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popculturelib · 8 months

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Fanzine Friday #14: The 3rd Season Supplement to the Star Trek Concordance (1973)

Happy 57th anniversary to Star Trek: The Original Series!

Star Trek is one of the most influential fandoms on modern fan culture in the United States. It's where television fandom split from literary science fiction and where slash fiction was created and popularized.

At the Browne Popular Culture Library, we have hundreds of Star Trek zines, dating from the years TOS was airing all the way to the present day. The 3rd Season Supplement is one of those. Its precursor, the Star Trek Concordance of People, Places and Things (1969) by Dorothy Jones and Bjo Trimble, is a comprehensive guide to the episodes, cast, characters, and other information about the first two seasons of TOS and the world of Star Trek. The supplement, as the title implies, was made after the third season aired.

Both the Concordance and the supplement have a long, complicated history in the Star Trek fandom that we highly recommend reading about. What grabbed our attention about the supplement, however, was a paragraph from the editorial that discusses the challenges Trimble faced:

First, one needs a bit of cooperation from the show itself; yet I could not get even the loan of a script from anyone in the ST offices, and had to wait until the show was on the air, to tape it, and then try to reconstruct the show from that. Try it sometime; it's more fun than biting fingernails, anyway. Then they didn't show "Turnabout Intruder" until well into the re-runs, and I had to wait until the network dropped that shoe; had there been any cooperation from the people over at Paramount, the wait would not have been necessary, but... By the time the show came on, I was deeply involved with other things.... Each time I thought I could get back to the project, something else came up. For one thing, this involves pasting up the whole job at once, or risk losing bits and pieces of the copy. So far, I have managed to take up the den, the living room and the dining room, with a bit of overlap into the breakfast room (by the way, some people wonder why we think we need a bigger house!).

Quite the difference from how fandom in the 21st century often works, with our quick access to IMDb, Wikipedia, and easy rewatching, isn't it?

The Star Trek Concordance, its supplement, and entries about later shows and films have been professionally published several times since the 1970s. We have several editions available for library patrons to use in their research.

The Browne Popular Culture Library (BPCL), founded in 1969, is the most comprehensive archive of its kind in the United States. Our focus and mission is to acquire and preserve research materials on American Popular Culture (post 1876) for curricular and research use. Visit our website at https://www.bgsu.edu/library/pcl.html.

#bgsu #libraries on tumblr #star trek #star trek concordance #star trek tos #fanzine friday #zines

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wastelandauthor · 1 year

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Writeblr Intro

Hi, I’m finally got around to making this, but here’s my intro. I’m Paul, 21, and he/him. I’ve been writing since I was young, but never took an interest until 13 when I realized it was my passion. Since then, my goal is to be a published writer and make some sort of influence on the literary world. I’ve been taking creative writing more seriously as I’m currently working on getting published in literary journals.

A few other things about me is that I live in the Midwest— I can confirm that the Great Lakes are absolutely massive, I’m big into 80s/90s music, Dorothy is my favorite Golden Girl, and I’m fond of the color purple. Other hobbies are slow burn watching shows, watching videos, playing video games, and reading. Currently, I’m in college getting my degree in English with Creative Writing on the side. For genres, I absolutely love fantasy and sci fi which I write mostly. I will try my hand at any genre as I don’t want to leave any stone unturned.

Current writing projects:

Artificial Terror: a sci fi novel stuck in a science facility over the course of two or three days and dealing with what it is to be human. Has 16 chapters and an epilogue. Current word count of 34,453.

Remained: a post apocalyptic novella having been a stalwart of strength throughout devastation and a 10 year nuclear winter, despite the added mutations. Has a prologue and 7 chapters. Current word count of 21, 945 words (give or take).

An Unwanted Couple: a novel in the modern Middle Ages where it looks like an arranged marriage is causing friction between not only the characters but the kingdoms. Still very much in the early stages of development, but has a prologue and planned 41 chapters. Estimated word count of 120,000 words.

There’s a few other ideas that float around in my head that also need to be written down, but that’s for another day. I also have a good repertoire of short stories that are always being workshopped and looking to be published. I may or may not post snippets or paragraphs if I feel real proud about them or if the wording is so rough that it’s funny.

Essentially, I’d like to meet up with other writers/creatives to bounce ideas off each other and see where it takes us. If that sounds like something you wanna do, then feel free to follow.

#writeblr intro #writeblr #writblr #writblr intro #new to writeblr #creative writing #writers

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homomenhommes · 4 months

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THIS DAY IN GAY HISTORY

based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more … January 3

1752 – Johannes von Müller, Swiss historian, born (d.1809); Müller's Geschichten der Schweizer (Swiss History), a project that occupied most of his life and took him more than forty years to complete. Müller's tome (18 volumes in the French translation) is now considered hopelessly unreliable, even though in its day it stirred Swiss nationalism and had profound influence.

Müller's place here is due to his favorite extracurricular activity - writing love letters to Charles Victor de Bonstetten, a young, devastatingly handsome Swiss writer.

Charles Victor de Bonstetten

Bonstetten was also the object of desire for Thomas Gray, the English poet. Müller's love letters, among the loveliest ever penned, were published in 1835, twenty-five years after his death. Long before then, however, Goethe had gone on record declaring Müller's sexuality.

1900 – Dorothy Arzner (d.1979), although not the first woman to direct films in Hollywood, was the only woman director to work through the turbulent, richly productive, 1930s and 1940s—the period crucial to the development of Classical Hollywood Cinema.

