school sheâd originally planned on attending.
She was just glad that the principal had agreed to her enrollment at all, considering her quirk sheâd been denied by three other schools and she hadn't been hopeful when she submitted an application for review anyway.
But here she was. Standing in front of what was probably the fanciest facility sheâd ever seen in her life. Growing up in a small farming community did absolutely nothing to help prepare her for anything that sheâd experienced just this morning and she hadn't even done anything other than ride a super fancy train.
She was fishing around in her side bag to see if there had been any more instructions but as far as she could remember, the invitation letter said sheâd be met at the train station.
Looking over the slightly smashed piece of paper she confirmed that her memory was right but⌠there was no one on-site. On both sides of the station, she was the only living thing that she could see.
Then she heard a rapid tapping noise, that she couldn't tell the direction of.
Was the exam starting already? Why wouldnât it? I mean this is a hero school isnât it, heroes have to be ready for anything at a moment's notice.
When she felt a cold nose on the back of her calf she almost jumped out of her skin though jumping up and effectively ruining her favorite sweater by activating her quirk on accident.
Thank god sheâd jumped though because when she turned around to see her attacker she saw what had to be the cutest little dog sheâd ever seen in her life.
All of a sudden she wasn't so mad about her selves being shredded and she was more worried about petting the cute puppy.
The sound of someone clearing their throat behind her caught her attention and had her turning on the spot, a little embarrassed at getting caught gushing over a puppy and even more so about her now scrappy looking clothes.
âMs. Otsuka I presume?â The man who looked much more deer than anyone else sheâd ever seen asked as he bowed politely. She nodded and returned the gesture.
âSorry I was late, the other students were excited about hearing theyâd be getting another classmate. Some wanted to meet you directly at the gate but it's best they didn't.â He said in some kind explanation, Aimi didn't really understand what harm it would have been to have met her classmates sooner rather than later.
Then she realized that theyâd all taken the test already and having people give her hints about anything wasn't exactly fair to them, was it? She wanted to go in blind just like everyone else and prove that she had the same rights that they had to be here.
âYour written tests were quite impressive.â The man whoâd at that point introduced himself as the vice-principal of the school and preferred that he just be called by his hero name, Buckskin.
It was kinda cool and nerve-racking at the same time, Aimi had never met a hero in real life before. She wanted to seem cool and collected when she internally was freaking out with nerves that quickly sat back in as Buckskin seemed to be leading her to where sheâd be taking her exam.
âIâve been studying for the test since my first year of middle school,â Aimi said trying and failing to sound confident.
âSo youâll have no problem passing the entrance exam, it's not particularly difficult. Weâve personalized it to you and your quirk given that we had the extra time. It will give both us and your future classmates an idea of what we're working with.â He said smiling as if what heâd said was supposed to somehow help you. Others had been able to help one another, you were going in alone with spectators.
If you were to fail everyone would see it. Not that it would really matter to them⌠Youâd just be no one other than some kid with a bad quirk who failed a test that they passed.
To you, youâd have to explain to your parents whoâd almost lost their business with all the money theyâd paid down for quirk therapy and control lessons for you, all of the extra tutoring youâd needed to get your test scores to where they needed to be to get what you wanted, why youâd failed.
Youâd have to explain to Toma, whoâd lost more than a few nights of sleep to help you study and make sure that you were mentally ready for something like this. You didn't know if youâd be able to face him if you walked away empty-handed. He wouldnât care heâd just be happy to have you home but you wouldnât.
You were lead to a locker room and given a chance to change from your casual clothes into the clothes youâd brought to take the test with. It never occurred to you that others would be actually watching you take the test so the tank top and gym shorts felt a little revealing but you didnât have the option to change your mind.
When you exited the locker room you met Buckskin and another woman who was introduced to you as the principal of the school, Ms. Chikyu, youâd never known her real name, you had however recognized her hero name Laccadasiy. Suddenly your lack of confidence plummeted to the point of seemingly no return.
Someone so cool and strong was the actual principal of the school?! How in the hell were you EVER gonna get in? Why should she let you? There isnât anything you could ever hope to offer.
âHey enough of the long face!â She said patting your back a little harder than you think sheâd meant to but it helped pull your head out of your ass. âWe just wanna see what you can do! Itâs not gonna be easy but it will sure as hell be fun!â She said earning a sharp look from Buckskin. âHell isn't even a cuss word Bambie calm down.â She scoffed rolling her eyes and joking around with the other teacher.
âAnyway wait for that light right there to turn green and your good to step up to the door. Itâs automatic so itâll let you in.â She said pointing at a now red number one that hung above a seemingly normal set of metal doors.
âGood luck!â She chimed before both of them disappeared threw a door a little further down the hall.
Being alone gave you the chance to think and at the current point in time, it wasn't exactly a good thing. Why in the hell did you think that this was a good idea in the first place? There were so many other heroâs out there and you? You couldn't even come close even if you tried. It was pathetic that youâd even had hopes and it was downright wrong that youâd dragged your family and friends down in this? What right did you have to drain them of their time and resources? Playing with their emotions was just cruel.
Greenlight.
Your body moved on its own, that malicious voice in your head lowering in volume but not disappearing.
âYour first task is simple.â Laccadasysâ voice rang out over an inter calm system as the wall in the relatively small room started to raise up, revealing an impossibly larger room beyond it. A large stone sphere and a ridiculously steep decline.
âAt the bottom of the hill, is a pressure plate, get the stone ball onto it and itâll unlock the door.â She said and you took a few steps forward checking and seeing that there was, in fact, a place for the ball at the bottom but if it went too far or jumped the short lip at the bottom you were skewed and the door wasn't going to open at all. You were going to have to come up with an idea to get it to stop, if you could get it to move at all.
âGO AIIIIIMIIIIIIIIIII!â You heard a voice screaming from somewhere along with a few other cheers.
Swinging around you were met with a glass wall that separated you from a large group of others that had to be at least close to your age. Most of them looked excited, others looked like they had better things to do and one was even asleep.
There was someone though with blue hair and a sucker in her mouth who was making a few others hold up a handwritten banner that had âWelcome Aimi!â Plastered on it. It honestly looked like it was several pieces of printer paper taped together and it was probably written in crayon but it was the thought that counted.
You had support here too.
Support was all you needed.
You had everything else covered.
You didn't have much time to do anything other than wave before the buzzer sounded and you walked over to the ball that had to weigh at least 2 tons. A tap let you know that it was solid rock.
Looking at the bottom of it revealed it sat on a lip too and youâd have to get it up and over that before you could even worry about the bottom of the hill.
âNow might be a good time to inform you that you have three minutes to get into the next room.â Buckskin said as a large LCD clock appeared on the ball counting down the seconds and minutes.
Cursing under your breath you tried pushing it like an idiot and of course, that did nothing.
Think fast
You manifested a blade on your forearm, curved and blunt, the last thing you needed was to chip the damn ball and stick it where it was forever. You moved to jam your blade in between the stone and the floor it sat on and pushed. It moved but it didnât move enough.
You switched from your arm to your foot, knowing youâd always had more strength in your legs.
And THAT WORKED!
Too well, it was now rolling away down the incline at increasing speeds and away from you.
Youâd never expected to use your blade skates like this but here you were. Gliding down the smooth concrete incline on blades that curved over the bottom of your feet and knees. As close to the floor as you could possibly get to go as fast as you could. You got there before the ball did, nearly overshooting it over the edge of the floor but you were able to hook yourself before that happened.
You didn't have time to think, just stop the ball. So with blades from your thighs at the ready to stop it and standing in the most grounded and immovable stance, you could muster you braced yourself.
âYou really need to have more faith in that quirk of yours Otsuka!â Laccadasey called over the intercom. You opened your eyes to see the ball stopped in front of you with the numbers now flashing green revealing you almost had a full minute and a half of time left and the door behind you opened before youâd even pulled the blades back under your skin.
You moved as fast as you could not even taking time to think about how in the hell you didn't even feel that incredibly heavy ball hit your blades. It had to have stopped automatically on the plate it as designed to land on. That made a lot more sense than you being that strong.
You stood in front of an impossibly bigger room on a platform that was at least five stories above a moat of dark water. What it was surround however was what had all the attention. Large raised platforms that looked like giant books standing up on end with the spines up wards, if books were made out of solid looking stone anyway. Thin, and varying in both height and space between each of them with another platform at the end of the room that looked small in the distance. There had to be at least 30 raised platforms you were guessing that you had to get across.
You waited looking around for some kind of directions, a set of rules, a time limit but the intercom speaker you saw hanging on the wall was silent. Turning to look for anything else like a platform on the side you could run up, that wasn't there but there was another glass wall revealing that everyone was moving to watch this task too. The girl and her friends smiling happy and cheering on the other side of the glass, the encouragement might have helped if you could hear it.
You just decided to cut your losses and go for it.
Jumping from platform to platform gripping on with blades and climbing up before jumping to the next one. The task was pretty straightforward and simple but very exhausting. You hadnât brought any iron gummies with you and you were getting winded from both overusing your quirk and just the physical work that you had to do climbing up the walls.
You stood at the end of the room in front of the now open door that had been so small minutes ago, doubled over with your hands on your knees and grasping trying to catch your breath. Couldn't this have just been a normal obstacle course with normal things? Has this place never heard of a freaking road climb?!
Apparently not.
You wanted to give up out of pure exhaustion and frustration as you stumbled into the next room to be face to face with a battle bot that was at least three times your size.
You wanted to tell the damn thing to shut up as it started announcing that its systems were operational and informing you that the test would only conclude with you or it being unable to battle.
Not only were you pushing it with your quirk already but you absolutely hated using your quirk to fight, you knew that becoming a hero would mean you had to get over that distaste but you werenât even enrolled yet and here you were.
You waited for the thing to make its first move, but it didn't. It just stood there as if it was guarding the doors raised up on eight legs like some kind of spider tank love child with a purpose.
You were tired and wanted things to be over with so you just went for it, which was a very bad idea. You soon found yourself slammed down on the ground so hard that it cracked the concrete under you and you were surprised that it didn't crack your skull too. Turns out that spider-tanks legs were all made of some kind of magnetic material so your body literally moved towards them on its own accord. Which was totally cheating in you opinion.
You moved dodging another strike that fractured the ground again and you were lucky you got away despite the fact that the thing was literally magnetically pulling your body towards it.
You had to literally dig blades into the floor for leverage to keep from being pulled under its crushing body.
How in the absolute fuck are you supposed to beat this?!
You were just attempting to not die to be honest and you werenât doing a very good job of that either.
You were cornered with nowhere to go but over, or under it and with how tired you were there was no way youâd be making a jump like that. You did all you could do and dove under neath it and as you did you saw what would probably be your key to beating the thing.
A latch with a danger electrocution risk sticker plastered on it. If that was the things control or the way that it was creating the magnetic pull it would help either way.
You had to pace yourself, getting another chance to get under it wasn't exactly easy like that thing knew what you saw and was trying to protect it at the same time as it was trying to take you out.
It kept charging and keeping low to the ground.
But it did have a pattern you noticed, it would rear up when it was going to strike it had every single blow that it attempted to hit you with. So all you had to do was time it right.
Once you had your opening though you took it.
You werenât exactly able to destroy it but a blade about two feet deep as you slid under it seemed to do the trick. As you stood up it didnt move from the spot it had been in standing up ready to break your bones into dust.
A soft buzzing and a beep let you know that the last door was open.
And that youâd passed the test.
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AU âWhat are you doing inside my head?â âYou can hear me too?â
Part 1
Part 2
(Dialogue â.....â Thoughts â...â)
Itâs 14th September, fall quarter in Kyoto High School. The Senior year is stressful with making decisions about your future and preparing for exams which will decide your future. Surprise, surprise I do not use my âsuper powersâ to cheat during tests. Okay, maybe sometimes, but not intentionally. I still can not control my mind that well to not hear other peopleâs thoughts, so now and then I hear some answers during tests. However, I try my best to not, therefore I study hard in order to finish test as quickly as I can that I do not hear other people.
Summer before a senior year was a wonderful time. I spent time with my family and friends. My friend Yerim (our friend group gave her a nickname Choerry, but she doesnât like it, we still call her that to annoy her) and I went to Osaka for a week and to Tokyo for four days. We had so much fun and looked at some universities. But, summer ended and it is school-time.
Iâm a morning person; I enjoy waking up before sunrise, make myself cup of coffee and watch it rises. Kyoto may be not a big city full of life, but it has it charms, and beautiful sunrises, and sunsets. The alarm rings at 5:40 a.m. I wake up really early because school starts at 8, and I take a train to get there.
