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#from what it was a century or more ago
saviourkingslut · 1 month
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not to be about opera again but to be about opera again. as an art form it has the reputation of being super stuffy and something for snobs who don't know how to have fun only but honestly this was one of, perhaps even THE main theatrical entertainment for centuries. i wish people knew how hard these things can go and how engaging they can be. like characters kill and die and fight wars and (almost) commit human sacrifice left and right. characters fall in love they mourn they're ecstatic they cry they're furious it's an extremely dramatic and emotional art form! and i understand that opera does not appear approachable bc of the general conventions of the art form but i promise old works can be fun and engaging if you go watch them with some preparation beforehand (reading the libretto helps) - not to mention not all operas are old bc there are so many modern operas which engage with topical events! also the music slaps.
#le triomphe de trajan (1807) out here calling for a man's execution with this banger:#point de grace pour ce perfide; que tout sons sang coule sur un autel#(no grace for this treacherous man; let all his blood flow on an altar)#this is also annoying to me when people write historical fic and the characters treat the opera as this elitist thing#that they don't know anything about.#you know when they go to the opera reluctantly and then they have no idea what's going on on stage or who the composer is.#which is. very unlikely for anyone with the money to attend an opera in certain opera houses in the 19th c. tbqh#like im more of an expert on paris and vienna idk what it was like in london#but if you were decently (upper) middle class or nobility (esp in paris) you went regularly. this was like a whole social space too#i recently read a fanfic and one of the characters was like 'oh it's in italian. i don't know that' and the other character went like#'it's by a man called donizetti what did you expect'#(this was situated in 19th century london)#like first of all. donizetti was NOT a librettist he was a composer he did not write the text#and second of all. he worked on french operas ?? so did rossini. and spontini.#opera was an incredibly international art form. also bc productions would be performed in different countries all the time#(sometimes changed and/or translated but not necessarily)#and again like i said. this was one of THE main forms of entertainment. people were familiar with its conventions! it was well-liked!#ofc bc of the seating prices it was not very accessible to lower classes most of the time#but lbr most characters that get written into an opera scene in fiction are at the very least decently bourgeois lol#i wish people knew how to properly historicise forms of entertainment whose reputation has changed in the modern era#from what it was a century or more ago#very adjacent to people 'cancelling' old lit bc of 'bad takes' like idk how to tell you this but people thought different back then#completely different world view from what we have today. that does not make lit from that era irredeemable it is just from a diff. time#acknowledging that and reading the text critically but also still enjoying it are things that go tgt here#ok rant over (it is never over)#curry rambles
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craycraybluejay · 13 days
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i should be a scenecore rockstar with controversy or something and a chronic liveleak poster/sharer stuck perpetually in the later 2000s but instead im BORED! and not fucking groupies with weird hair or getting up to no good with new friends :(
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Evening Standard, London (1974) / Evening Herald, Dublin (1974)
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seithr · 16 days
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Randomly remembered the half-reason i call my oc-verse by the name it has while laying in bed. One-half of the reason i still knew, but I had forgotten what had truly, really cemented it jointly until now
(it was a song from my favourite band I haven't listened to in a while.)
(the song fit so well at the time, still does, that i needed to hold onto it for the main protagonists forever, by partially naming their story in reference.)
