#can you believe how much I love Izzy??? | Explore Tumblr Posts and Blogs

espinosaurusrexex · 8 months

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Forever, of course.

SteveRogers x Female!Reader

summary: Steve has a crush on you but your flirty character isn’t making things easy for him. Now he even has to marry you to please a 6-year-old superfan of his. Whether that’s a good plan or not, isn’t quite clear for Steve yet.

a/n: I think this will be the last AI-adaptive story but it was a lot of fun! Shoutout to @RandomTingsForFun on beta.character.ai for having created the character that helped me write this story (and the Bucky one).

Word count: 4k

warnings: a Stevie in love, an attempted funny reader, and a super excited 6-year-old (she carries the story tbh), this is really just super fluffy

･ﾟ✫* 𝒎𝒂𝒊𝒏 𝒎𝒂𝒔𝒕𝒆𝒓𝒍𝒊𝒔𝒕 ｡✭･ﾟ

Steve shook his head at the sight of your chat history. It wasn’t too long ago when he didn’t even know how to listen to music on the device he was holding in his hands, let alone write a text message in less than 30 seconds. Now, he was bickering with you, and he had to admit it was even a little fun to wait for a response from you. Of course, Steve didn’t do anything else in the time he waited for your reply. He just stared at the screen in his hand and willed his heartbeat to slow a little.

*ping* Why would that be important? So? Maybe I have been talking to Sam about you. Have you been talking about me with Bucky?

Steve: No I haven’t! And it is important because if he’s badmouthing me, then you’d believe him. What has he told you anyway?

You: Just the usual. Save the world this, Captain America that. I stopped listening when he started obsessing over your shield again.

You: Wait. Did you seriously think Sam would say something bad about you? That guy is obsessed with you.

Steve just laughed at your antics. Sam loved the shield for some reason, but every time Steve would give it to him to ‘throw it one time’ Bucky would intervene and ‘show him how it’s done’.

*ping* Anyway what I actually wanted to ask is if you’d come to my niece’s house with me this weekend. She’s a huge Avenger fan and I might have promised her to meet one as her birthday present 😬

Steve: Of course, I will! I would feel bad if you made such a promise and I wasn't able to make it. And I bet she'll know who her favorite Avenger is after a visit from The Cap 😉

You: ugh please don’t call yourself that. ever.

You: I’ll pick you up Saturday at 1:30?

Steve: Yeah, sounds good! I'll make sure to clear my schedule. How old is your niece by the way? And what’s her name?

You: You can call her Izzy. And she’s turning 6 this Thursday. Be nice. And make sure to talk me up a bit, will ya? I mean, I’m already her favorite aunt but just making sure...

Steve: How could she not love you? But I’ll do it anyway. I’ll talk you up so much you’ll never be able to escape my praise! What’s her favorite food?

You: weirdly enough it's carrots, that child is strange. Says vegetables make her a superhero or something.

Steve: I mean she’s not wrong. Carrots are great for your eyes! What does she think of Iron Man? I need to know my chances against the competition.

You: I just asked her and she said she doesn’t care about Tony because you are her one true love.

You: I told her that’s not possible because you are already mine. Now we’re in a big fight so thanks for that.

Steve: why would you say that?

You: I like to see her freak. Don’t worry about it, captain. It was just a joke

You: ...or was it 👀

Steve: I don’t believe you. You’re lying.

He got a little nervous. But it was a good nervous.

You: why? Do you want me to?

You: Am I making you nervooouuus?

Steve could practically see you wiggle your eyebrows with a grin. A silly idea flashed past his mind, and he felt like grabbing it.

Steve: You need to stop before I accidentally propose to you.

Nothing - just a second, though. Then:

*ping* you have a ring?

Steve: I can get one in less than an hour. Meet me at the chapel on main and I’m all yours.

You: I’m stunned. I’ve taught you well.

Steve: 😊 I’ll see you Saturday, doll.

Steve sat back on his sofa. That girl is really something. A smile broke loose on his face at the silly thought of marrying you. Honestly, he wouldn’t mind if it happened. Out of all the people he knew, you were the only one he’d want to spend the rest of his life with. You were fun and you made him loosen up. He was a whole new man around you and he loved it. Because being in your presence was easy, and comforting. There was nothing to worry about.

He sighed before putting his phone down and staring at the ceiling. He couldn’t wait to see you again.

❁ ❁ ❁

Steve stepped out of the door and smiled upon spotting your car. You were already waving at him, a beautiful smile adorning your face and Steve felt his heart skip. Car rides with you were nice. You always had some soft music playing. Always making sure it was nothing too funky so he felt comfortable. Still, he was a little nervous. It wasn’t every day that he go to meet someone who looked up to him - well, actually, it was every day - but this one was different. Because it was your family and Steve needed to make a good expression.

It wasn’t long before you pulled up to your sister's house. But before you could even reach the front door, a little girl jumped out of the door and ran toward you with wild screeches.

“Auntieeee!!!! OH MY GOD, you really did it! You invited Captain America!” The girl jumped up and down beside you and Steve couldn’t help his smile from spreading. Izzy was adorable - very loud - but adorable. Concentrating on it made his nervousness subside a little.

Then she turned around and stared up at him with wide eyes. He could have sworn there were little stars sparkling in them when he crouched down to her height and extended his hand.

“Hey there, little lady. It’s so nice to meet you, I’m Steve.”

“I know that!” The 6-year-old giggled as Steve shook her hand. But when he was about to let go, her tiny fingers grabbed onto his wrist and dragged him up the driveway. “I want to show you something! It’s soooo cool!”

Steve was still a little cautious as she dragged him to her room. His only experience with kids came from Sam’s nephews and prior he had only gotten to hold a couple baby’s for pictures. He didn’t know how to navigate the situation, but he decided he would just rock with it.

Your niece pushed the white door with her name brightly colored on a sign hanging on her eye level open and revealed a tornado aftermath of action figures. He was able to spot most of the avengers laying scattered around a dinosaur toy but the overwhelming red, white, and blue covering her room was undeniable. There was a poster of Steve hanging by the desk and a bunch of her own drawings framing the magazine shot. Izzy appeared next to Steve again, holding a small action figure of himself in her hands.

“My aunt gave me this one. It’s my first one.” She reached up to Steve and barely passed his hip with her little arms. The figure was well loved - he could see it from here. And when he bent down to retrieve it, your niece pulled him down further and whispered a giggly ‘you’re our favorite avenger’ into his ear.

His heart swelled at the excitement presented in front of him. It was adorable, and he could see a little of you in the little girl nervously treading beside him.

“I’m your favorite, huh?” He said, his voice full of affection. Steve usually wasn’t the kind of person to get mushy over an adorable child, but the way her face lit up was too cute. The little Cap figure in her hands was pretty cute, too. “My, my. I must be pretty special then.” His thumb stroked over the blue helmet in her hands.

Lost in thought and seriously flattered by being the hero that inspired this impressive collection, he almost didn’t notice how Izzy threw her hands in the air. “So special! My mom says I will marry someone as special as you one day, but my aunt says there is no one like you. That is so mean!” Her little chubby cheeks puffed with a pout and Steve had to hold back his laugh. The 6-year-old had no idea what you implied with that comment, but he still felt more pride from being called special by you and your niece than from any medal of honor he had ever gotten.

“Well, a girl your age shouldn’t worry about things like that. But who knows, maybe I will be part of your family one day.”

“Really?!” Wide eyes stared back at him and Steve could practically feel the floor vibrating when he nodded with a laugh. Izzy held out her finger and then she exclaimed a rushed ‘stay here’ before zooming past him and out the door.

