21st Annual Visual Effects Society Awards — Film Winners
Outstanding Visual Effects in a Photoreal Feature
Avatar: The Way of Water – Richard Baneham, Walter Garcia, Joe Letteri, Eric Saindon, JD Schwalm — WINNER
Fantastic Beasts: The Secrets of Dumbledore – Christian Mänz, Olly Young, Benjamin Loch, Stephane Naze, Alistair Williams
Jurassic World: Dominion – David Vickery, Ann Podlozny, Jance Rubinchik, Dan Snape, Paul Corbould
The Batman – Dan Lemmon, Bryan Searing, Russell Earl, Anders Langlands, Dominic Tuohy
Top Gun: Maverick – Ryan Tudhope, Paul Molles, Seth Hill, Bryan Litson, Scott Fisher
Outstanding Supporting Visual Effects in a Photoreal Feature
Death on the Nile – George Murphy, Claudia Dehmel, Mathieu Raynault, Jonathan Bowen, David Watkins
I Wanna Dance With Somebody – Paul Norris, Tim Field, Don Libby, Andrew Simmonds
The Fabelmans – Pablo Helman, Jennifer Mizener, Cernogorods Aleksei, Jeff Kalmus, Mark Hawker
The Gray Man – Swen Gilberg, Viet Luu, Bryan Grill, Cliff Welsh, Michael Meinardus
The Pale Blue Eye – Jake Braver, Catherine Farrell, Tim Van Horn, Scott Pritchard, Jeremy Hays
Thirteen Lives – Jason Billington, Thomas Horton, Denis Baudin, Michael Harrison, Brian Cox — WINNER
Outstanding Visual Effects in an Animated Feature
Guillermo del Toro’s Pinocchio – Aaron Weintraub, Jeffrey Schaper, Cameron Carson, Emma Gorbey, Mad God, Chris Morley, Phil Tippett, Ken Rogerson, Tom Gibbons — WINNER
Strange World – Steve Goldberg, Laurie Au, Mark Hammel, Mehrdad Isvandi
The Bad Guys– Pierre Perifel, Damon Ross, Matt Baer, JP Sans
The Sea Beast – Joshua Beveridge, Christian Hejnal, Stirling Duguid, Spencer Lueders
Turning Red – Domee Shi, Lindsey Collins, Danielle Feinberg, Dave Hale
Outstanding Animated Character in a Photoreal Feature
Avatar: The Way of Water: Kiri – Anneka Fris, Rebecca Louise Leybourne, Guillaume Francois, Jung-Rock Hwang — WINNER
Beast: Lion – Alvise Avati, Bora Şahin, Chris McGaw, Krzysztof Boyoko
Disney’s Pinocchio: Honest John – Christophe Paradis, Valentina Rosselli, Armita Khanlarpour, Kyoungmin Kim
Slumberland: Pig – Fernando Lopes Herrera, Victor Dinis, Martine Chartrand, Lucie Martinetto
Outstanding Animated Character in an Animated Feature
Guillermo del Toro’s Pinocchio: Geppetto – Charles Greenfield, Peter Saunders, Shami Lang-Rinderspacher, Noel Estevez-Baker
Guillermo del Toro’s Pinocchio: Pinocchio – Oliver Beale, Richard Pickersgill, Brian Leif Hansen, Kim Slate — WINNER
Strange World: Splat – Leticia Gillett, Cameron Black, Dan Lipson, Louis Jones
Turning Red: Panda Mei – Christopher Bolwyn, Ethan Dean, Bill Sheffler, Kureha Yokoo
Outstanding Created Environment in a Photoreal Feature
Avatar: The Way of Water: Metkayina Village – Ryan Arcus, Lisa Hardisty, Paul Harris TaeHyoung David Kim
Avatar: The Way of Water: The Reef – Jessica Cowley, Joe W. Churchill, Justin Stockton, Alex Nowotny — WINNER
Jurassic World Dominion: Biosyn Valley – Steve Ellis, Steve Hardy, Thomas Dohlen, John Seru
Slumberland: The Wondrous Cuban Hotel Dream – Daniël Dimitri Veder, Marc Austin, Pavan Rajesh Uppu, Casey Gorton
Outstanding Created Environment in an Animated Feature
Guillermo del Toro’s Pinocchio: In the Stomach of a Sea Monster – Warren Lawtey, Anjum Sakharkar, Javier Gonzalez Alonso, Quinn Carvalho — WINNER
Lightyear: T’Kani Prime Forest – Lenora Acidera, Amy Allen, Alyssa Minko, Jose L. Ramos Serrano
Strange World: The Windy Jungle – Ki Jong Hong, Ryan Smith, Jesse Erickson, Benjamin Fiske
The Sea Beast: The Hunting Ship – Yohan Bang, Enoch Ihde, Denil George Chundangal, John Wallace
Wendell & Wild: The Scream Fair – Tom Proost, Nicholas Blake, Colin Babcock, Matthew Paul Albertus Cross