Does this explanation make any sense? Does anyone know why I'm tearing up remembering this. Aahh
#(I'm emotional because I've been feeling bad about it all lately. enjoying things I make I mean—art or ocs or frivilous things.)#(So remembering that song and when it came out. That I couldn't see them in person. But i held onto it my own way. As something I loved)#(Something I still do love a lot... Parts of me saying no—you don't hate it. No. I'll help you remember more. I'm a little misty about it.)#The song is just The Killers - Run For Cover. I couldn't see them in person all those years ago—family went without me.#All my new oc rework with Zin and Hunter and Caia were like a year old or so.#It's a little silly. But the character Zin's derived from was a lightning mage so I stuck to it—I like monhun's zinogre for what its worth#So there's recurring theme and imagery. Thunder's not lightning but the sound and the feeling after the flash the flame and strike.#There's that meaningful thought—the story is the aftermath of a big tragedy. It matches what I like in monsters and other chars.#And at that time—my favourite band I missed out on puts out a really good song I download everywhere and it goes like:#He motioned me to the sky/ I heard heaven and thunder cry/ Run for cover/ Run while you can baby don't look back/ You gotta run for cover#And it goes on of course. The rest of the song's still really good. There's more that fits but point is; More evocative imagery.#So there. Why my bundle of OCs—Zinadia Hunter and Caia's story—is called Thunder 20XX. minus the 20XX. That's tongue-in-cheek#About some day I'll manage to make something tangeable or broadly shareable with them. I guarentee this century!#Thunder... oh my darling Thunder. Eight years man. More than that if I really want to count pre-rework INTO the complete original work. but#I like that it's definably 8. I like that I remembered I've always loved them a lot. Always been my thing to lean on even by name...#I need to get to sleep. Ive gotten a little more emotional over one song than I'd rather regularly be. Give it a listen maybe? Goodnight#Armour clanking#I need an oc tag#What have you gathered to report to your progenitors?🎶Are your excuses any better than your senator's🎶He held a conference#and his wife was standing by his side🎶He did her dirty but no-one died🎶#I saw Sonny Liston on the street last-night black-fisted and strong singing🎶Redemption song🎶#He motioned me to the sky🎶I heard heaven and thunder cry🎶RUN FOR COVER#What are you waiting for—a kiss or an apology?🎶You think by now you'd have an A in toxicology🎶#It's hard to pack the car when all you do is shame us🎶Even harder when the dirtbag's famous🎶#I saw my mother on the street last night all pretty and strong singin🎶The road is long🎶#I said 'Mama I know you tried!'🎶But she fell on her knees and cried🎶RUN FOR COVER#Just run for cover - you've got nothin left to lose...
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ark1os · 1 month
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timeconqueror · 5 months
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Ok not gonna lie maybe its because I got Doctor Who brainworms but
the more I think about 'post S2 Victor goes off as a wide-eyed traveler and becomes Kang over time due to Fate(tm)' the more I love it
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That anon with the Oda message is pretty much what happens when fans misinterpret a character's motivation. All they understood was that Oda was super gay and also a scumbag. At least that's what O gathered from it.
bro im just gobsmacked on why you lot send me oda asks in the first place i have never breathed this man's name unless asked to
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paint-music-with-me · 2 years
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No, no, no, NO! I WILL NOT OUTLINE A KISSABLE LIPS!AU FOR PATPRAN!
I will not outline a Kissable Lips!AU for PatPran where Pran has been stuck as an immortal vampire for nearly 500 years and was still grieving his lost love from so long ago. Then when he decides to go to another college (at the behest of Ink, who thinks wallowing in sadness for almost 100 years was getting old) as an architecture transfer, he bumps into popular yet lonely engineer student, Pat.
Pran is indifferent towards Pat until he smells his blood and feels this deep, unsettled part of him click into place. When he consults Ink, she mentions how this sounded similar to a passed friend who thought they found their soulmate when they smelled their blood but in reality, they found a pureblood who could turn them back into a human. For the first time in a long time, Pran felt hope hearing that story because finally, after failed attempts to end his immortality, there was a way to end his misery.
It was easy for Pran to get close to Pat, to befriend him. He just needed him - even if it meant breaking Pat's heart by taking his life, he'd do it. In his head, it'd be quicker than what Pran had suffered after he lost his love.
But then, the smallest things brought back memories long stored away, pushed away. Some parallels that hurt too much to remember between Pat and his first love - his words, his laugh, his eyes.
Meanwhile, Pat's crush on Pran has become so noticeable that nearly everyone on campus knows about it - except for Pat himself. But once it comes through, he decides to confess but runs into Pran literally feeding on someone/something. It doesn't dissuade his feelings for Pran though.
