I feel like a lot of people miss the point of Sherlock's charging-port-deduction when they poke fun at it.

Now, I'm not saying he's right or some genius (or that you shouldn't poke fun at the deduction), I'm just saying that the point of this specific observation was misunderstood.

Because yes, we all try to plug our phones in in the dark or without looking and miss the port a few times. But not hard enough to leave scratches in the metal. When I look at my charging port, there are no scratches there, because I use the appropriate amount of force when plugging in my phone, and I think most of you do, too.

However, when you're completely drunk, there isn't really an 'appropriate amount of force.' You will jam your charger into the metal around your phone port hard enough to leave visible scratches.

It wasn't that the phone's user missed the port; it was that they missed the port with enough excessive force to scratch the phone.

(Which, of course, doesn't even necessarily mean 'alcoholic'; it could just be someone with difficulty with fine motor skills, or who misjudges how much force they need for things, or wasn't wearing their glasses and got very frustrated trying to plug in their phone, or any variety of other scenarios)

For the record I don't believe in any of that Mandela Effect parallel universe/timeline stuff but I swear the Fruit of the Loom logo had a cornucopia. I will die on this hill

That joke about a writers' search history

does anyone else remember that Disney channel movie where a conceited popular girl has to do a bunch of good deeds (I think???) or else she goes to hell and she actually does go to hell a little before the climax happens and a dude threatens to rip her finger nails off one by one before loading her onto a train thing

Give the frat bro a little tongue kiss for luck on getting into your dream Illuminati business murder cult

already having to relive the Octavian/Luke comparisons and i think i may in fact spontaneously combust.

the blatant misremembering of Octavians character simply because readers just went along with whatever the main cast thought is honestly a little bit infuriating. he's the most spectrum coded character in HoO and most of his actions up until he is literally *brainwashed by Gaea* are justifiable.

"b-but he destroyed Percy's pillow pet comfort item!!" okay, maybe think about how he has to do this with his own comfort items every day? it's literally his job and it's very likely that nobody has ever gotten upset with him over it before. and *Reyna told him to do this* so why are we mad at octavian if it was an order from the praetor to do an augur thing and the easiest way to do that was with an item that had a connection to Percy?

i will also never get over the banquet scene at the beginning of MoA. Octavian literally does nothing wrong here but the characters decide that they just really want to make him the butt of every joke simply because they find him 'annoying'.

after Reyna does the toast and Jason is recounting their rescue of Hera/Juno, Octavian interrupts him in an exclamation of disbelief that they hadn't noticed that the queen of the gods had been imprisoned in a location that was very important to the romans. is interrupting rude? yes, but he obviously seems distraught over the fact that Juno was unknowingly imprisoned. instead of politely explaining the full extent of the situation, what does Piper do? immediately use charmspeak on him.

next, when Percy praises Jason's skills ("No wonder they made you praetor."), Octavian immediately brings up the fact that they have three praetors now that Jason has returned. this is really important, especially from his perspective since he's such a stickler for rules and regulations. Percy decides to immediately abtagonize him, and then completely dismiss his frustration over Percy choosing to step aside for Jason. Octavian has every right to be offended over this, even if it's not necessarily the most correct time to bring it up. Percy antagonizes him, and then basically blatantly insults him by treating the position he's worked his entire life for as if it's nothing important.

after that, Reyna has Octavian recite the great prophecy, ignoring his hesitancy (that is entirely warranted considering greece and rome have been at war for literal millenia). when Annabeth recites the last two lines of the prophecy and Frank brings up her parentage, Octavian has a right to be skeptical. in rome, Minerva isnt even a war goddess, and doesn't have children. without understanding how the gods operate in their seperate forms, it's reasonable, considering they arrived in a war ship, are being lead by a child of a war goddess that they are wholly unfamilliar with in more ways than most of the other major gods, and are, in fact, greek, to be suspicious of the groups intentions.

when Annabeth and Percy list the seven demigods they believe should go on the quest, Octavian is again rightfully upset. There are rules and procedures that are being completely ignored, and by visitors that are already suspicious to him and have made it very clear that they do not care about his opinion, even though he's on the senate and *the fucking augur.* he is once again interrupted, but this time by the book itself as Tyson shows up.

Ella then recites the 'mark of Athena' prophecy, which Octavian *once again* has every right to know about. prophecies are his job, and his entire *personality* as far as camp jupiter is concerned. i understand that it basically says 'Annabeth will destroy rome' but her secrecy in regards to the quest her mother gave her has never once made sense and is not justified in any way. instead of even saying something simple along the lines of 'Athena made me swear to secrecy', Percy for some reason is made to be the character that needs rescuing (in a situation that has nothing to do with him) and Annabeth takes the opportunity to make Octavian into the fool in front of all of his peers. it feels even worse later on when Annabeth and Reyna discuss the prophecy but only to agree that it even *is* one, and for no purpose beyond that for several paragraphs.

THEN when Leo offers a tour of the Argo II to Octavian and Reyna *once again* dismisses his suspicions, she winds up partly to blame for the resulting attack, as well as Leo for never telling anyone about gaea, and Annabeth for not saying anything when she noticed Leo was acting off. when Gaea attacks CJ and Octavian relays to Annabeth that he saw Leo open fire on the city, she assumes he's pulling some trick to get them to fight each other. she had known him for all of maybe a few hours and for some reason, watching her friends and boyfriend openly bully him has convinced her that he could be evil?

mind you, all of the above events happened over the course of *two* chapters, both of which are from the perspective of Annabeth who had only just met Octavian.

he only really began doing things you could consider 'evil' once gaea had fullt brainwashed him and driven him mad. and even then, he gets a fucking joke death?? as the only character up to this point that i was ever able to identify with on an ASD level, that feels really shitty! and the fact that the fandom just jumped on the Octavian hate train really drives home how people cannot handle spectrum coding/writing/*people* unless its presented in a cutesie helpless way.

but back to the original point of Octavian being compared to Luke; Luke was scheming the *entire* time we knew him. He did not want to protect his home, he did not have any real morals or self imposed rules. all he cared about was getting back at Hermes for not showing he cared about him (which is kind of bs considering Hermes is one of the busiest gods in the pantheon but as a fellow neglected kid i get it.) Luke was willing to do this in any way, even if it meant literally destroying the world. Octavian was just trying to keep his home safe in the way that any historical roman would have.

