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#first one I think my yeast was dead
smallmario · 2 months
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Here’s that bread I was working on earlier
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Heyyy could you write where Erik obviously takes over the throne & gains the queen ( tchallas wife) in the process, after weeks of disdain for Erik.. she caves in/let him have his way with her
To everyone else, T'Challa was the King. He was the Black Panther, beloved by all and adored. Honest, brave, elegant, and caring. He put the welfare of his people before his very life. That was the miracle of T'Challa's rule.
To you, he was your life. He was your partner, your teammate, your support, your lover, your husband. Photos and mementos lay scattered before you as you reminisce, bitterness and twisting thoughts causing you to sear in your anger. You can't help but think that he should still be here. There's no good reason why he isn't.
There's a knock on the door that you ignore. Every time someone in the palace speaks to you, it pisses you off. They are traitors, living comfortably in a palace they don't deserve, serving a murderer.
They knock again, asking if you'd like to come out for dinner with the new King. Everyone seems to have moved on, you think angrily. Everyone but you.
"I'll come to dinner when that imposter you call a king is in chains and beheaded. Serve me his head on a platter and my appetite will have returned sevenfold."
You pick up a polaroid you took of T'Challa and look at the date. It hasn't even been a month since it was taken, only 9 days since T'Challa's death.
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When the news travels back to Erik that you still refuse to comply with his requests, he isn't surprised.
"Who's been giving her food behind my back?"
You should've been crawling to him, begging for something to eat.
"If I ask again, none of you, including your families, will eat. I'll make sure of that."
Erik noticed the chef look at a Dora.
"You."
His finger curved, beckoning her near to his throne. When she was close enough, he threw a blade, striking her directly in the forehead. Her body thudded to the ground.
"And that wasn't even vibranium."
The cook lowered his eyes in horror. The Dora couldn't decide whether to hold their positions or fight back. The palace staff was broken.
"What," Erik challenged. "Y'all look like y'all wanna do something! Come'on," his lip curled under ferociously, bearing gold fangs.
No one stepped forward.
"The next person I hear stepping foot near Ms. Queen without my permission? You can look forward to joining your friend in the afterlife. Am I CLEAR?"
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Typically, Asira would sneak into your corridor, and you'd unlock your bedroom quarters to accept fresh and sweet warm yeast bread and water, but she hasn't shown in two days. You're famished, sleeping it off between bouts of mourning.
Finally, there's a quiet knock. You rush to unlock and open the bedroom door, but it's not Asira. Killmonger pushes the door wide.
"So this is the king's suite."
You start to walk out, but remember your chest of memories and dive to gather the scattered photos, putting them back inside. He steps on one as you grab it.
"You really loved him, huh."
You freeze, weighing your response.
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"I used to have love in my life. It was taken from me. Three times. First time, it was my father. Airships from Wakanda came down from the sky, and by the time I made it in the house... he was dead. I'd never seen so much as a sign of visitation before then. Lost my uncle in the same night. Of course, you called him Zuri."
Your lip twitches, the hint of a snarl forming.
"Uncle James was a traitor just like his nation. Just like all of you. You're all cowards!"
One drag of his boot rips the photo.
"Why should you be happy..."
Angrily, he pulls you up by your shoulder and captures your ornately twisted afro bun in his grip, turning your face so he can look at your cowardice up close.
"You married into a family of murderers and you have the nerve to judge me?! Look up at me!"
Something sharp plunges into his chest, piercing him with familiar pain.
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Your dark brown eyes are vengeful and shining with all the grief and fury you've felt the past few days. Killmonger took your husband, your shared dreams, and the one true king.
You look directly into his eyes, your face scrunching while you push your letter opener into his heart with all your strength. Panting, you look down on him as he labors.
"For my husband."
Turning your nose up at his dying gasps, you turn away. The Dora should've done this. Anyone with allegiance to Wakanda should've done this.
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With labored breathing, Erik looks down at the blood around the jeweled letter opener lodged in his chest cavity. Direct hit.
You step back slowly, thinking you've done something, but all you've done is turn a battle into an all-out war. Not a war between territories, but a war between his will and yours.
"You think you can kill me?"
His eyes on you, he chuckles.
"Cute."
This is the first pushback he's gotten since T'Challa. He watches you closely, grimacing and sweating as he pulls the letter opener from his chest. It's costed in blood, but thanks to the powers bestowed on him by the herb, he'll heal.
Pulling himself to his feet, he goes to take the corner of your pure white duvet, cleaning the blood from the small blade. He pants silently, still in recovery.
"You understand why I killed him..."
He swings the knife low with his gait as he approaches you. "Up until now, your leaders have been content in doing nothing, at peace with the bare minimum. T'Challa-"
"Don't you DARE insult T'Challa in MY presence," you point, stopping him in his tracks.
"T'Challa," Erik stresses, looking you in the eye. "As noble as he was, he needed to be replaced by someone with some real fire."
"You can go to hell," you nearly whisper, enraged.
He steps forward.
"There's one person in this entire palace with the guts to oppose me, and you’re not even a trained fighter... I can take you down at any point. You and I both know that."
"So why don't you?"
"I have other plans. I'd like you to remain Queen to convince our citizens to trust in my efforts. I'd like you to join me as an advisor at my side. Afterall, everything I do as King is for the advancement of Wakanda and the African diaspora."
"I'll never join you. You may as well kill me."
"Tempting," Erik's eyes narrow. "But no. I believe in my vision, and that vision includes you. You have the opportunity to use that anger to help a lot of people. I believe... after you've spent a few more days in here without food or water, you'll either come to the same conclusion or you'll waste away quietly. Either way."
He looks you up and down. Whatever you choose, he's prepared.
"As long as I live, so will his legacy. I will never stop fighting you."
"I believe you," he nods. "Even as I approach you with a knife, you don't run. You're not suicidal. You've been planning your next attempt on my life."
He stops inches from you and trails the bejeweled letter opener from your cleavage up your open and smooth brown chest, up your neck.
"I like it. You tough."
The light bounces off of your supple skin. It looks soft and bouncy, covered in a layer of raw shea butter.
He brings his face close enough to your neck to smell your gentle fragrance.
He doesn't acknowledge the sound of your gurgling stomach or your glare of hate as he dangles the blade in front of your face.
"Whether you join me or die is completely in your hands, but as for this? I'm keeping this."
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He leaves, and the door closes behind him. When you open it, the Dora you once loved are blocking you in. They stand firm with their spears, shame on their faces as they avoid your look of judgment.
Asira isn't among them, which means she's probably dead.
You close yourself back into the room as you resign yourself to join her and your husband.
The hours are long. The hunger and thirst is strong. You patch the ripped photo and stash it safely with the other memorabilia, meditating and sleeping as a distraction. It's already been a couple of days with no food or water. Still, you hold out.
Four days in, you're dying slowly in a torture that feels unbearable. As honorable as your intentions are, T'Challa wouldn't want to see you suffer this way. You imagine he's with you, lying next to you. Right after teasing you about your body temperature being too high for cuddling only to bring you in closer, he'd tell you to take the food. Live at any cost. It feels selfish when you know T'Challa can no longer enjoy these things with you, but you know it's not. You're doing it FOR HIM.
If you're going to kill Killmonger. You have to eat.
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When the news travels to Erik that you've finally come to your senses, his elbows prop on the dining table in wait of what's sure to be another interesting encounter.
You arrive in a modest white dress and matching headwrap, the traditional mourning color. He killed your man, and you want him to feel guilty seeing you as widow. He doesn't. He doesn't even really care.
"Sit closer."
He stares, watching you play musical chairs to keep your distance until you're right beside him. You look perfectly weak, tired, and hungry... More willing.
He doesn't miss the hesitation as you consider using the dinner knife as a weapon. Part of him hopes you'll give him a reason.
"I'm not your enemy."
The subdued murderous rage seeping from you despite your exhaustion is admirable.
"You are my sole enemy as far as I'm concerned," you mutter.
He turns to you fully, having been thinking about telling you something specific since he last saw you.
"I've done nothing but try to show you a system that's been broken from the start. I didn't SNEAK into the borders, though I could have. I EARNED passage by killing the black market arms dealer who murdered Wakandans and somehow eluded not one but two of your black panthers. I did that, and I didn't SEIZE the palace, though I could have. I followed your protocol and let you arrest me, taking me straight to the King who I defeated by YOUR OWN customs. You wanna vilify me? Go ahead. I didn't start this. You did when you killed my parents. I'm finishing it."
You stab at the food as he watches the conflict in your mind. His words are reaching you even if you hate him.
"I haven't been challenged in my power and authority since T'Challa," he repeats. "You're the only one who seems to give a damn that he's dead."
You look up quickly.
"-and that's a broken system. I've been where you are. Even being from the Panther Tribe, these people destroyed my family, betrayed my father's memory, and abandoned me. They are the weak links who, out of fear and tradition, won't challenge authority. They won't stand up for what's right. They wouldn't know right from wrong. They are selfish, and they are cowards. They are the traitors."
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His words reflect how you feel. Everyone has fallen in line to the new regime as if T'Challa wasn't just here a couple of weeks ago, walking the halls. They smiled to his face then, but act now as if he never existed.
"We're not so different." He holds up a finger for you to listen. "Our responses have been to rebel. To honor the memory of our loved ones. But this goes deeper than us and our pain. I'm asking you, will you remain Queen and fight alongside me to change this broken system for good?"