Things become even more complicated when Ming finds out that Pat has been hanging out with a VAMPIRE (for reasons, Ming had been meaning to talk to Pat about the world of vampires - not as hunters, but just to be aware) and when Wai (an old vampire friend) comes by to interfere and find a way to keep Pran immortal.
...
.....yeah....well I am NOT going to keep this idea stored away in my Google Docs along with my other PatPran WIPs! 😟😤😥
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andromacheflints · 2 years
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there is something really strange & funny about seeing greek people on twitter get self-righteous over myth retelings
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reasonsforhope · 5 months
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No paywall version here.
"Two and a half years ago, when I was asked to help write the most authoritative report on climate change in the United States, I hesitated...
In the end, I said yes, but reluctantly. Frankly, I was sick of admonishing people about how bad things could get. Scientists have raised the alarm over and over again, and still the temperature rises. Extreme events like heat waves, floods and droughts are becoming more severe and frequent, exactly as we predicted they would. We were proved right. It didn’t seem to matter.
Our report, which was released on Tuesday, contains more dire warnings. There are plenty of new reasons for despair. Thanks to recent scientific advances, we can now link climate change to specific extreme weather disasters, and we have a better understanding of how the feedback loops in the climate system can make warming even worse. We can also now more confidently forecast catastrophic outcomes if global emissions continue on their current trajectory.
But to me, the most surprising new finding in the Fifth National Climate Assessment is this: There has been genuine progress, too.
I’m used to mind-boggling numbers, and there are many of them in this report. Human beings have put about 1.6 trillion tons of carbon in the atmosphere since the Industrial Revolution — more than the weight of every living thing on Earth combined. But as we wrote the report, I learned other, even more mind-boggling numbers. In the last decade, the cost of wind energy has declined by 70 percent and solar has declined 90 percent. Renewables now make up 80 percent of new electricity generation capacity. Our country’s greenhouse gas emissions are falling, even as our G.D.P. and population grow.
In the report, we were tasked with projecting future climate change. We showed what the United States would look like if the world warms by 2 degrees Celsius. It wasn’t a pretty picture: more heat waves, more uncomfortably hot nights, more downpours, more droughts. If greenhouse emissions continue to rise, we could reach that point in the next couple of decades. If they fall a little, maybe we can stave it off until the middle of the century. But our findings also offered a glimmer of hope: If emissions fall dramatically, as the report suggested they could, we may never reach 2 degrees Celsius at all.
For the first time in my career, I felt something strange: optimism.
And that simple realization was enough to convince me that releasing yet another climate report was worthwhile.
Something has changed in the United States, and not just the climate. State, local and tribal governments all around the country have begun to take action. Some politicians now actually campaign on climate change, instead of ignoring or lying about it. Congress passed federal climate legislation — something I’d long regarded as impossible — in 2022 as we turned in the first draft.
[Note: She's talking about the Inflation Reduction Act and the Infrastructure Act, which despite the names were the two biggest climate packages passed in US history. And their passage in mid 2022 was a big turning point: that's when, for the first time in decades, a lot of scientists started looking at the numbers - esp the ones that would come from the IRA's funding - and said "Wait, holy shit, we have an actual chance."]
And while the report stresses the urgency of limiting warming to prevent terrible risks, it has a new message, too: We can do this. We now know how to make the dramatic emissions cuts we’d need to limit warming, and it’s very possible to do this in a way that’s sustainable, healthy and fair.
The conversation has moved on, and the role of scientists has changed. We’re not just warning of danger anymore. We’re showing the way to safety.
I was wrong about those previous reports: They did matter, after all. While climate scientists were warning the world of disaster, a small army of scientists, engineers, policymakers and others were getting to work. These first responders have helped move us toward our climate goals. Our warnings did their job.
To limit global warming, we need many more people to get on board... We need to reach those who haven’t yet been moved by our warnings. I’m not talking about the fossil fuel industry here; nor do I particularly care about winning over the small but noisy group of committed climate deniers. But I believe we can reach the many people whose eyes glaze over when they hear yet another dire warning or see another report like the one we just published.
