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#door reviews
doorplays · 1 month
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Door Reviews: Phoenix Wright: Ace Attorney (2001)
So! The Ace Attorney series. Iconic games, known by many. So many people have recommended this game series to me already. SO MANY PEOPLE. I got the first trilogy on the PC years ago, but it sat in my library unplayed for so long. And I have finally found the time to start it. And now, reader, I am so excited to tell you all about the first game!!! Let’s go!
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What’s it about?
It’s about new lawyer, Phoenix Wright, and his foray into the world of Japanese courtrooms. We meet clients and assist them in getting a Not Guilty verdict. We see him learn the ropes, investigate crime scenes, endure his own trials, and persevere against all odds.
Disclaimer: In this review, I will mostly be talking about the first four cases. The fifth case will have its own section and its own rating at the end of this review.
STYLE (Gameplay, Graphics, Music)
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Gameplay feels like a visual novel with investigative elements. You navigate areas, talk to people, and take note of evidence to present to people and at trials. The gameplay isn’t really anything to write home about, but the cases themselves are interesting to unravel.
To present evidence during, you have to select the right dialogue that the witness said, then present said evidence using the assigned hotkey (E for keyboard). It becomes a game of carefully reading what the witness said and cross-referencing it with the facts of the case, catching the lie using the evidence at your disposal.
It can get grating trying to find the exact dialogue to present evidence against. The cases can get roundabout at times, so you really have to make sure you understand what the witness said. I found that I have to double, even triple-check what the witness was saying, and check the whole transcript against my stack of evidence one by one.
Outside of the trials, it’s a visual novel-esque game where you go places and interact with items, making sure to talk to NPCs as well.
The gameplay itself is simple, but the game itself uses this simplicity to good effect in terms of storytelling, which I’ll discuss more on in the next section. All in all, I think the gameplay itself passes muster for me: good enough to play with, but not bad enough that I’d get too distracted by it.
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The art looks sleek and expressive. The sprites look very anime. I like their exaggerated movements at times. Makes it feel like a wacky courtroom drama. The backgrounds are nice, too.
In terms of art, I think the best part are the character designs. The characters can be so zany and distinctive! And their animations reflect this, too.
The music, I think, stands out among all of these. They set the tone for various stages of the game, giving it whimsy, an air of caution, and an intensity too. I love the Turnabout music a lot! It is very iconic.
All in all, the style of this game is something I find charming. It’s simple, but because of that simplicity the game can use it to tell better stories.
SUBSTANCE (Story, Characters, Impact)
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This game’s story is fun. It has a lot of wacky hijinks in it! Even the names of characters are so wacky: Lotta Hart. Sal Manella. April May. Redd White, CEO of Bluecorp. It’s such a silly game!
It has a lot of sassiness too. The banter between Phoenix Wright and a bunch of the other characters can be so funny. He can become the butt of the joke a lot but in the courtroom he WILL sass you to hell and back if he can press the advantage!
The dialogue of this game is soooooo silly. It feels like a Saturday morning cartoon in a way! It feels cheesy at times, yet I can’t help but crack a smile.
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What I like most, though, is that this game’s story has a lot of heart (heh) and earnestness! It does character relationships so well, having a good balance between lightheartedness and seriousness. It presents character struggles seriously. And most of all, it emphasizes how difficult it is to be a defense attorney in one of the countries with the highest conviction rate.
We root for Phoenix Wright not just because he’s a silly defense attorney, you root for him because he tries despite insurmountable obstacles. He tries despite a legal system that can be cartoonish but is nonetheless still based on reality, where an accusation is practically a prison sentence. He tries because it’s the right thing to do.
That’s why I like this game’s story so much. At its heart, it’s a story about doing the right thing against all odds. It tells its story with such whimsy and silliness, yet is just so earnest when it comes to things that matter.
VERDICT
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Ace Attorney is a gem of a game. I enjoyed playing it after work. It became something to look forward to after my day-to-day. I was rather bemused with the story, and slowly ended up loving it. I absolutely LOVE Edgeworth as a character and he is now one of my top 5 faves of all time (maybe even top 1…… he is my blorbo of the month). With such a strong first game, I am very much excited to play the rest of the trilogy. Play this game!!!
