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#could not get this out of my head today
lisiya-gori · 1 year
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based on this
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ladespeinada · 10 months
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The Bear, S2E9, Omelette // If Beale Street Could Talk, James Baldwin
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asaka-lucy-dr-rc · 3 months
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Nyagito, Hinyata, and Nyanyami!
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gojonanami · 4 months
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why is it that all I can think about is corruption, sukuna, and a good girl!reader
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hephaestuscrew · 6 months
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The role of Pryce and Carter's Deep Space Survival Procedure Protocol Manual in the characterisation, symbolism, and themes of Wolf 359
TL;DR: The DSSPPM is used as a tool to help establish and develop Minkowski and Eiffel as characters: Minkowski as a strict Commander who clings to the certainty provided by a rigid source of authority like the DSSPPM, and Eiffel as the anti-authority slacker who strongly objects to the idea that he ought to read the manual. The way their contrasting attitudes towards the DSSPPM manifest through the show reflect their character development and changing dynamic. The DSSPPM can be directly used against the protagonists by those with power over them, and the reveal of its authorship gives a particularly sinister edge to its regular presence in the show. But it can be also be repurposed and seen through an individual interpersonal lens.
Note: There’s plenty that you could say about the DSSPPM through the lens of what it says about Goddard Futuristics as an organisation, or about Pryce and Cutter as people. Or you could talk about Lambert quoting the DSSPPM an absurd number of times in Change of Mind, and Lovelace’s reactions to this. But in this essay, I’ll be analysing on mentions of the DSSPPM with a focus on Minkowski, Eiffel, and their dynamic.
“One of those mandatory mission training things”: the DSSPPM as a tool to establish characterisation
The first mention of Pryce and Carter's Deep Space Survival Procedure Protocol Manual (the DSSPPM) in Wolf 359 is also the very first interaction we hear Eiffel and Minkowski have. In fact, the first time we hear Minkowski's voice at all is her telling Eiffel off for not having read the manual:
[Ep1 Succulent Rat-Killing Tar] MINKOWSKI Eiffel, did you read your copy of Pryce and Carter?  EIFFEL My copy of what?  MINKOWSKI Pryce and Carter's Deep Space Survival Procedure Protocol Manual.  EIFFEL Was that one of those mandatory mission training things?  MINKOWSKI Yes.  EIFFEL In that case, yes, I definitely did.  MINKOWSKI Did you now? Because I happened to find your copy of the D.S.S.P.P.M. floating in the observation deck.  EIFFEL Oh?  MINKOWSKI Still in its plastic wrapping.
This is an effective way to establish their conflicting personalities right out of the gate. Minkowski's determination to "do things by the book - this book in fact" contrasts clearly with Eiffel's professed ignorance about and clear disregard for "this... Jimmy Carter thing”. Purely through their attitudes to this one book, they slot easily into clear archetypes which inevitably clash. Everything about Eiffel in that opening episode sets him up as a slacker who doesn't care about authority, but the image of his mandatory mission training manual floating in the observation deck "still in its plastic wrapping" provides a particularly striking illustration.
By contrast, we immediately encounter Minkowski as a strict leader who cares deeply about making sure everything is done according to protocol; the intense importance she places on the DSSPPM is one of the very first things we know about her. Her insistence on the importance of the survival manual might seem somewhat understandable at first, if perhaps unhelpfully aggressive, but it starts to feel less sensible as soon as we start to hear some of the tips from this manual:
Deep Space Survival Tip Number Five: Remain positive at all times. Maintain a cheerful attitude even in the face of adversity. Remember: when you are smiling the whole world smiles with you, but when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action.
The strange, controlling, vaguely sinister tone of some of the tips we hear in the first episode is largely played for laughs, emphasised by the exaggeratedly upbeat manner in which Hera reads them. But even these first few tips give us some initial suggestions that the powers behind this mission might not care all that much about the wellbeing of their crew members.
It says something about Minkowski that she places such faith and importance in a book which says things like "Failing to remain calm, could result in your grisly, gruesome death" and "when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action." (Foreshadowing the Hephaestus Station as the home of immense emotional repression and compartmentalising...) Having those kind of pressures and demands placed on her (and those around her) by people above her in the military hierarchy doesn’t unsettle Minkowski.
Eiffel groans and sighs as he listens to the tips, but Minkowski seems to see this manual as an essential source of wisdom. The main role the manual plays in this episode is to establish Minkowski and Eiffel as contrasting characters with very different approaches to authority and therefore a potential to clash.
When Minkowski demands that Eiffel reads the DSSPPM, he decides to get Hera to read it to him, asking her to keep this as “a 'just the two of us, totally secret, never tell Commander Minkowski' thing”. Eiffel seems convinced that Minkowski won't be happy with him listening to Hera read the DSSPPM rather than reading it himself. This suggests that (at least in Eiffel's interpretation) Minkowski’s orders are not just about her wanting him to know the contents of the manual, since this could theoretically be accomplished just as well by him listening to it. But she wants him to do things in what she’s deemed to be the correct way, to put in the right amount of effort, and not to take what she might see as a shortcut. It’s not just about the contents of the manual; it’s about the commitment to protocol that reading it represents.