The reason is that now, we have a better story to tell. The evidence is clear: Responding to climate change will not only create a better world for our children and grandchildren, but it will also make the world better for us right now.
Eliminating the sources of greenhouse gas emissions will make our air and water cleaner, our economy stronger and our quality of life better. It could save hundreds of thousands or even millions of lives across the country through air quality benefits alone. Using land more wisely can both limit climate change and protect biodiversity. Climate change most strongly affects communities that get a raw deal in our society: people with low incomes, people of color, children and the elderly. And climate action can be an opportunity to redress legacies of racism, neglect and injustice.
I could still tell you scary stories about a future ravaged by climate change, and they’d be true, at least on the trajectory we’re currently on. But it’s also true that we have a once-in-human-history chance not only to prevent the worst effects but also to make the world better right now. It would be a shame to squander this opportunity. So I don’t just want to talk about the problems anymore. I want to talk about the solutions. Consider this your last warning from me."
-via New York Times. Opinion essay by leading climate scientist Kate Marvel. November 18, 2023.
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iknityounot · 5 months
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(Long post, sorry y'all)
A little more than two years ago now, my grandmother passed away. She and my grandpa had moved down to my home town a few years before so we could take care of them. I brought them groceries once a week, helped them write checks, fixed tvs, and found lost things. I was really close with my grandma.
In addition to her hilarious personality and dry wit, one of my favorite things about her was that she was a painter and a crafter like me! She used to crochet, and I took her to the craft store a couple of times so she could get more yarn and books on crochet. But her arthritis and the shaking in her hands kept getting worse, so she eventually had to stop.
She kept her most recent project, a granny square blanket, safely packed away in a plastic bin. She told all of us she was going to finish it one day.
Her hands never got better, and when she got sick, and we found out it was cancer, she rapidly deteriorated.
After she passed, I went to work helping my mom clean out my grandparents apartment so we could move my grandpa in with her. In our frantic cleaning, I found that bin again:
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DOZENS of granny squares, dozens of half used skeins. I asked my mom what she wanted me to do with it, and she said she didn't care. I set it aside and later took it home.
Maybe a month later, that tumblr post about the Loose Ends Project was going around. It felt like a sign--I was never going to learn to crochet in order to finish my grandmother's blanket. But they might be able to help!
So I filled out the interest form. They got back to me SUPER quick. And maybe 2 weeks later, I was paired with volunteer in my state (only 2 hours away!) and the box of yarn, granny squares, and my grandmother's crochet hook were in the mail. That was at the end of January this year.
Over the next couple of months, my "finisher" emailed me regular updates on her progress, and asked me questions on my preferences for how she constructed the final blanket.
At the end of August, the blanket was done!
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I had always intended the blanket to be a gift for my mother. So I cleaned it up, put it in the only bag I had big enough to fit it, and drove to my mom's. I gave the blanket to her and she was gobsmacked. I explained to her all about Loose Ends, and how someone volunteered to finish the piece for us. She was speechless. (I was quite pleased with this, because I am not the best at giving gifts, so this was a pretty exciting reaction!)
She said that it was the most thoughtful gift she had ever been given. She said "your grandma would love this". To which I replied, "yeah, I know she really wanted to finish it a couple of years ago". But that was when my mom dropped the bomb of a century on me--she told me that my grandma had started making those granny squares OVER 30 YEARS AGO. She had started the blanket when my grandpa was staying in the hospital, but that was back when my mom was younger than I am now! My grandma had packed them all away, planning on finishing it, when my grandpa was sent home from the hospital. Then it went from house to house, from condo in Chicago to their apartment in my hometown. All that time and my grandma had wanted to finish it, but couldn't. First because she was busy, then because she forgot how to do it, then because of her arthritis, and then because of the cancer. My mom said she had given up on expecting my grandma to finish it. 
She said I brought a piece of her childhood with her mom out of the past.