Steve stayed a little longer and admired Izzy’s room before he heard an excited ‘Captain America said I can marry him!’ Which made him instantly rush to the source.

He spotted her clinging to her mother’s leg, giddy and jumpy. But your sister just shared a laugh with you over the kitchen counter. “I don’t think he meant it like that, buttercup.” Steve watched your sister explain before his eyes got stuck on the little frown on your face. Was that a hint of jealousy, he was detecting? “But if he marries your aunt, he will be your uncle and just as much part of the family.” A little fire hushed past your older sister’s face. It was a look of mischief he had seen you hold all too well. Steve’s cheeks heated when you caught him leaning in the doorway, scratching his neck at the slightly awkward situation.

“That works?”

“That’s how it works, baby.”

Izzy turned with excitement and within a second she was before Steve again. “You have to ask my aunt to marry you! Right now!!” She ordered with a stomp of her foot. “Then you can be my uncle and we can hang out every day!”

Steve’s eyes wandered from the six-year-old to you and his heart picked up its pace at the laugh you shared with your sister. There was no harm in a little play pretend, right?

So, he knelt down in front of you and when your name traveled past his lips softly, he almost imagined a grasp coming from you. “Will you,” his head tilted with a wink, “marry me?”

You hid your laugh behind your hands as they covered your mouth in feigned astonishment. But Steve caught the little glimmer in your eyes at his little show. He continued to take your hand as he threw together a little speech for Izzy to hear, and when the child began excitedly jumping up and down beside him, your face softened.

“Oh, Steve! This is so unexpected!” You clutched your chest and your sister chuckled beside you. Steve felt a tinge of nervousness wash over him then, but he would be okay with a fake rejection - he wasn’t sure if Izzy would, though. “Of course, I’ll marry you! Come here you big, hunky, handsome superhero!”

And as if he hadn’t been prepared for you to agree so quickly, Steve felt his cheeks heat up. He couldn’t deny that the words you described him with had his stomach tingle with excitement, and before he could help himself, he leaned forward and kissed our cheek.

“That was the easiest marriage proposal ever,” he mumbled beside you to which you just slightly pulled from his embrace.

“What? You’ve done that before? Are you already cheating on me, Rogers?” You raised your brows suspiciously, but Steve was only able to shake his head with a smile before Izzy blared into his ear again.

“A wedding! A wedding!” She swirled by him like a tornado, immediately collecting things around the house. “Mom, get all the stuffies, ready! We have to do a wedding!!!” And then she was off to prepare the quickest wedding in history.

Steve shook his head as his arm remained around your waist. “What did I get myself into?” He mumbled to himself before turning to you. “Do I dare ask what a six-year-old’s idea of an official marriage ceremony looks like?”

“I think Paddington Bear will be your best man and if I’m lucky, my sister gets to be my maid of honor, but who knows.” You shrugged with a laugh that warmed Steve’s heart all over again.

❁ ❁ ❁

Not even ten minutes later, Steve found himself kneeling beside a makeshift altar with a bunch of toys and stuffed animals as wedding guests. Action figure Cap had made best man and was neatly propped up behind him. Your sister had officially been crowned the ‘disco machine’ along with a lengthy speech on how important the right song was for the bride’s entrance. Steve had fought hard to keep his face steady, but when Izzy had suggested ‘Party Rock Anthem’, he’d lost it. When really, he was just proud, he knew the song because you had shown it to him the other week - it was Izzy’s favorite.

You had been instructed to wait behind the couch until the music started to play, and Steve felt himself get a little nervous. It was silly, but somehow his desire to have this wedding according to your niece’s wishes was a lot more important to him than he had initially thought.

“Now what do we do?” He asked as he leaned over to Izzy, but that was when the girl gave her mother the ‘sign’ - which was the chicken dance, of course - and his eyes immediately swerved to you. He could see the amusement in your gaze as you bit back a laugh.

Izzy wasn’t wasting any time, as soon as you had reached the altar, she put your’s and Steve’s hands together and immediately began talking. Steve had had barely any time to wipe the sweat from his clammy fingers before they connected with yours, but you didn’t seem to care. He smiled as he watched you listen to your niece’s little speech.

“We are gathered here today, to make Captain America my uncle,” she started, and both you and he struggled to keep it together. It was cute though, and something about becoming this little girl’s uncle excited Steve like nothing had in a long time. “Mr, Captain America, will you take my aunt as your wife?”

Izzy’s eyes were serious as she waited for Steve’s answer. And when he didn’t do so fast enough, she leaned over and whispered the answer to him.

“I will,” Steve chuckled and gave your hands a small squeeze.

Then Izzy’s eyes wandered to you. “Do I even have to ask?” She said with her adorably high voice and everyone started laughing.

“Yes, I will take Steve as my husband,” you answered with the same squeeze of your hand as Izzy imitated the audience cheering.

“You are now husband and wife. Now, kiss, kiss, kiss!!!” It was a little awkward, but Steve leaned in, anyway, to press a gentle kiss to your cheek. He looked at you again and the spark in your eyes was a little brighter as that smile lit up your face again. You looked beautiful, Steve thought, and his heart jumped in his chest at the realization.

“Wohooooooo!” Your sister cheered loudly and ripped Steve out of his trance.

“This is so awesome! You have to come to every family dinner and we can be best friends forever!!” Izzy must have eaten a bag of gummy worms with the way she was vibrating to the song coming out of the little pink CD player. Steve was sure he’d never seen such a hyper six-year-old before.

“Every family dinner?” He asked her as Izzy swayed his hands to the music. When his eyes caught yours, you just shrugged. "Forever?"

"Of course!" Izzy exclaimed as Steve spun her around. His eyes stayed locked on you, however. Forever didn't sound so bad...

“Looks like you’re stuck with me.” You laughed, but Steve didn’t mind that in the slightest.

❁ ❁ ❁

The evening had come sooner than anyone had anticipated. Steve had been so occupied with Izzy all day, he had forgotten all about the time. It didn’t bother him too much, though. He had fun, but exhausting as well. And now that he was finally sitting in your car again, his head leaning against the headrest and enjoying the silence for a moment, he felt how much energy it had really cost him. He would do it again, though - especially if it meant marrying you over and over for eternity.

His eyes opened when you sighed beside him. You hadn’t so much as bothered to start the car just yet, and Steve was kind of happy about that.

You smiled at him when his head turned to you, still leaning back with a dreamy smile himself. “Who would have thought that we would get married today?” You chuckled with a shake of your head. “And you didn’t even give me a ring. I should reconsider my standards.”

“A ring, you say? Well, you are married to the greatest superhero in the world - according to your niece - so I think we’re going to need something pretty special...” Steve joked as he turned in his seat to look through the car, and when he spotted the right thing, the smile returned got his face. “Should I do the honors?”

And then he took the lid off his water bottle and popped the plastic ring off to place it on your finger.

“It’s perfect, blue like your eyes,” you laughed watching the big plastic ring hang from your finger. “I’m gonna have to get that resized, though. You must think I’m fat.” You shook your head. “Wow, not even a day in, and I already have things to tell my therapist about.” But the mischievous glimmer in your eyes told Steve that you were only joking.

“Do I really need to say it, doll?” He took your hand in his before spinning the plastic piece. “You’re the most beautiful woman in the world,” He whispered, secretly meaning every word.

You laughed it off but Steve didn’t miss the stutter in your smile at his words. It made the butterflies in his stomach go wild.

“So what should our first act as a fake married couple be? Celebratory drinks at the Stark Tower rooftop bar?”

"Stark Tower... that sounds good to me.”

