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#f u photoshop!!
hiddenspringss · 1 year
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i just realized that the last time i posted something ts4 related was 2 MONTHS AGO ㅠㅠ we just restarted playing again so i have many many new screenshots to post (from gen 3 but i haven't even finished posting gen 1 yet; sigh why is it taking me this LONG)
i really want to post and be more active BUT photoshop is being a pain like i can't peacefully edit my pics without it closing itself and repeating me that i'm using an unauthentic version (DUH!) and then messages keep spamming out of nowhere (even when the program is closed) and this is driving me crazy and refrains me from even attempting to edit....... help
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shania-twain · 2 years
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leclsrc · 1 year
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it’s never over ✴︎ cl16
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genre: childhood friends to friends with benefits to lovers (a mouthful), smut, humor, Fluffff!!!!, several references to 70’s music, 
word count: 12.9k  
You must have lost the plot along the way, because pretending to date your childhood best friend was not on your 2023 bingo card. (Neither was the fact that things are looking a lot more real as time passes.)
nsfw warnings under the cut!
18+ because... handjob (f receiving), penetrative sex, semi public sex, praise central, size kink
auds here… hi hi hi!!! you’ve no idea how much i missed writing posting and interacting w u guys. thank u for all the love & follows i’ve gotten in my periods of mia. more things soon i promise ty for ur patience love love love u allll 🌟🤎🤠💋 this is my love letter to fic tropes. i feared if it was too long i’d lose the plot somehow so i had to condense it. i truly hope u all like it :) will try & reopen reqs sometime soon to get inspo kicking
It’s later than late. The lights are strobing purple and blue, the “let’s get you even drunker than you are” headache inducing kind. The floor is crowded, swelling with teenagers who are probably too young to get in, drunk off cheap aperol and watered-down tequila shots. You’re balancing yourself on a barstool, one hand busy wrapped around a slim glass, the other clawing your miniskirt lower because the air bites at your legs.
“Another voddy Red Bull!” You’re slurring, mind spinning almost as fast as your vision. You almost drop your empty glass in your rush to look for another one—but right as it slips clumsily out of your fingers, it’s caught. 
Charles, your cocktail’s knight in armor and yours just as well, is eighteen. His hair is  light brown and long, but not draping over his eyes like before. You know before because you’ve never not known before—Charles has been your best friend since you were five.
Snoopy, he says, voice steady and calm in your ear. His frame is still lanky but he’s tall and his grip on your shoulders is enough to quell the yelling. You pout. Get me another voddy red, you plead. Charlie, it’s my birthday. He smiles to himself, knowing your vision’s too cloudy to see him and your mind’s too bogged to remember any of this. You’d already slipped up and told two bouncers you were seventeen and not eighteen, like your poorly-Photoshopped ID suggested; Charles had to keep you in check, lest you or your friends end up kicked out of the club.
A song booms in through the speakers and your eyes widen with recognition. Charles doesn’t anticipate your reaction fast enough, affording only a stumble backwards when you attempt to leave the barstool to dance. He swears under his breath, mind recounting the five previous dance sessions that left you exhausted and out of breath earlier.
I’ll get you a vodka Red Bull if you sit down, he tells you. He enunciates because, twelve years later, you still can’t wrap your mind around his thick European accent. Sit down.
Alriiiight! You hoot, throwing two fists up in the air. Customary for many bartenders on nights as busy as this one, a free shot is thrust into your vacant hand and you cheer loudly, much to Charles’ chagrin. With whatever malice the eighteen-year-old can muster, he casts the bartender a dirty look before turning to face you again, worried. He places a hand on your shoulder and watches, half-anxious and half-endeared, you take the shot and visibly grimace at the raw taste. Fuck. It’s gin I think, you sputter. Charles presses: You okay?
More than, you holler, smiling. I am officially seventeeee— 
The bartender’s eyebrows furrow, the thirty-something businessman in the adjacent stool turns to look—so Charles has no choice but to shut you up, leaning in and pressing his lips to yours before you can seal your fate.
Your eyes widen briefly, and when Charles feels the passed seconds are sufficient, he pulls away. You stare, eyes hazy, at the pretty boy you’ve had feelings for since you turned fourteen, and lean in to kiss him again. 
Pascale is hosting her weekly Sunday brunch at the Leclerc residence, all French windows and wide kitchens and bowls of fruit. As always, your place is at the kitchen island picking at plates to taste test them. Bonjour, Arthur drawls when he walks in. He turns to Pascale. Mum. Then you. Snoopy.
You halt biting into your forkful of arugula and turn toward the younger Leclerc, eyebrows raised. “What’d you just call me?”
“Snoopy,” he says simply. He’s beside Pascale, one arm wrapped around her affectionately. “Or, Snoops, if you like that. Yes?”
“Who told you about that nickname?”
“Lorenzo.”
“Hasn’t been in use since your voice was cracking every sentence.”
“Tête de noeud.” Pascale swats his arm and he yelps, so you resume your arugula with satisfaction.
Charles is late for reasons he did not disclose, but everyone is used to it. The open kitchen door stretches into the front yard, where the table is set up and Lorenzo is setting the places. You know that although you usually expect a few more relatives, today’s just for the family—and you, but you’re basically family.
“How is Paris?” Arthur asks, licking hummus off a spoon opposite you. Your position is reminiscent of how you spent afternoons after school with Charles before, and the memory strikes a chord in you. Strange nostalgia, fondness.
“It’s fine.”
“Oh really?” He laughs in-between nibbles of carrot.
“I got an offer for a higher position,” you relent. Pascale calls you both, and you get up and walk toward the yard to sit down. “If you must know.”
“Oh? Let me know how that goes.” He follows you, carrot slice in hand, chewing. The conversation is cut short by the smooth noise of Charles’ decidedly un-smooth parking outside.
You’re seated at your usual spot—in-between Charles and Lorenzo, across Arthur—when the former finally walks into the yard. He looks tired, moreso than usual, bags under his eyes deep and hair a bit more disheveled.
He sits beside you. “I need to talk to you.” Then, quieter, “Private.”
You hum confusedly, eyes flitting across the three other people at the table to gauge their reactions. They’re equally aloof. “Wh—now?” He nods.
You end up talking in the kitchen. He’s sighing the whole fifteen steps there, rubbing the bridge of his nose, exhaling, inhaling. Ever observant, and of someone as close to you as he is, you pick up on the tiny actions, behaviors. Charles is wringing his hands. He’s tried to pop the same knuckle twice. He isn’t frantic—he’s scared. You lean against the counter, waiting, eyes looking him up and down to identify his exact emotions.
“Tell me,” you press. “Whatever it is, I won’t judge.”
“The—my—the iCloud of my phone has been leaked. The press found out.”
When you were eight and he was nine, you and Charles summered in Villefranche with your mum and dad. The weather then was the kind you could write love letters to and about—blue skies, salty wind, soft sand. The current was calm enough that you could ride the gentle waves without fear of going under or straying far from the shore, where your parents sunbathed blissfully.
Don’t drown, he’d warned you, ever protective. You wore pink floaties over your arms, so it was already difficult to.
You dove under with great effort, fighting against the buoyancy, and poked his bare knee, surfacing to watch his reaction. He grimaced. Slowpoke, you teased, swimming away. You wondered then what it might feel to drown. Maybe not in the blue water of Villefranche, but anywhere else.
You think it hurts to drown? You blubbered, bobbing above the wave. Charles swam in front of you and wiped water off your face gently. I hope you never find out, he said, smiling.
But this is you finding out. This is it now, the drowning. Your fingers flex over the edge of the counter and you gulp, eyes fluttering with nerves. “Shit?” It comes out like a question from how nervous you are. “Um, sorry. What are we—” But your question is cut short by Pascale’s voice, cutting through the tension like it’s wet cardboard. The agreement is silent and mutual: save this discussion for later.
Charles can’t wake up fast enough. There are calls, texts, voicemails from every officer on his team, which isn’t that surprising given he’s up two hours late. But the amount—the sheer amount of notifications is dizzying. Overwhelmed, he finds it in himself to pull up his search engine app and let his fingers possess themselves.
All he types is his last name, and then The Sun article is splashed onto his face like a pot of scalding coffee: “F1 DRIVER ICLOUD LEAKED, PERSONAL PHOTOS ALL OVER INTERNET.” Daily Mail is next, of course, watering down the situation to seem more dirty and scandalous: “Naughty Driver? Charles Leclerc’s iCloud Hacked, Reveals Mystery Girl.” And then of course Page Six, who doesn’t miss a beat—
Wait. He blinks and presses the back arrow to return to the previous webpage. He reads over it again, slower this time. Mystery Girl? Shit—no. No way. It’s almost (it should be) silly, the way he’s reading vigorously over the reports like he’s a fan, but he’s anxious. He scrolls, because if any tabloid is daft enough to publish the leaked photos, it’s got to be the Daily Mail.
He pauses his quick swiping when his eyes harden with recognition, and staring back at him, on his phone’s full brightness, is a picture of you on his lap at Christmas. It’s the one Lance took while attempting to guess Charles’ password, one of you wine drunk with his head buried in your neck.
It’s unmistakably him, at his own house in Monaco where the drivers had a holiday get-together. It’s unmistakably you, hair draped over your face, three gold rings on your fingers. You had just given him a Strokes vinyl, he recalls. That’s why you were hugging.
There’s another one of you playing Scrabble in his bed—he’s not in the frame, but he remembers taking it. This, he could deny. He’s not in it, and he’s pretty sure the fans don’t know his house this well. Already his brain’s doing manual damage control, dread filling his veins at the thought of reading through his team’s frantic messages.
Another message stands out, pinned on top of all the others—from his mum, reminding him about brunch. He gets ready half-focused, half-lucid. Fully worried. He worries about the PR crisis this may cause, about his iCloud security, about the reactions online. Above all, though, he worries about you. About what he should tell the press. About how “actually, we’re not dating, we just fuck constantly” might hold up for the fans.
You’re twelve and Charles thirteen, both of you seated across Hervé and Pascale. Behind them stand your own parents, and they all look stern. What this is, Pascale says gently, is a family meeting. Okay?
Okay. It leaves your high voices in shaky unison. You both know what you’re doing here—you snuck out of school to catch a movie earlier, the teacher naturally caught wind of the misdeed, and now you’re in a meeting for it.
Snoops, Charles whispers, trying to ease your nerves with lighthearted commentary. This is the worst.
No, you want to tell preteen Charles—this is. You’re older now, yet still subjected to similar questioning, though today it’s Pascale going solo. It’s been three days since the fated day where the press leaked the pictures of you and Charles in compromising positions, and like any boomer, she’s used Facebook to her advantage and gotten ahold of the compromising pictures, too. 
“How long?” Her voice is enunciated in hard syllables.
“Mum—”
“Answer the question.” She looks back and forth, moving into territory of intense questions. “Both of you.”
“Um.”
“Because… I’ve been…”
You notice it immediately, given your observant track record: her shoulders relax and her lips smile just slightly. You sit still, and wait for the next words out of her mouth. “…waiting for this all my life!”
You and Charles watch in mild horror as Pascale’s face goes from firm to absolutely elated. Her eyes soften and a smile spreads over her face, illuminating her with pure joy. Do you even know how many bets I made with your papa, Charles? She claps her hands together several times.
Charles opens his mouth to verbalize dissent, but she doesn’t take it—she’s already droning on and on about how long she’s waited for this to finally happen. Your eyes glide over to the doorway of the dining area, where Lorenzo and Arthur watch with smug looks on their faces. Little shits won’t help you. You don’t even try to protest, and at some point Charles gives up, too. You don’t know how it’ll come across, anyway.
Ninety minutes later, you’re in Arthur’s bedroom rifling through his desk and praying you don’t find anything too gross. He’s on his bed throwing a bouncy ball up in the air, conversing with Charles about your gameplan with their mum.
