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#dead body warning
askthedaycareshow · 2 years
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I offer Bloodmoon a fresh human. Don’t ask where I got them.
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hey alice want some?-bloodmoon
no thanks bud i-i'm good-alice
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scorchrend · 10 months
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how do i even tag this
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thebramblewood · 7 months
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An Ill-Fated Afterparty: Part II
Previous / Next
Lilith: Goodness, I feel so exposed now.
Helena: Oh, don't play shy all of a sudden.
Lilith: It'd help if we got you out of that dress. Now... where did we leave off?
Helena: Oh, we're going straight for the neck. You're really committed to this vampire shtick, huh? And I'm weirdly kind of... into it? [laughs nervously] Lilith, I think that's enough. You might actually be drawing blood. [attempts to pull away] Give it a rest now, okay? I said stop, Lilith! LILITH, STOP! Lilith?...
Lilith: Helena? Wake up, Helena! Shit! Fuck! No, no, no! Not now! Not yet! Oh, god, what have I done? CALEB!!!
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harleybird · 10 days
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You are the steps you take / You and you, and that's the only way / Shake, shake yourself / You're every move you make
So the story goes Owner of a lonely heart Owner of a lonely heart
Dead Boy Detectives | The Case of the Devlin House
Bonus cats:
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"If the time comes when I really become a zombie... let's go to the pool together, okay?"
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“What if we make two men who hate each other and an unfortunate rich boy travel across the RDR2 map while avoiding an apocalypse-level monster invasion?” - Doeiika, at some point.
Go read The World by @doeiika / SourApplechips on AO3.
Under the cut is art involving blood / gore… also a brief reference to Blood Under The Snow by Amras.
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To be the protagonist is to be changed (physically and or mentally).
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twynte · 1 year
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The way Hikaru ga Shinda Natsu is a gay allegory with gay people!!!
Like,,, with Hikaru and his “otherness”, the body-horror, the strong desire to belong. It’s layered. Hikaru (and possibly Yoshiki?) are queer and yet that’s hardly on their radar, hardly something they’re trying to hide (possibly they haven’t even realized it themselves). What they’re really worried abt is people finding out about Hikaru’s.. situation. There’s naivety to it. They’re only focused on what’s in front of their faces.
Mokumoku uses Hikaru’s possession as a means to illustrate the uncomfortable situations and fears that most queer ppl experience at least once without having to directly tie the situations to the queer community. His queerness and his hauntings are separate, and yet they run parallel.
Where there is creeping dread there are two boys trying to hide an extreme monstrosity from their small town…
Some notable scenes in which i am referring to:
1. When Hikaru was overwhelmed with the fear of Asako asking him “Just what are you?”. The manga panel that follows where Hikaru’s features are covered by his obsessive thought “how does she know”. —Hikaru’s fear of being found out, called out
2. The notion of the hauntings spreading, the town “growing strange”.
3. Hikaru and Yoshiki visiting the summer festival, where Yoshiki can pass under the arch while Himaru cannot. —Having to hide yourself while surround by strangers. Trying to keep yourself safe.
4. Again at the festival when they’re sitting on the ground with shaved ice and Hikaru is pleased that Yoshiki doesn’t recognize him as Hikaru. “It’s because you know I’m not the real Hikaru”…
5. The dragonfly scene where Yoshiki is explaining the slight difference in dragonflies. “Natsuakane and Akiakane look pretty much the same, but they’re entirely different species”. —An obvious jab at Hikaru’s possession, and further, a homophobic sentiment.
6. After becoming more Familiar with Hikaru, Yoshiki transitions from calling him an ‘it’ to a ‘he’.
etcetera etcetera . . .
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homerjacksons · 1 month
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RIPPER STREET SERIES 4
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buttercupart · 10 months
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* there seems to have been a miscommunication
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spidori · 3 months
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Doctor Danny Fenton: On The Run
Danny knew he was on borrowed time.
Sure, he was harder for Clockwork to find than most- something about it being harder to look for an acausal nexus than a causal one, and the medallion fused into his core severing him from standard causal flow, Dan had explained it to him once, before he... no! Focus Danny! You don't know how long you have until he finds you!