Born in San Francisco, she grew up around the filmmakers and actors who frequented her father's Hollywood restaurant. After dropping out of university, where she had intended to become a doctor, Arzner interviewed with William DeMille (of the Famous Players-Lasky Corporation, i.e., Paramount Studios) and accepted her first film job as a script typist. She soon moved on to cutting and editing, eventually editing fifty-two pictures as chief editor for RealArt, a subsidiary of Paramount.

Arzner made her directorial debut at Paramount with Fashions for Women in 1927. Between 1927 and 1933, she directed eleven films for Paramount; in the ten years between 1933 and when she left the Hollywood film industry in 1943, Arzner directed another six films as a freelancer with RKO, United Artists, MGM, and Columbia.

During this time, Arzner received media attention as a "woman director" in the popular press; and as a woman, her work and her career were constantly scrutinized. For all this, however, Arzner remained enigmatic, even provocatively so: observers commented on the juxtaposition of her petite figure and her "mannish" dress; journalists reassured readers that this woman gave her orders on the set with a soft and "feminine" voice; and publicity photos regularly romanced her relationship with her female stars, who included such actresses as Clara Bow, Claudette Colbert, Rosalind Russell, Katherine Hepburn, and Joan Crawford.

Arzner's lesbianism seems to have been well-known within the Hollywood community, though little attention was paid to it publicly. She lived openly with her companion Marion Morgan, a choreographer and dancer, from 1930 until Morgan's death in 1971. The prominence of dance in several of Arzner's films may reflect Morgan's influence.

Arzner left Hollywood in 1943 to recover from an illness, and she never returned. Coincidentally, post-World War II Hollywood experienced a radical movement towards conservative "family values" quite incompatible with Arzner's general themes and interests, and her work seems to have fallen out of favor.

After her Hollywood career, Arzner directed training films for the Women's Army Corps, taught in the film program at UCLA (1959-1963), and was honored by the Director's Guild of America in 1975. She died on October 1, 1979.

As a woman "pioneer" in the film industry, and as a lesbian, Arzner has attracted considerable attention recently. She has been recognized for her innovations in using sound and her films, though many are still hard to find outside of archives, have seen a renewed interest both academically and popularly.

1948 - Sex Researcher Alfred Kinsey revealed a high incidence of same-sex acts among men. Behavior in the Human Male is published, in which the researcher concludes that 37% of American males have had at least one gay sexual experience to the point of orgasm. Five years later Kinsey publishes his report on women, which puts the comparable figure at 13%.

1964 – Bruce LaBruce is a Canadian writer, filmmaker, photographer and underground gay porn director based in Toronto, Ontario.

LaBruce was born Bryan Bruce in Tiverton, Ontario, and wrote for Cineaction magazine, curated by Robin Wood, his teacher. He first gained public attention with the publication of the queer punk zine J.D.s, which he co-edited with G.B. Jones. He currently writes and photographs for a variety of publications including Vice, Nerve.com and BlackBook magazine, and has made a number of films which merged the artistic techniques of independent film with gay pornography.

He has also previously been a columnist for the Canadian music magazine Exclaim! and Toronto's eye weekly, and he was a contributing editor and photographer for many years at New York's index magazine. He has also been published in Toronto Life and the National Post as well as the UK Guardian. His movie, Otto, or, Up With Dead People debuted at the 2008 Sundance Film Festival. L.A. Zombie was banned from the Melbourne International Film Festival in 2010 because, in the opinion of Australian censors, it would have been refused classification. However, the film was subsequently able to screen at OutTakes, a New Zealand lesbian and gay international film festival, in May 2011.

In March 2011, LaBruce directed a performance of Arnold Schoenberg's opera Pierrot Lunaire at the Hebbel am Ufer Theatre in Berlin. As one no doubt assumes, this iteration of the opera included gender diversity, castration scenes and dildos, as well as a female to male transgender Pierrot.

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scotianostra · 5 months

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On November 29th 1813 a campaign was launched in Dumfries to raise public subscriptions to fund a mausoleum for the poet Robert Burns.

Robert Burns was originally buried in St Michael's Churchyard, Dumfries, in a simple grave, marked only by a plain stone slab. In 1803 when Dorothy and William Wordsworth visited Dumfries they had difficulty in even finding the grave. Burns' admirers came to believe that this was an insufficient memorial to the poet.

A circular was published on 29 November 1813 calling for the public to subscribe to the cost of a mausoleum. 18 local worthies attended a meeting in the George Inn in Dumfries held on 16 December 1813, and the project was launched.

Amongst those who took a leading part in the fund raising campaign was Sir Walter Scott. Money flowed in from all over people as far afield as India and America donated money. By spring 1815 enough funding was in place for the work, based on a design by Thomas Hunt of London, to be put out to tender. The contract was won by a local stonemason, John Milligan, with a tender of £331.8s.6d. The first stone was laid on 5 June 1815, in a less crowded part of the churchyard than where Burns had initially been buried.

The construction of the mausoleum ran into a number of problems caused by Milligan's failure to comply with the specifications or take directions from the committee supervising the work. It was only in September 1817 that the mausoleum was complete and the monument installed within it. The actually monument within the mausoleum was the work of Peter Turnerelli, an Irish-Italian sculptor working in London. The statue on the wall shows the Muse Coila hovering above the figure of Robert Burns who is standing by his plough.