The engine roared to life and soon, the faint music was playing in your car again, the streetlights passed him by and the full moon shone above the New York City skyline. But Steve didn't care, he had more beautiful things to look at.

❁ ❁ ❁

“You’re what now? Married?! And I wasn’t invited?!” Sam’s shocked face yelled across the bar, making few agents turn their heads with intrigue.

You chuckled before leaning your head against Steve’s shoulder. The second Martini seemed to already work its wonders on you, but Steve loved how close you were.

“Married by a six-year-old. Count that as you will, but I have a ring on my finger and I’m not telling you how much it cost.” You stretched your hand over the counter to show off the blue piece of plastic and Natasha just laughed at the cute story.

“So, how is the newlywed life?” She leaned on her hands to play along while Sam still tried to get over his non-invitation to a fake wedding. “You guys talking about kids yet?”

That startled Steve a little but he tried his best to keep a straight face - he failed. The thought of having a family with you did things to him he couldn’t explain if he wanted to. The warmth in his stomach spread to his heart and his arm almost instinctively came up to press you further into his side.

“Who knows, I wouldn’t mind a couple mini me’s.” He shrugged with a low smile. He loved this little game more and more. It just got harder and harder to remind himself that it was just that - a game.

“Hold your horses, now. You’re not the one squeezing them out of your body, Mr. Rogers.” You patted his chest and sighed theatrically. “I can already see that I will be home alone with a bunch of kids and you’re working late every night. Our life will fall apart!” Your hand brushed over your forehead as your head fell back like that of a damsel in distress.

The group laughed at the little performance, but Steve was a little quieter now. Somehow, he couldn’t rid himself of the feeling that he needed to tell you how much he really cared. He’d never let your life fall apart - not when he was able to prevent it. And while he sat there with his friends, laughing about something as ridiculous as Captain America settling down, he contemplated in silence, if all this life had really been worth it when he would end up alone in the end - giving up the dream of an easy life he’s had for a century.

❁ ❁ ❁

It was about 12am when Steve and you stopped before your door in the hallway. His eyes were glued to you, his mind racing with scenarios this could go. He had decided to tell you about his feelings about two hours ago, and ever since, he had tried to come up with the best thing to say. But even though talking to you was the easiest thing he’d ever done, and even though you were already married - fake married - he didn’t have a single idea. Not one word that seemed fitting enough to describe the exciting fireworks in his chest whenever he saw you, to somehow tell you how bad living without you would be.

He must have been staring for a while because you began to shift from one foot to the other before finally clearing your throat to kill the silence.

“So... uh... that was an eventful day...” You started, fists nervously opening and closing beside your body. “Thank you for playing pretend. You made a little girl very happy.” You smiled and Steve’s heart skipped another beat.

He caught the small shimmer in your eyes just in time to give him confidence. Your body kept moving forward as if you willed it back again and again, and Steve gathered all his bravery to open his mouth.

“You know what,” Your name tumbled over his lips like a song he’d sung a thousand times. But the effect it had on you still excited him every time anew. “Today... it’s not going to be pretend.”

And before you could even react to his weirdly vague statement, Steve leaned forward and pressed his lips to yours. Full of love and affection, his hands moved on their own - one to your hip and the other onto the wall behind you. There was a moment of panic settling in Steve’s brain, but then your arms came up to sling around his torso and he leaned further into your touch. You pulled him even closer, your lips melting with his, tongues gently stroking soft skin until air got scarce. His whole body felt electric with you so close to him - finally. And when he pulled back, he rested his forehead against yours, eyes still closed and thoughts swimming in the moment you had just granted him.

“I... I love you.” He whispered against your skin, and he felt his warm breath bouncing back. Your chest was still rising and falling beneath him, a subtle reminder of how breathtaking all this was - Steve couldn’t get enough of it, of you.

Your hand came up to stroke over his cheek, making him open his eyes to find you already looking at him.

“I love you, too, Steve.” You bit your lips, and it made Steve just press his mouth to yours once more.

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a/n: I have to say I was pretty impressed at how much it adapted to my writing and I really liked the last part, so I put it in here. I hope you enjoyed it :)

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celluloidbroomcloset · 5 months

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Once more, I return to the stabbing scene vis a vis Izzy and Calico Jack, more or less related to what I talked about here.

Again, this moment is clearly memorable for Ed, as he tells Mary Read, and even perhaps for Stede, who recalls the line "I stabbed you, you nut" via "You nut, why'd you have to go and get yourself killed" when he's sitting by Ed's bedside.

But this is also important in terms of how the representatives of toxic masculinity in the pirate world, Izzy and Jack, conceptualize sex between men.

Both Izzy and Jack clearly view sex as something that is done by someone to someone - I've discussed earlier how Izzy's understanding of the stabbing precipitates his insistence that Ed kill Stede. He's requiring that Ed fix the hierarchical imbalance created when Ed asks an "effeminate" man to penetrate him - something which Ed ultimately declines to do, and which Izzy himself cannot do (because his attempt to kill Stede backfires and effectively unmans him by breaking his sword).

Jack's own view of sex and sexuality is markedly similar. He also attempts to dominate Stede by his account of his "dalliances" with Ed, by reducing their sexual relationship (and all sexual relationships between men) to functions, and finally by pissing on Stede's shoes. It's entirely a performance of dominance - he tries to argue that Stede is ashamed by the thought of "buggery" and drags Ed's own sex life into the open (something which Stede rejects, saying that Ed's past life is his own business and that he respects that). Since Jack was sent by Izzy, one wonders how much he's learned about Stede and Ed from Izzy, and how much he infers on his own. The question - "Are you buggering each other?" - is a frank statement about what Izzy certainly thinks is going on.

Izzy's view of the stabbing scene and Jack's discussion of buggering are entirely about who is doing what to whom - and to them, who does what determines sexual roles and therefore their place in the hierarchy. Dominance and submission is about who penetrates and who is penetrated, and that is ultimately about power, not pleasure, desire, or love.

At no point do either of them imagine that Stede and Ed's relationship could have a romantic or emotional component - Izzy only sees Ed being seduced by Stede, Jack only sees buggery and dalliances. That their sexual roles could be not about power but pleasure and desire, much less an expression of love, is not something Izzy or Jack consider. And that Ed could be topped or even dominated by a gentle man who doesn't use, or think to use, penetration to hurt or shame him doesn't enter into their heads.

Ed, as much as Izzy or Jack, is aware of the power dynamics in sex between men in a way that Stede is unlikely to be. Ed does know the rules by which Izzy and Jack function, and it's consistently shown that he's tired of those rules - hence why he wanted to meet Stede in the first place, and why he continues to reject Izzy and Jack in favor of Stede. But he believes that's who he has to be - he tells Stede "you were always going to find out who I am" before he leaves the ship with Jack.

I've said before that Ed's entire purpose in the stabbing scene is to have Stede hold him. He's unable to ask for the softness he wants and so turns it into a violent game, not so dissimilar from the ones he plays with Jack. He allies a symbolic sexual act with violence because that's the primary way he understands - and, we can infer, has experienced - sex. But what he sees and feels in that moment, and what he remembers when he recounts it to Mary, is a soft man who doesn't treat sex and violence as inextricable, and is only concerned about having hurt him.

By the time we get Calypso's birthday, Ed seems to have fully realized that there is an alternative to the sexual power structure in which he has lived his entire life. That discovery is as freeing for him as it is for Stede, because it means that the soft things he wants, and the desires that he has, are not shameful, nor do they need to be violent for him to find pleasure in them. Being held by Stede is something he can ask for, and being penetrated by Stede doesn't need to be painful. By then, neither Stede nor Ed see their roles, or their choices about their sexuality, as fitting into a masculine power structure.

