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chirpsythismorning · 1 year

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You can't expect people to take you seriously if you're not providing any proof? If Will and El are twins and Joyce and Hopper are their bio parents, why don't any of them know about it and why haven't there been any hints about it? I'm not even trying to be rude here I just haven't seen any evidence. Let alone strong evidence

I've gotten a few confused asks about this theory and how it just doesn't make any sense..?

I'm not saying that I completely understand the ins and outs of how it works, in fact I'm still completely immersed in theorizing and not being certain of anything! Quite frankly, I don't understand it (how time works/the rules of the game), though I think that's necessary because otherwise everyone and their mother would have guessed this surprise by now if it was any more obvious than it already is.

I also just feel kind of bad about spoiling what could possibly be going down, especially bc this would clearly be a series long surprise.

I've been theorizing for months now with @shippingfangirl013 about this. It started with us sharing thoughts about Twelvegate and just sort of piecing together s4 lab scenes and then eventually going back to the beginning to see what we might have missed from this new lens, that being the possibility that Will is Twelve. And that's when we realized A LOT of stuff has been overlooked from the very beginning, which provides not only answers to certain questions we had, but also brings forth even more questions that we wouldn't have come up with, had we not looked back further into the details in the first place.

She has a bunch of posts that are severely underrated in regards to this whole theory, so I urge you all to check those out:

Twelvegate Theory: Drowning in the Quarry and Will & El (Part 1)

Twelve Actor Resemblance to Young Will Byers

Stranger Things S5 Conglomerate Twelvegate Theory (Part 1)

Conglomerate ST S5 Theory Parallels

Also be sure to keep an eye out because she has some really big brain analysis in the works that you dont want to miss. I can honestly say she plays a big role in why I feel fairly confident about this theory, because I myself didn't really believe it at first. But now, after everything I've seen, it's kind of hard not to.

Even if you don't like this the idea of this theory or just simply don't believe the evidence presented that you've seen thus far, at the very least looking at this could expand your ability to look further at other details on the show and even pick up on evidence of your own. I find that more often than not, knowing about the existence of certain overlooked details allows you to find even more overlooked details that others missed.

For the sake of your doubtful ask, and for anyone else who isn't even considering this theory because it seems too far fetched, I'm going to share some of my favorite unhinged evidence for whatever the hell gate we're calling this...

But first, here is some basic context for the chaos that follows.

Something important to note, is that we don't meet Hopper, El or the Byers the night that Will went missing. We only met Will and the party. Instead they saved the rest of the main character's introductions (his family, mind you) for the following day, after Will had gone missing. This also means they saved their introductions for AFTER the big power outage that happened that night right before he disappeared.

I find this interesting because this choice allowed them to make those introductions feel arguably 'starting point'/reset-like (like in a video game).

You'll also note there is a 'Pizza One' box in that first scene when the party is in Mike's basement playing their campaign, moments before that power outage. This could have been a hint that the very start of the pilot episode at the Wheelers may very well be the OG timeline, that we've been straying from ever since. And so let's say hypothetically, if we had met Hopper, El and the Byers BEFORE that power outage, whose to say their lives wouldn't have looked slightly different...?

The first time we are introduced to Hopper is in the scene directly after the opening credits, which was right after the scene of Will disappearing in the shed. Hopper is sleeping on the couch in his trailer, wearing both his daughter's blue bracelet and his watch. We also get 3 references to keys in this scene (a 2 ft long key decal in the literal opening shot). And if that's not enough, what follows is Hopper getting ready for work, putting a yellow pen in his pocket near a painting of an owl, before grabbing his keys and walking out the door.

The first time we are introduced to Joyce (the Byers), follows directly after the scene with Hopper, where Joyce just so happens to be looking everywhere for her keys, Where the hell are they?, followed by finding them on the couch, despite already looking there previously with no luck (interesting Hopper was sleeping on the couch with Willel symbols on his wrists only moments before this hmm). We then get a shot of Joyce showing concern over Will not eating breakfast, followed by scolding Jonathan for forgetting to wake Will up, adding I've told you this a thousand times, before she walks past an owl on the wall in the hallway and opens the door to another owl on the wall in Will's (unoccupied) room...

