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#dm just answered
destiel-wings · 1 month
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Are you incapable of making your own post? Why did you add on to that poor persons Merlin post when they dont care about Destiel? And youre too lazy to make your own gifs lol okay. Please dont add on to posts that arent yours. So fucking lazy and annoying.
Hey, if you're the op who made the post, I sincerely apologize. If you don't want that kind of addition i can delete it, no problem.
I love merthur and i love destiel too, and I added that scene from spn to make a comparison between the two ships. It wasn't meant to take anything away from the original post, but my intention was to give it a new light in addition (as people do on this site) by drawing a parallel with another piece of media. A lot of destiel fans love merthur too and i thought the op could get more reblogs and likes on their gif this way (reaching another fandom too).
I know how to make my own posts, I did plenty of them, actually.
What i don't know how to do is gifs, and i have deep appreciation for people who make them, and it is my understanding that they like exposure for their posts, so that their hard work can reach more people.
This is why i reblogged it.
My tags on the reblog were about both ships, i didn't deviate from the original post ignoring it to only talk about another ship (which would've been rude), so i didn't think it could be offensive in any way.
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egophiliac · 5 months
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Okay so I've been wanting to tell you that you're literally my favourite twst artist 😭🩷
So my question is, how do you manage to come up with these funny comics? CUZ I LOVE THEM SO MUCH
(P.s: Lovin' the art style ✨)
oh geeze, thanks! 💚💚💚 I'm really glad people enjoy my stupid sense of humor; mostly I just draw things to make myself laugh, and if it makes other people laugh too, then bonus points! usually it's just one joke or mental image that gets stuck in my head (every time I saw Fellow spin his cane, all I could think about was him go-go-gadgeting away on it...) and in my quest to justify it, it picks up other jokes and bits along the way and usually doesn't even end up as the main focus anymore. entire narrative arcs have spun out just so I could use a single bad pun in a throwaway line. this is a terrible way to explain it but I'm not sure how else to put it into words!
and sometimes it's just "weird things my sister has said that I make fun of her for"
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winkle-pickers · 6 months
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Inspired by this post, a really good discussion about it, and reassurance that life doesn't end after your twenties - quite the opposite in fact. Happy 43rd birthday Kaiba <3
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temeyes · 2 months
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I bother you enough as it is but
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every day, every night, till the stars all drop and collide. hehe love ya, bestie!!
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realpokemon · 7 months
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You must get a lot of asks, how do you decide which ones to answer?
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txttletale · 1 year
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“it’s not my job to educate you” is something you can say if you’re, like, just some random person of colour being put on the spot to explain why racism is bad. if you’re a Communist it is, in fact, your job to educate people. it should be your number one priority! lads this is literally what we are meant to be doing! if someone asks you a question and they seem to actually want to hear the answer, it is, in fact, your job to explain it to them! otherwise you’re a pretty shitty communist!
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avephelis · 4 months
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every time someone mischaracterises jay ferin as the therapist friend a fairy loses its wings btw. put some respect on her emotionally-constipated ass.
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pfhwrittes · 2 months
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prompt: gaz and ghost on overwatch, watching soap talk to their contact on the ground, and roasting him alive on comms. just stepping on his neck nonstop. soap can hear them but can't react because the contact spooks easy -391780
@391780 i LOVED this prompt. nothing makes me happier than Ghost and Gaz banter (there's so much of it in the drafts for misery and festivals). hopefully this little blurb satisfies the prompt!
-- “Permission to speak freely, sir?” 
Soap’s earpiece crackles as Gaz opens the comms, distracting him for a second from the twitchy man in front of him. 
“Go ahead, sergeant.” Ghost rumbles.
“You ever realise that Soap stands with his hip cocked?” Soap can hear the shit eating grin in Gaz’s voice. The sleekit wee bastard. 
“Hm. Looks like a teapot.”
“A teapot, sir?”
“Like the nursery rhyme.” 
The comm crackles again as it cuts off Garrick’s stifled chuckle. 
Soap shifts his stance, subtly redistributing his weight to rest evenly and bringing his hands up to loop his thumbs into the shoulder straps of his vest. There, now he can’t be called a fuckin’ teapot. The informant flicks his eyes over Soap warily. 
The comm clicks on again.
“Think he heard us, sergeant?” Ghost asks, amusement lacing his tone.
“Can’t be sure sir, it appears Cap has taken Soap’s place temporarily.” Gaz’s voice wobbles with repressed laughter. 