Iâm going straight to the bathroom to wash my face, brush my teeth and do my âskin careâ (wash my face with the cleanser, put some toner on, and apply a moisturizer). My hair do not want to cooperate with me most of the time, so I just to try to make them look decent by brushing them. Done with the bathroom.
Uniform is ready and hanging in the closet. I do not really like wearing uniform but at least I donât need to think what to wear everyday.
âLuna, breakfast is ready,â Mina says while banging on my door.
âOkay, okay stop banging. Iâm coming.â
Just need to grab my backpack and my phone. While coming down the stairs I can hear mom thinking, âI need to make list of groceries to get for the dinner, and Minhuyng will pick up Mina from school today.â
âGood morning, mom. Good morning, dad.â
âGood morning, Luna. Please donât forget to feed Starlight.â
âOkay, mom.â
Starlight is our cat. She is very very white, so we named her starlight.
âDad, can we go to the comics store after school?â Mina asked.
âSure, only if you help your mom to wash dishes.â
âOkay.â
Wow, this girl is obsessed with comics. She got passion.
âI will be home late, me and Yerim are going to the library after school to work on our science project.â
âOkay, just be careful and donât be late for a dinner.â
âNo problem, Ma.â
All of us were finishing our breakfast. And randomly dadâs thoughts popped out in my head, â I need to ask Luna what to buy for Yoonaâs birthday.â
I wish I could just send a message to my dad through telepathy, however, it doesnât work like that. Every time I hear something, but people donât hear me back. I will just tell dad later what mom wants.
Itâs 7:20 I need to head out. Grab my coffee with me and go to the train station.
âBye everyone, I already need to go!â
âBye!â
âGood luck at school!â
I hope Yerim wonât be late again, we all the time meet each other at the train station.
I get there and of course this girl is not there yet. If we are late because of her I will murder her. Oh, I see that purple head.
âChoerry you are late again!â
âIâm sorry my brother is a dickhead and was in the bathroom for an hour, so I couldnât even wash my face.â
Yerim thought to herself, âShe knows I hate when she calls me Choerry. This girl will kill me one day.â
Yeah, she gets annoyed because of Choerry, but she knows I call her like that only when Iâm âmadâ at her.
âNo worries, Yerim. We will just kill your brother and bury him in you backyard.â
âPlease do so. He is just too much sometimes.â
âOur train should come in 5 minutes.â
âGood, I was so scared that you will leave without me and I will be late.â
âI would.â
âWow. Luna, you are so mean!â
âYou know Iâm joking.â
âOf course, I do. After 5 years of friendship I know everything about you.â
The train came and we got inside. I donât like to sit on the train, so me and Yerim stand next to the doors.
âYour purple hair is fading.â
âI know, theyâre more pinkish right now. Are you going dye yours?â
âMmmm I donât know yet, Iâm okay with brown for now.â
âYou should go blonde.â
âI will think about it.â
I try to not hear Yerimâs thoughts, but I feel more comfortable to hear hers than some strangers on the train. âThere are some boys from our school.â I turned around and saw Hyunjin and Jisung from our school at the back of the train.
I said, âI didnât know Hyunjin and Jisung take the same train as us.â
âMe either. We have been taking this train for four years and I have never seen them.â
âMaybe we just never recognized.â
âProbably. By the way did you read Nietzsche for supplement resource for philosophy.â
âYeah, I tried to read in Japanese, but end up reading in English because translation was bad.â
âI wish my English was as good as yours. I didnât understand shit.â
âI will help you during lunch.â
âWhat would I do without you, Luna?â
âI donât know either.â
âBruh.â
We ended up laughing.
It is our train station. We got out from the train and started waking to school.
âHowâs student government?â Yerim asked.
âItâs okay, Seungmin is on mine and Ryujinâ asses.â Iâm in the student government as the club in my school. It is pretty fun, but most importantly it looks good in college applications. Seungmin is the president, me and Ryujin are Vice Presidents, Sumin is the secretary, and Jaemin is the treasurer and marketing âmanagerâ.
âKnowing Seungmin, he is.â
âYeah, he takes his job seriously, him and Ryujin argue all the time about whose idea is better, and Iâm their buffer. Itâs funny to witness those fights.â
âWe almost at school. Iâm not ready for the morning Calculus.â
âI have AP-Calculus and still donât know how I ended up there. I hate math.â
âItâs a mystery.â
I can see the gates of the school already. We come inside of the school and go right to the lockers.
My head gets flooded with peopleâs voices.
âI forgot to do my homework. Shit.â
âI canât believe my parents grounded me.â
âWhere is Jisung? I need this hamster.â
Oh, that was probably Seungmin. He all the time calls Jisung hamster. I turn around and see at the end of the hallway, Seungmin. His eyes searching around for Jisung.
âOkay, you better help me with philosophy homework because Lia got sick, so you are the only English genius I know, and that dude Nietzsche doesnât make sense in Japanese.â Ryujin says when she walks up to mine and her locker.
âWow, so I will have a whole lecture during lunch I guess.â
âPlease do.â
âYeah, I didnât understand it either,â Yerim says.
We part with Yerim. I and Ryujin have AP together while Yerim has calculus.
We walk into the classroom. There is not a lot of people who take AP. Itâs me, Ryujin, Seungmin, Jisung, Hyunjin, Lia, and Yeji.
I sit with Ryujin on the 3rd desk.
âI have some cheeseme (tea) to spill.â
âOh wow Iâm intrigued.â
âI will tell you during lunch.â
âOkay. You spill some cheeseme and I will lecture you and Yerim.â
âDeal.â
Mr. Chen comes into the classroom and bell rings.
âGood morning, guys. Today we will start new lesson, but first we will look at the problem on page 35.â I open my textbook on page 35 and Mr. Chen starts solving the problem on the desk in order to give is an example. Everyone is quiet. I write down the example on mine notebook.
âFuck, I will kill Felix and Jisung. Why the hell they posted this video.â
Who was that. I look around and think on who might thought of it. It might be Seungmin or Hyunjin.
âSeungmin will probably help me to kill them.â
Okay, that was easy to figure out. What did they do to make him so mad.
âWhat?â
Mr. Chen was done with the example, so I started to copy notes from the board.
âThatâs stuff is confusing.â
Agree with that indeed.
âWhat are you doing inside my head? Who are you?â
âYou can hear me too...â
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Big Hero 6: The Series - Least Favorite to Favorite Episode (Season 1)
Hi, everyone! So, I love ranking episodes of shows that I really get invested into from my least favorite to favorite and Iâve been wanting to do this for awhile, so hereâs my personal list of ranking the episodes from season 1 of bh6:ts from worst to best!
22. Big Hero 7
If I had to pick an episode from this season that I enjoyed the least, it would be this one. Not that this episode was terrible or anything, but I guess for myself, it seemed too predictable. Knowing that Richardson Mole was going to be the temporary seventh member of Big Hero 6, it seemed obvious that somehow heâd lose his memory by the end of the episode. Not only that, but I just donât find Richardson to be an interesting character. Although, this episode does give me a small bit of hope that him and Fred can become friends someday. Not soon, but someday. High Voltage was pretty good in this episode though and the music was fantastic! Also, I feel like this is the one episode of the series where you if you didnât watch it, there wasnât even any minor details that come back in another episode.
21. Fan Friction
I actually do feel bad about ranking this episode so far down the list, but if you read my review on the episode, you know why itâs here. While I enjoyed certain elements this episode had to offer, I felt really bad for Hiro. He was embarrassed by Karmiâs fanfiction of him and the others and clearly uncomfortable with all the âKarmutieâ talk. I would have liked to see the nerd gang be more understanding as well. But I like that Karmiâs fanfiction inspired Hiro to create Overdrive Mode for Baymax as well as give the others ideas for their weapons. And their chibi forms were adorable!
20. Big Roommates 2
In which Honey Lemon moves into Gogoâs apartment and weâre introduced to Globby. I like that we got to see how the girls became roommates and the antics of showing how different they are which led to some bickering was understandable. But Iâll also admit that the talks about the glass being half empty/half full was getting a tad bit cheesy. Getting to see Globbyâs origins was nice and heâs a very enjoyable character! Honey naturally felt bad about her purse being the cause of his transformation. While I enjoyed some of her lines while feeling very down about the situation, I felt like Honey was trying too hard to not be her usual, bubbly self. And while I was pretty confident about the quality of animation flow getting better throughout the season (which it did!) I must say this is the episode where I enjoyed the animation the least. Overall it was a decent episode.
19. Mr. Sparkles Loses His Sparkle
Gotta say, I like that they took a villain that never made it in the movie and brought him in for the show. That being said, Mr. Sparkles is my least favorite villain so far. Itâs probably because heâs only been in one episode (so far), but I just find the other villains to be far more interesting. However, I did enjoy how insane his game show obstacles were and would oddly want to try out for the show if it was real. It was great to see Mochi become a viral sensation! I liked his slow clap trick and how well received it was. There was also the B plot of the team needing to find a better way to get to their suits, leading to Hiro experiencing inventors block. In the end, I really love the solution of them all having a Skymax to deliver their suits when needed. Although, Hiro having inventors block felt very similar to the plot of Failure Mode.
18. Failure Mode
Speaking of which, I have Failure Mode here. I admit, Iâm surprised I have it this far down the list, but I think it was all a matter of just liking the other episodes more? Anyway, I did like what this episode had to offer. We got to see Hiro struggling with academics and understand that getting discouraged is okay as long as you donât quit. It was also really nice to see Globby discover his powers and experiment with them in the best possible ways. There were some good jokes. And the Tadashi scene where we got to see him getting discouraged when another Baymax test went unsuccessful was really great.
17. Big Problem
Ah, this was an interesting episode, wasnât it? I felt that this was a nice introduction to Liv Amara. Itâs definitely good to see a young female character running a successful company. Iâm disappointed that she lost interest in Baymax after learning Hiro wasnât his creator, but thatâs probably for the best. Her interest in Karmiâs invention sparks jealousy in Hiro which I personally found to be understandable. But at the same time, it makes sense for Liv to want to fund Karmiâs project more since sheâs a biotech major. Hiro learns a good lesson in the end though. Oh, and thereâs also this rich guy that gets turned into a monster which is still currently unknown. With how the plot of this episode was, itâs hard for it to stand on its own, but (SPOILERS)...weâll be getting some answers real soon.
16. Small Hiro One
Weâre introduced to two former SFIT students. One is Trevor Trengrove, a famous scientist. The other is Wendy Wower; also a scientist, but became a child entertainer. Both unique characters, but ultimately, Trevor was egotistical from the start. He holds a workshop at SFIT that everyone can attend...except Hiro who was ruled out to be too young. So, he gets stuck working as an assistant for Wendy Wower who was teaching kids (and Fred) how exciting science could be! Along the way, we learn some interesting facts. The most important one was that the thesis Trevor based his career off of belonged to Wendy. Somehow, Yama got his hands on the flash-drive that has proof of that and blackmailed him to create some new features to Mega Yama to defeat Big Hero 6. Itâs not surprising to me that Trevor turned out to be a phony, but I do like that in the end, he owned up to his actions. And Wendy was very enjoyable. Despite her thesis being stolen, she still wanted to have a career and her teaching children about how fun science is is adorable. Also, the ending to this episode in which Hiro discovers that Granville taught at SFIT 20 years prior was quite the twist.
15. Aunt Cass Goes Out
An entertaining episode. I thought it was interesting that Hiro decided that Aunt Cass should go out on a date so sheâd be less likely to discover his superhero identity. Itâs definitely not the correct solution, but seeing Hiro going through a dating site and deeming none of the men on there right for his aunt to be adorable. While Krei doesnât deserve Aunt Cass in the slightest, Iâm surprised that the date didnât go worse than it could have. They had a common interest and kept his cool to impress her, but letâs face it. His true love is money. Or at least letting people know how rich he is. There may not have been an actual villain to face, but it was a nice change of pace to have a surprise party loving scientist be our antagonist. It was so sweet seeing Hiro being so protective of Cass and we can only hope heâll learn to be more cautious with hiding his superhero identity.
14. Muirahara Woods
An action-packed filler that was hard not to enjoy. I canât blame Hiro and Fred for being curious as to what Gogo does when sheâs on her own, but come on. Let the girl have her privacy. But their wacky adventures in the woods was hilarious. Hiro has a difficult time considering heâs more of a city guy. It doesnât help that their tech stopped working the further they got into the woods, but Ned Ludd was there to help. I liked his backstory and that he also keeps a meteor (Bessie) which is the cause of the tech not working. He hates technology which leads to a malfunctioning Baymax getting taken by him. This is what I like about the episode. The team feels that things have been too easy for them lately, but Ned gave them a challenge. They had to be resourceful in order to get Baymax back and I loved that their weapons were as close to their regular weapons as could be.
