Blink twice if ur being held captive girl

My take on the Dentonic logo/pin from the first Steeplechase heist :)

Im calling it now, scott boldflex is a spy. Not on purpose probably, but u notice how the nanofather immediately shunned them out of the room and also how kenchal showed up RIGHT after that? I sense some trickery with scottttttttt

“i’m not sabotaging you, i’m cleaning up after you.” a kenchal denton playlist as a surprise gift for @lilrubixx

shoehorn with teeth / they might be giants

kiss me, son of god / they might be giants

i don’t care / fall out boy

nice guys finish last / green day

cut the cord / shinedown

material girl / madonna

iv. sweatpants / childish gambino

backstabber / dresden dolls

steeplechase is killing it for me, and i think a good chunk of that is due to the setting specifically. using a functionally infinite themepark as a playspace works out great, because each heist can swing wildly between tones and settings and styles, in a way we haven't really seen since balance. amnesty, graduation, and ethersea were all coherent worlds, and that limited the stories they did in them, tonally, even when each miniarc was theoretically episodic. but steeplechase can go anywhere, be anything, and it's all unified by the megacorp running it all.

So I wanted to design a Dentonic staff uniform for Ustaben. I started off with a few dorkier more theme park based uniforms before landing on a boiler suit as the base uniform. It felt like a quasi oldy timey boiler suit was a perfect representation of a nostalgic uniform and felt like it would be easy for the boys to customise. Emerich would wear it buttoned up all the way to the point of pinning the collar over to one side. Montrose would tie it around his waist and roll it up. I think Beef would just go to absolute town on it making everything cut off. I haven’t fully landed on the Beef in my mind yet so oddly I’ve sort of settled on his style before his face.

I used one of Kyle Petchock’s sketches as a body base:

Thank you @dunkleosteusshit and all the other Steepies who allowed us at DENTONIC™️®️©️ to reach 10 reblogs! 🎊 Never Know When to Stop Dreaming Everyone 🎊

“I ♡ trans goths”

Denton, Texas, USA

The Best Ever Death Metal Band in Denton

This comic was done for a school assignment. It’s a couple years old now, but it’s still one of my favorite things I’ve made, and I have the lyrics of this song permanently burned into my brain because of it.

Krystal with a K disney adult moments

Can’t believe Little Shop of Horrors 1986 made sure that Audrey II came to Earth on Bi Visibility Day.

This is your reminder that every single Little Shop of Horrors character is bisexual. This is canon.

A Moog synthesizer and assorted gizmos in the Electronic Music Center Studio at North Texas State University (now University of North Texas), date unknown.

IAN SOMERHALDER The Rules of Attraction (2002)

i've thought about this a lot and if i had to explain recorded sound to a ghost or a time traveler or an alien i would play them the recording of california song from this tmg show. the quiet simplicity. the person in the audience who shouts "i love you". the way after two lines, john leaves his mic and all you hear is the crowd, but it's small enough that you can pick out individual voices. the person with high voice who hits every note and you can hear their smile. the way the quiet of the first verse turns into a emphatic chant of "i've got joy, joy, joy in my soul tonight". the guy who sings the song the regular way while the rest of the crowd holds a note, and ends up being the only person singing in the audience for a moment. the way the john and the crowd keep singing "you really got a hold on me" until it's just peter's bass and everyone snapping along. the little improvised lines john sings before he says "thank you very much" and the crowd erupts. humanity at its absolute finest for real