FROM NY DOLLS-LOOKING REJECTS TO FULL-ON THRASHING PUNK ROCKERS.
PIC(S) INFO: L to R: Spotlight on long-hairs Jimmy Zero, Stiv Bators, Johnny Blitz (drums), and Cheetah Chrome of the DEAD BOYS (sans Jeff Magmum) performing live at CBGB, NYC, c. 1976? 📸: Roberta Bayley.
PIC #2: Long-hairs no longer -- The DEAD BOYS performing at CBGB, NYC, on April 7, 1977. 📸: Ebet Roberts.
Sources: https://twitter.com/PunkRockStory/status/1528558398157070342/photo/1 and
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Enquanto isso no sketchbook... No último dia 4 completou 32 anos que Stiv Bators, icônico vocalista da banda Dead Boys morreu. Lembro de como meus amigos e eu piramos quando conhecemos os Dead Boys no fim dos anos 90, através de seu disco de estréia Young, Loud and Snotty. Um de nós comprou o CD e vivíamos roubando ele um dos outros até que finalmente o disco sumiu. Dead Boys era a transição perfeita do Glam Rock para o punk rock. E era muito foda ao vivo. Na Minha opinião, os Dead Boys eram melhores do que sua banda irmã mais velha, os Ramones. Quem duvida basta assistir um show inteiro com ótima qualidade que alguma boa alma colocou no YouTube. O som dos caras era tão bom que seriam uma das primeiras bandas do CBGB'S a conseguir um empresário e um contrato. O problema era que os caras eram muito loucos de verdade e implodiram a banda em meio a muitas histórias cabulosas envolvendo drogas, tretas, acidentes, boquetes e tentativas de suicídio no palco. Então por que Stiv Bators nāo é tão conhecido como Iggy Pop, Lou Reed ou mesmo o paspalho do Sid Vicious? Vai saber... O fato é que apesar de doidão, ou talvez por isso, Bators era um artista inquieto e tudo que fez na música, fez bem feito. Desde quando adicionou elementos de power pop em seus maravilhosos álbuns solo até quando enveredou pelo gótico com o Lords of the New Church. A morte de Stiv Bators aos 40 anos na França, sempre aparece nas listas das mortes mais estranhas/ridículas da música. Contam que o músico tava bem louco bundando por aí e foi atropelado. Chegando no hospital, nāo teve paciência de esperar pelos procedimentos médicos e caiu fora. Nāo tava sentindo nada mesmo. Chegou em casa e morreu enquanto dormia por conta de um traumatismo. Até hoje, sempre que eu fujo de um hospital, eu falo pra mim mesmo: Foda-se! Vou meter o Stiv Bators! . . . . #dablioc #ignobil #sketchbook #cadernoderascunhos #punkrock #protopunk #deadboys #stivbators #lordsofthenewchurch #punk #fanzine #zine #frontman #nanquim #nankin #rocknroll #cbgbs https://www.instagram.com/p/CehufryNzDc/?igshid=NGJjMDIxMWI=
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What Cyberpunk DeadBoy Means and What it's Potentially Foreshadowing (aka very complicated analysis that makes a lot of sense and could happen depending on how colorpalet is feeling while writing the story)
Now I'm seeing so many people like running around wondering what this event could mean for the future for multiple reasons and like I've made like one post throwing my hat into the ring.
I've been frustrated with people's unwillingness to realise that this comm is prob foreshadowing because this is not the first time Colorpalet has hidden foreshadowing into comms weither subtely or not
Exemple's being :
-Akito's second comm foreshadowing his third event
-Lower's cover art literally foreshadowing what would happen to Mafuyu's phone in her event
-88 vocals being emurui and nenekasa foreshadowing the kind of dynamic the disbandement arc had with nenekasa wanting to move forward with emurui being scared of isolation
-Probably way better exemples that I forgot
I've seen people make Some assumptions which I don't agree with but there is one thing I think is true
There is 100 pourcent gonna be struggle between corporation/reality and WxS.
Purely because that's been WxS's entire theme since the beginning. They constantly bash you over the head with the theme of compromising with reality and the importance of dreams. In fact the pick of Maiki-P is not at all surprising as he basically has the same message WxS has just... well harsher.
The Big thing people have ignored however is by focusing on the lyrics, they've ignored something that's personally to me even more telling and that's the line distribution
We know for a fact colorpalet loves to mess around with line distribution, weither it's to make characters say lines that fit them or to kind of foreshadow their headspace.
Now something Big happens with the line distribution of Cyberpunk Deadboy that i've seen NO ONE notice and that's in the last chorus (that and also Tsukasa's lines which people have pointed out but it works less on it's own which is why I'm gonna analyse his lines afterwards).
This is the only time the chorus is like that, the others have a much more even distribution.
In fact the distribution choice makes it look like the rest of WxS is Talking to Rui.
It's even more evident considering the lines they chose to make WxS sing compared to only just Rui
Emu/Tsukasa/Nene saying kimi (you)
Rui saying boku (i)
Which honestly makes me think this is colorpalet foreshadowing some kind of issue reguarding specifically Rui. Remember Emu's second event ? The story of Rilley whose imagination was crippled by the industry to the point where he didn't really have any artistic vision until Emu's grandpa helped him.
In fact remember how the flashback that showcases that has Rilley working on a film
Now we get to Tsukasa's line which have been pointed out to be kind of sus but it's not just his lines.
Tsukasa refuses to sing with Rui (unless it's a line they all sing together but i consider those exceptions). In fact pretty much everyone has a duo line with each other except those two.