“When in doubt: whip it out”: Hilbert’s use of the DSSPPM
In Season 1, the DSSPPM isn't purely associated with Minkowski. Hilbert actually quotes it more than she does in the first few episodes. In Ep2 Little Revolución, Hilbert's response to Eiffel's toothpaste protest is inspired by "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.”" This tip is absurd in a more direct obvious way than those we heard in Ep1. While this absurdity is partly for humour, it also casts further doubt on the usefulness of this supposedly authoritative survival manual, and therefore on the wisdom of trusting Command.
In Ep4 Cataracts and Hurricanoes, Hilbert starts to quote Tip #4 at Eiffel, who protests "I'm not gonna have one of the last things I hear be some crap from the survival manual". These moments again place Eiffel in clear opposition to the DSSPPM, but also suggest that Hilbert's attitude towards the DSSPPM - and therefore towards Command - is closer to Minkowski's than to Eiffel's.
When Hilbert turns on the Hephaestus crew in his Christmas mutiny, his allegiance to Command is revealed as dangerous. And here the DSSPPM comes up again. As Minkowski dissolves the door between her and Hilbert, she triumphantly echoes his own words back to him: "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.” Never. Fails." This provides a callback to a previous, more comedic conflict on the Hephaestus, and reminds the listener of a time when Minkowski and Hilbert were working together against Eiffel, in contrast to the current situation of Minkowski and Eiffel versus Hilbert. But it also shows that Minkowski, like Hilbert, is capable of using some of the more absurd DSSPPM tips to defeat an adversary. And it shows Minkowski leaning on those tips in a real moment of crisis.
Once Hilbert has betrayed the crew in order to follow orders from Command, we might look back on his quoting of the DSSPPM as casting the manual in a more sinister light, and again calling into question the wisdom of Minkowski placing such trust in it.
“It's not that I don't believe it, I'm just disgusted by it”: the DSSPPM as an indicator of a changing dynamic
The next mention of the DSSPPM is in Ep17 Bach to the Future:
MINKOWSKI Eiffel's been spot-testing me, Hera. He doesn't believe that I've memorized all of the survival tips in Pryce and Carter. EIFFEL It's not that I don't believe it, I'm just disgusted by it. I keep hoping to discover it's not true. MINKOWSKI Well, believe as little as you want, doesn't change the fact that I do know them. And so should you!
I think this provides an interesting illustration of the way in which Minkowski and Eiffel’s dynamic has developed since Ep1. They still have deeply contrasting attitudes to the DSSPPM, but this contrast is now a source of entertainment between them, rather than merely of conflict.
Given that Hera wasn’t aware of Eiffel testing Minkowski on the tips, we can guess that it’s a game they came up with while Hera was offline. In the midst of all the exhaustion and uncertainty and fear they were dealing with after Hilbert’s mutiny, this was a way they found to pass the time. It must have been Eiffel who suggested it; Minkowski cites his disbelief as the reason for the spot-testing. And yet she plays along, responding each time, even though this activity has no real productive value.
Minkowski is keen to demonstrate that she does know the tips and she emphasises that Eiffel ought to know them too, but their interactions about the DSSPPM in this episode have none of the genuine irritation and frustration that they displayed in Ep1. It feels almost playful and teasing. Eiffel still thinks Minkowski is "completely insane" for learning all the tips and is "disgusted" by her commitment to memorising them, but these comments feel much closer to joking about a friend's weird traits than to insulting a hated coworker's personality. It feels like something has shifted since Eiffel responded to Minkowski’s passion for the DSSPPM by saying “I'm so glad that your shrivelled husk of a dictator's heart is as warm as a decompression chamber”.
Another thing to note here is that Minkowski's respect for the DSSPPM has clearly survived Hilbert's Christmas mutiny and Minkowski's resulting distrust of Command. From Hilbert's behaviour at Christmas, it's clear that the crew's survival is not at the top of Command's priority list. But Minkowski still trusts the book that Command told her to read. She still thinks Eiffel should read it too. The main figures of authority above her are dangerous and untrustworthy, but she still clings to the source of guidance they provided her with.
It's also worth noting that Minkowski has not just learnt the advice in each of the 1001 tips, but she has memorised (nearly) all of them by number. If it was just about the information that the manual provides to inform responses to potentially life-or-death situations, then knowing the numbers wouldn't be necessary. Nor would it be particularly useful to know them all exactly word-for-word. Minkowski's reliance on the DSSPPM is again suggested to be about more than the potential practical use of its content. It's about showing that she is committed and disciplined and up to the task of leading. She does have some awareness of the strangeness of many of the tips, but this doesn't diminish the value of her adherence to the manual for her:
EIFFEL You're insane.  MINKOWSKI I'm disciplined. Although I will admit they do get more... esoteric as you go higher up the list.
There's only one tip Minkowski doesn't seem to remember, and that's revealing too:
EIFFEL 555? Minkowski DRAWS BREATH - and STOPS SHORT. [...] MINKOWSKI Hold on a second, I know this. (beat) Dammit. EIFFEL Hey, look at that! Looks like there may be hope for you yet. MINKOWSKI Quiet, Eiffel. Hera, what's D.S.S.P.P.M. 555? HERA "Good communication habits are key to continued subsistence. Be in touch with other crew members about shipboard activities. Interfacing about possible problems or dangers is the best way to anticipate and prevent them." This hangs in the air for a second. Then – EIFFEL So you forget the one tip in the entire manual that's actually helpful? MINKOWSKI Shut up.
Communication is a key theme of this show, so it’s interesting that this is the one tip Minkowski can’t remember, perhaps indicating an aspect of leadership and teamwork that she doesn’t always prioritise or find easy.
