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#frustration tears
coralsaville · 1 year
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Frustration Tears ★ Ace Attorney Animatic [Franziska von Karma]
Continuation of the airport scene at the end of Justice for All!  👏 LET👏 FRANZIE👏 CRY!
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asterkurayami · 9 months
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youtube
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elliottexists · 8 months
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i need crowley to call aziraphale archangel. i need him to say "im sorry your supreme highness am i not good enough for you?" sarcastically. i need him to mockingly bow to him. i need him to torment aziraphale with this so damn much.
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tenvishund · 3 months
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F I S S I O N - Why the hell do you hurt yourself for this?
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gay-jesus-probably · 11 months
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Let me just preface this by saying everyone is allowed to have their own opinions, TOTK is a really fun game, and I'm glad that other people have been able to enjoy the story as well.
...But I'm being dead serious with my complaints about the narrative being 100% imperialist propaganda. And I'm getting really tired of people replying to those posts by saying it can't be imperialist propaganda, because imperialism is bad and the game says that Hyrule is the good guys.
Like, guys. That's not the argument you think it is. Yes, I am aware that the game tells us Ganondorf is a flat, one dimensional character with no ambitions, interests or motivations beyond destroying the entire world for the hell of it, and also it's totally not racist because he's green, not brown like literally every other member of his race. Unfortunately literally all of these things are kind of the entire goddamn problem.
See, the thing is, everyone trying to make these arguments is accepting the game at face value. Hyrule is the perfect and almighty nation chosen by the demigod Zonai, and whose royal family has the right to rule due to their divine heritage. The other races exist to serve the glory of Hyrule, and they're happy to do it. Ganondorf is pure evil and must be stopped at any costs.
But that's not how anything works. The story informing me that Hyrule is the ultimate good that has done nothing wrong is the whole goddamn reason why I don't trust Hyrule at all. There's always more of a reason than that. And the game fucking suggests there was more going on! Ganondorf mentions Rauru has repeatedly 'invited' the Gerudo to become Rauru's subjects, and let's be clear here, it doesn't matter how peaceful those 'invitations' were, when the guy who owns every single magical nuclear missile in the world repeatedly demands you surrender to him, there's always going to be an implied threat of 'do it or get magically nuked'. Just that power difference alone shows us exactly why Ganon would feel threatened enough to invade. It's because Rauru was holding a gun to his head, and Ganon was expected to just trust that he'd never pull the trigger.
And yes, even if it wasn't intentional Hyrule was always threatening to wipe out the other nations, considering the entire royal family walked around openly wearing their magical nukes as cute accessories. If they couldn't be safely hidden away, there wouldn't be four other secret stones sitting untouched in a vault until the last second.
But that's never acknowledged. Of course Hyrule is the only nation with the right to the secret stones; even if other races get to touch them, they can only have them if they swear eternal blind loyalty and servitude to the glory of King Rauru and Princess Zelda. Ganon wanting to have one magical nuclear bomb out of a stockpile of eight of them is proof that he's dangerous and evil. I mean my god, what if he just walked around all day wearing a magical nuke and using its power for his own benefit, that would be terrifying. It's only okay when Hylian royalty does it.
And you can't argue that Ganon betrayed his own people, considering we don't get to know fucking anything about his relationship with his people. He's shows as the leader of the Gerudo, we're told he's a hero to his people, he has soldiers that loyally follow him into battle... and then oh nevermind, they all hate him and will spend eternity trying to atone for sharing a race with him. How did the entire race do a complete 180 in the span of at most a few months? Who cares, what's important is that now they accept they exist to serve Hyrule so they get to be the good guys now and we don't need to know why they were following Ganondorf, or why they stopped following him.
Basically my point is that yeah, I fucking know how the game insists everything went down. That's the entire reason I think it's imperialist propaganda, because the entire story feels like Hylian propaganda to conceal and justify some horrific atrocities that caused all of this. I literally do not believe that I'm getting the story through reliable narrators, especially considering that the only people allowed to actually tell me the story are all the characters that have the most reasons to be heavily biased in favour of Hyrule.
When the game shows me protagonists that have a massive amount of power and control over the entire world, then says the bad guy doesn't like that system just because he's evil, and literally nothing and nobody in the game says anything to oppose that take, I have some questions about what the fuck the story isn't telling me. And I'd really appreciate it if people would stop trying to argue with me just by telling me to stop asking those questions.