Door Rates Game: 5/5!
REVIEW: RISE FROM THE ASHES
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SO! Rise from the Ashes is the 5th case in this game. This case here is an addition to the game after it got a Nintendo DS remaster. And it makes full use of the DS capabilities, with more expressive sprites, 3D evidence, and other gameplay quirks. Too bad we’re experiencing this on the PC!! Nonetheless, we push on with this review.
Case 5 is a fresh new case with a LOT of content. It’s like… maybe two, 2.5 cases in one? There are a lot of twists and turns to the story, and the devs introduced new gameplay, chief among which is the way you can now inspect each evidence you get. You go to the court record, press Enter, and you can look at it in 3D!!! You can get to inspect engravings, blood, and most importantly, you can now look at the back of receipts! Technology…
There are other new gameplay things they introduced, but they’re mostly just small things that try to tie you better into the game and also showcase the capabilities of the DS. Well, less that and more taking advantage of the new things the DS could do. With new technology means new ways you can make your game, and new ways to tell your story.
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In my opinion though, these new things introduced in gameplay feel like they were thrown in for the sake of it, as if telling the player “oh, look at me! I can do this now!” Too experimental in a way… which makes sense, since this is in a way the first AA case on the DS. I haven’t played the other DS games, but I would hope that they found a way to integrate the capabilities of the DS better and in a way that makes sense for the story.
I found the story of case 5 to be amazing!! It had a bit of a slow start for me, but when it got going I was on the edge of my seat. It was thrilling, funny, and had heart, which is what I feel is classic Ace Attorney.
I liked it!! I would give this additional content a 4/5, if only because the new gameplay stuff hassled me a bit. They tried some new things, and some of them annoyed me, but I’m sure these new things would play out better in future installments. So far, I very much enjoy the series, and I’m excited to play more of its games!
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squash1 · 2 months
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ok book club <3 what are we reading that’s actually good and would maybe fill the trc shaped hole in my soul???? and don’t say reread. unless you say reread the dreamer trilogy because i’m so close to giving into the urge.
please. please. give me your suggestions.
as a frame of reference here are non-trc books i love & would recommend (different content, same soul):
watch over me by nina lacour
in memoriam by alice winn
under the whispering door by tj klune
these violent delights by micah nemerever
the anthropocene reviewed by john green
summer sons by lee mandelo
a tale for the time being by ruth ozeki
i need an actual book club but tumblr took away my group chats :(
anyway love you please give me suggestions!!!!!
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literary-illuminati · 22 days
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2024 Book Review #16 – The Saint of Bright Doors by Vajra Chandrasekera
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I grabbed this on a recommendation I now forget the specifics of, but which I am incredibly glad I listened to. Not a perfect book, but a beautiful one. It really does immerse you in a capital-w Weird setting in a way I haven’t gotten to enjoy in a while, and might the best in years at really weaving it in with a sense of the mundane and the bathetic. Pacing and character development and plot are a little all over the place, but still a great read.
The story follows Fetter, the only child of the Perfect and Kind, anointed messiah of the Path Above. His mother tears his shadow off of him at birth, and forever after he must choose to remain tethered to the earth and not float away into infinity. He is raised from birth as a tool to take vengeance on his father by committing each of his five unforgivable sins – culminating, of course, in holy patricide. His childhood is spent in indoctrination and murders – and oh, he’s also the only one he knows who can see the monstrous devils who share the world with humanity.
So anyway, all that gives him a lot to talk about in therapy.
The actual book follows Fetters’ life as an aimless young adult in the city of Luriat, with its layers of impenetrable government and byzantine system of castes and races inherited from successive colonizers, its regular pogroms and plagues, and its tendency for any doors left closed and unwatched for too long to instantaneously become permanently shut portals to Somewhere. Over the course of the book, he is dragged into a revolutionary conspiracy, learns his father is coming to the city, learns deep metaphysical secrets, is a pretty terrible boyfriend, becomes a suicide bomber, and learns to fly.