The sky outside is in limbo between afternoon and night. It’s cloudy, so the sunset is a pale yellow instead of angry orange. “Why not just tell her the truth?”
You’d also thought that was the easiest option, escape route, exit path. But that would involve breaking Pascale’s heart, and that was out of the question for you, let alone Charles, certified mommy’s boy.
“I can’t, Arthur.” Charles’ voice is steady and unwavering.
“You can.”
“No.”
“Fine. Next best thing then.”
You fiddle with a Rubik’s cube, then turn in the seat. “What?”
“Pretend you’re dating.”
��Arthur,” you say seriously. “Shut up.” But he doesn’t join you, and you realize neither does Charles. You stare blankly at both of them, unwilling to believe they’d actually bank on this as an actual plan. 
“You guys realize this kind of thing never works? Zero percent success rate.”
“It’s just paddock appearences. You’re not pretending for millions of people,” Arthur says, shrugging. He catches the ball and throws it to you—you catch it one-handed. “You’re pretending for Mum.”
“Sure. And by extension, millions of people. Are you dense, or do you think the paddock appearances will just breeze by everyone who saw the leaks?”
“Ughhh. You’re acting like it’s impossible.” Arthur holds his breath before he utters the next sentence. “Like you two aren’t fucking every other w—”
“—oh, my God!” Shocked, you get up, and so does Charles. “Wh—I’m—language, Arthur!”
Charles balks. “How did you even—”
“I didn’t. But merci mille fois for confirming my theory,” Arthur quips faux-sweetly, smiling dopily. “I mean, I was going to find out! Your pictures are so… intimate. So just pretend to date and throw Maman off your scent.”
You protest briefly, wrestling with the option, and reconvene on the bed, you cross-legged and leaning on Charles’ shoulder and Arthur in front of the both of you. He’s always had a knack for schemes—he never got caught sneaking out, which destroyed your and Charles’ record of being caught twelve times by either of your parents. It’s a bit childish, but he gets the job done.
“Do it for… let’s say a month. Tell Mum you’ve been dating a while—Christmas isn’t that long ago, and that was the least recent picture. D’accord?”
You both nod, hyperfocused. 
“During race weekends, be all over each other—shouldn’t be hard—especially in front of Mum. People might catch you doing it, but I wouldn’t worry.”
“No, wait—I mean.” You shrug. “People—tifosi—they know I’m Charles’ friend. They’re going to be all over the fact that we’re apparently dating.”
“Don’t worry. We’ll use palatable density,” Charles says, nodding.
You pause. Arthur does, too, sensing something off.
“You mean plausible deniability.” Your deadpan voice is tinged with amusement, muffled into his shoulder. 
“Right, ouais, that.” He smiles, chuckling a bit; his shoulder shakes with it and your head nearly slips off. He brings a hand to cup over your jaw and hold you steady. “Sorry.”
“S’fine.” You sigh. “I’m totally okay with this. Just worried it’s going to have unintended consequences.”
Arthur quells you with rushed explanations about how it’ll be over and you two can say something like we decided we’re better off as friends to really sell the thing. At the seven-minute mark of your and Charles’ intense interrogation, he promptly kicks you out to figure out if you’re willing to do it yourselves.
You wedge yourself into Charles’ front seat, knowing you were headed to his place anyway. You massage your temples with one hand and fiddle with the hem of your shorts with the other. Nervous. Antsy. “Did Fred say anything?”
“Got the IT team to fortify my account.” 
“You think this thing’s going to be okay from a professional standpoint?” You look up and toward him; he’s already gazing at you, eyes soft. “I’m worried. Plus, with my job offer thing in London and New Y—”
“Don’t be.” He starts the car and maneuvers out of the driveway, into the dips of Monaco streets and the familiar route back to his place. “Bitter with the sweet. The only thing you need to worry about”—he takes your hand in the centre console, laces your fingers together loosely—“is your acting skills.”
“God, you’re right.” You sigh, looking out the window. “How am I going to pretend I can stand you?” Then, for good measure, you squeeze his hand wrapped in yours.
You visit Monaco from uni in London over spring, and for the first time in months, your schedule aligns with Charles’—though you learn this indirectly when you visit the Leclerc home. Pascale, of course, is the one who tells you his new flat’s address before she presses a kiss to your cheek and then leaves to run errands in the city. Alone, and in a burst of excitement, you make the drive there, take the elevator upstairs and shove the door open without knocking. He’s there. Your Charles. You can tell because the music he plays is loud—The Kooks—like his ears are still fourteen and not twenty-one, like he’s still in middle school and not in Formula One.
“Save your eardrums,” you say, before beelining toward the couch and leaping onto him for a hug. He sits up to match your energy, arms wrapping around you, sitting up straighter to keep you from totally falling atop him. 
“How’s uni?”
“Shit,” you say into his hair. It smells like his shampoo and his favorite cologne. Clean, soapy. “Obviously. How’s the Ferrari?” 
“Amazing.” He smiles. “Obviously. How’d you know I was in? Mum told you?”
“Ouais. She’s running errands. Listen, can we drink tonight?” You sigh, parting from the hug and sitting across him.
Yeah, sure. His voice is concerned, thick with worry. You shake your head—it’s not that deep, you tell him. It’s just—I had a bad date before I left and it’s put me in the worst mood.
Oh? He leans back, clasping two hands behind his head as he goes.What happened? He laughs. 
You tense visibly, rolling your eyes despite yourself. “He was just weird. Nothing.”
He wiggles his eyebrows. “You shy, Snoops?”
Ha-ha. You roll your eyes, but your face is flushed and your gaze avoids him. You reach up to tuck the loose strands of hair by your ears behind them, face warm. You’d never talked with Charles about boys or flings before—maybe several times, but never in full detail. It was always vague umbrella statements, like Ryan is boring or Greg is such a prick, but never anything beyond that. Come to think of it, you don’t know why, either.
“You can tell me.”
“The—when we—I had to fake,” you say cuttingly. “You know.”
He purses his lips and smiles, eyebrows furrowing. I don’t, actually. Something unnamed trills through you—through your stomach and into your fingertips. Your first time talking to your best friend in real life after months of uni and racing and this is the topic? It’s, if anything, a sign of your growing up, you guess.
Charles lets up on the teasing and you end up rejecting the club in lieu of sharing a bottle of vodka, throwing it back raw and without any type of chaser (to really prove nothing at all; you don’t even know why any sane human would do this). You do a Just Dance party on his TV, even try out drunk sim racing and FIFA, but by the end you’re well exhausted and retired to the couch again.
His voice is wavy and tipsy when he speaks. “You really had to fake it?”
“Yeah.” You pout. “Can never—um, finish, I dunno.” Your inhibition’s gone, shame loosened and untied by the vodka. You shift in your position on the couch.
“Maybe because it was too casual.” His voice hardens.
“So you’re saying I should…” You swallow dryly, eyes fluttering. “Sleep with somebody I know?” You’ve dropped the implication and it floats up, hangs above.
His eyes flick over to your legs, folded on the couch. The hem of your shorts. Your fingers playing with your empty shot glass. He didn’t mean anything by that. He’s half-sure you didn’t. 
“I am just saying that a good friend would do that for you.”
“You’re a good friend,” you say, volume low. 
Five minutes later you’ve properly crashed into each other, him pinning you down against the couch, licking fire up your throat. His lips trail across your jaw. 
He dips a hand into your shorts, presses against your clothed core. He’s smiling. So wet for me. He’s got his mouth pressed messily up to your jaw, when he sinks one finger all the way in, slow and stretching; and you’re clenching around him—
Come on, he’s saying. Insisting. You’re trembling, yanking desperately at his hair as he pumps his finger slowly in and out of you, aching to be full of him, to take him deeper. 
He slips another one in, and you feel the cold of his ring pressed against your entrance, then he’s fucking them into you and you’re leaking around them. 
Yes, yeah, Charles—you’re gasping, airy breaths tapering into whimpers that sound sinful, desperate. He knows you so well already. Presses his fingers against your sweet spot, watches your eyes flutter.
So needy, and you’re chanting his name under your breath as he quickens his pace, craving the stretch of him desperately. I know you want to cum, baby. He’s calling you baby and you’re closer, so much closer. Come on, for me, yeah? 
You melt, crashing and crumpling into him and shuddering as you release all over his fingers. He presses his forehead to yours and lets you take a beat. You feel giddy and dizzy and warm, which is weird because you don’t feel drunk at all anymore. This dizziness is something different. It’s Charles.
“Are we going to do that again?” You ask meekly, hand still in his hair.
“Only if you want. Whatever you want,” he says. He’d do anything for you. He’d do whatever you wanted.
“I do, I do want.” And Charles, the good friend he is, helps you out.
Imola is humid, warm, and the racetrack is absolutely teeming with people. But you’re not there—clad in linen shorts and a fresh tank top, you’re walking around the vicinity of the track, cup of gelato in hand, sunglasses over your eyes. The restaurant near you is playing music out loud. Beside you, singing along and drafting a list of wedding appetizers, is Lorenzo.
“Lamb chops?” You suggest, licking amaretto off the plastic spoon. The weather is pleasant enough that people are crowding the streets without it being too unbearably hot. Stevie Wonder flows from the speakers, permeates the entire block.
“I was thinking more seafood.”  
“Tuna? Make ‘em little tacos.”
“Good idea. Think I’ll go for those. Hey, are you sure you’re on board with fake-dating my brother?”
You turn sharply toward him, taken aback. He hadn’t brought it up in the week and a half this plan had been in the works—he’d been privy to it the entire time, too, which makes it weirder that he’s asking so suddenly.
“I meaaan…” You slow your pace, contemplative. A shy smile plays at your lips, brows knitted together. “It’s only going to be for a month. Ish. So, yeah. Are you—do you—sorry. Is it alright with you? Sorry.”
“It is not not okay.”
“So it’s…” You pause. “Okay.”
“It’s—yes, but I worry, is all. How sure are you that this won’t hurt anyone?”
“I don’t know, it’s… bitter with the sweet. And who’s getting hurt… like the fans?” You laugh a little. “They’ll live, won’t they?”
“Like you.” He pauses. “Like Charles.”
Pierre is running a comb through his hair, staring at himself in the mirror; his Narcissus moment is interrupted by a banana to the back of his head. Bonjour, he says, monotone and already knowing the culprit.
“We need to talk.”
“Could this possibly be about the news of your brand new ‘girlfriend’ over last week? Where is she, by the way?”
“With Lorenzo. Listen, here’s the thing. Mum thinks we’re dating, and I don’t know how to tell her we’re not—so I won’t.”
“Lie to your mum, go ahead.” Pierre crosses his arms and hums.
“Tais-toi. It’s for her own good.” 
“So you’re going to pretend to date.”
 “Ouais.” 
“Should be easy. You guys are hooking up and making out or whatever all the time.”
Charles pauses and lets the silence speak for itself. When Pierre makes a noise of confusion, he gives. We don’t kiss, he says finally. She thinks it is too intimate, and we ‘are not dating,’ so sex is the only thing we do. Sex, and if you still have leftover antsy energy, you pull on his shirt and sit up against the headboard to finish a crossword puzzle. Sometimes he helps you, but most of the time he’s just there to press lazy kisses to your hair and temple, cheekbone and jaw—never your lips.
“You don’t kiss?” Pierre’s genuinely shocked. “Putain, you’re a hero. How does that even work?”
“We just do not kiss. We fuck, but no kissing.” He shrugs. “It’s always been that way.”
“So how about her birthday?”
“She doesn’t…” Charlex exhales tightly. “Remember.”
“Charles,” you suddenly say, head appearing into the doorway. “Oh, hey. Fred said you might be here. What are you guys talking about?”
“Sprint racing,” Pierre says, an easy lie.
Charles, though, is never good at the lying bit. “International tariffs.”