You also kind of have to consider his background. he was left at camp as an unwanted baby. we dont even know if his parents named him or if the camp did. his only identity is that he's a legacy of Apollo with a gift that is incredibly useful to CJ. this, along with his very clear coding (whether intentional on Rick's part or not), only shows me a character that was always unwanted and outcasted from the only place he even could call home. he doesnt want to be praetor for power, he wants to be praetor to prove to everyone (and himself) that he's worthy of being one of them. if he wanted power for the sake of power he could easily use his augur position to manipulate his way up, but never once do we see him attempt this. it doesn't help that he's named after THE Gaius Julius Ceasar Augustus, the man that founded the fucking roman empire in the first place. imagine how that must feel? to have your identity tied to such massive, larger than life people? imagine feeling like you have to live up to that in a place that seemingly fucking hates you for existing and only keeps you around because youre useful??

i really wish people would stop blatantly villainizing Octavian, dudes literally just an 18 year old autistic kid that was victimized by Gaea. give him a break, please.

Honestly while people talk a lot about the war aspects of animorphs, for good reason, not enough people talk about how brutal it got about celebrity culture and how humans could oppress and hurt each other just as much as the yeerks could.

Like the most vivid thing I remember over a decade later of reading the books is the mental image of the scenes when celebrities voluntarily taking on yeerks because it was trendy or cool and then not caring at the feeding pool things when they’re surrounded by screaming suffering sobbing people in cages that didn’t volunteer for it while they just casually wait, just complete apathy to the immense suffering around them because they only cared about seeming trendy. It was honestly so fucking chilling. It was so long ago so I might be misremembering a few details but DAMN did animorphs have some poignant things to say about dehumanization from your fellow man

maybe i'm crazy, but as someone who has completed astarion's entire questline twice now, i swear there are extremely subtle differences based on his approval of your tav. in my first playthrough, i never broke out of "neutral" territory with astarion and in this playthru, i'm romancing him and have him at "exceptional" approval. differences i've noticed:

in my neutral!astarion playthru, when listing off the "non-thinking" creatures he drinks from, astarion emphasized "kobolds" with a smirk, like he was trying to get a rise out of my paladin. in my current playthru, where he was already friendly with my ranger at the time, he said the same line without the emphasis or the smirk.

in my neutral!astarion playthru, i never got the scene where he puzzles over his scars in camp. instead, raphael revealed his scars by poofing away his clothes in the last light inn and then during the next long rest, every time i went to talk to astarion in camp, even though it was about unrelated topics, he just looked profoundly sad. i made a confused post about it at the time, with screencaps. i never experienced astarion looking that sad around camp in my second playthru.

in my neutral!astarion playthru, astarion did not smile at all while confronting cazador. in my current playthru, he grinned when he told cazador, "i'm not the one in the dirt," and directly before stabbing cazador to death.

so, there are a couple of possibilities here: either my memory is shit and i'm misremembering all of these—OR even things as subtle as a character's facial expressions and tone of voice can vary between playthrus based on your tav's relationship with them.

I can't remember exactly what chapter but early on when Persephone went to talk to Hades during the "one day of the year the citizens get to see their king and file complaints" and side lines it (and the citizens time) to talk about Tori and Alex and his missing eye and they eat lunch... didn't Hades just conjure food instead of making them lunch or am I misremembering?

so this ask sent me on a bit of a ride because i went to go find the scene you were talking about, i knew exactly where it was but i had actually completely FORGOTTEN about the whole lunch bit that came with it

and oh, my fucking god-

MAN'S IS EATING AN ENTIRE STEAK ALL TO HIMSELF. AND HE GIVES HER JUST A COUPLE PASTRIES ???

and yes, he does basically magic it out of nowhere because he casts an 'illusion' to change her outfit and they're basically in a secret room right now. So he definitely didn't prepare this by hand or ahead of time (unless he lied about the whole 'illusion' thing and he really did knock her out and change her clothes against her will, oh god no-) And yet despite this being the "woman of his dreams", he STILL feeds her like a squirrel.

This is more proof as to why Persephone was never plus-sized rep and is written purely through the male gaze. For some reason Rachel is DEAD SET AGAINST feeding this poor girl or letting her chew food onscreen, and that's just the BARE MINIMUM of like, healthy fucking behavior.

Seriously, stop reading this post RIGHT NOW and ask yourself, "When has Persephone actually eaten a meal onscreen?"

Go ahead, I'll wait.

THAT'S RIGHT. SHE NEVER HAS.

The CLOSEST we've ever gotten to her eating a meal was that time she ordered takeout (fucking Chinese takeout???) and we never actually see her eating it. She's stirring it around in one panel and then by the end of the conversation, the food is gone.

Even in scenes where you'd think she'd be eating, like in the scene where she stays at Hera's for dinner, they come up with some random excuse as to why she can't have a full meal.

(I just noticed writing this up btw that they're all eating the same thing she is so why are they so apologetic as if they're all feasting on meat and she's just eating lettuce and cheese??? But it looks like all they're eating is greens and toast, what the fuck is happening-)

It's astounding to me at all that a Greek family wouldn't have anything more in the house for a vegetarian to eat than lettuce and halloumi. Need I remind you that Greek food is Mediterranean, it is primarily vegetarian. Beans, veggies, fruit, breads, and cheeses make up much of the foundation of Greek food so why don't they have anything else in the house; and why in the world is Zeus being all judgmental over her being vegetarian when most of what he eats - AND WHAT HE'S LITERALLY GOT ON HIS PLATE RIGHT NOW - is vegetarian???

And when she DOES eat, it's always the tiniest morsels, like she's a squirrel or a delicate little baby who's never seen food before and whose teeth haven't grown in yet. She'll be holding utensils, she'll have a plate in front of her, but will she eat the food? Will there even be food on the plate?

Anything we see her legitimately consume is juice. Happy little baby needs her juice, her sippy sip.