Eiffel saying “Looks like there may be hope for you yet” seems like just a throwaway teasing line, but it’s got a profound edge to it. A lot of Minkowski’s arc is about learning how to provide her own direction and support her crew outside of the systems of authority and hierarchy that she’s grown so attached to. So perhaps Eiffel is right to see a kind of hope in her failure to remember every single DSSPPM tip – she has the potential to break free of her reliance on external authority.
“Which one was 897, what was the exact phrasing of that Deep Space Survival Tip?”: the DSSPPM in interactions with Cutter
The Wolf 359 liveshow, Deep Space Survival Procedure and Protocol, is literally named after the manual. This suggests, before we’ve even heard/watched the episode, that the DSSPPM will be a key symbol here. Which is interesting because I'd say the liveshow has two main plot points: (a) Eiffel's failure to read the DSSPPM or follow orders in general, the resulting disruption to the mission, and his crewmates' frustration with this; and (b) the looming threat of Cutter, the necessity of keeping information from Command, and the risk of fatal mission termination.
Even without the knowledge that Cutter is one of the co-authors of the DSSPPM (which neither the Hephaestus crew nor a first-time listener knows at this point), there's a kind of irony in the contrast between these two plotlines. On the one hand, Minkowski repeatedly berates Eiffel for not having read Pryce and Carter's Deep Space Survival Procedure and Protocol Manual, which was made mandatory by Command. On the other hand, she is aware that Command in general - and Cutter specifically - represents the biggest threat to the safety and survival of her crew.
Cutter uses the DSSPPM against each of the Hephaestus crew in their one-on-one conversations with him. For Minkowski, he uses it as a way of emphasising the expectations and responsibility placed on her:
MINKOWSKI There are always gaps between expectation and reality, but-- CUTTER But it's our job as leaders to close that gap, isn't it? Pryce and Carter...? MINKOWSKI 414, yes. Yes, sir, I know.
Cutter knows that Minkowski will know those tips and he knows abiding by them is important to her. She's quick to demonstrate her knowledge of the DSSPPM and agree with the tip. There's something deeply sinister to me about Cutter's use of the word 'our' here. His phrasing includes them both as leaders who should be ensuring that things are exactly as expected. It’s almost a kind of flattery at her authority, but it comes with impossibly high expectations. This way of emphasising the importance and responsibilities of her role as Commander is a targeted strategy by Cutter at manipulating Minkowski, designed to appeal to her values.
In Hera's one-on-one, Cutter uses a DSSPPM tip to interpret her behaviour and claim that he can read her motives:
CUTTER This thing you're doing. Asking questions while you get your bearings. HERA Sir, I'm just curious about-- CUTTER Pryce and Carter 588: Shows of courtesy and polite queries are an efficient way to gain time necessary to strategize.
Unlike with Minkowski (or Eiffel), Cutter doesn't prompt Hera to demonstrate her knowledge of the manual. That wouldn't work as a power play against Hera, who would be able to recall the manual (or, rather, retrieve the file, however that distinction works within her memory) but who doesn't care about the DSSPPM like Minkowski does. Instead, Cutter implies that Hera’s behaviour can be predicted - or at the very least seen through - by the DSSPPM, which seems like a cruel attempt by Cutter at belittling her.
For Eiffel, Cutter uses the manual as a weapon in a different way again. He asks Eiffel, "which one was 897, what was the exact phrasing of that Deep Space Survival Tip?", something which Eiffel clearly doesn't know, but Cutter of course does. This puts Eiffel on the back foot, trying to defend and justify himself, allowing Cutter to emphasise his position of power yet again.
The DSSPPM plays a double role in the liveshow. On the one hand, as Minkowski reminds Eiffel, proper knowledge of the manual "would've saved [the crew] from these problems with the nav computer" – some of the tips can potentially save the crew a great deal of hassle, stress, and risk. On the other hand, the same manual is used by Cutter to manipulate, unsettle, and intimidate the crew. There are these two sides to the information given to the crew by Command - two sides to the manual which Minkowski still values.
In another duality for the DSSPM, the manual is sometimes used as a symbol of the relationship between the crew members and Command, and sometimes used to indicate the dynamics between the individual crew members, usually Minkowski and Eiffel. Before Cutter’s appearance in the liveshow, Minkowski and Eiffel’s discussions of the DSSPPM reflect interpersonal disagreements between two people with fundamentally different attitudes:
MINKOWSKI Oh come on, why do you think I keep trying to get you to go over these things? Do you think I enjoy going through them? EIFFEL Yes. MINKOWSKI Well, alright, I do. But this knowledge could save your life.
Minkowski enjoys rules, regulations, and certainty, for their own sake as much as for any practical usefulness. Eiffel very much does not. This is a simple clash of individuals, in which the link between the DSSPPM and Command is implicit. Minkowski doesn't seem to question the idea that the information in the DSSPPM is potentially life-saving, even though she knows Command don't care about their lives. But Cutter’s repeated references to the DSSPPM remind us who made that book a mandatory part of mission training – it certainly wasn’t Minkowski, even if she’s often the one attempting to enforce this rule.
At the end of the liveshow, in a desperate attempt to prevent mission termination, Eiffel promises Cutter that he will read the DSSPPM (the liveshow transcript notes that him saying this is "like pulling teeth"), an instance of the manual being used in negotiations between the Hephaestus crew and Command. All Minkowski’s orders weren’t enough to get Eiffel to read that book, but a genuine life-or-death threat might just about be enough. Perhaps it's ironic that Eiffel reads the survival manual out of a desire for survival, not because he thinks the contents of the book will help him survive, but because he’s grasping anything he can offer to buy the crew’s survival from those who created that same book.