To start with the negative, the pacing of the plot is...okay, maybe not bad, but it’s really not trying for the things I’d expect it to. A whole act of the narrative is spent meandering through an absurd purgatory of refugee/prison/quarantine camps Fetter has been consigned to. Lovely writing, thematically important, does eat up a lot of page count which then leads to rest of the book being things happening very quickly one after the other with very little in the way of buildup or reflection. Time is enjoyably spent just detailing the experience of Fetter’s day to day life, but much of the supporting cast feel more like plot (or thematic) devices than characters. The book ends with the protagonist loudly reciting the big lesson he’s learned from the events of the book. So yeah, less than perfect book. Still, I found all the sins very easy to forgive.
As mentioned, this was the first fantasy book I’ve read in a while that felt properly fantastical, like it was created from first principles rather than being the latest in a hoary old lineage stretching back generations. Which might be complete bullshit, I don’t know – not like I’ve read a great deal of other South Asian fantasy to compare it to – but it worked for me. A big part of which is how very modern it is. This is a secondary world with prophets and plague-bearing anti-gods, forgotten timelines whose ghosts leak into the world, and a whole plethora of almost- and not-quite- messiahs. And also one with cellphones and UN-administered refugee camps, labyrinthine bureaucratic politics and scandals over inappropriate allocation of imported medical devices. It all feels like a reflection of the present and its own concerns rather than the thousandth-generation pastiche much of the genre does, I suppose – which is something I really did appreciate.
The world of the book – or, at least, the little slice of it the story is concerned with. There’s clearly grander and stranger things happening off in the distance – is one intensely concerned with caste and class, race and religion and breeding. Luriat is weighed down with the architecture and high culture of successive waves of colonialism, and its elites organize and govern the population according to a syncretic mix of all of their ideological castoffs. Politics – and in particular the use of plague and quarantine on one hand and sectarian pogroms on the other to control the populace – is pretty key to the whole book. It’s also just about entirely beyond Fetter. Not that he’s dumb, just that he’s apolitical, in the sense of treating government like an inexorable and inevitable fact of life to be worked with/around or avoided, not something you can understand or change. Which makes for fun reading as there’s clearly a whole Les Mis thing happening like 0.5 degrees to the left of the book’s plot.
Anyway, I’m still sad Pipra didn’t get more screentime, and the whole ending feels almost comically rushed, but absolutely a worthwhile read.
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godzilla-reads · 2 months
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✨ The Door in the Hedge by Robin McKinley
Rating: ⭐️⭐️⭐️⭐️/5
Robin McKinley has a very atmospheric way of writing. A magical, a knightly way of writing. And that is plainly clear in this book as she rewrites four fairy tales and extrapolates on new themes and magic. I really liked this collection as each story felt new and different, even if I already new one of the tales- The Princess and the Frog- which ended up being one of my favorite retellings.
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declawedwildcat · 3 days
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After seeing @aiscapades working on some Touchstarved sims, I decided I wanted to try the challenge of making Leander's scar as CC! There's still some things I might fix with it in the future, but overall I'm pretty happy with how it came out and a lot more confident on how to tackle this type of CC in the future 🍻
You can see the full item details and download it for yourself from ModTheSims here (no account needed).
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ankle-beez · 26 days
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the-magnusinstitute · 11 days
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what about purple doors?
I think there’s a cupboard somewhere that’s painted a sort of mauve, so it might be an Institute door, but better safe than sorry.
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ghostoffuturespast · 4 months
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Works In Progress 2023: A Cyberpunk 2077 Year In Review
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I thought for a hot minute about doing one of those snazzy templates that’s been going around, but editing photos just ain’t my MO and rather than going by month I picked 12 favs that I’ve posted in 2023. Some of them were popular, some of them weren't. Overall, I think I did pretty good for just doing vanilla photomode on console.
You might be wondering why there's a picture of a sticky note. I don't remember when I started doing this, and I'm horribly inconsistent as you can see by the dates, but I'll jot down my word count for my wip chapter and then jot it down again when I remember to later.