On the 19th of September 1815, Robert Burns’s body was exhumed from his original, modest grave, and reinterred in the Mausoleum which stands in the south-eastern corner of St Michaels kirkyard, in 1834 when Jean Armour (Robert Burns's Wife) died she was buried alongside him within the Mausoleum

#scotland #scottish #history #rabbie burns #robert burns #makar #poet

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kulturkorner · 6 months

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Fran Lebowitz

Frances Ann Lebowitz (born October 27, 1950) is a loud-mouthed, opinionated American author, public speaker, and occasional actor. Lebowitz is open about her personal life and is a lesbian. She is known for her sardonic social commentary on American life as filtered through her New York City sensibilities and her association with many prominent figures of the 1970s and 1980s New York art scene, including Andy Warhol, Martin Scorsese, Jerome Robbins, Robert Mapplethorpe, David Wojnarowicz, Candy Darling, and the New York Dolls. The New York Times has called her a modern-day Dorothy Parker. Lebowitz gained fame for her books Metropolitan Life (1978) and Social Studies (1981). She has been the subject of two projects directed by Martin Scorsese, the HBO documentary film Public Speaking (2010), and the Netflix docu-series Pretend It's a City (2021).

As an adolescent, Lebowitz was deeply affected by James Baldwin: "James Baldwin was the first person I ever saw on television who I heard talk like that—by which I mean, he was the first intellectual I ever heard talk... And I was just flabbergasted. That made me read him." She also enjoyed watching television appearances by Gore Vidal and William F. Buckley, though she did not agree with Buckley. In 1978, her first book, Metropolitan Life, was published. The book was a set of comedic essays mostly from Mademoiselle and Interview, with titles such as "Success Without College" and "A Few Words on a Few Words". She often detailed things that she found irksome or frustrating in a dry, sardonic tone.

Lebowitz said in a 2019 interview:

"What is culture without gay people? This is America, what is the culture? Not just New York. AIDS completely changed American culture... And with AIDS, a whole generation of gay men died practically all at once, within a couple of years. And especially the ones that I knew. The first people who died of AIDS were artists. They were also the most interesting people... The knowing audience also died and no longer exists in a real way... There's a huge gap in what people know, and there's no context for it anymore."

#fran lebowitz #gay culture #james baldwin #andy warhol

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nifflering · 6 months

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THE BUMBLING FOOL - an essay/rant

(contains spoilers for The Wizard of Oz and Doctor Who episodes “Utopia”(s3/ep11) and “Sound of the drums” (s3/ep12))

To begin, I present to you some context…. So, recently I saw a post by @monica00 who posted an excerpt from the Master’s diary. The “MASTER OF ALL I SURVEY” is composed of several diary entries written by Simm!Master. In one of them, Day 42, he mentions carving the faces of several of his regenerations (Delgado, Ainley, himself and the “Wizard of Oz”) into Mount Rushmore. This led me to ponder who he’s referring to when talking about the wizard of Oz.

So, after thinking a bit, I finally figured out that he was talking about the Master as portrayed by Sir Derek Jacobi / the War Master. And that led me to composing this handy (and probably not that well written) list? Analysis? Essay? About the parallels between the character of “The Wizard of Oz” and Professor Yana/the Master.

Note: My information on the wizard of Oz is partly taken from deep crevices of my brain and the “Wizard of Oz” wiki, so I might be mixing up several portrayals of the character. Also, this is my personal interpretation, so yeah…

Enjoy, I guess…

This rant is dedicated to my current Doctor Who obsession and of course to @roxannepolice, my motivation for writing/ actually publishing this. Many thanks to you for feeding my thoschei obsession with your content and (ask game answers) and exsisting.

After Dorothy arrives in Oz via hurricane, she desperately “wishes” to get back home to Kansas. The Good Witch informs her about the approaching threat of the Wicked Witch (who is going to chase her down and try to kill her because she crushed her sister, the wicked witch of the east, with her house and stole her magical shoes. Which are all pretty valid arguments If you ask me.). Glinda says that in order to go home she should ask the “Wonderful Wizard of Oz” for help. Dorothy (having just killed someone) and her dog, Toto, go on their merry way, following the yellow brick road to the Emerald City.

On the way there she meets several other characters who also have a deep wish they want fulfilled by the wizard. There is the Scarecrow who wants to have a brain, a tin man who wants a heart and a Lion who wants courage.

After some tribulations they are finally able to have an audience with the Wizard, who appears as a giant floating head – in return for fulfilling their wishes the Wizard demands the Wicked Witch`s broomstick. (Character who appears as a giant floating head - Just like, oh, I don’t know a certain other character played by Derek Jacobi, cough cough the Metatron, cough, cough)

They defeat the Wicked Witch and return with the broomstick; he tells them to come back tomorrow – but Toto pulls back a curtain and the group discover that “The Great and Powerful Wizard” is just a guy operating a projector machine. He is projecting an image of himself, the image of a giant powerful magician capable of doing almost anything. When confronted with the fact that he is a humbug, he admits that he is but says that he’s – still a good man at heart. Although he promised to grant their wishes, he merely gives them “tokens” of the things they actually wanted. For example, a heart shaped clock for the metal man and a diploma for the Scarecrow.

The wizard finally decides to go home to Kansas, the same way he got there - in a hot-air balloon. He also offers to take Dorothy with him, fulfilling her wish. This ultimately doesn’t work as Toto runs off and Dorothy goes after him. Just before departing he makes Dorothy’s companions the rulers of Oz – effectively dumping all responsibility on them. In the end Dorothy manages to get back home with her magical shoes. However (depending on the version) Dorothy has fulfilled her wish on her own, none of her other friends have actually gotten their wish granted.

------------------------------------------------------------------------ Let’s take a look at the parallels between Yana and Oz.

“Utopia”, is the only episode Yana and Jacobi!Master appear in, it takes place on a desolate planet called Malcassario at “the end of the universe”, a time not even the timelords have reached.

