I truly, TRULY, do not understand the Night Yorb hate. The fact that it was invented whole cloth from a bit is so fun! It was the cliffhanger from the last season! It burst out of Riz's chest after they said the name too many times! It's a giant sting-ray of darkness! The Hangman and Hanvan have been warning everyone about saying the name since the middle of last season!
Sorry you all hate joy and fun and are begging Brennan to get it out of the way to move on to the REAL story, but I'm here for any and all Night Yorb content, and would honestly be *thrilled* if they kept up stuff about it all season. Now, if you'll excuse me, I'm going to go join the Choir of Eternal Night and continue petitioning for a Night Yorb plush from Dropout.
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@raventhekittycat
hi okay so I've been mulling this one over for the past day or two and I think I have the answer. not to be using hamburger to explain anything to an american but you're my detco mutual so I'm going to try and explain it in detco terms
There's a post going around recently about how if you've read detco and only detco, the first time hakuba shows up you're going to be totally flummoxed, because damn this guy is clearly important, he gets to be even cooler than Shinichi, he's got a half-page shot of him (in such a panel-dense series such as Detective Conan, no less!!) and he's got a fucking hawk. he's CLEARLY important. everything about the narrative is indicating that you need to PAY ATTENTION to hakuba and that he's the coolest guy and he's important!!!! and then he dies in the case lol (not for real. but still.)!! and you're like huh??? what was that. why did aoyama do that.
But with the context of magic kaito this totally makes sense. He's a beloved character that people have been waiting decades to see again. Of course Aoyama is going to hype him up!! It's his big moment after years of being locked in the backrooms!!!
Anyways reading birdmen for me was kind of like that. The author's previous series, Kekkaishi, was pretty one-dimensional at the beginning, and even after the main plot started picking up at around volume 6, it still felt quite understandable. I knew what she was trying to get at, and the spectacular job she did with the anthropocene and climate change metaphor towards the end of that series really made me interested in the rest of her works. That and the way she writes familial relationships is absolutely DEVASTATING. (I mean this with the highest of praise)
But when I read BIRDMEN for the first time, I was probably in... middle school, maybe? And I read it, sure, but I didn't get it. I could see what was literally happening on the page but the narrative choices were absolutely baffling at times. Why skip over the entire part of the plot where they figure out who the birdman that saved them was? She blatantly doesn't care about that. What does she care about then?? I knew I didn't get it, I knew there were parts of it that were important and I couldn't figure out why and THAT'S how it dug its pretty little claws into me. Even after I finished catching up it nagged at me a little bit, not often at all, but enough that every once in a while I go, huh, right, that was a thing, let me go read it again.
For the record this type of story haunting has happened to me twice. First time was the Heart of Thomas, second time was BIRDMEN. I think the thing is that these are both stories which are not what other people say they are and I think I came into both of these stories with a misconception, trying to look too hard for things that weren't important and therefore missing the things that were.
Because sure, BIRDMEN is about mental illness. Yeah, it's about an evil scientific organization growing mutants in a lab. Yeah, it's about what it means to leave your humanity behind. That's all technically correct, on a surface level, and the fandom at large likely agrees with these takes for the most part, but in my opinion none of that really delves into what the thematic messaging of the story is about.
There are cryptic conversations about authority and human extinction and peculiar outfit and ability choices. You can tell these choices weren't made to serve the purpose of "writing exciting shonen manga" because that was what she did for the most part in Kekkaishi and you can tell she wasn't putting her whole pussy into doing that here. So what was she doing? What's like. All of this. Waves my hands at this.
The short answer is that it's really about the interplay between capitalism (represented by humanity) and communism (represented by birdmen), and explores the role institutional white supremacy (EDEN) plays in enforcing capitalism. It is ALSO about queer liberation and the importance of community, but hey, that double-stacks conveniently with the communism metaphor.
But also take this opinion of mine with a grain of salt. As far as I know I'm the only one who really truly deeply believes that it is not only AN interpretation of the work, but one that was fully intended by the author.
So basically, I like it, because I think it says something true and beautiful that I also believe in, even if I didn't have the words for it the first time I read it. But I don't really think that's what people really look for in a media recommendation.
Do I like it? Yes, I love it. Will I recommend it to others? Yeah, sure. But do I think it's deeply flawed? Yeah, absolutely. It's flawed in the same ways as The Witch from Mercury— a rushed ending, too many threads that were opened and never tied together. The pacing and characterization is perfect in the beginning, and too rushed at the end. There are prerequisites you basically HAVE to read in order to understand the story (tempest for G-Witch and the communist manifesto for birdmen). I think a truly good story wouldn't have any of these things so if people don't like it I never blame them.
It's my personal experiences that make birdmen so profound to me. If you are not queer I just don't think Eishi coming out as a birdman to his mom will hit the same, just as an example. Sorry that I wasn't the kid you wanted me to be. I know you love me and you just want the best for me and that's why you're so controlling, because you think I can be saved by conforming to societal expectations. But I can't live like that. I can't be like that. And that's why I must go. etc.