13. Issue 188
Ahhh yes. The episode that introduced us to Karmi, High Voltage and Richardson Mole. It was cool to see that Granville paired up Hiro and Karmi for an assignment where heâs supposed to learn from her socialization experience. However, we quickly learn that sheâs very antisocial. I like how she talks to her viruses. High Voltage are an electric mother-daughter duo that arenât easy for Big Hero 6 to beat. But Fred believes the solution to their problems lies in a Captain Fancy comic. He may not own Issue 188, but Richardson Mole (an annoying 11 year old and Fredâs rival) does! I know I mentioned it with Big Hero 7, but I love High Voltageâs music. Theyâre great villains and this was a good introduction for them! As for Karmi, while Iâm more than aware of how split the opinions are of her, I like her. She may not be nice to Hiro, but I do enjoy that she thinks Hiro likes her when in reality, she has a crush on his superhero persona not knowing itâs actually him.
12. Fredâs Bro-Tillion
Iâve seen people not really liking this episode and it makes me sad! While this episode isnât quite in my Top 10, itâs an episode that I really like a lot. Itâs an episode that had a very nostalgic vibe to it. That may possibly be because Baron Von Steamer was our villain, but I loved how well this episode tied into things together. Fred learned how to dance because of Baymax and used those dance moves to defeat Steamer. Steamer himself was a really exciting villain and I love that heâs an arch nemesis to Fredâs dad. Before the team suited up, they had to attempt defeated Steamer in their catering attire which you all know I love. There were lots of good jokes as well.
11. Steamerâs Revenge
Speaking of Steamer, his second appearance is right above his first. The two major plots to this episode were both equally enjoyable in my opinion. We have Fred who doesnât feel like heâll measure up to his dad in a superhero sense. I found that to be a realistic insecurity for him. He looks up to his father and loves the superhero world. He just wants to be like his dad and make him proud. And he literally had to be like his dad by dressing up as him to fool Steamer. Itâs amazing how self aware Steamer was of him realizing that Boss Awesome defeats him because he always reveals his plans to him. And the giant statue of Boss Awesome being a Steamer weapon was a great twist. There was also the plot of it being Wasabiâs birthday and that went very well. I thought it was really sweet that the others got Wasabiâs car out of the bay, fixed it up and even upgraded it for him.
10. Baymax Returns
The one hour pilot episode made its way to the number 10 spot! This was an incredibly satisfying first episode in many ways. Itâs an immediate continuation from the events in the movie. The amount of references to the movie were great! We already get to see more the nerd gangâs personalities shine. Weâre introduced to Granville who is an amazing professor and dean to SFIT. Weâre reintroduced to Yama whoâs working for our main season 1 villain. We got to see the process of Hiro rebuilding Baymax which I felt was a very important thing to watch. Itâs good to see that it didnât come as easy to him as he assumed. The conversation at the end with Hiro and Granville is still one of my favorite scenes. And at the very end, weâre introduced to the big bad Obake.
9. Food Fight
I said I wanted more Aunt Cass and boy did this episode deliver. Cass gets herself unintentionally involved in a food fighting competition and it was amazing! She was truly in her element and enjoying herself. Again, we get to see Hiro being protective and worried for her which is always very sweet. We were also introduced to Momakase in this episode who is definitely one of my favorite villains! Cass managing to defeat her in the food fight was fantastic! And I love that Gordon Ramsay voiced a character in this episode!
8. Killer App
What an exciting episode. We meet Noodle Burger Boy who starts out as the lovable mascot of Noodle Burger. But Obake turns him into a violent robot that can predict every move Big Hero 6 meets. NBB is pretty high up my villains list and seeing how quickly he turned evil and everything he can do is very useful. We also get to see Hiro and Wasabi clash while working on a project. I really do like that they both immediately didnât want to work together instead of thinking itâd go well and despite many disagreements, they were able to come up with a good idea. Not only that, but seeing how well they worked together by switching suits in battle was incredible! And by the end of the episode, Obake knows the identities of the whole team!
7. Rivalry Weak
Well this episode was a huge surprise! What sounded like a fun, comical episode of our main cast pranking the rival school SFAI quickly turned to a mystery starting to be unraveled. At SFAI, we discover a hidden room that belonged to Lenore Shimamoto. Honey Lemon learns that her idol was not only an artist, but a scientist too and had formulas that were way advanced given the time period. But sheâs not the only fan of her. Obake is a fan as well and this is the episode where the team comes face to face with him for the first time! Definitely unexpected, but not a disappointment in the slightest. The tests he put our team up to was very clever and signing Shimamotoâs journal at the end was a nice touch.
6. Mini-Max
What an adorable character, am I right? I like that despite Mini-Max being built to keep Fred out of trouble on solo missions, Fred sees him as a sidekick. And they actually work very well together. Mini-Max is for sure a useful character to have around. But thankfully, this episode had more to offer than a lovable, smaller looking version of Baymax. Hiro is suspicious of Granville for all the right reasons and seeing him spy on her led to amazing scenes with them. Seriously, the scenes between Hiro and Granville have been some of my favorites in the show! We learn that Granville left SFIT 20 years ago because of an incident that happened with a former student. She learned that even geniuses needed limits and later on, Hiro assures her that she wonât end up like that former student. But of course, my personal favorite scene (so far) happened in this episode and I canât stress enough how much I love and appreciate the scene between Hiro and Callaghan. It was well written, emotional and showed how mature Hiro is.
5. The Bot Fighter
I really didnât expect much more of the bot-fighting world to be explored in the show, but canât complain. Hiro returned to his roots for undercover reasons, but he does get sucked back into the world of bot-fighting. The culprit of this is Trina, a young bot-fighter who is self taught and claimed to watch all of Hiroâs matches. Now, I definitely get why some people wouldnât enjoy the romantic parts scattered within the episode and itâs understandable why. But I found it to actually not weaken this episode. Why? Hiroâs crush on Trina wasnât the main focus of the episode for starters. Even if Trina influenced him back into bot-fighting, it was also him missing that world that kept him from trying to find out if Yama was the one creating bad robots. Not only that, but we learn that Trina is an android. An android that Obake created. We know that heâs been watching the team, especially Hiro, for quite some time. Attempting to get Hiro on his side, he was trying to lure Hiro back into an old habit and used the image of a girl to do so. But for it to be successful, he designed Trina to have a personality that he knew Hiro would be compatible with. That being said, I loved that we saw more bot-fighting. We got a really sweet Tadashi scene. We got an adorable, supportive group hug. And we got a huge plot twist at the end of the episode where Trina called Obake her father and then it was revealed that she was a robot. All in all, great episode.
4. The Impatient Patient
Hiro being sick was everything I had always hoped it would be. We got to see Hiro not surprisingly being stubborn due to catching a cold and trying to prove that an illness canât slow him down. Except it can because he ended up getting tossed in a dumpster, resulting in a broken leg. So yeah, Hiro being sick and injured was highly entertaining. It was a real treat to see Baymax taking care of him and those visits to the doctor were hysterical. While weâve only seen the Mad Jacks once, I really enjoyed them and Iâm hoping we get to see them again. And Hiro ending up coming with that suit where he could have a video image of his face was awesome! Oh, and how can we forget just how amazing Obake was in this episode? He played Krei and the Mad Jacks like it was a game of chess and because of that, he discovered Hiroâs identity which was so chilling!
3. Kentucky Kaiju
Ohhh boy oh boy do I love this episode! It was interesting to see that Hiro doubted himself due to not having a super power. But what made that doubt even better was that Obake had that doubt planted into him. So he creates super strength with a smart fabric that backfires horribly. I thought it was hilarious that he couldnât get the suit off! Fred also gets an actual sized Kentucky Kaiju robot made which also goes wrong when NBB installs a CPU into it. This leads to one of, if not, my favorite battle in the show so far. The team has to face off against the kaiju and it was an insane battle to say the least! Hiro is able to use his super strength for a short time, but what makes the fight at its best is when Hiro only needs his genius brain to outsmart it! Fredâs dad giving him the advice of finding his true strength was very helpful and it only made Obake more interested in Hiro.
2. Obake Yashiki
YOU ALL KNOW WHY THIS EPISODE IS SO HIGH UP THE LIST. One word. Tadashi. Okay, well itâs actually not the real Tadashi, but Iâll take an evil augmented reality Tadashi. When I first heard about this episode, I could not have been more excited. It was obvious from the beginning that this Tadashi wasnât real, but how everything went down in this episode was amazing from start to finish. I loved that it was a Halloween episode. I love that Obake used the nerd gangâs biggest fears against them. I loved seeing NBB working with the Buddy Guards to steal the giant magnet. And most of all, I loved all the Tadashi scenes and Hiro eventually realizing it wasnât him. That part where the logo on his hat changes to Obakeâs logo and Obakeâs voice comes out of Tadashiâs mouth was so terrifying and I LOVED IT! So...with an episode that I enjoyed so much, I wondered how could anything possibly top it??
1. Countdown To Catastrophe
BY HAVING AN EPIC SEASON 1 FINALE THATâS HOW!! This finale was a great ending to our first season in so many ways. I donât know where to start considering so much happened! Iâll just state everything I really loved. Hiro creating an energy amplifier which is what Obake created when he was the student at SFIT who Granville taught 20 years prior. That emotion in the scene between Hiro and Granville when she discovered what he was trying to make OMG SO GOOD. Finding out that Lenore Shimamoto caused The Great Catastrophe. Obakeâs big plan being recreating it. Obake and Granville coming face to face again. His real name being Bob Aken. NBB putting a chip in Baymax making him evil. Baymax taking Hiro to Obakeâs lair and him revealing that he wants to reshape the city and have Hiro as his student. Globby becoming a good guy. Everyone having to work together to stop the star from blowing up the entire city. Obake watching his dream die and as his lair collapses, he turns Baymax back to normal and decides to die with his dream. Seriously, that ending was so sad BUT SUCH AN INCREDIBLE SCENE IT WAS DONE SO WELL!!!! Yet another really nice conversation between Hiro and Granville. Granville calling Hiro by his first name and wondering what happened to Obake. It was all so good! I canât put into words how much I loved this finale and how emotional I felt when it was over.
So, thereâs my season 1 ranking episodes. Iâm looking forward to season 2 tomorrow! :D
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Early Morninâ
Paring: Markus/Reader
Tags: gender neutral reader, no pronouns used for reader, meet-cute, domestic fluff, like the fluffiest fluff you've ever seen fluffed, post-pacifist best ending, Markus (Detroit: Become Human) needs a hug, blood and injury, blue blood, angst with a happy ending.
Summary: After the war, the both of you deserve to sleep in, and snuggle.
Word Count: 1,570
Current Date: 2019-01-04
If you were to be completely frank on the subject, you loved early mornings. You had always loved them, and now, after the riots in Detroit led by the people of Jericho, it felt good to relax in the morning. When you spoke about your love of them, though, people would be confused, confounded, unsure by your words. Early mornings suck! you heard often enough, why wouldnât you just prefer to stay in bed?
But that was the things - you loved early morningsâŚin bed.
Especially in the wintertime, when the frost bit at the window frames beyond the confines of the flannelette sheet-strewn bed, where the house was warmed by electricity and comfort. The skies would be dark in the morning, just like they were the night before, and you loved looking into the darkness at just after five thirty in the morning, seeing shapes that could barely be deciphered by the naked human eye.
Despite your love for early mornings, the man who you loved, well, the android-man who you loved, did not have a fondness for them. Markus was a busy man, always working on something more than another. It led to lots of things - sadly, the death of Mr. Carl Manfred, the uprising that he had managed to make into the hallmarks of historyâŚand, the marginalisation of your love of early morning snuggles.
But it wasnât ever said that he didnât love time with you.
You had met Markus in the town square, where you had witnessed an anti-android protest gone wrong. The android with the close-cropped hair wandered too close to the demonstration of the angry masses, and you watched, aghast. The threw him around, kicked him, called him names that made your blood boil. Youâre not sure what made you do it, but you sprung to action, and toward the android.
âMarkus,â you cried out the name that was printed on the back of his jacket, moving to help him up, âCome now, Iâll be late for the appointment.â
âIs this your plastic fuck?â a protester sneered.
âWell, I donât care.â Another chimed in. âWeâre going to teach it a lesson.â
Luckily then, a police officer stepped in, and diffused the situation. Before too long, you were walking off with the RK200 model, unscathed. You stopped at the bus stop, and the android turned to you, looking you in the eyes with its green ones.