Your only memories of your seventeenth birthday are applying lip gloss and mascara, wearing your shortest skirt and tightest top, and reciting your supposed date of birth in line like a mantra. Anything after that’s been sprayed off by the ultra-clutch strength of vodka. Which, you’ve been told, was your drink of choice.
“Headache’s better,” you moan over the phone, face squashed onto your pillow. “Mum gave me an Advil but I was so sick all morning.”
“Did you snog anyone?” Charles is always teasing.
“God, I wish.” You shut your eyes and try to remember if your drunken stupor had somehow managed to get you successful in lip-locked matters. Nothing comes up and you wipe a dry hand over your face, heaving a sigh. “I really wanted to kiss Matthew but I think he left before you and I did.”
A pause. Then Charles clears his throat. “You mean you and me and the police car that escorted us home?” He snorts.
“You’re such a prick!” You scream into your pillow, laughing. “I already thanked you for being my literal savior last night.”
He smiles to himself. “You’re welcome.”
“Did you have fun?” You flop onto your back and stare at the stick-on stars on your ceiling. You make a mental note to try and remove them.
“Bit boring because I vowed not to drink at all, but I got to dance. Bitter with the sweet, right?”
“Nervous?”
“I mean, fuck, yeah.” You fix the hem of your dress, speaking to Giada through the phone. “Pascale’s waiting for us on the paddock. And so are, like, a hundred photographers.” You wince. “Can you even imagine Charles and me? It’s just—I dunno—it’s weird.”
“It isn’t,” she says, laughing. “Not really. It makes sense. Plus, aren’t you on the whole arrangement?” You envision her air quotes.
“Yeah, but”—you slip your sandals on—“it’s on and off, and that’s not dating. It’s sex. Two different things.”
“Is it really, though? Considering how close you are outside of bed, aren’t y—”
“Okay, input no longer needed,” you laugh. “Bye, Gi. I’ll text you later.”
You reunite with Charles just by the paddock entrance. The throng of fans holding cutouts and posters notice you two before anyone else does, inciting a collective bout of yells around the both of you. He notices your blue silk dress first, eyes unmoving. “You look like the sky.”
“Thanks, man.” A beat, and you squint through your sunglasses. “That’s a compliment, right?”
“Sure.”
“Prick.” You peek over them and to the fans, who wave more aggressively when they notice you’re looking. Nervously, you raise a hand and wave back, and the noise heightens. “I think I’m going to be replacing you.”
“Dream on. On y va?”
You turn back to him, smiling, and you both enter at the same time. His hand wraps around your waist, dips a bit lower to rest at the small of your back as you walk—the fans clearly dig it, because everyone’s yelling in a frenzy as you depart. What are you doing, you ask through your smiling teeth.
“Did you forget we’re supposed to be dating?” He maintains an equally pleasant (totally duplicitous) façade, smiling. 
“I didn’t think,” you say, still smiling falsely, “that you’d put your hands on me five minutes into the whole agreement.”
“Smile, honey,” he teases. “I see at least five cameras at us right now.”
“It’s seven,” you beam. “Dumbass.”
“Again with the competitive streak.” memory
“I totally deserved to win last week’s game. You’re just a sore loser.”
“No you’re just a—hi, hi, hello!”
Your walk to the motorhome is interrupted by running into a friend of Charles’—someone from McLaren, one of the executives there. While Lando has been informed of your stunt, nobody else on that team has. 
They handshake and he waves at you politely. “Whole paddock’s buzzing with news of you dating,” he says, smiling. “It’s a tad crazy! I remember seeing you as Charles’ plus one back when he was in Formula Two. And now you two are dating. How did—well, if you don’t mind me asking, where’d it all happen?”
“Oh,” you say, laughing. “Yeah, Monaco.”
“Texas,” Charles says at the same time.
Alarm bells go off in your head at the totally random, unwarranted statement out of Charles’ mouth. Texas? Neither of you have even ever been at the same time. “He means”—you say, coughing and nodding—“we went on this, um. Wild West themed, um, restaurant in Monaco, and that’s where he asked me out.” You make a face that you hope conveys you get it, and it seems to work.
“Definitely not what I had in mind, but if it worked, it worked, eh?” He grins. “I guess I always knew you two would end up together. Alright, ciao!”
You’re smiling and waving after him as he leaves, and then you’re (semi) alone again, or at least within your own space on the incredibly crowded paddock. 
You turn to him, unable to hide your confusion. “Um? Texas?! What’s up with the backstories?”
“It slipped out! Sorry. But nice save.”
“You’re so f—” You try to scold him, but can’t, bursting into laughter and leaning forward to laugh into his chest. “Texas, really?”
“Sorry,” he says. You feel the vibration of his own laugh through his chest and it’s warm and nice. You peel yourself off lest you look too clingy, and resume your walk to the motorhome.
Ferrari is crowded, filled with people and strategists and guests. You’re given a bottle of water and then hounded with questions from the team who haven’t been informed of the situation at hand. David, one of the engineers close to Charles who you’d previously spoken to in one of the earlier races, asks to borrow him.
“Ciao, ciao.” They speak in one of the outdoor patio areas. “Is everything okay?”
“The car is fine. I just wanted to ask about the girl.” David punches his arm, playful. “You finally got her!”
“Oh.”
“It’s just… I remember all the times she would show up and you’d tell me about how much you liked her… I don’t know, it’s perfect for things to end up like this, no? Bravo!”
“Oh, si. I’ve just been, you know…” He looks through the glass sliding door and into the hospitality, where you’re talking to Isa and Carlos, sunglasses over your hair. Your hands are moving quickly, and you’re smiling while talking. He wonders what you’re so passionate about. When you’re caught in fits of happiness and passion, you’re extra animated. Your eyes are lively, and your lips can’t stop curling into a slight beaming smile. Now, maybe it’s France, maybe it’s crossword puzzles, slim chance it’s your job—whatever it is, he could watch you talk like this for hours. He thinks it’s beautiful, the way you transform, the way you smile, when you talk of things you absolutely love. 
“… crazy about her forever.”
There are banners, Italian flags, and Charles’ face on every other wall. He’s done his first hat-trick of the season (of several more, you’re hoping). You’ve foregone the usual clubbing for dinner with a smaller group of people, but only because you’ve been told the nightlife is bleak and you’d rather save that energy for the next race.
Lando picked out the restaurant—he’s “on a massive Yelp high” trying to get the best restaurants in every city they get to. He’s tried two over the weekend, and is hoping this guns for first place. The restaurant’s name is long and so very Italian, to the point where your semi-fluency fails you. The food is amazing, though, and so is the wine—a whole other level of grape-flavored bliss.
You’re in-between Joris and Charles, nursing your fourth glass while Charles downs a bottle of beer. Light conversation flows through the table, but your sleepiness only allows you to hear some of it. You’re content with the white noise.
Lando is getting a new cat, Lewis bought a new pair of shoes—oh, no, shares in the company that makes the shoes—Joris bought the shoes, Lorenzo will now buy the shoes, why isn’t anyone paying attention to Lando’s cat. It’s funny, entertaining, and the perfect nightcap to your immensely exhausting day of acting.
Wine tipsy makes you loopy and snoozy. By default, your head lolls onto Charles’ body; he immediately wraps a sweater-clad arm around your frame, leans back, pulls you closer. Doesn’t miss a beat. In fact, while doing so, he’s even able to get a dig in against Lando’s affinity for cats.
“No more wine, m’kay?” He whispers quietly, angling his head to yours. 
“Oh, but it was so good, though.” You mope, but nod in agreement. “I could seriously drink wine out of a keg here.”
“Sure did that a lot with beer.” You laugh, punching his bicep with what little space you’re given. “You sleepy?”
“Yeah. But I’m fine,” you respond, smiling. “Now shut up. I need to know what happened to Lando’s cat.”
Lewis leaves first, claiming he’s into this whole “sleeping at 9PM” thing, and Lorenzo follows to get ahead of an early flight tomorrow. It’s you, Joris, Charles, and Lando now, and you’re good as dead, eyes half-shut and fluttering, head slipping off his shoulder.
How was it? Lando asks, lowering his volume to keep from being too jarring. Day 1, fake dating? I actually read something like this in one of those, um, fanfiction stuff the fans do. Joris and Charles cast him a half-weirded out, half-amused pair of looks, but Lando defends himself. They’re actually pretty good, guys. I read one where I ended up with my rival or summat.
“Sorry to burst your bubble, Lando,” you croak, voice raspy with sleepiness and a day of bubbling laughter, “but Charles and I probably didn’t do your fanfiction kink justice.”
“Ignoring the emasculation.” He says, turning beet red. “What’d you do, then? Wasn’t it hard?”
“It was hard, but it’s like that.” Charles likes to substitute the phrase it is what it is to it’s like that, a result likely stemming from his trilingual childhood. “We just. Pretended. Oi, we held hands in front of the cameras.”
“Yeah, you can get a good wank in if that does it for you,” you joke. Lando hurls a cube of parmigiano at your face; it lands squarely and you flip him off, the table erupting with peals of laughter.
“In all seriousness, though—how are you two okay with this? I know I’d be second guessing my feelings every second.”
You shift, trying to hide your obvious lack of answer. It’s quiet for a few seconds, and then Charles says, “We’re both comfortable with each other, I think.”
“Yeah, comfortable enough that we can, you know, be honest.” You’re looking at Lando when you say that. You don’t know how well you could repeat the sentence if you were looking straight into Charles’ eyes.
You leave the restaurant with a generous tip, and Charles helps you pull your coat on when you’re out the door, back into the chilly night air. It’s then that all four of you catch news via text, of a club invite somewhere in the city.
“It’ll be fun, guys.” Joris and Lando stand in front of you and Charles, bumbling with excitement. “I heard Lil Tjay is going to be there.”
“It sounds very fun,” you say, smiling, “but I might pass out if I drink anything other than water, and I have zero energy. You three go ahead.”
“Wh—no, I’m not going, either.” You raise an eyebrow at Charles. “Serious! I wasn’t in the mood much, anyway. Joris, take Lando’s car and we’ll take mine.”
“Alright,” Lando whistles. “Suit yourselves, agoraphobes.”
“Joke’s on you”—Charles smiles, smug—“I don’t know what that means.”
“Not the dig you think it is, Charles,” you say, rolling your eyes. “Night, Joris, Lando. See you guys tomorrow. Use protection!”
“Should be saying that to you guys,” quips Joris with an evil grin that he closes the car door on.
The climb into the car feels like a chore in itself with how tipsy and sleepy you’ve become. Charles likes to bring his Ferrari to race weekends, but you convinced him to use a different car for this one, because you honest-to-God can’t stand the low seats anymore. 
“You want dessert?” He asks when he’s rounded the car and settled into his seat. “Gelato, a cone, biscotti…”
“No, no,” you say, voice thin. A palm covers your shutting eyes; blindly, you reach for his hand. It’s easy because he sees you searching and takes your hand to cut it short. “I’m good. So sleepy. Can I sleep at your hotel room?”
“Sure.” He starts the car, waves to the wait staff idle by the entrance, and drives off. “How was the day as my fake girlfriend? Anyone ask about me?” He wiggles his eyebrows, flickering his gaze to your figure beside him. “Wasn’t too tough, I hope.”
Imola whizzes by, trees and city, and a poorly stifled yawn escapes your lips, wine stained. You laugh sleepily. “It was a bit awkward, but bitter with the sweet, right?” He smiles, nodding, and you continue. “Yeah, few strategists, some people who knew you from Prema. I was talking to Isa and Carlos, too, earlier. Even if they know it’s fake.”
He recalls seeing you talk to them through the glass. “About?”
“You.”
The sun is merciless on the clay courts, and so are your shoes, shuddering against the surface in your continuing attempt to beat the opposing team. Charles cowers behind you—he’s scored less than half of your points thus far—but you’re on a mission, like your competitive self always is when you’re put in a position to be able to win.
