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a really defining moment of aang and sokka’s relationship is that sokka literally lets himself get beat up for aang’s amusement and entertainment like a day into knowing him. like he is literally letting aang drop him onto the ground from a not insignificant height over and over again just to see aang smile and laugh. he is putting his own safety and physical wellbeing at risk because it makes aang happy. and there’s a lot we could get into here about how sokka fundamentally views himself and his body as a vessel through which to provide services to others instead of a whole human being in his own right, but what matters for the purposes of this post is that it’s very immediately established that sokka will do anything to see aang enjoy himself, to the point that he will quite literally put up with physical abuse without complaint to make aang happy. so when people are like “it’s crazy how sokka is so smart and yet loses all his braincells whenever he’s around aang,” it’s like yeah, teenage boy adhd2adhd communication will do that, but also a large part of it is sokka contorting himself into an image that he thinks aang will appreciate, because he knows just how valuable preserving aang’s childhood joy and laughter is.

and what’s beautiful is that through actively becoming this person for aang’s benefit, he also actually starts to internalize the sentiment. through the process of letting himself be silly and goofy for the sake of making aang happy, he also absorbs some of that sillygoofy happiness and regains some of his own childhood joy and laughter and sense of wonder he truly thought he had lost forever. he’s not just helping aang retain his childhood, but aang is also helping sokka regain his sense of humanity. the sokka of book 3 is someone who enjoys “wacky, time wasting nonsense” and throws beach parties, a far cry from the sokka of book 1 who thought fun and joy were luxuries no one could afford. his selfless love for aang is also self-affirming, helps him to embrace aang’s point of view, to love himself slightly more than he otherwise would have. because to love aang is to necessarily let kindness into your life; it’s to learn how to be free.

Taking the current topic as an excuse to ask you to tell me all the reasons you love Rarijack. Your art for the ship is so sweet and intimate I'd love to hear any in depth thoughts you have.

Breathes in.

I think what makes their dynamic really strong is that they have opposing personalities but aligned values. It's deeper than just "opposites attract." Rarity's fancy, prissy, and femme while Applejack's modest, rough, and "masculine." But both value hard work (to the point of being workaholics), their families (both have guardianship over their little sisters), running successful businesses, and eventually each other. Their relationship can be boiled down to, "Despite our differences/disagreements, I still like you because we value the same things."

We see their relationship develop so much. In the first season, they can't stop bickering about surface-level differences. By season four, they still bicker, but will mend their relationship because they can't help but do nice things for each other. In Trade Ya, they start off arguing over personality differences (Applejack likes old junk and Rarity likes useless crap). Then they pivot and start arguing that they value their relationship more than the other. In the end, they mend things by sacrificing their needs and buying each other a gift. Even if they don't understand it, they know it'd make the other happy. And that's all that really matters. It's a genuinely sweet moment that shows how arguing can be healthy and necessary for relationships to strengthen.

We even see them dropping their hang-ups about each others' personalities. In Made in Manehattan, when Rarity runs off in dramatics about someone's fashion, AJ doesn't roll her eyes or scoff, she smiles. Oftentimes, their conflicts are very common domestic conflicts romantic couples face. Applejack's Day Off is about a woman's inability to balance work and life and find time to properly spend with her partner, causing her partner to feel neglected.

By season seven, they're actively participating in each others' interests. Any problems or conflicts that arise are dealt with, and they come out the other end stronger and closer. In Honest Apple, AJ pretty much spells out why their relationship works so well: even though she doesn't understand fashion, she can recognize and appreciate how much work it takes and wants to respect that. When she realizes her mistake in the episode, AJ goes above and beyond to fix things and apologize to Rarity. They care about each other so much.

The two go out of their way, sacrificing their personal desires and beliefs and doing things they normally wouldn't, to make the other happy. That's just love.

There's Simple Ways, where AJ gets stuck in an unwanted love triangle between Rarity and her hipster crush. And her frustration and anger can be so easily interpreted as AJ finding herself in a terrible position; the girl she loves wants another man, and that man wants her.