âWhy did you do that?â He asked you.
You frowned, considering your hands. âIâm not quite sure.â You reply honestly. âPerhaps, because itâs wrong for those people to act like that toward you?â You take a deep breath, and add, softly, you add, âOr because itâs wrong to stand by and watch bad things as it happens?â
The android nodded. âEither way, thank you for your actionsâŚâ
â_________.â You reply quickly. âIâm sorry if calling you by your name earlier was wrong. Iâve never had an android, I really donât understand the etiquette -,â
âIt was fine, _________.â The bus pulled up, and Markus moved toward the end, where the Androidâs Only compartment was located. It was then when you realised that you couldnât follow him any longer, and you gave him a small wave. âGood bye, _________.â
âGoodbye, Markus.â You bid, feeling like youâd never see him againâŚhe had such a distinct face, tooâŚ
In the dimness that seeped through the window of your shared apartment, you saw the hints of the beginnings of sunrise. It was too early to be fully awake, but by the time it was eight oâclock, when the sun sat comfortably in the sky, youâd be ready.
Too bad today, you stirred a little too much to your boyfriendâs liking.
âRemember how we met?â you asked him, your voice crackling a little from disuse in the night.
âGo back to sleep, _________.â Markus grumbled.
It took weeks after the death of your favourite artist Carl Manfred to lift the burden of sadness that made you feel so gloomy. You spent most of it locked in your apartment, neglecting your canvases and commissions. He had been a mentor to you when you had been younger, and he hadnât been in the wheelchair - he had inspired you to become who you were. In the time after hearing about his death, you barely spoke to anyone for days, but when you found the strength to leave the apartment, you did. From being at home for so long, youâd exhausted all your resources - food, essential suppliesâŚ
So, you went to the town square to stock up. You had just begun to place fresh foods in your basket at the supermarket when you saw a familiar face outside, through the shop window. The android of which you had met earlier in the year, Markus. In a dream-like daze, you returned the items to the shelf, and exited the shop empty-handed, gravitating toward him. If he were the sun, you were Icarus, willing to be burnt.
There were other androids with him, many more than you had ever seen congregated together in the same area, ever. There was a model that you remember from university, a woman with golden honey-red hair, and so many more flanking his sides. As you neared, you realised that his face was devoid of the LED that had been there before. No flashing blue-to-yellow, no light.
He looked so very human.
â_________?â he spoke your name with a conviction that you hadnât heard in his tone in the last time that you had spoken. Youâd heard of deviant androids, and you suspected that he had broken free as well. His eyes lit up at the sight of you, âWhat are you doing here?â
âAre you marching?â you asked him.
He nodded, looking toward the massive billboard to the right of the gathering. In seconds, it flickered from its advertising picture of the football team to a picture, a logo. You smiled at the sight of it.
âThis is dangerous,â he told you, voice low.
âWhat else is new?â you replied, and turning to the android beside you, a blonde man, you linked arms with him, and the university lecturer. âHey,â you told them, âIâm _________.â
âSimon,â the blonde replied.
âJosh,â the other said.
âItâs wonderful to meet you all,â you told them, and you meant it.
Even though you loved him with all your heart, trusted him as your leader as a part of the uprising, and admired him equally, you didnât listen. Instead, you shuffled, so very quietly, toward his side of the bed. He looked so human, in these moments - no LED, the slight warmth within the sheets, and his breathing, so soft.
You slot yourself into his arms, and place your head on his shoulder, you let out a small breath.
âAre you comfortable?â he asks you, voice low. Itâs a different voice to what he usually uses, when speaking to the people of Jericho - itâs calm, kind. Thereâs the authority to it, yes, but with you, it isnât trying to rally the people. Just show you how much he cares. â_________?â
You chuckle, nudging his face with your own. Your cheeks brush his own, the hint of a smile on your face. âOh, you know I am,â you reply, your voice cheekily soft.
âI mean, if you werenât, Iâd -,â you cut Markusâ words off with a kiss, deftly placed just beside his mouth, beside his lips. âIs that how weâre playing this now?â he asks you, a small smile upon his face. His words are daring, but the way he spoke them, you know heâs messing with you.
When you found him in the stronghold outside the camp, you pressed yourself into the wall, where all the journalists stood. There were guns trained on the people on the other side, but that didnât stop you. Nothing could stop you from being there for Markus. You hadnât had the chance to tell him of your feelings, but by the look of things, it would be now or never. None of the people with their cameras paid you any mind as you straddled the fence, and once on the other side, you mentally thanked the bullet-proof vest youâd managed to buy from the internet. They fired at the people in the barricade, like fish in a barrel, but once you were over the next wall, you didnât care if youâd be shot. You had to be there.
For Markus.
â_________! Get out of here!â Markus called to you, his tone aghast.
A bullet whizzed by your arm, grazing where the vest didnât protect your shoulder. You wince, feeling the sting of pain. The soldiers pause, halting their fire. Youâre not sure if itâs because of their orders, or because they see you, and are seeing the blood drip down your arm, a colour that they werenât expecting.
You walk toward Markus, but itâs him who cradles you, his blue-blood stained hands clutching you close. Close enough to hear his breathing, feel it on your face, his lips -
His lips on yours.
âIf you donât want early morning kisses, be my guest,â you grin into his synthetic skin, feeling it graze on your own.
He laughs into your hair, holding you closer. âIâd have them forever, with you.â He states and asks, âif that works for you?â
You nod, feeling almost giddy with your happiness, âYeah, that works for me, Mr. Rebellion.â
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Together
A Drarry Fanfic
Draco finds out about the Dursley's treatment of Harry after Harry reveals a secret during one of their fights.
Words: 3.5kÂ
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âScorpius! Albus! Get over here right now!â Dracoâs voice thundered through the house, but he didnât care. Someone had gotten paint all over the rug upstairs. The expensive carpet that his mother had bought him and Harry for their wedding
The floorboards shook as the twins ran up the stairs at lightning speed, not willing to anger their father more by taking their time. Draco and Harry had adopted them a year after they married. The boys looked extremely similar, but not identical. Albusâs hair was a shade darker than Scorpiusâs, and he was about an inch taller. They were Dracoâs pride and joy, and only a year from going to Hogwarts.
âWould one of you like to explain why, when I came upstairs, I found paint smeared all over my favorite rug?â Silence. Utterly frustrating silence. âWhich one of you did it? It had to be one of you,â It took all his self-control not to curse or raise his voice to a complete yell. Again, he was met with silence and two guilty looks. âFine, then you can go to your rooms until you are willing to talk.â
Both boys slunk away to their respective rooms, not daring to speak. Draco ran a rough hand through his hair, and let out a sigh. It was nothing a quick Scourgify couldnât fix, and he mumbled the spell under his breath with a quick flick of his wand. What angered him was that the boys hadnât said anything about it and that they didnât own up to it.
It was days like these when Draco missed Harry the most. With his promotion in the Auror Department, he was hardly home anymore during the week. Not that Draco minded staying at home with the kids. He loved Albus and Scorpius, and he loved spending time with them and getting the chance to watch them grow. But he loved doing that with Harry by his side, not by himself.
Draco ate dinner alone that night, too stubborn to take back what he had said to the boys. They had to be taught their lesson, and if he gave into them, they would never learn to own up to their mistakes. They could have breakfast in the morning.
Harry didnât come home until late around midnight. Large bags hung underneath his eyes, his hair was a mess, and his normally crazy hair stuck to his head from sweat. This was how he came home many nights, but Draco was still not used to the air of exhaustion that hung around Harry.
Draco met Harry at the door, waiting until he dropped his bag and took off his cloak to give him a hug and peck on the cheek.
âI missed you,â Draco whispered, not caring about the dirt and sweat that was transferring onto his robes.
âI missed you too,â Harry said. Draco stepped back and cast a quick scourgify and freshening charm on Harry. It couldnât replace a shower, but it would be good enough for the moment.
âWant any dinner?â Harry nodded and followed him towards the kitchen. Draco cast a heating charm on the leftovers from his lonely dinner and set them in front of Harry. He made tea in an attempt to keep his hands busy. All he wanted to do was take Harry right there and then, but he knew he couldnât do that. Harry was too tired to do anything but eat, shower, and sleep. Just like always.
âYouâre amazing, Draco. Thank you.â The words ease the tension in his chest a bit. Draco set the teacups down on the table and kissed Harryâs cheek, grimacing at the roughness of his stubble.
âOf course, love.â He took a sip of his tea, contemplating what he wanted to say next. Should he mention Albus and Scorpiusâs punishment? Harry wouldnât find out if he didnât tell him, and he was stressed enough as it was. There was no need to bother him with the misbehaving of their kids. Besides, he had dealt with it, hadnât he? âYou look exhausted. When was the last time you got a decent nights sleep?â Harry shook his head.
âSince before I got promoted. Everything is going into chaos; half the department is at St. Mungoâs since our last case, which means our resources are extremely limited. Itâll be better in a few months once everything settles down.â
Draco nodded in understanding, even though he wanted to scream in frustration. Thatâs what Harry said every time he brought up his promotion. That it would get better. But it never did. It only got worse. Harry just got more tired and more frustrated.
âYou need to quit,â Draco blurted out. Harry looked up sharply.
âDraco, weâve talked about this. I canât just-â
âNo, you listen. Youâre working yourself to the bone. You havenât spent time with the kids since you got promoted. There are others who need you. When was the last time you talked to Ron? Hermione? When was the last time you slept for more than 4 hours or had a decent shower?â He shook his head, âYouâre trying to play hero again. You donât have to be the hero for everyone all the time. Sometimes its enough to be the hero for your friends, for yourself. â
âThe kids are sleeping. I donât want to fight with you right now Draco.â
âWhen are we going to talk about this then? You donât get home until midnight half the time, and the other half youâre too tired to say more than a few words.â Harry sighed, and ran a hand through his hair.
âIâm going to shower. Thank you for dinner.â Draco shook his head.
âThe kids asked for you to say goodnight to them. At least visit them, please?â
With a nod, Harry left him alone and went upstairs. Rubbing his temples in frustration, Draco summoned the Firewhiskey and poured himself a glass. Why did Harry have to be so damn stubborn? Why couldnât he see that Draco needed him?
The familiar warmth of Firewhiskey spread through his body. Dracoâs head buzzed slightly, and he savored the slight numbness the drink brought.
Footsteps thundered down the stairs, making him spin around in shock. Harry stalked towards Draco, a piercing glare pointed right at him.
âThat was a quick shower,â Draco commented, not sure what had angered Harry.
Not deigning to respond, Harry walked past him and pulled two plates out of the cupboard and without a word, made two PB&J sandwiches.
âWho are those for?â Draco asked. Harry looked up and glared at him.
âOur children, who you, apparently, left starving in their rooms for half the night.â His voice was sharp and cold, not leaving room for contradiction.
Draco scoffed. âI didnât starve them. They went to bed without dinner because they wouldnât own up to spilling paint on the rug. I was going to give them breakfast.â
âSo starving them was your first resort? The rug is fine, Malfoy.â When they had married, they both took the surname Malfoy-Potter since Malfoy had proposed. They only went back to their individual last names when they were really mad at each other.
âThey wouldnât own up to it! We canât let them get away with everything in life. Otherwise, theyâll never learn.â
âThis isnât up for discussion,â Harry said, voice filled with venom. âNow Iâm going to go bring our kids these sandwiches, and try and convince them that youâre not going to make them stay in their rooms forever and let them die.â
âWhat-â
âWhats next, huh? Are you going to beat them? Stick them in cupboards as my aunt and uncle did me?â
Shocked speechless, Draco sat there and stared at Harry, who had angry tears running down his face.
âWhen I agreed to raise Albus and Scorpius with you, I thought I could trust you to take care of them when I couldnât.â Harry picked up the plates and started walking to the stairs. âI guess I was wrong.â The words were like a sharp blade thrusted into Dracoâs heart.
It wasnât until the clock chimed three that Draco stood from his seat and went to lay down on the couch. It wasnât until four that he fell asleep
He woke up the next morning to the sound of the stairs creaking. Groaning, he sat up and stretched out his back while rubbing the sleep out of his eyes.
âWe should talk,â Harry said. His voice was softer then it was last night, but it still didnât hold the same warmth it typically did.
Draco nodded, ignoring the pain in his head. He patted the spot next to him on the couch, hoping Harry would still sit next to him even if he were in a bad mood. The sofa dipped as Harry tentatively sat down.