Outstanding Virtual Cinematography in a CG Project
ABBA: Voyage – Pär M. Ekberg, John Galloway, Paolo Acri, Jose Burgos
Avatar: The Way of Water – Richard Baneham, Dan Cox, Eric Reynolds, A.J Briones — WINNER
Prehistoric Planet – Daniel Fotheringham, Krzysztof Szczepanski, Wei-Chuan Hsu, Claire Hill
The Batman: Rain Soaked Car Chase – Dennis Yoo, Michael J. Hall, Jason Desjarlais, Ben Bigiel
Outstanding Model in a Photoreal or Animated Project
Avatar: The Way of Water: The Sea Dragon – Sam Sharplin, Stephan Skorepa, Ian Baker, Guillaume Francois — WINNER
The Sea Beast – Maxx Okazaki, Susan Kornfeld, Edward Lee, Doug Smith
Top Gun: Maverick: F-14 Tomcat – Christian Peck, Klaudio Ladavac, Aram Jung, Peter Dominik
Wendell & Wild: Dream Faire – Peter Dahmen, Paul Harrod, Nicholas Blake
Outstanding Effects Simulation in a Photoreal Feature
Avatar: The Way of Water: Fire and Destruction – Miguel Perez Senent, Xavier Martin Ramirez, David Kirchner, Ole Geir Eidsheim
Avatar: The Way of Water: Water Simulations – Johnathan M. Nixon, David Moraton, Nicolas Illingworth, David Caeiro Cebrian — WINNER
Black Panther: Wakanda Forever: City Street Flooding – Matthew Hanger, Alexis Hall, Hang Yang, Mikel Zuloaga
Fantastic Beasts: The Secrets of Dumbledore – Jesse Parker Holmes, Grayden Solman, Toyokazu Hirai, Rob Richardson
Outstanding Effects Simulation in an Animated Feature
Lightyear – Alexis Angelidis, Chris Chapman, Jung-Hyun Kim, Keith Klohn
Puss in Boots: The Last Wish – Derek Cheung, Michael Losure, Kiem Ching Ong, Jinguang Huang — WINNER
Strange World – Deborah Carlson, Scott Townsend, Stuart Griese, Yasser Hamed
The Sea Beast – Spencer Lueders, Dmitriy Kolesnik, Brian D. Casper, Joe Eckroat
Outstanding Compositing & Lighting in Feature
Avatar: The Way of Water: Landing Rockets Forest Destruction – Miguel Santana Da Silva, Hongfei Geng, Jonathan Moulin, Maria Corcho
Avatar: The Way of Water: Water Integration – Sam Cole, Francois Sugny, Florian Schroeder, Jean Matthews — WINNER
The Batman: Rainy Freeway Chase – Beck Veitch, Stephen Tong, Eva Snyder, Rachel E. Herbert
Top Gun: Maverick – Saul Davide Galbiati, Jean-Frederic Veilleux, Felix B. Lafontaine, Cynthia Rodriguez del Castillo
Outstanding Special (Practical) Effects in a Photoreal Project
Avatar: The Way of Water: Current Machine and Wave Pool – JD Schwalm, Richie Schwalm, Nick Rand, Robert Spurlock — WINNER
Black Adam: Robotic Flight – JD Schwalm, Nick Rand, Andrew Hyde, Andy Robot, Mad God, Phil Tippett, Chris Morley, Webster Colcord, Johnny McLeod
The Lord of the Rings: The Rings of Power “Adrift” Middle Earth Storm – Dean Clarke, Oliver Gee, Eliot Naimie, Mark Robson
Emerging Technology Award
Avatar: The Way of Water: Depth Comp – Dejan Momcilovic, Tobias B. Schmidt, Benny Edlund, Joshua Hardgrave
Avatar: The Way of Water: Facial System – Byungkuk Choi, Stephen Cullingford, Stuart Adcock, Marco Revelant
Avatar: The Way of Water: Water Toolset – Alexey Dmitrievich Stomakhin, Steve Lesser, Sven Joel Wretborn, Douglas McHale — WINNER
Guillermo del Toro’s Pinocchio: 3D Printed Metal Armature – Richard Pickersgill, Glen Southern, Peter Saunders, Brian Leif Hansen
Turning Red: Profile Mover and CurveNets �� Kurt Fleischer, Fernando de Goes, Bill Sheffler
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CHICAGO FIRE – A COFFIN THAT SMALL (S01E19)
[TRIGGER WARNING: kid trapped in laundry chute gif under the cut]
Matt Casey: Hey.
Heather Darden: I am so sorry. I completely zonked out.
Matt Casey: No worries. I didn’t want to wake you.
Heather Darden: What time is it?
Matt Casey: Uh, 7:00.