Ten, Martha and Captain Jack (don’t ask me why he’s here just roll with it) go to explore and find nest-like structures carved into stone. Remnants of a civilisation that used to live here long ago. They get wrapped up in a hunt, a (human) man is being chased by the Futurekind, a tribe of savage hunters with sharp teeth. They join him in running to the only safe place around – a silo. Later a guard confirms that this is the place to go if you want to go to Utopia – the ultimate salvation from the end of the universe and the infinite darkness that surrounds them.

They later find out that a scatterbrained scientist called Professor Yana (and in extension his malmoothian assistant, Chantho) are supposed to make the rocket that’s supposed to take them to Utopia (a call which “came from across the stars over and over again. Come to Utopia.”), fly. The thing is, they have no clue how to do that – not that they are not scientists – but they do not have enough energy to lift off.

The surviving humans yearn “to preserve [themselves], to find a way of surviving beyond the collapse of reality itself.” They have come so far, survived all these great hardships, lost their friends, family, lives, everything. They presumably see Yana as a saviour, the one who will lead them to Utopia “where the sky is made of diamonds”. Yana is even willing to sacrifice himself for them, staying behind as the rocket takes off.

Every single human left in existence is relying on them to survive. They all want something from him. He is their own personal version of “The Great and Powerful Wizard of Oz”, able to grant their deepest wishes/ they are projecting their wishes and hopes on him. They aren’t scared that the myth of Utopia isn’t true but they fear that they won’t survive long enough to reach it.

(As I’m writing this I kind of realize that the Doctor (or the Master) can relate to all these humans, just like them they have lost everything, their home plane and their friend. But the doctor still hasn’t given up hope he’s still running away, desperately clinging to any human who wants to travel with him and secretly wishing that the last words of the Face of Boe “Know this, timelord. You Are Not Alone.”, are true.)

There are also some parallels between Martha and Chantho. In a private conversation while the doctor helps Yana power the rocket, Chantho reveals that she has known the Professor for a long time and that she adores him but does not think he notices. This kind of parallels Martha’s relationship with the doctor, she’s also in love with him but knows that this love will never be reciprocated, she’s not even sure if he’s noticed it. But, ultimately the loyal Chantho gets electrocuted by the Master after he has recovered his memories – blaming her for not noticing or asking about the watch (which contains his true identity) sooner. She falls to the floor – seemingly dead – but manages to shoot him in her last breath.

Her wish for love has not been fulfilled.

Let’s get back to the humans for a second: as soon as the Master becomes himself again, he lowers the protective measures against the Futurekind, locks the Doctor and Jack in the control room and removes a circuit board from the navigational system to Utopia. The rocket’s flight path is interrupted in the fate of the humans is left unclear. (At least until Sound of the Drums but isn’t the toclafane’s existence, bound to a singular metal dome a never-ending thirst for blood ingrained deep within you, a fate worse than death? Are they even human?)

The Doctor’s next, we will ignore Jack because he doesn’t really fit into the grand scheme and he’s literally just forcing himself into the plot.

Throughout the whole of new who up to this point it has been established that the Doctor is completely and utterly alone in the universe. In the episode “New Earth” (s2/ep1) a Novice teases the last words of the Face of Boe which will only be given to someone like him “a wanderer. To the man without a home. The lonely God.” In Gridlock (s3/ep3) he tells Martha about the time war, “There was a war. A Time War. The last great Time War. [..] They lost. Everyone lost. They’re all gone now, my family, my friends, even that sky.”.

Like I already mentioned, The Doctor is constantly craving companionship – he has throughout all his lives, especially in the new series he wants to alleviate the pain of the time war, the crippling loneliness that claws at him every second of every day, no matter how much he tries to escape it.

When Yana hears of a scientist, “a doctor of everything”, he is immediately overjoyed, he rushes to greet the doctor and whisks him away to his laboratory. He quickly introduces him to all his equipment but despite the doctor’s massive intellect, he can’t even think of any solution. Yana is obviously sad but apologizes, saying that there’s been “so little help”. To me this immediate joy and desire to meet the doctor is also partly the masters. He feels lonely as well – as reflected by Yana’s own feelings - “Never could keep time. Always late, always lost. […] Time and time and time again. Always running out on me. […] Oh, it's only an old relic. Like me.” Yana desires rest – eventually his own wish gets fulfilled, just like Oz escaping from Oz and going back to Kansas.

Generally, the Chameleon Arch creates a personification of some aspects of the user`s personality, for the Doctor his “worse traits” get amplified, for the Master his “better traits” are amplified, he’s willing to sacrifice himself just to save someone he doesn’t know and is kind to everyone he comes across.

When the Doctor sees Yana’s inventions, he’s starstruck. He’s finally found someone like him – an equal. “Oh, it's easy coming in at the end, but you're stellar. This is, this is magnificent. And I don't often say that because, well, because of me.” He recognizes how underappreciated Yana is in this time – “If you'd been born in a different time, you'd be revered. I mean it. Throughout the galaxies.”

They briefly take a break to talk about the constant never-ending drumming Yana hears in his head and this iconic look™ happens.

When Yana opens the watch and turns back into the Master, ten rushes to get to him, he begs him to open the door, to let him in “I'm begging you. Everything's changed! It's only the two of us! We're the only ones left! Just let me in!” But, the Master, the only other person like him in the entirety of the universe, escapes with his own Tardis.

The Face of Boe’s prophecy and the Doctor’s wish have come true. He’s not alone anymore.

But it doesn’t last as the Doctor (not even two episode later) has to watch as the Master dies in his arms refusing to regenerate because it would mean having to spend the rest of his lives imprisoned wit” him.