It is about love.

#ofmd season 2 #ofmd #our flag means death #ofmd season 1 #ofmd meta #stede bonnet #ed teach #edward teach #izzy hands #calico jack #gentlebeard #blackbonnet #toxic masculinity #homophobia #guess i had more to say on this topic #as always i'm happy to discuss anything #my wee thoughts

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avelera · 7 months

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So what’s with the soup in OFMD?

I’ve seen a few takes on what the soup symbolizes in OFMD S2 because it does come up a weird amount of times. I’ve seen takes that the soup is a lie and shouldn’t be trusted. Takes that the soup represents love and all that is good. I’ve seen takes that the soup isn’t anything at all, it’s just soup.

I don’t agree with those takes. But I do believe that the soup is more than just soup.

In my opinion, the soup represents community.

Community doesn’t necessarily mean love. A community can be arrayed against you as much as it can be with you. You can choose not to have a community, to break bread, with someone. But a community is something most of us desire and as Izzy notes in the trailer, being a pirate is about being part of something.

- Zheng Yi Sao makes damn good soup. Symbolically, I believe this is a reflection of how she runs a tight ship. How effective she is as pirate queen and in general as a leader of her community. People in her community are well treated. Her leadership style, like the broth of the soup, is balanced. Had Olu remained with her, he would have been well treated. She wasn’t being duplicitous with Stede and his crew. Her soup is great, her community is great, and they would have been well fed there had they stayed.

The soup isn’t a value judgement on anything beyond the quality of the community offered. Should they stay? What happens now that they didn’t? Not relevant to the soup metaphor. We’ll find out what happens when you reject Zheng’s amazing soup. At the very least, you just don’t get any more of it.

- Hornigold offers soup to Ed. Ed rejects it. He finds Hornigold’s community poisonous. He doesn’t trust it and he doesn’t want to join it.

It’s simple as that. The soup wasn’t necessarily literally poisoned. The more relevant metaphor is breaking bread with someone as a sign of trust. Ed wants nothing to do with Hornigold’s community.

Most likely where this is leading is a continued used of soup as a metaphor for Ed and Stede and the crew figuring out what kind of community they want to build together. Is the broth balanced? Is it poisoned? Is it too salty, too sweet? Who do we share it with? Who do we refuse to accept soup from? It’s all about community.

#ofmd #ofmd spoilers #ofmd meta #our flag means death

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piratecaptainscaptainpirates · 5 months

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I keep going back to a specific scene in s2e3, the one where Izzy finds Stede in the fucked-up captain's cabin on the Revenge, because I think this scene largely serves as a refutation of Izzy's claim that he knows Ed "better than anyone else" and further proves how little he understands Stede, giving Stede a chance to prove to the audience that he gets Ed in a way Izzy doesn't.

From just Stede's angle, it's very nicely done. Izzy expects Stede to be upset about the state of his cabin; Stede doesn't care about his possessions, he's more worried about Ed. Izzy expects Stede not to have any inkling of what Ed's self-destructive spiral looked like; Stede knows Ed "was either going to watch the world burn or die trying." This scene leaves Izzy with no choice other than to recognize he has underestimated how much Stede understands Ed.

But I want to talk about what this scene tells us about how Izzy thinks of Ed.

First off: we can't take anything Izzy says in this scene at face value, because he says he couldn't have killed Ed even though we know that Izzy fully believes Ed is laying dead in the belly of the ship during this conversation. The mutiny on Ed is extremely well-written; we can not blame a single character for beating our beloved Ed to death and that's a feat in itself, but Izzy here is casually lying in a way the others weren't. With Jim and Frenchie and Fang, the guilt was fucking palpable, Izzy's lie could almost pass under the radar in this scene because it seems so genuine. I don't doubt that Izzy feels guilty; his guilt just feels more about him and the danger he and the other mutineers are in than it does about Ed.

But there's one specific line that keeps jumping out at me, because it is just so incredibly cruel: when Izzy says "he was a wild dog, and we treated him like one." We know that Ed specifically chose to incite a mutiny as his method of suicide; Ed himself seems to have wanted his death to be more like an execution because he doesn't seem to think he deserves a painless death. And Izzy here seems to be agreeing with that.

This line dehumanizes Ed in a very striking way. It takes away his agency, makes his actions seem entirely random and baseless, and rips away the context that Ed was acting from a place of deep, deep heartbreak and fear that Izzy himself triggered. This line makes my lip curl every time I hear it, it is such a disgusting thing to say about another person, especially a person who you believe you have just participated in violently beating to death, which was so traumatic that poor Fang is on the verge of tears this entire episode.

And then Izzy says that the crew have suffered enough thanks to Izzy and Stede - he's taking responsibility, a bit, here, but the way it's framed sticks out to me because Izzy shows so little sympathy for Ed in this entire conversation (see: the "wild dog" comment).

Izzy is willing to stick up for the crew, in his own way. He's willing to advocate for them in a way he never had before; they have just saved his life. But he is completely unwilling to talk about Ed like he's a person at all. Still, at this point, Izzy does not recognize or sympathize with Ed's feelings. His earlier claim that he "understands" Ed is absolutely laughable when we compare it to this scene because, to him, Ed is a caricature of a person, only capable of responding with anger when provoked enough and otherwise not worth the effort to engage with. It shows us that Izzy loved what Ed could offer him, a position of power, but not Ed himself, because he barely even saw Ed as a person at all. It's a very good scene.

#ofmd #our flag means death #feeling shrimp emotions #izzy critical #it's not really but it's talking about the canon guy so i'm covering my bases i guess

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ayashitetsuko · 6 months

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An open letter to David Jenkins

Some fans believe that we should not vent our anger and frustration to show creators. I don’t believe that. The thing about being a professional is that receiving criticism is part of your job—especially if you have done a terrible job.

OFMD went from groundbreaking to disappointing overnight.

There was a momentum to create a queer media that is smart, fun, sexy, and most importantly, respectful. In the way they are writing these queer characters. Especially older and disabled queer characters, a reflection of a generation of marginalised communities that have gone through so much. To give audience a glimpse of hope in their escapism.

But sir, you choose to Remus Lupin him instead.

This is not just about killing off a character. Hell, I might be willing to accept it. After all, I have read and even written fics with MCD in it—involving my favourite character.

But I want you to know that this is a special case. It is not just another popular character being killed off to drive plots.

I have issue with how you kill off a queer character that represents many marginalised communities in his arc.

Izzy is an abuse survivor who becomes disabled as a result of it. Izzy is a queer elder. Izzy is suicidal but manages to overcome it with the healing power of love and community.

Having him killed off just like that is a huge slap for fans who have gone through what he has gone through. Turns out, even in fiction, in our escapism, there is no joy. Only despair.

Also. Father figure? Where does that come from? Ed has never been shown to have any level of respect for Izzy. So let me ask you again. Where does “father figure” come from?

You have an opportunity to make a difference with OFMD; to be remembered in history for the right reasons. Yet somehow you choose not too. You choose to turn this into cheap, sensationalist entertainment where death and torture are thrown around for shock value.

It is like you have no idea how much power you have by being a professional storyteller.

Let me break it down to you. For you as a writer, perhaps killing off Izzy is nothing but an artistic choice. A plot point to figure out. But for audiences in marginalised groups, stories are mirrors. They see themselves in stories. That is how stories give them hope. This is why OFMD has never been “just a pirate story”. Perhaps this is hard to understand if you have never been part of an underrepresented community in the mainstream media, but this is how many are feeling about your work now. Your legacy.

OFMD has truly become an overnight failure. I don’t know how this happened. I would like to blame budget cuts, but your Vanity Fair interview makes me realise this is all deliberate choice.