âI donât know what to ask you.â Draco whispered, âI have so many questions, and I donât know the right ones to ask.â Harry nodded. âAre the boys alright?â
âTheyâre fine. They didnât fall asleep last night until 1, so theyâll probably sleep in for a few more hours.â Draco nodded. âI owe you an explanation for last night.â
âAnd I owe you an apology.â Draco had gotten better at apologies through the years. They were still hard for him, but he knew when one was needed. And this was one of those times.
âMe first.â
âNo,â Draco paused. âI was a dick and unfair to you and the boys. I shouldnât have done that. I was just angry, angry at you, and at them, and at myself. Itâs a shitty excuse, and Iâm sorry. Iâm sorry I yelled at you. Youâre doing a fucking fantastic job at the ministry, and I couldnât be prouder of you. I just worry about you. I worry if you still care about the kids if you still care about me and the life weâve created together. Iâm sorry I was so terrible yesterday, you didnât deserve that after coming back from work.â He glanced down at Harryâs pajamas. âAre you not going today?â
Harry smiled. âNot for a long time.â
âYou quit?â
âWith the Malfoy and Potter fortunes combines, I think we can handle a few years without either of us working. I sent my resignation letter last night.â
Draco grabbed his hand and squeezed. âThank you,â he whispered. Harry nodded.
âIâm sorry too. I completely overreacted last night. You were just trying to look out for me. Youâve been doing so much around here, and I havenât shown an ounce of gratitude. Youâre a great parent, Draco, and I wouldnât want to raise our children with anyone else.â
Dracoâs lips curved into a small smile. Â âYou mentioned something about your aunt and uncle?â Harry froze, and Draco quickly backtracked. âIâm sorry, nevermind. We donât have to talk about that. You had said some things, and I wasnât sure if I had-â
âNo, Draco. I need to tell you. Iâve been meaning to. I didnât want you to find out like that, though.â
âFind out what?â
âMy aunt and uncle werenât the nicest of peopleâ Harry started, grimacing. âWell, they were. Only to my cousin though.â
âYouâve never talked about them before. Are they the muggles you stayed with every summer?â
âYeah,â Harryâs voice was quiet. Not the mad quiet that it had been last night. Scared quiet. âIâm never told anyone this before, not even Ron or Hermione. So bare with me, ok?â
âOf course.â Draco drew soothing circles on Harryâs hand and scooched closer so that he could hold Harry in a comforting embrace. âTake as much time you need.â
Harry was silent for a few moments. âMy aunt and uncle hated anything that wasnât normal, so you can imagine their disgust when I appeared on their doorstep.â Harry scoffed, âDumbledore left me there the night my parents died with a letter. He didnât even stay to see if they brought me inside or not. â
âHe just left you outside and left?â Draco asked, frustration bubbling in his stomach. âWhat if someone had taken you? What if you froze?â
âWouldâve made their lives a lot easier, I reckon. They hated me from the second they found me, and tried their best for the next ten years to squash the magic out of me.â
Confused, Draco wrapped his arms around Harry tighter. âWhat do you mean?â
Harry swallowed thickly. âMy aunt raised my cousin to hate me, pretty much. So when she and my uncle couldnât deal with me, he was constantly watching for me to do something wrong or âfreakish.â And when I learned what to do and what not to do, he ended up just making up stuff to get me in trouble.â
âHe and his friends made a game called âHarry-huntingâ where they basically chased me down and beat me to a pulp.â
âDid he ever get in trouble for it?â Draco already knew the answer, but maybe-
âNo, he would always get away with it by telling my aunt he caught me doing something freakish. She would give him a prize or something for it and send me to my cupboard until my uncle came home.â
Dracoâs mind was reeling. A prize? For beating up someone? And wait-a cupboard? âCu-cupboard?â He seriously didnât mean he slept in a bloody cupboard, of all places.
âYeah.â Harryâs voice was becoming softer, more hesitant. âThey didnât want to give me Dudleyâs second bedroom, so I had the cupboard. It was my room âtill I got my first Hogwarts letter.â Dracoâs face grew angrier, and he had to make a conscious effort not to squeeze Harryâs hand too hard. âI mean, it wasnât that big of a deal. It fit me fine until I was 9 or so. I was always a small kid, so it wasnât ever too cramped.â
âYou slept in a bloody cupboard for ten years, and you donât consider it a big deal?â Harry flinched, and Draco immediately felt bad. âIâm sorry, Iâll be quiet. You can keep going if you want.â
âNo, no, youâre ok. Just give me a second.â Harry took a deep breath. Draco mindlessly drew patterns on his back with his fingers. âMy aunt made me do all the chores around the house since I was 6. I had a list every day, and if I didnât finish all of them perfectly, she would tell my uncle and lock me in the cupboard. I cooked all their meals ever since I was tall enough to reach the stove. Everything had to be perfect. Normal.â
âThey made you work like a fucking house elf,â Draco muttered. âAnd then punished you for not doing everything? You were 6!â When he got his hands on them, he would make them regret ever setting a hand on Harry.
âI was a fast learner.â Harry said defensively, âI kind of had to be, you learn quickly when you donât get to eat for not washing the windows.â He flinched.
âIâm sorry, Harry.â Draco whispered, âThey had no right to do that to you.â
âThat didnât stop them, did it?â Harry asked bitterly. âMy uncle, he-heâ his voice cracked, and Harry went silent for a moment. âHe was the worst.â
Draco couldnât imagine what could have been worse than his cousin and aunt, but let Harry continue uninterrupted.
âHe worked for most of the day, so I only saw him at nights and on the weekends,â Harry winced again, making Dracoâs heartache for his pain. âWeekends were the worst because I was  left alone with him all day.â
âWhat did he do to you?â Draco whispered, nervous at the hollow sound of Harryâs voice.
âIt was routine for him to come home and listen to Dudley and Aunt Petunia take turns blaming me for whatever I did and didnât do that day. I would cook dinner for them, he would deal with me, and I would sleep in my cupboard for the rest of the night.â
âDeal with you?â
âYeah,â Harryâs voice shook. Draco hadnât heard him sound that afraid in years. âHe-he thought that he could beat the magic out of me if he did it hard enough and often enough.â
âHe beat you?â Draco whispered, shocked. He had heard a rumor here and there, but they were just rumors from untrustworthy sources. Pure speculation. YetâŚ
âYeah.â Harry took a deep breath. âHe would throw me around a bit, throw a few punches and kicks here and there. He liked to hit me with his belt a lot. My magic helped a lot of scars go away butâŚâ He looked up at Draco. His green eyes sparkled with a vulnerability that left Draco speechless. âWell, youâve seen them. Ron and Hermione have too when we were hunting Horcruxes. I just let you all believe they were from the tournament and the war.â
âThat bastard,â Draco hissed, âhit you enough to leave scars that have lasted for more than ten years?â
âI told you, he hoped that if he did it enough, he would beat the magic out of me.â Harry shook his head, âI had always been confused when I was younger. I had never been allowed to say âmagicâ or anything like that. I just knew I was a freak that did freakish things.â
âYou arenât a freak,â Draco mumbled into Harryâs exposed shoulder. âThey were wrong.â
Harry shrugged. âHe gave me the harshest punishments. My aunt normally only made me go a day or two without food. If he was mad, he would throw me in the cupboard after a beating and leave me in there for a week without food. My aunt would sometimes slip me scraps, and I could sometimes sneak out to get something from the pantry, but if I was caught, it was another week in the cupboard.â
Draco felt his heart drop. No wonder Harry had been so mad the night before. He had seen Draco as his uncle. As his sick, abusive uncle. His stomach flopped with guilt.
âIâm sorry, Harry.â Draco looked straight into Harryâs eyes, showing him that he was serious. âIâm not like him. I promise. I would never do that to our kids. Iâm sorry that I did yesterday, I was angry, and I had no right, and I wonât do it ever again. I promise.â
Harry shook his head and brought his hand to cup Dracoâs cheek. âNo, donât apologize. I overreacted. Maybe it wasnât right, but I know you arenât abusive. Youâve been such a kind, loving dad to those boys. I know you arenât like him.â
Draco still felt guilty but didnât say anything. He merely pecked Harry on the lips, savoring the moment. He would avenge the Dursleyâs treatment of Harry, but that could wait for another day.
âI was always afraid of being like him,â Harry said in a timid voice. âHe was all I knew growing up. I never had a loving father to look up to, not until I met Mr. Weasley. And by then it was almost too late. Those ideals and punishments had already been driven into my head.â
âIs that why you were so hesitant adopting Albus and Scorpius?â Harry nodded.
âYeah, but then I decided that if you of all people would be able to keep me in check. You wanted them too much to let me, or anyone for that matter, hurt them.â
âThat may be the smartest idea you have ever had.â Draco shook his head. âI love you, Harry. You know that, right? You didnât deserve anything they did to you, and I swear Iâm going to make them pay.â
âNo, Draco, please. Donât risk it. Theyâre not worth it.â Draco rolled his eyes.
âAvenging what they did to you is worth it. Maybe in a few years though, catch them by surprise.â
âI donât want to risk you going to Azkaban for killing muggles, Draco. We have kids, remember?â
âFine.â With a resigned sigh, Draco leaned back into Harryâs arms that had wrapped around him. âCan I visit them though? Rub your success in their faces? Make them feel guilty?â
âI donât want you to get hurt,â Harry said gently, âand I doubt anything you say will make them feel guilty.â Draco raised his eyebrow. âOk, fine. Just donât torture them or anything.â
âWhatever pleases you, dear.â Draco kissed Harry again. âThe kids will be up soon.â
Harry sat up straighter to stretch out his back. âIâll make us all some breakfast.â
Draco shook his head, pushing Harry back on the couch. âYou had an exhausting day yesterday and little to no sleep. You rest, Iâll make breakfast.â
âYou did too, Draco. I havenât made breakfast in weeks-â
âI havenât made you breakfast in weeks.â Draco retorted. Harry sighed, before brightening up with an idea.
âWhy donât we cook together?â Harry asked, hope seeping through his words. âWe havenât done that in months.â Dracoâs lips spread into a broad smile.
âI like the sound of that.â
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Week 11
(A bit late)
Placement 1 has ended!
I am sad about this despite the exclamation mark. I decided to scrap the SOW for Year 7 in this last week. I kept the topic, poetry by heart, but devised my own week of lessons. As I was going to ask the students to learn a poem by heart I thought it only fair (my partner persuaded me) to learn a poem by heart myself. I was going to ask them to write poems about winter so I went about finding a wintry poem I could learn and perform to them. I had Gillian Clarkeâs collection Ice which proved to be a better resource than anything google could find. I chose Snow:
Weâre brought to our senses
Awake to the black and whiteness of world.
Snowâs sensational. It tastes of ice and fire.
Hold a handful of cold,
Ball it between your palms to throw
at the moon. Relish itâs plushy creak
Shake blossoms from chestnut and beech
Gather its laundered linen in your arms.
A twig of witch hazel from the ghost garden
burns like myrrh in this room. Listen!
Ice is whispering. Night darkens.
The mercury falls in the glass, glistening.
Motorways muffled in silence. Lorries stranded
like dead birds. Airports closed. Trains trackless.
White paws lope the river on plates of ice
In the cityâs bewildered wilderness.
I keep practising it because I donât want to forget it. There might be mistakes in the above, especially the structure, because I donât remember the structure very well. The Year 7s enjoyed my reading, although they still donât understand the etiquette of clapping. I told them about going to see Alice Oswald the week before and they couldnât believe that sheâd learnt a poem by heart and performed it for an hour. They really enjoyed me just telling them about going to see Alice Oswald. It was the most absorbed and focussed Iâd seen them. I think if you begin your sentence with âI have a story to tell you...â itâs a reliable way to gain attention. Also, not to brag, but I think I am good at telling stories, even if they are just about going to a poetry reading. Anyway, I got them all planning, drafting and editing four line poems about winter and in my final lesson with them I got them to stand around the room in a big circle and perform one after the other. About eight had learnt it by heart; everyone had tried their best to learn it by heart. I played a YouTube video of a snow storm scene in the background. It was just a view off the side of a mountain with a tree and lots of snow and wind but they really loved it; it was very atmospheric. I played it every lesson and during the performance. When I put it on in the last lesson one of them said âyeah we get to watch the video againâ despite the fact that it was a nearly still image of a tree. It was a very calming visual and sound, for me if not anyone else. When I announced that it was my last lesson some of them seemed bothered, some of them were just bobbing around in their own world still, seemingly totally oblivious. One boy said to me âI hope you get a jobâ as he left. The quiet well-behaved most-potential-to-get-lost-in-the-background girl who Iâd made a concerted effort to speak to, check up on, praise and make eye contact with came up to me, handed me a copy of her poem and said âMerry Christmasâ. I did not realise until that moment that those efforts had actually been appreciated by her.
