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#event horizon comic
thebayclans · 2 months
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fantasy-girl974 · 1 month
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🌸 Kotaloy Days : Spring in my Heart 2024 🌸 - DAY 1 - ▷ Alternative Prompt : “What are you staring at?”
For the @marshal-huntress Spring event
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askmovieslate · 7 months
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We really were!
Look, the movie we ended up getting into theaters is one of those movies that only weirdos really enjoy, and guess what? I am an absolute weirdo who loves this movie.
When I learned there was a version of this movie that's even more violent and extreme I got super mad. And then I learned we are never ever gonna get that version, since all the footage is gone forever. Now that makes my blood boil.
What a bummer.
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potted-dandelions · 1 year
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Imagine a greatly simplified universe containing just one lonely spiral galaxy with a supermassive black hole at its center. The outer edge of the universe is constantly expanding outward while the black hole is constantly devouring the galaxy.
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All known physical laws apply here. Importantly, the laws of thermodynamics apply so no matter or energy can be created. The black hole at the center will eventually consume all matter while the universal edge will eventually grow to surround the black hole with an infinite expanse of empty space. Then, heat death.
The black hole will eventually evaporate all of its mass away as Hawking radiation and, having successfully cooled all matter down into pure energy, it will blink out of being and the inner terminus of the universe will pop like a soap bubble, its once-massive energy fully spent.
But long before the heat death of the universe, the galaxy will swirl around for billions of years with its inner bulk imploding as though being consumed from within while its outer fringes are simultaneously compressed from without, the very space itself expanding around it. We actually observe something like this effect in other galaxies throughout our own universe. Most galaxies appear to rotate much faster than their apparent mass would allow, so they would seem to have some hidden mass we call dark matter because its existence can only be inferred.
At the same time, some inferred force is also causing the space in between galaxies to expand without actually stretching it, as though new threads are being woven into the fabric of spacetime itself, causing the distance between distant galaxies to naturally increase over time. Cosmologists estimate that this dark energy accounts for the bulk of all mass/energy in the universe, exceeding even dark matter which itself greatly exceeds all observable matter and energy.
But perhaps dark matter is merely a fictious force, an emergent property of dark energy. For although dark energy appears to act only upon empty space whilst dark matter affects gravitationally-bound matter, maybe the only reason dark matter is dark is because it's not matter at all, it's simply the observable effect of dark energy compressing galaxies from outside.
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Ultimately, dark energy will expand the empty space between distant galaxies so rapidly that not even light will have enough time to span the gap, meaning distant galaxies will disappear from each other's perspectives and casual observers will see that their galaxy exists alone. So my original proposal isn't so far fetched. It is, in fact, the fate of our own galaxy—and all the other gravitationally-bound galaxies within the Local Group subsequent to their eventual merger with ours. Our distant ancestors may yet occupy a lonely galaxy in a dark void.
As the matter in our Local Group is gradually consumed by the supermassive black hole named Sagittarius A* (read eh-star), objects approaching the event horizon will undergo 'spaghettification' stretching. Even solid objects will be drawn down into threads of matter just one atom thick. Each thread will constitute a one-bit matter stream, yet each bit will preserve the information it carried with it from the farthest reaches of the galaxy. In a sense, the surface of the event horizon measures the state of incoming matter and records that data holographically.
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Information, as it happens, is equivalent to energy, comparable to the way matter and energy are mutually exchangeable, so it is therefore bound by the laws of thermodynamics. Information can only be sorted and garbled, never created nor destroyed, not even by a black hole.
Eventually, the holographic information about all the matter that has fallen into a black hole will evaporate away from the event horizon, bit by random bit, as Hawking radiation. Each bit will carry a small amount of the black hole's mass away with it, causing it to shrink. The cosmic microwave background radiation, although too dim and too red-shifted to be seen by human eyes, is still bright and warm enough for now to counteract the paltry Hawking radiation emitted by even very small black holes, so no black hole will be evaporating away anytime soon.