I write slow. A lot of times I sit down to write and it feels like the wheels are spinning in place. My minutes and hours don't stretch very far, typically don't add up to much. But days, weeks, months. That's when I can at least measure the progress.
Fic: So It Goes 40/44 - 438,946 words
My V x River Ward and tinfoil hat conspiracy theory long fic. I've spent way more hours on this then I have on any of my VP.
I got tagged by @just-a-cybercroissant @therealnightcity and @wanderingaldecaldo to do some WIP Whenevers. I post my VP pretty regularly, so it’s always seemed silly to do work in progress posts for them, and I don’t know when I’ll have any new writing to share since in between work and the holidays, I haven’t had much time to sit down with anything since my last chapter update. And I've been feeling very... stingy, lately. Especially when it comes to mine and other people's writing. So take this WIP/Year In Review as my offering. Both these series, as am I, are all very much still works in progress. 
I confined my reflections for this year below the cut. If you don’t want to read my long-ass essays, you can admire the pictures, maybe check out my fic, or just move along and have yourself a lovely day.
We’ll start with the easy one.
VP
After at least a year of multiple playthroughs (I’ve played all the lifepaths, done all the endings), it only occurred to me at the beginning of this year to start taking VP. Part of the reason I never did before was because I didn’t realize it was a thing and then by the time I did, I figured I didn’t have much to offer. I play on PS5 and only have access to vanilla photomode, so seeing everyone else’s high-fidelity, ultra ray-tracing, modded, posed, full on virtual photo shoot photos, I was like there’s no way. (Not that I’m hating on PC modders, it’s just not everyone has access to mods or a PC capable of running the game, and I’m all for making art and creative endeavors accessible.) On top of that, all I’d ever heard from most other folks was how much vanilla photomode sucked. In the glamorous world of VP, I didn’t think there was any room for me.
But I started snapping pics anyway. And sure, there are a lot of limitations with vanilla photomode. But what that really translates to is opportunities to get creative. I am also a hoe for subverting people’s expectations, and very much believe when there’s a will, there’s a way.
Environmental and landscape shots were my first subjects before I started branching out into portraits and then capturing story moments. Through VP I found an entirely new way to enjoy a game that I’d already played a ridiculous number of times along with also finally being brave enough to share my V with other people too. I’d always worried about that before, if people would like her. Granted, I know Grandpa’s not everyone’s cup of tea, but whether you like her or not, I certainly think she’s made a name for herself over the past few months. Even if most people haven’t really gotten to know her the way I’d hoped. 
I’ve taken hundreds of photos this past year. Most of which I’ll never share. There’s a lot of flops, a lot of weird experiments, ones that didn’t quite turn out the way I’d hoped, but I’ve learned something from every single one of them. I know how to spot good lighting, frame shots to create optical illusions, get a very limited toolkit to work in my favor, parkoured on all of the things, and heck, I even figured out how to make Grandpa smooch other NPCs. I’ve done atmospheric, mundane, down right goofy, as well as things that most people probably thought weren’t fucking possible.
I can’t say how long I’ll keep doing this, I’m sure I’ll move on at some point, but for now I’m still enjoying myself. There's a lot to explore in this game and I just can’t stop digging Night City.
Now, for the more complicated thing.
Writing
So It Goes… My peace, my war, my greedy and most ravenous of ghosts.
I’m operating under the assumption that most people following me here probably haven't read my fic or aren’t all that interested in reading it to begin with. It’s fine. But you need to understand this fic, my writing, is the main thing that brought me here. This is also Grandpa V’s story. Most of you have met her, but unless you've been reading, most of you do not know her.
I wrote around 185,000 words and posted 10 chapters this year. 2022 was about 253,000 words and 30 chapters, along with several unrelated one shots. However, I don’t think I’ve done a single chapter this year that was less then 10k, and my longest managed to hit 27k. As of the last update I posted, the fic is currently sitting at around 439k words, 40 chapters, and still isn’t done.
I have four more chapters to write. I have written a metric shit ton of words. This is, by far, the longest and most intense creative project I’ve ever endeavored to complete.
When I started writing, I was expecting this fic to be around 100-150k. That seemed to be the average for most long fics. I did not plan on being an outlier. I'm not sure you can ever really plan for that, but I guess I enjoy subverting my own expectations too.