This is honestly so indicative of how Americanized LO is. From the lack of actual Greek food to vegetarianism being treated like an inferior diet to the main female character not being allowed to even CHEW food onscreen let alone eat, like... what year is it ??? Being a vegetarian isn't a radical idea anymore, and for fuck's sakes, Greek food is readily available even in North America so it shouldn't be this hard to get right! Can we please throw out this 1950's misogyny bullshit of the man stuffing his face with steak while the woman eats nothing but grapefruit skins, hard boiled eggs, and wine??

NO, SHE HASN'T. SHE HASN'T BEEN EATING ENOUGH, WE HAVEN'T SEEN HER EAT A GODDAMN MEAL ONCE SINCE SHE LEFT THE MORTAL REALM. CALL SOMEONE.

NO DON'T FALL FOR THE DISTRACTION PERSEPHONE, IT'S A PLOY TO KEEP YOU FROM EATING, PLEASE JUST TAKE ONE BITE YOU'RE SO CLOSE-

YOUR DAUGHTER IS HUNGRY. SHE SCREAMS FOR THE CHICKEN NUGGER. FEED HER.

I’ve taken a night to get my emotions and my brain in order so now let’s talk: Percy Jackson and The Olympians Season One Finale. And oh my goodness you guys, I loved it so much. I cried, I screamed, and I drank blue cocktails. (we tried to make blue cookies as well but they just came out beige with the tiniest hint of kinda green, but they still tasted good)

BOOK AND SHOW SPOILERS AHEAD!

I have been a fan of Charlie Bushnell's Luke all season but I was really waiting for this episode to truly see his interpretation of the character and OH MY GOD HE DID NOT DISAPPOINT. I cried. He can freaking ACT and he was absolutely incredible (tbc I'm not saying no-one else has been acting to the same incredible standards because they absolutely have but I'm particularly praising him because this is really the first opportunity he's had to truly show us what he can do). The fact that the show managed to surprise me (as someone who was first read the books when I was six and has loved and reread them over and over again since) with the interpretation of Luke it presented completely blew me away, and I LOVE this interpretation of him so let's talk about it. I firmly believe that Percy and Luke are literary foils and each represent everything the other had the potential to become, so to see the set up of a potentially far more emotional arc for Luke was really beautiful to me and I think it was really well done; the fight scene in the forest so perfectly exemplified everything between them that is so similar and so distinctly different. The pain we saw in Luke in this scene was so genuinely moving and it I think it sets up a really interesting implication for his arc towards being willing to kill other demigods as either being slower or as being partly influenced by the pain he feels from losing Annabeth - when he looked at her I could hear I'm on her side, always. She's my little sister. and it was heart-breaking. At first I wasn't sure about the absence of the pit scorpion but I think it makes a lot of sense for this adaptation since if he was emotional and didn't want to kill Percy but had taken the scorpion out there with him it just wouldn't add up - however, I do think that Percy should have been injured in the fight. It didn't have to be anything that stopped the series from being PG because that would be unnecessary and as teens and adults who enjoyed the books a long time ago we know that this show isn't made for our age group so we shouldn't be expecting any gore or anything, but I do think that the show hasn't consistently represented the stakes as being as high as they were in the books. That being said, I adored this scene and the fight, I think it was absolutely the correct choice for this interpretation of Luke and maybe this is an unpopular opinion I don't know, but I am really glad that Annabeth was there because I think it's so important for her to be able to see this first hand instead of having the news passed on to her and it potentially gives us a really interesting set up to explore her emotional response to his betrayal in a slightly different way. It's also incredible to me to note that Luke's demeanour changed when Annabeth revealed herself; he is a different person in her absence because of the façade he puts up for her and this for me was really reflective of the way when Annabeth describes them first travelling to camp she idolises the way he fought off so many monsters to protect them but Thalia describes it as him picking unnecessary fights and endangering them.

This is maybe an inconsequential detail, but for me it was massive: the change in lighting at the betrayal reveal emphasised Luke's scar far more noticeably than before and in this moment, reminding book readers of the pain he went through and of Hermes' failures, Percy is literally seeing Luke in a new light. Incredible. Now maybe I'm just misremembering but I was convinced that it was in the first book that Luke told Percy how he got his scar, but I remember it being quite a brief retelling and Luke skating over the details quite quickly. I think that's because we only get it from Percy's perspective in the books and Luke is unable to fully articulate his experiences because of the pain it causes him, so I'm wondering whether not telling us about his quest thus far is because not having a limited POV is going to give us the opportunity to truly understand Luke's pain, and maybe even show us flashbacks, later on, which I think has brilliant potential and could be utterly heart-breaking and amazing if it's done well. I'm really glad that there's already been reference to May Castellan (the way I want to cry just thinking about herrrrrrr. I am not emotionally prepared to see May Castellan on screen anyway, but the prospect of seeing her during a far more emotional character arc for Luke is terrifying and so exciting and I can't wait it's gonna destroy me) and I although at first it struck me as strange that they'd included Hermes in season 1, I think I now understand that it was quite important for us to have a better understanding of Hermes attitude towards Luke and the fact that Annabeth had met him before very obviously explaining that there's more to understand about their relationship, but ALSO because it added so so much to the Percy/Luke parallels by showing us Hermes' failures and Poseidon's successes. I think that the presentation of Poseidon was so brilliantly done, I cannot explain to you the scream that I screamed when the camera panned round to reveal that Poseidon was standing in between Zeus and Percy; they so perfectly showed the awkwardness and discomfort of their relationship in synchronicity with Poseidon genuinely wanting to care for and protect Percy, and I think that it did such a good job of highlighting the difference between Hermes and Poseidon and the subsequent impact on Luke and Percy respectively. The first I heard that my sister had started watching the episode (tbc she knew I'd already finished it) was an all caps text message saying" HE SURRENDERED". Because that means SO MUCH to us as the viewer! It was massive!!!!!!!! It was incredible!!!! It also made so much sense as to why they had let the solstice pass, because we needed to see this and so much more importantly PERCY needed to see this. I hope I'm getting my point across this feels kind of like rambling nonsense, but when we have this more sympathetic image of Luke it is therefore so important to understand why we so confidently believe he's in the wrong and for me that came most prominently from the way Poseidon did enough for Percy to show him that he cared the only way he knew how to, and in Luke using Percy's own fatal flaw against him in their final sword fight. Percy's fatal flaw is his loyalty and in that fight the moment he thought he'd hurt Luke he stopped and apologised, only for Luke to exploit his feelings of friendship and use them against him to keep fighting. Again, I think this could have been more effective if Percy was actually injured but I understand why they didn't and I wouldn't have suggested they cut anything else to have enough time to include that.

