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#childe meta
libertasforte · 9 months
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Childe doesn't need redemption he needs therapy
About Childe's morality, I think his awareness that he is evil is pretty important. It's easy enough to explain his actions as a result of circumstance and I think Childe mains often fall into that, but the awareness of guilt and evil is like... the only thing that redeems it
Because it's like, the thing that's stopping him from going Scaramouche or Dottore or Signora or someone
I don't know what kind of circumstance would allow him to regain his sense of agency, instead of always living and acting for something or someone else... but tell him it's ok
It's ok that he's in this world in ways that he'd rather not be
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doks-aux · 9 months
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The idea of William Afton genuinely loving his children is so much more interesting to me than the alternative, not just because it's more tragic and makes his motivations make more sense, but also because it's fucking hilarious.
You are about to be obliterated from this Earth by a six-foot-something zombie rabbit, and your last moments are spent terrified and deeply confused as he shows you pictures of his kids in a blood-stained wallet: a clearly haunted bear costume, a limitlessly unnerving chrome clown doll, and what looks like Grimace's corpse left to shrivel in the sun.
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emmafrostyyy · 6 months
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y'all sleeping on Astarion/Lae'zel bc this moment is so...the way the flippant demeanor drops and he doesn't hesitate to call her out for sticking with her version of Cazador like their relationship is so underrated fr...
sitting down writing this bullshit like let me peel it like an onion a bit and elaborate why this pairing is fascinating to me
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It's really interesting how during the most cathartic, life-altering moment in Astarion's questline, the reactions of the other companions are more about the moral wrongness/guilt of sacrificing innocent lives. Lae'zel doesn't do that and instead relates to his hurt.
She knows what's he's feeling, the lack of control, the unfairness of being powerless for too long. This is a woman who just found out her entire life purpose was built on lies, discarded and hunted by her own people after outliving her usefulness, and groomed to basically die for an insane power-hungry lich queen. She knows all too well that power isn't always real freedom. Her first instinct is to empathize with Astarion to steer him away from his hate and resentment.
Astarion/Lae'zel is so interesting to me because they're such a classic "can we make each other worse or make a better person out of the other?".
They both have genuine appreciation for violence and respect each other's ruthlessness. Astarion was used as a weapon of seduction while Lae'zel was of warfare. Sex with people is meaningless and not real intimacy for them, and while both have little understanding/experience of interpersonal relationships beyond the physical, they still feel and love very deeply. They have no frame of reference for things like friendship and warmth, but they badly want all of that and more, even if they don't know it yet.
In-game they can sleep with each other, which is basically the foundation of the normal Tav/Astarion romance. Lae'zel saw him during combat and got horny, who knows. Astarion who's used to luring people with his charms, takes up Lae'zel's blunt offer because she's a strong hardened warrior that can provide protection and be a worthy ally, and he doesn't know how to say no. Navigating the complications between one who wants to be seen beyond as a sex object, and one who comes from a totally alien culture with no concept of love/family/connections and only sex is honestly really compelling to me. It's a transactional, mutually beneficial thing with no emotional expectations. Once you get past the skeevy rockiness of their early relationship, I really like the idea of them slowly seeing something past the exterior and realizing they may have harshly misjudged the other, an unspoken friendship blooms, and in comes the realization that they are essentially loners longing for kindness and a comforting touch in the most desperate of situations.
Lae'zel is prideful, direct, has no sense of courtship talk, and doesn't hold back her thoughts the slightest--she's not sweet/agreeable and what you see is really what you get, which I imagine would be disarming for Astarion who's used to vacuous flattery and has difficulty trusting others. But she's also insanely protective, passionate, loyal, and an initiator-- every romance scene is triggered by her first and she's always showing effort towards her relationships, which would mesh well with Astarion who does need someone to nudge him.
She doesn't purposely suppress her feelings, she's just simply at loss at how to express them sometimes due to her wildly different upbringing. She stops the sparring match you agree to and an easy vulnerability slips instantly out of her: "I don't want to hurt you. I want to protect you, and for you to protect me." and "Thus far I've taunted you, devoured you, battled you. Now I want more than anything to soothe you." are romantic as fuck and Astarion of all people really needs to hear that tbh.