He’s alone again.

Professor Yana just like the Wizard has a lot of responsibility. They are both good men at heart. But are still not able to fulfil the wishes of the people relying on them.

But at the same time, they are both humbugs.

A humbug, as defined by Miriam Webster, is “a false or deceiving person or thing, a fraud”. Both Oz and Yana are humbugs in both meanings of the word. They are both “false people” with the Wizard being merely a projection controlled by Oz and Yana literally being a “false person”, a fake identity created by the Chameleon arch. They are both good men at heart – they want to or at least try to fulfil the wishes brought before them – but they both deceive their “subjects” – so they’re more morally grey. Yana tries his hardest to build a rocket and a system to power it made out of food scraps. He’s using technology the Doctor has never even heard of. Yana may be a good person, but ultimately the Master is not.

In the end, Jack, Martha and the doctor barely manage to escape with Jack’s vortex manipulator – his red sparkly shoes.

And that’s it. If you’ve managed to make it this far, you receive a “virtual” participation trophy, congrats. 😊 Have a good day and....

Until next time (maybe?)

#doctor who #Kansas = Gallifrey confirmed???#you know it's serious when i pull out the dictionary defintions #this is what you get when you have watched Utopia too many times #a win win #I would say #if someone has a better title #hit me up #Beyond excited for rogue encounters

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dk-thrive · 9 months

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it’s hard for us to see our own selves if we’re not ever alone

To be in favor of solitude is not to be against community or friendship or love. It’s not that being alone is better, just that without the experience of it we block ourselves from discovering something enormously beneficial, perhaps even vital, to selfhood. Who are you when you are not a friend, a partner, a lover, a sibling, a parent, a child? When no one is with you, what do you do, and do you do it differently than if someone was there? It’s hard to see someone fully when another person is always attached to them. More importantly, it’s hard for us to see our own selves if we’re not ever alone.

— Amina Cain, A Horse at Night: On Writing (Dorothy, a publishing project, October 11, 2022)

#Amina Cain #solitude #alone #awareness

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dallonwrites · 2 years

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[image description: a photograph of a wave crashing against the ocean. to the right, in a white serif font, reads “@dallonwrites” /end id]

@dallonwrites | writeblr intro

hi! my name is dallon (he/him) and i’m a 22 year old writer. i mostly write literary fiction but im trying to branch out. i like writing about complicated queerness, sibling dynamics, transmasculinity, autistic protagonists and, occasionally, zombie apocalypses

instagram: dallonwrites twitter: dallonwrites

minors are allowed to interact if they are comfortable doing so, but i am an adult and sometimes will post adult content. i also will not interact closely if you are minor or don’t have your age in your bio (i may follow back/reblog your work, but i won’t dm and things like that). no hard feelings!

i don’t to taglists at the moment because they stress me out! sorry. sometimes i post a lot of random excerpts though

i have sideblogs so that might be why i followed you

my icon is of my ocs felix and beau and you will hear a lot about them (and their besties jolie and dorothy) :)

my published work

you can find all my published work either on my LINKTREE or HERE. check the latter out for summaries and content warnings!

my current projects

Revelations, Revelations: personal project. litfic/historical series following multiple queer characters living in san francisco in the 1980s. current focus is on twins trying to reconcile and process their childhood trauma/co-dependency when they reunite after four years apart.

Swimming Pool Prayers: tentative title for my short story collection. featuring complicated transmasculinity, fraught relationships, christian trauma and bodies of water.

Ammonites For Eyes: novel. litfic. a trans man is forced back to his coastal hometown and back into the closet after the death of his mother, and has to reckon with his fragmented identity when his half-sister looks for a new maternal figure in him.

#all i do is retitle my work and make a new writers intro and then never post on here now we try and change that!#im just trying to curate my corner at this point x i am just vibing x #also i hate the expand thing its ruining all my aesthetic posts!

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gaymormonmike · 17 days

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STUDS TERKEL

I am reading Terkel's book Coming of Age. It is a chronicle of interviews he had with people who shaped the 20th Century. These aren't the people you would be familiar with. Stud's hung out with and was friends to the marginalized . He fought against any prejudice aligning himself with Blacks such as Mahalia Jackson, gay and lesbians, downtrodden workers, unionists, and was comfortable with anyone that was open, honest and willing to speak out. He had a Chicago radio program that interviewed people (we would call them podcasts today) from 1952 to 1997. He wrote oral histories of his famous people and of the everyday person. His oral history of people on the home front during WWII won a Pulitzer prize and made me love the way he wrote and spoke and how much he wanted to record the unspoken stories of everyone. He understood that everyone had a story to tell. I am sharing this because if you never heard of Studs Terkel, you are missing an American treasure. Check him out. Here is part of his story from Wikpedia:

A political leftist, Terkel joined the Works Progress Administration's Federal Writers' Project, working in radio, doing work that varied from voicing soap opera productions and announcing news and sports to presenting shows of recorded music and writing radio scripts and advertisements. In the late 1940's he voiced characters in WMAQ's Destination Freedom series, written by Richard Durham.[5] His own well-known radio program, titled The Studs Terkel Program, aired on 98.7 WFMT Chicago between 1952 and 1997.[6] The one-hour program was broadcast each weekday during those 45 years. On this program, he interviewed guests as diverse as Martin Luther King Jr., Leonard Bernstein, Mort Sahl, Bob Dylan, Alexander Frey, Dorothy Parker, Tennessee Williams, Jean Shepherd, Frank Zappa, and Big Bill Broonzy.