But picture the universe from a singularity's point of view. The holographic image recorded upon the surface of the event horizon is a stained-glass window as seen from the other side, and the scenes it depicts are perfect memories of everything that ever happened in the galaxy. Those images are greatly distorted by the gravitational forces and spaghettification to which all matter succumbed as it plunged into the universal abyss, but with corrective lenses, even gravitational astigmatism may be undone and the holograph's finest details can be revealed.
If a mind could dance upon the surface of the event horizon, watching matter streams go by like a channel-surfer looking for something to watch on T.V., such a mind might be able to perceive the former goings and doings of individual creatures long dead on distant worlds. From the singularity's perspective, this black hole dweller aims the corrective scope at the precise azimuth and elevation to view life from anybody's perspective while turning the focus wheel to scrub through their timeline. The focus wheel would in fact be a time-focus wheel.
Only a godlike mind could conceivably correct such severe distortion, but for all we know, that mind sees the inside of the event horizon projected upon the outside of a globe like an interactive, rewindable recording of real-time satellite feeds in a Google Earth VR interface.
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And for all we know, our own minds are peering through such scopes, only the azimuth and elevation is fixed and the focus wheel is motorized so that we experience everything through but one human's perspective along a fixed and finite timeline. What a depressing fate indeed.
The part of me that believes in the free agency of the the soul rejects the implications, but my mind is open to the idea that we're watching events unfold in reverse, that the focus wheel is rolling backwards, and that the black hole is really a white hole spewing information. In that case, we are perceiving the outcomes of our decisions before we make them, guiding us to make the choices that we must in order for our perceived selves to survive from the moment of our death to the moment of our inevitable birth when we will finally avert our gaze.
Thus are we able to predict the past while remembering the future, but with the focus wheel turning backwards, our perception of causality is reversed, making us think we are predicting the future while remembering the past. This part of the plan will be rather controversial.
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The heat death of the universe is going to take a very, very long time to reach its conclusion, yet we only have until then to observe everything that has ever mattered throughout all of spacetime. When the soap bubble pops, we're out on our own with the information we collected.
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stesmancaveart · 8 months
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Glad to be back with some work I've been doing. Pick your piece and enjoy 😁😁😁
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abortnite-battlepass · 9 months
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I made this with pencil and pen on white paper and then took a picture of it and inverted the colors. I’ll probably add color digitally but I just love how it turned out.
I’ve been thinking about making an original comic accompanied by (not original) music set in space. So far my name for it is Event Horizon. The title comes from the song Horizon by Daft Punk, because that’s what I was listening to when I visualized the concept for the comic.
Tbh I don’t always follow through on big projects like this, or they take a LONG time to finish with lots of breaks n stuff. But I’m excited about it! And hopefully I’ll post more soon. We’ll see.
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fangod9624 · 10 months
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This is indeed a coincidence moment
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kilowogcore · 10 months
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Injustice is basically what happens when instead a' empathy an' a desire ta' do good, Superman just wants maximum drama.
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ssahotchnerr · 2 months
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hi babe! was wondering if you could write something abt hotch + reader having their daughter’s first birthday and all of the team is there and it’s so cute and we get big brother jack.
maybe it including light bickering between them but it’s so clear they love each other so much still and it really is just pointless bickering. something fluffy for sure.
up to you! i trust your wonderful writing , thank u bunches !
- 🕷️ [is this anon emoji taken yet? oops if it is!]
take the bench
AHH that's so adorable 🥹 cw; fem!reader, jack calls reader mom, domestic banter <3 and aaron being very dad <3
"are you kidding, look how cute!" you exclaimed, holding up the little outfit for all to see. your daughter's tiny hands immediately made a grab at it. "this is perfect for spring."
"after two boys, i can't express enough how fun it is shopping for a girl." jj gushed, resting her chin comfortably on her hand. "new section of the store unlocked."
all had gathered for baby girl's very first birthday, and it's been quite the eventful afternoon. lively conversations, a plentiful spread of food, cake on the horizon.
currently your daughter was sat comfortably on your lap, while you orchestrated the whole present-opening extravaganza.
at her young age, she could pull the tissue paper out of the gift bags as instructed, you and jack helped with the actual paper ripping as needed. whether it was you tearing off a starter piece, or jack proudly fulfilling his big brother duties - simply unwrapping it entirely himself and excitably showing his sister what she had received.
and meanwhile, aaron had the most dad job: trash bag duty. it was right up his alley naturally, being sure to punctually collect the scraps of paper before they touched the ground; preventing a mess at all costs.
which ultimately, led up to a new game.