Let me just say, for the sake of this fictional family, I hope to god they haven't been through this thousands of times. Though I fear they might have. At least more than once...

There are a lot, A LOT of scenes that go down like this. As the show progresses, we get a lot of references to time passing and confusion and impatience and it almost feels like they themselves know deep down this isn't their first rodeo, and yet they're still playing along bc how exactly can one question their reality?.

The problem right now for me, is that I don't understand the rules of the game. How does time work? What even is the goal of the game (to win, I presume?)? Maybe Vecna's having to keep reseting the time loop, to get the results he wants, and over time he's getting closer and closer to the results he wants, but it will ultimately (predictably) lead to him failing once and for all in the final season, when all is inevitably revealed?

Hypothetically, if this is all some game/pocket universe Vecna has thrown our core characters into, essentially surrounding them with 'fakers', then how do we know what is/isn't real? Or I guess whether or not we're in a timeline/loop either closest to, or furthest away from the original timeline? That's why it's hard for me to go further in terms of definitively piecing everything together time wise. Not only that, but we also don't even know for sure what Vecna wants from Will and El, truly.

But I do think that a lot of the answers to the truth are hidden in plain sight.

If you're genuinely curious, I encourage you to rewatch the show for yourself to see if you can pick up on things! Be sure to keep an eye out for keys and owls in particular. Also, El's flashbacks of Mama/the rainbow room might prove to be important... like, literally slowing down and pausing and screenshooting every single frame level important...

Who knows, you might even stumble upon a completely different undiscovered theory in the process!

On that note, here is just a slice of my favorite evidence in regards to this theory, that will hopefully open your mind to the possibility:

When Hopper asks about Lonnie's whereabouts, Joyce insists TRUST ME HE HAS NOTHING TO DO WITH THIS. They made sure to keep the keys on the wall OUT of the frame in those shots referencing Lonnie by name specifically. However, when the conversation circles back to Will, and then follows after with Joyce telling Hopper to find her son, the keys are once again visible in both of their shots.

This scene right here is pretty epic. We all interpret Hopper's investigative skills throughout the series as him just being good at his job. But I would argue this scene in particular gives off very intense deja vu. It's as if Hopper knows where to look, because he's done this before. It's as if he's getting a gut feeling in certain areas that actually could be close to the truth, because this is his thousandth time doing this (Jesus, for their sake, I hope that's not the case).

Still, Hopper showcases a lot of unbelievable detective work throughout the show, and I think it could very well be hinting at him drifting in and out of awareness over the fact that he has done this before, which allows him to make such incredible guesses that lead him to the answer sooner than he would have in any normal situation (and yet, never too close...)

Has this always been here? That's what Hopper asks about a dent in the wall. We interpret it as maybe Hopper trying to figure out if this could be connected to Will's disappearance. But what if it's more than that? What if it hasn't always been there? What if this is a glitch in the matrix of sorts, and he noticed that glitch, bc this isn't his first time doing this? (Also peep the owl that shows up at the very last second in the shot directly below, with Joyce and Hopper in the frame, just as he gets the urge to check the backyard...)

This scene... This fucking scene ya'll. It just doesn't make any sense. This is one of several scenes throughout the show that have so many unanswered questions. I think it's because something else is going on that weren't not supposed to understand yet. That shot with Hopper encased in a rainbow is cool and probably means something... Hopper intensely walking into the frame as he steps towards the shed, with the upside down horseshoe above the door also probably means something...

Hopper literally walks up straight to where Will was in the shed the night previous, bc he's just that good of a detective. Yeah, okay... Suddenly the light overhead is blinking dramatically, only to switch off completely, which leads Hopper's eyes to catch this makeshift fort in the corner of the shed. Before he even gets a good look at what he's seeing, he's interrupted by Callahan, pulling him out of his deja vu state, followed by the light switching back on instantly, as if the occurrence was all in his head.

This also happens a lot, where our main characters are being interrupted by other characters, only seconds before they were close to solving something. And I just find that interesting...