I rattled though Romeo and Juliet. There was possibly too much rattling as I think some students gave up trying to keep up. When reading the last act I noticed how often death was personified so I got the students to identify this and then pretend that death was a character and had a speaking role. I got them all to write at least two lines for him. They enjoyed this activity and it also focussed their attention on the tragedy of the play because they had to think about how many people had died and for what cost. I gave the year 9s their feedback for their assessment. Some of the high flying girls questioned my marking. I had half a mind to say âgreat, never stop questioning authority, stay critical, donât acceptâ, but the other half wanted to say âit is grammatically wrong and you need to break these habits now.â Challenging. I had planned a post-play project for the students to learn about different stage types - their advantages and disadvantages - then choose which one they would stage a section of Act 5 on. I wanted to get them drawing it out and labelling everything. I got really excited about this but only got as far as explaining the advantages and disadvantages of thrust, arena and proscenium stages. They were very absorbed in this despite the fact that it almost felt like a lecture. Perhaps this is the story telling element working its magic again. Also, my enthusiasm for the subject was probably palpable. Unfortunately I had to hand this over to the teacher to continue with and I never got to see their creations.
I also gave assessment feedback to Year 10. There was a right mixture of stories. One boy had written about a dog whose wonder threw a stick into a pond and then the dog went to get it. That was the whole and entire story. Another boy had written a very well-written piece about a hound man who was extremely mentally troubled and asked to have âit removedâ every day at the hospital. The doctorâs refused. One night he shoots himself. The âinvestigatorâ asks the doctors what he wanted removing. The doctor says âhe claimed he had a face on the back of his head, but it was just a discolouration of the skin.â It ended with a powerful message about listening to people with mental health issues. I passed on my concerns to the class teacher. My last activity with Year 10 focussed on show not tell. I busted this myth by explaining to them when you should use âshowâ and when âtellâ should be used. This went down reasonably well although I would make the whole lesson a bit more interactive next time. I was running out of juice by this point though.
It was extremely sad to say goodbye to the English department, my spacious desk, work laptop, classes, AT and school. On the Wednesday I went to see Jeanette Winterson. She spoke a bit and then read from her book Christmas Days. I was nearly dead from exhaustion but it was wonderful to hear her thoughts and listen to the stories. I got a booked signed for my AT as a gift and one for myself too. I told Jeanette I was training to be a teacher and how it was going. She was very interested. She recommended two of her stories which would be good to read to students. My AT was touched by the gift and when we said our goodbyes we both got a bit tearful.
This is what Jeanette wrote to me in her book:
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Virtual Sleevenotes, Credits and Lyrics for âBarry Andrews: Lost Pop Songs 78-80â
TRACK LIST
1 Rossmore Road
2 Win a Night Out
(with a well-known paranoiac)
3 Freak
4 Me and My Mate Can Sing
5 Mousetrap
6 Bring On The Alligators
7 Sargasso Bar
8 Feeding Time
9 Muscle & Movement
10 Opposite Way in the Rush Hour
11 Taking Over ICI
12 Vampyr Skinhead
13 Big Soft Safe Family
MUSICIANS
1-3 clarinet: Frank Abrams, trombone: Ian Bateman, guitar: Rob Hendry, Robert Fripp, Bruce Mcrae, bass: Dave Marx, drums: Richard Wernham, engineer: John Strudwick,
backing vocals: Bruce Mcrae, Patti Palladin, Clara Harris, Steve New, Marion Fudger.
Recorded at Rockstar Studios, Fitzrovia, Mixed at Regentâs Park Studios, St Johns Wood.
4-7 guitars and bass: Dave Marx, drums: Rob Wilford, engineer: Hugh Padgham, Producer: Martin Rushent. Recorded at Townhouse Studio 2, Goldhawk Road.
8-10 guitar: Jon Ellis, bass: Dave Marx, drums: Richard Wernham, engineer: John Strudwick, recorded at Pathway Studios, Islington
11-13 bass: Marion Fudger, guitar: Rob Hendry, drums: Richard Wernham,
engineer: Eric Radcliffe, recorded at Blackwing Studios, Borough.
The songs on this album have been lying about for a looong time, as you see. Â The reasons for this are twofold: 1- itâs juvenelia, really - undeveloped, derivative. Trying stuff on for size. Â An artist not in complete control of his medium, if you like. So I was not in a hurry to expose it, I guess, for its flaws are obvious.
2 itâs precious, unrepeatable, unvarnished. Truly an account of Process as someoneâs aesthetic develops. Itâs fascinating to me, of course (âeach man loves the smell of his own fartsâ) and, I have to assume, as an article of faith, that it may be to others. So, as a one-time-for-all-time thing, I was hesitant to release it.
Anyway, here theyâŚare, these songs which are inextricably bound both to a critical time in my life and the interstitial flavour of the historical moment: the end of the 70âs in good old (post-war, now post-60âs) UK. The dingy, dark, money-strapped days of Callaghan and Heath on the cusp of the New (fake) Gold Thatcherite Dawn.
London still grubby, edgy and un-Developed in a lot of places (squats still available - for instance) and Punk, which had roared for a couple of years - having redefined pop culture, via getting Pissed and Destroying - was about to stagger off into the wings, fresh out of ideas.
the Roxy Club, Covent Garden in 77 (itâs a shop selling Speedos now. Out with the Bin Bags in with the New Shiny Pants!)
The Clash and Pistols albums of 77 had permeated, by 79, everywhere they were likely to go (surprisingly far) but their offspring - the ninety-to-the-dozen, political, permanently furious form of *Punk was on the wane. âNew Waveâ as a catch-all term for anything that was neither hardcore (with a little âhâ) Punk nor Old School Rock was becoming the mot du jour. Another strange little sub-genre was Power Pop (which my old firm XTC could be described as, although to be fair, we were doing it well before the term was coined). Blondie, The Rich Kids, the Rezillos: all were attempts to make ideologically (yes!) acceptable the idea of melody and upbeat themes in a landscape where (Iove this term) *Ramalamadolequeue was rapidly wearing out its welcome.
(the Rich Kids - ft. Steve New, the baby deer. Theyâre not signing on are they? Theyâre Rich.)
Personally, these tunes cover, as historians say, âthe long 78-80â. Roughly from the end of my time with XTC to the beginning of Restaurant for Dogs which was (sort-of) the R&D for Shriekback, although definitely with its own sovereignty and aesthetic.
Rossmore Road                                                 source: 1/4âł tape                                                This came to light in a box of old tapes (Lordy I wish I had more tapes). Itâs the first mix John Strudwick and I did for the single but I wasnât happy and, rather sportingly, Virgin let us remix it. This version, though, not only has the âson trouveĂŠ - âasking for directionsâ elements at the beginning and end (hilariously furious posh guy who - you can hear - I have managed to wind up even in the few seconds it takes to ask where Rossmore Road was. How? I really was an annoying, chippy bastard in those days - you can see why I felt paranoid (see below).
I was playing with Robert Frippâs League of Gentlemen at the time and Robert kindly offered to come down and bestow his guitar benediction upon my humble pop tune (skills which were to be deployed, rather more usefully, on Bowieâs âScary Monstersâ later that year - which Robert had taken a break from rehearsals with us to do (âI have redefined the parameters of modern guitar playingâ, he self-deprecatingly declared, on his return).
We got off to a bad start and never got beyond it: we plugged Fripp in and played the tune - John the engineer had assumed, totally reasonably, that this was a âget familiarâ go-through before we started recording.
As producer I should have been clearer - very much so, as it turned out because Fripp threw a total hissy fit when told we hadnât recorded his 1st take. He gave us a rant about Heroes etc - how all his most genius work had been 1st or second takes. I apologised. He made a somewhat passive/aggressive show of graciousness in spite of this clear affront and the atmosphere was kinda tense after that. Someone else who hated me. Just great.
And anyway, what we would have got (and, on the 2nd take, did get) was - Fripp fans forgive me - 70âs prog-hero solo guitar noodling (very good guitar noodling, but still) - which loftily ignored the songâs structure so entirely that you had to choose between either just showcasing Robert or actually crafting the song. On the remix we ended up using one note (at the top). I honestly couldnât find anything else that properly fitted. On the present mix, however, if you listen carefully, you can hear Fripp doing his flash, busy thing - itâs mixed as loud as I dared but you can hear it doesnât really work and, if it hadnât been him playing it, it wouldnât have been there.
An inappropriate and inelegant use of resources, as he might have said. Interesting to hear though, perhaps, in a vestigial tail/snake legs sort of a way.
conceptual stuff about RRd.Â
ROSSMORE ROAD (NW1)
The 159 runs along it
Round the corner from Baker Street
There's a dolls house shop on the corner
Of Lisson Grove and
Rossmore Road
Rossmore Road
Turn left at the DHSS in Lisson Grove
You find yourself in Rossmore Road
And there's a number of public buildings
And a safety barrier down the middle of the road
In Rossmore Road
In Rossmore Road
In Rossmore Road
White and yellow lines and street signs
And public phones and traffic cones
And belisia beacons on the central reservation
All humming now, all humming now, all humming now
To the north
The Grand Canal
Round the corner
Regent's Park
Next stop on the tube
Marylebone Road
And you can see
Balcombe Street from Rossmore Road
The 159 runs along it
Round the corner from Baker Street
There's a dolls house shop on the corner
Of Lisson Grove and
Rossmore Road
Rossmore Road
Rossmore Road
Rossmore Road
In Rossmore Road
White and yellow lines and street signs
North of the river
South of the circular
Under the road
Above the railway
All humming now, all humming now, all humming now
All humming now, all humming now, all humming now
All humming now, all humming now, all humming now
All humming now, all humming now, all humming now
All humming now, all humming now, all humming now
All humming now...
Win a Night Out (with a well-known paranoiac) Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â sound source: 1/4âł tape
Very pleased with this, I am still. Sui generis as they come. Blur before Blur said somebody. OK Iâll take it. I was (I think) actually thinking about Patti Smithâs Piss Factory - and Land and Wave, those half-poem, half-song tunes of hers. This, though, suffused with the provincial UK, late 70âs consciousness you get when you perhaps smoke too much grim hash and take too much speed. Interesting sexual punishment element to it also. Because itâs two dates: one rustic and one urban, then an extreme post coital reverse followed by a horrific denouement (Nazi Vivisection! The worst kind) which shows that, as they say: âjust cos youâre paranoid doesnât mean theyâre not out to get youâ.
This is, obviously, autobiographical (apart from the vivisection). This arsy, scruffy little bloke, oppressed by the forces of reaction and class, who seems to attract humiliation and brutality wherever he goes, even though his intentions are just to have fun and get laid. Â Itâs a little poem about fear and self doubt which, around â79 there seemed to be lots of. So I made a record. More expensive than a therapist but it has a trombone player..
WIN A NIGHT OUT (WITH A WELL-KNOWN PARANOIAC)
We could rendezvous in a country pub I know in the heart of rural England where the landlord sports moustaches just like Jimmy Edwards and the crisps and pickled onions on the bar are numberless as the stars at night
We're just about to order scampi in an Elizabethan basket when two neckless men in blazers and cravats approach our table and say - "sorry - this bar is exclusively for the use of Nobel prize winners, latter day saints, people who have seen God and selected relatives of our dear Queen, and furthermore, you worm, there is mud upon your plimsolls". I reply that I am a member of most elitist cliques you care to name and the blood which courses (at an ever increasing speed as it happens) through my veins belonged once to the Cuban royal family, but, they don't listen and they just pour my drink down the sink and say "this is not what we mean. In this life, one is either U or non-U and if I were you I'd make myself bloody scarce.â I even try to show them my credit cards but unmoved they say "OK sonny, it's time you were taught a lesson and there's only one thing that your sort understand"
Win a night out with a well known paranoiac
Win a night out with a famous paranoid
Win a night out with a well known paranoiac
Win a night out with a famous paranoid
At an Iberian eatery in the west end, we could gaze at each other across saucers of yoghurt and bits of crusty foreign bread - and then - I could order a carraffe of Asti - we could have so much fun. We could discuss things like communism and chart positions with the lack of inhibitions that separate the truly liberated from the herd - but - I should mention that I talk quite loud as a casualty of inexpensive foreign wine and neither am I unaware of the restive noises from the party sitting close by. But as I'm in the middle of my funny story about the Arab and the underwater toilet, I can't stop now 'cause I'm in too deep, as I'm coming to the part where I say (in my best joke telling voice), "so the Arab says to the attendant, right...