“Can’t see it myself, Garrick.”
“Why’s that, sir?” 
“Doubt Price would dare show ‘is face if he had a mop like that on his head.” Ghost deadpans. Soap feels his eye twitch as Gaz chokes back another burst of laughter. Cheeky fuckin’ cunts. 
“Looks -” Gaz cuts off the comm before flicking it back on, “looks like he lost a fight with a pair of clippers -” the comm cuts off again and Soap swears he can hear Gaz wheezing somewhere above him. 
Soap moves one of his hands to scratch at the back of his helmet with his middle finger, aware of the way the informant tracks his movements. If those pair of wallopers blow this op, Soap swears to himself that he’ll dye every single one of Ghost’s balaclavas pink and sew a Saltire on the front of Gaz’s cap in place of the Union Jack. 
Abruptly the tone on the comms change. 
“Garrick.” Ghost snaps, the teasing lilt to the banter is gone and in its place is the hard tone Soap’s heard before when things are about to get dicey. 
“I see ‘em.” 
“Keep them in your sights, I don’t like the look of -” whatever Ghost doesn’t like the look of gets cut off as an explosion sends a shockwave of sound and dust over Soap, forcing him to cover his head from flying debris. 
Much later when the three of them are getting chewed out by Price for “missing a whole fucking truckload of insurgents because you three were too busy dicking around on the bloody comms” Soap decides that his little sewing project isn’t nearly enough in the way of payback.
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bonefall · 5 months
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So, I'm writing an essay on the whole STATE of misogyny in WC for one of my university classes, and I was wondering if I could ask you a couple of things! No pressure of course, please feel free to say no!
A) Could I reference your good takes with appropriate harvard referencing and links back to your blog?
B) Are there any specific moments from the books that you think should be covered the most?
C) The end result will be a visual essay, so it's like those fun infographics people on Tumblr make on like ADHD and stuff, so when it's done, would you like to be tagged to read it?
(Sorry for anon, I'm nervous lmao, but if you'd be more comfortable I'll resend this off anon)
AAY good topic! You've got a lot to work with. Absolutely feel free to reference anything I've written, and tag me when you're done.
While you're here and about to write something so legitimate, I'm also going to recommend you check out Sunnyfall's video on gender in Warrior Cats. She breaks down the arcs into numbers, directly comparing the amount of lines mollies have to toms, and examining the archetypes women are usually allowed to be.
I think it's a must-have citation in a paper about WC misogyny.
...and, I think it's insightful to look at the WCRP Forum thread about the video. Note how the respondents immediately come into the thread to complain about how the video is too long so they didn't watch it, dismissing Sunnyfall as not being entertaining enough to hold their attention, even whining that she starts with statistics to prove her point, which I'm convinced she did exactly because they would have cried that she "had no evidence" if she didn't.
I am not a scholar, so I don't know how to document or prove that the books have an impact on the audience outside of anecdotes. But I think if you do write a section about fandom, it would be worth mentioning the in-universe and metatextual apologia for Ashfur and its reflection in the real world discourse, the authorial killing of Ferncloud because of fan complains, and the utter defensiveness against the discussion of misogyny you see outside of Tumblr.
You may also want to check out Cheek by Jowl, a collection of 8 essays about sexism in xenofiction by Ursula K. Le Guin. There's a very unique manifestation of authorial bias in animal fiction, having a lot to do with how the author views "the natural world," and it's worth understanding even though Warrior Cats are so heavily anthropomorphized.
So... Warrior Cats Misogyny
I think discussing individual instances can be helpful, but I'd implore you to keep in mind what's REALLY bad about WC's misogyny is framing and the bigger picture.
Bumble's death is shocking and insulting, but it's not just that she died. It's that the POV Gray Wing sees her as a fat, useless bitch who took his mate so she deserves to be dragged back to a domestic abuser, and he's right because the writers love him so much. It's that Bumble's torture and killing only factors into how it's going to hurt a man's reputation.
It's how Clear Sky hitting, emotionally manipulating, or killing the following women,
Bright Stream (pressured into leaving her home and family)
Storm (controlled her movements and yelled at her in public)
Misty (killed for land, children stolen)
Bumble (beaten unconscious, blamed nonsensically on a fox)
Alder (child abuse, hit when she refused to attack her brother)
Falling Feather (scratched on the face, subjected to public abuse and humiliation)
Tall Shadow (thrown into murderous crowd, attacked on-sight in heaven)
Rainswept Flower ("blacked out" in anger and murdered in cold blood)
Moth Flight (scratched on the face for saying denying medical treatment is mean, taken hostage in retaliation against mother for the death of his own child, which he caused)
Willow Tail (eyes gouged out for "stirring up trouble")
Is seen as totally understandable, forgivable, or not even questioned at all, when killing Gray Wing in an act of rage would have been "one step too far" with the ridiculous Star Line.