In the final scene of the liveshow, Minkowski catches Eiffel reading the DSSPPM, and he fumbles to hide that he's been reading it, a humorous reversal of all the times that he's lied to her that he has read it. Perhaps admitting that he's reading it would be like letting Minkowski win. Minkowski seems to find both surprise and amusement in seeing Eiffel finally reading the manual, but she doesn't push him to admit it. There's some slightly smug but still friendly teasing in the way Minkowski says "were you now?" when Eiffel says that he was just reading something useful. In that final scene, the manual is viewed again through the lens of Minkowski and Eiffel’s dynamic – Command’s relation to the DSSPPM becomes secondary.
“The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one”: the DSSPPM as a tool of survival
In Ep30 Mayday, when Eiffel is stranded alone on Lovelace’s shuttle, he hallucinates Minkowski to bring him out of his helpless panic and force him into action. And this hallucination also brings with it one of Minkowski’s interests:
MINKOWSKI Eiffel... I worked on this shuttle. Reprogramming that console. EIFFEL So? How does that help – MINKOWSKI Think about it. BEAT. And then he gets it. EIFFEL Oh goddammit. MINKOWSKI What's the first thing that I would do when programming a flight computer? The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one? EIFFEL Pyrce and Carter's Deep Space Survival Procedure and Protocol Manual.
Again, a conversation about the DSSPPM gives us an indication of the development of Minkowski and Eiffel’s relationship. Not only does Eiffel imagine Minkowski as a figure of (fairly aggressive) support when he’s stranded and alone, he thinks about what advice she’d give him and he follows it. Rather than dismissing the manual entirely, he looks for tips that are relevant to his situation. He’s not pleased about his hallucinated-Minkowski trying to get him to read the DSSPPM, but that was what his mind gave him in an almost hopeless situation. Some part of him now empathises with Minkowski’s priorities in a way that he definitely wasn’t doing in Ep1. He thinks that the DSSPPM might be on the shuttle because he knows the manual is important to Minkowski. It’s by imagining Minkowski that he gets himself to read the manual in order to see if it can help him survive – he certainly doesn’t think about what Cutter or anyone else from Command would tell him to do.
In the end, the tips Eiffel picks out aren’t all that helpful or informative: “Confront reality head-on”; “In an emergency, take stock of the tools at your disposal. Then take stock again. Restock. Repurpose. Reuse. Recycle."; and “"In times of trouble, an idle mind is your worst enemy”. But Eiffel does use these tips to structure his initial thinking about how to survive on Lovelace’s shuttle. In an almost entirely hopeless situation, Eiffel finds some value in the DSSPPM. But since the tips he picks out are mostly platitudes, the actual wisdom that allows him to survive all comes from his own mind; the tips, like his hallucinations, are just a tool he uses to externalise his process of figuring out what to do.
“Wasn't there something about this in the survival manual?”: Minkowski potentially moving away from the DSSPPM
Given the significance of the DSSPPM in Season 1 and 2 to Minkowski in particular, it feels notable when the manual isn’t referenced. Unless I've missed something (and please let me know if I have), Minkowski – the real one, not Eiffel’s hallucination - doesn't bring up the manual of her own accord at all in Seasons 3 or 4. This might make us wonder if she’s moved away from her trust in and reliance on that book provided by Command.
Perhaps the arrival of the SI-5, which highlights to Minkowski that the chain of command is not a good indicator of trustworthy authority, was the final straw. Or perhaps the apparent loss of Eiffel - and any subsequent questioning of her leadership approach, or realisations about the valuable perspective Eiffel provided - were what finally broke down her faith in that book.
Alternatively, perhaps Minkowski still trusts the DSSPPM as much as ever, but trying to get Eiffel or any of the other crew members to listen to it is a losing battle that she no longer sees as a priority. Either way, Minkowski’s apparent reluctance to bring up the DSSPPM feels like a shift in her approach. 
The associations between Minkowski and the DSSPPM are still there in Season 3, but they are raised by other characters, not by Minkowski herself. The manual is used to emphasise Eiffel’s difficulties when he’s put in charge of trying to get Maxwell and Hera to fill out a survey in Ep32 Controlled Demolition. Trying to force other people to be productive pushes Eiffel into some very uncharacteristic behaviour:
EIFFEL Jesus Christ, what is wrong with you? It's like you've never even read Pryce and Carter! Tip #490 very clearly states that – He trails off. After a BEAT – HERA Officer Eiffel? MAXWELL You, uh, all right there? EIFFEL (the horror) What have I become? [...] Eiffel, now wrapped up in a blanket, is next to Lovelace. He is still very clearly shaken. EIFFEL ... and... it was like an episode of the Twilight Zone. I was slowly transforming into Commander Minkowski. [...] It was a nightmare! A terrifying, bureaucratic nightmare!
This is a funny role reversal, but it shows us the strength of Eiffel’s association between Minkowski and the DSSPPM, as well his extreme aversion to finding himself in a strict bureaucratic leadership position. It also suggests that becoming extremely frustrated when trying to get other people to do what you want might make anyone resort to relying on an external source of authority, such as the manual. I don’t know whether this experience helps Eiffel empathise with Minkowski, but perhaps it might give us some insight into how her need for authority and control in the leadership role she occupied might have reinforced her deference to the DSSPPM.
