obvi we’ve established that everyone knows about ethan & rutger and reader, but does anyone else ever join or see anything. i know we’ve talked about mark (that’s hot🤭) but does adam, luca, luke, or dylan ever say anything or do anything?
(i am lukey girly so im secretly hoping you’ll say yes luke does)
hot take: the guys will joke about the relationship and what it’s like to share a girl, but they secretly all want to know what it’s like
so mark definitely joins, which we know that. i could see some of the other guys asking about how it all works like maybe dylan, luke and adam, but they’d leave you three (and mark) be.
they also don’t find out about mark filling in until ethan is away and you decide to do it with mark and rutger for the first time
ANYWAYS
i could see luca maybe being interested…👀 he’s played a big part in trying to solve what was happening and he’s one of the biggest supporters too. i could see him being curious, but i don’t know that’d he’d join or fill in
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Roméo et Juliette: de la Haine à l'Amour - Redesign - 2024
If you missed part one with Roméo and Juliette, click here. Once again, long design explanation.
When designing Mercutio specifically, I turned very explicitly inwards in my belief that Mercutio is not a Montague and should not be tied to the Montagues solely. Furthermore, Mercutio has FAMILY--he's the Prince's cousin and if we want to get really semantic about it, he also has a brother, Valentine.
All this being said, in designing Mercutio, I needed to tie him to Le Prince (Escalus) and I did that mostly in dictating that these are the characters who are allowed to wear black, mostly black leather. It's a distinction that goes mostly unnoticed until its pointed out, but no other designs incorporate deep black tones. There's also this strong, olive green tone that borrows from the Montague palette and gold hardware that borrows from the Capulet palette. The Prince's family gets to straddle the line between both worlds.
I thought very texturally for the Montagues and Capulets, so in trying to give the Prince's family something distinct, I landed on this brushstroke texture to give all the leather and denim pieces a custom feeling.
In his Les Rois du Monde look (his base look--I imagine this explicitly directorial choice to have him and the Prince enter together at the top of Vérone and have Mercutio break away to join the Montagues), there is hints of this painterly texture in blue as opposed to the gold of the Prince. I wanted to feel like every alignment Mercutio has with the Montague family is an active choice on his part. I imagine him painted those swaths of blue himself. His trousers are a bleached faded, torn denim.
We see the true royal gold in Le Bal, like, I think it's just funny to think Mercutio already owned these trousers and said "Fuck it" and wore them to dress up in. His look is explicitly jester themed. It's a little bit "Earring Magic Ken Doll" coded, which delights me to no end.
This is also a good place to point out how fixated I became on closure methods in garments. In Roméo's initial design, there is a strong focus on zippers, Le Prince's jacket is held together with gold hook and eye tape at all the seams, and with Mercutio it's all about lacing.
Part of this is in reference to the explicitly gendered ideas around corsetry and playing with that in tandem with Mercutio's generally accepted queer readings. It's also an interesting metaphor to think about being bound--by duty, by honour, by friendship, by tradition--something that Mercutio is so explicitly caught in between in the Montague-Capulet feud.
His final look during Le Duel, is a take on a Jean Paul Gautier design, and is the most partisan look for Mercutio. Doffing his jacket exposes this soft satin and coutil corset top in the faintest hint of blue. A soft underbelly of allegiance that would take to stage blood SO well (and would make who ever was dressing and laundering this show absolutely hate me as a designer, but I digress).
I also think it makes him a nice mirror to Tybalt, who's overarching design element is gold chains.
Tybalt's design is wholly referential to Mark Seibert's Tybalt. Is it because I can never get that little gold and red cropped jacket out of my brain? Perhaps. But I also like to think that design for Tybalt acts as a reflection of Mercutio. The inherent softness assigned to the Capulet family's design (silks, velvets, chiffons) plays really nicely with how much machismo is implied in Tybalt's characterization.
During Vérone, we see him in a half doublet, likely of a low-pile velvet, a satin faced silk period shirt open in an absolutely impractical way, and a floral print denim trouser. I also gave him a little cuban-heeled boot. For fashion.