For those of you who are reading my fic, it is my sincerest hope that it shatters every expectation of where you think it’s going. It’s not a joke that I tagged my fic “#an ode to my tinfoil hat”. An ode it has turned out to be. I’ve been sitting on this theory for two years. I have told no one about it. I hope it sticks the landing and hits the way I want it to. I don't know if it will. But fuck, I just want to be done with it so I can move on with my life, take a break, and give myself the opportunity to make and focus on other things before I have to get back on the damn horse.
I wrote less this past year then I did in 2022. I had a lot of life changes, most of which were good, but with times of change come times of adjustment. Along with some realizations that maybe you don’t understand as much as you thought you did. Looking back, I’ve been in a state of unsettled, kuzushi, for a really long time. Which is not a good place to be. It’s how your ass ends up on the ground with a knee knocking out all your teeth. I thought I knew better. Thought I had enough practice to get away from it. But bad habits have good memories.
I think given the circumstances, I accomplished a lot with my writing this year. I don’t know if my writing is exactly where I want it to be. I doubt it every will be, but it’s evolved, grown, and I wrote a pretty hefty stack of words considering I started working full-time again, bought a house with my partner, moved, and have been dealing with the millions of other beans that life tends to throw one’s way. That being said, and for full disclosure, I’ve also been dealing with some of the worst cases of jealousy and envy I’ve had since I was a teenager. 
Frankly, it sucks. They walk with me every fucking where I go, hold my hands to whisper back all my doubts. Try to persuade me to my baser instincts, to be cruel and lash out. But that's not aikido. Luckily, I’m not 16 anymore so it’s at least been easier for me to identify the problem. Though I’m still coming up short in terms of actually being able to do anything about it, and will be for at least a few months more. 
Yeah, I keep talking about it because I don’t know how many people know that I've been feeling this way. And I’m tired of not talking about it in a room full of creatives, because yeah, I know I’m not the only one that feels this way. And not talking about it just makes all that pent up resentment worse for everyone.
Don’t get me wrong, I love writing. But with the way I work and think, it’s a slow, tedious, and incredibly time-consuming art. With how much my fic has snowballed over the course of writing, it’s left very little room for the other hobbies in my life. And as my fellow writers probably already know, writing is an incredibly insular craft. And unlike a picture or an image, which only requires a glance, reading a bunch of words requires time and commitment.
So, when you put yourself out there and share what you wrote, it’s a lonely feeling not knowing whether or not anyone connected with what you put on the page. Especially, when the people who do read aren’t compelled to voice anything and when the people you’d hope would read don’t. And then you're stuck in the dark, not knowing, because neither of us says a goddamn thing.
I started writing this fic prior to actually joining the CP2077 fandom. And I joined the fandom because I felt alone. I’ve been here a while now, albeit in a few different places, and that feeling still hasn’t gone away. I’m still trying to find camaraderie with my fellow writers and carve out something that kinda sort of resembles a home or a sense of community. I watch my peers around me as they seem to build that with each other, except me.
I’m envious of the things that people make and jealous of the relationships those have created and fostered between said people, because for the life of me, it’s been a struggle to cultivate that since I got here. I know it’s selfish, but I also don’t know what about me makes people so hesitant. There have been a handful of strangers that have shown up for me regularly, but as far as people I call friends in this fandom that have shown up and actually stuck around, I can only name one right now. (I know we're all busy. And I acknowledge my writing's not for everyone. I know maybe some of you are quiet, or shy, or probably a thousand other things. I get it. But that doesn't mean it doesn't hurt any less. People will never know unless you say. Never know unless you take the time to interact or engage. Be brave. And that's true for a lot of things.)
The propensity is for the negative to outweigh the positive. I've got a lot of numbers on my fic, so you would think things would be fine, but at this point they just feel empty. They don't bring me any comfort or real satisfaction. And I hate feeling like the people I know don’t care and that most of you are just talking around me. That I’m some kind of annoyance not fit to interact with. Which may or may not be the case. I don’t know. Again, most of you have never said anything. And maybe I need to accept the fact that most of you never will.