In the late 1940s and early 1950s, Terkel was also the central character of Studs' Place, an unscripted television drama about the owner of a greasy-spoon diner in Chicago through which many famous people and interesting characters passed. This show, Marlin Perkins's Zoo Parade, Garroway at Large, and the children's show Kukla, Fran, and Ollie are widely considered canonical examples of the Chicago School of Television.

Terkel published his first book, Giants of Jazz, in 1956. He followed it in 1967 with his first collection of oral histories, Division Street: America, with 70 people talking about the effect on the human spirit of living in an American metropolis.[7][8][9]

He also served as a distinguished scholar-in-residence at the Chicago History Museum. He appeared in the film Eight Men Out, based on the Black Sox Scandal, in which he played newspaper reporter Hugh Fullerton, who tries to uncover the White Sox players' plans to throw the 1919 World Series. Terkel found it particularly amusing to play this role, as he was a big fan of the Chicago White Sox (as well as a vocal critic of major league baseball during the 1994 baseball strike), and gave a moving congratulatory speech to the White Sox organization after their 2005 World Series championship during a television interview.

Terkel received his nickname while he was acting in a play with another person named Louis. To keep the two straight, the director of the production gave Terkel the nickname Studs after the fictional character about whom Terkel was reading at the time—Studs Lonigan, of James T. Farrell's trilogy.

Terkel was acclaimed for his efforts to preserve American oral history. His 1985 book "The Good War": An Oral History of World War Two, which detailed ordinary peoples' accounts of the country's involvement in World War II, won the Pulitzer Prize. For Hard Times: An Oral History of the Great Depression, Terkel assembled recollections of the Great Depression that spanned the socioeconomic spectrum, from Okies, through prison inmates, to the wealthy. His 1974 book, Working, in which (as reflected by its subtitle) People Talk About What They Do All Day and How They Feel About What They Do, also was highly acclaimed. Working was made into a short-lived Broadway show of the same title in 1978 and was telecast on PBS in 1982. In 1995, he received the Chicago History Museum "Making History Award" for Distinction in Journalism and Communications. In 1997, Terkel was elected a member of The American Academy of Arts and Letters. Two years later, he received the George Polk Career Award in 1999.

#studs Terkel #queerstake #literature #aurhors

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heartsfm · 3 months

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↻ ⊲ Ⅱ ⊳ ↺ obsessed - mariah carey 0:01 ❍──── 4:28

( kaya scodelario, cis woman, she/her ) — 🎬 just announced, AMELIA COSTA HEART has been cast as CHARLOTTE YORK in the upcoming SEX AND THE CITY reboot. the twenty six year old is trending as people are debating if the vintage chanel sunglasses that once belonged to her mother, glasses of champagne that are sipped a bit too quickly, walks around new york with a shakespeare & co tote bag, smudged makeup, being the inspiration behind more than one song that they are known for is enough to make them as good as original. a quick google search shows that their fans call them intellectual, but internet trolls think they’re more manipulative. i guess their newest interview for variety where they talk about her life as a broadway child star will let people to know them better.

basics:

full name: amelia costa heart

nicknames: amy, ames, occasionally ellie

gender: cis woman

pronouns: she/her

sexuality: bisexual

age: twenty six

ethnicity: brazilian-american, white

hometown: new york city

residence: has both a mansion in l.a. and a fashionable apartment in new york, though she has a clear predilection for her hometown

personality:

traits: intelligent, loyal, romantic, confident, obsessive, manipulative, selfish, occasionally self destructive

mental health: has been struggling with depression and anxiety since childhood, but has it mostly under control nowadays

physical health: could be better, since the cigarettes and alcohol mostly tip the balance over her good exercise routine and eating habits

hobbies: is an avid reader and writer. likes to play tennis or go riding on her free time

character inspo: blair waldorf (gossip girl), charlotte york (sex and the city), venetia catton (saltburn)

family:

mother: clara costa, a famous brazilian writer who wote many acclaimed broadway plays and prestige television shows

father: james heart, from an old money new york family

siblings: none

pets: two ragdoll cats called pippin and merry

bio:

amy doesn't really remember when she started acting. she played a baby on one of her mothers tv shows when she was barely a year old, though played is really an exaggeration. at six years old she was already starring in a broadway play, which led to a series of musicals such as annie, the sound of music and matilda.

the peak of her career as a child star was at 13, when she was cast in a brand new movie version of the wizard of oz, as dorothy gale. though amy remembers the movie clearly, it also stands very solidly as the end of her childhood, and the start of a much more troubled part of her life.

amy's entire family has a troubled history of mental illnesses, and by 15 she started heavily self medicating and drinking to deal with a newfound explosion in fame. she always loved dancing and the crowded, barely lit atmosphere of hot new york clubs provided her a decent escape from her own overactive mind.

her teenage years were marked by incredibly successful movies, scandalous affairs with more than one musician and parties that lasted for several days. it was also marked by the sudden and tragic death of her grandmother the day she turned 20. amy was so out of it her parents were only able to contact her two days later. that's when she decided to get her shit together.

amy took a break from acting, got a literature degree in yale, published a book about her life and then another one, not about her life. she came out of hiding a much less self destructive person, though old habits die hard.

the sex and the city reboot was a bit of a one eighty as far as projects go. after the wizard of oz amy become known for high brow indie projects, but the tv show proved to be exactly what she needed.

personality

like many born and raised rich girls, amy can have an over-inflated ego. it's not really her fault, and if you can get past that then you'll see a very sweet and caring person. she just so happens to think the world is her personal country club.

she likes to party and is not ashamed of it. though she is quite more restrained than she was as a teenager, it's not hard to find pap pics of her and her friend on a night out.

is quite intellectual and likes to discuss books and movies with anyone who has half a mind to engage with her rantings. though she tends to be a bit of a know-it-all.

a part of her is still obsessed with childlike ideals of friendship and romance, which means she is loyal to a fault. she tends to get caught up in people, even when they're clearly bad for her.