Dragging himself out of his dissociation, Danny took stock. He still had the Infinimap in one hand; it was still green and dripping from something he couldn't afford to think about right now. Where and when had the Infinimap interpreted his shout of "a way to run away" as asking to travel to?
"Dann'O! You're just in time to see our newest upgrades to the speeder!"
"Uhhh... You made it look like a Volkswagen beetle?”
"Oh, Sweetie, no. See!" his mom said, opening up a control panel and poking around, then stepping away from what was now a cargo van.
"Your father and I finally figured out how to fuse ectoplasm with metals to make ecto-alloy! We rebuilt the speeder from it and added a camouflage circuit. Now it can change shape into whatever will blend into the surrounding environment for any ghost hunting scenario."
"And the best part is, it even gives off an ecto-signature! Those spooks won't know what hit 'em when you ambush 'em from this one Mads!"
A transforming vehicle with its own ecto-signature to hide inside? Yeah, that might work, even though Danny remembered the camouflage feature had been a short-lived modification because of how often it would get stuck and have to be put through a hard-reset to get it changing again. And judging by the way the Infinimap was subtly tugging towards the improved speeder that's exactly what it brought him here for.
"Mom, Dad, whatever happens next, I love you, and I'm sorry."
"Danny, sweetie, is something wrong?"
"More than I have time to explain, mom. Look, if you see Jazz... If this timeline... Just, tell Jazz I love her too, ok?"
"Dann'o, you're scaring us."
"I know. I'm sorry. Hopefully you'll have the chance to be able to forgive me for this. Going Ghost!"
Ok. He had made it into the speeder. The new metal wasn't phase-proof, there were pros and cons to that, ones he would consider later if he made it that far. At least the interior was pretty much unchanged, so he'd been able to get the speeder started before he'd heard the sound of a clock tolling and his parents' banging on the door had suddenly stopped.
He'd gunned it into the portal quickly enough to get into the relative safety of the zone before its stop sign frame and hazard pattern doors dissolved into obliterated nothingness along with everything else he had been able to see, or sense, of his home dimension...
Something else to be stuffed in the trauma box to be unpacked never if he was ever able to stop running 'later,' something to unpack 'later.'
The tugging in his hand was getting stronger, so at least he was probably heading in roughly the right direction.
He tried veering a little to the right to see if he could get a better sense for the direction the map was tugging, only for its pull to remain unchanged.
Confused, Danny glanced down to see it was actually tugging towards the dashboard.
Or rather, the ectoplasm- all that remained of Dani... 'LATER!'- which coated it was tugging towards the dashboard.
Desperately hoping this meant there might be something of his favorite halfa left to save, Danny pressed the coated map to the dashboard, and prayed.
Within seconds, the map was gone, absorbed into the speeder. Then things got even weirder.
Weirder than the group of ancients putting aside their many feuds to team up on him had been.
Stranger than those ancients somehow getting the Observants on their side.
More out of the blue than the Observants using their binding vow with Clockwork to force him to try to eliminate any timelines with Danny in them, as well as anyone who was even part Danny.
It had been a hell of a day.
And now the speeder had apparently grown absolutely gigantic after absorbing the Infinimap if the anachrofuturistic room Danny suddenly found himself in was anything to go by.
And according to the view screens it was generating a relativistic time, space, and dimensional tunnel?
Oh Lord. Danny was going to have quite the time explaining this one to his parents if he managed to undo enough of this to have a timeline to return to.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The tunnel let out in a universe with low-to-minimal ambient ectoplasm according to the external sensor arrays.
That phrasing! That was Exactly how Clockwork had phrased it the last time Danny had talked with him as 'Clockwork'; after the Observants took control of him with their vow he had called himself Chrona, which was the first thing which clued Danny in that something was wrong.
What was it Clockwork had told him?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
"Local ambient ectoplasm levels are an important consideration for stronger ghosts, Danny. Your perception is skewed by the limits of your experiences, as well as your unique biology, but Amity park and the Infinite Realms as a whole are essentially the top of the scale for ambient ectoplasm levels.
