Werewolf diluc + full moon sex

HELP there is an entire scene of the holy knight contemplating if they’ll fuckin die if diluc knots them

a lil snippet LMFAO

“Heat,” you deadpan.

Diluc sighs again, rubbing his hand over his face. “You don’t have to keep repeating it.”

“I think more akin to a male wolf’s rut, but yes. A period of estrus.”

You were the one that barged into the meeting in the first place, really. But this was truly the last thing you would’ve imagined.

“Can he knot?” you wheeze.

“Albedo,” Diluc warns. He’s flushed down to his chest.

Thankfully Albedo lacks a bit of tact and is far more willing to prioritize the sharing of knowledge over social preservation. “Yes, upon physical examination. But I believe, with my preliminary research, that the body’s ability to form a bulbus glandis relies on biological changes that occur during the lupus cycles. Would you like me to explain the details of how the biological mechanism works?”

“No need,” you manage. What the fuck.

Your next question is almost ‘What are my chances of dying if I let him knot me?’ but somehow you manage to hold on to the last fragments of social delicacy you have left.

good hajime night!!!! hajime is so so cute I love him so much

also hi losertown :D

really don't wanna shame but omg when people in porn are like silent or just panting quietly it feels like i'm watching some npcs fuck or something

when you want to talk to someone but you don’t have anything specific to say

idk if this is accurate but i’ve felt like in previous seasons riz & gorgug have been one of the inter-bad kids dynamics we’ve seen the least of & this season has been so great in that aspect. gorgug having helped make some of riz’s magic gear. riz helping gorgug with his studies. the shared birthday party. gorgug’s gift to riz being something he himself made to protect riz. riz’s gift to gorgug being something he illegally grabbed to protect gorgug. gorgug who utilizes rage to put his body on the line for his friends & riz who will take deep levels of mental stress for his friends. even though it was within the context of a joke, riz calling gorgug an “absolute sweetie.” like yea they might not be in a band together or both part of a presidential campaign team or owlbears teammates, but they’d go to war for each other, because they’re best friends.

i feel like the reason aang isn’t as adored and beloved as he should be is because he’s the protagonist but he’s also not an archetypal western classical hero. i don’t agree with the entirety of that “avatar aang: feminist icon” essay because i think the role of patriarchy and gender in atla is more complex than what that essay posits, but he definitely complicates the masculine ideal of heroism and generally does not conform to patriarchal notions of masculinity. which is very deliberate, especially as contrasted with sokka and zuko’s explicit struggles with the imperialist/colonial standards of an aggressive, militaristic, and chauvinistic masculinity. aang is subversive because he represents an absence of war in a world ravaged by it. through his link to a (somewhat more) peaceful and harmonious past, he represents a better possible future. as katara would say, he brings people hope.

but people don’t like that he’s not visibly edgy or tormented like zuko is (even though he’s a far more tragic character than zuko is, just fyi), that he isn’t “cool” (even though he’s literally the coolest kid ever, just fyi), that he “gets the girl” (even though if anything, she gets him) despite being twelve and bald and nice (the horror!). katara is the more classical hero of the narrative, as its narrator and its catalyst, the adventurous revolutionary who gradually learns to control and use her powers and eventually becoming a force to be reckoned with. zuko is the classical anti-hero of the narrative, his “redemption arc” constantly hailed as one of the greatest character arcs in television. so people expect katara and zuko, as very obvious narrative foils who parallel each other every step of the way, to be the obvious couple, because based on every romance narrative we’ve been inundated with throughout our lives, within our patriarchal society, they “just make sense together.”

but as much as katara is a protagonist in her own right, aang is the show. the title quite literally represents the central thematic tension of the entire narrative, the colon illustrating the implicit divide between his duties to this brave new world in desperate need of justice and balance, or his duties to his extirpated culture as the last true voice among them. aang is the central figure because this tension represents the crucial ideological battle happening across the entire show. aang is the avatar because he is the only person in the entire world whose values have not been shaped by war.

people constantly laud zuko, in particular, for being the most interesting, complex character in avatar. but i personally don’t even think that’s true. which isn’t to say that zuko isn’t fascinating in his own right, of course, but rather that he’s certainly not the only complex character this show has to offer. he just happens to monologue about his anguish constantly. but aang wasn’t raised as an imperial prince, and so he approaches the world, and his own pain, in a very different manner. the reason he immediately goes to ride giant koi on kyoshi island, mailchutes in omashu, and otherwise goofs around after learning of the shocking ramifications of his people’s genocide is because that’s how he copes with his pain. unlike zuko, who never stops talking about his aches and yearnings, aang represses his trauma and hides his tears behind a mask of upbeat cheerful goofy twelve year old antics.