In Ep34, we get a suggestion of another character having a strong association between the DSSPPM and Minkowski. After the discovery of Funzo, Hera asks Minkowski what the manual says about it:
HERA Umm... I don't know if this is a good idea. Lieutenant, wasn't there something about this in the survival manual? MINKOWSKI Pryce and Carter 792: Of all the dangers that you will face in the void of space, nothing compares to the existential terror that is Funzo.
It’s interesting to me that Hera asks Minkowski here. We know from Ep1 that “Pryce and Carter's Deep Space Survival Procedure Protocol Manual is among the files [Hera has] access to”. Two possible reasons occur to me for why Hera might ask Minkowski about the DSSPPM tip here. One possibility is that Hera thinks that retrieving the manual from her databanks and finding the correct tip would take her more time than it would take for Minkowski to just remember the tip. Which suggests interesting things about the nature of Hera’s memory, but also implies that - at least in Hera's view -Minkowski’s knowledge of the DSSPPM is more reliable than that of a supercomputer.
The other possibility is that Hera could have recalled the relevant DSSPPM tip incredibly quickly but she doesn’t want to, maybe because she resents having that manual in her head in the first place, or maybe because she wants to show respect for Minkowski’s knowledge as a Commander. Either way, we can see that Hera – like Eiffel – strongly associates Minkowski with the DSSPPM.
And Minkowski, even if she wasn’t the one to bring up the manual here, recalls the relevant tip immediately. Perhaps she is moving away from her trust in that manual, but everything that she learned as part of her old deference to the authority of Command is still there in her head. She might want to forget it by the end of the mission, but that’s not easily achieved. The way Minkowski’s friends/crewmates associate the manual with her emphasises the difficulty she’ll face if she tries to move away from it.
“One thousand and one pains in my ass”: The authorship of the DSSPPM
In Ep55 A Place for Everything, Eiffel effectively expresses his long-held dislike of the DSSPPM when he comes face-to-face with both of its authors:
EIFFEL What? What the hell are - wait a minute - Pryce? As in one thousand and one pains in my ass, Pryce? (sudden realization) Which... makes you...? MR. CUTTER (holding out his hand) W.S. Carter, pleased to meet you. 
It’s significant that the two ‘big bads’ of the whole series are the authors of the manual which Minkowski and Eiffel were bickering about all the way back in Ep1. It’s not the only way in which the message of this show positions itself firmly against just accepting externally imposed authority and hierarchy without question or evidence, but it does reinforce this ethos.
By being the authors of the manual, Cutter and Pryce have had a sinister hidden presence throughout the show. Long before we know who Pryce is and even before we hear Cutter’s name, their manual is there, occupying a prominent place in Minkowski’s motivations and priorities, and in her arguments with Eiffel. It’s not at all comparable to what Pryce put in Hera’s mind, but it is another way in which these antagonists have wormed their way into the heads of our protagonists.
Minkowski will have to come to terms with the fact that the 1001 tips she spent hours memorising and reciting were written by two people who would have killed her, her crew, and even the whole human race without hesitation if it served their purposes. We never get to hear Minkowski’s reaction to learning the identities of Pryce and Carter, but I think processing the role of their manual in her life will be a long and difficult road that’ll tie into a lot of other emotional processing she needs to do. Her assertion to Cutter that, without him, she is “Renée Minkowski... and that is more than enough to kick your ass!” feels like part of that journey. She doesn’t mention the DSSPPM at all in Season 4. She’s growing beyond it.
"Doug Eiffel's Deep Space Survival Guide": The DSSPPM as a weapon against those who wrote it
Last but not least, I couldn’t write about Eiffel and the DSSPPM without mentioning this scene from  Ep58 Quiet, Please:
EIFFEL As someone once told me: "Pryce and Carter 754: In an emergency, take stock of the tools at your disposal, then take stock again. Repurpose, reuse, recycle." And right now? You know what I got? I got this lighter from when Cutter was using me as his personal cabana boy. [...] and I've got myself this big, fat copy of the Deep Space Survival Manual, and you know what I'm gonna do with it? [...] Eiffel STRIKES THE LIGHTER. And LIGHTS THE BOOK ON FIRE, revealing Pryce just a few feet away from him! EIFFEL I am going to repurpose it... and reuse it... and recycle it into a GIANT FIREBALL OF DEATH! And he swings the flaming book forward, HITTING PRYCE ON THE SIDE OF THE HEAD. [...] EIFFEL That's right! Doug Eiffel's Deep Space Survival Guide, B-
No one other than Doug Eiffel could pull off the chaotic energy of this moment. It doesn’t get much more anti-authority than lighting the mandatory mission manual on fire and using it as a weapon against one of its malevolent authors. It might not be the wisest move safety-wise, and it certainly doesn’t improve the situation when the node gets jettisoned into space. But there is still a powerful symbolism in taking a symbol of the hierarchical forces that have tried to constrain you for years and setting it alight to fight back against those forces. Eiffel takes his own approach to survival and puts his own name into the title, an assertion of his agency and rejection of Command's authority.
The DSSPPM tip that he uses here is one of those he considers when stranded on Lovelace’s shuttle. It’s understandable that after that experience it might have stuck in his memory.