Normally, ectoplasm is a renewable, but much more finite resource. A sufficiently powerful ghost can easily consume all that is available in an area with a normal level before they are able to accomplish anything worth the effort if they aren't extremely frugal with their use of power. Normally, it makes any plans which would involve other realms simply not worth the effort and energy expenditure involved, especially with the additional up-front cost of breaching the veil.
There are even locations with low-to-minimal ambient ectoplasm, which makes them practically immune to ghostly influence. Only the very weakest of shades, ones who require next to no ectoplasm to maintain their current state of existence, can naturally persist in such places. Well, them, and extremely rare exceptions such as Halfa's, whose unique state of existence allows them to generate nearly all of the ectoplasm required to sustain their ghostly half. Any other ghosts would have to gather all of the ectoplasm they would need before going to any such spot, like how the astronauts you love so much need to bring everything for survival with them into deep space.
Actually, the deep space metaphor is particularly apt, as there are whole dimensions with far lower levels of ectoplasm than the one you call home.
Should you ever find yourself able to indulge that space obsession of yours, that would be a good place to do it. Most ghosts would be unable to follow you there, and even those who technically could would have great difficulty sustaining themselves once they arived."
"Geez, Gramps, you're feeling talkative today. Usually I can't get anything nearly this direct out of you."
"It will be important for you to understand your options, my young halfa. Speaking of which, keep in mind that your specific nature is vital to your ability to so easily sustain yourself in such environments. Even other halfas will have much more difficulty surviving in the lowest ecto-level locations as a result of their less balanced compositions. I know your young mirror's obsession also involves exploration, but she would require near constant fulfillment of her obsessions to have a hope of generating enough to get by without supplementation for you or another living being with a similar drive to seek new experiences. Mr. Masters would be better off due to his greater degree of human biology, but would also be hindered by the less complete connection to his ghost side. He would likely find transformation essentially impossible outside of survival scenarios- though you yourself probably would as well- and even his human form would experience side-effects like pounding headaches, or the constant sound of his heart pounding in his ears like a drum as it was pushed to maintain his starving ghostly side."
"I'm sure Dani and I could manage. And if we couldn't, we could always call you to pick us up."
"Untrue, actually. Any location with low enough levels to cause young Danielle to suffer would also be extremely difficult for me to reach. Such low levels could require anywhere from days to centuries in order to push enough ectoplasm through the veil to form a link, possibly more if an entity- such as an injured halfa- or anomaly- such as a rift of any kind- on the other side is draining whatever bleeds through. Your own presence may act to shorten that time somewhat if you can generate enough ectoplasm on site, but even then I would have to find you first. My abilities as an ectoplasmic entity rely wholly on manipulation of ectoplasm, and that includes my near omniscience. Should you ever find yourself in a location with sufficiently low ectoplasm, I would have a great deal of difficulty locating you; the link between our cores would mean that I would always be able to locate you eventually, but you would need to stay in one place for quite a while, which would rather defeat the purpose of emergency rescue."
"So if I ever need to hide from you because I actually manage to pull a prank on you which you don't see coming, all I have to do is find and then literally flee to one of a very select subset of alternate dimensions?"
"Pretty much. Although if you're hiding from me you would want to actively muddy the waters as well."
"Setting aside that I don't think I'd ever want to hide from you, Gramps, muddy the waters?"
"I'm a conceptual entity, Danny. I anchor to that concept in every single reality in which it exists. If the concept of time is sufficiently redirected to something or someone else to any degree, whatever portion has been redirected is therefore unavailable for me to latch onto. The same idea applies to Nocturn not being able to enter the DC Dimension because of their Dream of the Endless. Meanwhile, Pandora could enter almost at a whim if not for her guard duties, because that universe associates hope with her almost directly. In my case, anything strongly associated with the flow and concept of time could hinder me, while spreading my own name would allow me a greater share of any ectoplasm generated by the dimension.
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Ok.
Danny could work with this.
He would have to keep traveling so that Clockwork- no, it was Chrona now- couldn't lock onto him or Dani-fused-to-the-dimensionally-traveling-speeder (He would have to workshop that).