And whilst we're on parallels as well, I don't think there are any words to explain what I felt when we heard "You didn't ask to be a half-blood". Like... yeah, literally nothing, I can't explain it, it was incredible.

I was going to talk about Annabeth being allowed to be a kid but I actually saw a post about that yesterday by @mydairpercabeth so I'll link it here.

Okay if you bothered to read this far thank you very much, let me know what you thought of the show and the finale too!! And also I've been avoiding talking about this too much up until now, I made a post when the first two episodes came out but I've been quiet since because I wanted to watch the whole season first, so if anyone wants more of this/wants thoughts on any of the other episodes let me know! Thanks for reading I hope it made some semblance of sense :)

Finished heaven official’s blessing and I really enjoyed writing an analysis on helluva boss I want to make this a regular thing because it’s fun so here’s my thoughts on

Heaven Official’s Blessing

Spoilers (duh)

I think it’s incredibly impressive when someone can make an overarching narrative in which different seemingly disjointed events are significant without A) putting a giant exclamation mark on top saying “REMEMBER THIS IT WILL BE IMPORTANT LATER” and B) Significantly over or under emphasizing the importance of the scene in the moment. Each event stood on its own and I liked that.

There were several janky sentences and word choices but that’s a translation issue, this writer clearly knows what she’s doing.

Characters were a lot of fun and distinct, my favorites were Feng Xin, Pei Ming, Qi Ying, and Ling Wen whenever they were on the page I was like Ah yes, these pages are gonna be enjoyable and I was right, they’re all delightful (cept the brocade immortal stuff, but like I don’t care, Google assistant is fun) Xie Lian and San Lang are delightful, love them, and San Lang is so effed in the head it’s enjoyable to try and imagine what unhinged thing he’ll do next

Tbh there isn’t much plot breakdown I want to do with this series because it knows what it is, it’s a fanfic ass book with good times, trauma, gay fluff, and fights. Need I say more? That’s not a detractor, it’s a strength. Be what you are and own it because a house with a house’s foundation is a great house but slap a building on that house’s foundation and it fails in both regards.

The only aspect I’m going to analyze is the narrative voice the books are written in because holy crap is it super impressive. Xie Lian is a super mature (or ditzy, depending on your point of view) character, he doesn’t dwell on things, doesn’t hold grudges, doesn’t really care that much about people’s histories or even their present, doesn’t focus much on externals and it comes through in the way the book is written. I noticed this when throughout the books San Lang would do fucked up stuff like make it rain blood and kill a pit’s worth of people and Xie Lian kinda didn’t really seem to care and at first it pissed me off, why isn’t the author letting consequences occur because of these peoples’ actions, but then as it held consistently throughout the book and other people kept being super concerned about stuff, like Pei Constantly asking after Shi Qingxuan (I don’t know how to spell their name, it’s so hard to keep track I’m so sorry) or people bringing up Banue, I realized this is just Xie Lian, other people in the book are regular people like me, this one guy is just experiencing things, going “Well, ain’t that something” and then just moving on. Honestly iconic, but also I was halfway through book six when I realized. Especially since whenever they do flashbacks Xie Lian does all normal stuff. He describes settings he’s in, he mentions events that happened a few pages ago, he tells the reader how he feels, it’s after he experiences all his shit he goes through that this all kinda slips away. In “present” scenes he’ll reference things as they come up but like in the flashback after Mu Qing leaves they talk about it a few times and I find that aspect of acknowledgment to be noticeably absent in the “present” scenes. After the black water arc there is a complete lack of discussion about the frankly trauma inducing event that just transpired but sure Cie Lian, you and San Lang have to not hold hands for the billionth time. At first I thought is this author high but then I realized what shes doing is characterizing through prose which is IMPRESSIVE AS HELL. This may be a point I noticed and am now misremembering the entire series just to bolster my take and if that’s the case then I shall sheepishly shrug and say I’m sorry. I’m not rereading 8 books to write a tumblr review. Maybe if I ever start a YouTube channel

I don’t know, I just find it to be an incredible feat of actually good writing when a story is being told through the lens of the main character and you can characterize that character by simply reading the story and seeing how it’s written, not even through dialogue and action. It’s kinda like the Great Gatsby or a Separate Peace, and it’s super cool that a book like this can accomplish the same thing that makes those classics great. There isn’t as much symbolism or analytical potential but those books wouldn’t be nearly as impactful as they were without great execution, which this book pulled off in spades.

In the books Rand completely rejects his Aiel heritage. Jordan seemed to be going with telling the story of an adopted kid who decided only his adopted family mattered. But that's not the only way to tell that story so the show has the opportunity to do something different there if they want to. My preference would be not to have Rand reject his Aiel heritage but to refuse to abandon his Andoran heritage/Two Rivers upbringing. The Aiel canonically want him to become fully Aiel so for him to refuse to give up part of himself could be another way to frame it . They also resent the fact that Rand is only half Aiel and wasn't born in the Waste so they could do more of that imo

i'm trying to think of a useful response but my brain is too occupied by the sudden realization of the Bi Metaphor of rand being too aiel to fit in with wetlanders and too wetlander to fit in with aiel hahaha

anyway, from what i can remember, i don't know if i would say rand *completely* rejects his aiel heritage in the books (at least until the point when RJ himself shuffled the aiel off to the side in general because he wanted to play with the seanchan instead). i may be misremembering but i think rand DOES put in genuine effort to learn about aiel ways, but is just really bad at it and gets easily frustrated with trying to keep track of all the intricacies (which is completely understandable, especially since the aiel are making very little effort to adapt to HIS culture or meet him in the middle). and he IS curious about shaiel and janduin and is emotionally affected by hearing about them from the wise ones, even if he ultimately decides that tam and kari are his true parents (as he should! like you say, it's a great repudiation of the "blood family>adopted family" trope that is so prevalent in media and especially in fantasy where the Normie Adopted Family so often gets swept aside once the hero finds out about their Super-Special Secret Birth Family.)