This one is kind of peak comedy because, all it's doing on the surface is implying that Joyce and Hopper have a romantic history, but it also sneakily involves Will in the joke, as evidence that they have been intimate... The Chief and her, they've screwed before huh? ...WILL! That a 'yeah' or did they...

To be honest, I was really doubtful about Joyce and Hopper being El and Will's biological parents at first, even despite believing twelvegate and the possibility of them being twins. And this doubt mostly came from the scenes we get with Terry aka El's 'Mama'.

Initially, I had convinced myself it would be too sad, considering how much backstory we got about Terry. But @shippingfangirl013 made me realize that there is something very off about these scenes with Terry, that I think kind of went over all of our heads.

First of all, Mama is essentially the equivalent to the name Papa, and so we should start by unpacking that. Why didn't the writers have El distance herself from that exact association she links to Brenner, by just having her call Terry 'mom' like most kids call their mother? It doesn't seem that serious on the surface, but again this is a choice the writers made... Maybe it's because they wanted the audience to subconsciously associate those two with each other (Papa/Mama)? Also peep Jim giving Will Byers vibes, all lit up by the sun like Jesus (or I guess... God?) below!

The main thing I want to talk about though, is that despite Terry's vegetative state, she's still managing to give us hints about how she feels and what she thinks, with very subtle micro-expressions.

When she meets Hopper and Joyce in s1, Terry looks completely unsurprised. You could say she looks the same all of the time, because of her vegetative state, and while I mostly agree, there are some outliers in the mix.

When Joyce mentions El being her daughter, what we get is a reaction shot of Terry dramatically closing her eyes for an extended period of time, almost like she's experiencing frustration over them woefully misunderstanding the truth behind what's going on.

And I think that's kind of the whole point of the vegetative state here, that perhaps if Terry could say what she wanted to say, it would give away the truth that has been hidden all along, AKA Joyce and Hopper are El and Will's true parents. When Joyce then mentions her missing son, showing Terry a picture of him, this woman LITERALLY turns her head to the right, looking straight up annoyed... Why? Why would she do that unless this is her ?/? time meeting them, hearing this same old silly charade?..

But then here... THIS moment when Hopper asks about Brenner and Terry's relationship with him, that's when it gets interesting. Terry doesn't look exhausted over their ignorance anymore like she seemed to be in the moments previous. Now, she's back to her stare of nothing, and yet seeing this in contrast to her micro-expressions, almost adds a new layer to what this could possibly mean... Perhaps this could be hinting that Hopper is a lot closer to the truth than he realizes, warranting a knowing look from Terry, with her almost impressed, thinking Damn Jim, maybe you'll figure it out this time and I can finally be released from this hell...

This might seem like a reach to assume Brenner and Terry had any sort of relation beyond her being a lab volunteer, but something I think you might be interested in knowing, is that Terry has a little collection of Bonsai tree books beside her chair... Bonsai... does that remind you of anyone...? (If you check out those posts by @shippingfangirl013, you might know what i'm referring to...)

The fact that Hopper even mentions Brenner and Terry's presumed connection to him is just one other example of Hopper subconsciously picking up on things he discovered in previous loops that are close to the TRUE truth, allowing him to narrow things down quicker this time around, without needing to take all the steps to get to that point.

An owl behind both Joyce and Hopper here, while they talk about what allegedly happened to Terry and her daughter Jane.

And there you have it folks, the acknowledgment that the truth could have been covered up, the moment Hopper stands in front of the owl artwork (literally covering it up). Owls, which have been tied more than anyone else to Hopper, Joyce, Will and El (tying them together?).? Also the crib between them... Nothing to see here.

This one is pretty self explanatory. We even get a parallel to this in s4 with El AND Will, though next time they'll confirm Hopper's role in the equation. So, be ready for that...

These scenes are so important to this theory because despite them all being separated (who knows how many times now), they have this epic finale of coming together. We get these really heartfelt scenes with El and Joyce and Hopper, Will and El, and then Will and Joyce and Hopper, and it's all very emotional and just so much deeper knowing that the truth could be that they're all tied to each other more than we (or even them) realize.