If possible, he would also have to find a way to make a myth associated with time in an abnormal manner; the question was how to do that?
And he would need to do all of this while expending as little of his ectoplasm as possible, and probably supplementing Dani's whenever he could if she was ever going to have any chance of reconstituting.
He could definitely work with this; he refused to accept otherwise.
Maybe his parents had left some things he could use in the speeder before they were- 'Later!'
Hmm... No tools lying around... There was the weapons locker, but he should probably use whatever was in those ecto-batteries immediately so they wouldn't act as some kind of concentrated-ecto-homing-beacon. Maybe they could help Dani heal?
As he brought the disconnected batteries to the console in the center of the room, he saw it. There, sticking out of one of the panels which would probably have originally been the cup-holder in the center console before everything was transformed, was his dad's favorite 'screwdriver.' Not that it was even remotely recognizable as a screwdriver anymore; his dad had modified it so many times that it looked more like a futuristic laser pointer now. It had become his favorite hobby project before he was- 'LATER!'
He recognized this one as the version which required next to no ectoplasm to work, but as a trade-off had been completely unable to interact with wood for some reason. Something about still partially living matter and destructive interference with foreign emotional resonance as a naturally evolving survival mechanism in- Ramble 'later', focus on surviving now.
And Danny was actually starting to feel like he could find a way to survive with what he had. It was like his dad had always said about the screwdriver.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
"See how many things it can do now, Dann'O! If I had tried to turn it into this version from the start it never would have worked; I would have gotten frustrated and had to move onto some other project for the sake of my sanity, and our house's walls. But since I took it one small change at a time, look at what I've been able to turn it into.
Incremental change, son! It's how any real change happens. If you want to accomplish something big, you try to choose the things which you think will lead towards wherever you want to end up, especially when they won't get you all the way there, big easy changes like that almost never stick for one reason or another. Over time those small steps add up, and you end up somewhere a lot better than where you started. So, what do you think you can do to apply that to working on your grades?"
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Yeah, Danny could start to do something with what he had. He was still half alive, and could keep himself that way as long as he never stopped running long enough for Chrona to find and catch up to him. He had a Time and Dimensional and Relativistic Space ship (still not quite right, but better) with Dani fused into it to help him do just that. And he had his dad's screwdriver and advice.
So where should he start?
Well, if he wanted to build a myth, and to fulfill his obsessions wherever possible, protecting people while exploring all of time and space was probably as good a way as any. A time-traveling madman with an ever-changing camouflaged space-ship and a 'screwdriver', just passing through, helping out, was sure to get some attention.
It just needed a name to really give people something to latch onto.
He had just gotten his doctorate in engineering before everything went to hell, but as much as he'd like to use Dr. Fenton, that was just laying down a trail and begging Chrona to follow. His real name would probably have to be a closely guarded secret; the title was good though, so instead, he would just call himself
The Doctor.
Now, where should he run to next?
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800db-cloud · 1 year
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hey. are you normal; about the old sugary spire lore :)
oh heavens no. oh absolutely not.
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nijuukoo · 1 year
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I left you both to die in this apartment, didn't I?
Stills
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Read Blind Man's Bluff
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enstars-syndrome · 19 days
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i drew a scene from one of @silentstaresfanficandfanart's fics hehe
reminds me how much i love horror
i wanna draw more horror
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thebramblewood · 7 months
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An Ill-Fated Afterparty: Part III
Previous / Next
Lilith: [frantically] CALEB!!!
Caleb: [mutters] This isn't your problem, Caleb. Do not get involved. Do not get involved. Do not-
Lilith: [hysterically] CALEB!!!
Caleb: Damn it.
-
Caleb: Jesus Christ, Lilith.
Lilith: I didn't mean to do it, I swear!
Caleb: You always go too far.
Lilith: It was an accident!
Caleb: Well, maybe if you exercised even a sliver of self-control-
Lilith: You can lecture me later, Caleb. Fix her!
Caleb: Look at her, Lil. She's beyond repair.