You hesitate, wondering how it would look. Despite that, having the power to supervise Killmonger and affect change is appealing.
"As long as it's made clear that we are not together, I will agree... to keep an eye on you."
You watch him closely as he's watching you.
"What is your plan?"
"First, we have to unite the tribes," he says without thought, but the tribes are already united as much as they can be. The council exists. You kiss your teeth.
"There's tension with the border tribe... You haven't had contact with the Jabari in decades."
You look him up and down, rolling your eyes back to your food. You wonder about his approach to politics.
"How would you unite the tribes?"
Days turn into weeks as you listen to Killmonger's wild ideas that border on treason. He seeks power, that much is clear, but he has a plan for reform that you're beginning to believe in. You've been walking the palace and even traveling the country alongside him, training and directing him, showing him the ropes. He's adapting quickly and surprisingly open to your suggestions, quick to adapt your corrections.
"Yes, queen," has been his public response when you've chastised him. He's made good progress. It almost makes you not want to kill him anymore... Almost.
"When are we doing something about the ritualistic combat component in the road to becoming king?"
"I'll let you think of that," he says, leaving it to you. You'll have to think about it and come back.
You head back to your quarters to think alone, passing the treacherous Dora who only guard the throne. You haven't forgotten. Turning your nose, you close yourself into your vast bedroom and sigh, removing your dress and headdress. Lying down, you're in your thoughts for a while until you fall asleep with dreams of T'Challa.
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You've been away for a couple of hours, and it's time for dinner. Erik looks up from his work load. You haven't returned to the discussion. He needs you to look over a new idea regarding vibranium, and you can do that over dinner, so he goes to your door and knocks.
When you don't respond, he confirms with the Dora that you are in fact in there. They unlock the door with a spare key. Clearly, he announces himself on his entrance.
It's not enough. You're asleep in lingerie, a peaceful expression on your face. He's never seen you without lines in your forehead.
Sitting on your bed, he strokes your face, watching it turn more and more angelic. You must be having a good dream. Slowly, he leans and kisses your lips. You'll never know it when you wake. He leans off of the bed, but in your sleep, you reach out, so he sits back down.
"Ms. Queen," he whispers, trying to wake you before deciding, "Fuck it."
He pulls off his black robe that he'd been sitting in all day along with his black pants and loafers. Sliding under your duvet, he lays in what must've been his cousin's spot, holding you against his chest. Your skin is soft and the gentle smell he's gotten accustomed to fills his nostrils.
He remains awake, lying there through dinner until he realizes you're not getting up. Then he can sleep.
Something suddenly doesn't feel right. He feels your body shift from his arms. At this point, he's been asleep a few hours. Instead of opening his eyes, he waits. He can feel you hover as if you're hesitating. You're probably going to stab him. He prepares mentally to sense where your blade might go. How big is it this time? Is it a kitchen blade? Did you get your hands on a spear? You're stronger now. Still not strong enough to actually kill him.
He waits and waits, but the blow doesn't strike. Opening his eyes, he finds you sitting on the side of the bed with a defeated look in your eye. When he sighs, you flinch and look over. You thought he was still asleep.
"Well... Don't feel bad," he grumbles, still groggy. "It's always harder to kill someone at their most vulnerable."
"That's not it..."
Oh? He waits for you to elaborate, but he can see it the more he looks at you and tries to put himself in your shoes. You're conflicted about more than just killing him.
"There was so much life left in him; so many dreams we shared and planned to live out. I wanted children. I wanted to travel the world with him as parents. I wanted us to grow old together. I never once considered that I'd lose him so soon. I thought you had time. And YOU killed him," she looks back suddenly with a growl. "You took that from me."
He lays still, watching your expressions as tears drop from your eyes. Either you're venting or having second thoughts. If it's the latter, it means damage control.
"So then... why," you gasp. "Why do I feel like this? I should hate you."
It wouldn't be wise to move. Letting you vent would be best. Again, he'd been there to know exactly how you feel.
"Look at me!"
He's already looking. His eyes widen in apology. He can't give you the one you want and you know why. He isn't sorry for killing T'Challa. He'd do it again if he could.
Your face scrunches as you crawl back in the bed, and after assessing the situation, he decides to put his hand on your arm to show you you're not alone.
To his surprise, you pull his arm to hold you for comfort. He does and for a while the two of you lie there until you turn over, seeking something more to dull the ache in your heart.
He knows exactly what he can offer for that. Gently, he kisses your expose skin. Your shoulder, your arm, your stomach, your thigh, your knee, your leg. When your thighs fall open, he kisses up the inside of your leg and thigh up to the outline of your panties. He looks up to check in.
"You sure?"
'Cause ain't no going back. You grab his locs, guiding him down and he pulls your panties off, tossing them off the bed. With one last look, he goes down.
You sigh and moan under him, ultimately whispering T'Challa's name. You must be thinking of him, but Erik doesn't care. Not yet.
Right now, it's T'Challa, but with time, it'll change. With careful guidance, YOU will change... just like everyone else in this palace who's come under his submission.
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nightmyst14-blog · 2 months
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Regaining treasures Pt 2
Woo, part 2 y'all!! Hope you guys enjoy this one!!
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Setting: In the hidden treasure room. White Lily is feeling guilt for the deaths of her friend’s children, although it was of Dark Enchantress. 
White Lily: I… I can't believe this… I did this to her..
Pure Vanilla; Lily , no! *hugs her* That’s not true!
White Lily: Look, Vanilla! *gestures to the 3 coffins* Her children are dead! And we had no idea of this! She'll NEVER forgive me for this!!
Dark Cacao: We all didnt know, dear Lily. *helps her up* But she asked us to help her now. We shall do out best to do so.
White Lily; *sniffles* You’re right..
Pure Vanilla: Yes.. We shall do our best to do so, for Goldie’s sake.
White Lily: For Goldie’s sake- *sees her walk in* 
Golden Cheese: *Holding a bell, looking sad* LIly…
White Lily: Oh Goldie, Im sorry-
Golden Cheese: Don’t. *sighs* Pure Vanilla told me everything.  I know I was hard on you before, but.. I needed time. It was..hard to process the fact you were two people now. But after hearing what happened in Beast-yeast, things began to make sense.
Dark Cacao: Goldie…
Golden Cheese: Its.. its still weird to have you all here, but.. *walks over to the bull sarcophagus, places the bell there* Its been too long… I need them, my treasures..
Pure Vanilla: *walks over to them* Mind telling us about them. Your children?
*Golden Cheese look at Pure Vanilla, sniffling. She leans on Pure Vanilla, looking back a the sarcophagus* 
Golden Cheese: I have a daughter and 2 boys….. All created each at a time of day, as you can see on their coffins.  All took on an aspect of me, with a few ingredients from different lands.
Dark Cacao: *moves a hand onto jackal sarcophagus* The ingredients you had us bring.
Golden Cheese: *nods* Mhm.
Pure Vanilla; But we only have two things, the incense and the caramel you asked for. What about the third?
Golden Cheese: Its fine. My eldest, my daughter,  didnt have an ingredient imported outside of the kingdom. I used only the finest cheeses for her.
White Lily: Do you still have some left over?
Golden Cheese: *thinks* I should have some left in the reserves… Olive, please go get the finest mozzarella on the shelf.
Olive: Yes, ma’am! *runs off*
Golden Cheese: Olive and I have been researching a way to wake them up. Since they are connected to me, my Soul Jam is still connected to their souls.
Dark Cacao: The dreamscape.
Golden Cheese: *nods* Correct. Based on it, I have to do a ritual like how I first created them. Their souls are intact and their bodies, All I need is a jumpstart from the soul jams’ light magic.
White Lily; That’s why you had us come.
Golden Cheese: Mhm. I wouldve done this myself, but the process would drain me of energy. And I know you guys would yell at me for overdoing it.. Thrice.
Pure Vanilla: Sure will. *touches her shoulder*  We’re honored to be here to help.
*The ancients plus Olive went to get everything set up, checking with Golden Cheese if the ritual would be ready by morning. Before midday, the ritual was set.
Golden Cheese: *hand on the bull sarcophagus.*
White Lily; *walks over* …What was she like?
Golden Cheese: *looks up* HM?
White Lily: Your daughter. What was she like?
Golden Cheese: *smiles a bit* ..She was amazingly smart. She was head of security here. She made these little robots called Marzipans to make sure everyone was safe here.
Pure Vanilla: I think Ive seen a few of those little things lying around. She made those?
Golden Cheese: My sweet Mozzi.. She was a crafty girl, loving puzzles with a bit of odds. Sometimes she even surprises me with what she was up to next.
Dark Cacao: Hm. *looks up to the window* Its almost time, the sun is rising.
Golden Cheese: Ah, right. Everyone in your places.
*Olive walks up first, setting the mozzarella on the coffin. Golden Cheese began to use her soul jam to bend the light to shine on the sarcophagus, filling the details. Pure Vanilla, Dark Cacao, and White Lily points their weapons to the coffin, their soul jam magic flowing into the object.*
*The sarcophagus began to glow, the bowl of mozzarella seeming to phase into it. Light filling the details of the coffin, the lid starting to shake.*
Olive: *gasps, adjusts her glasses* Its… its working!!
Golden Cheese: *her hands shaking* Ngh… Keep going! We’re almost there!
*they soon stopped 15 minutes, the ancients a bit drained of their energy.*
Pure Vanilla; Hah. *pants* Did.. DId it work…?