until he can’t anymore. until he snaps. both katara and zuko wear their hearts on their sleeves, and that includes their rage. but aang’s rage is dangerous specifically because it represents that he has been pushed past his limits, that the conditions of this world in which he is a perpetual stranger, temporally displaced and dispossessed, are intolerable. that peaceful reconciliation is impossible. and the fact that he persists beyond that breaking point, over and over again, to firmly and resoundingly establish his ideals even as they conflict with everything he has learned about this world, a world that is not his own even as he can never return to the world he once knew, is what makes him so unique, so powerful, so beautiful.

i know that aang isn’t the typical hero, neither narratively nor aesthetically, but really, that’s the entire point. the world, our world, needs something other than what we have now. we need someone who will not succumb to the ideals of domination and victory through violence to assert themselves. we need someone who stands firm in refusing to kill the firelord, even as everyone he knows tells him otherwise. we need someone who knows that darkness cannot be vanquished through more darkness, but can only truly yield to purifying light.

and sure, aang is a child, and often acts childishly. sure, he’s not conventionally handsome and alluring. but one thing i will never understand is how that somehow negates his appeal to the masses. because even if you don’t appreciate how crucial he is to the themes of this narrative you all seem to love so much, how can you not love his adorable little face? his precious little laugh, his zest for life, the infinite well of love and kindness he holds in his heart? people who hate aang are crazy to me. because you are, quite literally, hating the world’s most precious baby boy.

Nona the ninth is like,

Imagine you are a girl, and you woke up sixth months ago and thats your earliest memory. You dont know who you are. Your name was chosen for you seemingly at random, because nobody else knows who you are either. All you know about yourself is this: you cannot let anyone see you injured, or they will kill you. You are inhabiting a body that the others recognize, but you dont. You are probably one of two people, but nobody knows which one. You dont know these people. You dont know yourself. And deep down maybe you know you're not either one of them.

You are happy anyway.

You live with three people, who love you and who you love back fiercely. One of them is inhabiting a body that doesnt belong to her. She understands you, but she also doesnt. The other two are sharing a body, so intertwined that you can never be sure which one is standing right in front of you, unless you study them closely and know them well enough to guess. They understand you, but they also dont. They expect you to be one of two people, but you arent and you dont know why. You dont know who (what) you are.

You are happy anyway.

The world is crumbling around you. Your life is on a time limit and your soul is trying to claw its way out of your (her) body. The people you love are in danger but you dont know why or how to stop it. You are in danger, and the people you love know how to save you. You dont belong in this body, everyone knows that now. You are too big, too much, and the rest of your essence is trying to claw its way into your mind, becoming whole again, but you cant let it. You cant let it because if you are whole then you will be different, you wont be Nona anymore and you will not be that girl who loves and who is loved. But there is no choice, you must go back or risk killing yourself and the girl whose body you inhabit. You may remember your time as Nona, or you may not, but either way you will never be the same again. You might not be loved anymore. You might not love.

But you are happy anyway.

Because at least you know this. You cannot take loved away.

hiii i come bearing more art ^_^

mostly shadowpeach and mk, then mk with an oc in the last one

Canaries: paralyzed and unconscious

Me: Look at everyone carrying them awwwww so precious <33333 I love them so much🩷💗💝💘💕❤️

I named her Speakerbox!!!

OBI-WAN KENOBI (2022) // THE FORCE AWAKENS (2015)

i'm having so much fun with the new tmagp characters (and i will miss them dearly until april 11th) (side note: patreon members get access on my sisters birthday which is pretty cool) and i don't want to compare them to the tma characters because they are unique and different in MANY ways, i just also notice some parallels

gwen is very similar to jon, she has had a somewhat skeptic attitude but has now clearly been exposed to the horrors (bonzo..) and she's also climbing the corporate ladder if you will. she runs the place, she's grumpy, and i think she's closer to becoming an avatar than any of the others (even sam) (see my other post about it if youd like) (idk how to link it on mobile sorry)

alice and tim are kinda obvious, both comedic with younger brothers and are very susceptible to romantic feelings (sasha/sam). there was a lot more going on with tim and we haven't seen much of that side of alice, so i'm really excited to learn about her backstory and/or traumas. less excited about what that might to do her but yk.. yk..