Lilith: Then turn her!
Caleb: It’s far too late for-
Lilith: Please try. It was a moment of weakness. Is that what you want to hear? I'm weak and you're strong and I need your help! I'll get on my knees and beg if I must!
Caleb: [sighs heavily] Just get out of my way.
-
Caleb: I’m sorry, Lilith. I think she’s too far gone.
Lilith: Then get rid of her.
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transitcowboy · 1 year
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Bloody Party Streamers. I don't want to look at it anymore so it's done.
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ehlnofay · 6 months
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It’s not until she hears Sissel’s knees hit the floor that Efri is jolted back into her body.
She blinks, whipping her head around. Sissel is kneeling, bracing a palm on the ancient stone pavement, at the barrier – no, the barrier’s gone, it’s just Sissel on the floor. She lifts her head and meets Efri’s eyes; her hair is wispy and wild, the little plaits meant to keep it neat come loose and tumbling, her eyes wide. The barrier's gone, but still, her pale face is lit up blue.
“Are you okay?” she asks. She doesn’t speak loudly, but it echoes in the great stone chamber.
Nine, Efri doesn’t know.
She blinks again, looks down at her hands, clinging to the metal stick so fiercely that her joints ache. (Her own stick, her nice wooden one, is still on the floor somewhere, where it slipped out of her grasp when she hit the wall.) The lumpy heavy end of it, the clobbering end, is still resting on –
Not on. It’s in the thing’s head, fitted neatly in the opening of its dented helmet, the horns spiralling over the floor. There’s a tooth, perfectly preserved, by Efri’s foot.
One by one, she unwraps her gloved fingers from the handle of the metal stick, letting it drop to the floor with a clang so loud it makes her wince. Kazari is nosing at her side. (When did they let go of it? When did they get so close? She must have missed that. She feels out of the loop. Her heart is juddering like fish on a line, battering like some frightened trapped thing at her ribcage, and her breath is coming fast and heavy.) Absentmindedly bringing up a hand to press over her sore shoulder, she says, “’M fine. Not too – barely touched me.”
Kazari turns and spits on the floor. Efri blinks. She does it again, tongue lolling out of her mouth, face very disgruntled – and oh, Efri gets it. She does not glance down at the thing at her feet; she doesn’t need to, she knows what its arm looks like, chewed almost to pieces even through its banded armour. (If she hadn’t been so busy being scared of it, that sight might have made her a bit scared of Kazari. But not now, when they’re trying to hack and spit the taste of dead man arm out of their mouth.)
Efri unclips her canteen from her belt and holds it out. “Here,” she says. Her voice is rough. Her heart is racing too much to let constructing sentences be easy. “Not much, but –”
Kazari stands still while Efri tips half of the remaining water onto her tongue, and then Efri watches her swilling it around in her mouth, trying to bathe all of her teeth in it, before she spits it again on the floor at the dead thing’s feet.
The water is still clear. That’s something, at least; the dead man was too old to still have blood in him. Or maybe he was embalmed, drained of it hundreds of years ago, thousands.
“Are you okay?” Efri asks Kazari when they’re done, because they were the one doing most of the fighting, who was closest. They tip their head, shift their weight – wince when they put weight on one foot. Their lips peel back from their teeth. Their clothes on that side are singed.
Efri points it out. “Your robe,” she says, which makes it sound much fancier than it is. She’s too tired to think of a better word. She rubs a hand over her face, pushing the hair back over her forehead, says, “I’ll reinforce it for you when we get out.”
Kazari noses at Efri’s shoulder – the shredded fabric of her dress, the fraying edges stained with blood. Efri says, “I know. I’ll have to sew that up too.” Over her shoulder, she calls, “Kazari’s leg’s hurt, I think.”
“There’s blood on you,” Sissel replies. She peels her hand off the floor and leans back on her heels.
Efri touches her shoulder again. “’S fine,” she says. “Just a scrape. The blood’s drying already.”
It’s really sore, actually – the flesh abraded and tender, an ache sinking deep into the muscle – but it’s normal sore, the kind of sore you really should be after being thrown into a wall. It doesn’t feel sprained or dislocated or anything like that.  Just like it will be bruised a whole rainbow of colours come tomorrow.