I dunno. I've always had a preference for opposites attract ships, but Rarijack's stuck with me like a brain worm because they have the perfect chemistry. The way they show they care, or do things for each other, I've always read it as the truest representation of romance in the show.

i was thinking about your dirk and hal poll and i want to mention that i think your concept for ink and iron where dirk creates hal from his reflection by enchanting a mirror is so cool 😌

thank you! hal's predicament and purpose within the canon narrative is so fascinating and i felt it was really important to find a way to explore what i find most interesting with him. i can't take full credit for the concept though i took inspiration from a few placees (one of my friends pitched the idea of the mirror accidentally dumping him onto jake's doorstop for example) but overall i think the idea is very fun and i'm really excited to write more hal stuff!!! also i'm going to take the opportunity to share this oldish doodle i found:

the mispelling of angel as angle was NOT intentional (<- dyslexia haver) but it probably explains a lot. he's pointy

MIZU x AKEMI x TAKAYOSHI

I except nothing less. Taigen is allowed IF AND ONLY IF he mans the fuck up, doesn’t get butthurt over Mizu and grows.

Akemi and Mizu, if they get a man, need a real man, not a man child clinging to falsities his daddy and master told him. He’s obnoxious. He’s a good, loyal but annoying friend at best as it stands. They’re not compatible romantically/sexually (if memory serves, the flashbacks of nonexistent dick Mikio overlapped w her time w Taigen/some scenes that could be read as romantic, a man who caused her great hurt who made it so she’ll likely need a LOT to be able to be vulnerable w a man ever again), neither is he with Akemi anymore. I’m hoping the overlap was just there to show her starting to think about it or as a weird red herring for his bi/gay awakening. He could get someone else in S2, who knows. As S1 is, they don’t deserve each other. The throuple. Mizu and Akemi as a pair with some more development, but not w him.

Takayoshi, however, has shown that he can be understanding and he should be a trained swordsman. He didn’t seem to mind allowing Akemi to lead and there’s a big hint that she’ll be the “pants wearer” of the relationship going forward. I think Akemi’s moved on from Taigen, maybe not realizing it but has, and Taka also has a pretty significant “fault” being his stutter.

I just see more potential with Taka not Tai.

Having throuple representation would be incredible regardless!

But bringing in a new character for it could also really work. Like a gentle lady Mizu finds in England—oh, that’s an idea…👀👀 no I have enough fanfic wips damnit. She could free someone from a work house or mine!

enough — batman secret files (2018) #1

(ID below cut!)

[ID: A short story titled Enough. It centers around Bruce Wayne being alone at a little cabin out in the middle of some woods on top of a snow-capped mountain. Bruce internally narrates throughout the entire story. The barren cabin is lonesome amongst the pristine, white snow as Bruce enters the cold, muted building. Inside there's several books, oil lamps, a stone fireplace, and candles on basic, open faced wooden furniture – indicating that the house has no electricity. The cabin is one story and has an open floorplan with a single upstairs bedroom, which has only a ladder leading up to the small loft. There's a chest underneath a window and Bruce sits on the old, yellow couch in front of the blazing fireplace.

He thinks to himself, ‘There're rumors that somewhere, in Gotham's most beautiful, snow-topped mountains, a monster is running around. I have a suspicion Man-Bat is behind the strange activity. Mountain climbers losing their camps, ski resorts with missing guests, a strange beast being seen in the dark... Something covered in hair, something remarkably large.’ He takes his parka off and sets down his large duffle bag to slowly unpack it — revealing a thermos and a bow with several large, pointed arrowheads. He pulls out his Batman gear — which includes an insulated suit that's lined with fur, his belt, and a protective face mask that reflects his eyes in the red-tinted visor. He forlornly admits, ‘I can handle large, but what I can't handle… Is how damn lonely it is up here. Alfred says I could use some alone time. Truth is, I'm not such a fan of myself.’