"Kill me and live with the memory, and then let the stars know it would only matter if a single one of your murder victims was a man."
It's the way that fathers who physically abuse their kids out of their ego (Clear Sky, Sandgorse, Crowfeather) aren't treated anywhere near the same level of narrative disgust and revulsion the series has for "bad moms", even if they're displaying symptoms of a post-partum mood disorder (depression, anxiety, and rage), an umbrella of mental illnesses 20% of all new mothers experience but are heavily stigmatized with (Sparkpelt, Palebird, Lizardstripe).
It's Crookedstar's Promise giving him two evil maternal figures in a single book, while bending over backwards to make every man in a position of power still look likeable in spite of the fact they're enabling Rainflower's abuse. Leader Hailstar is soso sorry that he has to change Stormkit's name for some reason, in spite of leaders being unaccountable dictators the other 99% of the time, and Deputy Shellheart functionally does nothing to stop his own son from being abused or even do much parenting before or after the fact.
It's the way men's parental struggles are seen sympathetically, and they don't have to "pay for it" like their female counterparts (Crookedstar's PPD vs Sparkpelt's PPD, how Daisy and Cinders are held responsible for Smoky and Whisper being deadbeats, Yellowfang's endless guilt for killing her son vs Onestar's purpose in life to kill his own), even to the point where a father doesn't have to have raised their kids at all to have a magical innate emotional connection to them (Tree's father Root, Tom the Wifebeater, Tigerstar and Hawkfrost).
It's less speaking lines and agency for female characters, being reduced to accessories in the lives of their mates and babies, women getting less diversity in their personalities, with even major ex-POV characters eventually becoming "sweet mom" tropes.
You could zoom in on any one of these examples and have an amoeba try to argue with you that "Oh THIS makes sense because X" or "Ah well my headcanon perfectly explains this thing" or "MY mother/girlfriend was abusive/toxic/neglectful and I've decided that you are personally attacking ME by having issues with how a character was written or utilized," but the beleaguered point,
That I keep trying to hammer in, over and over, across books worth of posts,
Is that these are trends. More than just a couple one-off examples. It's the fabric that has been woven over years, showing a lack of interest in, or even active prejudice of, women on behalf of the writers.
LONG STANDING trends, which have only gotten worse as the series progressed. From Yellowfang being harshly punished with a born evil son who ruins her life in TPB and the mistreatment of Squirrelpaw that begins in TNP, all the way up to the 7 Fridgenings of DOTC and Sparkpelt's PPD being a major character motivator for her son Nightheart.
So, I would stress that in your paper, and structure it less as "the Sparkpelt slide" and "the Yellowfang slide," and more as "The paternal vs maternal abuse" slide, and "the violence against women" slide. They're really big issues, there's tons of examples for each individual thing.
Anyway to leave off on a funny, look at this scene in Darkest Hour that I find unreasonably hilarious,
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"Everyone who matters to me; my truest friend, my sensible and loyal warrior, the wisest deputy I've ever known, and 2 women." -Firestar, glorious idiot
He can't even think of a single trait for either of them what the hell does "formidable pair" mean lmaooo, when I finished a reread about a year ago this line killed me on impact.
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jesncin · 22 hours
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How would Lois react to learn Clark is Superman
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microwave-core · 1 month
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my haley brain rot is terminal, sorry
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cilil · 1 month
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✧˖ 𝑻𝒉𝒆 𝒇𝒐𝒖𝒓 𝒍𝒆𝒗𝒆𝒍𝒔 𝒐𝒇 𝑨𝒊𝒏𝒖𝒓 𝒏𝒂𝒎𝒆𝒔 °.
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Are you looking to name a Maia or Vala OC or to write about an Ainu character, but aren't sure how to name them/refer to them? You've come to the right place! Here's a fun little breakdown of Ainur names (there's also a tldr at the bottom for quick answers). Hope it helps!
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Level 1: What others call them (near, far, wherever they are)
Much like other characters in the legendarium, Ainur have different names in different languages and their identities may be seen differently depending on which culture they're currently interacting with.