Olive: I.. I dont know- *hears movement in the sarcophagus*
White Lily: *gasps*
Dark Cacao: *uses his sword to wedge over to open the lid,pushing it aside*
*Inside, sits up a young woman with tanned skin, blonde hair, and bull horns. Cracked blue makeup was on her face, getting smudged as she rubbed her eyes as her eyes gets used to the light*
??; Mmh.. W-where…
White Lily: *gasps, shocked* It.. it worked..
??; *Sees the others, gasps. Goes to back away,ending up  falling out of her sarcophagus* Ah, s-stay back!
Pure Vanilla: Ah!!
Olive: C-Careful, ma’am!
Golden Cheese; *slowly steps closer, tears in her eyes* M-Mozzi..? Mozzarella.. Its me..
Mozzarella: *looks up* …M-Mother..?
Golden Cheese: *smiles* My baby girl…
Mozzarella: Mother!! *tries to stand, falls buts Golden Cheese caught her*
Golden Cheese: *holding her close, smiles while crying* My daughter, you’re alive! 
*The others smiled at this scene, seeing how happy Golden Cheese was*
Mozzarella: *also crying* Smokey.. Burnt , I.. we could hear you. In that weird place.
Golden Cheese: I know, Mozzi.. I know. I’m so sorry.. *run a hand through her hair* I failed you three as a mother, I’m so sorry…
Mozzarella: Mom.. *looks around* Where.. WHere are they..? My brothers..
Golden Cheese: They’re coming, sweetie. Soon. But first, you need rest. *Looks towards the other ancients* Vanilla… Lily…
*the two of them walk over*
Pure Vanilla: *kneels down, smiles at Mozzarella* It is nice to meet you, princess. Allow me to examine you.
Mozzarella: *looks at her mother, then nods*
Pure Vanilla: *using healing magic*
Mozzarella: *looks at Golden Cheese, whispers* Mother, Are they..?
Golden Cheese: *smiles* Yes, my dear. These are my friends. The other ancients.
White Lily: It is an honor to meet you. *smiles*
*Later, Mozzarella was brought  to a  room. Still feeling the stiffness in her dough, she was given a wheelchair to move around in. Golden Cheese went to check on her*
Golden Cheese: Oh Mozzi, my dear! I brought you food!
Mozzarella: *working on a broken Marzipan* One second, Mother.
Golden Cheese: Mozzarella, you’re already working? *stops her* Desert flower,  you’re supposed to rest.
Mozzarella: But mother- 
Golden Cheese: *stern* I mean it. *hands her the bowl of light cheese soup* You were brought awake from slumber a few hours ago. 
Mozzarella: *stirring the soup with the spoon* Mother…
Golden Cheese: I can't have you hurting yourself,Mozzi. I- *sniffles* I just got you back.. I’m so close to getting your brothers back…
Mozzarella: *sets the bowl down, hugs her*
Golden Cheese: *crying, hugs her back*I’m so sorry… I wasnt there to save you three…
Mozzarella: Mother, it wasnt your fault.
Golden Cheese: But it is! You three begged to go outside the walls of the kingdom for so long, but I was too afraid to let you go. I just told my friends about you three the other day! Just because I.. *sniffles*
Mozzarella: *frowns* Because of what, Mother?
Golden Cheese; Because I was too afraid to show off my most valuable of treasures… And that was you and your brothers.. *touches her cheek* I promise, my dear Mozzi, I’ll do better. I’ll be a better queen, and a better Mother to you three. We’ll make this kingdom shine brighter than ever before!
Mozzarella; *giggles* As long I get to have a tech room and my Marzipans.
Golden Cheese: *smiles* Of course my dear. Now, you eat and rest, okay? No working until you are better.
Mozzarella: Yes, mother. *starts eating*
Golden Cheese: *kisses her daughter’s head before she leaves, soon greeting my White Lily when she got out the room*
White Lily; How is she?
Golden Cheese: Well, she was up her usual antics, so I say it was a success.
White Lily: *peeks in the room* Bulls horns.. I thought she would have your wings.
Golden Cheese: Oh the features represent what animal they’re most intune with. Trust me, my middle child will have my feathers.
White Lily: I see… *quiet*
Golden Cheese: *worried* You.. You come to just check on my daughter, did you?
White Lily: No.. *sighs* I dont know how many times I can say it... But I am sorry.  You lost so much because of me…
Golden Cheese; *sighs* Ive thought about it for a long while. And I already forgiven you. Not fully, but… After seeing you, Vani, and Cacao, coming to help me bring back my daughter, I couldnt stay mad anymore.
White Lily: *sniffles* Goldie…
Golden Cheese: Aww gee, not the waterworks. Come here. *hugs her*
White Lily: *hugs back* Thank you..
Golden Cheese: *smiles* No, thank you. *sighs, pulls away* C’mon, after we rest, we still have two more to bring back.
White Lily: Right. The boys are in the kitchen trying the charcuterie board the cooks made.
Golden Cheese: Nice, let’s go. *leads the way*
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christiansorrell · 6 months
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NO RETURN - A sad little lyric game
This is a game about everything taken by time.
We will not be going back to these things. We cannot. Every moment is a point of no return.
We can only think of them, a secondhand internal recreation of an unreliable firsthand account.
FIRST: Think of a time, a person, or a place you have lost. 
What about it can you never return to? Why?
Example of Play: "A Christmas day at my grandmother's house. Over two decades ago. Yeast dough rising on the counter. My mom and aunts chattering from the kitchen. My dad and uncle are in the living room, idly watching TV (and us, the kids). I'm sitting on a cloth recliner near my brother and cousins. We are absorbed in our video games. I can hear the music from Dragon Quest Monsters. "I cannot return because my grandmother is dead, but yeast dough still reminds me of her. The house is no longer ours, lost to my family as part of the cruel economics of end-of-life care. I'll be leaving the state (and much of my family) soon."
SECOND: Think of what you still carry with you from that which is lost. 
How did you keep it safe, against all odds? Why?
Example of Play: "My grandmother's recipes, two binders full, kept by her on a shelf in the kitchen for decades, removed from the house by my mother (after my grandmother's decline), and brought to me a hundred miles away. I'm scanning them into the computer, hundreds of handwritten index cards splattered with old broth and bacon grease. I'm going to take these thing and make them digital, keep them safe online and off. Keep them here with me and my mother and her sisters, in a place off to the side of time, as long as we can. Every now and then, we'll eat the same food as we did and try (futilely) to return."
THIRD: Think of what you have now that will be lost (all things in time, of course—even yourself—but choose one). 
When will you lose it? Why?
Example of Play: "My lifelong home. The only land I've ever known. Born, raised, and lived all these years within a single state, within 25 miles even. Sometimes, I love it here. Every good person, place, and time in my life was or is here. More often, I hate it here. The background radiation of hatred (and a sad familiarity) is getting stronger. I am leaving, as soon as I am able, for another land, a new home. I need to breathe new air."
FOURTH: Think again of what you currently have, where you currently  are, the people that currently surround you. If you have something you don't want to lose, you win (for now).
------
Originally published at a hidden link on my personal site HERE.
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✨More incorrect quotes for you smokin’ hot lovelies✨
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Loui, after getting hit with two back-to-back hurricanes: I think my guardian angel drinks.
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Connie: Define “dream”. 
York: Dream - the first thing people abandon when they learn how the world works. 
Connie: That’s too dark!
Mass: No no, he’s correct-
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Gov: Everybody shut up, I'm thinking. 
Florida, patting him on the back: Well, don’t think too hard. I wouldn’t want you to hurt yourself.
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Connie: Treat spiders the way you want to be treated! 
Mass: Killed without hesitation.
Connie: *is now having to accept the fact that all his younger siblings are all mentally ill and dead inside*
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Jersey: Knowledge is knowing that a tomato is a fruit, and wisdom is not putting it in a fruit salad. 
Connie: That's deep. 
York: That means that ketchup is a smoothie. 
Connie: That's deeper. 
Mass: ...You guys are idiots.
============================================
Tex, tipsy and hasn’t slept in days: Vegetable oil is made from vegetables, coconut oil is made from coconuts, so BABY OIL- 
Utah: CAN'T WE JUST HAVE A NICE DINNER FOR ONCE?!
Florida, patting Tex on the back: I’m proud.
============================================
Gov: You've been given a new job to do, but I'm worried it might make you angry. 
Mass: Just say it quick, like ripping off a band-aid. 
Gov: You have to teach Florida how to read.
Mass: ...put the band-aid back on.
============================================
York: Never gonna make you cry! 
Jersey: Never gonna say goodbye! 
York: Never gonna tell a lie— 
Mass: I will hurt you.
============================================
Loui: If I punch myself and it hurts, am I weak or strong? 
Mass,trying to be somewhat nice: Strong. 
Jersey: Weak. 
Tex: An idiot, is what your are.
============================================
York: Ay Mass, can ya help me? All of my clothes keep disappearing for some reason. 
Mass, wearing a hoodie that's 3 times bigger than their size: Spooky.
============================================
Gov, pointing to the wall: What color is this? 
Jersey: Gray. 
Tex: Grey. 
Gov, turning to Loui: Now tell them what color you think it is. 
Loui, in desperate need of sleep: *quietly* Dark white…..
============================================
Utah, near tears: Please, Florida, I don’t speak meme! I don't know what a 'yeet' is!
============================================
York: How would you like your coffee? 
Florida : As dark as my soul. 