Heather Darden: Oops, I, uh, I have to pick up the boys from
grandma’s.
Matt Casey: Okay.
Heather Darden: Uh, the baking dish is still dirty, so I’m gonna
wash it.
Matt Casey: I’ll clean it.
Heather Darden: Matt.
Matt Casey: I saw this swing set fort type thing at True Value.
I’ve been meaning to build it for Griffin and Ben.
I’ll bring it and the dish by after shift. If that’s cool
with you.
Heather Darden: Thank you, you’re… that’s very sweet.
Matt Casey: Oh, come on.
Heather Darden: Mind if I use your bathroom?
Matt Casey: Of course.
[knocks on door]
Kelly Severide: Hey.
Matt Casey: Hey.
Kelly Severide: My dad wanted me to drop that off. His way of
apologising for you catching that elbow.
Matt Casey: Thanks.
Kelly Severide: All right, well, I-I’ll see you at the house.
Heather Darden: Do you have any mouthwash?
Matt Casey: Eh… it’s not what you…
Hey.
Hey! It’s not what you think!
Kelly Severide: Yeah, I’m sure you’ve got it all figured out.
[car door slams, engine starts]
cutscene
Christopher Herrmann: Hey! Any of you guys know John Pritchard,
or are you all too young?
Matt Casey: He was gone before I came on, but I heard stories.
Mouch: Piece of work, that one.
Otis Zvonecek: What, he died or something?
Christopher Herrmann: Yeah! You know, Boden, Mouch and me,
we all knew him back in the day. He
must have been 20 years older than
Boden if that tells you anything.
Otis Zvonecek: What did he die of?
Christopher Herrmann: Old man stuff. I don’t know.
Matt Casey: [chuckles]
Christopher Herrmann: Funeral is tomorrow up at Grayslake.
Otis Zvonecek: Are you guys going?
Christopher Herrmann: Yeah, I guess, you know? We should
pay our respects.
Matt Casey: All right. Hydrant’s good to go.
Christopher Herrmann: [grunts]
Peter Mills, you get to flush the next
one.
Mouch: By the way, saikensha wa saimusha yori kioku yoshi.
Otis Zvonecek: What the hell’s that?
Mouch: You bet me I couldn’t say a sentence in Japanese. I just
said one. You owe me 20 bucks.
Joe Cruz: [chuckles]
Otis Zvonecek: Okay. (A) I don’t remember that. And (B) how do
I know you’re not just speaking gibberish?
Mouch: It’s a sentence.
Otis Zvonecek: What’s it mean?
Mouch: Pay me 20 bucks, I’ll tell you.
Otis Zvonecek: Ridiculous. You tell me and…
Boy 1: Help! Help!
He fell!
We were playing hide and seek upstairs.
Victim 1 (Little boy): [groans]
Matt Casey: Hang on. We’re coming.
Victim 1 (Little boy): [strangled grunts]
- title -
Joe Cruz: (into radio) This is 81. I need a paramedic across from
our firehouse.
Dispatcher: (over radio) What’s the address?
Joe Cruz: (into radio) Look for our lights!
Let’s go, bro!
Peter Mills: Hit it!
[siren wailing]
Victim 1 (Little boy): [strangled grunts/breathing]
Matt Casey: His neck’s twisted. He can’t breathe.
Boy 1: I told Taye not to go in that chute. He knows better.
Matt Casey: Come with me.
All right, we have to get through this block.
[buzzing]
Boy 1: [crying]
[sirens wailing]
Matt Casey: (over radio) 61, we need you on the second floor.
It’s a child.
Gabby Dawson: What’s going on?
Otis Zvonecek: Kid hid in the laundry chute.
Joe Cruz: Mills, get in here.
Peter Mills: Yeah!
[drilling]
Lady 1 (Mom): Dougie?
Boy 1 (Dougie): [cries] I told him infinity times not to hide in
there [cries]
[indistinct chatter]
Matt Casey: Okay let’s peel back the front.
Lady 1 (Mom): Taye?
Chief Boden: Ma’am. Ma’am, don’t look.
Lady 1 (Mom): [gasps]
Chief Boden: We’ll get him out. Let them work.
Matt Casey: Get his head.
Lady 1 (Mom): Dougie… Honey, go upstairs.
Chief Boden: Okay.
Lady 1 (Mom): Oh God. Oh Lord.
Matt Casey: Let’s back him out.
Chief Boden: Don’t look.
Lady 1 (Mom): [cries]
Joe Cruz: [grunts]
Grab his legs.
Otis Zvonecek: He’s conscious but barely.
Lady 1 (Mom): Taye! [cries]
Chief Boden: Okay, okay. Okay.
Lady 1 (Mom): [cries]
Joe Cruz: Grab his legs.
Lady 1 (Mom): Taye.
Leslie Shay: Let’s board him quickly.