âOf course as we know five thousand pounds of pressure can suck out almost anything,â and it all goes quiet and a little girl is saying: "Daddy, what a horrible man" and Daddy replies, "don't worry darling 'cause I've just made a phone call to your crypto-fascist Uncle Roger and he'll be here quite soon, and make quite sure he doesn't upset any little girls... little girls any more"
Win a night out with a famous paranoiac
Win a night out with a well known paranoid
Win a night out with a well known paranoiac
Win a night out with a famous paranoid
Lying in your crumpled bed on Sunday morning, you said your Mum and Dad had gone away to a conference in Bath and I believed you like a fool. Now you get up, go to the window and you turn a pot plant round. I study your naked bottom with a twinge of lust but I'm not twigging that something's going down. There is a sound of the heavy boots upon the stairs and the door crashes open and in comes your Dad with some faithful retainers and some ex-Army mates from the Conservative Club. And I figure they must have been waiting all night because your Dad is clutching two reels of infra-red film and he's looking dangerously pale as he shows me the microphone under the bed, and I'm just about getting the message: all is not too groovy
As you stand there in your dressing gown laughing at me, then in comes your Mum in her nylon house coat with her hair hanging loose like a suburban Harpy and she advances towards me with an army surplus bush knife, clearly bent on wreaking havoc down below the navel and she's just about to get stuck in when I wake up... and yeah, it was all a dream
I'm really in a hospital bed. There is a smell of formaldehyde in the air, and a couple of doctors with swastikas on their arm are doing something to the brain of a sheep and in the corner is a huge zinc bath containing some sort of reptile and the nurse is saying "be a brave boy and drink it all up". And I realise I can't feel me legs and the shape in the bed isn't my shape at all and I wanna cry out but I can only bleat
Win a night out with a well known paranoiac
Win a night out with a famous paranoid
Win a night out with a well known paranoiac
Win a night out with a famous paranoid
FREAK
source: cassette
So Funk was the thing - but letâs take it and fuck it up with our English voices and anti-slick playing. Letâs actually take the funk/fun out of it. Disco hatred was the tip, kinda. I recall saying in an interview that it was like scratching up a big lairy american limousine with the nasty, rusty keys of your squat (thereâs also an unreleased Restaurant for Dogs version we recorded for Warners with Nick Launay which takes this approach to its theoretical limit: itâs pretty hard to listen to). We are, in fact, so alienated from the subject matter that I sing âjust come on down to the fifth floorâ instead of â54â - the iconic New York club, me not having heard of it (though - quirky historical note - Shriekback did actually play there in the placeâs last week - on the Sacred City tour).
Daveâs âconfused Dutch personâ on the end is a nice random element. Like heâs wandered in off another session.Â
4 Songs from Town & Country EP (Virgin 79)
Me and My Mate, Mousetrap, Bring on the Alligators, Sargasso Bar
sound source: vinyl
Ah T&C - I sort-of despise thee. No-one was taking care of my career development - especially not me - after XTC so I got stuck in a posh recording studio with the Stranglerâs producer way before I should have been. This you can hear from the âapprentice pieceâ nature of this EP. Â All influences fully on show and sellotaped together. A âbandâ which, you can tell, has only so much in common and which was kinda thrown together. Â An adolescent ferocity in the delivery not masking very well a slew of insecurities. âCalm Downâ I want to tell this snarling young herbert, ânobody thinks youâre cool anyway. Itâs fine: do an album about a fish, why dontcha?â
As it is, we get a variety pack of New Wave/Post Punk styles and lyrical tropes: Me & My Mate (the Clash obvs: stage democracy, anti-rockist groupy exploitation, DIY fanzine-esque self-expression for the working classes, Patti Smith reference).
Mousetrap
A classically-trained-but-recently-listened-to-Elvis Costello/Joe Jackson Bitter Relationship song. I like the spoken word bit that deconstructs a Well Made Play in 4 lines though (for those who donât know, The Mousetrap is the longest running show in the West End - since â52!).
The âDarlingsâ repeated hookline was a reference to my lovely Aunty Rene who worked many years in the box office of various West End theatres (the Adelphi and the Prince of Wales I think - and since you ask) and had adopted a fabulously camp way of speaking through long exposure to gay theatrical men. Her poodle Chico was âmy little Treasure Islandâ and everyone else was âDarlingâ.
Aunty Rene (2nd left) with her theatrical crew and actress Anna Neagle at the Coalhole on the Strand 1968)
MOUSETRAP
Been playing Shaftesbury Avenue
For a thousand years or maybe two - darlings
Done plenty bum gigs in my time
But everything's alright now
In the mousetrap
In the mousetrap
We fall in love most every night
We're quite ridiculously tight - darlings
And yeah I feel some kind of freak
Getting killed six times a week
In the mousetrap
In the mousetrap
It's nearly half past three
Gotta do a matinee
I don't understand this game
Why everything's the same
But as the show go on and on
And on and on
And on and on and on and on and on
And on
I know the punters mustn't see
How mundane it seems to me - darlings
But sometimes I wish I could screw
Someone else in Shaftsbury Avenue
In the mousetrap
In the mousetrap
Curtain up - exposition
Development of character
Plot - unravelling slow
Sustaining interest, gathering momentum
Till they unmask the killer
Then a twist right at the end
And it's all over till tomorrow night
In the mousetrap
In the mousetrap
Sargasso Bar
definitely the best of this bunch. Although the Small Town Observational style is a little irritating  (alright, Bazzer, youâre a Poet of the Everyday and you are so very alienated) it is here for the first time that a certain mock heroic, magical-realist aspect started to appear in my writing.  âthey raise their glasses in 2/4 time and they study the latecomers as they slither in beneath the doorâ. XTC did a version of this which failed to get onto GO2.  Not too much different I think but I recall Andy Partridgeâs objection to the line: âweâre surrounded by the Eels of Deathâ. He felt it was the sort of hippy, trippy kinda image which XTC Stood Against. I felt it was - well - mock heroic and magical realist. This conversation went nowhere, obviously, but it was instrumental in making my decision to leave the band. These people just didnât get my shitâŚ
SARGASSO BAR
Couple in the corner
Now she's crying on his shoulder
Well they're a couple of Modern Lovers
Sort of Kevin and Isolde
She's embarrassed by his footwear
He's embarrassed by her hair
But he doesn't really care
He says it's murder staying emotionally aware
He's another Lost Soul
But he's only come here to die
And get high
In the sargasso bar, the sargasso bar, the sargasso bar
In the sargasso bar, the sargasso bar, the sargasso bar
Big John in the wooly
Football training in the evening
Well he got married married married
Now he only thinks of leaving
And he's surrounded by the blubber
Watch the terylene stretching
As he makes a point about his car
When you're on miles to the gallon
You know where you are
And he's here every night, he's such a regular guy
He gets high
In the sargasso bar, the sargasso bar, the sargasso bar
In the sargasso bar, the sargasso bar, the sargasso bar
We came in from the rain
Now we're surrounded by the Eels of Death
Everyone nervous and everybody couldn't care less
We raise our glasses in 2/4 time
We study the latecomers as they slither in beneath the door
About this time of the night
There's more and more and more and more
Well, give them ten minutes then they all go home to die
Cos they're so high
In the sargasso bar, the sargasso bar, the sargasso bar
Bring on the Alligators
yeah, dunno about this one really.
Clearly Iâm really working the magic realist tip again but to what end? Itâs clearly meant to be funny, what with the Polish â1234â in the middle and the âcocktail barâ quiet section at the end and all but itâs all trying a bit hard for my liking. The awfully Lahndun working class accent I have on all these tunes is also a bit abrasive. My estuarine whine is of course part of me but it is underlining, unecessarily and stridently I feel, the âprolier than thouâ ethic which I had bought into wholesale during Punk. Let it go, dudeâŚ
2 LOTS OF DEMOS
source: cassette
Well, now we were getting somewhere..
Listening back now, 40-odd years on it really does seem to me that the year (ish) between the EP and this first set of demos represented a huge leap in my - er - self development. The life in XTC - still living with Ma & Pa or on the road within the Mothership of the band - record company, management, everything being done for you (at the expense, as it turned out, of knowing what was actually going on..hem hem). Itâs cosiness and material sufficiency came at a price I could no longer put up with. Time to go, clearly.
I remember leaving the last outpost of that world - the nice flat above the Townhouse, paid for by Virgin while we were recording the EP but now, since recording had just finished, off limits. SoâŚI could go back to Swindon - or step out into the scary metropolis, where all the safety nets have been packed away, and see what can be made to happen. Me and a girlfriend (who had signed up when I was a (sort-of) pop star - she was in for a taste of the real musicianâs girlfriendâs lot now alright) went over to my old schoolmateâs flat in the East End (he was at college in London) - it was pouring down of rain as we walked across Tower Bridge. No money for a cab - the XTC wages had long been cut off.Â
Youth seeks a Rite of Passage, does it not? This seemed to be mine. I felt noble and scared and reckless and Hungry for Experience.
So, these tunes were written after a year of London, of squatting, signing on, meeting loads of new people, getting sick, getting well, hanging round the ink well - no, actually, after a particularly avid speed binge and a dreadful mini-tour with the T&C band I developed serious chickenpox (more virulent in adulthood, it turns out). I was the Elephant Man for a while. The body was having its unignorable say about all this new input.Â
But the tunes were definitely better. More individual. Not trying so hard and, sometimes, there was a Showing Forth of something really quite juicy and new (and I donât just mean the pustules, har har).
Feeding Time                                                      I submitted this to Shriekbackâs publisher when he asked if we had anything that might do for the Eurovision Contest. He never quite looked at me the same way again, I thought (nil points pour moi).
I had been working at London Zoo (west gate and Reptile House: taking money on the door) that year and eating in various Camden/Kilburn greasy spoons. These two experiences were to produce this little gem. A Meditation on Eating. I think it needed doing.Â
Points of interest: Dave Marxâs great bassline which is really the hook and the armature. Jon Ellisâs glistening âeggâ chord. The âTaking Your Orderâ on the fade (Prawn Cocktail! The 70â˛s are strong in this one...)
I had earlier recorded this with some âoperaâ singers (from the BBC West of England Chorus - including Mrs Evenett (contralto) my old French teacher) singing the âFeeding Timeâsâ in fine bel canto stylee. Which I may release at some point.
FEEDING TIME
Putting things into my body
at Feeding Time
White wine
and little damaged bodies from the bottom of the sea inside me
still feel hungry when I reach the end
and I wonât  feel good when itâs Feeding Time again.
I watch him from the corner
at Feeding Time
sometimes he is hideous to watch
as he shovels his chops inside him
and his belly is beginning to distend
and I know heâll feel great when itâs Feeding Time again
but in the meantime
Eat - donât stop
Eat - donât stop
Eat - donât stop
Biting Viscera and gristle
at Feeding Time
listen to the lobsters whistle
crack their legs open
suck out what you find inside
The spaghetti as it glistens
at Feeding Time
like spirogyra on your wet lips
munching masticated chips in your mouth
with lots of wine
Eggs! Eggs!
Soft and warm
romantically slipping down inside
and I wish it could always be
Feeding Time
and I wish it could always be
Feeding Time
(letâs see whatâs on menu..
Iâll get an onion bhaji..
âŚprawn cocktail
âŚthree more pappadumsâŚ)
Opposite Way In The Rush Hour
You know, itâs a bit cheesy and self serving but I still dig this. Our hero is heading off to some gig (some horrible, low paid, nightclub-type gig - letâs say in Edgbaston. Or Stoke). Heâs hitching his way up there to meet the band at the soundcheck and itâs just getting dark. He looks at all the Regular Folk coming home from work: old geezers on pushbikes, factory workers - UK manufacturing has still a few years in it at this point - young girls (that might have been mating/marriage material in his former life) wait at bus stops and the cosy tea (the evening meal not the drink - important class-related point) on the tables, visible through the shortly to be curtained windows and our man gets all Springsteeny-sentimental about his self-ordained High and Lonely Destiny.
Noble chords, I think, and very clever drumming by Rich Wernham (he was bloody good, I must say - as Nick Lowe said - âyou can get away with murder if youâve got a good drummerâ). The absence of traditional last chorus repeats, instead dissolving into a babble of voices was indicative of some creative, envelope-pushing Thort, I would say. The boyâs finding his feet..
OPPOSITE WAY IN THE RUSH HOUR
Going the opposite way in the rush hour
watching the cars going past in the night.
Factory gates let out the day shift -
they escape on their bikes.
Daughters go home on the bus,
see youâre not one of us.