Astarion is also someone who struggles with reinforcing his boundaries, and a key theme in Lae'zel's romance is that she encourages and wants you to challenge her and learn to stand your ground. It's not gentlest method, but hey, relationships are about having to make an effort to learn each other's language.
I think he also would take pleasure "educating her on the matters of Fay-run" (I believe there's a whole banter with him teasing her and teaching her pet names) and would get a kick out of coaxing Lae'zel out of her shell with her shyness at showing public affection, and making her blush. Also it simply would be fucking funny to see Astarion who's used to easy seduction, trying to pass a persuasion check just to get a smooch and generally having to work to earn regular kisses from Lae'zel lmfaooo
Lae'zel also initially struggles to see her chains as chains. When she learns about Vlaakith's betrayal, she copes instantly through denial and shuts it down. Astarion is NOT having it and calls her out, he knows her well enough to recognize that she would value blunt honesty above all.
I imagine he also despises her lack of self-preservation, the way her entire identity is tied to duty and being in service of others, and doesn't understand her desire to still help/liberate the people that want her dead and are hunting her down. He wants to make this duty-bound soldier realize that looking out for herself, and putting herself first may not be the worst thing in the world.
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They're so similar to each other but are also polar opposites in some ways that make a more equal, balanced romance I think. It's not a simple, one-sided, feel-good "she/he can fix her/him" fantasy because both of them have to earn each other's love, actually cut through the other's flaws, and actively motivate each other to be better versions of themselves.
They're not at all the other's ideal guiding hand. It's rough, jagged, and imperfect, but that's how healing goes. It's so far from being the healthiest relationship -- but even if their belief systems differ, their moral compass does often align. I imagine it's a slight relief for them to have a partner where there would be less shame and judgment when they expectedly, occasionally slip up and fall into their bad habits.
Also, man, the "You showed me the betweens and beyonds. Beyond war and peace, beyond passion and obsession, most importantly, you showed me freedom.", "First you were my wound, now you were my cure.", "But you saw something else in me - someone else I could be. Someone who could break the cycle of power and terror that started centuries ago.." lines really hit hard when applied to them.
Of course, they can also make each other worse, feed into the other's negative traits that will bring out the worst part of themselves. It's this duality of their pairing that is very interesting to explore, the way it can steer in either direction because it's an intense, fraught relationship at its core.
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tcw fans will be like “this is my comfort character” and it’s a clone who appeared in two episodes (and died in the second), had a single line of dialogue, and was given no characterization outside of fanon
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breesperez139 · 10 months
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Dc x Dp Prompt #2
Danny loved his life. After his reveal to Jack and Maddie as a half ghost went right, everything started falling into place.
Vlad stopped his insane schemes once his parents were set loose on him. Sure he’s still mayor but he funds the town, keeps them protected from unwanted visitors, and is no longer trying to kidnap/adopt/clone Danny anymore.
Speaking of clones, Ellie was officially adopted into the family. She didn’t live with them full time with her obsession being freedom, but at least she has a home to return to now.
Dan was also adopted into the family. He is still on probation but turns out having their adopted family again (and as many ghost fruits as he wants) helped ease the rage. That’s not to mention Dan’s and Skulker’s bi-weekly figh- errr meetups.
Well at least there’s been no property destruction since he’s been crowned. After he and his rogues began scheduling their own meetups, his grades started going up again. So while he may never become an astronaut like he always dreamed of, he could still go up to space and see the stars whenever he wanted to.
Sure, being king wasn’t exactly what he wanted in life (or death) but he could protect his ghosts and liminals better this way. And considering his entire town is either ghost or liminal, it was just easier to protect them from the GIW and the government in general with a crown on his head.
Besides being king isn’t all bad either. He’s rich now meaning they won’t be racked up in college debt, he has cool artifacts that were gifted to the ghost king over the millennia that were left untouched but he’s not about to return them (they were gifts to the ghost king, practically funeral gifts like flowers but more rare and expensive), and he has crazy powerful Ancients as friends/family/mentors/protectors. He’s still a baby in ghost years and a minor in human years so he’s not expected to do much either way.