York: Got it, one cup of milk coming right up!
============================================
Loui, very hungover: I wasn’t that drunk. 
Mass: You tried color my face with a highlighter because you said I was important. 
Loui, hugging him in a tight bear hug: BECAUSE YOU ARE!
Mass: I’m quite the opposite actually!
Loui: Noooooo 🥺🥺🥺
============================================
Tex: You want some leftovers? 
Florida : What are those? 
Tex: You've never had leftovers before? 
Florida : No, ‘cause I’m not a quitter.
============================================
Gov: I only have two emotions: exhaustion and stress. And I’m somehow always feeling both simultaneously.
============================================
Connie: Where's Mass? 
Gov: Don't worry, I'll find him. 
Gov, shouting: New York sucks! 
Mass, distantly: York is the best person ever! Fa(speaks Boston) you, only I can insult him!
Gov: Found him.
============================================
Gov: Wow, I really think I would’ve gotten along with young Jersey! 
Jersey: I know. That’s why I decided to change everything about my life.
============================================
York: What do we say when making bread? 
Tex, glumly: That's the dough rising.
York: And what do we NOT say? 
Loui, sadly: That's the yeast f(speaks New Orleans)in’….
Utah, from somewhere in the house: NUH UH THE CHILD IS NOT ALLOWED TO SWEAR!
Loui:…..Fu-
============================================
Loui, after him and York ran into the people that bullied York for being skinny amongst other things: I'm a nice person, but I'm about to start throwing rocks at people.
============================================
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plateaus-canyon · 3 days
Text
Canyon's Crk thoughts: the beasts r yeasting (Beast-yeast 2)
SPOIILERS 4 CRK BEAST YEAST CHAPTER 2!!
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You know what? They killed me. I'm dead. Of laughter. Thanks cookie run kingdom writing team you have murdered me
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Red text?? Also thanks a lot shadow milk you SPOILED dark enchantress' PLANS
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Okay that puppet does look cool (is this the first time ive seen handsome??)
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They won't kill him? Surely they won't kill him? (They did)
Also animatronic? My guy thats a puppet
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Oooo the beasts make their appearance
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No way is that- no way- no way is that ddlc-
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WHY DO THEIR FACES MOVE LIKE THAT (dark cacao's?? Wha??? Huh??)
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MONOKUMA?? (two)
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Ya know, i think that whole statement was a contradiction
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I would make a reference but i don't have one. Anyway have you heard of this guy called fantoccio from billie bust up
Well there's the ending! Or an ending
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welcometololaland · 9 months
Note
Please pick your favorite or answer all, up to you because as you know very well, I cannot make decisions lol:
Top 5 Poets (and/or Poems) 📖
Top 5 Rom-Com Movies 🎥💖
Top 5 Logan Echolls Moments 😭 (#Justice4Logan)
Last but not yeast… 🥁
Top 5 Types of Bread 🥖
Sonia....you are an icon. Always seeking to go above and beyond. Which makes sense because (much like myself) you are the eldest child. Permanently tired, eldest child overachievers please raise your hands.
I'm gonna do the top 5 Logan moments (although they're more like quotes and parts of Logan that I LOVE) AND THEN I will do the rest via reblog (because I need to carefully consider my responses). By the way, I'm only doing seasons 1 and 2 because they're the best:
1 "I thought our story was epic, you know, you and me. Spanning years and continents. Lives ruined, bloodshed. Epic."
Obviously, one of the PEAK LoVe moments on the show - I was SO MAD at Veronica for running away from this. This was Logan at his most vulnerable.
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2 "I'm sure I'll thoroughly enjoy them. Right up until my oesophagus closes up and cuts off my air supply and I shuffle off this mortal coil."
Aaron was absolutely responsible for Logan's trauma and I loved these moments where Logan let him have it (see also: "When is my birthday? Wow. You got a letter right.")
(couldn't find a GIF for this one but have Veronica and Logan kissing in the same location).
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3 "Well first, I'd just like to say the other, uh, nominees are all such wonderfully gifted criminals. And I wanna thank my agent and my publicist for always shooting me from the left side."
Classic bad boy Logan humour - even when he's being locked up. I love that Logan's hatred of Don Lamb is equal to Keith's, Veronica's, Weevil/the PCHer's...even though he is a rich white boy.
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4 "But if you're coming home, who will play dead hooker 2 on CSI next week?!"
He's so damn witty and sharp, and some of his best lines are when he's sparring with Trina (see also: "I just can't get him off my back"/"Did you try standing up?").
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5 "You're not a killer, Veronica."
I mean I've literally adapted this line so I think it's obvious why I love it. Veronica is the main character she ABSOLUTELY needs no man - but I love the moments when Logan steps in as the voice of reason or helps hold her together.
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BONUS!!!!
"well there was this one girl. blonde, petite. smelled like marshmallows and promises."
"promises? that's the name of my perfume!"
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holystormfire · 2 months
Text
What should have our attention?
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Ecclesiastes 7:13
Accept the way God does things, for who can straighten what he has made crooked?
John 5:19
So Jesus explained, “I tell you the truth, the Son can do nothing by himself. He does only what he sees the Father doing. Whatever the Father does, the Son also does.”
We should pay attention to what God is doing and the way he is working in our lives and in the world around us.
Hebrews 2:3-4
So what makes us think we can escape if we ignore this great salvation that was first announced by the Lord Jesus himself and then delivered to us by those who heard him speak? And God confirmed the message by giving signs and wonders and various miracles and gifts of the Holy Spirit whenever he chose.
Luke 8:18
So pay attention to how you hear. To those who listen to my teaching, more understanding will be given. But for those who are not listening, even what they think they understand will be taken away from them.
1 Corinthians 2:2
For I decided that while I was with you I would forget everything except Jesus Christ, the one who was crucified.
We should pay attention to the message Jesus has for us. What Jesus says is reinforced by who he is—God’s Son. If Jesus was not God’s Son, he would be incapable of raising us from the dead. He would have no power to save us and take us to heaven. Think of the most important person on earth. If that person wanted to talk with you, would you listen? Would you give him or her your full attention? How much more important is the Son of God!
Psalm 119:78
I will concentrate on your commandments.
2 Peter 1:19
Because of that experience, we have even greater confidence in the message proclaimed by the prophets. You must pay close attention to what they wrote, for their words are like a lamp shining in a dark place—until the Day dawns, and Christ the Morning Star shines in your hearts.
God’s Word deserves our attention. Through his Word, God speaks to us and brings us life that last forever.
Proverbs 16:20
Those who listen to instruction will prosper; those who trust the Lord will be joyful.
Proverbs 19:27
If you stop listening to instruction, my child, you will turn your back on knowledge.
Proverbs 22:17
Listen to the words of the wise; apply your heart to my instruction.
Proverbs 5:13
Oh, why didn’t I listen to my teachers? Why didn’t I pay attention to my instructors?
Proverbs 5:1
My son, pay attention to my wisdom; listen carefully to my wise counsel.
It’s essential to pay attention to the instruction we receive from God’s Word and from wise counselors or teachers. If we don’t, we may be turning our backs on God himself.
Matthew 7:15
Beware of false prophets who come disguised as harmless sheep but are really vicious wolves.
Matthew 16:11-12
Why can’t you understand that I’m not talking about bread? So again I say, “Beware of the yeast of the Pharisees and Sadducees.’” Then at last they understood that he wasn’t speaking about the yeast in bread, but about the deceptive teaching of the Pharisees and Sadducees.
We must be alert to the deception of false prophets and false teachers, those who twist God’s Word to make it say whatever they want. Pay attention to their wiles, but not their words. If a person is not speaking for God, we should not accept that person’s teaching as from God.
Mark 13:32-33
However, no one knows the day or hour when these things will happen, not even the angels in heaven or the Son himself. Only the Father knows. And since you don’t know when that time will come, be on guard! Stay alert!
Luke 21:31, 34-36
In the same way, when you see all these things taking place, you can know that the Kingdom of God is near . . . Watch out! Don’t let your hearts be dulled by carousing and drunkenness, and by the worries of this life. Don’t let that day catch you unaware, like a trap. For that day will come upon everyone living on the earth. Keep alert at all times. And pray that you might be strong enough to escape these coming horrors and stand before the Son of Man.
1 Thessalonians 5:4-6
But you aren’t in the dark about these things, dear brothers and sisters, and you won’t be surprised when the day of the Lord comes like a thief. For you are all children of the light and of the day; we don’t belong to darkness and night. So be on your guard, not asleep like the others. Stay alert and be clearheaded.
Be prepared for the day when Jesus promised he would return again by paying attention to the way you live. Live as if he is coming back today.
Ephesians 6:18
Pray in the Spirit at all times and on every occasion. Stay alert and be persistent in your prayers for all believers everywhere.
Colossians 4:2
Devote yourselves to prayer with an alert mind and a thankful heart.
Matthew 26:41
Keep watch and pray, so that you will not give in to temptation. For the spirit is willing, but the body is weak!
Your prayer life deserves your focused attention. That’s how you best connect to God himself.
1 Corinthians 16:13
Be on guard. Stand firm in the faith. Be courageous. Be strong.
1 Timothy 4:16
Keep a close watch on how you live and on your teaching. Stay true to what is right for the sake of your own salvation and the salvation of those who hear you.
1 Timothy 4:8
Physical training is good, but training for godliness is much better, promising benefits in this life and in the life to come.