11 & 12 between the two hands on the clock, in a moment that parallels X-Men and also the lab massacre (which presumably had both 11 and 12 in attendance...). Mike calling out to El emotionally the moment that Joyce and Hopper are reunited with Will. My heart can't take it!!!

Someone actually noticed this shot of Hopper recently, I can't remember who! But it made me want to go back to see what shot is right before it. And low and behold, it follows directly after a shot of the Byers family reuniting. Kind of interesting they made the choice to have this shot right afterwards, of Hopper sitting next to Ted (aka a dad), while looking lost in thought as he stressfully bites his nails, with his arm sporting his daughter's blue bracelet...

Not suspicious at all. That creepy shadow behind Owens as he makes an almost knowing comment about Joyce and Hopper being 'Mom and Pop', followed by Hopper looking like he's missing something...

And for this scene to follow shortly after? Hopper literally acknowledging Owens whose waving at him politely, and yet choosing to not wave back at him?... He KNOWS something is off, but he just can't quite put his finger on it...

As you probably know, most of the scenes with the birthday mug in Mike's basement involve either El (in s1) or Will (in s2-3), which is interesting considering the other few notable birthday references we get in the show, including this really cryptic sequence above, involve Joyce and Hopper...

Now, if you still didn't believe me about Terry's behavior being off, I think this piece of evidence might help support our claims a little bit more for you to consider. Because, why, WHY when El approaches Terry in the void and says I'm home, is Terry's response No..? Why would that even make any sense? Why would El's biological mom say No to her missing daughter implying that she is her family? Unless, she's not of course...?

Something interesting about the flashbacks that Terry shows El, is that they're very sporadic and hard to understand. Not only that, but we STILL get callbacks to these memories heavily even in s4, which tells me there is still something there that has yet to be picked up on, by both the audience and El herself, which is why they keep resurfacing in different forms. My favorite moment out of the s2 flashbacks though is probably this moment where it looks like a baby is born, only for Brenner to look back, like there's more to come (another baby?? TWINS?). But this type of twin imagery, only gets stronger in s3-4...

After 2 seasons of building up this meeting of these two characters who have been mirroring each other since the very beginning, here we are... Also, why even hold back for so long in introducing them? Maybe because them finally interacting properly is going to cause some things to resurface... And you definitely don't want to overlook these shots of Hopper and Joyce in Melvald's with two baby's in between them, followed by a shot of keys... Hmmmm.

Remember when I said to pay attention to the Terry/Lab flashbacks El experiences over the seasons?

Well this particular flashback below comes from 3x06: E Plurbius Unum aka the episode that was originally titled The Birthday, might prove to be important...

Jonathan and Will in a scene prior to El's flashback, has them situated interestingly between this Lucky Charms box and this Spill & Spell game, which is then followed by this scene with El experiencing flashbacks... And...

Rainbow? Lucky (Upside down horse shoe...) Enter flashback

I'm not going to be able to show each frame of this flashback, because in total there are over 30 different quick images shown and repeated...

And so, If you want to find out why this is the strongest piece of evidence for Willel twins in my opinion (brought to you by @shippingfangirl013's big brain), go back and rewatch to see how many times they show the image of baby El and young El in the rainbow room... Also take note of how shots of Kali (008) are interspersed consistently within this flashback, aka a character that is known for having powers to make people invisible, and to also make people see things that aren't actually happening...

Here's that parallel I mentioned earlier making a return, but instead tying El (and arguably Will) to Hopper being their biological father. Also peep El's bracelet and Will's watch being prominent in a lot of their shots together throughout s4, now that they share the screen a lot more.

The Wright Bros...

No, but seriously, Willel's bracelet and watch mirroring each other often in their scenes together, and by association also paralleling Hopper wearing one of each, dramatically showcased in his introduction to the series, can be something so personal to me...

THEY'RE TWINS YOUR HONOR!

This one really goes off. A car passes by a couple times during this flashback El has (IN S4), causing a shadow to cast behind Will, almost creating this duplicate-like effect... This is literally happening while El is having a flashback to her 'birth mother', while staring at a family (with their faces warn out/blurred) on a billboard, with an arrow pointing towards where Will, aka her twin, is standing to the right of her...