Chief Boden: Hold on to me.
Lady 1 (Mom): [sobs]
Gabby Dawson: One, two, three.
[grunting]
Gabby Dawson: You the mother?
Lady 1 (Mom): Yes.
Gabby Dawson: You can ride in the back with me. Let’s go.
Chief Boden: Go on.
cutscene
Gabby Dawson: I’ll be right back.
What have you heard?
Lady 1 (Mom): Um… the doctor says it looks bad. It’s a
damaged windpipe, so his brain was…
without oxygen.
Gabby Dawson: Well, they’ve got great surgeons here. They’ll
do everything they can.
Lady 1 (Mom): You know… Taye has been to your firehouse.
Gabby Dawson: Oh yeah?
Lady 1 (Mom): Yeah. His whole class went on a field trip last fall
when the school year started. It was all he could
talk about for days [chuckles] [sniffs]
He said he wants to be a fireman, help people.
Gabby Dawson: That’s… that’s sweet.
Lady 1 (Mom): [sniffs] Gangs are always calling, but he won’t bite.
He’s gonna be straight and narrow, and I believe
that.
Gabby Dawson: I’m sure he will.
Lady 1 (Mom): [sniffles] Thank you.
cutscene
Matt Casey: You gotta be kidding me.
Mouch: I don’t know if I can handle another season like the
last one.
Christopher Herrmann: Hope springs eternal.
Mouch: Hope never met a Sox September.
Otis Zvonecek: Yeah, well at least you guys have a series win
in the last century. Try being a Cubs fan.
Christopher Herrmann: There’s plenty of room on the
bandwagon if you want to move to
the south side.
Otis Zvonecek: Yeah. What are you, Pouch? You Cubs or Sox,
huh?
Christopher Herrmann: Look at her feet. She’s definitely a
White Sox fan.
Joe Cruz: Guys, put a cork in it. I’m trying to listen to the
Hawk.
Mouch: Saikensha wa saimusha yori kioku yoshi.
Otis Zvonecek: What does that mean?
Matt Casey: Hey, if they score, come get me.
Otis Zvonecek: [muttering] Saikensha… Sai…
Chief Boden: Hey Lieutenant. I want to bring you up to speed
on what Kelly’s just filled me in on.
Kelly Severide: I’m gonna push to fast-track Peter Mills to
Squad. The youngest anyone’s every made
it was 23.
Matt Casey: You.
Kelly Severide: I think Mills can break the record. And I talked
to Chief Walker over at District, and he thinks it
would be great for CFD morale.
Matt Casey: Is that what you think, Chief? Great for morale?
Chief Boden: As long as he qualifies.
Matt Casey: Well, sounds like you guys have all the answers.
cutscene
Peter Mills: You wanted to see me, Chief?
Chief Boden: As you’re aware, Lieutenant Severide thinks
that you’ll make a strong addition to Rescue
Squad.
[door closes]
Peter Mills: Yes.
Chief Boden: I just want to hear your take on it.
Peter Mills: I’m gonna bust my ass to make it happen.
Chief Boden: Why?
Peter Mills: I’m sorry?
Chief Boden: Why’s it so important to you?
Peter Mills: ‘Cause I want to be an elite firefighter, sir.
Chief Boden: And this has got nothing to do with your
father?
Peter Mills: No, sir.
This has nothing to do with what my father did
or did not do with his time at the CFD. This is
about me
Chief Boden: Well, since you’ve been here you’ve put on ten
pounds. Which, from where I sit, doesn’t look
like a candidate willing to bust his ass.
[slurps]
[door closes]
Gabby Dawson: Hey, how’s it going?
Peter Mills: Been better.
Gabby Dawson: You need me to take care of someone? Give
me a name.
Peter Mills: Not now.
cutscene
Matt Casey: Heather Darden and me, we’re just friends. She
came over to talk and fell asleep on my couch.
Kelly Severide: Right. Got it.
Matt Casey: I don’t know what you want me to say here.
Kelly Severide: I saw what I saw, Casey. Sell your clean whistle
act to someone else, ‘cause I ain’t buying.
Matt Casey: You can’t imagine you might be wrong about
something, can you?
Kelly Severide: I can imagine a lot of things, just not the idea
of you rolling around with Andy’s widow.
Matt Casey: Come on.
Kelly Severide: Explain to me why Heather barely talks to me,
but she’ll sleep with you, even though you’re
the guy who put her husband through that
window?
[gunshots]
[shouting]
[glass shattering]
Firefighter: Get down!
Get down!
[gunshots]
Christopher Herrmann: What the hell is going on in here?
[tires squealing]
Chief Boden: You okay?
Kelly Severide: Yeah.
Chief Boden: Casey, are you okay?
Matt Casey: Yeah.
Chief Boden: What the hell is going on here, Detective? This
has always been a neighbourhood house.