The growth and strengthening of our spiritual lives deserves our attention. If it pays to exercise our bodies so we keep them healthy, how much more it pays to build our souls so they are healthy.
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quotidian-oblivion · 8 months
Text
Wasn't tagged but decided to do this.
Repost and tell me how you draft as you write. Do you write in order? Do you start with something particular? How fully formed does your writing come out the first try? How many drafts do you go through? Tell me about your process because I’m curious!
*takes deep breath* o k a y.
First off, I rant. Don't know when, don't know where, once it was on a family trip on a ferry. But I rant. I rant about the plot. Sometimes, it's an excited rant, sometimes, it's an angry rant. My fics are always born out of some type of emotion. I rant pages and pages. If there isn't enough ranting on a doc, the fic doesn't work out (unless it's a oneshot), simple as that. Most times, I rant in one go. I cannot go back to ranting if I get interrupted for an extended period of time. So if I'm ranting about a possible fic, and someone interrupts me, they'll probably dead (/j). But occasionally, for some fics (it's random), i manage to go back and rant out more of a plot for them. The ranting nearly always happens at night.
Secondly, I let the rants stew for a long long time. Like wine in the basement. I don't know how alcohol works, I'm Muslim. But you get the idea. Oh! Another comparison, I let my rant-fics stew for a while like bread dough before you put it in the oven. Yk? To let the yeast to its thing. Yeah, okay, I'm gonna stop now. Sometimes, I go back and read the rants. Just for fun. Cuz those rants are fics made just for me and I enjoy them to the fullest extent.
Third, I come back if I'm in that fic's mood and decide to flesh it out and add chapters. And so I create the first chapter, copy+paste the part of the rant which will fit that chapter, and then I add more details to flesh the rants out a little more and make it into a more substantial and understandable plot. I add some missed details, close some holes, this is the most crucial part of my editing because this is the only time where major editing happens. If I need to make a major edit when I'm later on in the fic-writing process, I abandon it (most of the time). So yeah, this is the most crucial part. Sometimes, the chapter notes (I call it chapter notes), get so lengthy and detailed that they're good enough to be first drafts. So I consider them first drafts most of the time rather than chapter notes.
Fourth step, I do the extra bits. Which is generally the spontaneous stuff and whatever comes in mind. Like tags, ao3 notes, research etc.
The fifth step is actually writing it out. Or well, turning the first draft into a second draft, more comprehensible for other people reading. This is best done when I'm sleep-deprived and at night while I'm in bed with my sisters beside me, dozing off as my phone repeatedly falls and hits my face.
Sixth and last step is just editing. Grammar, little plot holes, adding or deleting a line here and there. Usually, this happens over a course of weeks cuz the bigger the gap I visit the document, the better I edit and think more objectively and clearly about this. But if the gap is too big, I get insecure and think the fic is cringe and delete the whole document. Just kidding, I stopped deleting my writing a while ago, but I abandon the story and shove it to the deepest depths of my head and docs. While writing, because I don't want the flow to break, I leave notes for future me [like this] (bolded and underlined in square brackets) and most of the time, they tell future-me about why the character has done a certain action, or what they will need to do next, and more commonly, telling future-me to find synonyms for words or the meaning of words I know, but am unsure about.
Aaaaaaand, then I post!
Obviously, this is different for one shots. One shots, are spontaneous and are generally written in one-sitting, but not all the time.
Oh! Also, I write chapters in order, but I don't plan it in order (which includes ranting and chapter notes). Sometimes, I get visions of cute moments or just stuff I want in fics and they're almost always actually comprehensibly written out scenes rather than babble only I can fully understand, and they go at the bottom of the document under 'Extracts'. The extracts can happen at any time as long as it is before the last step. If it comes when the sixth step is in place, I don't write it down or transfer it to another fic.
Anyway, yeah, I like rambling about things. This was really long. Ig I go through a total of... 6 or 7 drafts? Including the ranting as a draft. But this is only for multi-chaps. Oneshots vary.
No pressure tags: @wakkoroni @sardonic-sprite @tristicorde @cygnusdoesthings @pevensiechase @foursixtwonineoh-pieces-of-lego @uncertainwallflower
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cookierunauprompts · 4 months
Note
Hi, first things first *breaths in* omg we’re getting shadow milk cookie content within a few days! It’s a goddamn dream come true, the brain rot shall continue heheheh!
Anyways *ahem* I saw that post about golden butter cookie and now I think that our two oc’s are like, perfect parallels to each other? Like first off we have the pair of both the oldest and youngest, secondly they both have the mental health issues ™, they both create little constructs (which wasn’t intended I promy), and both were ancients that didn’t overtly turn evil or at least cause major destruction.
As a result of this I’ve made an au where both exist and help each other through their journey on beast yeast! I’ve dubbed it the “it takes two” au, where just as stated they help each other deal with the new situation brewing on beast mainly their friends being released and dark enchantress cookie. To varying results of course.
Now I don’t feel like I have the right to write for your character directly but I’ve come up with some scenarios and information! I hope you enjoy it!
-first of all having someone to talk to about the whole *situation* will be quite helpful and having them actually understand like fully, it’s like a gift sent from the heavens
-next I feel like arcane will try their darned best to help golden deal with their very clear depression, she’s learned to exist with hers over what like the past 1000 years for her. Will she open up to golden about her issues to much, no they feel like their issues don’t matter in the grand scheme of things so they’ll do that meme. “I’ll keep my feeling in here, and one day I’ll die”
-I feel like I’m this au arcane would rather die than admit they have feelings for shadow milk cookie, since they probably know or have guessed that golden had a crush.
-as the story progresses I feel like arcane egg will become more distant as time passes, which will start to mark the down fall and her ever diminishing defiance turning into hopelessness. The light of defiance was already quite diminished thanks to her mental health decline and loneliness long before returning to beast yeast. But NOW, there's a big storm coming and their being pulled under the waves.
That’s all i really have for now on that au but now new fun fact about arcane egg cookie!
Their technically dead! Will I elaborate? No you’ll have to wait for explanation on that one but I got a hint. It’s related to their soul jam :)
Anyways I hope you had a good read, and feel free to expand upon the au. I’d love to see it!
Ps: thanks for listening to my rambling and sorry for any spelling errors
I have been thinking about this since it first dropped into my inbox during school. so let's go.
First off, I absolutely agree on the parallel thing. Plus, I'm pretty sure that the two of them are yellow-themed as well. Well, Arcane Egg is more white, but their pallets are similar. Yet another parallel!
And as for 'It Takes Two', it can either be really funny or pretty angsty depending on which Goldie timeline I decide to use. If Goldie had left the Toy-Box(under the name of Butterscotch Cookie of course) and met 'Egg Tart Cookie' then she'd probably be rather suspicious of them mainly due to the fact that she can sense that they've had a soul jam in the past.
I do believe that Butterscotch would talk to Egg Tart privately just to confirm what or who exactly they are, it would also be funny if they did this before Elder Fairy explained the fallen heroes story. Assuming that they join up with Gingerbrave and co here.
As for the one where Goldie doesn't leave the Toy-Box on her own... Well, for one it's a lot angstier since Goldie isn't as... well, well off if she's stayed in the toy box. It also depends on if it's Egg Tart or Arcane Egg that shows up, and if gingerbrave and co are there.
point is she'll be suspicious of Egg tart no matter what.
Also, another 'fun' thing considering the Goldie lore. Considering that the last time Shadow Milk visited her he gave her a kiss and said that he loved her before leaving the toy-box... yeah. Also Goldie definitely has feelings for Shadow Milk, and has ranted about what he did to her to Arcane Egg before. So yeah! fun.
Also about the whole Arcane Egg technically being dead thing... that's rather interesting! Did they 'die' when they gave away their soul jam? Cause I do know that they did that.
also yes having someone to explain everything to her would be a god send for goldie, and might make her a bit better as well... maybe.
-
Also also also, feel free to write for Goldie if you want to! I'm excited to see how you might characterize her. I also don't mind if other people want to write for my ocs, i find it interesting to see how they could interoperate them!
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Text
snippet of a Skyrim fic I’ve been meaning to post. a pretty good, quick summary of my current Dragonborn concept.
small-town homebody returns from first adventure to find that her home is not as it always appeared to be. but then, neither is she. and neither is the cat on her shoulders. -
It was all so much the same: the hearth fire, working its way toward roaring as evening came on; low, warm light dimmed by smoke; the soft scents of yeast and honey; familiar voices chattering, while Embry snored at his seat and Sven plucked a heartsick tune. The Sleeping Giant slumbered on, exactly as she’d left it months before. There was only one thing that had changed.
As she stepped inside, people who had known her all her life looked at her with wary curiosity. In the doorway, backlit by fading sun, she looked like any traveler, in rough armor with a weapon on their hip, tall and broad and tusked, not from around here. Only when she smiled did they recognize young Signy, not dead after all.
A cheer went up; everyone wanted to buy her a drink. Everyone had heard the stories, everyone wanted to know if they were true. It was the sort of thing she’d dreamed of when she was the one bringing out drinks, but today, she’d been traveling for hours in the cold, and there was still something to do before she could sleep.
Khali, who had not moved from her comfortable perch on Signy’s shoulders for about sixteen hours, leapt to the floor and circled her ankles. When anyone came too close, the little cat hissed.
Everyone familiar with the erstwhile tavern cat knew not to push their luck.
“Sorry!” Signy said. “She’s just—Kha—I mean, Duchess, stop, it’s fine. Sorry, everyone, I just came to see Delphine, actually. That’s all.”