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And really, all of this is to say, if you have seen or heard about the Loose Ends Project and have an uncompleted project or piece from a loved one who has passed away--these are your people. They were so kind and treated my project with such care. That box probably would have been found by my own grandkids one day if I hadn't heard about Loose Ends.
Five stars, absolutely worth it!
(From what I understand, you can sign up to volunteer too! If you have time to share, it might be worth checking out!)
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niennanir · 10 months
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Listen to your elders
So last week I posted abut the importance of downloading your fic. And then three days later AO3 went down for 24 hours. No one was more weirded out by this than I was. But while y’all were acting like the library at Alexandria was on fire I was reading my download fic and editing chapter eight of Buck, Rogers, and the 21st Century. And also thinking about what I could do to be helpful when the crisis was actually over.
So first off, I’m going to repeat that if you’re going to bookmark a fic, you really need to also download the fic and back it up in a safe place. I just do it automatically now and it’s a good habit to get into.
But let’s talk about some other scenarios. Last October I lost power for over a week after hurricane Ian. Apart from not having internet or A/C I did find plenty to do, I collect books so I had plenty to read, but maybe, unlike me, your favorite comfort reads aren’t sitting on a bookshelf. So let’s do something about that, shall we?
In olden times many long years ago around 1995 we printed off a lot of fic. It was mostly SOP to print a fic you planned to reread and stick it in a three ring binder. And that’s totally valid today too, but you can also make a very nice paperback with a minimum amount of skill and materials.
Let’s start with the download; Go to Ao3 and select your fic, we’ll be working with one of mine. This method works best with one shots, long fic tends to need a more complicated approach. Get yourself an HTML download
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Open up the HTML download and select all then copy paste into any word processor. Set the page to landscape and two columns, then change the font to something you find easy to read, this is your book, no judgement. This is all you have to do for layout but I like to play a little bit. I move all the meta, summary, notes to the end and pick out a fun font for the title: 
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No time like the present to do a quick proofread. Congratulations, you’ve just created your first typeset. On to the fun part.
Now you’re going to need some materials:  8.5x11in paper ruler one sheet of 12x12 medium card stock (60-80lb) scissors pencil pen or fine tip marker sheet of wax paper white glue two binder clips 2 heavy books or 1 brick butter knife
You’ll also need a printer, if you’re in the US there is almost a 100% chance your local library has a printer you can use if you don’t have your own. None of these materials are expensive and you can literally use cheap copy paper and Elmers glue.
Print your text block, one page per side. Fold the first page in half so that the blank side is inside and the printed side out:
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use the butter knife to crease the edge. Repeat on all the sheets. When you’ve finished, stack them up with the raw edge on the left and the folded edge on the right. I used standard copy paper, because you’re only printing on one side there’s no bleed to worry about. Take the text block and line everything up. Use the binder clips to hold the raw edge in place.
Wrap the text block in the wax paper so that the raw edge and binder clips are facing out. I’m going to use my home built book press but you don’t need one, a brick or a couple of books or anything else heavy will work fine.
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Once the text block is anchored down, take off he binder clips and get out the glue.
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You can use a brush but you don’t need one, smear some glue on that raw edge.
Go make a margarita, watch The Mandalorian, call your mother. Don’t come back for at least an hour
In an hour smear some more glue on there and shift your brick forward so that the whole book is covered. This keeps the paper from warping. While glue part 2 is drying we’ll do the cover. Get out your 12x12 cardstock
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Mark the cardstock off at 8.5 inches and cut it. Measure in 5.5 inches from the left and put in a score line with the butter knife (the back edge not the sharp edge)
Carefully fold the score line, this is your front cover. You have some options for the cover title, you can use a cutting machine like a cricut if you have one, you can print out a title on the computer and use carbon paper to transfer the text to the cardstock. I was in a mood so I just freehanded that beoch. Pencil first then in pen.
Take your text block out from under your brick. Line it up against the score mark and mark the second score on the other side of the spine
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Fold the score and glue the textblock into the cover at the spine. Once the glue dries up mark the back cover with the pencil and then trim the back cover to fit with your scissors.