Man 1 (Det. Ben Vikan): You tell me. No run-ins recently? No
fires where one of your guys tried to
pop off to the local…
Chief Boden: No.
Christopher Herrmann: We’re not cops. People are happy to
see a firefighter show up.
Man 1 (Det. Ben Vikan): Could this be Voight related?
Matt Casey: Voight?
Man 1 (Det. Ben Vikan): When it comes to gang violence, the
man has a long reach. He’s got a
dismissal hearing soon.
Matt Casey: Not like Voight to stir up the nest if he’s trying to
free himself.
Joe Cruz: Man, why don’t you pick up one of these bangers
for something small and trade the bust for what
they know about the shooters?
Man 1 (Det. Ben Vikan): Corner boys in this neighbourhood
are good. We can’t catch them with
the drugs and make the bust stick.
We’ll keep our ears to the ground.
In the meantime, I’ll make sure we
have a conspicuous police presence
around the station.
Chief Boden: Meaning what?
Man 1 (Det. Ben Vikan): Put a special detail on it. Squad
outside. Officer posted in the
house.
Firefighters: [muttering in disagreement]
Chief Boden: Well, that’s fine. So long as the men are safe.
Otis Zvonecek: [sighs]
Chief Boden: What?
Christopher Herrmann: Cops in the house is a bad precedent.
Sends a message to the good residents
around here that… we’re not a safe
haven.
Mouch: You rather have one of us be killed?
Christopher Herrmann: Of course not.
Chief Boden: We will let the police handle their business, and
we… will handle ours.
Joe Cruz: [sighs]
cutscene
[police radio chatter]
Otis Zvonecek: Never seen anything like this before.
Joe Cruz: So much for being the neighbourhood’s house.
[engine starts]
[dramatic music]
cutscene
Lady 2 (Barista): Here you go.
Leslie Shay: Thanks.
Kelly Severide: Thanks.
Leslie Shay: Yeah.
Kelly Severide: Hey, any word on that kid pulled out of the
laundry chute?
Leslie Shay: I haven’t heard anything yet.
Hey, what’s going on with you and Casey? It
seemed like…
Kelly Severide: Oh, I don’t… I don’t want to talk about Casey.
Leslie Shay: Okay, fine. We’ll just enjoy watching you two
mark your territory.
Kelly Severide: Ah…
Leslie Shay: So what do you want to talk about?
Kelly Severide: So how would this work? With the, um…
insemination?
Leslie Shay: Well… basically, you know, I’d get a hormone
injection once a day for 12 days to boost
ovulation, then we’d go to a clinic where they
have rooms set aside for collection. Meaning
you know, they give you magazines or
whatever and you go in and do your business.
Kelly Severide: I mean, I get that part
[chuckling]
Kelly Severide: How much does it cost?
Leslie Shay: Uh, all-in, 10 grandish.
Kelly Severide: 10 grand, are you serious?
Leslie Shay: Yeah.
Kelly Severide: You have that kind of cash?
Leslie Shay: I’m gonna stretch some card limits and cobble
it together.
Kelly Severide: I’m in.
[laughter]
cutscene
Christopher Herrmann: What?
Mouch: You picked him up first?
Christopher Herrmann: Just get in.
Mouch: Now I gotta stare at the back of your head for an
hour?
Christopher Herrmann: Yeah.
Mouch: Guess it’s better than getting shot at at the
firehouse.
Boden & Herrmann: [laughs]
[laughter]
Chief Boden: So I come home, try to climb in through the
window, but it’s shut. It’s locked.Oh, okay. I
thought I got a clean getaway, but no. Now
I gotta go around and ring on the damn
doorbell.
[laughter]
Chief Boden: My old man, he’s just sitting in his chair.
Waiting for me. For hours.
Mouch: 3 o’clock in the morning.
Chief Boden: Alcohol on my breath
Mouch: Ooh! [laughs]
Chief Boden: He just stares at me, hard as nails. He says,
“boy, you got four choices where you’re going
to college… Army, Navy, Air Force, Marines…
pick one.”
Mouch: Wow.
Chief Boden: [scoffs]
Christopher Herrmann: At least your old man gave a damn.
Mouch: Oh, Bill Herrmann wasn’t so bad. I’m friends with
Chris’s older brother, Larry. Your dad would throw
the ball with us when he was home.
Christopher Herrmann: Larry did not disappoint him the way
that I did.
Chief Boden: You never told me about your dad.
Christopher Herrmann: Aw, sold luggage to department
stores all over the Midwest. He
was on the road more than he
was home.
Chief Boden: Is that right?
Christopher Herrmann: He wanted me to chase him into
the business like my brother
Larry did, so naturally I took the
fireman’s test.
[chuckling]
Christopher Herrmann: They got this whole thing…
Larry and my dad.
I don’t talk to him that much
anymore.