You’re two points down now, and the noontime is becoming increasingly itchy and unforgiving; across you both, Giada and Joris call a mutual time out. “That’s not allowed!” You say, petulant.
“This is a practice session,” Charles says gently, nearing you. “Mate, none of us are actual players.”
You wipe sweat off your forehead. “Right. Désolée. I’m just—I’m in the zone.”
“Ouais, I get it. Relax, m’kay? We got this.”
You shake yourself off and hop a few times, skirt bobbing by your waist as you go. Your braid bounces on your shoulder and you nod, turning your racquet over in your grip. 
Charles pings the ball hard and it soars over to land just shy of the line, seemingly scoring a point for you two and securing your win. Giada and Joris chime in with protests, claiming that the ball’s out. You throw your hands up in question.
“Okay, what? That was clearly a point!”
“Snoops, I think they might be right. The ball looked out to me,” Charles says, wrapping a sweaty arm around your red shoulders.
“What are you talking about, Charlie? That ball was in! I saw it!” You elbow yourself out of his grip, aghast.
“How about…” He suggests quietly. “We let them win? You did win the last”—he pauses to count—“five sets. Come on, Snoops. They need this. Bitter with the—”
You take a deep breath, staring into his eyes. “Fucking sweet, right, okay. Fine, fine.” 
Charles thinks he’s in the clear and he’s managed to extinguish your flames of frustration—that is, until you walk into the Leclerc household for lunch an hour later and, after greeting Pascale and Hervé, you point squarely to the jar on the kitchen counter. “Five euros.”
He splutters. “Five? Wh—non, non! I was trying to calm you down.”
“You were blind and gave Giada and Joris a fake win,” you say playfully.
“Saluuut,” Lorenzo greets, sitting at the stool beside yours. “Quoi de neuf?”
“Charles has five euros for the jar.” The jar, the infamous jar, sometimes dubbed the Dumbass Jar when Pascale’s out of earshot. It was Lorenzo who first made it up after three straight instances of Charles pulling a push door (three different establishments).
Arthur’s joined in at this point, but its biggest indirect donors are definitely Lorenzo and Hervé, who view it as just about the funniest thing in the world. Out of pity, you don’t call dumbass too often, but the tennis loss is bruising enough that you warrant the usage.
“You heard Snoopy. Five euros. We’ll be able to get milkshakes with this money after next week.” You high five. “At this rate, Charles, you could open a restaurant in Paris.”
“He’s going to race,” you correct. You both watch a begrudged Charles junk a bill into the nearly-full jar. “What race driver is going to open a restaurant?”
You meet Yuki Tsunoda on a flight to Nice. You’ve seen him several times before, not too frequently but enough that his name and face are familiar on your mind. Also a personality trait that Pierre would bring up in fond conversations with you and/or Charles: he loves food, apparently.
“Yuki’s volunteering AlphaTauri to be your hideout,” Pierre tells you and Charles, across him. 
Turns out, the hardest part (insofar) of this whole schtick: the officially appointed paddock photographers are being extra sneaky with it, finding the best vantage points to snap pictures of an unwitting you and Charles.
They’re like hawks, watching for even the slightest glimpse so they can post the photos on Instagram and get clicks.
So, just a few hours earlier, Charles asked if there was a place you and him could talk if needed where photographers wouldn’t be awaiting you already, and this was the answer.
“If it’s too much trouble, feel no need to… you know.”
“Nonsense.” Pierre smiles goofily and Yuki pokes him to stop, pausing his session of eating a quesadilla (where he’d even acquired it, you’re clueless). “Yukino would be happy to.” 
The flight lands and the drive to Monaco is infected with notoriously slow traffic; you pop an Advil to try and alleviate the motion sickness. Pierre and Yuki, it seems, have joined you even outside of the flight. They’re in the backseat offering bits of conversation.
“Oh, mate, we should totally play tennis while we’re here.” Pierre sighs. “Didn’t you guys play before?”
“Mmm, yeah,” you mumble with a lilt of amusement at the memories from basically a decade ago. “At the country club. Doubles always, otherwise I’d knock Charles out of the park.”
“Hey, I won a couple times!” He protests weakly. “Like… twice.”
You laugh out loud. “Anyway, Pierre, do not bring me into tennis. I get all competitive and develop anger issues.”
“I had to calm her down twice a set,” Charles says; you swat him lightly to silence him. “Still do.”
“You know, if the Dumbass Jar still existed,” you say cuttingly, “I swear I’d be able to buy off Ferrari with that money.”
Monaco is swelterinly hot today. You know this because you know the weather here, you know the curves and ups and downs of it—this is your home. And today is hot. Every few minutes a breeze filters through the air and you can hear journalists or PAs sigh a collective breath of relief before they’re all subjected to the inane, high-degree weather again.
It’s also, according to Arthur, a good day to kiss in front of the cameras. He says it easily over a plate of sliced kiwi, with a devious smile, because he assumes your friends-with-benefits arrangement equates to constant kissing. But the truth is you’ve never kissed Charles, and it intimidates you.
“Do we have to kiss?” You play with his bracelets, sitting beside him on the sofa. The talk of kissing entertains the thought of sex and you can’t help but mentally complain at the remembrance that you haven’t gotten laid in weeks.
“If you don’t want to—”
“I do.” You splutter, eyes going wide, face warm. “No! I mean I don’t mind. If it sells the thing.”
“D’accord, then we will.” He smiles. “That okay?”
“Sure. First kiss,” you say. Your voice feels as clammy as your hands.
“First.” He looks away.
You take your woes off the kiss by playing a friendly round of tennis with your favourite opponents, Giada and Joris. They bemoan your competitive nature (that, to be fair, allots you and Charles three straight wins), and Giada incites a protest for a girls versus boys round.
You both embarrass Charles and Joris, heckling them as you win another two straight games. Charles runs over to you when you throw up the L sign on your hand, lifting you up and making you squeal.
“Put me down, loser!”
Giada and Joris exchange a look. Amused, knowing. “Charles! You’re such a cunt.” You kick hard, and manage to snag his abdomen, so he gently places you onto the clay again. He laughs and paces back over to his side, and you play with the tail of your braid as you watch.
You play set after set, but the kiss comes anyway. When you know photographers can see you—by the entrance—and it happens faster than your mind can muster. He’s leaning in, you’re reaching up, and your mouths slot together. It’s—and it feels crazy to say it, but—
It’s perfect. It’s lovely. You smile against his lips like they belong there and like they’re familiar and yours and like maybe this is all you’ve ever wanted, and like they deserve the smile, because they do. You feel your need to pull away before you can’t help but keep him tethered to you always. It’s strange and it’s not platonic—you’re mature enough to admit that, but not enough to label exactly what it is.
You spend the day with your fingers pressed to your lips, like you’re sealing the memory. Hours later, Charles wins. There’s massive uproar and you’re in the crowd when it happens, in the sea of strategists going to congratulate him on winning Monaco, which—that’s—it’s winning Monaco. Your ears ring by the end of it and your throat’s dry from your own cheering. Carlos comes in second, and the outlook for their team is going much better than it’d been at the start of the year, so there’s a lot to celebrate.
And celebrate you do. It starts with being pinned up against the door, hungry kisses along your jaw and neck. One kiss, it seems, has broken the dam from the few years you’ve spent abstaining from the kissing. He’s just finished interviews. He’s only just changed into his polo, and now he’s tugging it off again, feverish.
This is rushed and dirty, down low and dark. Only one light’s been switched on and he’s hiking your dress up, panties down with one hand to tug his cock out with the other. He’s kissing you—kissing you stupid, almost. Like he’s waited forever to taste your lips and now he’ll starve if he’s away for just a moment. He needs you. So have me, you want to say, all of me, push me up against the wall again and cover my mouth with your palm. Or don’t, don’t—so everyone knows I’m yours.
He presses your chest against the wall so your back’s turned to him, thrusts in with a breathless, throaty grunt. 
“S’ big,” you’re saying, clawing at words the pleasure bars you from finding.
“Barely even in,” he whispers. “Slow down, baby, come on, take it.”
Your toes curl. You’re high on the win, on the kissing, on Charles, on the slow delicious stretch of his cock. “I’m taking it, I’m taking it,” you say, shaky. He thrusts, slow and deep and dirty, until he’s bottomed out and you’re tiptoeing from the overwhelm.
“I feel you,” you’re whimpering, moans and gasps leaving your mouth. You blindly search for his hand, find it against your hip, drag it to your abdomen, under your dress that he hasn’t even fully removed. “I feel you there,” you say, an edge of teasing to your voice.
His cock’s bulging, almost, out of your stomach, and it’s getting you both all lightheaded. He thrusts harder, a devious smile felt against your neck.
I need it, Charles, you plead, please, please fuck me harder. You feel it coming, the familiar pleasure intensifying so quickly—you don’t usually cum so early, he’s always making you wait for it—pussy squeezing around him.
Jesus, already? He’s groaning but a laugh escapes, breathy and amused and taunting. He’s fucking you harder, faster. It’s so good, each hit getting you closer. Taking me so well, you’re bruised all over now, baby. You hate how well he knows what turns you on; memories of mornings post-sex spent inspecting the purple marks on your hips flash through your head and you’re even closer now, shaking, whimpering, begging.
You’re half-sure someone can hear, but it doesn’t even phase you. Harder, deeper— and you’re collapsing, legs spasming uncontrollably, orgasm so intense it’s on the brink of totally hurting. Tears roll down your sweaty face and he kisses them away, cumming onto your back to wipe off in a few minutes.
“I never even”—you pant, tired—“got to say congratulations.”
“That was more than enough.”
Charles is elated when you tell him his family has thrown a party for him the day next. He’s boyish in that way, optimistic and kiddy, the kind of person who’s up at five-thirty to announce their own birthday. 
He drives you both to his childhood home, a route so familiar he could drive with his eyes closed. (“I hope you’re not driving closed-eyed,” you’d warned.)
Even if he could, anyway, he’d rather not. The scenery of Monaco is stunning, ever-changing, and he never tires of it—the buildings, the skies, the trees and shrubbery, stores lining the streets, clean entrances. 
And you—in the passenger seat, humming softly to a song of his choosing. Drives are always better when you’re in the passenger seat.
The turnout is generous: extended family, and several friends from school. There’s bowls of fruit, salad, plates of salmon and racks of lamb, knobs of butter with warm bread. Pascale commands the kitchen—visible in how she leaves it cluttered with bowls, ingredients, whisks still dripping with syrup or batter, spoons licked for tasting. The good kind of clutter.
Lorenzo has also taken reign of the AUX, because it’s 70’s music playing, which is what he’s fond of for family gatherings like these. It’s My Cherie Amour now, Stevie Wonder mellowing across the lawn and into the house.
Charles knows you love the kitchen as much as his mum does, so when you get to the house, he’s not surprised to see you leave him in favor of checking out what damage has been done to your favorite marble countertops. He watches Pascale turn from the gas range, her eyes lit when she sees you, inviting you into an embrace. 
You look like the song playing, pretty and lovely, breeze in the summer. He almost loses himself in thought before his great-aunt Eden places two bony hands on his arms and greets him in feeble Italian.
He flits his eyes away from you, if just briefly, and faces the woman with a smile on his face. “Ciao, zia,” he says, voice buoyant, happy. “You came here to see me, no?”
All five-foot-one of her shakes in disagreement. She wags a finger for extra measure. “No,” she says. “Sono venuto a vedere la tua ragazza.”
His eyes widen. “She’s—” He pauses. He debates telling Eden you’re not actually his girlfriend, that this was a setup to appease Pascale and, by extension, tifosi. But he backtracks.
He shouldn’t, but he gives in, lives out his dreams for a bit. “Ah, she’s over there, zia. Con mamma.” He points to the open door, and to you on the far end of the room inside, holding a spoon. “Beautiful, yes?”
“Molto,” she says proudly. “You marry her?”