Outside in his costume and cape, Bruce is tracking through the icy woods and the thick, rising snow. He's armed with his bow and arrows as he narrates, ‘To avoid detection by what I assume is probably Man-Bat, I'll try to capture him using only my hunting skills. I admit I'm a little rusty. The arrows I've brought are lethal to some, but they're just enough to incapacitate a beast of his size. It should be enough.. I hope it's enough.’ But the snowstorm rages on, forcing Bruce back inside the cabin since he believes it's not worth the risk of freezing to death if he stays out. He now lays in the upstairs loft's bed. The oil lamps on the wooden bedstand is unlit, causing the bright snow through the window to be the only thing that casts any light in the dark room. It reveals a framed photo of a picturesque landscape hanging over Bruce's head on the wall. In it, there's a peaceful lake and tall, luxuriant green trees.

Bruce solemnly stares up at the ceiling and thinks, ‘I find myself focusing closely on all the sounds of the forest, trying to learn the rhythm.’ The snow whirls on… A branch cracks… The cabin itself creaks and groans — causing Bruce to sit upright with a jolt! He squints out the window in an futile attempt to actually see something out there. He cerebrates, ‘Three nights and only the sounds of falling snow and branches. I've tracked nothing larger than a doe, there's been no news of an attack or sighting, maybe he's left the mountains… or maybe he's just hiding.’ Bruce lays back down, this time with his back to the window. He keeps an eye open — waiting and nearly hoping for any sign of life other than his own in the desolate, icy land.

We're shown Bruce outside again as he fights against the harsh wind to get back inside the cabin after another unsuccessful search for Man-Bat. He rubs his face tiredly while hunched over a small oil lamp as the stovetop coffee brews. He reflects, ‘Six nights alone, darkness lasts longer than the day and again the storm pushes me back indoors. This is beginning to feel useless. I'm really quite over myself. Maybe I'll call Alfred and ask him to—’ But his self-deprecation is cut short by a sudden thump! Then another loud crack! Again and again, coming closer and closer to him!

Bruce sets down the coffee as his mind rapid fires the possibilities of the quickly approaching, potentially dangerous loud noises! ‘Is it the branches in the wind? Or is it something else? Am I paranoid? I can't visualize what I'm hearing. There's no time to think about the cold now, I'm all alone up here. That sounds remarkably large.’ Bruce arms himself with his bow and arrow and hesitates outside the door as his paranoia continues, ‘I hope this is enough. A hunter knows its prey, but I'm realizing I have no idea what's on the other side of this door. Does it understand I'm on the other side? I am alone out here. No time to think.’ He flings the door open!

Geared in only his suit with no gloves or headgear, Bruce aims his bow blindly as he stands outside in the merciless elements. He tensely waits in the dark, thinking to the unseen threat, ‘I don't see you, but can you see me?’ There's another loud thump and crack. With one last hope that it's enough to tranquilize the potential attacker, Bruce fires the weapon.

The sharp arrow proves itself to be lethal as it pierces his unfortunate target. The threat — merely a lonesome, defenseless deer — falls dead in front of the horrified man. Bruce rushes forth and remorsefully buries the animal with the snow. He walks back to the cabin with the repeated, dejected confession: ‘Truth is, I'm not such a fan of myself.’

END ID]

something about the way guilt is portrayed in beyond evil. guilt as a state, guilt as a place you're condemned to. 'i will go to hell' 'life is hell' 'you shouldn't even set foot in that hell' but it's not really the hell we think of, not in the traditional sense. hell is where you're supposed to be sent to suffer and repent forever but all of them go there willingly. (that's why han kihwan will never end up there as juwon wants because he feels no remorse over his actions) they choose to stay and let it scorch the life out of them until all that's left is someone hollow and brittle, real person buried beneath the surface in a grave they themselves dug. in that way it's not lee changjin or the water that killed nam sangbae. it's guilt. that's what doomed him in the end. that hell of his own making he never managed to escape. and as he drowned, he probably thought he deserved that too. jeongje's still there until the end but so much of him died long ago. he's a ghost haunting himself. he tells juwon 'if you don't get out quickly, every breath, every moment of your life becomes a nightmare' if you stay that hell alone long enough, that's what happens. at a certain point you can't wake up anymore. you forget how to leave