Signy’s name had flown around the tavern. Delphine was at the bar, ready with a mug of mead, watered-down and honey-sweetened, to slide in her direction.
“On the house. You’re back sooner than I thought. And you’ve brought our dear Duchess back safe, too.”
Signy caught the mug but didn’t drink. She wasn’t sure how to reply. “I guess so… Delphine, do we have an attic room?”
Signy didn’t notice, but Khali, returned to her perch, did: Delphine paused.
“No. We don’t have an attic. You know that.”
“I know! It’s just that someone thinks you do.”
Signy offered the note that she and Khali had found in Windcaller’s tomb. Again it was Khali who noticed that, though Delphine glanced at it, her eyes didn’t move to read the words.
“Someone did stop by, asking if they could leaving something here for you. Maybe that’s who you’re looking for. Let me get Orgnar on the bar and I’ll show you.”
Retrieving a key from somewhere beneath the bar, Delphine went to the door of a corner room that Signy had never seen rented out. She’d assumed it was a closet of some kind, but as Delphine opened the door a sliver and ushered her inside, she saw a bed against one wall, a wardrobe against the other. When Delphine closed the door behind them, Khali’s tail snapped against Signy’s neck. She hissed low in her throat.
Startled, Signy said “What—?”
Delphine had opened the wardrobe. Assuming the question was for her, she paused and said, “You worked for me for a good couple years. I think I can trust you…with this much, at least. Can you keep a secret?”
Trying not to glance at Khali, Signy said, “Yes. What’s going on?”
In response, Delphine opened a false back in the wardrobe and descended inside. At once, Signy loped after her, vaulted the stairwell, and turned a wide-eyed circle at the small, secret room that awaited. Weapons bristled on the walls. In one corner, hay bales had been dragged out to form a training space, the walls around it pocked and scored. The training dummy had pointed ears. Books lay open on every surface, maps tacked onto the walls, all scrawled over in thin, spidery writing. The map on the central table was the most marked of all, held down at the corner by heavy, notated books, in some places so thick with notes that they became unreadable. Delphine walked to the far side of this table, placing it between her and Signy as she watched the other’s reaction.
“Has this always been here?”
Delphine shrugged. “As long as I have.”
“This is…what?” Signy laughed, unsure if it was the right thing to do. All the years of her life, she’d known Delphine as the stoic innkeeper, but this—it was an adventurer’s storeroom, or a general’s office. “What is going on?”
“Same question to you. All the stories, not to mention the Greybeards, are calling you Dragonborn.”
The rumble in Khali’s chest was enough to put Signy on her guard.
“People say a lot of things.” She shrugged self-consciously.
“You wouldn’t have my note if the Greybeards didn’t believe you were the one. They wouldn’t send just anyone after that horn. The question now is, should I believe it?”
“Your note? You made it through that tomb? Delphine, what…?” Signy waved her hands around the entire room, not knowing where to point first. “What the fuck is going on? Who are you?”
That unflinching expression of hers finally shifted toward something halfway sympathetic. “I’m sorry for dragging you into this. It was better when no one in town had to know, but if you’re really Dragonborn, someone is going to involve you eventually.” Delphine sighed. “Better for me if I’m the one to do it. But I have to make sure the Thalmor haven’t gotten to you.”
“The Thalmor? To me?” Signy gestured to herself, all six and a quarter Orcish feet. “In what world?”
“I’ve been fighting Thalmor a long time. I’ve learned not to underestimate them.” She laid a hand on the map beside her. “I have reason to suspect they’re involved with the dragons. It wouldn’t surprise me if they’d corrupted even you.”
That went through Signy’s heart like an arrow.
“Fuck off! My momma fought your stupid war. She killed Thalmor, and then she lost her home anyway—”
Delphine waved her hand. She was inspecting the map beneath her fingers. “None of that matters now. What matters is that you might be Dragonborn.” She traced a line drawn in red. “If we can find ourselves a dragon, you can prove it to me.”
“Why do you care?”
There was a jagged edge to the question. Signy had known Delphine for all the time she could remember. She had moved to Riverwood not long after Signy’s momma, when Signy was still a baby. For gods’ sake, she’d worked in Delphine’s tavern for the last four years. And Delphine had known her. They hadn’t been close; Delphine wasn’t close with anyone. But Signy had always tried to be kind. It hurt more sharply than she was willing to admit, that Delphine did not seem to have cared.
Still, she seemed to hear the note of hurt. She hesitated before deciding, regardless,“I’m sorry, Signy, but I can’t tell you. Not until I’m sure. It’s too important.”
A growl rumbled from deep in Khali’s body. Signy had forgotten she was there, but now the little cat stood up on her shoulders.
“She does not have to prove herself to you…Blade.”
And Delphine betrayed an emotion that Signy had not known her capable of: surprise. For half a moment, she gaped at the talking cat. Then daggers appeared in both hands as she sprang into a defensive stance. Those were warrior’s eyes, Signy realized, as they darted around assessing the room, settling on Khali. And there was hate in them.
“Thalmor. I should have known. Signy—”
Signy felt Khali’s fur fluff in fury. “This one is not Thalmor. Do you think you would still be alive if she were? Do you think this room is very hard to find? It is because of this one lying to the Thalmor that they have not already killed you. This one may bow to Aldmeri with her head, but not with her heart.”
“Signy,” Delphine repeated, “don’t move. That creature on your shoulders is exceptionally dangerous.”
“No, listen to her, she’s not—”
“That creature has a name! She is Khali, called after the great Mane of the ancient Interregnum, she whose soul was split in two and held in twin bodies for the twin moons!”
Khali leapt onto the table. Delphine adjusted instantly, lowering one dagger to her level, but Khali just flicked her tail in irritation.
“Your paranoia has made you blind. You trust a house cat to be what it is, but you do not trust a woman you have seen grow from childhood. You dream that Aldmeri could control the dragons. You cower in hiding—”
“You Thalmor scum—”
Khali’s claws emerged, tearing points into Delphine’s map. She was only a little cat, but there was a presence to her that filled the room. She did not have to raise her voice to be heard.
“Do you think you are the only one who has suffered at the hands of the Thalmor? Do you have any idea what they have done in Elsweyr? This one has done more by pretending to serve than you ever managed in your war. Far more than you do by hiding in your cellar.”
“Shut up, cat.”
Signy had been so drawn by the force of Khali’s voice that she had not noticed the poison in Delphine’s eyes. Looking now, she saw the daggers quake in her hands, and she knew, because Signy was good at knowing these things, that Khali had cut her very deeply indeed.
Khali saw the daggers shake too. She curled her tail into a question mark, daring her.
“This one is not afraid of you, Blade. As she says, you are blind. Has this one not already shown that she is more than you can see?”
Delphine was already lunging. Signy screamed, knowing she wouldn’t miss. “NO!”
But Khali’s Voice was a half-step quicker. She didn’t shout; in the same even tone that she’d been speaking, she said, “Fus.”
Delphine hit the wall so hard that it cracked. Signy dived for the table, scooping Khali into her arms, but Delphine stayed down.
With a glance at Khali, even with a twisting hurt in her belly, Signy offered her a hand.
Tears pricked the corners of Delphine’s eyes. She didn’t seem to notice. She just looked at Khali and said, “It’s you.”
Khali did not respond immediately. She returned to her perch on Signy’s shoulders and wrapped her tail possessively around one arm. At last, she gave a single nod.
“This one has proved herself. Signy has never needed to. You are the one who has lied; prove yourself to her.”
Signy opened her hand, still held out to Delphine. Delphine tore her gaze from the tiny Dragonborn with the angry golden eyes, and, seeing Signy attempt a smile, finally recognized her: not the weapon she’d been looking for, but the girl she’d always known, young and idealistic. She took her hand and let Signy pull her up.
“Right. Well, Signy. I’m one of the few surviving members of the old Imperial guard. We were called the Blades. We’ve been waiting for a Dragonborn for a very long time…”
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banepenis · 6 months
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Anyone else noticed this?
I really don't quite know how to formulate words to convey what I'm talking about in a way that doesn't make me sound like the most boring, shit-headed navelgazer, but, it's one of those things that, like, it's that nagging tiny bit of confusion that just won't go away, you're like waiting for that moment where you open the fridge door and suddenly just go "OH, I GET IT", but it hasn't arrived yet and it's looking less and less likely that it's ever going to happen, so, might as well send out my thoughts in the vain hope that someone can explain this to me. Still pisses me off just how much of a stupid thing to get this borderline obsessed over this is, but, man, I'm desperate.
So, like, basically everyone is familiar with the varying stages of, like, product placement in various places, and publicity stunts that every corp does from the tiniest startup to the huge giants who get sway in global politics. Like Mr. Peanut dying of septicaemia and then age regressing into a nutlet and then getting over it. The Mountain Dew-centric The Walking Dead episode. That one male BPD movie that was an elaborate commercial for Kraftwerk. The UK bread brand Hovis pivoting into beer and doing the annoying yeast connection and then getting it incorporated into the third season of Succession for all the alcoholism scenes. TF2 crossover items. It shows up in the weirdest ways, and sometimes it's "Char Aznable car" funny, sometimes it's sneaker war crimes. Gut punches and tummy ticklers.