and he knows that he needs to *be seen* adapting to aiel culture in some way in order to get the aiel's support, which is another interesting wrinkle in the whole situation, because his public behavior and his internal feelings are not necessarily aligned (i'm thinking of the alcair dal scene where i think all those lines about tam being his real father are just in his head as he's talking aloud to the aiel about being janduin's son). i'm not bothered by that sort of "i need to publicly buy into my aiel heritage but in my heart it's not who i am" attitude because i think it's pretty realistic for his situation. and maybe he starts shifting from "i just need to be seen doing this for political reasons" over to "i genuinely do respect aiel culture and want to learn about it, even if i'll never consider it MY culture" as he gets emotionally closer with aviendha and some of the other aiel.

but at the end of the day, while i like the aiel and find their culture interesting, i'm not nearly as invested in them as i get the sense many WOT fans are haha (see: me finding the glass columns sequence quite boring and being utterly bamboozled to discover that most readers list it as one of the best scenes in the series) and so i just don't feel very strongly about what route the show takes re: rand's relationship with aiel culture and his aiel heritage. and also probably have a fuzzy memory on a lot of the book details on this topic!

What I don't understand about certain "discourses" is:

the whole point of writing fan-fiction is to get your own headcanon out of your head on paper / the screen in order to share it with the people who might have the same headcanon. Or who just like your headcanon. Who can see it.

And it works the same the other way around. You are looking for fan-fiction that supplements and supports your headcanon. Your interpretations. And then you read it.

In which case the writer has succeeded in sharing what's happening in their head with someone who feels the same way, and the reader has found someone who made a thing that totally works for them. Everybody is happy.

So why would you go reading fan-fictions that are clearly not a match and then complain about it?

What you do instead is: first you set your search parameters to filter for the things you like or dislike*. Then you check the tags and maybe the summary for anything you might dislike. And then you start reading.

And chances are that you, more often than not, will indeed, in your head, go "he would not fucking say that". Because in your head, he doesn't.

In which case, you hit the "back" button of your browser or close the tab and keep searching the other fics for one that might be for you.

And if it is something that squicks you so much that you don't ever want to see it again, you always have the option of preventing that by blocking - the work, the author, the artist, whatever works.

What you do NOT do is bang the writer's door down just to tell them how much you dislike their work and disagree with their take on things, and you absolutely do not assemble your herd to collectively judge them for it. In a fanfic that they wanted to share, for free, with likeminded people. Which means a fanfic that wasn't even for you.

Don't like? Don't read.

There are always going to be headcanons and fanons that are further off the mark than others. There are always fan-artists who are going to project things onto characters to deal with stuff. There are always going to be fanworks based on misremembered stuff, or misinterpreted stuff, or non-canon stuff. There are always going to be interpretations you disagree with. But all of these, too, will find their people. People who, unlike you, want it. People who might even need it.

I am not talking about meta or analysis or canon discourse here. If someone starts a fight insisting that their complete misinterpretation of a character or scene is the only correct one, they're gonna have to deal with upset people answering back.

But fanworks? Fan-fiction, fan-art, filk, that is stuff someone put a lot of work and heart and sometimes tears in for themselves and for anyone who likes it, too. It often comes from a place that is deeply personal, that makes the artist vulnerable, and that they then gift to anyone who might feel that pang of recognition. It is not just free content to consume.

The same goes for complaining and arguing about why some genres, some tropes, some fanons or pairings or fandoms are more popular than others. Which is always going to be the case.

You have no right to demand a quota from the fan-fiction writers community. You have no right to demand that someone else sacrifices their precious free time to write your headcanon or fulfills your personal needs or includes your specific minority. Fan-fiction writers are not free content creators, they don't work for you. They work for themselves. And then they gift their work to the people who might want it. Anything they do or don't do is out of their own volition and they only have to answer to themselves for it. And that is exactly how it should be.

And if you're unhappy with what you are getting, there is always the golden rule of fan-fiction:

If no one has written or wants to write the fan-fiction YOU want to read, you're gonna have to write it yourself.

(Or find someone who actually takes commissions. In that case, you would even be entitled to complain if it isn't what you paid for.)

*=thankgod for the AO3 search function!

My Complete Thoughts on RvB: Restoration

Major spoilers for the entire season below the cut!

I think the biggest sin of this season was not clarifying when it takes place, as it cheapened a lot of the twists by genuinely confusing me or contrasting information that we had already been given in S15-S18. Keep this in mind for the rest of the review.

Maybe the allusion to Caboose’s voice being “misremembered” was confirmation that it was in fact a simulation post-S13, but it still wasn’t super clear to me. Especially since Dylan was talking about the Reds and Blues (even though I know they met post-S10), which kinda made it feel like Restoration could be post-S18 (unless that was the point). There was just enough ambiguity that it really could have gone either way for most of the movie.

I feel like the humor was a bit off?? Maybe it was a generational gap since the show was going back to someone who hasn’t written for it in a while and is older than the current writers (case in point: he used tropes that Gen Z makes fun of a lot, e.g. he’s right behind me isn’t he). The Zoom call bit also went on WAY too long. The metacommentary about the changing attitudes toward RT also felt a bit tone deaf. In general, a lot of the trademark RvB banter just felt stale, it was the more general dialogue that was stronger (though Church telling Caboose to shut up when Simmons was talking did make me laugh).

Also, Grif was so angry all the time at the beginning?? Felt out of character and took me out of those early scenes. Maybe it was a setup for the whole discharge subplot but it just felt… off

The writing was just a bit clunky at the beginning, felt very direct and exposition-y, but that might be because they had so much to cover in so little time. It resolved itself later, anyway (except for the rapid fire ending, there was so much to unpack there).

Alright enough complaining about the general format, here are my more detailed thoughts.

Sheila!!! That is all.