The sensation is sweet and itâs sour.
Going the opposite way, opposite way, in the rush hour.
Closer to being a part of the big system:
so near and far from all that you seek.
Closer to where the big heart beats
you into submission then rocks you to sleep.
Curtains still open
The news on the telly
theyâre making their tea
and I want all theyâve got but somehow..
keep on going this way: opposite way in the rush hour.
Street lamps come on now,
those front rooms look so warm now.
Old men with empty lunch bags pedal homewards
and the girls wait at bus stops as the weekend unfolds.
Once it would have felt so right
heading into the hot sticky heat of the night
âŚitâs not a question of honour
or a question at all
Just the way that we choose to live now
Going our opposite way⌠opposite way⌠opposite wayâŚ
Muscle and Movement
Painfully sincere (and unintentionally camp) credo from the Squat years. Fucking grim, mate. It was cold, self-flagellating and unecessarily unpleasant. Here is the mantra behind that lifestyle experiment âpain is knowledge and knowledge is wealth.â Jeez, give this guy a cuddle...
MUSCLE & MOVEMENT
Fed up of sitting around with my legs crossed
Pretending and smiling
and saying âyeah, cheers thenâ
avoiding the whites of their eyes.
(and another thing)
And another thing- donât try and tell me
youâre gonna get something together
when everythingâs going your way
then the limitâs the sky.
You canât always hide on the side
watching people who do things bigger than you.
You canât have a permanent stop
to the things that displease you
or give you unease.
âCos all that matters is
Muscle and Movement
flesh out all your fantasies
with
Muscle and Movement
(ainât no such thing as security, just
Muscle and Movement
Muscle and Movement
as you relax at the end of the day
thereâs another tomorrow
staring at you as it stands at the top of the stairs
time is a swine it just keeps coming at you
battering you to the floor
as you try and stand up yelling youâve had enough
save it for somebody free - donât talk to me I got no symapthy
pour out some more of that wine
everythingâll be fine
just stay drunk all the time
but remember that
Muscle and Movement
is all that makes you what you are
Muscle and Movement
standing still donât get you too far
itâs
Muscle and Movement
Muscle and Movement
itâs hard but itâs true that thereâs nothing to cling to
nothing to belong to
and nowhere is more important than where you are now
and there is no rest for the wicked, no rest for the wicked
or peace for the innocent or the donât knows
(this lines indecipherable)
cos there ainât nobody got the things they need
(same)
cos the things that you lack are what you never get back
cs the only secret weapon is
Muscle and Movement
Muscle and Movement
nothing happens by itself
Muscle and Movement
pain is knowledge and knowledge is wealth
Vampyr Skinhead & Taking Over ICI
Well, itâs here that I claim total responsibility for the Two-Tone/Ska Revival that was to occur later that year. No, honest - no-one else was doing this stuff at the time (or they were but no-one had heard of them yet). These two tunes were, moreover, direct descendants of my song âSuper Tuffâ from the XTC album (btw, that title came from the strapline of a Bruce Lee movie âBruce Lee - Super Tough - but also Tender,â so I was also anticipating Tarantino and all that kitsch martial arts movie stuff from the 90âs - could I be any more prescient?)
Actually, exciting self delusion aside, I claim only to have had my finger on an historical pulse which had been throbbing away since the 70âs and which obviously many others had also been party to. As I say somewhere else âitâs ok to have a great idea but you have to get off your chuff if youâre going to start a cultural movementâ. I wasnât dedicated enough, clearly, but I was quietly and briefly, a canary in that particular coalmine.
The idea of reggae as this parallel exotic, possibly dangerous sub-track to Pop/Rock had been around for quite a while and kept bubbling up out of the Zeitgeisty swamp to varying amounts of mainstream attention.
Bob Marley (pretty much just him) had Broken Through to become the reggae artist that unitiated white people liked and played at parties to show Cool. U Roy, Big Youth, Scratch et al remained the province of hip white people (as we liked to think of ourselves).
But, under the audacious banner of âFuck Art, Letâs Danceâ the Ska revival, the Two Tone label, Madness etc were to mine the accelerated beats, fruity grooves and edgy vibes of Jamaica (along the lines of Desmond Dekker and Toots and the Maytals) to international chart success. Of which more in a minute..
Since Punk there had been this strange symbiosis (which is easy to forget, itâs so non-intuitive) of reggae with Punk which had continued, unabated since the days of the Roxy Club. Â This, eventually, had permeated the wider scene. Â So, when XTC would play, in 78, gigs in Birmingham or Leeds, the disco would always be alternating, say, the Drones, Chelsea or the Pistols with Althia and Donna, Steel Pulse or Culture. It was a tacit admission, I would say, that the Punk formula was a limited one and, while its brutal austerity had been bracing (and a welcome antididote to Old Fart music), people still needed melody and sensuality and Actual Dancing.
But, there had been, in my late schooldays (early to late 70âs) an earlier, more schismatic appearance of Reggae (in its proto form of Ska) which I had observed firsthand in my Comprehensive provincial schooldays with all its codes and brutalities (kinda charming and nostalgic now; fairly scary and intense at the time).
There was a  2 tribes battle going on at my school and in the UK generally: the Skinheads and the Greboes/Hairies (vestigial, usually non-ideological Hippies, really, sometimes with a component of Biker).
It was a pretty one-sided battle: the Skins were an embodiment of working class, unsmiling rage and violence (âAggroâ and âBovverâ were their coinages (graffitti in my town read: âS.T.A.B (= Swindon Town Aggro Boys) Kick to Killâ). It was a culture of fighting and machismo which picked on pretty much anyone (it became a white racist movement eventually of course: âPaki Bashingâ being one defining activity but, as is documented in âThis Is Englandâ TV series, the Skins didnât start out that way: look at all that ska and blubeat. Also, in Swindon in the 70âs there wasnât much opportunity to get the olâ racism going - there wasnât a single black or Asian kid in my year at school; only one or two in the entire school - so the Hairies/Greebs would have to do as a Victim Class, I guess.Â
The mostly docile, pacifist, great-coat/tie-die-wearing, patchouli-smelling, Topographic Oceans-carrying quasi-hippy was always good for a bit of a kicking (though I suspect, the lack of physical challenge made them a bit uninspiring - football hooliganism probably gave the Skins more of a work-out).  At any rate, the hirsute, messy look and, (NB!) the usually university-bound, middle class nature of the Hairies was a walking provocation to the neatly groomed, fashion-conscious, mostly working class (went to work instead of Sixth Form: fuck school and Uni, letâs make some short-term money - therefore doomed for life to the factory or site) Skinheads.
This schism was enacted in the music, as it often is: the long-winded, effete,  sexually inert tropes of Prog, the self-indulgent, solo-wanking, adolescent-boy mirror-gazing of hard rock versus the clipped, disciplined, concise sexy beats of Ska and pop reggae (showcased particularly in the âTighten Upâ series of compilations). It really was chalk and cheese.
There was, btw, a whole genre of dirty ska songs, epitomised by Prince Busterâs Big Five single (âfunky spunky man in Big Five, screaming steaming night in Big FiveâŚthere will be water all over the bedâŚwater all over her head..â (!)Â
One night after a Manfred Mannâs Earthband show at Swindon College (deep Hairy territory, obviously) when the crowd were reluctant to go home, the promoter stuck a Ska tune on the PA which cleared the room like tear gas. Hard to imagine now. Like I say, Tribal.
So, when I started writing songs (Pop Songs! For Bands!) I felt I had struck a fruitful vein in observing the horrified yet strangely fascinated viewpoint of the oppressed Other (Hairy/Greeb/insert Ethnic Group) as he is subdued and brutalised by his natural predator, the Skinhead.Â
Form following subject matter, this would, of course, be couched in a mutated form of reggae which, though, as a fledgling Hairy (with already insufficient hair, aIas!) I was forbidden to like - I must say it did exert a fascination. It was so alien. Alien is interesting.
Thus, in Vampyr Skinhead we have, again, a randomly predatory hardnut - this time heâs going door to door terrorising people (âno compunction as he hammers down your door - or elects to clamber in the window - he is swift and he is sure..â). The image really did come to me in a dream: this ferocious little fucker doing his rounds of the estate, like a Clockwork Orange version of the Man from the Pru. Definitely a Viz magazine character there, I reckon...
The sound of a Ska beat still had, for me, the menace it did when the Skins at school danced their clipped, butch, slightly-ridiculous-but-I-fucking-dare-you-to-laugh, scary little dance to it.
Non Cultural Studies note: the riff is played on a WASP synth - I guess the 1st affordable synthesiser. Fairly horrible but it had one good sound so hey... No actual keyboard - a flat plate which was murder to play and âexplainsâ the really obvious cock-up on the intro which we didnât have time to repair. It wasnât mine btw (the WASP not the cock up).
VAMPYR SKINHEAD
Vampyr Skinhead knock at your door
Donât sell brushes or Brittanica no more
He no check for pushing leaflets through the door
or collecting money for the football
he lives outside the law.
Heâs just out on the street
with his boots on his feet
and I would give a lot to know what heâs got
Vampyr Skinhead..
Vampyr Skinhead
Vampyr Skinhead
strikes again
Vampyr Skinhead feel no pain
gonna do it again and again and again
Vampyr Skinhead come down your way
and heâs not from anywhere silly in the USA.
Not religion that heâs peddling door to door
heâs not looking for the meter
(he wouldnât know what itâs for).
Heâs just out on the street
with his boots on his feet
and your little sisterâs crying
but heâs not.
Vampyr Skinhead
Vampyr Skinhead
Vampyr Skinhead
Somebodyâs gonna get uptight, gonna get hot and theyâre gonna make mincemeat of him
someday...
Somebody like Peter Cushing gonna wreck the curtains while heâs sleeping
then theyâll be nothing left but a pair of Martenâs and a pile of dustâŚ
Vampyr Skinhead
come down your street
heâs a monster
and heâs got sharp litle teeth.
No compunction
as he hammers down your door
Or elects to clamber in the window -
he is swift and he is sure.
Out
and I would give a lot to know what heâs got
Vampyr SkinheadâŚ.
Vampyr SkinheadâŚ.
Vampyr SkinheadâŚâŚ
V.S.âs Nemesis...
Taking Over ICI
was an attempt at a pure pop reggae tune - with a socialist/punky spin. Lovely playing by Rob (gtr) and Marion Fudger (ex wife of Dave Fudger, charming chap who used to write for Sounds and now worked for Virgin Publishing - he got me the gig with Iggy Pop). Rich Wernham (also of the Motors). Cracking organ solo dontcha think? I had chops in those days - before Quantise fucked me up.
TAKING OVER ICI
Alone I just didnât dare
make my move to trash organised laissez-faire
but since you nibbled my ear
Cadbury-Schweppes and Lever Brothers quiver in fear.
All the multiples are whining.
All the big nobs are resigning.
Since I found out you loved me, Iâm taking over ICI
Taking over ICI
Alone I couldnât handle myself
let alone the redistribution of wealth.
But, since I found out you care,
I could trash the System single-handed I swear.
Canât handle all their wheeler-dealing -
prefer to hear rich people squealingâŚ
Since I found out you loved me, Iâm taking over ICI
Taking over ICIâŚ
Taking over ICI..
Big Soft Safe Family
Rather as âParanoiacâ was: a one-off, never to be repeated thing.
Deeply and nakedly autobiographical. Musically quite original, I venture. Shmershy chords the like of which I hadnât used before and a confidently slow groove.
Vignettes of my respectable working class, late 60â˛s, Mike Leigh previous life suffused with the cheap cynicism of a young sprat who didnât realise how lucky he was. Theyâre all gone now.. and - spoiler - I actually never had an aunt from Torquay (but she rhymed).
BIG SOFT SAFE FAMILY
The relatives are all on their fifth cup of tea.
Their rapid eye movements are something to see -
all lying to each other and smiling
alternately.
Your mum and your dad and your aunt from Torquay
they are none of the same as they once used to be
but theyâre all of them, gloriously
in the Big Soft Safe Family
We all of us have a particular smell
I know theirâs and they know mine
habitually well.
They worry about me and I worry about them
Iâm surprised you canât tell.
We use the same toilet and eat the same food
and we savage each other when weâre not feeling so good
but blood is thicker than water and
ultimately
weâre a Big Soft Safe Family
Weâre slowly aquiring the things  that we need
theyâre very pleased with our progress indeed.
They were saying we looked very happy
and of course we agreed.
Respect due to father and love due to mum
and the daughter is lovely and so is the son.
Illusions die
obstinately
in the Big Soft Safe Family
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