Life was going great, especially after Amity Park adopted ghost etiquette and ecto-infused food and beverages.
So why the Ancients are the Justice League of all people standing outside his front door with the Batman looking thoroughly freaked out the moment he opened the door? He hasn’t said anything yet either!! Stupid fucking government heroes.
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radiance1 · 3 months
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Gotham: Holy shit there's a random animal running around Gotham city and no one's ever caught it before. They say it only appears in thunderstorms and anyone unfortunate enough to cross paths with it look as if they've been hit by thunder.
Dan phantom, the 'random animal' who is in fact a Raiju in question: If I destroy this place I'll be fucked over by Clockwork. But if I don't destroy this place I'll keep being followed by this brat.
Damian Wayne, the brat in question: There is an animal roaming Gotham in thunderstorms, father. We must save it!
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nekropsii · 18 days
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HAPPY 4/13!! Here's a partial Alpha Troll Lore Iceberg to celebrate, as asked for by fans and followers!!
All information in here is completely true, and this isn't even everything I could think of off the top of my head!! Have fun perusing, and I hope you learn a thing or two!!
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parvuls · 8 months
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no, because - famous person starts dating less famous person and is then gradually overshadowed is a trope. a trope often used to bring external conflict into stories. but jack and bitty are carefully constructed as the opposite of that, and I'm fucking feral over it.
we joke about how jack will eventually be bitty's trophy husband and be thrilled about it, but it definitely has a giant grain of truth in it. it's how they're characterized. bitty is an extrovert; jack is an introvert. bitty reached out and built himself an online audience to deal with his trauma; jack shut himself out and started avoiding the public to deal with his.
bitty finds comfort in being able to talk to others and (as seen in spotlight on eric bittle) considers being a public figure a sort of healing experience: coming out and being a public person (in every manner of speaking, not just sexuality wise) and putting himself in the limelight is such an important part of his journey because he sees it as a way of helping others who were in his situation.
jack grew up in the spotlight as the only son of two prominent figures. he grew up as a child with anxiety with the media's eyes on him as he was compared to his father. he grew up as an overweight teen featuring in trashy gossip columns as he was compared to his mother. he got into rehab in part because of this attention and it only attracted more attention to him. a lot of jack's anxiety stems from the notion of people looking at him and thinking about him and talking about him and judging him, and it's unfortunate because jack's dream is to play hockey, and that comes with even more attention.
but that's the thing: jack and bitty's story is (once again) a demonstration of two people making each other's lives better.
jack's fame thrusts bitty into the spotlight post-cup, and it's a giant push forward in helping him reach a bigger audience and thus grow his independent fame. bitty's growing fame slowly overshadows jack, to the point where ngozi says they'll one day be Eric Bittle and his Athlete Husband. and that means jack gets to play hockey, and win cups, and achieve fame in his own field, but the media's attention slides off him to his husband, and the fans on the street gradually approach bitty more than him, and jack is free to have his success with less of the personal scrutiny.
it's not that jack becomes less important than bitty. it's that bitty gets to stand in front of the direct sun and flourish as a result, while jack gets to stand in the shade bitty creates and flourish as a result. it's symbiosis. it's beautiful.
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emotionaldisaster909 · 4 months
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CAN WE TALK QI RONG?
And the fact that
Donghua team performed an OUTSTANDING JOB of a character study through animation
Like I’m watching him insult Lang QiangQui
And it suddenly hits me that I kinda understand and feel him???
Like Ke Mo
Even though he is wrong
He has a right to hate Yong An
Xie Lian has much more of it, but-
Have you ever thought that
We never get to know
How Qi Rong died?
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Even though he didn’t care for XianLe, it was his only home
So when you see him talk about this-
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You can see that underneath his arrogant hateful craziness
There is genuine pain
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Which he HIDES BEHIND SMILES
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HIS EXPRESSIONS KEEP SWITCHING
AND I APPLAUD THE DONGHUA TEAM FOR THIS DECISION
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He laughs in one second
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AND IN THE NEXT YOU SEE THIS
This GENUINE ANGER
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and a RIGHTFULL ONE AT THAT??