Aesthetically I do love birdmen a lot. If I had to describe it in a few words it would probably be "chilling", "beautiful", and "powerful", which nicely coincides with the type of things I personally like to draw. It's also silly to a small degree but it's so serious and I know Tanabe can be way way way funnier (read kekkaishi for this. kekkaishi and hanazakari no kimitachi he were foundational to my sense of sequential art humor) so that's not really the standout trait of this series.
I can't let it go because I'm chewing this series like a bone. And it's taking me years but I am getting that sweet sweet marrow. By god. We are on year 3 of this shit and I am GOING to understand this series. and I'm going to make 3 video essays about it
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Literally a genuine question no ill intent
What do you like about Aira? As much as people are absolutely adamant Akira is projecting (I really don't think he is (I'm not saying Akira is innocent) I just think he's trying to address the prejudiced thoughts the average Japanese person will have on the Ainu) Aira's weird comments and behaviour to Hiiro have been there since day one. And I also think Aira being the one who says all this is because he's supposed to reflect the fans and the average Japanese fan probably isn't that educated on the Ainu + there can be a good few racist enstars fans...
I'm not trying to sound heated about this I'm just coming from a genuine place, what appeal is there in Aira?
Also, as much as the Aira fans are talking about blaming Akira, I feel like there should absolutely be a focus on Hiiro right now considering that comment was... yknow said to him. I just think we should actually be talking about the Amagis considering that comment was intended to discuss the Amagis and their culture and the discrimination they go through.
i had someone ask me a similar question once but not in the context of all thats happening currently so you can read that here if youre inclined
buuuut what made me like aira so much in the first place was honestly that his concept as a character is really funny. i made a post a long while back that went into the funny meta jokes that you could make using aira as a character before i really knew much about enstars at all. having a character in your idol series that loves idols and canonically reads fanfic about them is just a funny concept in general. and as i continued to read more he continued to be funny and annoying and endearing (his little mini interaction with midori comes to mind immediately. there is something wrong with him)
also i tend to gravitate towards characters that give me like. little sibling energy. i love having a favorite little guy to dote on
but afterwards what really drew me to him was the main story!! thermometry specifically comes to mind (ouuugh,,,,). his feature scout stories are also great and so is feather touch! i wont like. go into detail really cause my blog is covered in me talking about aira already
his dynamic with hiiro is one of my favorites too, especially in mainstory. their dynamic isnt JUST aira says shitty things to hiiro and thats it. their relationship develops really far to the point where aira admits that he needs hiiro as much as hiiro needs him. they're young and inexperienced and kind of codependent as they're trying to keep themselves from going under in a sort of cutthroat industry. i think thats really neat. their relationship is really sweet to me and aira is a great tsundere type of character. he regularly is shown to actually like hiiro a lot as mean as he can be to him sometimes i.e. here. and you know the whole holding hands thing (which they also fucked up in the climax story but Whatever)
theres also this. which i think about regularly. the hiiai shipping fuel is vast
and additionally i think aira has some really great relationships with other characters too, alkaloid especially. feather touch develops his relationship with tatsumi a lot and its one of my favorite aira moments. i couldnt find my screenshots for this one but basically aira gives tatsumi his unlocked phone (something VERY important to aira since hes a little screenager) and it shows tatsumi just how much aira trusts him and he realizes how important aira is as a friend to him. being someone with a history like him aira's friendship is sort of new to him and it helps them both grow
he loves his friends so so much and he’s had a positive impact on all of alkaloid. he is its heart after all
but in any case i'm not going to like, defend myself for liking aira. i am aware that the shitty stuff has been there from the start but i've said something similar in the past that was like. aira isn't real and he cannot take accountability for what he says. he's a character written by real people who doesn't have any control over how he acts. so i guess that's why when i think the writers write something i dont think he would do or say in my own personal aira opinion i can sort of brush it off as just bad writing.
and not in the sense that i dont recognize that enstars sucks, because it does. enstars can be terribly racist sometimes and not just when concerning aira, and thats important to talk about (i.e. the orient cards, the king of thieves cards, etc). but at the end of the day the most important thing to recognize is the people and company behind the game as well as the real people who play the game and are affected by it. and not like, the specific characters in the game. cause they didn't actually do anything or feel anything you know
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It's been so long since i've played such a charming little game, melody of moominvalley really nailed it all. if you havent already, i highly suggest giving it a shot. its absolutley adorable
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saw the "who's your most underrated Kleypas hero" question getting bandied about (again) today, and I must say, the only answers I'll accept are:
--John McKenna/Again the Magic (I'd argue that AtM is not the DEEP CUT newer Kleypas readers think it is; before I read it, it was definitely upheld as a classic of hers, but people who want the softer boys she writes in the Ravenels... may not like this one; however, McKenna fucks RIDICULOUS lbr)
--Alex, Lord Raiford/Then Came You (yes... he calls her a bitch.... and I'll be real this made me love him more... he carried her over his shoulder outta Craven's and bought her a bear I'm VERY confident in this choice)
--Kev Merripen/Seduce Me at Sunrise (thought he'd kill Win with his massive dick, tied her up and took her to his fuck cottage, is Heathcliff if Heathcliff wasn't horrible basically)
--Leo Hathaway/Married by Morning (fun bout wounded king, "haha" in the streets and "oh shit" in the sheets, notable for making Catherine ask him to touch her pussy in explicit and specific language)
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