I can excuse Caboose secretly speaking Spanish the whole time because there was a bit in S16 (maybe 17? can’t remember) where he understands something that Lopez said.

I initially completely missed the fact that the Meta’s color scheme was an allusion to Felix, that is so fucked up. Tucker dressed in the colors of the man he hates the most about to kill his closest friends? Jesus.

The Director being Epsilon’s therapist in the YouTube video made me laugh really hard.

Speaking of therapists, Wash was patient 619-B and I think that was the Counselor’s voice. Is the implication that he survived in this timeline?? Because he died before Epsilon fractured himself, so that much should at least be set in stone. Not really clear on that.

The “Great Destroyer” thing felt a bit retcon-y, but I can get behind it well enough.

I got so excited when 479er showed up, glad that we got confirmation that she made it out of Recovery okay. Wish we could’ve seen her and Wash (and Carolina) interact though.

I wish they had done Sarge’s death a bit differently. Kinda wish he hadn’t been all “that worked out well!” only to be stabbed, it felt very “he’s right behind me isn’t he” and made the fact that he was about to be stabbed obvious from a million miles away. There’s definitely something to be said about him sacrificing himself for a blue, and the deathbed interactions he had with the others were really good, but it kinda just felt like shock value?? Like there wasn’t enough build up to the payoff, it just kinda seemed like he decided to save Caboose last minute without any major character motivations or development behind the decision.

Which is another thing, it felt like it relied a LOT on Red vs. Blue dynamics in the beginning, and I was fucking flabbergasted when they actually left Caboose behind. The same people who broke time to save Wash would just leave Caboose to die like that? No way.

Meta!Tucker felt like it wasn’t explored enough, mostly just “no I won’t do your bidding” and “yes you will” back and forth with no real depth. However, credit where credit is due, I LOVED how this gave us a new perspective to Maine’s descent into madness. That ten-years-of-torture-in-a-few-seconds thing? So fucked up. Can you imagine being tortured by the remnants of your best friend, who have zero regard for your well-being? If they did all of that to Tucker in the short time they were together, just imagine what they did to Maine to get him to the point he was at at the end of S10/by Recollection.

Bonus points for the fact that the fragments tortured Tucker without a second thought when they themselves are a result of torture. They seemed to spare no empathy for Tucker despite having been through this themselves. Then again, I suppose they are they are copies of the original Leonard Church, who had no such qualms.

Didn’t realize that Meta!Tucker was voiced by Miles Luna (aka Felix’s voice actor) until the credits, that was an extra layer of fucked up and I loved it.

I really enjoyed Wash’s plot for the most part. I was definitely super intrigued the whole time since so much of his subplot didn’t add up from his perspective. I mean, I think he deserved something more for a send-off since most of his arc wasn’t really related to his character as a whole (besides the freelancer thing at the end). However, I still enjoyed it for what it was worth.

Additionally, if this is post-S13, I wish they’d clarified because I assumed that Wash was suffering from cerebral hypoxia and not some other injury. They kept alluding to something that happened on Chorus, but I wasn’t clear on the fact that it was a separate timeline of events. The Doc plot twist threw me off a lot more as a result.

I could tell he was gonna launch himself off the cliff and it still made me laugh hysterically.

I’m glad that the final battle was in Blood Gulch. It’s cliché, but it felt full-circle. Plus, it was the best resting place for Sarge in canon and a good set-up for a “why were we here” moment.

I knew Simmons was gonna have his arm broken but I still gasped anyway. And when the shotgun was cut in half??? Bro my jaw was on the floor, it was like when John Wick’s dog was killed (probably, I’ve never seen that movie). But the way Simmons cocked the shotgun with one hand was badass as hell, good for him.

I’m glad we got something resembling a Simmons character arc? I think it relied a lot on setup from previous seasons of him becoming a leader, with little to no actual development in S19 itself, but it still felt at least decently satisfying.

“Best throw ever. Of all time” made me laugh, I love a good callback. Actually, there were a lot of fun callbacks to jokes, like the irony bit. They were greatly appreciated.

Tucker getting launched by a warthog actually made me laugh really hard, I love the “shotgun as a code word” bit so much.

The Tex plot twist was SO GOOD, I totally didn’t see it coming. Much better direction to go anyway, since we already put Church to rest in S15. So glad that Caboose was able to get his moment in the spotlight and have the smartest plan of all of them. Unless it was Church’s plan, in which case I find it so sweet that he wanted to bring Tex back instead of himself (even if it did cheapen the S9 “let her go” thing a bit). I also really loved the callback where her armor turned black because of the teleporter, that was really good.

I got so excited when they started playing Round One I’ll be honest. Also, I Say Ooh?? Was not expecting that one.

In all honesty, I didn’t love the soundtrack (kinda felt stock music-y and cliché in a lot of parts, plus it didn’t have the musical style that we’ve come to expect from RvB). It was fine, but nothing to write home about. The campfire song was good too. I know about the whole thing where Trocadero wouldn’t join on unless everyone was brought back on, and now that we know that RT is shutting down, it’s possible that this was because multiple musical artists just weren’t in the budget. That said, it’s a shame that there weren’t more original songs.

I called that Carolina was gonna be Recovery (though now I think about it, why was she doing Recovery?? was it even Recovery since Charon had been shut down??? What happened to her after Chorus???? Also her talking about how her and Wash would do everything together from now on meanwhile she left him behind in some hospital?????). Anyway, the fight with her and Tex was SO fan service-y but I ate it up anyway, good for them.

Tex winning because she was a collection of the Reds and Blues’ memories and she always won against them was so, so good, something to be said about the positive nature of the memories of your friends (I mean just look at how happy they had been when recounting everything they’d been through!)

Also if just talking about someone was enough to create a functional AI, it kinda makes the whole “torturing Alpha to make more AI” thing totally pointless and retcons the entire show but. Whatever.

TEX DESERVED THIS ENDING!! I like the S9 ending in a lot of ways, it was poetic that she was finally allowed to rest after being dragged back so many times against her will, but I think it also felt incomplete because I don’t know if being put to rest was what Tex herself would actually want. There is a significant difference between not electing to bring her back again and choosing to take her out of the fight. Tex was never allowed to make her own decisions, not even in S9. This ending was entirely on her terms, which I think was fantastic.