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goldencorecrunches · 1 year
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on the one hand i know the lans probably tried to keep lan sizhui sequestered away from the rest of the world for several years bc of wen yuan reasons on the other hand I think it would be very funny if lan wangji tried to teach him to hate jiang cheng, specifically, for petty reasons, and wee lan sizhui just. refused
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homoeroticgrappling · 2 months
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Danhausen tweeted this after his GCW match and I couldn't help but think about his tweet when he started looking for bookings
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poorly-drawn-mdzs · 11 months
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Jellyfish Prince 💙
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kyurochurro · 10 months
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exploring the woods with some little buddies!!🌿
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pocketseizure · 2 months
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It might seem silly to think about Tears of the Kingdom in terms of propaganda and the state-building myths that justify imperialism. This is a romantic fantasy game for young adults, after all.
But really, if the point of Tears of the Kingdom is to watch Link and Zelda embrace as they fall from the sky, what need is there for Ganondorf? The story of Link and Zelda reaching out to each other across time and space doesn't require that sort of antagonist.
In fact, I'd say that setting up Ganondorf as the big bad detracts from the creation of meaningful development in the main characters and the world they inhabit. How much do we really know about Rauru and Sonia and Mineru? How much do we know about the Zonai and the rise and fall of their civilization? How much do we know about the people and culture of the ancient era of Hyrule?
Without Ganondorf, Tears of the Kingdom could have still had an uplifting and empowering story about young people growing up and embracing innovation while accepting the positions of responsibility offered to them by an earlier generation. Given that many continuity questions from Breath of the Wild remain unaddressed (presumably because of Zelda's time travel), Ganondorf's presence doesn't add much of anything to the worldbuilding or core story of Tears of the Kingdom.
If Ganondorf doesn't carry any narrative weight save for the impediment he creates on the way to Link and Zelda reuniting with each other, why is it necessary to include him at all? Why does the Kingdom of Hyrule, both in the ancient and present eras, need an "evil outsider" to oppose in order to establish its legitimacy? If this is primarily a story about young love and cool dragons, why is the concept of "kingdom" so important that it's right in the title?
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coffinmotif · 6 months
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various attempts at kim dokja :]
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ruthlesslistener · 1 year
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probs part of the funniest thing my mom learned from the SD zoo animal care program she took for her ecology degree is that a.) enrichment items don't need to necessarily mimic items from their natural habitat, they just need to elicit natural behaviors, and b.) those behaviors don't necessarily need to be based on positive emotions. Sometimes the best thing to do is to give a captive animal something that will frustrate the hell out of them to get that brain working. Subject those beasts to situations
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firelise · 7 months
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Only Friends (2023) SandRay Shirt Grabs Ep 1 // Ep 9
bonus:
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multicolour-ink · 3 months
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You know Mario is going to feel immense guilt for nearly losing Luigi to the Darklands and it will carry into the second movie to which Luigi might get annoyed and there will be an argument.
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nyoomfruits · 29 days
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lestappen sequel to where i am going where charles branches outside of yoga teaching and starts an ice cream shop with the sole purpose of asking max for advice on Running A Business
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“Solas?“
“Yes, Vhenan."
“What are you drawing?“
He still has his eyes on the piece of parchment in front of him, but slows down the repetetive movements of his hand tracing the shapes on paper, as if that might offer him more time to find his answer. "Oh, just some practice. It helps me sort my thoughts," he says with the casual air of somebody trying to evade a question.
“Can I see, then?“
He glances up briefly and notices she has stopped reading her book on the early history of Neromanian magic. She has one elbow propped up on the table and rests her chin on her hand. She is looking at him expectantly, her book clearly forgotten.
He pauses the scratchy movements of his pencil and says rather hesitantly.
"It's not finished."
She leans forward a bit more, trying to catch a glimpse at his paper. He subtly angles it away from her. She might have barely noticed, had she not noted his newfound secrecy regarding his recent drawings. She has become increasingly curious over the past few weeks, and his forced casual demeanor after her question only fills her with more anticipation.
It makes her think of the first time he showed her his artwork. …
The first time she had walked into the rotunda in Skyhold and found Solas high up on the scaffolding with a paint brush in his hands and a concentrated look on his face, she was surprised to learn of his motivation.
"History needs to be documented," he had said when she asked him what he was working on.
After climbing down the scaffolding and taking a step back to admire the process of his work, he continued, "Not by the words of diplomats, but through the eyes of those skilled in artistry. Words will be forgotten, but images? Those will hold significance across time."
She had been moved then. By the bold lines in the fresco and the fierce look in his eyes as he regarded her as he spoke. Like she was someone worthy of admiration. Like he truly saw her. It reminded her of his words before their first kiss.
'You change everything.' He had said.