Tybalt is a good place to also point out that weapons are very intentionally placed in and out of scenes. Mercutio always has a dagger. Roméo leaves his behind during Aimer. Benvolio does not carry one. Tybalt has an ornately sheathed sword. There is this undercurrent of violence for these characters that is dressed up and dressed down, but persists.
In Le Bal, I really leant into the idea of chainmail for this character, in keeping with the concept of chivalry and Arthurian influences. There's a little bit of royal purple thrown in there for good measure as well as a jaw-bone mask that, at best, is foreshadowing and, at its shallowest, looks cool as hell.
During Le Duel, I wanted to strip our fighters down to exposed skin. A lot of this is to do with one of my favourite versions of this scene, Zeffirelli's 1968 Romeo and Juliet. What I love about the sequence is how it devolves from nobel duel to outright brawl--from a distance to something very close and personal. It's the type of step by step tension-building that I really enjoy: where there are moments (when they're just shouting words back at forth, when they're drawing their weapons, when Mercutio would doff his jacket, when Tybalt doffs his doublet) when the fight could have de-escalated. When they could have walked away. But of course, it's not the play if they do.
I just imagine seeing Mark Seibert and Bereczki Zoltán fight would be fun, ultimately.
And now onto Benvolio. I fixated on paring down his looks, and quite frankly, if it weren't for how much I enjoy his little twink clubbing outfit, I would have probably only given him one costume. My justification for this is that Benvolio gets to live. Ostensibly, he has a lifetime past this play of changing to do. I feel very strongly about the idea of Benvolio as a narrator, Benvolio as a passive presence that is forced to become active. He's not certain in the same way that Roméo and Mercutio are about love and hate. He literally spends a whole song stagnating and waffling on how the hell he's going to tell his cousin that his wife is dead. He runs around following their impulses, patching over their problems. I have a lot of feelings about Benvolio as a character.
He's really the softest of the Montague characters in textures: his doublet is torn and slashed denim, his shirt is some sort of billowy linen blend. He has a little bit of metal flair in the form of this thigh adornment, but really he's quite simple--and my comparison to Roméo and Mercutio, he's quite warm. That hint of magenta on Roméo is a full on feature on Benvolio.
I accept any and all slander about my choices for his Le bal look, but by god do I think it's silly and it brings me joy. Suit of armour under ripped green denim, a little navy ribbed singlet with a silver chainmail crop top over it? Lensless silver glasses frames? It makes no real sense, but I stand by my "We're sneaking into the Capulet's ball tonight with very short notice, here's what we can cobble together" reasoning.
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The Distraclick
........aight so m a y b e need a bit of an explanation for this-
Basically, I got this idea since whenever I check my Spotify account to listen to music, I usually see these two albums right next to each other:
And when I saw that....I got an idea- What if I just....mash these two albums together, making it fit since they both have 3 main guys on it, and see what happens? .....So I did that :']
And I do kinda like it! As you can probably already tell, I took the base from the AJR album and gave it a Distractable theme! I replaced Adam, Jack, and Ryan with Wade, Mark, and Bob, made the piano road an actual road, replaced the trumpets and drums with screens kinda showing Distractable thumbnails (y e a h i didn't have that many ideas for that not gonna lie rbslbdskb-), and just gave the rest the Distractable colors!