"jack," aaron grabbed his son's focus, holding the bag open and jack caught on instantly. he grinned, balling up and throwing the tissue paper in hand in aaron's direction.
it started off gentle; quiet cheers when jack made the shot, not to mention the growing smiles on both ends. but then it soon turned into them firing off at each other, a bit too aggressive in the constraints of the living room. jack's laughter heightened with each throw, and henry even began to join in from time to time.
while still enamored by the gifts, all thanks to her brother and father's volume, baby girl's attention was quickly drawn to them. she let out a high pitched squeal every time wrapping paper flew over her head and through the air, attempting to wiggle her way off your lap.
as much as you loved aaron and jack carelessly enjoying themselves, and the addictive giggles emitting from your daughter, you also didn't want to take the focus away from everyone's generous gifts. they had spent time, and money, and deserved the proper recognition in return.
"aaron." you warned lightly, raising an eyebrow when his gaze shot to yours - a silent, but loving nonetheless, quit it.
"alright bud," aaron caught the last makeshift ball from jack with his hand, shoving it into the trash. "take the bench. the ref is giving me that look."
"but dad-"
"you heard me. and your mother."
jack let out a small whine, but promptly complied. he returned to the stack of his sister's presents, shifting through and looking for the next one to give her.
"for someone on clean up duty, you sure are making quite the mess." you teased once you caught aaron's eyes again, jack placing the next gift in front of you, "a larger one, if i may add."
"mess isn't in my vocabulary." aaron quipped right back, a delightfully smug look on his face. "you shouldn't be the one talking."
you cocked your head to the side, comically, "oh?"
"who's side of the closet is currently exploding?"
"who's sock drawer has seen better days?"
"the parents are fightingggg." derek stretched out his voice, murmuring humorously under his breath and nudging penelope with an elbow. while the soft tone, his statement was for all to hear.
now, it was your turn to (lightly, as to not jostle baby girl) chuck a ball of wrapping paper at him. derek ducked, barely, laughing loudly as he straightened his posture back upright.
"good try, but not good enough mamas. you gotta work on your aim."
"see, i'm not making a mess." aaron teased as he came near to grab it off the carpet, taking a detour as well to give your lips a quick peck. "you have that title perfectly under control, darling."
you playfully rolled your eyes, a smile dancing its way onto your lips. aaron couldn't resist the sight, kissing you once more. "oh bite me, hotchner."
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twistcmyk · 1 year
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it's interesting that i don't really recognize who i was when i started posting comics! i've been through a lot of personal growth over the last few years; i'm still me, but i don't react to situations the same way anymore, and my day-to-day life couldn't be more different.
i financed a mattress with my partner the other day, and got excited about coupons, new sheets, and towels. shit's weird out here! i'm approaching the milf event horizon. but with more leggings and booty shorts
feeling so free, comfortable, and confident as of late has made my Passion for Creating burn brighter than it ever has before! who knew life could be Pretty Good in the face of all the ongoing horseshit. Love Radically
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thebayclans · 3 months
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Prologue pages 3-5
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akanemnon · 8 months
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wait, didn't you say your frisk wasn't aware they even had a player? oh, poor thing... i sense an existential + identity crisis combo event on the horizon.
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Frisk was never aware that there was something controlling them. The reason as to why will come up in the next comic. But you can also chalk it up to them being a kid and not having the kind of self-awareness a teenager like Kris has for example. That's the thing about puberty. You kinda discover yourself and who exactly you are. And this is why Kris is far more aware that there is something else taking over their body. But yes, these two are gonna trauma bond for sure.