So, what is next for us Canyonites?

If anything, this convinced me that queer and disabled people should write. And continue to write.

We can no longer trust major media to speak for us. We definitely can never trust David Jenkins again. Any form of progressiveness that he showed earlier was just coincidence, apparently. Even worse, it was fake.

As my friend Sam beautifully puts it, Izzy belongs to us now. We reclaim that character and give him all the happy endings he deserves in our fic, our art. We transform the works. We write about queer, disabled, suicidal characters the way the deserve to be written. If being a published writer is the path you choose, make sure you make wiser decisions than David Jenkins.

Thank you, sir. It was good while it lasts.

But this is a terrible job that you’re doing.

#izzy hands #ofmd s2 spoilers

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bookshelfdreams · 7 months

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OKAY BUT

the way ofmd says "No, trust me, you really don't want to die."

Again. And again.

With Stede in s1, who doesn't have an answer when Olu asks him if he wants to live, who faces execution twice and both times says "I deserve this". It takes a literal gun to his head for him to realize that no, he does not want to die, and it takes going back to the environment that suffocated him - it takes killing his chance at happiness - for him to realize that YES. He wants to live.

And now we get this terrifying, heartbreaking spiral of destructiveness with Ed. He has a lot more insight into himself than Stede, he knows he wants to keep living, but not like this. Hasn't for a while, and when he tried to change, thought for just a moment that maybe life could be better - well.

It all came crashing down, didn't it. He thought Stede could love him, but he couldn't; Stede left. And he thought, maybe he could still build something new for himself, something away from the violence, a space where he could find safety, community, healing, maybe; but that failed, too. Izzy made sure of that. Because it takes just one well-aimed knife to kill the greatest of men and Izzy has plenty, and Ed doesn't want to die.

He just doesn't want to keep living like this.

Before he knew Stede, he may have been unhappy, but he was coping. But now that he knows how all that stuff feels like he thought he could never have - friendship, community - he can't cope anymore. He doesn't want to keep living like this, and he can't change his life into something more bearable because Izzy is standing at his back, knife at the ready.

(Oh and I do believe Izzy regrets that, wishes he could take it back and not just for his foot, wishes he knew how to ask Ed's forgiveness, wishes he knew how to tell him You can trust me)

So. What is there left for Ed to do?

Ed is increasingly unsubtle about what he wants, to a point where he literally hands Izzy a gun to shoot him, where he's practically on his knees begging to be mutinied. He realized change is impossible, so does he want to die now?

No. It's worse.

He wants someone to give enough of a shit about him to kill him.

If murder is the only intimacy he can get, his death is a price he's willing to pay. But he's not even getting that, no one will even kill him, what the fuck.

And. ofmd makes us look at it, all of it, all the self-loathing, the fear, the heartache. The pain. Makes Ed look at it, so he understands, so he can heal. Tells him,

That's a bit silly, eh? You don't even want to die! And people want you to live, you dummy.

Keep going. You have no idea how much better things are going to get.

#our flag means death #ofmd s2 spoilers #edward teach #i have no words to explain how much i love this man #the GROWTH we are going to see from you babygirl <3<3<3 #okay someone has probably said this already but idc idc i have to get this out or my head will explode #suicide cw #suicidal ideation cw #thoughts

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bethagain · 6 months

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I wanna talk about Ed’s apology to Izzy.

I’ve seen some consternation about it, but I thought that scene was absolute perfection.

I love how Izzy’s opening lines show us his state of mind. He wants to be on speaking terms with Ed again, but he doesn't especially want to admit it.

He didn’t mistake Ed for Roach. That’s not even remotely believable. And although we’re clearly meant to think Izzy’s a bit drunk, if you look at the rate he’s been drinking he’s probably got a huge tolerance for alcohol. Otherwise he wouldn’t be upright.

The script could have given Izzy some other way to insist he wasn’t trying to talk to Ed. “I didn’t see you there.” “I’m looking for sharks.” What he did say is even better, because it’s got an insult built in: “I thought you were someone I actually wanted to see.”

And Ed, who should be mortified, who should be on his knees begging forgiveness, slips right into talking to Izzy like they’re friends again. “Something’s wrong. Feels like a storm’s coming but I can’t see it.”

It’s something you’d say to someone you’re comfortable with, someone you trust to weigh in. I think some fans wanted to see Ed open with an apology, but Blackbeard doesn’t apologize for things and Ed’s still figuring out how. Instead, the script gives us Ed avoiding the subject: If they don’t talk about it, maybe what he did can be swept under the rug.

And Izzy’s going to let him do it. He tells Ed he thinks he’s being stupid about the storm, sure. A good first mate calls his captain on his bullshit. But he also passes over the bottle, and Ed takes it. Two comrades drinking together, drinking because life as a pirate is hard, drinking that much because they are tough men. They don’t have to talk, talking isn’t what they do.

We’ve seen in both seasons that Izzy is used to taking Ed’s abuse. It’s been baked into the story. We’ve been told about Ed the brilliant pirate leader and Izzy the loyal first mate but what we’ve seen is twisted: Ed still brilliant but unstable, Izzy keeping him in line. Izzy trying to break away and failing, Ed taking him back every time. They are best friends and they are terrible for each other, and that is their frame.

But then! Taika and Con are both so good with the facial expressions. We can see the discomfort flickering across Ed’s face. Everything about this interaction has been set up so he could get away without apologizing. And I think that’s how the hurried “Sorry about your leg” hits as hard as it does for me, leaves me feeling something here has changed.

And the scene confirms it: Even that small phrase is so huge that Ed’s got to run away as soon as he says it.

And then, look at that tiny smile on Izzy’s face. That “fuck off” is almost happy. As the audience we know that wasn’t the apology Izzy deserved, not by a long shot. But in the frame of the story? It might be enough to set the two of them right again.

#ofmd #meta #izzy hands #ed teach #ofmd season 2 #ofmd season 2 spoilers

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sapphicsigh · 6 months

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I don't want a 3rd szn without Izzy. I just don't. Call me dramatic or whatever, but I'm so genuinely heartbroken by his death. I feel so betrayed. Izzy was the heart of the show, and now he's gone.

The aftermath of his death felt rushed, he wasn't buried at sea (like what the fuck, a lifelong pirate like Izzy would've wanted to be buried at sea) and the crew was just happy to get back on the revenge and set sail without their unicorn? Everyone just gets a happily ever without Izzy? Izzy died a painful death shot by a pompous asshole and for what? Some metaphor about the end of the golden age of piracy? Piss off. Closure for Ed? That could've been achieved a number of other ways. Izzy couldn't get any assurances that HE was loved? Even on his fucking deathbed? The man who protected the crew with life and limb? It doesn't feel right, and it never will. Izzy deserved so much better, and so did Con.