When did the latest 1,000 of you follow me??? good lord hi and welcome, I should maybe pay attention to my notifications and activity page more 😭

I don't need Eggman to lie about his intentions and promise to give loads of good things in his rule because the reality of it is the appeal to me. Giving up my life and freedom, having no sense of purpose and worth outside of what I can do for Eggman, letting a smarter, stronger, more powerful and superior man own, use me, and order me around as he pleases as I'm a mindless slave blinded by a deep love and pure devotion born of genuine passion and enthusiasm

Being stripped of free will, losing sense of identity and purpose to become being a mindless slave unable to eat, sleep, or think ever again as he put it, existing solely to serve him and his important superior needs, my life defined by him, is a dream lifestyle. So the "love mandatory" part will more than apply perfectly and he'll find it's unconditional no matter how he decides to test how far it can go. if he wants to mind control me to assure it stays that way, he's welcome!

I'd like to see him take such pride in having all power and control and seeing me on my knees for him while he lounges on his throne, laughs at how pathetic I am with how eager and enthusiastic I am to serve, and says I was clearly made for this and belong beneath him. And I'd be so lucky to be in his possession and presence so I better make it worth it and show my utmost respect, gratitude, and loyalty by following all of his commands if I want to stay there. And that I will 🥰

It's hot but also comforting, the idea of just giving the reigns to someone else and having them decide because he knows better than me. It's not about what I can get, it's about what I can give because through that it can give me a sense of purpose, one that's just to fulfill his own selfish needs of course but that's more than fine by me lol 💜

Thinking about the fact that aside from the obvious (having your limbs torn off is not a nice feeling), Grafting a foreign body part onto yourself may also very well be EXTREMELY painful, and that Godrick probably suffers alot but still does it anyway because going through magic surgery without painkillers feels better than his reoccurring episodes of crippling self loathing.

been thinking about the endings of harue's route and i just think so what if she was being selfish? being in a loveless marriage it makes sense she would give anything just to have her son back. what id give for a mother who would burn away anything, as long as at the end of the day I was back in her arms

the lxl situations radio sure was. ✨a thing✨

do you believe Bruce is emotionally abusive? ik fans prioritise physical abuse and ultimately ignore emotional abuse tactics like parentification etc because it’s not “that bad”. I don’t believe Dick ever resents Bruce for letting him be robin (he’s grateful for it) , but in ntt he mostly resents him for being emotionally closed off, and rejecting him as a partner. Bruce worries for his kids safety so he pushes the whole “if you’re not perfect you’re dead” mentality onto Dick which ultimately is harmful to him. He’ll never regret being a hero but the rift between the two isn’t just a “we want different things” scenario but more that they’re incapable of giving the other what they want.

bruce being emotionally closed off from dick is what’s revisionist about that version of canon though. i think bruce can be bad at communicating sometimes esp when he’s deeply pained (like in knightfall, for example) but for the most part he and dick are shown to have great communication for decades before new teen titans and the adjacent post crisis starlin canon starts to rewrite that dynamic into something else entirely. per that version of canon i do believe he’s emotionally abusive but it’s not a version of canon i particularly appreciate bc it requires overriding the dynamic they had previously where they could certainly be prone to disagree at times but bruce was nonetheless willing to have an open and understanding conversation with dick about whatever the disagreement was. even the whole idea that bruce is responsible for dick believing that he has to be perfect or he has to be dead is one that new teen titans cements (or that issue of batman where bruce makes dick quit and jason is introduced thereafter)

i get that it’s easy to take new teen titans as gospel bc it is in essence the textbook source for dick but i think there should be some awareness too of how it twists that relationship between them and not necessarily for the better. i’m not opposed to bruce having faults he has to answer for. i absolutely agree he’s not cognizant enough of the complexes dick develops as a result of wanting to be seen as an equal, and thereby can’t realize the effect it has on dick for him to still be protective and fearful even if it’s ultimately out of goodwill and love. and there’s also the fact that even if he gives dick the space he desires to lead his own life it doesn’t mean he should be hesitant to reach out bc he’s afraid he’ll overstep by doing so, as a parent he should reaffirm his love for dick regularly regardless of knowing he might get some pushback bc dick is growing into his own (again, knightfall is a really superb example of this). but i also think those are tensions you can wholeheartedly explore without rendering bruce into a controlling and abusive figure, and i’m not sure who it benefits to write bruce as such in the long run