Mouch: You should call him.
Christopher Herrmann: I should. It’d be that much worse
when he didn’t call me back.
cutscene
Gabby Dawson: [panting]
Peter Mills: What are you doing here?
Gabby Dawson: Maybe being quiet and keeping to
yourself is how it works in the Mills
family, but that’s not how the Dawsons
Dawsons do it.
Peter Mills: Is that so?
Gabby Dawson: Look, if you want to fly solo, you better do it
in bed with your eyes closed, okay? But if
you want to train for Squad, you better get
ready to talk while you run, ‘cause I’m
coming with you.
Hey. I want to be a part of whatever comes your
way.
Peter Mills: Well, then you better tie your shoes first.
Gabby Dawson: Oh!
Peter Mills: [laughs]
Gabby Dawson: [laughs] Oh I’m gonna get you!
cutscene
Chief Boden: This is the right time, right?
Christopher Herrmann: Paper said 3:30.
[organ playing in background]
Christopher Herrmann: Excuse me, is this the Pritchard
funeral?
Man 2 (Mortician): Yes. Yes, we’re about to get underway.
Christopher Herrmann: Oh.
Man 2 (Mortician): Have a seat.
Mouch: Thanks.
Chief Boden: Thanks.
Christopher Herrmann: Are you kidding me with this? Didn’t
he have, like, five sons?
Mouch: Yeah.
Christopher Herrmann: Where’s his family?
Man 3 (Preacher): Welcome, friends. We’re all here today not
to grieve but to celebrate the life of…
John Aaron Pritchard. Matthew 5:4 says,
“Blessed are they who mourn for they
shall be comforted.”
Mouch: Let’s get outta here.
Chief Boden: Amen.
Christopher Herrmann: So, like, I mean, that’s it? I mean
what… half a dozen people, and
no family, and a preacher who
doesn’t even know his name
without looking at the program?
And where’s the truck with a half-
raised ladder and salute to a fallen
firefighter?
Chief Boden: Chris…
Christopher Herrmann: No, I’m serious. What’s my funeral
gonna be like when I kick it? Or
yours, Mouch, huh?
Mouch: Doubt I’ll care.
Christopher Herrmann: All the same, he deserved a funeral
with respect for all of his service.
And just because he waited a dozen
years to die and moved out to the
sticks doesn’t mean that he wasn’t a
hero.
Chief Boden: Let’s go.
Mouch: Shotgun!
Christopher Herrmann: This… this ain’t right! Grr!
cutscene
[indistinct police radio chatter]
Matt Casey: Any word on the shooters?
Uniformed Cop: Nada.
Matt Casey: How was the funeral?
Christopher Herrmann: What’s worse than terrible? It
was that.
Peter Mills: [groans]
Otis Zvonecek: What?
Peter Mills: Oven’s busted.
Christopher Herrmann: What? Blender is too.
[buzzing]
Joe Cruz: Bad news. Remember that kid from last shift?
Trapped in the laundry chute?
Otis Zvonecek: Yeah?
Joe Cruz: Didn’t make it.
Gabby Dawson: He came here, this kid. He was here on a
class field trip.
He told his mom he wanted to be a fireman
when he got home.
Peter Mills: Wow, I recognise him. It was my first day. You
guys had me give the tour.
Otis Zvonecek: [exhales] Man I remember that.
Joe Cruz: Funeral’s on Friday.
Christopher Herrmann: Hey pop, it’s Christopher. Just…
checking in. I know it’s been a
while, and… anyway just call
me back.
cutscene
Kelly Severide: You know what the worst part is?
Matt Casey: What is the worst part, Kelly?
Kelly Severide: That you don’t have enough sack to
admit you’re sleeping with Heather.
At least come clean.
Matt Casey: Keep walking. I’m done explaining myself.
Kelly Severide: You haven’t explained a damn thing!
That’s the point!
Matt Casey: ‘Cause you’re wrong!
Don’t come up on me again like this.
Kelly Severide: Really?
Chief Boden: What the hell is going on here?
In my office, now.
[object clatters]
Chief Boden: We’ve been here before. Almost tore
this house apart.
Kelly Severide: This time, it’s different.
Chief Boden: Tell me about it.
Kelly Severide: Yeah, Casey, tell him about it.
Matt Casey: No offense, Chief.
[door shuts]
cutscene
Leslie Shay: So what do you think about the whole
Casey/Heather thing?
Gabby Dawson: Uh… I don’t know.
Leslie Shay: Hmm. You haven’t asked him?
Gabby Dawson: We’ve said like two sentences to each
other in a month.
Hey, what’s your name?
Man 4: Phillip.
Gabby Dawson: [laughs] All right, let’s get you up, Phillip.
Come on.
Here we go [groans]
Leslie Shay: Whoa!