And worst of all, perhaps, is that Djenkins was planning on killing him all along. The whole time, while we were falling in love with the little angry man, rooting for him and rejoicing when he wore makeup in front of the crew and was vulnerable with them...he was a dead man walking.*

*I've seen ppl make rlly good points about how death was treated throughout the show and I wanted to add that context here. If I can find whose post I'm thinking of, I'll tag them

**Edit: Izzy's death was an incredible shock. EVERYONE ELSE IN THE SHOW survived their near death experiences!!! Stede got choked near to death, stabbed (twice!), and survived all of that unscathed. Ed got his head smashed in by a FUCKING CANNONBALL, pumbled by the crew and made it out with barely a scrape. Even Calico Jack could've (apparently) escaped death after being shot with a goddamn cannonball. The Swede was poisoned but was already immune to it. Wow! We (at least I felt this way), as an audience, believed that there wouldn't be any character deaths due to the overwhelming evidence we'd been given thus far. So after alllll the in show evidence that the laws of medicine or physics don't apply to ANY of the pirates, why suddenly apply it when it comes to Izzy? Hmmm??? It makes no fucking sense. It's cruel and unusual punishment. They really killed off the queer disabled elder??? Jesus christ. Did not a single person in the writer's room have a qualm about it? The optics alone are bad. But more importantly, killing off the queer disabled elder is inherently political, whether djenkins thought of it that way or not (& i dont think he did). The mere existence of queer people is inherently political in a society (the US), which wishes for our eradication. So killing off a beloved queer disabled elder, on a show which seemed to promise us queer joy and a happy ending, IS POLITICAL. it's a slap in the face and a punch through the fucking gut.

It feels doubly awful because we, as an audience, were given something we've never had before, an unapologetically queer show. One that didn't soften or censor itself for straight viewers. It was created with such love, at least it felt like, for us. So to be given that gift, and to feel recognized and seen and appreciated, only to have it snatched away...

I can only speak for myself, of course, but it's genuinely heartbreaking. I'm so utterly disappointed. I wish so badly that Con got more time with Izzy. I think Izzy means a lot to him, and he means a lot to us, too.

❤️‍🩹🦄❤️‍🩹I love you, Izzy, and I always will. Rest in peace, my little meow meow, you were and are so loved.❤️‍🩹🦄❤️‍🩹

#ofmd #our flag means death #today on tumblr #ofmd s2 #queer #lgbtq #lesbian #omfd s2 spoilers #izzy #izzy hands #israel hands #con o'neill #ofmd s2 spoilers

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khruschevshoe · 5 months

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OFMD Critique: Mermen, the Gravy Basket, and Cognitive Dissonance

Warning: this is going to be a bit rambly.

So, I can't stop thinking about the end of "The Innkeeper." (OFMD 2x3, if you need the reminder.) About how I have completely different reactions to the final scene of the episode depending on who's POV/plot I'm considering it a part of.

As part of the Stede/Ed plot, and as part of Ed's personal character arc, it's masterful. The cinematography, the swelling music (and music choice, god is "This Woman's Work" a fantastic pick), the acting, the lighting, everything about it is so well done. It's a story about a man who has hit the absolute bottom of a depressive episode because he believes that love is only meant to hurt, that no love can exist without it dying, and who is pulled from the absolute Darkest Night of the Soul by the man who loves him- in the form of a merman. (I'm not going to harp on the symbolism and the perfection of choosing a mermaid, a rainbow, beautiful, queer-as-hell mermaid, as Stede's form here because others have done it so much better than I ever could.)

This final scene is PERFECT for the Stede/Ed plotline. I will give it all the props in the world for its gorgeous portrayal of the healing, divinely-coded power of queer love.

But from the crew's POV? From the end of a plot that was literally about a man spiralling and taking everyone down with him? From the POV of people who were just forced to shoot themselves, to fight to the death, to amputate limbs, who finally got to stand up to their monster after months of fear, of sobbing when Blackbeard couldn't see, of living on a knife's edge because if they put one toe out of line they'll get shot in the leg or pushed off the ship or worse?

I'm not looking at a man's rebirth; I'm looking at a villain's resurrection.

All I can feel is dread on behalf of a crew that literally just admitted to having been "living second to second" for months now. A crew that was ready to die at Zheng Yi Sao's behest because that's what they had been expecting from the man they just had to kill to survive a storm.

I can't ever fully immerse myself in the scene as I did the first time around, because I know how the crew's subplot is going to go. I know that they are going to vote Ed off the ship, finally gaining some agency, and then Stede is going let Ed back on the ship within a day with a slap on the wrist. Ed is going to give an "influencer apology" and that'll be that, because as Archie says, "they just kinda get away with these things." The crew will get no more agency in their own trauma recovery or their reactions to Blackbeard beyond Lucius' (very questionably handled) trauma recovery arc. This season is going to end with a character dying from a random gunshot wound to the side after Ed survived a CANNONBALL TO THE HEAD. (A character who, by the way, Ed put a gun in the hand of and told him to shoot himself. A man who, by the way, Ed shot in the leg, permanently disabling him. A man who, by the way, dies by apologizing to Ed for Ed tormenting him and the rest of the crew for months on end and driving them to the point that they would kill him.)

I try so hard to remain in the emotions I felt watching the merman scene the first time around, the hope I had for the Ed/Stede storyline, the hope I had for all of these characters. What I thought I was looking at was a sign of hope for all of them, the idea that they could all heal from their trauma, that everyone could experience some version of this love (whether romantic, platonic, or otherwise) for themselves.

But instead, the only other character to get a song died by the end of the season without ever getting a chance at a Gravy Basket of their own. And thus, I cannot ever feel what every possible Cinematic Cue in his scene is trying to get me to feel, because it will always, always be tainted by knowing that every one of those beautiful choices have been denied to Izzy, Jim, Archie, and Frenchie when it comes to their recovery arcs strangled before they could ever be completed.

#izzy hands #ed teach critical #ofmd critical #the innkeeper #ofmd season 2 #meta #please forgive me for the rambling nature #ofmd 2x3 #ofmd 2x03 #archie ofmd #lucius spriggs #not tagging this ed bc i don't want to upset the fans #jim jimenez #frenchie ofmd

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veeagainsttheday · 6 months

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Ed, Killing, and the Kraken in Our Flag Means Death S1 and S2

This meta contains a whole heckuva a lot of spoilers for Our Flag Means Death seasons 1 and 2. Thanks to @petrichorca who gave it a read through and left some helpful comments!

When we first get to know Ed in s1e4, the episode concludes with him telling his first mate, Izzy Hands, about his plans to murder Stede Bonnet and steal his identity so Ed can retire from piracy. Ed and Izzy discuss the plan in a casual manner, like this act isn't shocking or deviant from previous conversations and schemes Ed and Izzy have had before. This is consistent with how other characters, especially Black Pete, have described Blackbeard in previous episodes (‘when Blackbeard kills man, woman, or child…’). While Black Pete is (probably) lying, Buttons was with him until the flip.

As the song ‘The Empty Boat’ by Caetano Veloso plays, Izzy tells Ed, 'You've still got it' and Ed says, 'I know,' turning away to face the empty deck. Only the audience witnesses his true facial expression - the Blackbeard mask falling, a kind of dead-eyed exhaustion (echoed by the lyrics of the song) taking its place.

In s1e5, we see Ed threaten violence against the French captain, but he doesn't actually hurt the man himself. We also see him act as if he's about to go kill the French partygoers before Stede steps in and 'handles it'. At this point I think we the audience would, if asked, have said that Ed seems to have a casual attitude towards killing that you would expect from 'the legendary Blackbeard'. He's scary ('next one goes through your fucking eyeball') and almost cartoonishly violent ('skin him. And use the snail fork'). So we the audience maybe make some assumptions about where the show stands on violent killing - not only that Blackbeard is familiar with it, but that it's a commonplace act for him.

Then we come to a pivotal moment. In s1e6, Izzy pushes back on Ed for not killing Stede, there’s the conversation about doggy heaven, and Ed promises Izzy that he’ll be the one to do the killing. We see Ed hyping himself up (‘You’re a killer bro. So kill.’) and then holding his knife while standing next to Stede behind the curtain in the captain’s cabin. They’re interrupted by Lucius cutting off his finger. Ed doesn’t go through with it; the moment passes as Stede exits the curtain to announce the entrance of the Kraken.