sam/sasha is the most interesting one to me. sam is curious like sasha was. sasha wanted to know which made her archivist potential in everyone's eyes. sam also wants to know, he'd make a great archivist. except he's not cautious, he's like sasha if she had never worked in the artifact storage. i think sasha's strength was what she had already experienced and what she knew, but she didn't know enough and ultimately that got her killed. sam is going to keep learning until he does know enough, but he doesn't have that prior knowledge to stop him from going too far. very interesting characters from both of them

celia and martin i guess? celia's different since she's not exactly from tmagp

lena and elias because creepy murder boss

and finally colin and gertrude which is kind of insane of me to say but hear me out. gertrude cut out the eyes of book covers and magazines and everything in her home. she was incredibly paranoid she just was also a boss ass bitch about it. i think younger gertrude must've been a lot like colin, but she figured it out quicker and realized what she needed to do to survive. she asked the right questions and took the right precautions. she had the archive full of knowledge. colin doesn't have the archive, he's messing with the wrong thing and he's taking every precaution and hurting himself and those around him (sam's phone specifically comes to mind). i think gertrude was like colin but she had the right resources to get through it

idk all of these are very interesting and it makes me worry a bit, but ofc every character is unique and has aspects to them that change their stories. they're probably still gonna die though, we know jonny sims loves killing characters ��️

Listen I don’t know how to articulate this in an eloquent way but remember that part in sunflower vol. 6 “I dont want to make you feel bad, but I've been trying hard not to talk to you”? It’s like he’s saying I’m trying to protect your solitude but it’s hard, first of all because it’s not something you just know. You have to learn how to create a space where two people in a relationship still feel like they’re their own person, if that makes any sense.

Secondly, because it is a contradiction, if you think about it. Being a couple, being in a couple automatically deletes your solitude state, unless you seek for it, unless you ask for it.

Third, it creates uncertainty when you’re young and in love and you have all these feelings inside your chest they might as well just explode out of your lungs, you want them, you want to be with them (let me inside, wish I could get to know you) and it doesn’t matter how many years have passed since you first got together. There will always be this perpetual urge of belonging to someone that pushes you to just be around each other all the time, to know what’s happening, to worry about them and to take care of them. It makes you paranoid and insecure to know they asked you to wait for when they’re ready to not be alone anymore. It takes a lot of patience and growth and trust to just let them be and live on their own, you know? It’s probably the most selfless act of them all, even when that’s not what you would want (my eyes want you more than a melody, I couldn’t want you any more/I don’t want to be alone in golden).

And I could go on and on and on about how well this concept fits his entire discography.

I could mention Satellite’s «You got a new life, Am I bothering you? Do you wanna talk? Spinning out, waiting for ya to pull me in. I can see you're lonely down there. Don't you know that I am right here?».

Or Daylight’s «you got me cursing the daylight»

Or Canyon Moon’s «I’ll be gone too long from you»

Do I have to mention Adore you? ALL OF IT? Alright, I will: «You don't have to say you love me. You don't have to say nothing You don't have to say you're mine, honey. I'd walk through fire for you, Just let me adore you»

In conclusion, loving him is the antidote, solitude included.

[Such a huge development from Sweet creature’s «I always think about you and how we don't speak enough» by the way]

It just dawned on me that the only time Simon isn’t desperately trying to save Betty is when he’s the Ice King. The pain associated with her is so strong that he doesn’t feel like himself without it.

So his lines about ‘missing being ice king’ and Finn trying to ‘distract him’ is ultimately a ploy to stop himself from coming to the crushing realization that he has no sense of identity outside of Betty.

Maybe he hates the ice king so much because it means he isn’t remembering her, but at the same time he misses the freedom of existing without the pain.

I bet the series is going to try to synthesize these two points (or at least I fucking hope it does, I want this man to be happy) and give him a chance to truly start over and build a fulfilling life for himself in Ooo.

hear me out but i swear jj maybank wld be the no.1 temu warrior 😭😭.

“babe, babe, this only what — 90 cents, 90 cents!”

and you’re just there like 🧍🏽‍♀️.

”jayj they have tons of lawsuits against them sweetheart, maybe it’s better to invest your money elsewhere?” for fear of him getting broker than he already is with the way he seems so eager to spend.