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foli-vora · 5 months
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the sun will shine again
joel miller x f!reader
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A/N: just a little self indulgent something I wrote for comfort when I needed it, but maybe it can be a little reassuring hug for someone here as well? If you're struggling, please reach out to your local helplines, friends, family, doctors, teachers, coworkers - you're worthy of your existence on this planet, and you're not alone ❤️
Word count: 2k
Warnings: heavy themes. Depression, thoughts of suicide and intent, mentions of a weapon (gun), Joel struggles with feelings but he gets the message across, Ellie is Ellie with a little needed comic relief, hurt & much needed comfort
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You don't want it anymore. Any of it. You just want peace. You want to be able to wake without the lingering presence of something heavy weighing down on your heart, your soul. You want to be able to smile, and feel it curl on your lips knowing it's nothing but true, and it's not there hiding the ugly thoughts and feelings stirring in your mind. You just want to be happy.
Is that even possible? Does happiness even exist anymore? The world had been torn apart long ago - there is very little to smile for now. Maybe it wasn't worth the effort. Maybe this is all there is.
No.
No, this isn't all of it.
You're sure you feel happiness, even if it doesn't manage to make it across your features most of the time. You feel the tender warmth of it in your chest, the blissful ease of the never ending pressure threatening to crush you under its weight.
It happens now, despite the horrific events that seem to follow your footsteps. Ellie's a sweet thing. She hides it behind her stubbornness and sarcasm, but you spy a slight comfort building within her as time rolls on—a peace.
Joel mirrors it, and he fights it - God does he fight it. Of course you know why he keeps her at arms length, why he desperately fights to keep that void present, but lately, it's wavered. He smiles, laughs even. It's beautiful to witness. He deserves it all and so much more.
You on the other hand? The shadows have seemingly only grown outside of the QZ despite being free, creeping along and filling every vacant space in your mind. It's so damn heavy. Something's there, a presence that seems to know exactly when to strike with its poisonous words, and it's not long until a part of you starts to believe them.
You don't belong here. You don't deserve them. You don't deserve this. You should've died long ago. Why are you still here? They would be better off without you.
It's those thoughts that have you here now, staring numbly at the sun beginning to shine over the horizon with a weight in your hands. There's a harsh chill in the air that bites at your skin through your thick, tattered long sleeve, but you don't care. You won't be here when the snow eventually hits.
You had left your jacket draped over a sleeping Ellie, her cheeks and nose tinged pink from the low temperature. It wouldn't go to waste - she'll get a lot of use out of it. Your pack you'd left in its spot beside Joel's - he'll take whatever they need before they move off. You have nothing else of worth.
They'll be better off. You don't belong here. You don't belong anywhere. Everyone will be better off.
Your gaze drops to your hands where they cradle the handgun, the steel barrel now warm from your touch. You only have one bullet - you left the rest behind. You wouldn't need them, anyway. Joel'll get a use out of them. They'll both be safe.
Safer without you. Better without you.
So why can’t you do it? Why can’t you just get it over with? Why are you hesitating?
The last few months roll through your mind. Blurs of memories, of you and Joel, of you and Ellie, each one rolling through your mind and bringing that sweetly craved warmth back to your chest. You know why you’re hesitating.
It’s a battle between love and darkness, and you hate that the darkness is winning. You’re weak.
They deserve more than you.
“Watching the sunrise?"
The unexpected but familiar gravel has you jumping about a mile high out of your skin. Your head whips to where Joel is approaching quietly from behind, and you discreetly tuck the gun into the waistband of your jeans as you nod, forcing a strained curl of your lips.
"It's a nice view," he continues quietly, voice still roughened from the few hours of sleep he managed to get. "I wasn't expectin' you to be gone so long."
He had been resting when you left the little campsite, eyes closed and merely grunting in reply when you mentioned needing a bit of privacy. How long had it been since you left? How long had you been dragging your feet in carrying this shit out?
"I got distracted," you explain weakly, shifting slightly over on the unforgiving boulder you sit on so he can rest on it beside you, "sorry."
He notices your clear lack of jacket.
"You cold?"
"No," you lie.