I can’t help feeling that the line “as someone once told me” has a double meaning here. The immediate implication is to interpret “someone” as being Pryce and Cutter – it’s their manual after all – which makes this line a fairly effective ‘fuck you’ gesture, emphasising how Eiffel is using Pryce’s manual against her in both an abstract and a physical sense.
But I think “someone” could also mean Minkowski. Eiffel uses a singular rather than plural term, there’s already an association established between Minkowski and the DSSPPM, and, in Mayday, it’s his hallucination of Minkowski that gets him to read this tip. She's probably also recited this tip to him at other points as well. Under this interpretation, this line is as much a gesture of solidarity with Minkowski as it is a taunt to Pryce. I like the idea that these two interpretations can run alongside each other, reflecting the duality of the use of the DSSPPM that I talked about in relation to the liveshow.
Conclusion
The DSSPPM is a symbol of external rules imposed on people by those with power over them. These rules can be strange, arbitrary, and even sinister, but for those with a desire for certainty and control, like Minkowski, they can be tempting. And they can have their uses, as well as the potential to be repurposed. Attitudes towards these rules provide an effective shorthand as part of Minkowski and Eiffel’s characterisation. And the clash between these attitudes, and how that clash manifests, can tell us something about how the dynamic between those characters develops and changes.
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gatesofember · 1 year
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I came up with an idea for a fic that I’m calling the six seeds au
Will is a dumbass and skips off to the underworld alone to bring Jason back for Nico. he can’t bring Jason back but he strikes a deal with Hades that will link his soul to Jason’s and partially bind him to the underworld, so Will spends six months of the year in the underworld while Jason is in the world of the living, then they switch for the next six months. so, similar to Persephone. or Dumuzid and Geshtinanna in Mesopotamian mythology. Will eats six pomegranate seeds to seal the deal, hence the name of the au.
now obviously this whole “I only get to see Will and Jason for half the year and never at the same time” thing wouldn’t be ideal for Nico and of course he’s upset with Will for doing something so reckless and sacrificial. but the real problem is that Will cannot survive in the underworld. it’s draining him more and more every day. there’s no way he’s even going to make it to the end of his first six months. and since his soul is now tied to Jason’s, this means that Jason is dying, too.
so Nico has to march up to his dad like “hey wtf” and Hades might regret not taking into consideration that Will’s a little Sun baby and can’t survive in the underworld and he might feel bad for doing this to his son so he might let slip that maybe a certain cure (one Nico may be familiar with) could break Will from the vow to stay in the underworld for half the year.
so now Jason and Nico have to go on a quest to get the physician’s cure. and Jason is dying because Will is dying. also maybe Will is sometimes in Jason’s head adding commentary through their soul bond because I think that would be funny.
and uhhh yeah that’s all I’ve got for now but idk I think this fic sounds fun so maybe I’ll come back to this
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averlym · 8 months
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miscellany (again),, tags in the last image by @pyrotechnicarus
#adamandi#vincent aurelius lin#quincy cynthius martin#ambrose wellington bassford#portia elizabeth harper#beatrix valeria campbell#bit of nonsense bit of sillies (ohhh she thinks she's so funny huh.. anyways the brainrot. out out out)#please don't ask me about them take them at face value laugh and move on or smth i keep worrying i've read them Wrong#these have been living in my head rent free for a week and i'm now evicting them politely#anyway i drew all these as scribbles in my sketchbook in-between exam week and today i wanted them out of my head. so digital it is#i've spent two hours on this haha as a. would you even guess. a break from the beatrix thingy i've been planning because that one's rendery#quiet little notes on this... um.. i have started drawing quincy (idk how!!!)#yknow after the last ambrose literal study. i'm kind of mad about the fact that doing an unintentional study Worked???#like. he's the ONE character i have a grasp of how to draw. everyone else is 'randomly whack until you get the vibes and vague structural#integrity'. can we talk about shape language real quick though because ambrose is oval beatrix is circle quincy is rectangle#vincent is square and portia is triangle. that's how it is in my head.#texture wise. vincent is charcoal and graphite. ambrose is traditional painting blended. beatrix is crosshatching and ink.#quincy is like... marker? and watercolour. portia is digital and cell shading. i can't explain any of the correlations they just Are#for the. oddly detailed quincent i Wasn't intending to draw i had to pull up the musical and re-reference them. could draw one then not the#other?? so i struggled with quincy until i Got them and then i couldn't for the life of me get vincent right.... is it something about like#drawing one character at a time? like there's only room in my mind to understand one set of proportions at any given moment???#a fun little fact was just that i began photo refs as always from hahnji jang's page (which has been? saved in my search autofill now??) an#i didn't even have to get a specific image of quincy being in angst. but for smiling vincent i had to purposefully find oh ms reporter#well! consider this yet another part in the trying to figure out how everyone looks like/vibes as/gets drawn as Characters#a secret little code i keep for the stuff i make now is that i need to have something about the drawn medium that makes it unique to itself#as like opposed to a gif or screenshot or photoedit. it has to have extra meaning. and this appears two ways: one is through Implications i#the more Finished stuff. (aka poster series?) and the other one is by engaging in Ideas (generally posts. or memes/incorrect quotes/etc.)#had a really really interesting convo with a friend irl about fanart and fandoms. they were really active for genshin and stuff and so the#experiences between large and small fandoms were fascinating to compare.. i think i prefer the .. intimacy(?) of just doing what i obsess#over instead of looking for the statistics and clout and notes now. the art i make feels more meaningful and intentional that way.
