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HI ONE PERSON SAID YES (THANK YOU @sorribu) SO NOW YOU GET TO WATCH ME RANT ABOUT THE COOLEST KIND OF ANIMATION EVER
(Not my gifs, I just looked them up. Idk how to make gifs)
So in different scenes, especially in the endings of every episode of the first season, like during the credits, you probably noticed that the way the art style looks changes. It gets streaky and kind of blurred and textured and it kind of looks like paint.
Well guess what. It IS paint. Actual real paint.
The technique is called paint-on-glass animation, and it’s a really rare kind of animation. Like you NEVER see it it's so rare.
To make paint-on-glass animations, you need to take a slow drying kind of paint, (most people use oil or gouache), apply it to a smooth surface like glass or a whiteboard, and move it around into the different scenes before it dries.
It SOUNDS easy but it absolutely is not. The reason that it’s so rare is that it’s super labor intensive and difficult to do. I've tried to use it maybe twice and it’s genuinely so frustrating and hard. You have to get every try perfect because it’s so hard to reverse the work you’ve already done, and you’re constantly in a race against time. Even though they paint the animators use is slow drying, painting even one slide is so time consuming that it dries anyways.
The paint can’t be too wet or it’ll smear and blend too much, and it can’t be too dry for obvious reasons. Paint-on-glass animation is HARD and I’m so in awe of anyone who can do it well.
Mob Psycho doesn't just have it as a one-off thing, they use it MULTIPLE times, and the ending scenes with it are about 90 minutes. That's HOURS of intensive, detailed work. You can tell exactly how much love and dedication went into this show.
Oh and from what I've read, all of the paint-on-glass animation they used in Mob Psycho was done by a woman named Miyo Sato. ONE PERSON. ONE PERSON DID ALL OF THAT. ARE YOU JOKING? THATS INCREDIBLE.
When I say she was painting each scene on a glass frame by herself and she actively had to physically move everyone and everything in the scenes around I'm not joking. That is serious dedication and love and I love this show and all of the animators so much you don't understand.
OH AND DID I MENTION THAT SHE HAD TO ANIMATE MOB AND REIGEN WALKING MULTIPLE TIMES? BECAUSE SHE DID. Do you know how hard it is to make that look right in NORMAL animation? SO HARD. MIYO SATO I LOVE YOU YOURE SO IMPRESSIVE.
Anyways I really really love paint-on-glass animation and I WILL talk about it whenever I get the chance
guillermo del toro’s pinocchio is a beautiful film but my god no one has adapted that story like neverafter. you can never look at it the same way again after listening to lou wilson, a black man, explaining that he chose to play as pinocchio because it’s a story about a little boy who isn’t allowed to make mistakes. that in pinocchio's story, he is fundamentally barred from childhood at once upon a time. he must earn something that everyone else is granted from birth. the other boys get to tell lies and play and get into trouble, but when pinocchio does the same thing there are grave and violent consequences. his pinocchio is trying to understand why the world is so unfair, why the rules are so different for him, why everyone else gets to be a real boy.
really excited to share this preview snippet from my fic in the upcoming @timdrakeflipzine!! along with a preview of the spot art by the one and only @mammutblog 💪⚔️✨🌋🦴
i love you gif makers. i love you photo editors. i love you meme makers. i love you fanfic writers. i love you fan artists. i love you people who analyze media. i love you people who write elaborate theories and crack theories. i love you people who spam like and reblog. i love you people who interact with fandoms in dynamic and passionate ways. i love you people who keep this hellsite alive by caring and creating and supporting each other above all else. i love you