some of dick’s problems have to be his own, and he’ll never escape bruce’s shadow if the only source point of issues in his life is his relationship with bruce. that’s something i would actually apply to the robins at large. hardly any of them are allowed to explore problems entirely unique to themselves and i think that’s in large part bc writers simultaneously portray a mildly to explicitly abusive bruce at their leisure while refusing to ever actually address the elephant in the room that is literally of their own creation. a lot of people believe the bruce shouldn’t be an abuser argument is framed entirely as a resistance to bruce’s character assassination and for me i can admit that’s part of it, but a more pertinent part of it should also be the fact that bruce being written as an abuser is what truly chains his children to him forever to the point that they can never grow beyond that abuse bc writers refuse to allow them to. imagine the problems the robins could be addressing individually in their lives if not everything came down to them being fucked up bc that’s the way bruce raised them or failed to thereby. there’s a lot about the robins as individuals that’s deeply interesting and i think it’s not just a disservice to bruce but to them as well to write the relationships this way bc it obscures their own agency and ability to be explored for more than a haunted legacy narrative

my MSF lesbians <3

ADDITION

i love wins the big game soooo much i don’t care. i don’t even care about sports. i just like community and hope and faith. it’s a cute episode !

Posts about LOST making me revisit my thoughts / headcanons about what happens with Ben and Hurley on the now-peaceful island.

I love the idea of the dynamic between Ben knowing everything about how the island works, but not much about popular culture or actually having a life outside of following orders and doing things for the sake of the island. And Hurley wanting Ben to loosen up and also deal with some of that trauma that he’s got going on, but also being very ‘???’ about how the island works.

And Hurley has an uphill battle because the remaining people on the island:

Don’t know who he is just emerging from the forest and proclaiming him to be the new protector

Ben is here and has a history of being the Cause Of Problems and now he’s claiming to be good now and this new guy is vouching for him but how can we trust him when he’s a known liar

So trying to get Ben used to living a more settled and less traumatic life is challenging because the guy has been essentially running on fumes for years and now his conscience and trauma is catching up with him and isolating himself doing paperwork isn’t going to help that.

Headcanons for Ben & Hurley’s Adventures On The Island™️

Ben is sometimes very exasperated at Hurley continuously questioning stuff that he understood (or learned not to question) when he was barely a teenager. But also Hurley keeps trying to get Ben to sit down and eat some goddamn popcorn because what do you mean you haven’t watched [movie]?!

Ben has to to unlearn lying automatically as a form of putting up walls. Hurley becomes very adept at telling when Ben is lying (he doesn’t know if that’s part of being the Protector or if his friendship with Ben has granted him that).

Hurley introduces Ben to ‘his culture’ (ie movies and video games. He uses his powers as Protector to ransack an out-of-business Blockbusters at least once) - while also reading books Ben recommends even though he’s not much of a book guy but he wants to meet him halfway.

Both of them help each other process their grief, trauma, and PTSD from [gestures to the entirety of LOST]. Including flashbacks, nightmares and panic attacks. Both of them are good listeners, it’s getting the other to talk about their problems that’s the struggle (Hurley rambles about other things to change the subject while Ben will just keep working until he drops)

Following from that, Hurley keeps getting imposter syndrome and thinking he’s not good enough to be the Protector. And he doesn’t understand why Ben trusts him (Ben also has this exact fear too but hides it far better)

Ben is still unused to hugs, which is an issue as Hurley is a big hugger. He has picked ben up in a bear hug and spun him around at least once.

Basically Hurley has adopted the human equivalent of a rescued attack dog as his emotional support animal.