#2000s.intro

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king-starscreams-fics · 3 days

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Transformers: Earthspark (Cartoon) - UT_Girl666 - Lessons [Archive of Our Own]

Summary: Bumblebee taught them what to do. But by christ, why can’t they rehearse it to their parents how he taught them??

Rating:

General Audiences

Archive Warning:

No Archive Warnings Apply

Category:

Gen

Fandom:

Transformers: Earthspark (Cartoon)

Characters:

Bumblebee (Transformers)

Dorothy "Dot" Malto

Alex Malto

Twitch Malto

Thrash Malto

Jawbreaker Malto

Nightshade Malto

Hashtag Malto

Additional Tags:

Podfic Welcome

Language: English

Published: 2023-11-07

Words: 467

Chapters: 1/1

Basically, this is brilliant and I felt like sharing.

#transformers #transformers earthspark #tf earthspark #fan fiction #ao3 fanfic #ao3 #UT_Girl666

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goldendoodlerlockerlove · 3 months

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Thank you so much for invading my ask box again, Babs!! I appreciate you so much 🥹❣️

All right, The Cobra is my Marvel WIP (technically WIP even though it's published, because it's unfinished and I haven't been able to find the time to continue it for quite a while). But it's a fic I want to finish someday, eventually, though I don't know when. It's a fic that's very dear to me. It was my first big writing project that I actually published for the world to see, so I love it a lot for that. Okay, buckle up for some lore. I told @koko-raccoon all about my OC, so here's everything I told them:

Her full given name is Lucille Dorothy Barnes, but she goes by Lucy for short, or Luce (She/Her pronouns!! She's a Cisgender Lady :3 Tbh, I like to headcanon her as the type to put Pronouns in her Bio once she gets to the present and has an actual phone and learns how to use Social Media). Anyway, she's Bucky's younger sister, and he's her oldest brother (yes, she has two older brothers and one younger brother. I gave her two additional brothers because according to canon lore, Bucky's supposed to be the oldest of four, even though nothing about his siblings is known in canon).

She and Bucky are 1000% the closest to each other in their family, they were each other's first best friends!! That's the power of sibling love. The two of them eventually meet Steve, and she becomes Steve's bestie as well at the same time that Bucky becomes Steve's bestie. The three of them kind of become a friendship trio, like The Three Musketeers. Oh yeah, and she's also Aro/Ace, but doesn't figure it out until later, because of how taboo being LGBTQ+ was back in the forties. Her being Cis and Aro/Ace is based off my best friend, who is also Cis and Aro/Ace, pffffft (and despite being Aro/Ace, she's one of the most loving people I know).

Anyway, Lucy never gets powers, but does support Steve while he gets the serum, and actually does manage to join the army with him. Even though she's a woman, she still gets in because let's just say that's how desperate they were, lmao. And they also tour together selling War Bonds as Captain America and The Cobra (which eventually becomes her actual superhero name). Then they both get trapped in the ice. I don't know how she survived, because she never got the serum. Let's just say she's built different--and somehow the ice protected her all of those years, I don't know. I don't think I thought about that enough when I wrote it.

Anyway, they wake up in 2012, join the Avengers, and craziness ensues. But the craziest part is reuniting with Bucky, who she thought died all the way back in the forties. She definitely took his presumed death the hardest, she grieved so much. She never really fully recovered from when she thought she lost him. She actually turned to drinking to make herself feel better, it was that bad (she previously never even touched alcohol). And she even cut her long, brown hair and dyed it; it eventually grows back and regains its old, natural color, but it was still a huge, rebellious move for her. She gets even more upset when she learns that Bucky was brainwashed, and he's barely even her brother anymore. But part of her that she thought would never heal heals when Bucky is eventually freed of his mind control and becomes a part of her life again. They definitely become each other's support system when Steve goes back to live out his life in the forties and dies, leaving the two of them (and Sam).

And she's reminded just how fun it is to spend time with her big brother again. She just missed him so much 😭 I like to think that she's also trapped in the town Wanda creates in WandaVision, and actually forgets everything, and Wanda tries to justify it by saying that now she gets to live the life she lost. Very sad stuff. I actually kind of used this fic as an excuse to write a character going through the grieving process, sort of?? It was definitely interesting.

Here's an excerpt of Lucy dealing with grief and turning to drinking as an unhealthy coping mechanism:

When they got back, she turned to drinking. Being drunk erased the pain. It numbed everything. It wasn’t a permanent solution, but it helped. She was old enough anyway. She and Steve sat in the remains of a building, listening to a broadcast.

“Blackout is still in effect throughout the London area. Please wait for the all-clear. Your attention, please. All citizens should remain indoors until further notice. Blackout is still in effect throughout the London Area.”

Peggy suddenly appeared in a trenchcoat. Steve cleared his throat and spoke, his voice sounding rather raspy, “Dr. Erskine said that the serum wouldn’t just affect my muscles, it would affect my cells. Create a protective system of regeneration and healing. Which means I can’t get drunk. Did you know that?”

“I can.” Lucy hiccuped, pouring herself another shot. “It helps with the pain. Physical and mental. Also, Steve, m’pretty sure your metabolism burns four times faster than the average person.”

She heard that her words sounded slightly slurred, but she couldn’t bring herself to care.