He's watching you, studying you. You can feel it. You keep your eye on the horizon, taking in the pastel mix of blues and oranges stretching across the sky as the sun starts to rise further above the landscape in an effort to escape his scrutiny.
"You needin' these?"
Glancing towards him, you watch as he sticks his hand down the front pocket of his jeans before holding it out to you, noting the bullets rolling around his palm. Your bullets. There's something hanging in his gaze as it remains heavily fixed on you. Maybe a slight edge of suspicion? Challenge?
You don't manage to hold it long enough to find out.
"Uh, not that I know of. I think I'm good."
He makes a low noise of thought, "Alright. Well, why don't you let me check. Better to be safe than sorry, right?"
"Joel—"
"Come on."
The cold's long seeped into your bones now. You weren't meant to take this long. Another thing you can't do right. Moving takes a small bit of effort, your fingers now numb as they struggle to keep a firm grip on the weapon and pass it over.
Joel swiftly pops open the cylinder once he has the gun in hand, taking a long, quiet moment to examine the one single bullet residing in there. His thumb briefly brushes over the top surface of it, before readying the other bullets in between the grasp of his fingers.
"Not gettin' far with only one," he comments dryly, nimbly filling the cylinder and then flicking it shut with a noticeable click.
He doesn't give it back to you.
Instead, he reaches behind his back and tucks the gun down the waistband of his jeans beside his own, before fixing his jacket above them. He sighs, a deep heave of breath that blows out from his lips with a wispy cloud that carries away with the breeze as he seems to lose himself in thought.
You say nothing. There's nothing for you to say.
"Don't you ever," he starts thickly, voice cutting suddenly through the quiet, "think about doin' that again, you hear me?"
"Do what?"
You feign ignorance.
Whether it's because you don't want to acknowledge your earlier thoughts, or Joel to know about any of it, you don't know. It's silly—he would've found you eventually anyway. Maybe you're just a coward and don't want to face the reality of what he would think of you.
"Don't play with me—not about this.”
An apology sits on your tongue, but it doesn't make it past your lips. You should've known better than to play him as the fool. Joel's anything but stupid. He probably saw through you the instant he laid eyes on you sitting in the cold morning light without a jacket.
“I don’t say it, and maybe I should start, but I can’t lose you,” he rasps, deep brown eyes falling away from your face to follow the soft swirls of the clouds, “I can’t. And I know that’s selfish of me to say, I know it’s not what I should say when you’re feelin’ like this, but—Jesus. Ellie wants you here, needs you here. I need you here, and I know you’re carryin’ a lot in that head of yours but—I just... I’m here for you, alright?”
“Joel—”
“Quiet.”
Your mouth snaps shut immediately.
“I know it’s a lot, and I know it hurts—believe me honey, I know it fuckin’ hurts, and you’re tired and the other side just seems so damn good… but it’s not. It’s not. You… you can’t do that. God, you just can’t.”
The wind chills the hot tears that spill down your cheeks until they feel like ice. He looks at you then, as if sensing the heart ache making wet paths along your skin.
You’re weak.
His hands are hot as they cradle your face carefully, roughened calloused palms covering your cheeks and soothing away the agony filled droplets with a quick brush of his thumbs.
You can’t help but turn into the touch, your own hands coming to wind around his wrists in an effort to keep him close. He’s so warm. You let out the lungful of oxygen you’d been holding onto in your worry, watching the fog of it hang between your faces before fading away.
“I don’t know what to do, Joel,” you admit in a choked whisper, eyes dropping from something close to shame, “My head… I-I don’t know how to fix this—”
His hands press tighter against your cheeks as he angles and holds your face until your eyes are flicking up to meet his. Sincerity fills them, mixing with the ever present concern he hides behind those high almost impenetrable walls. It’s hard to focus on anything but him.
“It’s gonna take time, and it’s gonna be damn hard, but I want you to put it on me, understand? Put it all on me. I’ll carry what you’re strugglin’ with, alright? Hell, I’ll carry you. For as long as I need to. For the rest of my—fuck. Just—just let me help you. Please.”
He wants to do that? For you?
“What if it’s too much?”