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No matter how deeply twisted everything about his mindset is
At its core it’s a lack of any established moral guidelines in his upbringing
And the worst coping mechanism of fighting pain, insecurities and fear of abandonment
By going batshit crazy in defense and grabbing onto everything that makes him seem “important”
Yet by doing so he succeeded in becoming so unimportant
That even his remaining family thought about him so little
That we never got an explanation of how he died
He definitely died alone
And at least for this
He has a right to feel angry
Because anger is just helpless pain
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co-dependance · 1 year
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I’ve seen people talk about the main theme of the owl house being acceptance, and I think they’re completely right about that. But I haven’t really seen anyone look at the sub themes depicted in the show around the acceptance theme.
Specifically how the owl house is really advocating for child autonomy. Specifically in the ways of discipline, showing that communicating and talking with children ends up being a lot more beneficial and effective than punishing them.
The most obvious example comes with the collector, where instead of talking to him, King’s dad punished the kid by putting him in essentially time out, for the actions of his siblings. Which he would’ve learned if he had talked to the collector. And then following that, every interaction before talking with Luz, has the collector being used or placated in some way instead of being treated like an actual child due to the amount of power he has. The titan trappers revering him as some sort of god, Belos manipulating him, and even king attempting to appease the collector, instead of really talking to him. Though for king it’s a bit more understandable. Even so, the show showcases the collector’s change only after he’s talked to like a person, and then shown why his views were wrong.
Luz, who’s the main focus of the show, has her character arc and journey centered around being punished for her not fitting in at school. And while, yes, some of Luz’s antics that were shown seemed to be legitimately dangerous, the real solution would’ve been to talk with her and teach her about safety and why bringing wild animals and fireworks into a school building is dangerous. It should have also been that Luz should be able to talk and negotiate with her teacher about what would be acceptable for her projects with her endless creativity. The solution was not to essentially punish Luz for being creative, and what that only did was make her feel worse about herself and more isolated from the people she thought would be on her side. And then we were shown in thanks to them and for the future, Camilla’s growth into understanding that not talking to Luz about this, and essentially forcing her into normality, was not the way to go about things.
And we see this theme again, with Willow forced into the abomination track because her parent’s thought that was what was best for her, until she was able to showcase her skills and switch to what she was actually good at. Alador realizing he missed a lot of Amity’s growth by not talking to her, and then making it up to Amity by letting her set the boundaries and reestablishing their relationship. Odalia being controlling and not listening to her children which lead to actively harming their social development, until she was confronted and then shut out. Belos manipulating Hunter, isolating him, and abusing him, not even listening to what he had to say. And all of these situations were made better and more bearable when they were given the chance to take charge and be heard.
All this, in an attempt to showcase that children can be vulnerable and malleable, but they are also smart and understanding. And instead of deciding what a child needs, it’s important to communicate with the child instead, asking what they need and listening to what they’re saying. And implementing that by guiding and supporting them, not attempting to control them to what someone else thinks is right.
Children are smart and observant, they just need to be taught how to communicate, and viewed and thought of as actual human beings.
In a way, the owl house is attempting to advocate for it’s audience, and that’s beautiful.
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pollyanna-nana · 21 days
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I think it’s so interesting that Kui decided to show us how differences in lifespan affect tallmen and elf relationships from both angles with Kabru and Thistle and also how that reflects real-life abusive situations. And then goes on to deconstruct that by showing how genuine understanding and respect CAN exist between the races with other characters!
Kabru being raised by an elf (who is shown to only have a superficial respect for short-lived races, the same one might have for a pet in a lot of ways) and treated like a child even though he’s in his 20s. After all, a 20 year old elf would be a kindergartener, and Milsiril seems to have a rather toxic combination of overprotectiveness and dehumanizing tendencies that leads to perpetually seeing the children she raises as children, even well into adulthood for their race.