Fact: his great-aunt has the worst memory. She forgot Charles’ name twenty times, let alone niche facts like this one. Another fact: she rarely shows up to family events. Maybe now, because it’s a racing thing; but baby showers and funerals, she’s at home. So he indulges a bit more.
“Si, we’re engaged. But—it’s a secret, zia.” He grins. “Non dire a nessuno. Okay?”
“Sei fidanzato?!” She claps once, excited. “Ay, Charles. I waited my whole life for this moment, si?” And she’s wobbling away, still muttering under her breath.
“How is my son?” Pascale’s voice is teasing. She sighs happily. “For years I wondered if this would happen. And it really is.”
“Oui, sure is,” you sing-song, laughing a bit awkwardly. “We’re—he’s okay. We’re great. In love.”
“Oh, in love,” she swoons. She leaves you, after fifteen more minutes of detailed discussion, with half a spoonful of vinaigrette to taste-test, departing to check on the guests for a few minutes. In her place arrives Lorenzo, already bearing a shit-eating grin. “Saluuut.”
“Mmm, good to see you, too.” You taste the liquid and add lemon to the bowl. “How’s wedding planning?”
“Think we’ll throw a shower. Is that pretentious?”
“No,” you say, mulling over it. “Sure, a bit. But just don’t make it a whole thing, you’re golden.”
“I see.” He sighs fondly. “You know, many a conversation we’ve had right here at this counter. About anything.”
You loosen your school tie, slicing an apple like you so often do, waiting for Charles’ karting practice to end. Pascale had fixed you a bowl of something, Hervé a glass of orange juice. And somebody else would always, without fail, steal your food. A hand swipes two slices form your chopping board and your head whips up.
“Lorenzo!” You stomp your foot. “Stop stealing! That is my apple.”
“You mean the Leclercs’ apple.” He laughs, pops another slice into his mouth, smiling. 
You roll your eyes, shaking your head. The braid beside your head shakes with it as you continue slicing it into perfect quarters. He pipes up again: “How was school?”
“Shit, as usual.” You lower your voice and smile, leaning in. “Pascale scolded me earlier, for saying that word.”
“Did Papa?”
“Obviously not. He fist bumped me.” You share a laugh, both chewing on apple slices now. “Anyway, I aced a math test, had aubergine for lunch… got driven here by Charlotte’s mum.”
“Charlotte?” Lorenzo hums conspiratorially, making a mmmm sound. You look up from the yellow chopping board, furrowing your eyebrows. He persists: “Mmm. Cha-r-lotte.”
“What’s up with Charlotte?” Bit impolitely, you ask, in-between chews.
“I think she likes Charles, a little.” You nod slowly, trying to follow. Charlotte liking Charles. Your Charles. Wait, no. Not your—or nobody’s, really. Just Charles. Yeah.
“What? Bull!” You narrow your eyes. “Says who?”
“Why do you care?”
“Wh—I don’t!” You squeak, caught. “Just… I think I’d know, Lorenzo.” You make a tch noise, crossing your sweater-clad arms. “So—says who?”
“I saw her leering at him during his birthday party.” 
“You’re wrong,” you say, but you don’t really know who you’re convincing. He reaches over for an apple slice, and you move the chopping board out of the way sharply.
“Mon dieu, you’re snappy. Fine, fine. I might be wrong,” he relents, shrugging. He gets up and slides beside you to be able to acquire more slices. “I talked to her during the party, too.”
“Weirdo,” you tease, allowing him to take a few more. “About Charles, yes?
“No, about her brand new dress.”
“You’re the funniest Leclerc brother, I assure you.”
“She told me…” He says, louder this time, shushing you effectively. “She told me she ‘finds Charles cute.’” Air quotes, shrug. “But that they ‘probably won’t’ date.”
“Huh. Did, um. Did she say why?” You play with the tail of your braid, shuffling back and forth on your flats. You don’t know why you’re so fidgety—you aren’t nervous, you don’t think.
“Because…” he says, chewing to allow for a pause. “She said every time she looks for Charles to try and ask for time alone, or on a date, or something, he’s already following you around like some puppy.”
You comb your hair into a bun and venture into the patio, having avoided a good chunk of the noon heat. You greet some relatives politely along the way, and receive a hand squeeze from great-aunt Eden. At one of the tables is Charles, beside Joris and another friend, and Giada and Charlotte across them, an empty seat beside the latter.
You seat yourself in it and Giada kisses your cheek. “Hey. Ça va?”
“Fine,” you say, smiling. Then you lower your voice to a whisper. “Do you remember when I told you about my crush on Charlie? For the first time?”
“Yeah,” she whispers back. “Around… 2013.”
“Ouais. And… and it disappeared after that,” you say. “Right?”
“You said it did,” she says. “A year later. When we were sixteen.”
“Right.” You think. Seventeen onwards—you’d never formed a full-fledged crush on Charles. “Okay. It’s nothing. Just a memory. I was just. Yeah, oui.”
“Oui, let’s eat.” The memory fades and so does your running mind. Charles’ eyes meet yours across the table, and suddenly you feel a little less like your thoughts have ripped you open.
When you and Charles were younger, you adopted the adage “bitter with the sweet.” Charles will have people believe it was made by the both of you, with philosophical minds stretched so far beyond their years. Well, revisionist history. The truth lay in the Carole King song of the same name you’d heard on the stereo.
Those are the exact words Charles tells Ted when he’s interviewing for the Spain Grand Prix. It’s a hot day and you’re especially doubled down on by the fact that he’s finished ninth. 
You’d been fake-dating for the cameras all weekend. At all costs, you try and avoid interviews, but the damned Drive to Survive producers insist on a soundbite and start following the two of you around everywhere (only to find your conversations sound very weird and niche, and not scandalous or sexy).
Pascale also called—Charles first, and when he didn’t check his phone, you. You spent an hour on the phone just talking about the race. About the penalties and the nasty headlines that followed, and just everything.
“I’m glad you’re there,” she says. “God knows he needs you.”
You end up biking to try and relieve the stress, posing with fans for pictures.
“I’m such a big fan. I stalk Charles’ Insta like, all the time, and it’s crazy how you guys are dating.” A teenaged girl laughs nervously. “Where’d it happen?”
“Texas!” He, again, tries out the bit to appease the fans but you have to extinguish the flames of his blatant lies.
“He’s kidding,” you interject. “It’s just—it just happened, really.”
How does something just happen? Someone told you once, in a Paris bar, that love is like an echo. It’s always there, in the underbelly, underneath it all, and then one day it echoes, like a bass drum or a cymbal. And the echo—the echo is you feeling it. You feel the echo, the all-encompassing echo, even if the love itself’s been there all along.
With Charles, it’s out of the question. You love him. He’s your best friend. You trusted him before you even learned what trust meant, for Chrissake.
How could you not love him? That seemed impossible. The love was there. The love’s always been there and it’ll never go away.
It echoes at half-past-two in Barcelona, when he whips past you on his bike and says on your left. The breeze pulls your hair to the left, covers your face, and when you rake it away he’s stopped to check if he accidentally bumped you in his rush to look cool.
You’re creepily observant; you’ve been told this many times before. What people don’t know is with the observance comes even more questions. Ifs, whys, wheres, whens, hows, God the hows. The questions keep coming because there’s never an answer.
“Are you okay?” He asks. Green eyes glittering like a lake. Smile like the sun. Hair curly at the ends. “Did I hurt you?”
Then you realize. In the matters of love, every question—every single question. Every single one. The answer is Charles.
“Of course not,” you say. And you smile.
You almost drop your book in your rush to scurry past the paparazzi. They’re still busy on the two figures (Alex and Lily, you think) on another end of the paddock, which allows you only a few moments to try and evade them.
Others are stationed near the Ferrari hospitality, which means you’re going to need your hideout. Yuki had texted Pierre who had texted Charles who had told you that it was all clear to go there for a few minutes while waiting for the photographers to clear out.
Hurry, Charles is saying. Laughing. His hand’s gentle in yours. You want them there forever. You want to drag the tip of your nail over the barely-perceptible grooves of his fingerprints so he knows how much you need him.
The days post-Spain were spent biking, watching shows, listening to music, eating food. The travel to Canada—long, cold, compression socks. Pascale had called mid-flight to check on her “favorite pair”—you maneuvered yourselves into a much more cuddly position to appease her, and her giddy smile was incentive enough to stay that way for ninety minutes.
You’d been in a weird mental state trying to grapple with your rapidly returning and intensifying feelings for him, which have dawned on you all at once.
But he makes it better. You’re still laughing when you wedge yourselves in, eyes meeting.
And then you’re quiet.
The gaze you share is intense, but almost unsure, like you’re supposed to be looking away anytime now. You step backward shakily, and his hand moves from your waist to the small of your back to keep you from stumbling any further. You’re closer now. But this shouldn’t feel as strange as it does when you two have been in much more scandalous positions before—what’s different?
He’s so close, so so close, his green eyes looking right through you. You lean closer, ready to kiss him like you have before, ready to feel his mouth slot softly over yours, comforting and safe and Charles.
Funnily enough, it’s then that the illusion breaks, his grip loosening and the distance between you increasing. He coughs twice, awkwardly.
“Shit—sorry,” you say profusely, clearly having read the moment wrong. Embarrassment wells up in your system, warming your face. You laugh to diffuse the tension but it barely does anything.
“No, don’t—” He exhales, squeezes the bridge of his nose, trying to find words. “It’s not that I don’t want to kiss you. I do.”
“So kiss me,” you suggest simply, looking around for anything that might stop him. The embarrassment ebbs away, replaced quickly by confusion. 
“I don’t want to kiss you in an AlphaTauri stock room,” he mopes, burying his head in his hands in clear frustration. “An AlphaTauri stock room.” He repeats it in a hushed whisper, disbelief etched all over his pretty face.
“Charles,” you begin, smiling already, the quaint way that makes his knees go weak every time. “You’re acting like you and I haven’t kissed before.” 
“This is different.” He says firmly, looking away lest he lean in involuntarily. He interjects with conviction, not realizing what he’s implying until the implication’s hanging in the air. The longing kills him softly, and he feels if he looks at you a second longer he’ll kiss you anyway.
It’s a wonderfully confusing feeling. You open your mouth to respond but you can’t; your brain tacks itself onto his sentence, the division created between the kisses before now and the kiss that might happen anytime soon.
“H…” you trail off, throat drying. Blinking, you try again, “How different?”
He looks up, eyes conveying all the things his lips never will. This is different. You know it. I love you this time.
The answer is exchanged and accepted wordlessly. You slip out of the room when Pierre tells you it’s okay to, and it’s only then—only then—that Charles’ hand leaves your body. You seem to burn alive with its absence.
It’s a Ferrari 1-2. You snap a thousand pictures with Isa and Carlos holding Carlos’ trophy while Charles is doing interviews, and they invite you to join them for the break. You’re open to it—the win, the good standings, they definitely warrant a celebration for the few weeks’ break. So your original itinerary is Portugal—beaches, coasts, food—but the jet re-charts a route and the flight is cut much shorter because you’re in New York City.
Somewhere in Manhattan, a wedding shower is thrown on an outdoor rooftop. “This is one hell of a wedding shower,” you squeal excitedly when you spot him, bringing Lorenzo in for a hug. Your yellow dress flows in the wind. “I thought you guys were going to throw it in Monaco?”
“Yeah, well… why not here, right? It’s beautiful.” He gestures to the skyline, smiling. “Plus, Charles, Arthur, and Mum were already near the country for work, so we got ahead of it. Everyone was happy to fly out.”
“Well, for what it’s worth, I love it.” You beam. “I can’t believe it, either. When’s the final date?”
He opens his mouth to reply, but the wind is knocked out of him by Charles barreling into his arms for a hug. You roll your eyes at the latter’s childish behavior, smiling despite yourself. They part and Charles finds his place beside you, arm snaking around your shoulders. “What a wedding shower!”