“Then we’ll handle it together, like we’ve handled shit hundreds of times before.”
A few more moments of searching his eyes and you’re breathing a quiet okay. The heaviness still rests unforgivingly on your mind, but maybe you won’t struggle so much if someone was there to help you carry the load. Maybe, with time, it would get lighter.
That’s what you could fight for—the days where it won’t hold you down, and threaten to break you completely. The days where, maybe, it won’t be there anymore. Is that even a possibility? It doesn’t matter, you think you’re willing to find out.
His own eyes flicker between yours when your voice reaches his ears, before he gives a slight, barley there nod. His throat bobs with a swallow and then he’s resting his forehead against yours in apparent relief, lashes brushing his cheeks as his eyes flutter closed.
“I’m sorry.”
“You don’t ever need to be.”
“I fucking knew you guys were a thing.”
Ellie’s voice suddenly picks up from the tree line, her heavy feet trudging through the dense forest floor with the crunch of leaves and the snap of branches. Joel’s hands drop as he pulls away with a slight frown, levelling it on the girl making her way over, but it doesn’t seem to deter her in the slightest.
Despite missing the physical reassurance from Joel, you welcome the change Ellie unknowingly brings to the heavy atmosphere. You even manage a small smile, and it doesn’t feel strange as it stretches along your lips. There it is again—that lovely warmth from within you.
This is it. This is what you want, what you have. It’s just buried most of the time, but—but it’s definitely there. You weren’t imagining it. It’s there.
You’ll fight for it. You’ll fight for her, for Joel. You’ll fight for your peace.
“You didn’t need to hide it for so long—I’m not fucking stupid. I appreciate the jacket, by the way, but I don’t need you turning into an ice block on me,” she says, dumping your warm jacket over your shoulders before moving to your side and looking out towards the sunrise. “Holy shit, look at that view.”
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here’s a bird’s eye view of my comic Eyan Eternal
For people who don't know what it is. Bc I think some of you might find it's right up your alley. Well this is an updated one anyway. I do actually have a volume of this out in print right now, but the low def, basic version is online and complete, and tbh, I just want people to read it. I took almost two years to complete this and quite literally poured every waking moment (after work and when I wasn’t fixing stuff in my house) into this to try and finish it.
Ahem
Here is one of these at a glance things! 
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If that’s enough to intrigue you, take a look at my chapter masterpost which has convenient links to every chapter post so you don’t have to go figuring out where they are and what order they go in!: https://www.tumblr.com/featureenvyproductions/717516139934154752/eyan-eternal-tumblr-chapter-masterpost?source=share
If you like it and want to support me you can also buy a copy of the first print volume, which collects chapters 1-5 and has a smidge of bonus content (only available in the US right now, but that’s not going to be forever, and I’m working on an e-book as well): https://www.etsy.com/FeatureEnvy/listing/1447399615/eyan-eternal?utm_source=Copy&utm_medium=ListingManager&utm_campaign=Share&utm_term=so.lmsm&share_time=1683565699335
And now here is a more detailed break down if you need more info than that...
*Jonathan Frakes asks you things meme voice* have you ever wondered what you’d find if you REALLY lived forever?
Well, meet Eyan, an immortal vampire.
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He’s slowly finding out the answer to that question...
...And it appears to be unbearable isolation.
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Eons into the distant future, when most stars have faded in the night sky and the cosmic event horizon has confined any remaining beings to an isolated pocket of the universe, Eyan roams interstellar space in a repurposed generation ship in search of anything that could be considered alive/sentient in the way he is.
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So far, he’s out of luck.
That is until he runs into an unexpected former rival on a remote planet - Zero, a sentient android he never expected to be the only other person left alive.
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Well. That is, if either of them can really be considered “alive”. What does that mean anyway, when the humans who defined what it means to be alive are all gone?
This is something they’ll have to explore and define for themselves as they attempt to set aside their myriad of differences and try to work together on one of the few ways left to escape the dark fate of ultimate isolation - The Grand Encoder, a machine that can upload minds to a special medium - if it even works for them anyway. In the process, they slowly come to accept that maybe they’d had each other all wrong and weren’t seeing the bigger picture.