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mattodore · 8 months
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guy whose childhood drags behind him like a dead body
#river dipping#simblr#ts4#ts4 edit#theodore doe#echthroi#i forgot to post this after sharing theo's birthday edit last night... listen i was so tired i just hit post and passed out#but so far today i've just been looking through character page themes for a bit and messing around with codes while watching dropout tv#i still need to get to my activity feed sometime today or tomorrow and then i want to set aside some time to just hang out on here#and catch up on things like i keep disappearing and missing out on posts jgkhjfnkh so i gotta do that...#but i'm actually fighting off the world's biggest nap rn..... my meds work really well but lord i'm still so tired all the time woof#so i'll probably end up caving soon lmao#but!!! anyway!! THEO!!! there was nothing i could do abt the proportions on theo as a kid like i couldn't make his head any smaller...#the sims team actually hate me so bad and are trying to force the huge cartoonishly big heads onto my sims </3#also when i aged him down to a kid like all of his presets were gone so i just had to try and replicate them to the best of my abilities#his lip preset actually has a much deeper cupid's bow but thanks to the liquify tool <33333 it looks like his regular preset#i've actually posted teen theo on here before but i've made a ton of changes to him since then so this version is pretty different compared#to the older version of him at sixteen#he's definitely got more baby fat than he did before like his cheeks are pretty round#um. also i have these closeups i took of adult theo from the pose i made for his birthday edit that i gotta edit a lil and then post!!!#bc you really didn't get to see his expression or the actual pose that well and EYEEEE personally am really in love with the details#of the pose itself like ugh.......... theo is so.......................... yeah.#holds him
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moeblob · 2 months
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Deacon loves two things: Ymber and digging himself a grave.
Fulj hates one thing: Deacon.
#my characters#waiting on some info on the next commission so i indulged in ocs today bc i doubt i will have as much time for lil comics for a bit#deacon is so devoted hes like yeah i would kill for a deity that could easily kill anything himself but yknow teehee#and fulj just did you tell him you needed therapy also does he even know youd murder in his name#deacon caught red handed haha no of course i havent told him it should be obvious enough haha.... and its in his defense not his name :c#man really does have some issues but i love him so much and hes so devoted but like. unhealthily after a while#he does in fact need a chill pill and therapy but to be fair#ymber has needed therapy for centuries and yet he just bottles it all up and suffers so#its pretty unhealthy until they yell at each other one (1) time bc they are so insecure about things and get mad over very valid reasons#but then theyre like you know what that was necessary and i still want to stay by your side if you let me#and then fulj is like dude hey sorry you seem really happy did you fu- and ymber is like no please stop there we have not#fulj just squinting cause have not is very different than will not but whatever she doesnt wanna think about that with deacon involved ew#and eventually fulj is like hey ymber im sorry to say but i really do hate deacon and i dont even know why but he makes me uncomfortable#while deacon is just. in the room. hearing this and thinking how he knows she thinks hes weird but wow that wording hurts#and ymber doesnt wanna fill in memories better forgotten by fulj which she had forcefully removed#so he just says oh well his hair and clothing are black and you had someone in the past that you might see in him and its not a pleasant en#so you know maybe its that idk#and fulj is then WHATST i was rude to him for someone i cant even remember? lame im gonna try SO HARD to be nice to him now#and deacon just still sitting there with some food like this is v awkward and i wish i could not be here for it#and later he asks ymber about who he resembled and as ymber is descibing her it clicks in deacons head and he gets really sad#that he might somehow remind fulj of the woman she loved before she was punished for loving a mortal#and he feels kinda bad pestering her so much with his curiosities about deities and he kinda gets it#the fact hes close to ymber might remind her at the core that she was once that close with a mortal if not closer#anyway story time in the tags again#im so obsessed with these peeps and i have made them suffer so much but they do all end on a happy note#its still funny and nice to me that while fulj is creeped out by deacon and doesnt like talking to him#he still expresses the most emotions to her - he tries hard to remain serious around ymber and collected and obedient at all times#and when out and about with ymber he has to be intimidating and refuses smiling but fulj?? all sunshine and smiles and emotions easy to rea#and she is just that is so weird go away i hate you
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front-facing-pokemon · 9 months
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#registeel#and now this guy is maybe a bit less interesting. from this standpoint‚ i mean. the eyes being just dots make it a little hard to like#feel *connected* to them when they're ffp'd‚ y'know? i feel like it's kind of a reductive angle. which is why i zoomed this one and the last#one out a bit. so you can see a bit of the rest of their body. it's maybe less funny but would it really have been funny to just see 7 red#dots on a gray background and have to read the tag to know it's registeel? i dunno. maybe. maybe it would've been. but i like this more#maybe the explanation is that i'm taking these pictures myself. i personally know all these pokémon and have to ask them if i have permissio#n to take these pictures of them. but registeel said i couldn't get too close. so we settled with this. hehe yeah that's why :) hehe :)#anyway. you now have the aegis cave theme stuck in your head#hi it's me from the present. saturday morning. in yesterday's queued post i came up with the idea of maybe doing a monotype run of a pokémon#game. i don't know which one yet but i wanted to do water-type. but i was like. maybe i'll liveblog it on my main blog. yesterday#and today i came back and saw those tags as i was queuing up today's 'mons and i was like… hell maybe i could stream it if enough folks are#interested. but if anyone is then i didn't want to wait that long for the queue to get to that post bc that's gonna post on like. august 18#and class for my last semester of college Ever starts back up on august 21st and i don't. know if i want to start another pokémon playthroug#h that close to classes starting. especially not one where at least one (1) individual out there might be waiting for it So i put 'em here#they'll still be on that post but. they're here. just in case someone out there is chronically bored enough that that's something they'd be#interested in. y'never know there's a lot of folks here#anyway i will now queue up kricketot. see you then… or i guess see you whenever if you like send in an ask or a message or smth…
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ch3rie-pop · 4 months
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I just watched the Wonka movie and I’m gonna be honest I’m either gonna be fighting to keep myself out of the fandom’s chocolate sludge clutches or sink into its silly fudge goodness.