In fact in the section where Rui has duo lines with everybody, Tsukasa is the only one he doesnt sing with and the visuals make it clear that it's something that we're supposed to find strange
And then we of course have Tsukasa's solo lines
Tsukasa is the only one that say "fuzakeruna" outside of Rui (of course ignoring entire group WxS lines) and i've seen some people pointed out how it sounds like he's saying it in response to Rui's lines. Which I agree with.
Then we got his big boy solo lines
These lines will make more sense with my theory/analysis but right now if we go with the idea that WxS in the last chorus were speaking to Rui and Tsukasa in this comm refuses to sing with Rui then this implies those lines are Tsukasa speaking to Rui.
And this is where the insanity begins because people have pointed out a concerning trend with Ruikasa that I know some people use for shipping fuel but for me kinda feels more so like foreshadowing.
IGNORING all the ARG ass weirdness of the Fixer 2dmv, this choice to switch Ruikasa's colors have to mean something in my opinion outside of just wholesome shipping influence especially considering the two songs they do this are less than jovial.
What this kind of color switching signifies to me is that, Ruikasa somehow are/or will switch places.
And with that let me bring back Tsukasa's lines
These lines stand out because Tsukasa before remembering his dreams was extremely shallow only doing things for fame and probably the money that would come with it.
Now if you think about everything I've layed out I think you can gain a pretty clear picture.
Of Rui falling into the trap Rilley did, becoming jaded and losing the true motivation of his dream (or at least starting to have doubts). Becoming stuck with the struggle of managing dreams and reality.
Rui's costume even has a mask which can be a metaphor for his artistic voice and individuality being silenced .
Which now you get into the line distribution where WxS is implied to be talking to Rui.
And you get to Tsukasa, who is refusing to sing with Rui and in fact seems to be arguing with Rui if we really want to overthink it. In fact almost switching their roles from the main story.
Because Tsukasa has grown now and how else to show that growth than to switch Rui and Tsukasa's perspectives/roles.
Now how this would happen really depends since there are multiple ways they can go about it with the time they have.
There is obviously mystery dude dude (who i know now is sakaki) who still gives me bad vibes. However there is actually two way they can make mystery dude trigger this sort of plot :
-Mystery dude is malicious and actively manipulates/confronts Rui to make him rethink his worldview
-Mystery dude isn't malicious but instead is just jaded/has been through a lot of industry bullshit which ends up rubbing off on Rui accidentally
But you can even just not have mystery dude involved with this at all (which i doubt but still) because you know what loose plotpoint is still lingering over WxS, fucking Asahi
Rui still has not talked about Asahi to WxS, in fact Curtain Call ends on an explicit cliffhanger which is never really emotionally concluded (at least in Rui's own events, technically the arc ender did but there are still a lot of loose threads from that arc). Why would Colorpalet make Asahi come back after Rui graduates, they could've just had him disappear into the sunset but instead they hint at his potential comeback.
Unless Rui will be forced to again confront similar feelings he did during Curtain Call this time with possibly an added layer of whatever happens during WxS's freelance arc.
Anyways yeah this is overly complicated but then again colorpalet is not being easy with us so...yeah.
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deadboy / boydead:
a gender that is a boy but in a dead, deceased way! (flag 1)
deadgirl / girldead:
a gender that is a girl but in a dead, deceased way! (flag 2)
[flag ID: 2 images. image 1: a 7-striped flag. the colors in order from the top are navy, green, tan, bluish white, tan, green, and navy. image 2: another 7-striped flag. the colors in order from the top are maroon, green, tan, pinkish white, tan, green, and maroon. end ID]
term & flags - strawb
req by - no one
Originally posted by orxngecrxsh, now inaccessible after their blog was terminated. Reposting for archival. Definitions recovered from drafts, flags recovered from reposts on tumblr and pinterest.
Additional comments from orxngecrxsh about the terms under the cut, also recovered from drafts:
to the blog in replies asking about what it feels like to be a deadboy- i id as one, and to me it feels like the boy part of me used to be there but have since died. its still there like a ghost but like.. dead? when strawb made this term, though, there were a lot of different experiences kitty was trying to encompass. it’s purposefully broad/vague! some of those include:
my experience ofc feeling like the boy part of you gender has died and lingers as a ghost but is still dead
a gender that was a boy, but has now died and moved onto another gender or no gender at all
a gender that is both masc and related to death / being dead / etc
etc etc! its really whatever you want it to be. anyone who feels like their gender is deadboy can id as it yk?
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WxS Heely Hcs:
Tsukasa: Uses them to enter dramatically and skated around the hospital to entertain Saki. Also a total klutz and falls if he uses them for more than five minutes.
Emu: Heelys EVERYWHERE. She can somehow climb fences and do flips in them. She goes zoooom. Like she goes full speed and the teachers just struggle to keep up.
Nene: Given Heelys by Rui, and barely uses them. She does not have Rui and Emu's Heely skill. She will use them in arcades and to navigate crowds faster.
Rui: Same as Emu, always wearing them. He can do tricks and uses them to glide around school. Also fashion. He loves sneaking up on people with them.
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ANTI-HIPPIE MUSIC FOR THE SUPER-SEVENTIES -- ON SIRE RECORDS.
"Hippies just sit around and smoke dope. If I see someone like that in an audience, I'll jump out and kick him. You got to be alive, man."
-- STIV BATORS (1949-1990)
PIC INFO: Spotlight on a 1978 record ad for the DEAD BOYS debut album, "Young, Loud, and Snotty," originally released under the Sire record label in October, 1977.
"In 1978, rock 'n' roll is alive and kicking hard in the capable hands of Stiv Bators, Jimmy Zero, Cheetah Chrome, Jeff Magnum, and Johnny Blitz."
-- SIRE/WARNER BROS. RECORDS, c. 1978
Source: eBay.
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