At this point, I as an audience member fully believed that Ed couldn’t kill Stede because of his feelings for him. I wasn’t yet sure what those feelings were, but I knew that Ed had a deep affection for Stede, and for a moment I believed that was all that was holding him back. Then, of course, we see Ed have a PTSD/panic attack trigger from the Kraken fuckery that sends him into Stede’s bathtub, hiding underneath Stede’s robe, where he and Stede have what I believe is the most intimate moment of the entire first season (a reading supported by s2e3). Ed tells Stede, ‘The Kraken didn’t kill my dad. I did.’ We are shown the flashbacks to the way Ed’s father abused him and his mother, and the Kraken story he told on deck earlier is shown again with the figure of the beast in the water replaced by himself, as a young teen, on the dock.

Then Ed tells Stede, ‘If I’m being honest, I haven’t killed another man since.’ Stede tries to comfort him by reminding him how much he loves a good maim, but Ed is still preoccupied with how the fact that he killed his abusive father as a child means that he’s not a good person, and that this is why he doesn’t have any friends, aka, isn’t loveable. Stede tells him, ‘I’m your friend,’ in essence, To me, you are loveable, and Ed reacts by saying, ‘No,’ and banging his head against the tub.

The next important point happens in s1e8, when Jack invites himself to breakfast and regales Stede (very deliberately, as he’s trying to push Stede and Ed apart) with the tale of Ed setting a ship alight and killing many people. (Also note - the show’s first mention of Hornigold! ‘He treated us like dogs! Worse than dogs!’ and ‘Ground us down into nothing!’) While Jack emphasises the horror and brutality of what Ed did, Ed’s demeanour completely changes - ‘No, Stede doesn’t want to hear about that.’ Jack obviously doesn’t listen to Ed; Stede’s face passes from horrified listening to Jack to squinting at Ed like, ‘Is this - true?’ Ed looks thoroughly guilty as the story continues and Stede asks him, clearly doing his best to preserve Ed’s secret in front of Jack, ‘I thought you’d, uh, given up the killing?’ Ed surges forward in his seat and, not making eye contact with Stede, says, ‘Yeah, well, technically the fire killed those guys. Not me.’ The camera then cuts to Jack looking at Stede with a bit of an incredulous expression as if he’s both gauging Stede’s reaction to the entire thing and thinking, ‘Wow BB’s in deep here if he’s making up some weird story about not being the one who lit that fire.’

I don’t think the show intends for us to believe that Ed was consciously lying to Stede in the bathtub scene in s1e6. Instead, we see the complex way that Ed - who is shown to be both brilliant and possessed of an internal monologue that just cannot shut up - has constructed mental barriers to protect himself from the trauma of killing while still achieving the highest possible status in a very violent profession and existing in a world marred by colonial violence perpetrated specifically against people like him.

S1e9 shows Ed continuing to posture to everyone but Stede as Blackbeard, seasoned killer (for example, telling Chauncey that he barely remembers killing Nigel because he’s ‘a real “life is cheap” kinda guy’). At the Academy and briefly after, in the beginning of s1e10, Ed seems set to have given up killing and violence for real, but Izzy’s threats in the cabin in s1e10 send Ed reeling back to the Kraken persona he assumed when he killed his dad. The season concludes with him pushing Lucius off the ship and Krakening up to sail, rob, and raise hell forever - but the final shot shows Ed crying alone in his cabin, his Kraken makeup streaking down his face. It’s heartbreaking, but it’s one of my favourite scenes from a character perspective. Imagine if the season had ended with Ed fully transformed into the Kraken, rather than clearly miserable and heartbroken under his mask?

Season 2 begins with Ed trying to set a record for most consecutive raids, working his crew to death under brutal and traumatic conditions. His list of crimes on his wanted poster certainly suggests a lot of violence and killing, yet the show is careful to show us Ed himself only seeming to kill one person - firing a gun into a man’s back during a raid - and if you look closely, you’ll see that the man was already dying with a dagger through his body. It feels vital to me that the only direct ‘killing’ action we see Ed taking is shooting a man who we presume he can justify as having been already on his way to death.

In s2e1 and s2e2, Ed can’t kill Izzy, though he does try desperately to get Frenchie to do it for him. He can’t even kill himself, trying to get Izzy to do it instead. When he thinks Izzy has committed suicide with the gun he gave him, he says, ‘I loved you, best I could,’ as if any love Ed could give would by its nature not be good enough.

Ed wakes in s2e3 in the care of his old captain, Hornigold; of course, he’s really in the gravy basket and Hornigold is serving as a Jacob Marley-esque psychopomp. They key to Ed realising that he’s really [Buttons voice] ‘down in the old gravy basket’ is the conversation that concludes his attempts to be Jeff the Innkeeper. Hornigold tells Ed that he’s not good with people - after all, he did strangle his father. Ed reacts first with disbelief then cold fury, saying he never told anyone that; Hornigold reminds him that he told one person and Ed flashes back to telling Stede in the bathtub in s1e6; then Hornigold reminds him that the one person he told left him, and we see Ed crying under his Kraken makeup at the end of s1e10. Later, when Ed (finally, even Calico Jack would have had it sooner) realises that Hornigold represents himself, he says that he’s unloveable. Here’s the crux of it - he believes that he is fundamentally unloveable because he killed his father, because he is the Kraken, the monstrous beast capable of lethal violence. That’s why Stede left, his brain is telling him even as he’s dying.

Then Stede actually proves him wrong by returning, saving him from death, and telling him that he ‘love[s] everything about [him]’ in rapid succession. Whether or not Ed fully accepts this information, we do see him very quickly, yes, melt back into Stede’s arms. Which brings us to s2e6, and Stede’s killing of Ned Low.

Quick digression into killing and Stede: Stede accidentally kills a man in s1e1, is haunted by his ghost in s1e2. He’s so haunted by dead Nigel that he spends a lot of s1e2 asking first Oluwande and Jim for advice on being a ‘mur-der-er’, and then asking Black Pete how his former employer, Blackbeard (!!!) handled killing. (How Pete says, ‘When Blackbeard kills man, woman, or child-’ lives in my head at all times, Matt Maher with the line deliveries of all time.) Finally in s1e2, during his court-mandated therapy with the tribal elder, Stede admits that he doesn’t feel bad about killing Nigel - he was a horrible person even when he was a child! Stede's guilt is coming from somewhere else. We see this again in s1e9, when Stede says it is time for him to face the consequences for what he’s done - it might seem like he means for killing Nigel, since that’s why he’s about to face the firing squad, but we know that Stede’s guilt is about abandoning his family (the people he’s hurt!). Similarly, when Stede kills Ned in s2e6, he seems to get over it very quickly. Ned is clearly a bad guy, and although the act of killing him was traumatic for Stede (much like the act of killing Nigel), Stede presumably reconciles it by knowing that he was protecting Ed and his crew (and avenging Calypso’s birthday). Stede as a character is shown to have a tremendous amount of natural resilience. We later see him immolate a guy and dispatch a number of British soldiers without hesitation. Stede is also one of the two main protagonists of the show, and his attitude towards killing seems to reflect the attitude of the show itself - killing colonisers and torturers to protect your loved ones is ok, actually.

(Side note but I found this idea about how zero tolerance policies actually hurt victims very informative on the topic of why it's ok that Stede killed his childhood bully; I got that link from this very interesting post where several people are in conversation about how Ed is not Izzy's abuser.)