“Don’t flatter me, dipshit,” Lorenzo jokes.
“It’s a lovely one.” Lorenzo thanks him. “An amazing shower. You know, it’s a total golden shower!”
You purse your lips. “Charles—”
“A golden shower, mate. Absolutely.”
That garners at least three odd looks and you calmly place a hand on his chest to whisper don’t ever fucking say that again it means something completely different please don’t embarrass me or your brother. 
For all your embarrassment, you make up for it in having the literal time of your life. The food is good, the city view is amazing, the weather is fair and the music—Desafinado now—is amazing. “I could see myself here,” you say offhandedly to Charles, who nods back with a faint smile. He’s half-distracted.
“You look beautiful, by the way,” he says, squinting from the sun in his eyes. “Very.”
You part ways at some point—Pascale whisks him off, no doubt for another long round of questioning about your relationship, and you meander around with a glass of champagne.
You’re halfway through swiping a mini quiche when a hand wraps around your wrist and squeezes to get your attention—Charles’ great-aunt Eden. She speaks only intermittent English, and your Italian fails to carry you through well enough, but you smile and greet her. “Ciao, Eden!”
“Ciao, bella.” She smiles. “Flight was long.”
“Oh, yeah. New York’s far. I might work here someday. I’ll hear results in around two weeks, but I’m hoping for London instead.” You slow your speech.
“When will you two wed?”
“Wed?” Your face warms and you stutter through a giggly mess of a sentence. “Oh, Eden—zia—no, no! We’re just friends.”
“My Charles told me you two are to be married.” You both crane your heads to the right, where Charles is leaning against the terrace railing talking to one of your friends, Matthew, animatedly. He meets your eyes, sees Eden beside you, and seems to connect the dots.
Jokingly, perhaps, he raises his hand and wiggles his empty ring finger. You can’t help but smile as you turn back to the old woman. “Oh, did he, zia?”
“Si, he did.”
“Well, we’re just going to let it happen, then. You’re invited. Front row.” You kiss her cheek and she smiles, wobbling off to drink more wine before any of the adults can stop her.
It’s announced then that the dance floor is open, and many of Pascale’s friends filter through to show off their moves to the 70’s music. You watch, amused, at the display of dexterity to Frankie Valli and Aretha Franklin. You cheer them on, content to watch them against the backdrop of the New York sunset.
When Ain’t No Mountain High Enough plays, the dance floor grows, because nobody can resist the song—not even Charles, apparently, who takes your hand without preamble and takes you, squealing, to the centre.
You sing each of the parts, like you always do when the song comes on. It’s semi-tradition at this point: you take Marvin Gaye’s, Charles takes Tammi Terrell’s. You both exaggerate your dance moves and pretend you’re performing.
His hand’s in yours, winding you around and pulling you close. At some point he starts robot dancing to entertain you. It works—you laugh out loud, your eyes half-shut and faced to the stars above. He could write a poem about this. Or a song.
The song ends and you lean onto his shoulder to take a breather—then the photographer swoops in and takes a picture. “That’s going into the RSVPs!” He says, accent unmistakably American.
“Does he know we’re not the couple here?” You ask.
Do we know we’re not the couple? Charles asks himself.
The night escalates as the “oldies” leave, and Matthew, Joris, and Giada join you both for one last round of drinks again. You’re all standing at the exit making conversation; Lorenzo attends to his friends at the other end of the terrace.
“I feel young again,” Matthew says, liberated by Tito’s vodka. He takes another swig and pulls his coat on.
“You’re twenty-five, calm down,” you joke. “Dodged that bullet.” You’re poking fun at the semi-massive crush you had on Matthew in secondary school, and a laugh passes through the four of you. “Anyway, you three be careful. No driving.”
“Jesus, but really—I haven’t been this drunk since you”—he points at you, laughing—“turned seventeen at that club, Amber? No?”
“Oh, God. Y’know, same.” You fail to notice Charles and Giada share a look. “I remember nothing from that night! Or, like, the first two hours at least.”
“I remember drinking my body weight because of heartbreak,” he jeers. 
“Heartbreak? Were you—were you with anyone?” You ask, confused.
It happens before anyone can stop it. “No, when Charles kissed you. And you kissed him after. Alright, night mates! Lorenzo—merci!”
Oh, fuck, you hear in the back of your now-muddled brain. Giada’s voice.
You open and close your mouth. “Ch—wait, he—what?”
“I—let’s talk here,” Charles flounders, dragging you to a more secluded spot and facing you. The three of your friends exit; Giada waves, apologetic. “When… we were at Amber… and you were absolutely hammered, we kissed. It was twice—just twice. And you didn’t, um. Remember a thing.”
You’re unsure. “In Amber?” You blink, confused. “What do you mean?”
“We… I don’t—I mean, I understand why you don’t remember. We kissed that night.”
“So that’s… Charles… You didn’t tell me.” Your voice quivers, like a wire flicked. “Why didn’t you say it at the time?”
He doesn’t give you an answer. He just looks at the counter, imagines the way your eyebrows furrow, your lips move, eyes glitter. He can’t give you one. He doesn’t want to hurt, disappoint, sadden you. He wants to get on his knees and root you here, so he’ll have all the time in the world to come up with an answer.
“Charles.” But he loves you, and he can at the very least be honest for you. “Look at me.”
“I was scared.” His eyes gravitate to yours.
“Of?”
“It felt stupid, is all. That you didn’t remember, and maybe you did but you were pretending you weren’t. I didn’t—it didn’t—sorry.” He laughs, stutters. “I convinced myself it didn’t mean anything because we didn’t have feelings for each other.” He pauses. “Then.”
“Well,” you say, slow. Eyes stuck to his. “How about now?”
“Now?”
“I love you, now. I mean, isn’t that all this is? Loving? Even if? De—despite of?” 
And this—God. This is how it feels. He’s looking at you and you’re telling him you love him because you do, and finally he’s been over with reassurance.
You love him, too. That way. He trembles with it. His hands are shaky when they lace into yours, like you’re a shrine, a prayer, and he feels like maybe these are the emotions that swirl through the human body when one wins the lottery and gets struck by angry lightning at the same time.
This is it, he thinks. Profound and lovely and an echo of sweet memories. He’s yours. Here in a city unfamiliar to both of you, yet to be conquered, your fingers lace lightly and you smile, smile, smile at each other, as if you’re the last two people on Earth. He’s yours, so foolishly in love with you.
Even far from home, you’re both filled with warmth, with longing. Extended stares, pits of your stomachs welling up with something lovely in between homesickness and nostalgia. Here again, you again, us again—it’ll always be us again, your heart seems to say, surrounded by the same love the same hurt the same sad the same everything, you and me, all the love in the world, all the confusion, we’re here. It’s never over.
Across the terrace, Lorenzo watches. Two figures, laughing, emanating happiness, gentle unkowing love. You two have finally made it here, after what felt like a thousand trials and dreams and stories.
So even if you’re taller, in high heels and a yellow dress—and Charles is broader, in a suit and tie—Lorenzo thinks he can blink and see the two little kids who hosted a tea party in the backyard. He can blink again and see you hugging, eyes shut, his lips pressed to your forehead to convey the intimacy nothing else will do as well. 
“So what now?” You ask. Again with the questions. In your defense—it begs so many follow-up questions. A love so many years in the making—layer after layer after layer—of course it begs all the questions, almost to the point of overwhelming capacity. What’ll we tell Pascale? The fans? The family? Everyone?! 
But one look and he makes it better. His green eyes, bright against the deep black of the skyline. You’ve grown. You’ve done it. You’re here. “We’ll figure it out.” He smiles. “We deserve this kind of ending, don’t you think?”
“He has my name.” A tubby finger points to the boy on the greeting card. “That one.”
“And who’s the dog?” Asks the girl beside him, hair wound into a plait. She likes this boy. He’s cute. She plays with the end of her braid and stares, eyes flickering in-between him and the card they’re staring at.
“The name’s right there. They’re best friends.”
“Okay, that’ll be me.”
“So that’s us.”
“Oui.” She smiles. “Charlie and Snoopy.”
read an omitted scene here :)
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wttcsms · 3 months
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saying let's get married;
domestic and sweet moments during the first year of newly-wed life (f!reader) <3
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KUROO — "my wife" this and "my wife" that to the point where all his friends and coworkers are groaning and saying we get it, man! you're married now! his dorky nonfiction books taking up all the space on the nightstand. helping him tame his bed hair when he wakes up and is trying to get ready for work. created a powerpoint presentation where he told you he was going to give you the most epic promotion of a lifetime (the powerpoint was themed to mimic an HR presentation describing new employee benefits and perks, along with what the new position would consist of; the final slide asked "do you accept the position of being tetsurou kuroo's wife? limited time bonus offer includes a diamond ring!")
OSAMU — doesn't know how to fold your clothes properly (it's not weaponized incompetence, he just doesn't understand why your tops have these many strings and components to them). tries out all his new recipes with you as his taste-testing guinea pigs. during your wedding reception, atsumu asked you who was cuter: him or osamu. on your off days from your job, you go to onigiri miya and help him close down the shop. blowing bubbles at him from the soap that foams up when you're washing the dishes. him knowing where you're most ticklish and using it against you every time he asks you for a minor favor.
BOKUTO — asks you about kid names before he even pops the question. wants you to quiz him on your family tree because he so badly wants to impress them when he's meeting them (he then asks for a quiz on your extended family once the wedding date is scheduled). gets excited when he sees those corny tiktoks that claim "these initials are soulmates" and he sees yours and his initials paired together; he'll send you those tiktoks and go "babe, look!!! i told u we were meant to be!!" brings you up any time he can, whether it's in regular conversation with friends, small talk with a cashier, a meet n greet with a fan, or a post-game interview. loves to do push-ups with you on his back.
OIKAWA — makes a vision board at the beginning of the year, except the main image is a horribly photoshopped picture of your head pasted on some stock photo of a bride. he was showing you something on his phone, and the notification from his jeweler announcing that your engagement ring was ready for pick up popped up and he nearly dropped his phone while trying to hurriedly swipe away the notification whilst shielding his screen from you. gets all pouty and wants to be the little spoon; will also start asking you "baaaabe, would you still love me if i was a worm?" saw you in the stands booing his opposing team, and whistled, exclaiming "that's my girl!" panics when he sees strands of his hair on the bathroom floor; proceeds to ask you if you'll still be with him even if he becomes bald. then asks if you'll pay for his hair transplant (as a joke; you never use your card when you're with him).
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hordraomin · 11 months
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Krita tutorial the way I know it.
Basics: What is where.
Gimmicks.
Specific advice on specific tools.
Basics: What is where.
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Upon opening the program this is what you're met with. First of all, must comment: The layout is HEAVILY editable so you can just drag menus anywhere you want, even leave them floating amidst the sheet you're drawing on.
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You can create custom art templates, I have two o'mine here as both have my signature background color.
As well, you can edit the custom document settings, as in what size you want it, what resolution, even the initial content of the image. As well you can create from clipboard: Just copy some image from your browser and Krita will recognize it (useful for making meme edits lol).
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Now, once you have your file, I will show you what is where.
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Brushes:
Brushes are easy to edit and there are tons of free bundles to download online. I myself only got one bundle, Jackpack (bit hard to find now due to original source being lost, it is still available but bit tricky to come by).
There. Are. Tons.
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Some of these are my custom brushes for calligraphy in neography, you might even guess which ones. You can edit existing brushes, make new ones from the ones you've edited without changing the original, and all sorts of stuff (more below in the third chapter).
There are numerous packages of brushes once you enter Krita, but only one/two are available when you first open it. To unlock them all, click here:
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And make sure all bundles are dark gray in color (example of both dark and light below).
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Now Tools Options: those will pop up depending on what tool you're using.
