“GROUPE SURRÉALISTE”
MAN RAY // circa 1924-25
[gelatin silver print | 9.2 x 8.3 cm.]
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Ballet mécanique (Fernand Léger & Dudley Murphy, 1924)
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/ Hannah Höch, Photomontage, 1920
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Max Ernst (1891-1976) — The Ruin [oil on canvas, 1922]
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having dadaist sex with my absurdist wife
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Schtzngrmm
by Ernst Jandl
schtzngrmm
schtzngrmm
t-t-t-t
t-t-t-t
grrrmmmmm
t-t-t-t
s---------c---------h
tzngrmm
tzngrmm
tzngrmm
grrrmmmmm
schtzn
schtzn
t-t-t-t
t-t-t-t
schtzngrmm
schtzngrmm
tssssssssssssss
grrt
grrrrrt
grrrrrrrrrt
scht
scht
t-t-t-t-t-t-t-t-t-t
scht
tzngrmm
tzngrmm
t-t-t-t-t-t-t-t-t-t
scht
scht
scht
scht
scht
grrrrrrrrrrrrrrrrrrrrrrrrrrrr
t-tt
Background info:
Viennese poet Ernst Jandl (1925 – 2000), was an active soldier in World War II. In this experimental poem, which plays on the word "Schützengraben", "war trench", he processed his experiences in the tranches of the battlefield. He wrote about this kind of poem: "The speech poem is only effective by reading it out loud, the length and intensity of the sounds are fixed by the spelling. Tension arises from the succession of short and long sounds, hardening of the word by removal of the vowels, disassembling the word and reshuffling of its elements to new, expressive sound groups, varied word repetitions with thematically justified supply of new words to the explosive final punchline."
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Duchamp and Dali playing chess during filming for A Soft Self-Portrait, 1966
Photo by Robert Descharnes and Paul Averty. ©Descharnes & Descharnes sarl 2016.
Archivo Fotografico Pere Vehi, Cadaques
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Excerpt from The Ballad of Reading Gaol I
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"VENUS RESTAURÉE"
MAN RAY // 1935–36
[gelatin silver print | 10 × 7 3/8"]
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Grand paysage Américain - Arizona (Great American Landscape - Arizona), Max Ernst, circa 1955
Oil on panel
9 ⅜ x 13 in. (23.8 x 33 cm)
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gray matter
@marauderfan: a poirot quote?
© Manoel T, 2024
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Max Ernst (1891-1976) — Flower Shell and Animal Head on Red and Black Background [oil on canvas, 1928]
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Erwin Blumenfeld,
Shadow (Jo Regaldi), 1936
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