Anyway, uh, I was with a few friends, playing the new Don't Starve Together special event. It's like a, I dunno some sort of "oh people are playing this game again, time to do a welcome back event to keep 'em coming" kind of thing, whatever, it's kind of neat, no weird season pass things just some cool largely aesthetic-only events that you can see if you frot a bush too weird. So like, I'm foraging, kind of just waiting around for everyone else to finish up with their really important thing they're doing, since I'd already finished up my chores like a handsome cherub of a boy boy, and I notice I pick up an item I haven't seen before. Some sort of junk, kind of thing you can probably refine into some basic resource, but I look at it, right? It's a can of Coca Cola. Like, unambiguously. Except, like, it doesn't say Coca Cola on it? Or even like, Coke? It just says "COLA'S" on it. That's weird, like, I heard they got this kind of brand deal, but why would they then just completely fake it for the joke, like McDoneits? And like. It's not uncommon to put references to things in item descriptions, it's cute sometimes. I read over this Coke can's description over and over again and I just can't fucking parse it. It just says, "WITH OR WITHOUT, CAN YOU TAKE IT?" It's some completely bullshit, absurd, over-the-top creepypasta "hyperrealistic blood from the eyes" type wording. Never seen it before.
So I like, look it up, boolean my DuckDuckGo searches, safe search off just in case, and it, like, takes me to just the regular old Coke website. On the front page, where they've got their current events and whatnot usually, it's just this huge diatribe about this new, "healing, feedback-responsive" re-branding effort they're doing? Which, first of all, makes no fucking sense. Like, the Pepsi UNIVERSE thing, where that one guy just went cummy about that peculiar and homely sphere, was unfathomable, but there was something comprehensible about it. And the time that the 7-Up Insurgency Split-off company made weird new flavors in celebration of their new creative freedoms like "CHERRY HELL" and "BLUE PINEAPPLE" and "CANDLEJACK SAUCE" and "TOP SHOT NASTY", a little unsettling, sure, but there have been weirder things. Like binky-inspired Victims of Communism merch you can buy to support your favorite loser and go sucksuck. "COLA'S" is just someone pretending to be excited the product, and they made it the new name of their whole company.
Whatever, I think, you know, I really don't care about what they do with their canned beverages and their skins, I won't be hocking any more or less loogies into strangers' cans while they're distracted by my long and awesome length, it really doesn't affect me. But nobody else is talking about this. It's, like, right on the website. I asked my friends, who I was gaming with in our TeamSpeak 3 polycule server (I'm not a part of any of that but like I'm cool so I get the member's pass) and they said they hadn't seen the item, so when they get back from chewing the cud I give it to them, and they pass it around like a biscuit, and they go "huh, weird". Completely reasonable reaction, the one I wish I could have had. I tell them this is apparently just the new great venture for Coke. They call me a retard, and it harms me a lot more than I made obvious because like, whatever, who cares? And I like, log onto my computer, and I send them screenshots of the Coke website. They call me a dumbass, it's fake, which humor man X account did I get this one from, when did I make this, dude we were gone for like five minutes what's your issue, you're pushing this way too hard. So I give them the link. They see it and then they go "okay". EUREKA! THANK GOD THEY UNDERSTOOD ME! WHAT WOULD I FOR MORE HAPPY!! But they kind of just leave it at that, they don't have much of an opinion about shit. That's why I'm not in the polycule, you know? Because I care.
Cut to the next day, we're not gaming anymore, I turned off your computer, I'm waking up from my new nightmare where no matter what I do I just can't stop that rat fuck Marley & Me from dying. I'm on my plane to my job at the biggest train on the country, I'm the one they let drive the train because I'm frequently the one so savant enough to track which button I have to push or lever I have to tug like a senior's pud to make the fuel squirt, the wheels whirl, the tracks widen, my fingers happen, the house on the other end of the house, and the pessengers hear my voice so I can tell them about the foods available at every station we'll be stopping at. Obviously I start my day at a train station, one of the ones at the very end, where the train is sheathed. First shift isn't until 20 minutes from now, so I'm just waddling around like a detective, get to see the guys who get paid to salivate on the walls so all the posters stick. Say hey, how're you doing, quite the weather to have, right? Yeah yeah, they say, kind of brushing me off like I'm a wasp but I slick back my wet hair and take it so cool. See the posters they're currently lubing up with tongue and buds.
It's a Coca Cola poster. An "old" one. Just completely normal. It's got "HAVE A COKE WITH THRUPPENCE" on it, like the good old days. I can hardly contain my anger. So I grab this guy by theHey guys does anyone have any recollection of this one TV show were it was, like, it wasn't Too Many Cooks, it was about these two guys where one of them was really, really huge, and the other one was about as tiny as a regular old thumbtack. I don't remember a damn thing about any of it, I'm pretty sure they just fucked around with recipes? Like one of them made a huge loaf of cake and the other one made a tiny little slab of cake instead, because he's approximately the size of a man if he were scaled exactly proportionately down to about two inches with like a ray gun or something. Heh. So like these chefs were, I think one of them could fly? I'm pretty sure it was the big guy who could fly and the small one could hop into one of his folds and travel around the world, helping people solve their cooking conundrums wherever they may end up. I don't think any of the lore of the show was all that well established in the show, they had too much action to get out of the way, it really sometimes did feel like they just, HAPPENED to show up at the place where someone gummed up their grandma's special recipe cup of spum. It really wouldn't surprise me if these charlatans were responsible for cursing all of these cooking appliances so they could engage in heroic deeds to spread their fame and famous, they really did seem like opportunists. Pinstripe personified. A real barberslop quartet.
At last, it's whatever, I'm completely spent, it's like, every single day for months and months goes like this, nobody's believing me, acting like I'm some kind of guy who cried hello, telling me like my information is at war because I'm conspiring about something stupid, it's just another day in the life of a monosexual. I'm getting the plane home and I have my check in hand, with all of those sweet, sweet dollars in my hands, the sweat from my palms is making the ink run but that's how I like it, give those thankless fuckheads at the bank something to challenge themselves with during their workday, I see them, always on my phone, looking at TEXTS, useing YOUBE. Yutube I mean. God, what would you do without me. You're kind of weird for ordering oinge juice with ice though, by the way. And your hair is dripping into my food. So, anyway, as I was saying, cokes just tugging my rump all the time with this shit. I don't wanna start going ME ME ME about everything but I'm fucking APPARENTLY the only guy in the world who knows anything about this, even though it's RIGHT FUCKING THEIR, and the COLA COMPANY, who is basicly like your teacher if you've lived in America, is just changing itself so weirdly and not even the lowest common denominator social meteor jokester is willing to go "uh, THIS just happened" about it. I can't fucking stand it, man! You can't just, do this to a guy. I'm fucking sick to my stomash. God. Oh, yeah, hey, waiter, any idea how long my mancakes will arrive? "Did I say pancakes", is that what you said? Yeah, that's what I said. Boing. Right, where was I, what are we here for... ah yeah, so like, I heard this Formula 1 thing is going well. Is that like a new thing? It seems really cool, nothing way cooler than a bunch of latex clad dudes sucking as fast as they can in big lead chambers of invisible fire. You think I could get into that? Like, I got my license when I was younger, zero points on it, I think there's no way that they can just refuse a guy fWait hold on what was that I said earli
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k0koii-yu · 2 months
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Giving my takes/opinions on KFP 4 just because…
[Spoiler warning just to be safe]
I honestly agree with what most people say about the F5 not being there being one of the reasons why it flopped. Ik it’s kinda a personal preference but to me it just felt empty without them?? Like they didn’t even appear as much in 3 as they did in the first two but still had some role to play. Chameleon turning into them during the fight against Po would’ve actually been at least made the movie slightly better. (We love you, Tigress 😭)
Speaking of, another issue would be the holes in logic that appear every now and then in the film. Like as Sabersparks (?) also pointed out, if Chameleon needs literal dead people’s spirit essence in order to use their techniques why was she able to fight Po as him with his techniques even if she didn’t take his?
And also the fact that the way they executed the whole theme of change feels… eh?? Like when Chameleon told Zhen to “not change for the two of them” to show that she only cares about her as a tool in achieving her goals and that she should stay the way if she wanted to remain it just felt kinda weird for me. I’ve seen someone say that Lord Shen had as much depth as she did but unlike her, we actually did get to see him do stuff that actually impacts people and the world around him (sure they could’ve did more, especially with the stuff in the deleted scenes, but Shen did leave crumbs of his personality rather than just yeast)
Other than writing, the visuals were also kinda meh in my opinion; like the action is cool, I’d give it that, but the coloring/scenes were either too saturated or too bland to me for some weird reason.
Over all, I’d give this movie a 4/10. When I think about it it’s not as bad as I thought but it’s still really low on my books and I felt nothing save for some irritation the whole movie. (My 8 year old self who used to be into KFP side media like LOA and Secrets who also did a whole presentation about Tigress and Viper using information from there would cry upon watching this)
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fezwearingjellybananas · 11 months
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Fic authors self rec! When you get this, reply with your favorite five fics that you've written, then pass on to at least five other writers. Let’s spread the self-love 💗
Picking favourites is so hard.
1. Definitely Sweet Defiance, that one just flowed while I was writing. The only problem with having an associated song while writing a fic is now every time Renegades starts playing I start thinking about space pirates again. Naming them renegades in the fic actually came before the song first showed up though and when I saw the name while making the playlist for it, it was so perfect (hence the title came from the song)
Eddie Thawne was a Captain in the Fleet, and very good at his job. He hadn’t meant to get caught up with a renegade, but Iris had spun a tale of corruption within the Fleet and justice for her lost love, it was the morally right thing, she didn’t deserve the label she’d been given.