Voila:
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I’m going to put this baby on the shelf next to the Silmarillion.
The whole process, not counting drying time, took less than an hour.
If you want to make a book of a longer fic, I recommend Renegade Publishing, they have a ton of resources for fan-binders. 
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WARNING: DOCTOR WHO SPOILERS EXPLAINING REGENERATION SHENANIGANS
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okay so I was kind of not on board with the concept of bi-regeneration, mainly because of how it seemed like all of the Sad and the Trauma that the Doctor had undergone got kind of handwaved away? i'm all for ncuti's Doctor being sort of a fresh start/jumping on point for new viewers, but i didn't get how that could work if like, literally 40 minutes ago he was David Tennant being a sad wet puppy dog of a man
however, after rewatching it, i've realized what i think happened there, and it goes all the way back to something introduced with the 4th doctor's regeneration that was never explained: the Watcher
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^this spooky guy
so, for those that don't know (or haven't seen every episode of a show that is over half a century old), the Fourth Doctor regenerates at the end of a story called Logopolis (he falls off a satellite dish, but that's not important right now). all throughout the episode, this weird figure, The Watcher, stands off in the distance, and even intervenes slightly by saving the Fourth Doctor's companion. there's not much given in the way of an explanation until the Fourth Doctor regenerates, saying "it's the end. but the moment has been prepared for..."
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the watcher walks up, and gets absorbed in a super rad 1980's digital effect (never change doctor who), while his companion just gives us the not-super-helpful-for-lore statement "He was the Doctor all the time!"
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then, in a crossfade, the Doctor goes from Four to weird-powder-man to Five
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canonically, the Watcher is explained as a future version of the doctor that comes about in sort of a weird overlapping thing with the doctor's timeline, it's very wibbly-wobbly timey-wimey.
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SO what does this have to do with biregeneration and satisfying character arcs/moving on from trauma?
Well, remember, Fifteen said this, about Time Lords doing rehab out of order:
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so, here's the thing: Fifteen is the Doctor AFTER Fourteen (duh, I know?) But to be clear...Fourteen lives out an entire lifetime with Donna and family, gets to a ripe old age, and then, when his lifetime of healing is over, he gets yeeted back through his own timestream just to zoot himself out of David Tennant's chest.
Remember, his first words to Fourteen (after popping out of his chest) are "So good to see you! So good!", not the RTD classic "what?". He greets himself like he's almost expecting this, he then says "does anyone want to tell me what the hell is going on here?" which only makes sense if he's coming from a different point in his own timestream (remember, when two doctors interact, memory gets really weird, 10 and the War Doctor don't remember the events of Day of the Doctor until they live through them as 11).
SO TO BE CLEAR: Ncuti Gatwa is playing the Doctor AFTER he has spent years healing from his traumas. His Doctor is fine because Fourteen takes the time to rest and work on himself.
tl;dr: I didn't like biregeneration at first because I thought it looked like this:
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In actuality, it looks more like this:
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always-a-slut-4-ghouls · 11 months
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Every time I see the tag “x ship invented love” I do a little mental thing where I go through all the ships I’ve seen it on and try to determine the oldest, giving them the title. Problems arise when one story has a different timeline of history (like the world being less old than it is irl) I’m like, in this case there is no easy way to determine which wins, considering that one ship could start super early in that earth’s history, but is still younger than the one set in a timeline as old as ours.