I did kinda have fun making this! Guess I've been trying out more different styles lately, practicing more with lighting and shading (even if this one was kinda light) and gotta admit those clouds w e r e fun to draw, so who knows! Maybe some day in the future I'll do more AJR albums covers with Distractable....guess we'll hafta wait and see- 👀👀
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Hello, hi, i just wanna share smth abt prime!leo when I read that ficlet of yours :> : So remember how when nick showed us kid Leo, and he was one of the only tots that didnt wear his mask? (he wore his mask over his eyes, not covering his marks) what i've noticed from that was that Leo LOVED how his markings looked, (i bet thats why he calls himself the 'faceman') but now that his scars, (thanks Prime,) are there, he is now too ashamed to even LOOK at his markings, let alone notice 'em. :')
bingo. right on the money
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Hey @horrid-little-pedant I can make you a Boy Scouts/international Scouting movement imperialism/colonialism/not-so-crypto-fascism syllabus if you’d like but for a first tantalizing taste here is:
Fig 1) Robert Baden-Powell, founder of the Boy Scouts and the Scouting movement, on the swastika symbol, from his 1917 sequel to the classic manual Scouting For Boys, entitled Young Knights of The Empire. Its companion book, for Girl Guides/Girl Scouts, authored by his sister Agnes, was called How Girls Can Help Build Up the Empire. The Baden-Powell family, prominent British military aristocrats, were instrumental in the British colonial expansion re: South Africa. Baden-Powell’s inspiration for the Boy Scouts was the Mafeking Cadet Corps, a group of child soldiers formed by Lord Edward Cecil shortly before the Siege of Mafeking that secured Robert’s place in annals of imperial military history. His niece Betty later became--I am choking and wheezing and coughing up a hairball getting this phrase out--Scoutmaster for the. Girl Guides of North Rhodesia. Do not even get me STARTED on, uh. The Peace Light of Bethlehem (tl;dr it’s a program inaugurated in Austria circa 1986 nominally to help ~handicapped children, but of course. In 2005. The International Commissioner of Austria symbolically passed the Peace Light to a delegation of Scouts and Guides from the Palestinian National Authority, comma, just after the Oslo Accords. And then in 2007 a delegation of Guides and Scouts from Austria, Germany, France, Jordan, Israel, and the PNA--by the way, all but Jordan and Israel are part of the Catholic international Scouting branch that generally, depending on region, ‘pledges allegiance’ to “[country], God, Church, and Christian Europe”--they symbolically lit the ~*~Peace Light together. In. Bethlehem. Scouting is the most fucked-up Bad Internationalism movement in the world.)
Fig 2) The Rodlo symbol was designed by a woman who was part of the Polish minority population in Germany, she went to a Sokol (also Scouting!!!) gymnasium, she got a scholarship to study with Wladyslaw Skyoczylas and other modernist naive folk-revival painters at the school of fine arts in Warsaw, she survived the war, she got into this bizarre movement of neo-pagan anti-clerical pan-Slavist ‘nationalism’ that confirms every single thing I said in my undergrad thesis, she wants to take these symbols back from Hitler and stress the uniqueness of the Polish-German border regions that are neither like, fashy Catholic nationalist Poland nor fashy-flavor Germany, unfortunately that’s not how history or visual semantics work. She says it’s ‘rod’ plus ‘godlo’ (pretend it’s a liquid l) but it’s rodnoverie, we know what you’re about, Joasia--or rather, if you have to give a paragraph-long disclaimer every time you present your lovingly-rendered symbol, you gotta just let it go once it reaches critical mass and recognize that that your defensive disclaimers come across as “my t-shirt is raising a lot of questions that are answered by the shirt.” Anyway. This Harcerstwo troupe named after...the Harcerstwo movement that became a WWII paramilitary and subsequently Catholic anticommunist movement adopted it as their symbol. They’re from a small town in the Katowice region and they are. Well. If you don’t want everyone to think you’re fascists then maybe don’t be a paramilitary organization with a Hitler Youth lite flag (if you put the Rodlo on the Polish flag...it’s...it scans as the swastika on the...they know! They’re not oblivious, they do 500 WWII memorial actions per year!). And don’t have your scouts swear fealty in military fatigues while doing the seig heil to the Slavic Hitlerjugend flag in the woods. Ya dig. Their website is like “why are our enrollments declining :(”
idk man maybe your town’s teens want to smoke weed under the bridge and not be put through boot camp after school
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as an avid believer that mark is underrated have def been stalking your page, so glad to see him getting more attention 🤍
YES! mark is so underrated and deserves all the love and attention and content. he’s so perfect and precious and hot and omg i need to stop-
like i was always an ethan girly, and then i was like okay RUTGER is fine af. then i was like okay but mark is hitting different🤭 (i absolutely love and adore all three equally now)
so mark will be getting lots of attention on my blog🤍
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