Gabby Dawson: [chuckles]
Leslie Shay: Phillip, that is not the kind of full moon I was
expecting to see today.
Gabby Dawson: [laughs]
Leslie Shay: Come on.
Gabby Dawson: Here we go.
Leslie Shay: All right, keep your pants up.
Gabby Dawson: Whew! So Severide’s, uh, little swimmers,
huh?
Leslie Shay: Yeah.
Gabby Dawson: And who’s paying for this?
Leslie Shay: [sighs] I don’t know.
Gabby Dawson: You know, there’s another, cheaper alternative.
Leslie Shay: Oh, come on.
Gabby Dawson: What? I’m just saying.
Leslie Shay: Oh boy.
Gabby Dawson: Nature has already worked out a lot of these
details.
Come on. Oh!
[engine revving]
[tires squealing]
[horn beeping]
Leslie Shay: (into radio) I need a 10-1 to East Van Buren, now!
Dispatcher: (over radio) What’s the nature of the call?
Leslie Shay: (into radio) Someone’s stealing our ambulance!
[horn beeping]
[tires screeching]
Gabby Dawson: Hey!
Man 5 (Thief): What the hell?
Gabby Dawson: Pull over!
Man 5 (Thief): Shut up!
Gabby Dawson: You can’t steal an ambulance!
Man 5 (Thief): I said shut up!
Gabby Dawson: Listen to me, moron!
Man 5 (Thief): Quit talking to me!
[horn honking]
Gabby Dawson: This ambulance has GPS. They can track us in
the city so they know where we’re at at all
times. When you hear the beep that means
that they’re about to shut down the engine!
Man 5 (Thief): What are you talking about?
Gabby Dawson: They’re gonna turn off the engine, lock up the
tires, and send your face flying through the
windshield.
[sirens approaching]
Man 5 (Thief): That ain’t true!
[police sirens wailing]
Gabby Dawson: Here it comes!
[beeping]
Gabby Dawson: You should buckle up!
[beeping continues]
Man 5 (Thief): Damn it!
[tires screeching]
Gabby Dawson: [heavy breathing]
Man 5 (Thief): [groans]
[siren whoops]
Gabby Dawson: Somebody call for an ambulance?
Leslie Shay: Come on, Philip.
cutscene
Leslie Shay: Hey.
Kelly Severide: Hey.
[door closes]
Leslie Shay: [clears throat] I know this may not be the best time,
um, but I have a new proposal. So please don’t
say anything or make any funny faces.
Kelly Severide: Okay.
Leslie Shay: Okay. Uh… I can’t afford the insemination. So I’ve
been thinking about Plan B. And I propose…
when the time is right, you go into your room with
magazines or Skinemax or whatever you need to
get yourself ready. And then with the lights out,
you signal me by calling out my name once. You’ll
hear your door open, footsteps. And… and then
you’ll be mounted. You will finish your business
inside of me as quickly and efficiently as possible.
And then I’ll be out the door, so you can clean up
or whatever you need to do. At which point, I will
need to be alone. Most likely to cry. And we will
never speak of this to anyone ever [chuckles] for
the rest of our lives. And… I thank you for
listening. Just think about it.
[door shuts]
cutscene
Gabby Dawson: [sighs]
[phone buzzing]
Gabby Dawson: Here we go. Here we go.
Sit. Sit.
Mouch: What the hell are you doing?
Christopher Herrmann: I’m not standing near any windows.
Mouch: Well, it ain’t exactly easy to watch the ballgame with
you staring back at me.
You think the shooters are going to text you before
they open fire?
Christopher Herrmann: I broke down and called my old
man. I got nothing back.
Otis Zvonecek: [sighs] Mills, what’s for lunch?
Peter Mills: Oh, um, I was bringing in some beef tips but I
don’t think they’re gonna taste that good raw,
so, uh, we can do some pimento cheese
sandwiches…
Joe Cruz: How about Al’s beef?
Peter Mills: Okay, all right. We’ll do Al’s beef.
Matt Casey: Call it in.
Peter Mills: I will. All right.
Mouch: Oh Otis!
Otis Zvonecek: Yeah?
Mouch: Uh, saikensha wa saimusha yori kioku yoshi.
Otis Zvonecek: Seriously, up yours, Mouch.
Mouch: [chuckles] Hey, you know who knows how to
translate that? Andrew Jackson [laughs]
Chief Boden: Dawson, where’s Shay?
Gabby Dawson: Uh, I don’t know.
Chief Boden: This is Tara Little. She’s a candidate. She’s
gonna be riding along with you guys for the
next few shifts for evaluation.
Gabby Dawson: Cool.
Lady 3 (Tara Little): Hey, so nice to meet you. I’ve heard
a lot about you.
Gabby Dawson: Oh, don’t pay any attention to what these
guys have to say. Especially Frick and
Frack over here.
Lady 3 (Tara Little): Oh, which one’s Frick?