I loved the rockslide, it reminded me a lot of the ice fight from S8 was just generally very fun.

It’s established that Tucker became the Meta because he had several AI when just two was enough to almost kill Carolina. If this isn’t the canon timeline, then why didn’t Tucker become the Meta in that one? For a reason besides “the writers didn’t think of it”.

I hope that Burnie came up with the idea for this season by reading Meta!Tucker fan fiction.

The Doc thing was so??? Why did they do a Sixth Sense. Like I think that twist would have worked a LOT better if they made it clearer when this took place (I kept flip flopping on whether this was an alternate timeline post-S13 or main timeline post-S18 up until this point, which made the whole Doc-died-on-Chorus thing feel like it came out of nowhere since, if it was post-S18, we knew that Doc survived Chorus. It also makes Epsilon’s sacrifice to get them all out of there feel a bit cheaper since they didn’t all get out of there, but maybe that suggests that S15-S18 are the main timeline).

How did Doc heal Wash’s leg?? Was it even broken in the first place??? Did they ever clarify that????

I GASPED when the Freelancers showed up. It was camp as hell and hard to take seriously but also I don’t even care. I’m glad he got some kind of goodbye, since he was always too late to do so as a Recovery agent.

Kinda funny that Wyoming wasn’t there but Florida was, and also South was there even though Wash murdered her in cold blood. Anyway.

When One showed up I felt every emotion I think

Bro where the hell was Donut? There was no good reason for him not to at least show up, maybe on the pelican with One or something. Especially since S16 and S17 were dedicated to an entire arc about how everyone should stop disrespecting Donut, like come on.

Edit: did a little research and it might be because there’s no pink armor in the game this season was filmed in? Which is so hard to believe, since Halo has so many references to RvB. I can’t believe they would just cut out the armor colors of one of the main characters and make it impossible for him to return in the way we know him, it’s messed up.

I know time was short, but I wish we had more time to explore Tucker’s feelings post-Meta. Especially since he killed Sarge, even though it definitely wasn’t his fault. There probably wasn’t enough time to get into all that, but still, he seemed remarkably fine after everything that had happened. I guess that kind of exploration is what AO3 is for lol.

I have mixed feelings about the end for Tex and Church. On one hand, Tex calling herself Allison Church was so sweet and I loved how caring she was, it reminded me of when she said goodbye to Alpha during the Freelancer saga. Also, the fact that there was finally a Church free of the memories of his predecessors felt very satisfying. However, I kind of wish that they could have just had their happily ever after and stayed in the memory unit. I understand the decision—destroying the remaining AI was really the best way to make sure Project Freelancer was put to rest forever—but I kinda feel like she and Church deserved better than simply being put down after everything they’d been through.

One final team kill for Caboose. Ow.

The animation was really, really good!! It looked much better than that plasticky look the trailer had. I didn’t love Epsilon’s animations (they felt a bit jerky and overacted), but otherwise I think they did a really great job. I especially loved how they animated the AI on Tucker’s visor, it looked cool as hell.

I think one of the things this season suffered from was the overall tonal shift in the writing. Burnie hadn’t written for, and Matt hadn’t solely directed, a season in a LONG time. We’ve come to expect more character-focused narratives that dive into the nuisances of the characters and their relationships, and we didn’t really get that here (unless you count Sarge’s deathbed confession to Grif that he was hard on him because he wanted him to be more, which still felt a bit shallow. Actually, there are lot of things which could be considered set-ups in retrospect, but their intended payoffs didn’t feel like payoffs). I think there was a consequential whiplash as compared to what we have come to expect from RvB, and while the writing style we got wasn’t inherently bad (again, I liked a lot of it), it was definitely different.

I really, really hated that Grif left at the end. That’s literally the antithesis of his S15 arc, which felt much more complete and true to the character than this one. It’s impossible not to compare these arcs because of how inherently similar they are, and because I believe the S15 arc is superior (Grif’s exhaustion was a more subtle and believable reaction than this Grif’s raw anger, and his realization of how much he relied on his team was much more powerful than this Grif just tapping out), it makes the S19 Grif arc feel poorly thought out.

Also, he wanted to be discharged, but I don’t think they worked for the UNSC or any other military organization after Chorus since they all retired, so was any of that really necessary? Maybe retirement is just a vessel, so to speak, to represent Grif leaving adventure behind him for good. Still, I liked the way S15 handled this arc a lot more.

Vale Deah. Ow.

NO GRIMMONS??? ARE YOU FUCKING KIDDING ME???

The most we got was Grif leaving and asking Simmons to come with him but like. “not scared to take risks my ass”, Burnie.

Honestly, I think this season was a victim of its format. Eighty minutes isn’t a lot of time to properly send off these characters, especially when RvB as a format is based on multi-season arcs. There just wasn’t enough time to build up tension or explore the dynamics of something as extreme as Meta!Tucker in a way that would feel satisfying. That said, I think Burnie did a pretty good job fitting as many things as he did into this format. A part of me is almost glad that Grimmons wasn’t made canon? I feel like it might’ve felt rushed to give it a satisfying arc in just 80 minutes in addition to all of the other shit going on, and I think after 21 years they deserved at least a satisfying resolution. However, they did NOT deserve an ending which implied that they would never see each other again, what the fuck.

TL;DR? 7.5/10. Far from perfect, and there were a lot of creative decisions made that I heavily disagree with. However, they did a lot right, too, and it still seems heartfelt in a way that helps me overlook some of its flaws. Overall, I enjoyed this season for what it was worth. There are some qualities of S17 that I think made for a better final goodbye to these characters, and some qualities of S19 that I think made for a better goodbye (in all honesty I never finished S18, but it wasn’t really a “goodbye” season anyway). Wrapping up a 21-year-old series is very difficult, and I have a lot of respect for Burnie and the others who worked on Restoration for what they put together. Truthfully, I’m gonna pick and choose which segments of S17 and S19 are canon in my heart (S17 is still the overall canon ending for me), but I’m happy with what we got in the end.

Anyways, I’m happy to chat more in the replies, let me know your thoughts!