One great example for this is Gandalf. His original name in Valinor was Olórin (related to "olos"/"olor" which means dream or vision), while the name Gandalf came from old northern Mannish and means "Wand-Elf". To the Dwarves, he was known as Tharkûn, which is Khuzdul for "Staff-man", and his Sindarin name was Mithrandir, which means "grey wanderer". These are just a few examples of his various names and nicknames, but you get the idea.
If you have other characters referring to the Ainu in question, consider which language(s) they would speak and see if a name has already been given to that Ainu in the specific language. Otherwise you can translate one of their existing names or give them a new one based on how you think the culture/group of people whose perspective you're currently writing would view the Ainu. An example to illustrate the latter: On Númenor Mairon was referred to as Zigûr, which means "wizard" in Adûnaic - fitting for a sorcerer.
As for the Ainu(r) character(s) you're writing, consider that they may also need different names in different languages depending on who they interact with. Ainur are omnilingual and will typically introduce themselves according to the language others around them speak. Depending on how open they want to be with their identity, they may simply give a slightly altered version of their name that reflects the other language (for example the Adûnaic version of Melkor is Mulkhêr), translate their name or make up a new one or accept one that was given to them. However, the name they identify with and use in their inner monologue may be a different one*... and this is where we move to the next level.
*Important side note regarding this: While Morgoth and Sauron are commonly used names for Melkor and Mairon, these names were given to them by other people and are intended to be derogatory, so even though it's not always explicit in the text, we can safely assume that they do not self-identify as such and stick to their more "flattering" original names.
Level 2: Quenya
When Ainur are introduced in canon, a Quenya name is usually given as their "real" name. Again, Olórin is an example (one among many) for this.
Having a Quenya name is pretty essential for every Ainu who lives in/has ties to Valinor and can be important for the ones in Middle-earth too depending on the time period and how they self-identify. Be sure to look up the Quenya names of existing Ainur characters and have a Quenya name ready for your OCs, unless they were never in Valinor and explicitly cut themselves off from their kin and culture. Gothmog might be an example for this, being an Ainu who is pretty much exclusively identified with a Sindarin name and seems to at least not object to the usage of his "evil Balrog name"/isn't mentioned to identify with a different name instead. However, even in such a case consider that other Ainur might still remember the character in question by their Quenya name and continue to use it.
Level 3: Valarin
As you probably know already, Valarin is the language of the Ainur that they created when they began taking physical forms. While they still use it among themselves and some Valarin words were adopted into Quenya, the alien and at times unpleasant sound of Valarin prompted them to learn Quenya instead to converse with Elves.
Would the Valarin name be a more "accurate" name of an Ainu, given how it was their first language and they only later translated their names? You could say that, and some authors have chosen to use Valarin names for that reason.
However, the main issue with Valarin is that so little is known about it and it can be intimidating and/or infuriating to even try using it aside from the few known Valarin names, which are:
Aȝūlēz (Aulë) Arōmēz (Oromë) Mānawenūz (Manwë) Oš(o)šai (Ossë) Tulukhastāz (Tulkas) Ullubōz (Ulmo)
Alright, don't panic. Valarin is, at least in my humble opinion, not a must. The texts themselves use Quenya, the Quenya names are a translation of the Valarin names and the Ainur in general are known to self-identify by their Quenya names a lot, for example Mairon liked calling himself "Tar-Mairon".
If this however isn't satisfying to you and you would still prefer to have Valarin names ready for the Ainur you're writing, but can't make much of what little is known (less than 20 words and names respectively), you can still "make up" your own Valarin rendition of the Quenyan names. Here's how:
If you look at the ones I listed above, you may have already noticed that there are strong similarities between the names. Manwë, for example, comes from the Quenya root "man" with the ending "wë", and you can see these elements being present in his Valarin name as well. So I'd suggest you take the Quenya root and simply... make up a name that sounds like it could be proper Valarin (yup, we cheese it). To give you an example I've seen floating around in fanon: Melkor's name comes from the Common Eldarin (common ancestor of all Elven languages) "melek"/"mbelek", which means powerful (root "bel"/"mbel"), and Valarin names people use for him are usually some variant of "(M)Belekorōz".
Level 4: "True Names"?
But wait, some of you may say, didn't you say that the Ainur only invented Valarin when they took physical forms? Yup, I sure did. The Ainur in fact existed before language was even a thing - as spirit beings who communicate telepathically (via good old ósanwë) by nature they don't need it among themselves.