Kazari noses at it again. She leans too far forward and falters on her maybe-hurt leg – rights herself, wincing, and rolls her shoulder. It gleams, just for a moment, and she nearly stumbles again. Efri puts out a hand to steady her. (It doesn’t really accomplish anything – Efri’s strong, but she’s not that strong – but it’s the principle of it.) “What was that spell?”
“Pain relief,” Sissel says from behind her. “I think. Doesn’t actually fix anything, but.”
“You’ll be okay ‘til we find someone?” Efri asks, and Kazari nods. She presses a hand against their shoulder and nods back.
They both turn to look at Sissel, then, who’s just kneeling on the floor, sitting on her heels.
“You all right?” Efri asks her.
“All right,” Sissel confirms. She doesn’t look at them. “Didn’t even come near me.”
She’s staring.
Efri crosses the floor to stand with her. (She needs to lean on Kazari – her legs are too wobbly, and she doesn’t want to touch the dead thing’s stick, doesn’t want to look for her own. Kazari limps a little on their sore front leg.) There’s a moment of total, humming silence – all of them still and staring, necks craned back, looking up at the thing.
Whatever it is.
It’s a ball. Big and blue and shimmering, it floats above a wide crystalline dish set into the floor, spinning on an axis. Just spinning and spinning and spinning, endless motion. Its smooth surface is cut through with dark wavering lines, etched with lettering, and it doesn’t quite glow but it doesn’t not glow, either, the light moving across it silkily, like clouds in a blue sky. It looks like something that should be humming – a low pitch in their ears, an eerie shiver dancing over their skin – but it’s silent. Inert, maybe, but for the spinning.
“What is it?” Efri asks. Her voice cracks as she speaks. She looks down at Sissel’s face, staring as though mesmerised, illuminated by the room’s dim lighting – the fires that should not still be burning down here, the luminous not-glow of the ball.
Sissel says, “I don’t know. Something important.”
Hovering above the dish, it spins, and spins, and spins.
“Is it what the ghost was talking about?” Efri asks. She tilts her head and squints at it. It doesn’t – well, it looks strange and unearthly and powerful, but it isn’t doing anything. And it hadn’t been clear what the ghost was talking about, exactly, according to Sissel, just that it was something important – but what else could it be?
Sissel, still watching it, shrugs. “I don’t know,” she says. “I think so.”
Efri watches it with her, brushing a bit more hair out of her face. It’s sticking to her sweaty forehead. She feels a drip of not-dry blood running down her arm under her sleeve.
Kazari is staring at it too – just as confounded as the rest of them. Efri sees the light in their irises shifting as the ball spins.
They’re not learning anything from staring, the ball staying strange and mysterious as ever, so Efri raps her knuckles against her sternum to steady her breathing (it’s slowed a bit – not normal, but closer to it) and climbs up onto the stone rimming of the dish. Kazari, behind her, lows in consternation; Sissel catches her breath, a noise like a creaking door. “Careful,” she says.
“Promise,” Efri replies, and places her feet very, very carefully on the glassy blue flooring. Nothing happens. She doesn’t step on the dark curved lines as she treads toward the ball in the centre, slow and wary as if she were approaching a skittish animal. Nothing happens.
She reaches out, and, with just the tips of her fingers, she grazes the ball’s surface.
Nothing happens.
It’s cool to the touch, and smooth, like polished metal or not-frozen ice or delicate glasswork. It continues to spin gently under her fingers, warming her glove with friction, no smudges left on its clouded face.
 It really feels like there should at least be a tingle running up her arm, a strange and unfamiliar current, a spark. But it’s just Efri, standing with an arm outstretched, pressing her hand to a ball.
“It’s not doing anything,” she reports, and Sissel clambers up onto the dish with her, fitting her palm to its gently hovering underside. Kazari balks, begins pacing agitatedly. Efri frowns. “Why isn’t it doing anything? Shouldn’t it be doing something?”