This one below has gotta be my favorite though. And it's because I literally remember watching this scene the first time and being confused?

Tbh, that's when you know something is more complex than it appears. Whenever something feels off within the context provided in the moment, it's probably because there's something deeper going on and there are multiple meanings at play. This means they're using this small moment as an opportunity to provide dual meaning in plain sight, that we wont understand the dual meaning of until later on down the line.

Are you ready..

Hmmm. I wonder what this could possibly be alluding to? Could it perhaps be the writers hinting at Hopper unintentionally projecting his own situation onto Dmitri? Is it possible who Hopper believes to be his child (daughter... son(s?)?) and his (ex)wife, are not actually who he and everyone thinks they are...?

Well. There you have it! These are just some of the many, many hints hiding in the details that point to the possibility of the Byers actually all being, Hoppers...?

For now, this is just a theory! So even though it's cool and there is a serious amount of evidence pointing to it, it will most definitely continue to transform and look different over time, the more we look deeper and discover more. Nothing is set in stone, for now it's all just theories and speculation.

Again, if you're curious about what else there is out there in regards to this theory and other possibilities surrounding it, please follow and check out @shippingfangirl013 posts! She was way more on board with this theory than me in the beginning and arguably still is, because I do still experience occasional doubt about it, for sure.! And so without her I would not have come to half of these conclusions! I look forward to you guys seeing other stuff she's discovered bc seriously... Her poor storage ya'll.

And also, if you're interested in the time-loop aspect specifically in regards to this, I encourage you to check out two recent posts I did about this. Part I actually starts with those first scenes introducing Hopper and the Byers and how other scenes later in the show parallel it. VERY VERY cool stuff, and tbh if you've made it this far, I think you'll be intrigued...

Time Loop Fuckery in Stranger Things Part I

Time Loop Fuckery in Stranger Things Part II

#byler #stranger things #twelvegate #willel wondertwins #willel literal twins #joyce + hopper = willel twins #also apologizes to the duffers #i do feel bad about letting their surprises be talked about IF this actually ends up being canon in the final season...#then again when s5 promo starts rolling around #people are already going to be speculating if there is evidence in promo #i know bylers will be especially bc we have so many theories already that anything pointing to them blatantly going forward #will have us literally jumping on the walls and blasting about how obvious it is #and atp i think the ga will catch on regardless of us sharing these easter eggs...#again tho #just a theory!!

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tender-rosiey · 6 months

Text

“GOOD! NOW PUNCH HIS FACE!”

— when your baby and gojo, geto, nanami, toji, and sukuna get protective over you (f!reader)

a/n: I am alive!! as an apology here is a multi-character post 🙏 btw in toji's part, you're megumi's mom

GOJO SATORU:

two peas in a pod, twins, copies: these are all things people have called your husband and son.

honestly, they’re not wrong. your son has his father’s looks—satoru swears he has your nose and ears but anyway—and he carries the same protectiveness and love he holds for you, if not amplified.

you can’t count on one hand the amount of times the house has been turned upside down because of their fights for a cuddle session with you.

of course, you have always tried suggesting them simply sharing you, but these problem children would rather eat raw zucchini than ever share the cuddle time.

so while your son is barely six, you can still count on him to team up with satoru against anyone who wrongs you in anyway like what’s happening right now for example.

you’re out with your lovely family to buy some groceries, and since they both were whining about getting some sweets, you allowed them to go and snatch a couple from the next aisle.

on the other hand, you stayed to look for another type of detergent to clean the floor—especially since satoru got this new type of paint for s/n and it’s quite an endeavor to remove it with a regular detergent.

however, being in the cleaning supplies section never guaranteed the lack of filthy men who can’t take no for an answer. this one man approaches you, smug grin on his face as he leans on the wall, “what’s a pretty lady like you doing alone?”

“buying groceries like a normal person; now please leave me alone.”

he quickly frowns, “don’t be so stingy doll,” his hand extends towards your arm, “I can show you a good time; I promise—“

the man is swiftly smacked with an egg on his face, and he is left with the egg dripping down his face, “what’s your wrong with your kid, man?!” he yells at the person behind you.

he then grumbles, “ruined a potential good night.”