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You may not find any action-packed Star Wars like escapades here in this sci fi drama. You also won’t find ponderings about the origins of vampires or what gave rise to robot sentience - It’s integral to the plot that these things just ARE. But you will find a thoughtful exploration of identity and how it can cause us to define ourselves and relate to (or abandon) each other depending on the framework within which we are doing that exploration and within which we are compelled to exist. It asks the question, what if the frameworks within which we defined our existence and purpose no LONGER existed...Where would we go from there?
And as two immortal guys who are the only folks left in the universe (as far as they know), Eyan and Zero are just the right people to mull over that.
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There is both textual and allegorical queerness in this story - both main characters should be considered gay men, even if it’s The Future TM and terms/exact scopes of identities may not be EXACTLY 1-1 with today’s...But I want to be perfectly clear that it was my intent to make them gay because I wanted to see more gay guys in sci fi and I don’t want anyone erasing that. As for the allegorical stuff - I myself am a trans gay man in my late 30s, so this act of re-exploring and re-framing myself and evaluating how and why queer folks interact with each other the way we do is something I’m very familiar with, and I feel like other folks might relate. (I also peppered in some neurodivergent-person-in-a-neurotypical-world moods tbh.)
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Of course it’s not all serious. I do have a bit of fun with some old school vampire tropes, tossing Eyan around and putting him in Situations.
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Anyway if this all sounds interesting to you, take a look at my tag and site (above)! I’d appreciate it! I also like to hear from people and see if there’s anything about it you related to! :)
I also do everything. Every last monotonous step (well, aside from literally loading up a printing press to churn out volumes lol - BUT REST ASSURED IF I HAD $10K TO PISS INTO THE WIND I WOULD DO THAT TOO). So if there’s ANYTHING you want to know about my process, I’m happy to tell you so please ask, especially if you’re like trying to get started on your own comic or trying to go to print :) 
Edit before I go ahead and blaze this: I want to say, to be honest, the creation of comic was initially motivated almost entirely by the isolation/loneliness I’ve felt in my life. It’s not as bad as some folks’ and I know that, but it is a really prevalent thread throughout my life and sometimes is almost unbearable, and my comic began as an exploration of that loneliness, as well as a narrative exercise to try and express the depth of it at its worst point. I’m putting this out here because ultimately I don’t know...maybe someone will catch my drift and understand the feeling I’m trying to illustrate, and maybe they’ll want to see the plot that came of those feelings. I am not above the need to feel seen lol, especially if other people out there feel like they can resonate with this experience as well.
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anarglitch · 5 months
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Scott pilgrim takes off inhabits the same artistic space as the matrix 4, or even the final fantasy 7 remake. I mean this as a good thing. It has the distinct touch of an artist that made something that defined a generation revisiting the art that outgrew them a thousandfold with more maturity and different interests.
These interests usually skew meta, they're about what drives someone to revisit something made by a past version of oneself, about the experience of suddenly gaining more influence than anyone could reconcile, where criticisms of your work (which you also, no doubt, have many) become synonymous with criticisms of your culture. If you've been here a while, you probably know (and are tired of) what I'm talking about, manic pixie dream girls and aloof average male protagonists, toxic nostalgia, pick your theme and it's a video essay title.
Imagine having every read of your 2004 funny video game-coded coming of age comic reverberate infinitely toward every direction, people saying your main character taught a whole generation of men to be self-absorbed while the exact opposite type of people rant about how your secondary lead "ruined a whole generation of women" because of hair-dye or whatever. Imagine Edgar Wright makes a movie adaptation of your cute little comic that somehow launches the careers of half of the current celebrity pantheon simultaneously. How would that change you?
Well, for one, it makes you less relatable. The truth of an aloof nerdy guy dating in his early 20s is a lot more universal than the truth of an artist in his 40s forever defined by the event horizon of a thing he wrote half his life ago. The matrix 4 couldn't stop talking about how it feels to have created the matrix. The final fantasy 7 remake can't help but to constantly examine what it means to remake final fantasy 7. It's easy to see why someone would hate that indulgent meta trend, I'll probably never write a generation-defining story, why would I care about the first world problems of someone who did? It can feel distant, and at its worst it can feel insulting. Like it's pointing the finger at the fans, whispering 'you did this to me'. I get that.