“It’s important,” Sissel says definitively. There’s ancient dust on her fingers, but none of it seems to transfer. “It’s something really special, I think.”
Efri shifts restlessly. She shifts her grip and tries to grab onto the dark ridged curves ringing its surface, but they slip easily away from her grasp as though her touch was no barrier at all. “But what does it do?”
Sissel shrugs.
Behind them, Kazari lows.
Efri drops her hand and grabs Sissel’s wrist. “C’mon,” she says, and when Sissel frowns at her, “We’re not going to learn anything about it this way. We have to look for clues!”
Kazari makes a more impatient noise. (Efri thinks she found a clue.)
Sissel gives the ball one last searching look and lets Efri tug her away, off the weird blue dish and down to where Kazari stands on the stone floor, at the head of the table where the dead man sat. Efri sniffs loudly and tries not to think about it too much. The table is smooth polished stone, worn a little away with time; Efri trails a gloved finger over the edge and directs her attention to where Kazari points with their chin.
There’s something carved into the surface, the edges blunted and shapes softened by however many years it must have been since it was put there. Efri squints, trying to make it out. She has to stand right up on her tiptoes to get the right angle to see much of it in full.
“That’s not letters,” she says eventually, frowning. She’s pretty sure she knows her alphabet well enough by now to know that. “Is it magic?”
Sissel shakes her head. “I don’t know what it is. It’s not like magical writing I’ve ever seen.”
Efri looks at Kazari, who also shakes her head. “Maybe it’s a different sort of lettering,” she theorises. It must have been written a long time ago, if it’s from back when the city had people. Onmund’s been reading all about it for ages, and he’s told her a bit – Saarthal was the city of Atmorans, populated by proto-Nordic people. All complicated history stuff. But they weren’t quite the same as Nords today, he said, so it stands to reason they had different writing, too. They’re supposed to be uncovering and cataloguing artifacts (at the thought, Efri glances back at the hovering ball and swallows an inane bubble of laughter) so she suggests, “Maybe you can copy it and we can show it to someone. I’m sure there’ll be someone at the College what knows what it is.”
Sissel, also standing on her toes, nods dutifully. “What will you do?”
The chamber they’re in is cavernous, and about empty but for the ball in the dish, the altar and chair, the body on the ground. “I’ll check him,” she says, and points. “See if he has anything on him that’s special.”
Sissel follows her finger and grimaces.
She digs out her note-paper and her stick of char, and Efri assumes it’s clues time, but when she turns she feels a hand grip her elbow. She looks back over her tattered shoulder at Sissel’s face, her furrowed brow.
“Promise you’re really okay?” she says, voice anxious and solemn.
“Promise,” Efri says, twisting her arm to touch her friend’s hand. Sissel presses her lips together and lets go of her arm.
Kazari trails after Efri to look at the dead man.
First thing is the metal stick. It’s magic someway, Efri knows – he waved it and threw her into a wall, flung spells with it – but she’s not sure how. Doesn’t know enough about enchantments. Didn’t need to, to use it; when Kazari clamped down on his arm she just ripped it from his grasp and –
She doesn’t quite exactly remember, actually, except for the bitter tang of adrenaline in her mouth and nose, the horrible grunting and scuffling sounds, the heft of the stick in her hands. Impact, over and over and over, against something that had a little more give each time.
Efri scrubs a hand over her mouth and grips the handle of the stick. It takes effort to wrest it out of the thing’s face, caught as it is by the edges of the helmet, and when it’s finally yanked free it’s – actually not as bad as she might have expected. There’s no blood, and the corpse was so desiccated it already didn’t even really look like a person anymore, so it registers less as someone with horrible violence done to it and more as a really gross art piece. It’s not nice. She doesn’t like the twisted, gaping mouth, teeth embedded wrong-ways in its tissue and scattered like coins over the floor. And one of the eyes, which had glowed unearthly blue, is now a dull, rotten black, squished like a plum in its socket.
It's worse the more she looks. She sniffs and turns away.
“This is magic, right?” she asks Kazari, testing the weight of it in her hands, the cool surface of the metal, and they nod. “A good artifact?” she adds, and they nod again, emphatically. Efri sets the stick aside and kneels.