But this is me trying to start conversation.
It’s really shitty, knowing that the thing I want the most is also the thing holding me back. I know how to work on it too, not that it’s any guarantee. The problem is I’m still writing and in a needy state of greed. And because I’m slow, I don’t have the time or the energy to be generous. I can only take right now. I can’t give. 
Relationships require both.
I can’t bring myself to read other people’s writing. I can’t comment, or like, or share if I haven’t read anything. I'm desperate for conversation, but I also don't have the time or assurance to facilitate it with other people right now. And for some reason people never seem to want to talk to me, especially when it comes to writing. I want to be part of conversations, talk deeply with other people. But I can’t speak right now, I'm not in a place to offer generosity without someone first giving it to me.
And generosity and grace is what we all need.
Four more chapters and I hope my ghosts will finally let me read in peace.
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milf-harrington · 2 years
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the fact that steve harrington has such a fancy house but then just. doesn't have a porch gets me every time
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doorplays · 3 months
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Door Reviews: Delicious in Dungeon (2014)
There has been a lot of discussion recently about the new Delicious in Dungeon (2024) anime. At the recommendation of some friends, I decided to watch it. And I enjoyed it very much! It’s a great cooking anime and unexpectedly adorable and funny. I found myself craving more of it, so I decided to read the manga it was based on. Two days later, I finished the entire thing!! And now I am here to talk about this amazing manga!!!
But Doors, you may find yourself saying, this isn’t a game! Why are you reviewing this? And to that, reader, I say: I have decided to review whatever kinda thing I wanna review now! So sit back, relax, and enjoy the ride!!
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What’s it about?
An adventuring group gets pitted against a dragon that overwhelms them. Their cleric saves them by teleporting them out of the dungeon. Laios, the party leader, now seeks to save the cleric Falin, his sister, before it’s too late. Without much coin and resources, Laios decided to make do by cooking and eating the monsters of the dungeon, much to the chagrin of the remaining party members Marcille and Chilchuck. With the timely assistance of Senshi, an expert on monster cuisine, they will eat their way through the dungeon in an effort to save Falin!
STYLE (Art, Character Design, Backgrounds)
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The art is nice. It has this cuteness to it. It also gets so expansive, being that it is a fantasy setting with its fair share of fantasy races. You see forests, castles, caves, and other areas. A lot of variety to see!
Coming from the anime, it is nice to see the panels and enjoy them properly. There are a fair amount of wide shots to see, and it feels so nice to take them in.
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I like the variety of monsters. Ranging from the cute to the deadly, the designs are all very interesting and are given much thought so that they make sense within the world. There is a lot of thought given to the various designs and I appreciate that.
The characters are all so distinctive as well. They have varying designs and their profiles are easy to recognize, even silhouetted. I especially love Senshi’s design. His mouth isn’t drawn, but his expressions can be seen in his eyes. In general, there are a lot of amusing expressions in the manga. It’s fun seeing Laios’s wacky hijinks and Marcille’s protestations!
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All the foods look SO GOOD. It’s also fun to see how Senshi and the party cook the monsters. The similarities to real world food, the way they extract the ingredients from the monsters, it tickles me to see their processes. And I love seeing the party enjoy the food!
Overall, I love this manga’s art. It looks great, is understandable, and tells what it wants to tell really well.
SUBSTANCE (Story, Characters, Impact)
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This manga starts out as a typical DnD story. You have your party leader, your rogue, your mage, and your dungeon. You even see a dragon first thing! As the manga goes on though, its world unfurls before you, as if a flower blossoming.
Delicious in Dungeon may have monster cuisine as its main draw, but where it shines is its worldbuilding. It builds upon its DnD base and introduces various things and concepts to make its world be its own unique thing. From monster biology to racial politics, this manga makes a lot of things matter for effective storytelling.
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The main party characters all have different personalities. All of them shine through at different points. They all have their roles, and you see them play these roles in various chapters. And as time goes on, you see how their journey changes them. It feels natural, seeing them go through the dungeon.