I get that, but I love it.
It's the fundamental difference between wanting something that is like something you liked, and wanting someone that is from the same creator of something you liked. The difference between feeding the mona lisa into an AI and finding a new authentic da Vinci. You can't make something entirely new if you religiously stick to using the parts of something that's already there. The human behind the work will always have influences you didn't realize, thought patterns and aesthetic preferences that weren't entirely clear in their previous work, no matter how much you deconstruct it. More importantly, the human will also change, and this organic self-continuity will reflect on the art. I don't want the creator of something to hold their own creation with the same zeal as its fans, because someone who did that simply wouldn't have been capable of creating the original piece in the first place.
I don't want a product, I want art.
Scott pilgrim, the original, indulges the most earnest impulse we have-- that of self-mythologizing, of creating a narrative off of our own lives. To depict the mundane as fantastic, interpersonal relationships as adventures. It resonated with so many people because it was earnest, and it was also picked apart to hell and back because it was earnest. Its flaws were on display, and not just the ones it intended to show. But in my opinion, the opposite impulse, that of washing off everything that could be criticized and presenting the cleanest possible image of yourself through your art, is just... bad. it makes for bad art, or it just freezes you. The very first hurdle of creating anything is getting over that, then maybe the spotlight will fall on you. If it does, you'll get everything you ever wanted, but everyone gets to see through you.
So, how do you revisit something like that? You have two options. Either you take all the pieces and try to reassemble them exactly how everyone remembers it, signing your name as a formality, looking at a mirror in which you no longer see yourself, or you talk to it. You dialogue with your own work, with who you used to be. You travel in time and talk to yourself. You question them, acknowledge them but also teach them a thing or two. You don't respect the product, you respect the feeling. You find the same earnestness that made you put pen to paper for the first time, and you point it towards your new loves and fears. Maybe you make it less about the main guy, take the chance to develop your secondary characters, maybe you give the girl more agency. Maybe you summon the future and refuse its answers. Maybe you fight yourself.
That's the harder choice. It submits your new self to the scrutinizing eyes of a whole new generation, it risks alienating the people who identified with your previous piece. It's riskier, probably less profitable, and by any pragmatic lens probably a bad idea. But it's the only way you can make art. It's truth, the truth that got you there in the first place.
It's how you get it together.
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Yoichi got kicked around like a football as a baby by AFO :(
Jail for AFO! Jail for a thousand years!
Joking aside, that didn't really surprise me. Hitting each other is normal sibling behavior, not a sign of evil. AFO didn't have a mother to tell him not to hit his sickly brother. Since it turns out Yoichi and AFO were twins, it makes sense for AFO to be less physically protective of someone the same age. There were already hints in the manga that AFO doesn't mind hurting Yoichi as long as he's alive.
That said, I don't think AFO kicked Yoichi on a regular basis. Yoichi hit him with a can first, and AFO reacted. I don't blame Yoichi either, he's a kid too who wants to help people. However there are some huge clues that AFO only attacked those men because they hurt his little brother first:
1. Yoichi already has a bruised face and missing tooth, implying someone hurt him shortly before the fight started.
2. Yoichi is clearly wearing better clothing than AFO, suggesting AFO looked after his brother.
3. I don't think AFO just went around randomly murdering people for no reason pre-puberty, because it would have endangered his own life. He's not invulnerable. Someone would have hunted him down if he didn't keep a low profile.
4. Later, Yoichi is surprised that AFO killed the grown-up glowing baby and treats it like a moral event horizon. So clearly Yoichi is not accustomed to his brother killing yet.
Yoichi would have tried to run off a long time ago if AFO was just serial killing to his face. But even after the kicking incident, the brothers still seem to have a good relationship for long enough to read comics together. Therefore I strongly believe that AFO was protecting Yoichi, and Yoichi just thought he went too far.
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