It wasn’t wearing any clothes, really – or if it was, they rotted away. She touches the rusted armour gingerly, tries to avoid brushing her gloves against the shrivelled skin at all. Whoever it was had expensive taste, it seems – there’s jewellery in a shockingly well-preserved beard, pendants around the neck, armbands. Efri asks Kazari if each thing is enchanted. No to the armbands, no to the beard-ring, and then, pressed against the wizened chest where the flesh contours to the ribs, she finds some kind of necklace, sharp-edged and thrumming. Kazari nods to that, and, face scrunched up like an old fruit, Efri reaches around the ancient neck to slip it off.
She tucks it into a belt pocket with the tripwire necklace they found at the weird wall.
“Done,” Sissel says. She folds her paper and slips it into her own pouch. Her footfalls on the echo-y stone floor as she approaches the body for the first time are almost silent. “Did you find anything?”
“Necklace,” Efri replies, watching Sissel’s face pinch at the sight of him. “And – stick.” She scoops up the metal stick and holds it out. “He did spells with it.”
Sissel looks at it warily. “Is he a draugr?” she asks, glancing back down at his mashed-up face.
“I mean,” Efri says, “he’s got to be, right?” She’s certainly never seen a draugr before, but what else could it be?
(Calling it a draugr makes her shiver, the set of her shoulders quaking. She’ll stick to dead man.)
Sissel shudders. She reaches out to grip the handle of the stick, and Efri’s not sure if she’s taking it or just trying to keep herself upright. “I can’t believe that happened,” she says. Her voice sounds, suddenly, fragile. “I can’t believe we’re alive.”
“Me neither,” Efri says. She presses the tip of the stick into the ground so Sissel can lean on it, stands a little unsteadily.
Kazari, with a hushed murmur, telegraphs something. Efri recognises the head incline of understanding – she’s familiar with that word, that idea – and, after a moment, the flickering ear of doubt.
“They’ll have to believe us,” she says with conviction, because she means it. “We’ll show them. They’ll see for themselves.”
Kazari presses their nose to her head.
Efri clasps her hands together. “We’ll go tell someone now,” she declares – though it’s easier said than done; they were lost in the ruins ages before they even found the crumbling wall, the halls, this horrible wonderful chamber. But they’ll get un-lost eventually. They’ll get out eventually. Surely. They have practice enough with walking. “But first – help me find my stick.”
#little girl has a kill count now!! more at 11#for context: I altered stuff leading up to the discovery of the eye#efri and sissel went off to play in the undiscovered halls of this ancient archeological dig site#on the grounds that efri has a great sense of navigation and they'll find their way back to the group no problem.#(efri has a great sense of navigation in the wilderness.)#(introduce her to a series of roads and buildings and she is lost in the sauce.)#their friends split up to look for them after they've been missing from a while (wandering around with great interest and no sense of place#(incredibly lost)#kazari happens upon them right as they've found a necklace at the end of a dead-end passageway that - when dutifully grabbed#for archeological research purposes - ended up triggering the wall to crumble or disappear or otherwise remove itself from the equation#and efri wasn't going to just. LEAVE that opening there.#come ONN kazari that's weird!! we can't just leave it!! what if it closes up and we never ever find it again and there's incredible secrets#that the college never finds! what if we never know what's through there!#we HAVE to know what's through there!#so on they go.#and so ensue the horrors#they pass a lot of dead bodies before the main all but those ones are all immobile#also sissel is the only one to receive the psijic projection warning. which she explains to the others as a ghost telling her secrets#which efri accepts bc this seems like the kind of place that would for sure have ghosts#and kazari goes sure that tracks this place is fucking creepy can we leave now (<- is also curious but HAS to put on a show of reluctance#because clearly no-one else is going to)#(permanent babysitter of kids with the worst self-preservation instincts imaginable)#(she is so strong. living every childcare worker's nightmare)#ANYWAY#:D#normal type stuff#posting because it matches the artwork I'm also posting! look at that thing!!!#fay writes#oc tag#efri
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