I don’t include ships from a fantasy setting with no or little connection to earth because they would be harder to date in comparison and wouldn’t have invented love in our world
#emma posts#I overthink things a lot#so far I think hualian is winning#it is however in a weird place when compared to Crowley/aziraphel#because that technically would have started close to the beginning of their alternate earth#but is younger than hualian in terms of years if I’m remembering the dates correctly#not me making a mental timeline for fun when I’m bored 👀#if I’m forgetting any older ship of mine. oops#but hualian became canon and had been around each other off and on around each other for fewer centuries than the other one#I don’t remember if we have a solid date for exactly how long ago that story happened#even though it’s fantasy it is still set on an earth and has an earth timeline#you can have characters older than the earth but I won’t count it until their first canon meeting for the in my mind competition#and if they are canon and have a canon date then they could be counted by when they got together or when they met#which is older though? if hualain is more recent in just years then it wouldn’t really matter which earth#but if they are older then that is where the mess begins#i feel like I’m forgetting someone though#you could argue that the first love story to be recorded invented love#but that is not what I’m thinking about#someone else is going to come in and be like ‘I have a ship from the ice age’ or something but I don’t#and for the sake of simplicity I’m only counting humans and humans look alikes#gets too complicated if I include early hominids and or other animals from prehistory#of which I can’t think of a ship I ship but eh 🤷‍♀️#no or little connection to earth includes Star Wars to me. sorry but that is very vague and if it’s a long enough time ago it would#outcompete earth ships too easily#this is about ships with connections to earth and humans#even just a little connections to humans#I’m not going to get into timeline messes like madoka magica. though I’m not super intense about any of those ships#I am also not going to count time-travel unless the ship started earlier than the others without time travel
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hypnos333 · 3 months
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Left her behind
Lucifer x Angel Wife Reader
Synopsis: Lucifer left you behind to rule hell and have lilith so you were behind cleaning up your broken piece
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Your wings were bigger than your body but your heart was bigger than your wings. You were an archangel helping your god important plans for mankind. Your husband Lucifer was a Seraphim and you always wonder how you two ever gotten married.
An Archangel and a Seraphim what an unexpected pair, isn’t it?
As you were talking to a human Adam about what god had told you to tell him. A bad feeling was upon you as you excused yourself to go back to heaven to find your husband.
An hour had gone by and you still couldn’t find him til you saw Lilith and you husband kissing. You were shocked and upset until god touched your shoulder ushering back into heaven saying he’ll handle it. Of course you couldn’t question someone you absolutely trust so you flew up with tears hurriedly to go find Gabriel and Michael.
That’s when you found out your husband has been banished with everyone else who betrayed God and heaven.
They were sent to hell as Lucifer as the leader of it and Lilith as queen. You sobbed so loudly make Gabriel hushed you quietly as he sway you left and right to get you to calm yourself.
Michael came back in with some ice cream with a sad smile. “Let forget about your ex husband my little Beauty” And you agreed. That was centuries ago and during that time you found out Lucifer had a daughter which made you completely forget about him focusing about your home more importantly.
Today was your birthday and you had to go to a meeting about the extermination in hell.
Back in hell after getting a meeting to heaven he told his daughter an important story.
“Over a century ago there was these two angels one in a lower class and another in a higher class they loved each nonetheless. Married in heaven but soon the married man became regrettably enchanted with a human bringing her with him to his chaos but leaving his heart where heaven was at” Lucifer explained
“Y-You left your real wife, dad?” She asked him shock and sadness looking at the sky.
“Sadly so, she was supposed to be your mom” He chuckled as tears slipped out his eyes. The amount of times he goes over to see you but you never reciprocate breaks his heart.
He still wears his gold wedding ring from the day he married you and he can never forget that day.
“Don’t worry charlie i’ll win her back no matter the cost and I’ll bring her here to hell for her to rule with me” He reassured her with determination. They both look up to the sky to see a rare white star down at hell.
Alternative ending
Regular ending
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wordsinhaled · 9 months
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i’m so totally normal about the fact that aziraphale’s last (known) deliberate foray into the queer community was when he learned the gavotte at the fictionalized hundred guineas club (!!!) in the 1800s and now in the 2020s he’s like “grindr? what’s that?”
many are talking about his repression which is very valid… and yet the thing to me that stands out about aziraphale is that he’s actually… incredibly stable in his identity and that identity IS incredibly queer. queer by the standards of heaven AND by human standards as well
metatron describes his “de facto partnership” with crowley as “irregular.” and in fact aziraphale in his entirety is irregular. he likes and makes it his business not only to understand but to be a connoisseur of all manner of things angels aren’t supposed to even remotely care about. food. music. books. theatre. sleight of hand. and more.
