while i wouldnt necessarily disagree that childe seems to be on edge more so than usual (and he himself mentions being in a poor mood in act I) in the fontaine archon quest i do have to say i find it a little funny that theres people who think hes behaving, like, completely out of character in the court scene when he decides to go apeshit after being judged guilty by the justice.exe AI bot like.
did it somehow escape peoples memories that this man when presented with the idea that we as the traveler mightve tricked and gotten ahead of him with the geo gnosis just. entered a state of complete murderous rage leading to him activating foul legacy in the golden house. which actually ends up self-sabotaging his current objective more than anything bc unlike the clear way they struggled against childe before now the traveler just won by default by outlasting him
he mightve gotten over it fairly easily afterwards (in no small part bc traveler actually fought him which automatically translates to equal=respect=friend in his fucked up head) but childes been shown to be a highly dangerous individual with a massive ego prone to outburst in the heat of the moment when outplayed or his pride wounded before even when it isnt the smartest course of action like. this isnt new lmao.
getting accused of a crime he had never even heard of in a foreign nation he only recently arrived in and then sitting through all that court drama and being assured afterwards that he only needs to partake as a mere formality for declaring his innocence only to be somehow declared guilty by a machine is very much realistic grounds for childes patience to reach its breaking point if you ask me lol
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Wish it was normalized for "shipping" to not refer to romantic ships strictly. The term is derived from "relationship", that covers any relationship... It'd really be a heck of a lot easier to browse stuff and be less of a point of potential upset. Eg artists asking "please don't tag as ship, this is platonic". I hate the platonic and romantic division so much as is for being hard to define and being different for everyone. I really wish it was more acceptable to use ship names in general without people automatically perceiving it as romantic upon doing so. The traffic fandom is so insistent on labeling your ships very specifically and it takes so much of the inherent fun of shipping away and stresses people out for no good reason
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Gem kicked her legs absentmindedly. She sat at the edge of a cliff on a random world, scrolling through Pinterest and humming. She was, at this point, wholly human - ten fingers, ten toes, not a speck of antler to be found.
She groaned in annoyance and fell backwards. The clouds, unbothered by her frustration, floated gently in the far-away breeze.
"Maybe I'll just make a dragon," she said aloud. She puffed air to move her bangs out of her face, and when that didn't work she pushed them aside with a huff.
"A big dragon that breathes ice, a big dark castle... Deepslate for sure, Blackstone, maybe some purple..."
She pictured a dragon-person Gem. Gilded horns would adorn her skull, winding up to a sharp point. She'd have slitted eyes, sharp teeth, and rough-dry scales crawling up her back. Something deep purplish, maybe blue, maybe red.
She scowled and reopened her eyes. The clouds remained floating in their unencumbered way. She was close, but not quite there.
Gem sat back up, picked up a stray rock, and launched it off the cliff. It sailed silently until it landed in the ocean's crashing waves with a soft plop. She glared at the ocean, eyeing the way sunlight glinted off the cresting waters and how salt stung her lip where she'd got a cut, somehow.
Then her expression shifted to something more thoughtful. Maybe there was something to this ocean idea...
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Belugirins shed their skin in a manner similar to lizards. Skins shed in the water would break down into marine snow, or be eaten by scavengers.
Helping one another shed is an activity that varies in connotation, though it is universally intimate.
The mat is designed with hard, but flexible scales to run against and loosen shed skin
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Will's Possession vs. Billy's Possession
Right now I'm starting a post about Will's s2 possession and how it relates to both Will and Mike, but first I wanted to side step and talk about Will's s2 possession in contrast to Billy's s3 possession, and what their differences highlights in terms of the story and presentation of gender and sexuality.
From the outset, Billy and Will's possession are different right from the jump. Both involve forced insertion, although for Will the Mind Flayer enters him from inside one of his true sight visions, while it's implied for Billy that the point of entry was from the flayed-rat-meat-monster that was underneath the ironworks. We don't see this for Billy, but we do see it visualized when Heather's parents are flayed.
This difference suggests a higher sensitivity or openness to the supernatural that Will possesses but that Billy does not. Whether a natural ability or afflicted, Will's True Sight is unique to him. Unlike Vecna visions, Will is able to move about physically in both dimensions, whereas victims of Vecna visions/hallucinations stay solitary and are described as "spacing out" or are tranced completely. We also know that Will had to have been physically in the Upside Down in order for the Mind Flayer to enter him, as we don't see any Mind Flayer particles out on the field while Will is being attacked.
There isn't anything to suggest that Billy had any sensitivity to the supernatural before this, and I'm inclined to believe that his vision in the Upside Down is another vision from Vecna as he takes over his mind, rather than Billy being physically presently there.
A little bit about gender in horror
Typically in the supernatural horror genre, especially with occult stories, possession, sensitivity to the supernatural, and being a "portal" for the "devil" (the devil being the Mind Flayer/Vecna in a nonliteral sense) is gendered as female. The body of the possessed has presented an "opening" for which the masculine demonic force (the Mind Flayer was gendered as male even before the show revealed it to be an actual male) enters.
And yet, it’s not so simple as to say that both possessions are gendered feminine. And in fact, there are huge differences that help gender Will’s experience as more feminine and Billy’s experience as more masculine.
For one thing, the moment of entry is hardly a focus for Billy’s possession, and is suggested rather than shown. We see Billy being dragged down to the ironworks basement, but the show cuts away before we actually see the particles enter his body.
Contrast this with Will’s possession, which I already showed above, where the moment of entry is not only visualized but emphasized.
The reaction to their respective possessions is gendered as well. The focus of Will’s possession becomes his emotional suffering, while Billy, either reacting to and/or succumbing to masculine force, acts out violently. Will cries and finds comfort in his mom, while Billy dreams about attacking Mrs. Wheeler (and then successfully attacks Heather and orhers).
And perhaps this is meant to be exemplary of each individual’s expression of gender. My post here lays out Will’s femininity, and Billy seems to represent an inverse of this— a paragon of masculinity that Will can’t relate to. Will is sensitive and soft and artistic in a way that the people shun him for, and Billy is sporty and aggressive and sexual in a way that the town rewards him for.
I talked before about how the town views Will in my Zombie Boy post and my longer analysis about sexuality in the show, although I think in the past I naïvely believed that after season one the town was neglecting to see Will’s feminine side, seeing only a predatory masculine side despite Will’s character not changing. But this isn’t the case. If anything, it’s the fact that Will is a feminine man that causes the town to see him as predatory in the first place and to be labeled as such.
And yet, when both in the position of possession, it is Will who remains pacifistic, holding out as long as he can (until the demadog attack at the lab, but even then, Will is more just the eyes for the Mind Flayer rather than being the one actually doing the attacking) and Billy is the one who succumbs and turns on the town.
When Billy is emasculated, either through his dad calling him a “faggot” or through possession, he leans into his machismo and lashes out violently. When Will is possessed or faces outward hatred from others, he responds by holding true to himself.
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