And yet, we see with characters like Otta that this doesn’t have to be true of EVERY elf (nor should it logically be, especially those who spend actual time around short-lived races.) For all the jokes made at her expense I actually think it’s really interesting that she’s also canonically queer since recognizing the agency and maturity of short-lived races is in itself a type of queerness in elf society from what we’ve seen. Senshi too, as funny as his misconstruing Chilchuck as a child is I think it’s really important that he realizes his mistake and rethinks his assumptions on short-lived races following his example. It doesn’t HAVE to be the way it is, but it will take work on each side to improve things.
Then on Thistle’s end… woof. Complete opposite of Kabru, it was difficult for the tallmen of the golden kingdom to comprehend how someone in their, like, 60s could still behave like a teenager and chalked that up to a personal and moral failing rather than literal differences in biology (kind of an autistic mood but that’s a conversation for later.) It’s just as disturbing as Milsiril’s treatment of the children she adopts really, since they explicitly didn’t want an adult that could exert their own agency and control over their situation. And the thing is it’s not like that’s totally uncalled for, the previous points show how a non-insignificant number of members of long-lived races do genuinely see short-lived races as inferior, or are otherwise ignorant, like with below.
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It ended up working out just how they wanted, because Thistle’s child-like innocence and singleminded desire to make the only family he had happy meant he was never going to do anything he didn’t think would help them… which then backfired, because of course it would. It’s overcontrolling and manipulative parenting, but with the added spice of lifespan differences and magic. Kabru ended up detesting the elves that raised him and wanting nothing to do with them, and Thistle basically had a massive breakdown trying too hard to please everyone. Infantilization vs adultification, as some have said, with predictable results.
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libertasforte · 5 months
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I disliked Furina's story at first because I thought that they made her suffering overly graphic so that people would like her, feel sympathetic towards her, and want to "rescue" her, and making a female character suffer for that purpose is not something I can get behind -
But then I realized that an "arrogant"-ish "wrong"-ish woman having everyone turn against her and not being absolved until it has been made apparent that she has suffered sufficiently is a female story and it is an important story
Childe's story is about aggrieved masculinity. It's about the terrorist, the suicide bomber, and the school shooter. And that is also an important story
It seems insane that he'd try to sink Liyue just to get the gnosis 1. Try to sink Liyue 2. Draw out Morax 3. Fight Morax and win?????????????????????????????????? 4. Acquire the Gnosis But it's not any logical plan. He lashes out because he's been humiliated
It's the same when he goes Foul Legacy during the trial - he's been humiliated, so he lashes out.
Speaking of which - I've heard people say that it's sad how no one cared about how much he suffered during the archon quest, but that's how he'd like it, right? He hid away from his little brother because he didn't want to be seen like that
He spends days and weeks fighting the whale, not because of some noble goal, but because it is the masculine thing to do. He threatens to sink Liyue, not because the plan makes any sense, but it is the masculine thing to do
Arlecchino's story is about how you can be an intimidating and calculating woman and everyone will be terrified of you and believe that you are up to no good
Everyone: we're scared of you, we accept your dominance, we prostrate ourselves before you
Arlecchino: but I'm just me
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yardsards · 4 months
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there's such an interesting extra layer to amity and her relationships (especially w luz) that gets revealed when you learn that not only is she an abuse victim herself, but she is also the child of an abusive marriage
like not only was she personally abused/neglected and taught that she doesn't deserve to have her boundaries respected and won't get positive attention unless maybe she "earns it" by being useful and overachieving, but also her main example of a romantic partnership involved one partner exploiting the other and treating him as an expendable tool
in all of her relationships (platonic, romantic, familial), amity learns to give and receive kindness, learns to respect and set boundaries, learns that the value of herself and others aren't dictated by achievements or usefulness. she's breaking the toxic patterns that her parents taught her via their treatment of her.
but with her romantic relationship with luz, not only is she learning all of the above, but she's also breaking the toxic patterns of a romantic relationship that she would have learned from watching her parents.