it’s the sort of behavior that would’ve gotten him othered, treated as a bit odd, in heaven even if he hadn’t chosen to consort all across the earth with a literal demon. and it IS treated that way - the fact is aziraphale even as an angel has got proclivities that set him apart from the rest of the host (even after offering him the highest position in heaven, metatron still acts deeply dismissive of him… like aziraphale’s bookshop is merely a quaint little hobby of his that can be easily transferred to another custodian, and not a literal extension of who aziraphale has become, full of his tartan and unique bibles and special vintages of wine and the books arranged in a very specific way)
so. aziraphale is a queer angel but of course he’s also queer to other humans. but in such a way that… he had his realization a LONG time ago, and put the matter very much to rest after that. aziraphale is perpetually something like several centuries behind schedule. he owns an ancient computer that probably continues to run windows 98 simply because aziraphale’s decided it should. he wears the same waistcoat and coat for generations because he simply likes them precisely the way they are and sees no reason to change them. but the idea that he doesn’t know how he comes across to others - of course he does. he knows he looks like your prim and proper grandfather and he prefers it that way
aziraphale looked around at humans in the 1880s and said: ah yes. this is where i fit. and promptly ensconced himself in that queer subculture. learned the gavotte. read his austen. loved crowley from afar. aziraphale is fiercely and vibrantly queer. just with the sort of assurance of someone who lives with his lover in a commonlaw marriage for decades and then shows up at city hall for the certificate once society decides it’s ‘allowed.’ like… he hasn’t had any need to know what grindr is because aziraphale’s ‘scene’ was a century and a half ago and it defined romance for him too.
but my favorite thing about aziraphale is how much of him is about appearances versus the truth. he can lie straight to angels’ faces and sleep at night. he knows he comes off soft but he once wielded a flaming sword. he dissembles helplessness but he’s far from it and he knows precisely how it makes others treat him. and at the core of aziraphale is rigidity, inflexibility of ideas… his sense of self is stable where crowley’s is malleable, and so on, and so on
and the fact that he’s continuously fixated on trying to misguidedly do the right thing, the fact that he seeks heavenly approval and wants to fit the world into his schema of good vs evil… in no way do i think that means he isn’t one hundred percent aware of how he feels about crowley or what it means about him by angelic or human standards. i’ve seen some folks saying that aziraphale doesn’t want to like kissing crowley and like… as much as i love me some brideshead revisited/atonement flavored angst; i put forth that it’s not internalized homophobia or queer panic but simply: “i’m trying to do the right thing for both of us and you won’t let me.” and “i wanted our first kiss to be different.” he was envisioning an entirely different flavor of romance than what he got but he emma woodhoused too close to the sun
like, y’all. aziraphale in all likelihood has a glorious collection of historical queer erotica. he just has a feathery diva coat hanging in his closet, and for what. “oh, good lord” he says at crowley’s revolutionary outfit in the bastille, while eyeing him up like an entire meal. he’s so good at affected propriety, at carefully constructed stuffiness, but between the two of them aziraphale’s got to be the one who has experience
aziraphale had been physically throwing himself at crowley the entire season. he orchestrated an entire regency ball so they could touch hand to hand. he spends the entire season (well, and season 1) looking at crowley like he’s particularly coveted. he looked at crowley before the fall like he was glorious and beautiful. aziraphale’s queer and he knows it and i think that isn’t his problem, it’s the fact that he wants to build a different sort of future for the two of them but crowley’s gone and thrown a wrench in it by reminding him of everything he can finally have. like. that’s the heartbreak. it’s how dare you make this ugly? i forgive you for our first kiss being all pain and salt. it’s my dearest, i wanted to make heaven as beautiful as you deserve. as sacred and safe for us as our bookshop. and i can do that for us, because once i held a flaming sword and i still remember how the hilt felt in my hands. and now the taste of you is in my mouth.
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