She didn't really believe him then. She didn't want to be put on a pedestal, far removed from the world and the simple and nomadic lifestyle of her clan that she was accustomed to. She missed roaming mountains and hills, not fighting blighted Templars and navigating treacherous games of power with nobles. That life had seemed like such a long time ago, even though it had barely been a year.
But perhaps she didn't need to suffer though all of this alone. She had her friends. Dorian with his jokes. Varric with his stories. Cassandra with her quiet support and camaderie. Iron Bull helping her with her fighting stances and teaching her new drinking games with Cullen. Even Cole, though he was still figuring out what the word friend even meant. She would help him with that, she had decided then. Friends; they made the aching pull of homesickness more bearable.
But Solas.
Who was he to her? She could call him her friend the supposed. She had the feeling they were becoming closer and yet there was an undeniable distance. Always leaving space for interpretation and mystery while never backing away from any of her questions. So much knowledge he shared, and still she had the feeling she barely knew him at all. He had slowly and unknowingly developed a talent for surprising her with new insights and he did so later again that same evening.
The next hour passed quickly while they were still talking about art and the different depictions of elven lore. He had stared at her intently for a moment, considering her.
"I want to show you something." he had said.
She never passed up an opportunity to learn more so she had indulged him, following him to a plain-looking crate to the side of the room. He removed the protective wards with a wave of his hand. He then uncovered some, by the looks of it, handbound books. He observed them one by one carefully, with a nod of acceptance when he seemingly found what he was looking for and handed her one of the books.
As she opened the first few pages she discovered they were sketchbooks filled with rough outlines in preparation for the next installment of the mural.
Excitedly he pointed to notes in the margin and spoke of where he learned the techniques for collecting and grinding his own pigments. There was a red ocre in the Western Approach that he had recently discovered on one of their missions which was apparently incredibly well suited for his purpose. At her encouragement he had shown her more of of his other drawings too. First of symbolism and color studies, but then more personal ones: of the views of the mountains from Skyhold, running Halla, drying herbs and even of some of the members of the inquisition she recognized.
In turn she told him about how she used to carve wood, especially when winters were rough and her clan was stuck in the same place for long waiting out the biting cold and punishing snow. To keep her fingers from freezing and her mind from wandering to dark places, she had started to carve.
"I haven't had the time since, well you know, this whole mess." she waved the fingers of her marked hand which flashed a sliver of green. Solas had looked thoughtful after her comment, almost like there was a tinge of regret behind his eyes.
The conversation steered in a different direction afterwards, like the seriousness of their predicament weighted more heavily on their shoulders than before. The mysterious books disappeared back into the chest and not long after she had excused herself and called it a night. Somehow she couldn't shake the feeling she had overstepped.
A few days later she returned from a short scouting mission. She climbed the steps to her sleeping quarters, exhausted. She hardly noticed there was an odd-shaped package leaning against her bedroom door until she almost stumbled over it. Her tiredness trading itself for curiosity, she moved to pick it up.
There was no note attached but once she unwrapped the bundle she discovered a beautiful and distinctive elven carving knife and a solid piece of oak wood.
She couldn't help the warm feeling that spread though her body, feeling the comforting weight of the wood and the cool metal of the knife in her hands.
….
She shakes her head as she's brought back to the present. That same rotunda they have since spend so much of their time together. Researching, reading and talking. There had been barely an evening where she didn't end up in the rotunda with Solas. At least when she wasn't away from Skyhold, trying to save the world on missions throughout Thedas.
She looks at Solas from her spot at the table with a mischievous glint in her eyes.
It takes a lot of effort to hide her smile.
Whith an amused tilt to the corner of her lips she says, "You know, Dorian told me he found some sketchbooks laying around, depicting a rather familiar elf. Anything you would know about that?"
Is he… Is he blushing?
"Um, Well you see." he cleares his throat trying to school his expression. "Those were private… And hidden for a reason."
She can't contain a smile. Solas flustered, that's a rare sight.
"You've seen them?" he askes quietly. She notices he has started fumbling with the edges of the paper. She didn't believe his ears could turn a brighter shade of pink.
"Maybe," she says while averting her eyes to the ceiling. She glances back to him out of the corner of her eyes.
Solas looks at her like she has grown an extra pair of ears.
She leans back in her chair and stretches out her legs comfortably under the table. Knowing she has him she doesn't want to push more and decides to spare him some of her teasing. She turns to look at him and softens her expression.
"I rather liked them."
Knowing that is probably not enough to explain why she had looked at his private belongings without permission and seeing the dumbfounded expression on his face slowly making space for embarrassment she decides to tell the whole story.