I got a few questions about what was going on with SUGARBABYLOVE, so I started typing it out and then stopped and realised it'd be much funnier to do an extremely granular point-by-point explanation of nearly every single reference and influence in it

how serious am I being? either entirely shitposting or being completely transparent. intentionally left blank as an exercise in reader imagination. nightmare post below the break

all lovers make the same mistakes

BLUE SIDE

Sugar Baby Love, Les Blue Belles - the namesake of the piece, and also where I colourpicked the original background from

Komeiji Satori, Touhou Project - the Łucja on the left's personality is inspired by Satori

Fuura Kafuka, Sayonara Zetsubou Sensei - not actually referenced directly in Łucja's design, but a later reference makes this important to point out now

Litchi☆Hikari Club - I didn't realise it until after I finished, but I was 100% unconsciously focusing this image on hands because of L☆HC

Las dos Fridas - somewhat inherited imagery from the Komeijis, but I did have it in mind

Subarashiki Hibi ~Furenzoku Sonzai~ - the background, faintly visible at the top of the image, is based on a certain cool hideout. also note the Łucjas' eyes, for no particular reason

Thurible - the cross at the centre of the image rests on top of a thurible. because the top and bottom of the middle section are obscured, it rests mostly out of frame

Embryonic Rabbit and La Vierge au Lapin - the smoke enveloping the central cross is taking the shape of an embryonic rabbit, not quite fully developed, not quite corporeal

Fuura Kafuka, Sayonara Zetsubou Sensei - the X pins on Łucja's hat are actually hairpins that she moves up when wearing the hat. in this image, the second Łucja has swapped hers for straight pins

Komeiji Koishi, Touhou Project - the left Łucja's exhausted expression has been switched out for an empty smile. cute!

Altarpiece - the layout of the image is inspired by an altarpiece, albeit with certain sections obscured. accordingly, the piece centres on an (embryonic) rabbit wrapped around a cross

ORANGE SIDE

Berserk - it's kind of hard to include eclipse imagery without pulling from Berserk if you're poisoned. it goes without saying that I am poisoned.

Mushi, The Stalin - this album art was always really striking to me, so it was only natural to homage it. I'm actually a pretty big fan of The Stalin, so references to them show up in a (kind of embarrassing) amount of my creative output

Trash, The Stalin - the mass of gory hands is kind of self-explanatory here

De fornas likgaldrar, Bekëth Nexëhmü - this one requires extra explanation because I fucked up and got a story wrong. during the recording of an album, one member of this duo tried to strangle the other and they broke up the band for a while. the problem is that I misremembered, because it wasn't De fornas likgaldrar that got delayed, it was De dunkla herrarna. so this is an entirely aesthetic pull now.

Eastern Cross and Brazen Serpent - this one's kind of hard to explain if you don't know what Bartholomew's crosier looks like, but it's being gestured at with Ophian imagery as things get more chaotic towards the centre of the image

Gleb Sysoev - while the straps aren't visible in this image after colouring, the outfit both Łucjas are wearing is somewhere between a gakuran and the outfit Gleb often wears while performing with Ultar

Squigly - the snake wrapping around the right Łucja emerged after I got frustrated with how out-of-place her crab claw looked and opted not to include it. I still wanted one really confusing thing in the image, and I ended up landing on using Squigly's Parasite

That One Fucking Scene From Gokseong/The Wailing - another case of me misremembering something, except this time it was the context of the scene literally warping my memory of it. you know the one scene in the cave? I thought it included a much closer shot of the stranger's eyes. I might have mixed it up in my head with that one scene from Insidious, but oh well lol

Angel's curse whispered in the edge of despair, Envy - it got drawn over to the point where it's not entirely obvious, but the background behind Łucja was originally based on this album art

Melty Blood: Actress Again: Current Code Character Select - honestly kind of self-explanatory I hope

why'd you read all that

When was Cas bit by a wolf?

Session one! It was part of the first combat in the campaign. We have an optional in-house rule that says if a single attack takes you below half HP, you can decide whether or not the hit leaves a scar. At the time, Cas was level 1, so even something as simple as a wolf bite was super dangerous.

The opening of our campaign was really great, actually! I don't know that I've written about it on here, so here we go (sorry @ my DM and fellow players if I'm misremembering any of this):

After wandering for miles, Casimir finds himself passing through the mists at the edge of Barovia. He's completely alone, unaware just how far from home he's roamed, and it's not long before a monstrous "dire-wolf" catches the trail.

Casimir, who's never been out in the wilderness, doesn't realize he's being followed until it's too late. As he turns to face his pursuant, trusty lens to his eye, he comes face to face with a horrific, mutilated creature; a wolf made of skin and bone, it's body hollowed out by bugs and maggots. He freezes, and the wolf takes full advantage of his shock and rips into his shoulder.

Casimir takes off, absolutely terrified, and the commotion catches the attention of another (much more local) wanderer: Borivoj, a Barovian native who's spent most of his ~50 years in the wilds of Strahd's domain. He almost resolves to let it be-- after all, no good comes from looking for trouble in Barovia-- until he realizes what the creature is chasing seems to be a kid.

He intervenes, sword at the ready, and Casimir has a chance to hide. The battle is quick and bloody, leaving both the wolf and Borivoj unconscious.

Meanwhile, not too far away, a Cleric-- disowned by his chapter and sent on a pilgrimage he will not return from-- finds his path changed by what must be a sign from god. The trail he's been following, marked by churned earth and chittering insects, takes a sharp turn. As he follows, he manages to catch a glimpse of Borivoj as he falls to the ground. Compelled the help, he arrives on the scene just moments before Borivoj may have otherwise perished.

As Borivoj comes back around, Casimir emerges from hiding and the three meet for the first time. After they recuperate for a bit, Borivoj, sympathetic to their circumstances and grateful for the aid, offers to guide them to the nearest city so they can get settled in.

After all, it's not like they'll be leaving any time soon!

Thus began the adventures of Casimir Wójcik, a porter from a lesser noble house in the foothills of mountains not far from Barovia, Tao Hadal, an excommunicated cleric from the far city of Daggerfort, and Borivoj, a local of Barovia.