“my kid was absolutely right in what he did,” you hear satoru’s voice. you then feel a hand on your shoulder, and you’re pulled into a chest you’re all too familiar with, “’toru—“

your husband shoots a small smile your way, pressing a quick kiss to your lips, before looking at his son, “that last throw was very good, s/n! throw another one but just below his stomach."

a cheshire cat-like grin is plastered on your husband’s face as s/n prepares to launch another egg at the man.

there is a very evident scowl on your son’s face as he yells, “don’t you ever bother mama again, you stinky bum crumb!”

the man gasps and tries to make a run for it, but your son wouldn’t be the son of gojo satoru if he doesn’t manage to land the hit exactly where he wants.

the man quickly crumbles to the ground screaming and alerting literally everyone in the store.

so satoru picks both you and s/n and makes a run for it.

you hold tightly onto him, “wait, ‘toru, the groceries!”

“we can always order! saving my princess and son is more important!”

your son grumbles, “but I want to hit the rude man!”

“me too, champ, but—“ satoru sweat-drops and glances behind him, “I doubt the angry security guards would like that!”

GETO SUGURU:

your twin girls are one of the sassiest to exist.

in a way, they take after their father who is also pretty sassy but very low-key.

the sass of all three combined is terrible to be the victim of. luckily for you, they don’t dare direct their triple ray towards you, especially—in any argument—at least one will try to win you over.

if it’s suguru trying to stay on your good side, then he is hugging you from behind, pressing feather-like kisses on your shoulder and whispering about how sweet you are. if it’s the girls, then they cling to your legs and keep yelling about how much they love you.

so it is safe to say that you have a small squad to protect you from any potential “danger”.

“oh my, dear shouldn’t you focus on refining yourself a bit more?” you hear a woman say beside you.

you turn towards her, offended, “excuse me?”

“I mean,” her eyes scan you, disapprovingly, “you look average at best, and with that you won’t be able to find yourself a husband, let alone have children.”

you’re still processing her audacity as she continues, “but then again, it’s probably for the better that you don’t have children; you can barely take care of yourself.”

“can I help you?” your husband says as he approaches the woman.

she smiles condescendingly before chuckling, “I was simply telling this lady to take care of herself more; she hardly looks presentable.”

geto’s smiles tenses up as he is about to give the woman a calm peace of his mind, but his daughters beat him to it.

your older twin stands in front of the woman, scanning her with pure disgust in her eyes.

she grimaces and voices out her thoughts, “you are like a crunchy lizard.”

the woman gasps, “how dare you—!”

you cut off the woman, curious about your daughter’s conclusion, “why a crunchy lizard, sweetheart?”

your daughter looks at you with a small frown, shaking her head, “a crunchy lizard is an ugly sad lizard.”

a snort escapes your husband, and you’re barely able to contain your smile.

your other daughter follows up, looking at her twin sister, “the lady looks like that one green thingy we saw yesterday,” she taps her little foot, trying to remember and beams at the woman, “shrek! you look like shrek!”

then they both glare at her, frowning, “you’re a monkey!”

your husband doesn’t let it go as he deals the final—subtle—blow, “come on now girls; we shouldn’t bully the lady with the mcdonald’s like hairline anymore.”

it seems like the woman can’t take it anymore as she starts sobbing and running to the hills.

a moment of silence is shared across the four of you, before you carry both of your girls in your arms and start tickling them, “I don’t know whether to be proud of you or scold you, little evil girls!”

they squeal, trying to escape your hold and calling for their father.

geto chuckles and wraps his arms around the three of you, “let them have it for tonight, y/n,” he ruffles their hair, “they were brave and defended their mom, after all.”

“yeah, papa is right!”

“yes mama, please!”

you pout then smirk at geto, “well I don’t mind, and since papa is also very proud of you girls, he will buy any toy that you guys want today!”

the color drains from your husband’s face, and he watches motionlessly as his girls latch onto him, screaming about the toys they want.

you giggle at his expression and blow him a kiss. he reluctantly blows you one back, while the girls excitedly pull him towards the toy store.