"I know shouldn't have overstepped, but Dorian said he had something urgent to discuss and before I was even halfway up the stairs he assaulted me with flying books, shouting about discovering my secret admirer. Either I would have stumbled to death or caught them. And, well… Once I started looking I couldn't look away… " she trails off with a slight tinge of shame in her voice.
"You liked them?“
She lookes at him, surprised by the hopefulness in his voice.
A wave of understanding washes over her.
He hid the drawings from her, not because he didn't want her to see them but because he was afraid of her rejection. Even though they had spent the last few months becoming more and more tangled up with each other, stealing fleeting glances and sometimes passionate kisses, they still hadn't really taken a moment to talk about what there was between them.
When she saw the drawings he made of her she had finally understood his interest in her was genuine and went beyond anything resembling a casual dalliance - something she can now confess to have been rather afraid of, because she had developed deeper feelings for him from the moment he started sharing detailed stories dreamt in the fade and his perspective on magic intertwined with life. And then there had been that first kiss… Wel let's just say she's in way too deep to turn back now.
And for all the effort he put into keeping emotional distance between them, he had apparently failed from the moment he had started putting her likeless on paper. For she could see the passion and emotion in the lines, soft shadows and hidden meanings. It made them stand out from all the other drawings she had seen by his hand.
What he couldn't yet put into words, he had found a different way of showing.
"Yes I-" suddenly feeling unsure she pauses for a moment and crosses her arms looking for the right words. "The drawings, they reminded me of who I could be." She takes a deep breath finds her courage and continues. "Someone who people will tell stories about. Not stories about Divine intervention, but of an elven woman's fight for justice. For a kinder world. Somehow I never really managed to see myself that way when I look in the mirror. But those drawings… I guess it's easier to understand who I've become by seeing myself through your eyes. To see the change I'm part of, but most of all to remind myself of where I came from."
She had uncrossed her arms and angled her body towards him over the table. A determined expression rests on her face. He hadn't taken his eyes of her from the moment she started talking.
He looks at her thoughtfully for a moment, considering his reply.
"Very well" he says while some of the tension visibly drains away from his body. She raises her eyebrows in question. "Then it's only time you started showing me your carvings in return. Some good blocks of wood have gone missing. I overheard Blackwall complaining about recently." He shares the accusations with a bemused smile on his lips.
Now it was her turn to blush.
"I was planning on showing you, but first I wanted to practice… " she trailed off her sentence, knowing she doesn't actually have a valid excuse for hiding it from him. And it was not like she hadn't backed him into a corner first.
Feeling relieved he wasn't pulling away at her recent discovery she changes her mind with newfound courage and stands up abruptly while extending her hand in invitation. The purpose of their late night reading session forgotten.
"You're right. And I'm willing to offer you a tour of my recent carving exploits, but only if you can refrain from commenting over the woodchips carpeting the floor." He starts to move as if to get up but she makes him pause as she isn't done yet. "But in turn I will pose for your next drawing." Solas looks at her confused for a moment, as if considering her question.
She pauzes for a moment and adds without hesitation.
"Naked."
"What?"
"That's right."
From a balcony upstairs they could hear some muffled movement followed by a familiar voice echoing down "You know Solas, if you're looking for nude models you only need to ask!"
"Dorian!" they say in unison, horrified.
Solas quickly tucks the sketches under his arm and stands up to grasp her hand, surprising her by pulling her close so fast she has to steady herself with her other hand landing on his chest.
Only a breath away from her ear he says softly so only she can hear.
"It seems like you found yourself a deal, ma Vhenan."
She squeezes his hand in response and when she looks at him there isn't a hint of his previous embarrassment. Instead there is a look of hunger and challenge in his eyes. It's so easy then, to lean over and kiss him, her lips a promise and Dorian's earlier interuption temporarily forgotten. Before she can get lost in the soft press of his lips she pulls back and feels a delighted thrill in the way he slightly chases them as she takes a step back. With a teasing smile on her lips she tugs on his hand bringing him back to reality and encouraging him to follow. As they make their way quietly towards the door she throws a judgemental look over her shoulder towards where she imagines Dorian to be hiding.
She is just able to make out a muffled conversation on the first floor "… These lovesick fools seem to keep forgetting this is a public space, if they don't want an audience they should find a room!"
Not sure if she should be terribly embarrassed or slightly thankful for Dorians intervention she doesn't manage to hide her smile.
"Let's get out of here then." she says as they start to make their way through Skyhold.
He squeezes her hand.
"Gladly."
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