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Symmetry: Fun stuff. You can drag the lines depending on how you need them and then center them back to the center of the screen if needed.
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Gradients and Textures also have their tools options, you can play with those to get the feeling what they can do (more in third chapter).
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The Filters tab is useful too. Blurring, motion blurring, color mapping, artistic filters and all that: Quite fun.
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Gimmicks.
Krita allows you to customize your workspace freely. Floating menus, tabs, anything you want. It has quite many drivers at that-
To access the workspace templates, go to Window and choose Workspace.
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Krita allows for copy-pasting any image onto the sheet. Though, for me it sometimes crashes if I accidentally copy-paste text into it without choosing the Text tool first.
The software allows for both raster and vector work. It is basically Photoshop sharpened to be used by artists primarily.
There are some interesting mechanics regarding the Eraser (default bind E).
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You can use it with any brush, allowing for textured erasure/quick work. Good for sketching.
You can use it on gradients (given there's a transparent point on the gradient preset).
There's a Multibrush tool:
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People say Krita is good for animation but my brain can't wrap around it yet honestly @~@.
The keybinds:
B - Brush tool.
E - Erase tool option.
M - Mirror (useful for checking accuracy from a new angle).
Ctrl - Color pick (when used with brush or other color-using tools).
Shift+L.Mouse+drag - Changes the size of the brush by dragging left and right.
Ctrl+E - Merge layer with the one below.
Ctrl+G - Group selected layers.
Ctrl+A - Select whole sheet.
Ctrl+Shift+A - Deselect everything.
F - Bucket tool.
G - Gradient tool.
Ctrl+S - Save document.
Ctrl+Shift+S - Save As document.
Ctrl+N - New document.
Ctrl+O - Open document (will be seen in a new tab on top of the sheet).
Ctrl+C - Copy selected layer or selection.
Ctrl+X - Cut selected layer or selection.
Ctrl+V - Paste copied/cut layer or selection.
Q - Multibrush tool.
R.Mouse - Interesting thing: Opens up a quick selector for brushes and colors you've already used in the piece.
1 - Zoom 100%.
2 - Zoom to fit the piece vertically.
3 - Zoom to fit the piece horizontally.
4, 5, 6 - Turn 15 degrees (4 and 6) or undo the turning whatsoever (5).
Ctrl+I - Negative filter applied to layer.
Ctrl+U - Color editing on the layer.
Ctrl+Y - Soft proofing mode (for color mistakes and stuff like that, mostly annoying for me tbh).
Ctrl+T - Transform selection/layer.
Ctrl+R - Square select tool.
Ctrl+J - Lasso select tool.
Honestly you can just hover your mouse over tools and see their shortcut binds, as well. Or edit them in Settings.
Specific advice on specific tools.
Brush:
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Brush editor is a great tool for making custom brushes, and it even has a sratchpad to test them out. Lots of settings, but no need to be afraid; Most of them you might never use on purpose.
Use Brush Smoothing for great and pretty lines in lining pieces or making calligraphy.
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Gradient:
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The four icons to the right top are:
Mirror gradient.
Arrange by lightness value.
Arrange by color value.
Space the stops evenly.
Click the gradient to add a new stop. The three things to the left are:
Make the stop use Primary Color.
Make the stop use Secondary Color.
Make the stop use a fixed color.
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yadoorknob · 2 months
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I made black paper pieces and now bro can emote >:)))
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Lookie at him :00
Ya kno, sometimes I wonder if it weren't up to money for editing, the eyes would be so expressive; Like in the sense there are animated pngs in his own software for every single frame of emotion within his own universe.
Can't tell if I headcannon them as made by himself (for the implication robot has a subtle need for self-expression to contrast his bare design despite being low-maintenance- *cough cough* no hands or mouth *cough cough*) or if Lance or someone else did them (I enjoy the idea of Mark helping to animate and the mental image of him crunching hours with Plex on photoshop with a bunch of expressos because f u n ny)
I do also feel like if his eyes really were expressive, they could give away a lot of his thoughts because as a robot he likely is coded to never lie; therefore if he were nervous and is somehow not shaking and rattling, his eyes definately would. :0
Just some thoughts!
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polijakefim · 3 months
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F  L  A  U  N  T
TRAVIS FIMMEL
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Girl's Gotta Eat
There are paths seen and unseen. There are paths taken. There are the Midwestern housewives who sit at home, who formerly popped bennies and ran topless through every jam band show at the local amphitheater. There are the vagrant, longhaired transients who receive stares as they push their cart of nothings around sweaty Southern towns, that formerly received stares only because they were professing at the front of a philosophy class. There are the attention-deficit young men, oft chastised for their inability to focus, but given open creativity, become playwrights and screenwriters. There are the balladeers. There are the celebrities. There is the you. There is the me. And there is Travis Fimmel, sitting in a hotel room in Vancouver, freezing his balls off. His is a story of barefooted farm boy turned bare-bodied model turned actor.
“It’s bloody cold,” he says in a relaxed Australian drawl. Of course it is. Fimmel grew up helping out on the family farm in a small town on the fork of two rivers in the middle of sunburnt Australia. He’s currently in the benumbed west Canadian port city filming Duncan Jones’ Warcraft: a film of epic proportion and expectation. But despite the video game-based spin-off, one gets the feeling Fimmel is the kind of lad who would much rather be chopping wood than mashing plastic buttons on a gaming controller. “I’d never heard of it,” he freely admits.
The path begins. When I ask about his early foray into Australian-rules football, he concedes what stymied the course, “Yeah but I sucked at it, man, I was very bad.” And thus he skipped the sporting life and tried college, “I didn’t pass any classes becauseI didn’t end up showing up—I was doing project managing for construction, like a foreman. Architecture and commerce [was the] main part of the course, I didn’t really want to go to college, I was just trying to fill in time…but then I ended up going overseas.” Fimmel wasn’t meant to be a paper-pushing desk jockey; just as Paul fucking Newman wasn’t meant to sling charred chicory at nine-to-fivers. With those baby blues and gilded locks it wasn’t long before Fimmel was modeling, most notably for Calvin Klein and most times wearing not a stitch. Previously Fimmel has played down his years of modeling, crediting favorable lighting, advanced cameras, and Photoshop for his looks and success. In fact, it’s speculated—and blatantly obvious upon viewing—that Fimmel was the inspiration behind Samantha’s washed-out brick-bod lover—“Jerry” Smith Jerrod—on Sex and the City.
The path winds. “Wound up in L.A., got into an acting class and then that’s where I started acting. I had no idea, never wanted to do this stuff, still don’t really want to do it, mate,” he admits. Fimmel is even-keeled, he exudes a thoughtless vibe, and as much as Fimmel plays it all down, one even has to question how hard he worked to get to his current status. Sometimes his nonchalant nature can come off as arrogant, and it’s easy to imagine he’s often misunderstood, but couldn’t care less; he’s just riding the wave. At first, Fimmel took jobs everyone in Hollywood thought would pay dividends but floundered [see: WB’s Tarzan] until he grew a beard and started swinging an axe. Ah, the farm boy swinging the axe again. It’s in History Channel’s Vikings that Fimmel found his niche, receiving acclaim for his portrayal of the contemplative but merciless, Ragnar Lothbrok, a deep-thinking maniac from Viking Age Europe. There is a swagger to his character that is maintained somewhere within Fimmel. When I ask about his association with Ragnar, he states, “Every guy that I know that fights is always the quietest guy in the room; I just try to think more than talk. You’ll always learn more by listening rather than being the loudest guy in the room. And whatever you do, you do because you enjoy it, so I try to make my character enjoy fighting.”
The path straightens. And so we find ourselves back in that Vancouver hotel room, freezing our balls off with Fimmel, as he’s in the midst of shooting the biggest film of his career. With all the aloofness Fimmel radiates, it piques one’s interest to know what he really is passionate about: “Farming, mate. That’s whatI want to do. I love the country. It’s hard to explain. When you grow up in the country you just enjoy it so much. I love animals and I love trees and anything country.”
And, lastly, that beard that’s quickly becoming his trademark: “It just grew I guess, I couldn’t for ages. I would have loved to grow one when I was a kid, I would have loved to have gone to prom and school and shit with a beard.”
Nothing to do with shedding the barefaced image of your Calvin Klein days? “[Audibly scoffs] Shit. I couldn’t grow one then. Otherwise I would have had one.”
That would have been a different path.
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saintmeghanmarkle · 10 days
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Update/Progress: Project Cancel Harkles by u/MolVol
Update/Progress: Project Cancel Harkles Good News: Once Pro-Harkles outlet D.Mail is finally souring on them.Evidence: today's dissing, including (see green on image), 'Megs given the Nigerian name .. guessing they don't have a word for 'back-stabbing, money-grubbing royal hanger-on'. Megs - Not Duchess, or even MeganHuuuuuge slam re: the (better) name guess: "back-stabbing, money-grubbing royal hanger-on" ⬅ 🤭🤣 https://ift.tt/GxbihFn Notice (also highlighted in green) photo credit - The Archwell F© (short for The Archwell FOUNDATION) T.W. feels need to control pix - so brings along (and/or hires in-country) photogrpahers to work for HER, so she owns 100% of their pix - can then send to her expert Photoshop team, and then sell to the media digitally altered/improved photos that she thinks makes HER look good... post link: https://ift.tt/scFJHCy author: MolVol submitted: May 11, 2024 at 12:01AM via SaintMeghanMarkle on Reddit disclaimer: all views + opinions expressed by the author of this post, as well as any comments and reblogs, are solely the author's own; they do not necessarily reflect the views of the administrator of this Tumblr blog. For entertainment only.
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infernomicia · 11 days
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Correct me if I’m wrong… I truly don’t think the troll argument flies anymore of why Henry doesn’t post. At the very beginning, yes, there were some ✨unhinged✨ fans, but from what I saw, the overall agreement on many posts was to stop harassing Henry and Natalie at the time. And every post since the photoshopped selfie, or as some call the “F U” post, his comments are filled normally with nice comments. I’ve scrolled through and literally don’t see any hate, even with the ones he’s posted with Natalie. There’s about less than ten troll accs abt the pair on insta. And every celeb has hate. It’s not as big as the stans and others have made it out to be. And after the “baby” announcement, the only hate I’ve seen r crying gifs jokingly. There’s more to why Henry changed how he’s posted over the last three years. And he’s completely lost the spark in his eyes. You can just see the difference between that Meat eulogy post and his old selfies with Kal. Again, feel free to correct me if I’m wrong. I personally love reading ur page because ur unbiased and respectful and truthful 💜
People use it as an excuse for Henry’s actions because they don’t want to believe that he never really cared about his fans to begin with.
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cellphonehippie · 5 months
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i was tagged by @maygrantgf (thank u <3) to post a wip! so here’s something that’s just been sat in my photoshop for a while
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i tag @andtosaturn @cruellesummer @h-f-k @anervousmirrorball <3
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hopeofhouse · 11 days
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i finally finished dos2.... thoughts ft. drawings + choice playthrough phone notes (spoilers obv)
my godwoken was an elf witch named allegory. he ended up as a necromancer/hydrosophist combo. blood damage + healing was a fun mix! odd contrasts <3
his backstory, 2 me, is that he was lost in a marshland as a little kid, and tir-cendelius saw the chance to keep him isolated (seeing off any potential rescuers, magically expanding the marshes every time he tried to trek out and leading him in circles) + raise the perfect tiny loyal godwoken for when The Time was Right. he let him out when he was an elf teen. t-c should have kept him longer because if anything it just made him weirder when he got reintegrated into society a couple decades later. F
what if your god grew you in a petri dish to [major game spoilers, redacted]. but you were a capricious little know it all with a jester's soul. what then
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gorry took sebille, fane and ifan with him because i thought he would assemble a team of hot emos if given chance. this paid off + i love them all dearly
i wasn't expecting the origin characters i didn't take with me after act 1 to UP AND DIE. but it actually added a really good set of stakes. responsibility for ur actions. lohse yelled at me for leaving her to her fate and i felt SO bad. sorry miss thing
LOVED the worldbuilding....i was super familiar with 5e before i played bg3 so i sort of knew what was coming most of the time but for divinity i had to LEARN. super fun. 100% recommend
also i thought bg3 went in on the body horror but divinity was Something Else.