NANAMI KENTO:

you and your husband were blessed with the sweetest girl as your daughter, and she was just recently joined by another sweet girl.

you can never forget the happiness on your daughter’s face when she saw her baby sister.

it also seems that no matter how many times you give birth, your husband can’t help but get emotional when he holds your baby. his hands are forever delicate as he cradles her to his chest.

you remember what he said during the birth of your first daughter.

“I feel like a piece of heaven has been plucked and placed in my arms.”

the way he always goes soft for the three of you is honestly adorable.

today, you were going on an outing with your—now 6 months old—baby and your older daughter who is almost six.

your husband never brags about his muscular form, but he never misses a chance to carry the baby or the baby supplies.

you have offered to at least carry the bag, but he always refuses, stating that ‘you already carried the baby for nine entire months in your belly; this is the least I can do.’

so yeah, sometimes you wish to smooch your husband till forever, but that’s not the point.

you’re walking hand in hand with your daughter as she sings her favorite song. you hear someone click their tongue, so you look to the side and lock eyes with an old lady. she takes the opportunity and approaches you.

“you should be ashamed of yourself!” she yells pointing at you, “your husband shouldn’t be carrying the baby supplies nor the baby itself for the matter,” she scowls, “that’s your job!”

“with all due respect ma’am, but that isn’t her job, and taking care of the baby should be something we are both responsible for.”

“yeah!” your daughter huffs, “and don’t take out your sad life on my mama!”

your eyes widen as you stare at your daughter.

on the other side, your husband is just as speechless. your daughter pays no one any mind as she continues, “mama works hard every day! you wouldn’t know that! you immature nugget!”

nanami frowns lightly, “d/n, that’s not nice—“

and for the cherry on top, your baby daughter throws the bottle cap she was playing with at the old lady, and frowns at her.

she starts babbling some nonsense that you're pretty sure are curse words in baby language.

having had enough, the old lady huffs, “the utter disrespect,” and starts walking away.

the rest of the spectators’ eyes follow her till she is out of sight. finally then, people start minding their own business, and you and your little family are left to the aftermath.

you giggle, “that was funny.”

“really?!” your daughter beams.

nanami cuts her off, “no,” he then looks at you with a small frown, a sigh escaping his lips, “y/n don’t encourage them—“

your baby daughter screams happily when she sees her sister smile. she starts kicking her feet with the biggest smile on her own face.

your older daughter starts laughing with her and tries to make her little sister laugh more—she was successful.

meanwhile, you chuckle, leaning on your husband’s shoulder, “admit it, kento; it was kind of funny.”

his resolve softens at the sound of laughter from all three of his girls, “okay, maybe a little, but—“

“yay!!”

ladies: 1

kento: 0

FUSHIGURO TOJI:

your husband and son are so alike, save for the part that your husband is a bit more shameless, and your son is more on the shy side.

however, they both have the same bluntness and the tendency to give anyone who they don’t like attitude.

for example, today, you were walking in the park with the both of them to unwind a bit.

not to mention that megumi wanted to walk his dogs which was a plus, since you would be able to watch your dear son play around with them.

it was all going great until you saw an old ‘friend’ who came running at the sight of you. he was someone who has always been way too touchy and in your personal bubble.

you have tried talking to him about it, but you’re confident that he does it to somehow force you into reciprocating the intimacy.

even if you’re a married woman with a freaking kid.

he giddily clasps your hand, “y/n, ‘been a long time!”

“h-hey,” you smile awkwardly.

he laughs, “I was passing by when I saw your figure, and I couldn’t help but come and say hi.”

you nod, “that’s great, but I am busy, so maybe later?—“

“you’ve gotten even prettier!” he exclaims, “I wish you would finally take me out on a—“

“can’t you see that she is uncomfortable?” your son retorts, “also, you should step back; you shouldn’t touch someone like this without asking them.”

megumi squeezes himself between the both you and glares at the man.

the guy was about to reply to your son, but toji pushes him back with ease, pulling you beside him and hand resting on your waist almost by instinct, “kid is right,” he tilts his head a bit, “ever been taught manners or do I have to do the teaching for you?”

the guy is taken back; offended, he snaps “you can’t speak to me like that!”