Why?
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Cuz this man was autism coded in my book.
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v7n5 · 3 months
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Feel like pure shit, just want a smutty multi-chapter Howard Hamlin fanfic that recounts the many secret sexual affairs that he has had with different people throughout the course of his life, most of which he sought out to recompense for the lack of intimacy in his marriage because both him and Cheryl were iron-closeted and only got married out of familial pressures (things took a turn for the worse after the fight that ended with Howard moving into the guest house). Ultimately, none of them could fulfill his wants and needs because they're all cold and distant in their own ways: there were the handsome strangers he met at some gay bar like Nacho who were emotionally unavailable and only wanted to dick and dash like they're in denial themselves; Jimmy whom he was smitten with and trusted to be able to keep a secret, but it didn't take him long to realize that Jimmy being selfish and cruel and rougher than Howard had liked and not paying any mind to Howard's own pleasure in bed was his way of getting back at him for being a jackass of a boss; Chuck whom he'd got especially close with ever since he was still studying pre-law, so close that he would make up any excuse to be alone with him and suck him off in his office from time to time to seduce his mentor because the daddy issues that had been developing throughout his father-absent youth came to fruition the moment a wiser and older man gave him a sliver of attention, Chuck allowed him to live out his fantasy but never reciprocated in that sense but they remained really good friends, hence Howard's desperation for his approval and affection and the idea of "I still have a chance" kept brewing in his mind even when he could see Rebecca out of the corner of his eye (the incident at the end of ss3 scarred him for life and talking about the intimate details of their relationship before it in therapy did not help). The latter half of 607 didn't happen because he decided that he was in fact the bigger person and the right thing to do was to drink himself into reflecting back on his life choices and wallowing in his own self-pity. Though he didn't storm Mcwexler's condo, the whole ordeal was still his Joker moment, so he put his foot down, got a divorce and resigned from his CEO position because fuck you, he deserves to do that. And maybe after a year or so, he met a certain Salamanca who got out of a certain shoot-out unscathed (haven't determined if Howard happened to stumbled into El Michoacáno or he went back to the gay bar), their chemistry was through the roof, they bonded over the loss of families/ lovers and "being a nepo baby is oh so hard", their romance blossomed because Lalo was textbook definition of charming and exactly Howard's type. One date led to another, and Howard ended up getting the best pipe he'd ever had while trying to hold back the tears stemmed from indescribable emotions. Would Howard find out who Lalo actually was? Would it matter? Would they last? Those are problems for future them.
Like literally that's all I want tbh.
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mihrsuri · 16 days
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I keep trying to write an update and then being embarrassed about it and feeling like I’m trauma dumping on people by updating and I just..I know it’s on me to manage my crap, I know. I am trying (not very well but I’m trying) and it’s just…I don’t know. I don’t even know.
#please know i have thought about hospital but hospital would#genuinely make it worse (like I cannot even tell you how much worse)#i think I’m legitimately just…having a trauma reaction on top#of a jewish trauma spike#and dentists and having to move (I may have cleaned till I shook today also my arm#does not look great#i feel like i don’t actually verbally have the words#(i have tried not engaging i have tried engaging they both feel awful)#(hashem i don’t know would you even embrace me would you…)#(it’s not a meds thing (I take meds for mdd and I know what that looks like and this isn’t it)#(it’s hard to explain the difference between CPTSD and like a panic attack or a depression)#(except that I feel like I’m so so tainted and not in my body or if I’m in my body I’m in my body somewhere else#abuse cw#i didn’t ask for this cptsd and no tshirt was offered#this will disappear probably#UGH#(i am seeing my therapist tomorrow i just..i know i need to reach out to)#(to like my current landlords and ask if I could just pay for a cleaning service to come in)#(i know i need to be like ‘unfortunately my CPTSD is Fucking Terrible Right Now and I need)#(just a bit of grace apologies)#(i do not want my parents to know i do not want that)#(aside from the fact that I am already a burden to them anyway)#a stupid flop of a person i am crying thinking about how i had plans for kids and a wife and travel and…I’m nothing#(everyone else is something I’m not I don’t deserve grace lbr)#it keeps running through my head how many people i thought loved me want me dead#and it’s like I can fake it so well#(i don’t know I may be like sending words to people)#to run through the steps of not being alone#i’m truly sorry i am always not taking accountability and playing the victim and clinging to people#to get reassurance i don’t deserve that its a good person it isn’t it isn’t a person
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crychan · 2 years
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he like his personal space...
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bookwyrminspiration · 8 months
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intergenerational friendships are completely normal and the shift in thinking that we should only be friends with people from our age group is limiting vs i am a young feminine person and he is an older man and there are creepy people in the world who are good at pretending to be friendly and innocent so am I going to die, a rational essay
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skenpiel · 1 year
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i need a vivisection real bad
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