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^ and then larian said okay that was fun what if we do it again. and made bg3. anyway
i was hideously bad at combat for ages until i listened to all the people on reddit chanting 'put points in warfare' and then it was much much much more doable lol
ngl i actually very much prefer dos2 to bg3. i loved loved loved bg3 but after like 4 playthroughs during various patch stages it was such a relief to play a game that's actually completed and won't eat my laptop for breakfast!!! first two bg3 files i had i couldn't make it to the lower city because the optimization on mac was so diabolical that it wouldn't actually play until after patch 5. dos2 lets me also have photoshop on my computer. and files that aren't bg related. miraculous
but even ignoring technical issues: from a story and world standpoint dos2 felt way more expansive and inventive. campy but also harrowing in a way that bg3 just didn't hit for me. i also genuinely enjoy being given a zillion pieces of almost overwhelming info and then sorting it out so i am biased. may expand on this at a later point and not under a mile long read more. moving on
romanced fane bc i loved his voice acting and i thought the culturally cannibalistic elf/the one guy with no flesh to eat bit was funny. jokes on me i fell in DEEP. u canonically have disappointing sex because hes simply made of bones without nerves and afterwards he takes notes. he calls u dear heart offhandedly in act 1 like it's nothing then goes right back to being aloof. how many more times does he have to tell you? he has business in the blackpits. he spends the whole game having an increasingly worse time. he's a loser. it's all his fault. he got me. he got me good. god damn
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my game glitched (?) and even tho he rejected sebille (sorry baby) her and allegory still made out right before the big final choice. no option not to. then he had the expected epilogue with fane. poly ending canon enough for me!
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also the music was bonkers good and the audio direction in that one battle in the final act? mwah. and dallis' va knocked it out of the entire park.
last thing here's a gorry i drew when i was still back in act 1. 180 hours ago. titled on my phone as 'praying at every altar so i always come out on top'
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anyway if u made it this far: thank u. go get divinity: original sin 2 when it's next on sale. wise wise wise choice of £6.99 <3
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nefarrilou · 7 months
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Hello, I actually just would like to know what you use to edit your screenshots because they are amazing! Also I lied lol, if you don't mind me asking where you get genie's (from soothsayer) accessories from?💜
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W h e r e C a n I F i n d . . .
⤷ R U D A Y A H C C + E d i t i n g P r o c e s s
━━━━━━━━━━━━━ 🔮 ━━━━━━━━━━━━━
Soouuu, since most of her cc were her accessories anyway she got a lookbook right away which you can find ➺ here 🔮 Now to the editing process:
@dreamstatesims tutorial on how to create a photoshoot ingame helped me a lot and I basically still stick to it 💜
a big factor that increases the image quality enormously are gshade/reshade presets - I use @lisatrait's kitty for example ≽^•⩊•^≼
in CAS I mainly use @vyxated's reflection cas backround 📸
and additionally rotate between @mosaica's CAS lightning 1 + 2
I do the finishing touches in photoshop like rounding corners, tweaking the colors or adding extras like in my Lady Ranni / Rory, Jinx & Harley Quinn or Sadness & Gloom and Buggy posts but that's basically it ◝(ᵔᵕᵔ)◜
I actually spend most of my time trying to get the perfect composition which includes poses from creators like @helgatisha, @honeyssims4, @nsves, @roselipaofficial, @samsstudio, @natalia-auditore, @sciophobis and many more!
I'm very grateful for all tutorials, presets and poses - thank you dear creators 🙏🏽💙
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oceanlue · 2 years
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alphonse: I'm a reverse necromancer
Seth: Isn't that just killing people?
Alphonse: Ah, technically
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Seth: What if the 'g' in gif is silent?
Alphonse: Go the fu** to sleep
Y/n : What gif I don't want to?
Alphonse: Fu** you
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Y/n : Do you have any skeletons in your closet
auron : do you mean literally or figuratively
Y/n :.....honestly the fact that specify
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Lucien : go to hell
Y/n : *tearing up* I wish I could
Lucien:.......*worried*
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Alphonse: *tending to seth's wounds* how would you rate your pain
Seth : Zero stars. Would NOT Recommend
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Alphonse : Ok, maybe playing 'whose family is most dysfunctional' wasn't the best idea we've had. Seth has been crying in the bathroom for an hour. We can't get him out
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Y/n : I've already sent good vibes your way.... they're coming there's nothing you can do to stop them
Charlie: this is the most threatening way I ever been cheered up
*hugs him*
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Auron: I slept for almost 12 hours but I might still be tired so let's go for 12 or just in case
Charlie: dude, that's a coma
Auron: Sounds festive
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Seth: Change is inedible
Finn: Don't you mean inevitable
Seth: *spitting out coins* no, i did not
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Alphonse: You're right
Auron: That's. ...that's an unusual phrase for you... did you just learn it?
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Y/n : You f****** don't know about my knife stick. it's a knife taped to a stick and it's the Ultimate Weapon
Alphonse: *not looking up from their book* spear
Y/n: BLOCKED!
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Seth: It's dark in here
Y/n: don't worry dude I got this
*stomps their hfeet*
*skechers light up*
Everyone: .....
Alphonse: this is why I love u
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Auron: What's your biggest weakness
Alphonse: can be uncooperative
Auron: okay can you give me example
Alphonse: no
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Y/n : Look. I may not be a saint, but it's not like I killed anybody. I'm not an arsonist. I've never found a wallet outside of an IHOP and thought about returning it but saw the owner lives out of state so just took the cash and dropped the wallet back on the ground
Finn: okay that's really specific and that makes me think that you definitely did do that
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Auron: *in a meeting* my policy is if you see something say something
Y/n: I saw a squirrel in a tree today
Auron: *with a tone of someone who is used to y/n* Outstanding
Auron: This is what I'm talking about people
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Seth: This is a mistake
Alphonse: *enthusiastically* a mistake we're going to laugh about one day!
Seth: But not today
Alphonse: *still enthusiastic* oh, no. Today is going to be a mess
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Finn: *Holding a bottle* is this whiskey or perfume
Charlie: *chugs the entire bottle*
it's perfume
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Charlie: Are you an 'arr' pirate or are you a 'yo ho ho' pirate
Auron: I am not paying 600 for a Photoshop pirate
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Charlie: How many kids do you have ?
Jesse: biology emotionally or legally?
*looks at alphonse, seth and y/n*
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Finn: treat spiders the way you want to be treated
Auron/alphonse/seth: killed without hesitation
Finn: no
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Alphonse: *to Y/n* my life is in the hands of a idiot
Y/n : *motioning to themselves and seth* no no no no no, Two idiots!
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panelshowsource · 8 months
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do you have any favorite gif sets of yours from throughout the years?
i mean not really non they're all shit 🧍‍♀️
there are, i would say, three reasons people make gifs: to participate in the community, to keep a visual archive of their hobbies, and for the satisfaction of gifs coming out super prettily and lovely to the eyes. when it comes to giffing this kind of tv content, it's easy to nail the first two but the third? half of the shows are low quality "hd" ripped from youtube, not 1080p hdtv blah blah, so it's so hard to make anything that actually, truly looks spectacular, so you have to have other motivations apart from the satisfaction of decent photoshop skills to keep going (and i only became about 40% decent maybe 5 minutes ago anyways) >.<
that's why anything i'd say i like is probably not even a standout set but just something that's in really lovely quality, like this?
BUT FOR THE SAKE OF HAVING A FUN THROWBACK and you being so kind to ask such a nice question(!!) let me think about it for a moment...
the 2019 female top 5 poll was soooooo fun and i think the gif sets came out decently! i wanna do another poll super super soon
i always love this one of david and love how much everyone else loves this one from my fave series of taskmaster (everyone also seemed to like the latest sean set which was very kind)
for no reason other than having a lot of time on my hands and loving him i did this extra ass response to this anon and i still think it's funny heh
also my david x victoria sets are fun ALWAYS and actually i have another one coming up hehehe
from recently? kayvan turned out sexy (ugh speaking of handsome devils i always love f.05 alan) and also the s16e01 sue set hahahaha she is sooo funnyyyy
often the ideas, parallels, throwbacks, whatever i come up with are pretty good but the gifs themselves aren't anything special or even decent at all — which is why sometimes i remake the same moments a couple times over, thinking i'll immortalise it better each time (and never really do lol)
i'm glad you guys accept 1) that i'm not a world class gif maker and 2) we're dealing with so much low quality video that it wouldn't matter either way ↁ_ↁ
feel free to send a request any time!! i promise i will try for u :") (joe x roisin anon i'm working on yours, it's just a fatty so i need more time; also i see u guz anon)
#a
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7rashstar · 9 days
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i didn’t rly sleep last night yap sesh below the cut
missed mayday festivities because i am debilitatingly socially anxious but then went camping for a friends bday and felt refreshed by being able to see soooo many stars and be outside…(and go on the most extreme hike of my life dude omfg)
while we were camping my digi cam fell out of my pocket when i laid on the ground to look at the sky and stars and it stormed that night and my camera got destroyed. hoping the sd card is salvageable..
creepy had hella ticks on him (including one thats head got stuck in his uhh..wiener lol) went to the vet got em removed in total there were 8 (!!) that we found. he has so much fur man idk there could be some more on him but at least they’d be dead atp because i ALSO finally got a flea tick preventative that he can take monthly. it’s been impossible to get a vet appointment anywhere, especially at the clinic i’ve been taking him to since he was a bb. praying he didn’t contract anything from the ticks…we’ll get a blood test sometime in september-december
bestie soup told me u could see the northern lights in the city last night + they sent me some pics but i pulled a leg muscle skating n it hurt too bad to waddle over to the overpass (plus there’s been several shootings in my neighborhood the past couple weeks outside my building so i don’t rly like going out at night rn anyway)
yesterday oomf texted the gc n said a friend of a friend asked him where to listen to my music online bc they loved my set :’)) the last time i played a show was the beginning of march!!!! that made me feel rly good so now i have more incentive to finally upload things to soundcloud again. might work on that later today…like. might,…finally post something
he said he sent them a link to my old bandcamp and i forgot i never deleted my music there i only scrubbed my sc so i went over n listened to what i posted. it was kinda cute. in 2020 i started using ableton for the first time consistently and actually tried to figure out how to make stuff w it so everything f from that time is like. ahh. i’d do that so different now!! but at the time i was so proud of myself and that makes me feel kinda fuzzy (in a good way) like noticeable artistic growth yanno? n also knowing that version of myself who was constantly suffering and seeking an End still felt excited abt what i was making. it’s cute. my old self is someone ive made peace w and hold close to my heart in the ‘it’s different now and it’s Awesome’ way like fuck yea lil buddy you got clean and made it out alive. that’s sick
some of my old music goes hard asf too tho. a lot of unreleased stuff on my google drive i dug thru after listening to my bandcamp i don’t even rly remember making but i was like :0 !!
i was up until 5:30am working on a flyer !! i wanna make more flyers!! i miss making flyers. i’m outta practice and using procreate bc i don’t have photoshop anymore so still a newbie on the program front but i think. i did a good job and it looks cool so that’s nice
i rly wanna skate but my leg hurts i feel like that spongebob guy
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ashsomethingart · 3 months
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Title: L Lawliet Commissioned by: Margaret Ash Adobe Photoshop CC2024
This one was a fun piece. I'm a big fan of Takeshi Ohbata's art, and have loved almost every manga he's put out, so having the opportunity to not only do my manga style but also use all of his art as references was F U N.
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