Only her husband was not the fellow officer she’d initially claimed. Nor was he quite as dead as they’d thought. (Westhallen, T, 25k)
2. Ghosting has to be up there somewhere, I loved writing that
Hartley didn't like Cisco. So, if he was desperate enough to be asking Cisco for help with his apparently haunted house, maybe Cisco should take him seriously. There had to be an explaination for it all somewhere. Maybe with the electrics. Flickering lights definitely sounded like an electrical fault. Not ghosts, ghosts weren't real.
There's something going on with this house though.
(Hartmon, T, 15k)
3. I had really good fun writing The Questing Flower. I even drew a map
It’s rare that a Questing Flower will bloom, yet here was Iris with a golden flower in her hands, and a vow to do her upmost to succeed in a Quest no one’s ever succeeded in for over five hundred years, even though she hasn’t even passed all her other Knight Trials yet.
And then the Queen’s Son is gone, vanished from his room in the middle of the night, leaving no trace. It’s no coincidence the flower bloomed the same night, and perhaps finding Barry isn’t Iris’ Quest, but he is her best friend.
Besides, it’s not like she even knows where to start looking for the Moon. (Gen, T, 73k)
4. Flash Red; Vibe Blue is not my first published Flashvibe fic but because it took a bit to write I'm pretty sure it was the first I started to write and it still holds the honour of the only time a fic ever made me stop writing it so I can go to Tesco, buy yeast, and bake bread. The next scene was written while the bread was rising
In which Cisco runs into Wally West in Jitters and one spontaneous decision later, he’s moving in with Wally and Wally’s kind of cute brother.
Armando would probably have laughed at him, but Doctor Wells’ particle accelerator took Armando away from them, and Cisco has other things to focus on.
Like proving it wasn’t the accident Wells claimed. (Flashvibe, T, 12k)
5. Can I count the whole Tess Lives AU as one please, it is published as a series of 12 fics with snippets of the important story part of one AU rather than entirely rewriting series one, but I had so much fun writing that and I can't pick just one
Tess Morgan survives the car crash. Harrison Wells doesn't. So it's a little odd he's still walking around, and Tess is determined to prove the truth.
(Predominantly gen, featuring Westallen and Tess Morgan/Tina McGee, T, 32k total)
Thank you!
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tuiyla · 2 years
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How do you headcanon brittana in 5x20 had santana actually been in the episode lol like scenes etc., do you see Brittany's scenes going any differently etc.?
Anon! Sweet Anon. When I got this I thought this ask was very interesting but, unfortunately, it was the day I had a 10 hour-flight and went on hiatus so, oops, my bad on replying three weeks later. Hope you're reading this, let's go.
I think there are two main versions of this, one where we actually explain the confusion around Brittana in s5B and what was with Santana returning without Britt, and one (more likely would have happened) where we don't mind that and Brittany returns without acknowledging all that.
To do the latter first, I suppose this is what we could have gotten realistically. I'm not sure about the rumours surrounding 5x20 but IIRC there was a possibility of both Santana and Britt being in the ep, it wasn't an either/or. In which case, I don't see Brittany's scenes changing too much. She shows up the same way only instead of the Yeast-i-Stat line about Santana we have a throwaway meta joke about their Lesbos vacation and Troubletones scenes with Mercedes. I wish all people who robbed me of that a very step in shit, btw. And Santana is involved in at least some of the TV script scenes instead of Britt such as the ones that were obviously meant to be Kurtcheltana ones. Other than that, I can maybe see one or one and a half, if we're generous, actual Brittana scenes happening.
I headcanon that they would have reaffirmed moving to New York together after the tour, saving us the same dialogue from 6x03. Maybe a scene just before Pompeii where Santana's packing up to go on tour with Mercedes and Britt is helping her, Santana reminisces about New York and Britt having sent her there only for them to be in the city together this time around. Dare I say, even a throwback to the 4x04 laundry scene and a full circle moment now that they're together again? Just something soft and sweet with Mercedes coming in later and the three embarking on their adventure together. AS WE DESERVED. God, fucking Glee can pry my TT girls out of my dead cold hands. Anyway.
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Now, the second version is more complicated and less likely for Glee to have done. In this version, there's some tension when Brittany shows up in Bushwick though we have some of the same jokes. But something happened, minor fallout during their holiday, maybe Santana acknowledges that Brittany came back later than expected. You know, anything to make sense of the s5 timeline and what went down with them after they got back together. It still makes zero sense to me that Santana missed a few episodes, came back later without explanation as to where Britt is and then Brittany showed up in 5x20 not knowing where Santana would be. What? No way. So here we explain it through a minor conflict moment and maybe it makes it into the first version of the pilot script. The exaggerated version of their fight (which was barely a fight, anyway) makes Santana realize that it didn't matter that much. What matters is that Brittany is there, much the same as in the other version. This scenario gets us more Brittana content and like a tiny bit of conflict but only to explain the confusion of s5B. Same TT content more or less, same conclusion, sets up their s6 arc where Santana decides on the proposal.
I'm sure that even if Santana was in the episode the Brittana content would have been minimal, but I think there was a way of smoothing over their story even in just one or two scenes. Either way, I headcanon an alternate version of 5x20 being like a missing puzzle piece. It connects where we left them in 5x13 to where they come back in 6x02 and especially 6x03. Even if we joke away Britt's extended vacation, we still could have had a moment of reflection between the two that leads smoothly into the Mercedes tour. God, I would fight someone, anyone, so hard for tour content.
All in all, 5x20 pisses me off so much but I like the one with Santana in it in my head. She deserved one last NY episode and we deserved a taste of NYC Brittana. Mostly though Naya as a person and professional deserved better but I digress.
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snowsheba · 2 years
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ok anyway i finished aveyond 3-1: lord of twilight. thoughts below cut
characters
mel mel is about as resourceful as a walnut. hate this immensely. she's training as a spy and couldn't figure out her friend edward is the prince? she doesn't know basic geography? i get the gag of "she's stubborn and hates admitting she's wrong" but it got old FAST baby
i do appreciate that they lean into her selfishness though. i think it's EXTREMELY funny. like when you see eston and he's like i'm blind and lost :( and she's just like well i'm sure you'll find your way home :)
or you find out the merchant died and instead of saying literally anything else she's like "i guess he won't need his merchant pass anymore!!!!" like girl. you and stella were MADE for each other.
stella stella is perfect. i love her. perfect balance of ditzy and serious to underly whatever the fuck she's got going on underneath. 10/10.
i really REALLY like the dynamic she and mel have. it literally feels like mel is like "we can't do that" and stella is like 🥺 please and mel goes: ok... i guess we will do that. i deeply, DEEPLY desire more of them interacting in the next three games outside of the weird catty jealousy from mel at the start.
also, i think she and mel should kiss.
edward honestly edward pissed me off because he got more lines than literally anyone else and also he knows things because... he's the prince. ok?? i am a strong believer that edward thinks he's hot shit until he has to fight a monster and then it's mel who's pwning ass while he's freaking out in the bg. i think edward should be a himbo.
i hate that the writing rewards every single smug moment of his too. not only if he insufferably know-it-all but he's always RIGHT. and like yeah boohoo he doesn't believe mel's story but the writing is like "yeah but it makes sense he doesn't because vampires aren't thought to exist." WE GET IT. YOU LIKE EDWARD. WE GET IT!! WHY DOES HE HAVE MORE LINES THAN MEL, THE PROTAGONIST!!!
te'ijal i learned more about te'ijal in this game than any other aveyond installment combined. if anything, it made me feel more confident that i'm writing her in a way that works with game canon. i loved every single one of her stupid nicknames she gave people and i LOVE how she and mel get along. immediate synergy just because they've got shit to do and muscley men to help them do it.
i also think it was extremely, extremely funny when she gets untied and she's like "the sun! it's too late, my crumpet. we're dead." like LKJDSKLFJKSLDJF that delivery!!! also, what the hell is a crumpet.
galahad i looked up what a crumpet was and it is unsweetened bread made of flour, water, and yeast cooked on a pan. usually you put stuff on it. i bet galahad wouldn't. galahad looks as plain as a crumpet. i can see it.
this is probably the first time i've actually liked galahad as his own character, rather than how he can be used as a foil to others. also, shameless plug to read iz's fic about the bar scene because after i experienced it the fic became Very Very Important To Me.
others i like how professor gray's house remained locked up for the rest of the game. i thought that was very funny.
story
predictable in the classic rpg way. extremely good because of it. i do think it's very funny how heptitus plays into everything consistently. i also appreciate that you are rewarded for exploring everything!
gameplay
if i had realized the fast travel required activating the mirrors first i would've been happier throughout the game. unfortunately, i did not. whoopsies!!!!!
i think my main complaint is that it is super unclear what needs to be done next. you're given one dialogue prompt ("go east" "go west") and if you forget it you're fuuuucked. i didn't know what to do until i was like hang on i bet wine delivery guy will tell me the next town to go to! and he did! and i went there and got confused again. i ended up severely overleveled by the end of it because i kept wandering into places i shouldn't.
anyway i looked up a walkthrough and sorted it out but the idea that edward going "let's find civilization!" means to talk to the reporter and then talking to heptitus in witchwood makes sense is....... i mean. really?
conclusion
as always, a banger. hopping right into 3-2 🤪
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