“I was just about to say that.” Peggy grabbed a chair and sat beside them. “He thought it could be one of the side effects. It wasn’t either of your faults.”

“Did you read the report?” Steve questioned, probably sounding harsher than intended.

“Yes.”

“Then you know that’s not true.”

She slammed her shot glass on the table, startling Peggy, “I was a coward.”

“You did everything you could,” Peggy assured them. “Did you believe in your friend and brother? Did you respect him? Then stop blaming yourselves. Allow Barnes the dignity of his choice. He damn well must’ve thought you were worth it. Both of you.”

“That’sss Bucky for you.” Lucy’s “s” was slightly drawn out. She laughed drunkenly and then hiccuped again.

“I’m going after Schmidt,” Steve decided. “I’m not gonna sleep until all of Hydra is dead or captured.”

“You won’t be alone.”

Lucy never forgot those words of comfort.

Here's an excerpt of a small part of WandaVision that I wrote in advance because I got so excited to get to it:

Lucy started to grow angry herself for not being listened to, “What is outside of Westview, Wanda?”

“You know full well what’s out there,” Wanda snapped. “Lucy, I did this for you, too.”

“What?”

“Haven’t you noticed? You’ve gotten to live through all of the decades you never got to experience. You never had to be a hero,” Wanda explained.

Lucy’s hands curled into fists, “I thought you were my friend, Wanda. How could you do this? People here are suffering!”

“You don’t understand.”

“I don’t understand?” Lucy hit the table with all her strength and started to shout, “I knew damn well what I was getting into when I got into that plane with Steve!”

“You don’t get to make a choice for us, Wanda!” Vision exclaimed.

Also, the best flipping part about this fic is that Lucy is canon is some way thanks to The Falcon and The Winter Soldier!! Sort of. Okay, I still made Lucy up, and Bucky's sister never appears on-screen, so it can be assumed she never made it to the present and passed away at some point. Or he could even be lying. But let me have this!! When my best friend, Matilda, pointed this out, I squealed with happiness so hard.

#ask game #marvel #i still want to finish this at some point because it's very near and dear to me now #i just think it's a pretty interesting concept #matilda actually as an oc too her name is ella and she's loki's wife #we also made a whole fic where they got to meet during the events of the “loki” series #okay now i'm really starting to get nostalgic hahaha--i just remember how fun it was updating this every week and how far along i got #that definitely made me feel so accomplished

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hirazuki · 8 months

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Tag game: Tour my bookshelf!

Thanks for the tag, @general-illyrin!

An estimate of how many physical books I own: Including those in storage, probably over 800 by now. Those physically with me, currently, in my apartment: 267.

Favorite author: It's a tie between J.R.R. Tolkien, Paul Scott, and Dorothy Dunnett. They are my holy trinity ♡

A popular book I've never read and never intend to read: Hm, probably one of the YA ones floating around, with the courts and roses in the titles? Or the book with Gideon and Harrow. Those just don't appeal to me, particularly in terms of writing style ¯\_(ツ)_/¯ (idk specifics, sorry y'all, I don't really keep up with literature past like. mid-ish 20th c, and even that's super late for me. It's 18th/19th c. gothic all the way for me XD)

A popular book I thought was just meh: Mmm, again, I don't really know what's popular tbh despite working in a library lmao; if it doesn't concern The Hyperfixations, it literally does not register in my brain XD. So probably some assigned reading in school, like Catcher in the Rye or The Great Gastby. I was an extremely unimpressed teen/young adult with most of the 20th c. American literature we were given to read.

Longest book I own: Of the ones in my apartment at the moment, just doing a quick visual scan, it looks like it's The Dictionary of Mythology; though tbh, I suspect my BHS probably has significantly more pages, despite it looking so tiny in comparison. But I'm too lazy to actually go look XD

Longest series I own all the books to: Depends on what we mean by "series." If it's strictly linear plot, then I think it's The Lymond Chronicles, by Dorothy Dunnett. If it's just same universe/same characters, it's definitely Agatha Christie's novels. If we're including comics as part of books? It's Lucky Luke, sitting at 82 issues yes I have all of them XD

Prettiest book I own: A New Treasury of Poetry, it has a beautiful cover and includes really lovely plates interspersed throughout the collection.

A book or series I wish more people knew about: Ahaha, none! I used to have one series, but then; well. Let's just say that, while I am firmly against gatekeeping, I can't help but notice that popularity sometimes does spoil some things ^^;

Book I'm reading now: Re-reading The Silmarillion, and making my way through History of Middle-Earth and Nature of Middle-Earth.

Book that's been on my TBR list for a while but I still haven't got around to it: The recently published Fall of Numenor is next in line for me to read.

Do you have any books in a language other than English: Yup, plenty in Greek, some in Spanish, and a handful in biblical Hebrew.

And lastly, paperback, hardcover or ebook? Oh, paperback for sure. I can't stand ebooks for my own personal use -- it's a great concept and I love the accessibility it provides, but it's just not for me; unless I'm reading fanfic, I require a physical item in my hands in order to be happy. Hardcovers are gorgeous, but I primarily read lying down on my back and they are very cumbersome in that respect. Paperback is cheaper, lighter, and there's far less guilt attached if you're a messy reader like me (pen/pencil notes, folded pages, reading in the bathtub/on the beach/while eating lunch or dinner, art/craft projects involving glue and paint everywhere in the apartment, keeping tons of plants on the bookshelves, etc.).

Tagging, no pressure: @ruiniel, @baked-hylian, @cruelfeline, @dear-kumari, @nomadicism

#withoutwords

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