when she shows kindness to luz, loves luz wholeheartedly even when she makes mistakes or causes problems, respects luz's privacy and boundaries, she is treating her girlfriend in a way that opposes the way her mother treated her own husband.
when she learns that she doesn't need to be useful or else risk abandonment/punishment, she's learning that she shouldn't accept or expect to be treated by her girlfriend the same way that her father was treated by his own wife.
i just. i love stories about characters breaking cycles. and i love luz and amity's relationship so much. it's very much not the kind of relationship i'm invested in the same way i am invested in with ships between adults. but rather like, it's a relationship between these two young people who are learning to healthily navigate this kind of relationship for the first time in their lives and it's really sweet.
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thefiresofpompeii · 14 days
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the ninth doctor trusted rose enough to believe she would stay with him after his face changed. and twelve took some convincing but towards the end of deep breath accepted that clara would stay by his side no matter how old he looked. but thirteen was so used to losing people. her previous self had loved clara and lost her, he had looked after bill and failed to save her, he had tried to redeem missy and (to his knowledge) lost that cause too. no wonder she wouldn’t trust yaz to stay for her fourteenth face. no wonder she believed she ‘had to do this next part alone’. she had grown quietly distant with the new knowledge that she was no longer even an ordinary gallifreyan, not something of this universe, but outside of it, alien even to the aliens. isolated and inaccessible, standing on an invisible pedestal her ancestors placed her on — a pedestal that more resembled a cage. glass walls on all sides like the forced regeneration chamber. thin glass wall between her and yaz now, transparent but too solid to break through. harder than azbantium when there’s no solid footing to stand on.
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of course yaz would run when she saw her new self. of course she would leave. companions would never stay now, they would never fully understand. when thirteen said that she would need to do ‘this next part’ alone, by ‘next part’ she meant ‘the rest of her (potentially eternal) life’. it’s the classic gambit: push the one you love away before they get the chance to reject you. because they always will, now. either that or they die in horrible circumstances. better to flee like you’ve always done.
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this is why the bigeneration was a narrative necessity, why the giggle was the perfect vision of a positive finale. the original version of the doctor gets to settle down with people that he won’t lose. people that he won’t turn away from. people whose hearts he won’t inevitably break. he’s sitting there in the back yard and he’s not going anywhere…
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…yet somewhere out there in sheffield lives a police officer named yazmin khan. she’s not all sunshine and rainbows — all cops are bastards, after all. sometimes she takes her nameless rage out on a shoplifting suspect. sometimes she hands a parking ticket to a kid that didn’t deserve it. and sometimes she does genuine good for the community, sometimes she goes to the club and dances with strangers, sometimes she sits on the sofa and watches a documentary about space exploration and laughs at the painful inaccuracies. and many miles south, the doctor spends time with his family, but he’ll never get the courage to visit her. because she’d want to run away with him again. and he could never give her that, not anymore. anything but running.
yazmin khan loved the universe in the eyes of her doctor. oh, that doctor in the garden? the stay-at-home-doctor? he’s brilliant, but he would never be enough for her. his presence would never replace the cosmic vistas and myriads of stars thirteen gave her. and she’s never coming back
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doks-aux · 8 months
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The Fredbear animatronic was going through its programmed routine when it bit down on Crying Child's head. Who's to say it stopped there? Did it keep moving? Did it turn its head side-to-side, shaking CC's limp body like a rabbit in a hound's jaws? Did it finally open its mouth again and drop his body at his brother's feet? Did William see all of this while shoving his way in slow motion through a panicking crowd?
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tawaifeddiediaz · 2 months
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do you ever think about how much it hurts eddie when chris expresses how much of his mother he's beginning to lose. because we know that he does his best to keep her memory alive, that they go to her grave and they talk openly about her. but there are things that eddie will never be able to replicate for him - her voice, the way she smelled, the way she'd walk towards him, how she felt when she held him close, etc - and chris will continue to lose those details even if eddie talked about shannon 24/7 for the rest of his life.
that is a sort of helplessness that i don't think anyone talks about enough, and that makes eddie's expression when he overhears chris talking to buck all the more wounded
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