It’s nice seeing Laios’s comprehensive knowledge of monsters. Seeing Senshi talking about cooking is nice to see too. Chilchuck is serious, but you can see he really cares about his job. And it’s fun seeing Marcille trying to help in her own way.
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Delicious in Dungeon is a cooking manga, and its themes center more around food and consumption more deeply than I expected. Food is something that we tend to take for granted, but it really is something we need to survive. The manga makes a point of malnutrition being dangerous in dungeon delving, so you have to make sure you have a balanced diet. And there’s also the act of enjoying said food, savoring them and enjoying them with others.
I have a newfound appreciation for food because of this manga, and I am thankful that it gave me that. I enjoyed the journey of reading this very much!
VERDICT
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Delicious in Dungeon is a wonderful manga that goes surprisingly deep. It is funny, exciting, sad, and hopeful. I encourage you all to read it when you can! And go and watch the anime too while you’re at it!!
Door Rates Delicious in Dungeon: 5/5!
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thistransient · 7 months
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It could just be that I hadn't eaten anything but a banana all day since breakfast, but this was a transcendental ramen
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vg-bird-reviews · 6 months
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Crow from Death's Door
10/5
love the little hops. and i believe all birds should be given swords. this will make everything worse and nothing better
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epicwin64 · 2 months
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typewriter-worries · 9 months
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what seems like forever ago, @geryone so kindly tagged me and asked me to share nine book recommendations. after combing through some of my recent reads, here are some of my favorites:
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My short little summaries and thoughts are listed under the cut:
Giovanni's Room by James Baldwin - Giovanni's Room is about a young man in David and his summer romance with another young man named Giovanni. Through the lens of love and heartbreak, David goes through a journey of identity.
Fight Club by Chuck Palahniuk - We follow our narrator, for now we can call him Joe, as he begins a very unconventional friendship with a man named Tyler. Men fight, they also bite and many a problems arise.
The Kite Runner by Khaled Hosseini- Historical fiction novel that is set agains the backdrop of many events from the fall of Afghanistan's monarchy to the rise of the Taliban regime. I don't think I've cried harder reading a book so that's my own weird way of saying I can't recommend it enough.
For One More Day by Mitch Albom- Little read with a lot of heart. Fictional baseball player has the chance to spend one more day with his late mother, who he misses more than he ever thought he would. Another book that kept me crying into the middle of the night.
If We Were Villains by M.L. Rio - I feel like if you like dark academia; this is an essential. A group of Shakespearean acting students at the fictional Dellecher Shakespeare conservatory get wrapped in a murder and it's an ongoing case of whodunit.
A Single Man by Christopher Isherwood - A delicate look into the mundane crafted through the lens of grief, loss and heartache. We follow the life of George, a middle-aged gay man mourning the loss of his partner. Like Giovanni's Room, I think it's a staple of queer literature.
I'm Glad My Mom Died by Jennette McCurdy - A heartbreaking memoir that's sprinkled with the well timed moment of comedy. We learn about Jennette McCurdy's tumultuous relationship with acting, the abuse she suffered at the hands of her mother, and her own way of working towards healing.
Promises of Gold by José Olivarez - If prose isn't your thing; this might be! Promises of Gold is a poetry collection in which Olivarez family, identity, love and quarantine. One of my personal favorites is Regret or My Dad Says Love
A Short History of the Girl Next Door by Jared Reck - A story about first love that in ends heartbreak in more ways that one. It's first person and it's YA, two things I normally never read, but it's just so so good. Forget crying into the middle of the night, this had me crying well into morning
no pressure tagging: @firstfullmoon and @soracities if you have anything you want to recommend <3
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narcissistcookbook · 7 months
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i finished a book!
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attention problems mean i so rarely finish a book. they often take months to get through, just reading a couple of pages a night. my attention span improved a lot though, by the end i was reading 10-20 pages in one session which is wild for me
anyway, short review: i didn't love it! the main character was pretty insufferable, and most of the book was a very turn-of-the-millennium nErDy incel romance storyline. also honestly very little actually happened until the last quarter of the book. but there were some neat ideas in there, and the goblin characters were fun.
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