“and you can’t hold my mom’s hands like that, but here we are,” your son cleverly sasses him.

on the other hand, your—shameless—husband pulls you into one scandalous kiss and smirks at the guy when he pulls back, “and you can’t hit on a married woman, by the way.”

you hear your son gag in disgust at his dad’s actions, but you’re too busy burying your face in your husband’s chest, hoping that the guy disappears before toji makes even more of a bigger scene.

you also hope that the ground would swallow you, but that’s the alternative option.

the guy clutches his fist, before walking away, spewing insults at the sky—since he is too scared to cuss out your buff husband. once the man is out of sight, toji ruffles megumi’s hair, chuckling, “good job, kid.”

your shy bean’s cheeks redden slightly as he looks away, “…thanks.”

you’re still thinking about what just happened when you slap your husband’s chest, “toji, literally why?” you grumble, patting megumi who started holding onto your leg the moment you hugged toji.

“why not,” your husband shrugs with a small smile, taking pride in your flustered form.

“dad, I want ice cream.”

“no, you just want me to let go your mom, so you can hog her for yourself,” toji grumbles, staring down at megumi.

unfaltering, megumi looks up at him ,“dad, I want ice cream.”

“god damn it, listen here you—“

“divine dogs.”

RYOMEN SUKUNA:

there is no denying that both your son and your husband care for you very much, and they both—very aggressively—compete for your attention.

I am talking he literally throws the kid across the room kind of aggressive, and your son, in turn, throws whatever he has at him.

it’s eventful, but you would be lying if you said that it wasn’t one of the reasons why you will get grey hair earlier than everyone else.

so their very aggressive nature is also shown in their protectiveness over you.

a person doesn’t need to insult or even dare flirt with you for your devil duo to make their life a living hell; your husband and son don’t tolerate someone speaking to you if it causes you to ignore both of them.

for example, this one new servant was clueless to where the broom is, and unluckily for him, he saw you sitting with your husband and son in the gardens. he humbly approached you, “excuse me, m’lady.”

you turn to look at him with a smile, “yes?”

he clears throat, a bit flustered by the attention, “I—I wanted to ask where the—“

“up your ass, you disgusting fiend,” your son sneers followed by his father’s ever-permanent scowl.

“who gave you the permission to come and speak to her so casually?” sukuna presses, and the servant quickly falls to his knees.

“m-my apologies, my lord! I did not mean to disturb you!”

sukuna crosses his arms, “well, you did, and you also disturbed your queen and prince,” his eyes narrow at the servant, “what do you have to say for yourself?”

meanwhile, you’re watching all of that, mouth agape and trying to articulate anything to save the poor guy. you finally find your voice, “sukuna, it’s okay; he didn’t mean—“

your son hugs you tightly and glares at the servant, “to think he would so brazenly speak to you like you’re old friends is terrible, mother.”

you can almost see your son’s cursed energy flaring, and you can spot the small smirk on your husband’s face as he watches his son.

before it escalates any further and you find yet another dead corpse in your palace, you pick up your son, kissing his cheek which makes him flustered and causing him to bury his face in your neck.

you look at the servant, “you’re dismissed, and you can ask the head maid about anything you need, okay?”

“y-yes, m’lady!” he, however, stays glued to the ground, “may I have the permission to lift my head?”

sukuna grunts, “sure.”

“thank you, m’lord,” the servant says, before scurrying towards the gate, having secured his freedom after his little mistake.

or at least, that’s what he thought.

your husband slices his legs off with a flick of a finger, and your son, who has inherited his father’s technique, slices the head off.

and so the body falls to the ground, and the other servants hurriedly start cleaning up the mess.

you frown at your husband, “sukuna! he apologized!”

he rolls his eyes, and pulls you by the waist, “do I look like I care? he shouldn’t have interrupted our time together.”

“aww, you’re jealous!”

“no, I am not—“

“hands off, old man!”

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