Gabby Dawson: [chuckles] Come on.
Matt Casey: What’s that?
Peter Mills: Oh, it’s… yeah I keep the cooking club cash
hidden here. That-that’s cool, right?
Matt Casey: Yeah. Yeah it-it’s fine. I’ll get the food.
Peter Mills: No, I don’t mind. I’ll grab it.
Matt Casey: I got it.
[car door shuts]
Matt Casey: I want to talk to whoever’s in charge.
Young Man 1 (Dealer): Nah, get back in your truck.
Matt Casey: Not a cop. Not armed.
Young Man 1 (Dealer): Nah man, get back in your truck.
Matt Casey: I just want to talk.
[game sounds on TV]
Young Man 1 (Dealer): [clears throat]
[door closes]
Matt Casey: You in charge?
Young Man 2 (Greshawn): Who wants to know?
Matt Casey: My name’s Casey. I’m the Lieutenant at
Firehouse 51 down the street.
Young Man 2 (Greshawn): So?
Matt Casey: Someone tried to pop a couple shots into our
house in broad daylight. Could have killed
someone. Someone who works to protect
this neighbourhood every single day. Now I
know why. You guys hide your drugs in the
hydrants, don’t you?
Look, we have to flush those hydrants twice
a year. Otherwise one of these buildings is
on fire… yours maybe. It burns down
because there’s no water in our hoses. You
know, I’m not stupid enough to think that
you’re gonna give up selling your junk
because I come in here, but I’m telling you,
you hide it in the hydrants, it’s gonna get
flushed.
Young Man 2 (Greshawn): You done?
Matt Casey: No. Like it or not, we all gotta coexist here,
right? This is our neighbourhood. You
don’t own it.
[door closes]
cutscene
Leslie Shay: Hey. Guess what?
Kelly Severide: What’s up?
Leslie Shay: Well, my dad just called. He’s gonna pay
for the insemination. Says he was
worried that he’d never be a grandpa.
Kelly Severide: That’s great.
Leslie Shay: Yeah. So you know, back to Plan A.
cutscene
[indistinct radio chatter]
Otis Zvonecek: You know what? Fine.
Mouch: Saikensha wa saimusha yori kioku yoshi.
Creditors have better memories than
debtors.
[train passing]
Mouch: Hey, Lieutenant, okay if we make a quick
stop. Won’t take long, I promise.
Matt Casey: Sure.
Mouch: Cruz, take a right here.
Matt Casey: This is the right place?
Mouch: This is it.
Christopher Herrmann: Aw, come on Mouch. What
is this?
Mouch: Just wait. I want you to see this.
Christopher Herrmann: Yeah.
Man 6: Randy! How are you?
Mouch: What do you say, Larry?
Man 6 (Larry Herrmann): Good to see you man. Hey.
Chris.
Christopher Herrmann: Hey, Larry, how you been?
Man 6 (Larry Herrmann): You’re not getting away with
a handshake. Come here,
little brother.
Christopher Herrmann: Yeah, good to see you.
Man 6 (Larry Herrmann): [chuckles] All right.
Hey.
Christopher Herrmann: Hey. Wow you guys have grown.
Man 6 (Larry Herrmann): Yeah. How long has it been since
you’ve been here?
Christopher Herrmann: I… don’t remember. Uh, dad around?
Man 6 (Larry Herrmann): No, he’s in Boston. He’s supposed
to be selling socks to Filene’s
basement, but he’s probably
already in line for bleacher seats at
Fenway. Randy called and said you
were down about dad. So come on.
There’s something you should see.
Man 6 (Larry Herrmann): You should hear him talk about his
son the firefighter. I can’t get him
to shut up about it.
cutscene
[dishes clattering]
Chief Boden: Okay.
Mrs Leppert.
Lady 1 (Mom/Mrs Leppert): Chief.
Hello. I’m sorry to bother you.
Chief Boden: No, not at all. We’re all very sorry about your
son.
Lady 1 (Mom/Mrs Leppert): Thank you. You may know he was
here once. And… he wanted to
be a fireman ever since. Anyway,
he would have been happy to
know you guys were there at the
end. And he would have wanted
you to have this. Thank you for
what you do in this
neighbourhood.
Chief Boden: Thank you.
We owe this kid. We owe Taye better than this.
We are better than this.
[somber music]
Christopher Herrmann: I have an idea.
Chief Boden: Ten-hut!
Chief Boden: Present arms!
- end -
Definitions:
Saikensha wa saimusha yori kioku yoshi = Creditors have better memories than debtors
Hope springs eternal = Said when you continue to hope that something will happen, although it seems unlikely
10-1 = Fireman/firemen needs emergency help
Frick and Frack = English slang term used to refer to two people so closely associated as to be indistinguishable
Filene’s Basement = Department store company
Ten-hut = Come to attention!
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