And this why I think not even the Valarin names are technically the "true names" of the Ainur and that they in fact don't have "one true name". Given how the use of ósanwë, especially in an environment like the Timeless Halls where no physical barriers exist, allows them to pretty much project their entire identity, emotional state and being to one another, there should have been no need for names. Rather, they would have "titles" or "descriptors", a sort of summary of who their identity and function. You can arguably see that in Melkor's name still: "He who arises in might".
Now, again, what I'm saying in the paragraph above isn't explicitly spelled out in canon, but rather the conclusion I've come to after researching and thinking about it. I would also advise against giving various Ainur half a sentence as their original "name" for your Timeless Halls fics - I thought about it, but realized it would be both obnoxious to write and unpleasant to read.
[TLDR] To conclude my advice is this: Quenya as the original/default name is completely fine, you can create a Valarin version if you want to and otherwise you may need additional names in other languages depending on the setting and situation, as outlined in level 1. With that being said: Happy writing and character creating!
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cuties-in-codices · 5 months
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Where do you find these manuscripts? Is it like a website or do you find it randomly??
hey, thanks for the curiosity! lenghty answer below the cut :)
1)
medieval manuscripts are typically owned by libraries and showcased on the library's websites. so one thing i do is i randomly browse those digitized manuscript collections (like the collections of the bavarian state library or the bodleian libraries, to name just two), which everybody can do for free without any special access. some digital collections provide more useful tools than others (like search functions, filters, annotations on each manuscript). if they don't, the process of wading through numerous non-illustrated manuscripts before i find an illustrated one at all can be quite tedious.
2)
there are databases which help to navigate the vast sea of manuscripts. the one i couldn't live without personally use the most is called KdIH (Katalog der deutschsprachigen illustrierten Handschriften des Mittelalters). it's a project which aims to list all illustrated medieval manuscripts written in german dialects. the KdIH provides descriptions of the contents of each manuscript (with a focus on the illustrations), and if there's a digital reproduction of a manuscript available anywhere, the KdIH usually links to it. the KdIH is an invaluable tool for me because of its focus on illustrated manuscripts, because of the informations it provides for each manuscript, and because of its useful search function (once you've gotten over the initial confusion of how to navigate the website). the downside is that it includes only german manuscripts, which is one of the main reasons for the over-representation of german manuscripts on my blog (sorry about that).
3)
another important database for german manuscripts in general (i.e. not just illustrated ones) is the handschriftencensus, which catalogues information regarding the entirety of german language manuscripts of the middle ages, and also links to the digital reproductions of each manuscript.
4)
then there are simply considerable snowball effects. if you do even just superficial research on any medieval topic at all (say, if you open the wikipedia article on alchemy), you will inevitably stumble upon mentions of specific illustrated manuscripts. the next step is to simply search for a digital copy of the manuscript in question (this part can sometimes be easier said than done, especially when you're coming from wikipedia). one thing to keep in mind is that a manuscript illustration seldom comes alone - so every hint to any illustration at all is a greatly valuable one (if you do what i do lol). there's always gonna be something interesting in any given illustrated manuscript. (sidenote: one very effective 'cheat code' would be to simply go through all manuscripts that other online hobbyist archivers of manuscript illustrations have gone through before - like @discardingimages on tumblr - but some kind of 'professional pride' detains me from doing so. that's just a kind of stubbornness though. like, i want to find my material more or less on my own, not just the images but also the manuscripts, and i apply arbitrary rules to my search as to what exactly that means.)
5)
whatever tool or strategy i use to find specific illustrated manuscripts-- in the end, one unavoidable step is to actually manually skim through the (digitized) manuscript. i usually have at least a quick look at every single illustrated page, and i download or screenshot everything that is interesting to me. this process can take up to an hour per manuscript.
---
in conclusion, i'd say that finding cool illuminated manuscripts is much simpler than i would have thought before i started this blog. there are so many of them out there and they're basically just 'hidden in plain side', it's really astounding. finding the manuscripts doesn't require special skills, just some basic experience with/knowledge of the tools available. the reason i'm able to post interesting images almost daily is just that i spend a lot of time doing all of this, going through manuscripts, curating this blog, etc. i find a lot of comfort in it, i learn a lot along the way, and i immensely enjoy people's engagement with my posts. so that's that :)
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fizzytoo · 7 months
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i need her so bad or i’ll die
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risingsunresistance · 2 years
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techno ^
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buglaur · 1 year
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