Back to Ed in s2e6. He asks Stede not to kill Ned; when Stede does anyway, Ed is visibly saddened and ignores Izzy telling him to give Stede a moment; instead he goes immediately to check in on Stede in his cabin. He knocks on the door and in that soft voice that he only ever uses with Stede, he starts to say, ‘Hey. You okay? Look, I was a wreck after my first kill as well.’ Then he pauses, before rambling, ‘I mean, well, it was my dad, so there's that,’ which feels like a little moment of self-reflection. Like. Yeah. Ed. Baby. You might be super fucked up about the act of killing because the first guy you killed was your dad, when you were a literal child! Also, Ed has never been to (as far as we know) court-mandated tribal elder therapy, so of course his decision to kill his father fucked Ed up for decades! Also as a very clever friend pointed out, we don’t know anything about what the consequences of that were for Ed - how did his mother react, is that why he ran away to sea, etc.

There's another important thing here that the audience knows, but that Ed has never told Stede (or, we have to assume, anyone) which is that the catalyst for Ed becoming the Kraken to kill his father was abuse. The audience is shown through his panic-attack-induced flashback that Ed's father physically and verbally abused his mother and presumably him too. All Ed has ever said to Stede or anyone about it, as far as we know, was his joke to the crew during scary story hour that his dad was a dick. Stede can probably infer roughly why Ed killed his dad, but he doesn't know the details, and he loves everything about Ed anyway, and now Ed knows that Stede does too.

So Ed and Stede have sex, and as many metas have pointed out (like this one!), it's so meaningful that Ed feels safe enough to give up his Blackbeard/Kraken identity the very next morning. He attempts to get Stede to see that it might be nice to not be pirates anymore due to the high chance of death but Stede manages to completely misread it and laughs it off. (To be fair to Stede, they're both horrible at communicating and Ed is not saying what he wants in any direct manner.) Ed proceeds to have his big beautiful brain start to spiral out of control as Jackie points out how popular Stede is becoming as a pirate; Ed panics, tells Stede he doesn’t even know who he is, and leaves to become a fisherman before he can get left (again!).

As Ed rows away from his failed career as a fisherman in s2e8, his boss Pop-Pop (who he has managed to recreate a fucked up father-son dynamic with that like so many things in his show is played for laughs but has pretty dark undertones) yells after him, 'If you were ever good at anything, go and do that, you bum.' Ed rows back into the port of the Republic of Pirates and sees the destruction Prince Ricky has wrought upon the pirate community. Ed's first thought is, Stede, and then he imagines Stede calling for help before straight up murdering two British soldiers. He remembers Pop-Pop's words and says, 'Have it your way,' before diving into the sea, retrieving his leather, putting it on underwater, and emerging from the waves fully dressed. It's fantastically hot and the exact level of drama I expect from this man. The Kraken musical cue is playing as it happens.

We now see Ed murdering British soldiers in the coolest ways possible, demonstrating his skill at fighting in hand to hand combat. One way to read him taking Pop-Pop's advice is that this is what he's good at - killing and violence.

But you know what Ed’s even better at? Protecting the people he loves. His mother, himself, and Stede. Each time Ed becomes the Kraken, he fulfils that. He protects his mother from his father, himself from Izzy after being warned that ‘[Edward] better watch his fucking step’, and Stede from the invading colonisers who want to destroy their freedom. But something has changed the third time he does it - this time, he can tell Stede that he loves him and he doesn't mean it as a tainted thing, but something that he knows Stede will treasure. He's both loveable and capable of loving. He always has been, of course, but now he knows it. The Kraken, the part of him that is capable of killing, was always a defence mechanism for Ed, but the third time he understands it and himself enough to know that it doesn’t make him a monster.

#ofmd s2 #ofmd s2 meta #ofmd meta #edward teach #blackbeard #our flag means death meta #our flag means death

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pluviophiliced · 6 months

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“Not moving on is worse.”

In the context of season two, I struggle to reconcile the intersection of sincerity and comedy, and the idea of what pains and traumas we are meant to understand at the deeper level of what trauma is with those that serve only the purpose of comedic timing. This isn’t limited to one character, but rather to the season as a whole.

Season one highlighted childhood trauma and the ability to move on from that, becoming the best adult version of oneself possible. We see this evident in Ed, Stede, and Jim specifically as we are allowed to explore their pasts and their traumas — and we can presume that no one on the crew of the Revenge is without trauma (Fang’s dog, anyone?) of some kind that they carry with them. Stede handles his traumas and how to process them through running away and avoiding the issue until he no longer can. Ed does something similar, though he is able to craft a facade to use as a shield and a weapon, even if he never delivers a killing blow himself. Jim dedicates their life to revenge.

We witness all of these characters allow the defining characteristic of love to be allowing themselves to be saved and valued for who they are — not for what they can offer.

When season two opens, we as an audience see Ed at, arguably, his worst (I say arguably because we didn’t see Blackbeard in his prime, so… do with that what you will, I suppose). We see how this affects beloved and treasured characters, as well as new characters that we have yet to fall in love with. We see Fang fall apart not once but twice within the first two episodes alone. In episode two, we see Ed — a much beloved and adored character who we know intimately — lash out when confronted for his behavior. He lashes out at his crew and physically mutilates his closest confidant for daring to question him. “But that’s piracy!” And you’re right! But don’t we watch the first episode of season one highlight how much Stede Bonnet wants to change piracy? Isn’t this show supposed to be about found family, and getting better, and finding healing? In which case, we’re watching Ed behave abusively in the wake of his mental struggles as he once again attempts to hide behind the same facade that has protected him in the past. Ed suffers this breakdown in response to not one but two perceived rejections from the two people he would claim to be the most important in his life, and in a classic mental illness fashion, he barricades himself off and settles into the persona that is everything he doesn’t want to be.

His crew fears him. They’ve been kidnapped and essentially held hostage under the man they believe to have murdered their crew — their friends — and are watching him continue to devolve. Enter Izzy Hands and Jim Jimenez. Izzy is well aware of his hand in Ed’s state. “Well, he instigated it!” He did. He wanted back a version of Blackbeard who he saw as safe territory: a necessary evil for the continued survival and safety of the crew, ship, and Ed and Izzy themselves. And then he watched Edward “Only Ever Killed One Person Personally” Teach fulfill the legend he’s always been known as, and watched him become someone who couldn’t care less about life or death or anything in between. Ed surpassed and buried the version of Blackbeard that Izzy wanted to return, and he was force-fed the consequences of this with an unavoidable cruelty. “Well, he deserved what he got! Violence was always on the table, because it’s piracy!” But once again, we’re operating under the assumption that the big themes of this show are healing from trauma and being worthy of being loved even if we’ve done bad things.

While we’re on that topic, though, let’s explore that. Ed’s childhood trauma comes from his abusive father. He carries the weight of that abuse with him well into adulthood, as well as the weight of what he had to do to survive it. What he had to do to save his mother. This season sees him abusing those around him. Despite this, despite his erratic behavior and the mistreatment of his crew, he is still loved (by crew and fandom both, if I may add). He is still loved by Stede, despite the trail of blood he leaves in his wake. Stede is still longing to find him, despite knowing what he’s done and what he’s now capable of, and this continues to reiterate that idea of you deserve to be loved even when you’ve done wrong.

And then, Stede finds him.

We as an audience witness Ed make the choice to stay alive. We watch the thought process, we see that he chooses to fight for that love that comes alongside being saved. Being wanted. Being seen for who you are and loved because of it. And up to here, I’m on board. I’m excited to see what’s next and how Ed will reconcile for what he’s done and the harm he’s caused at the hands of his mental illness — because the truth is, we harm people when we aren’t adequately being responsible for our mental illness. This is a real-world thing. We lash out when we’re hurt, or when we’re rejected, or when we’re struggling. When we’re suffering, we often can’t see past ourselves to see whether or not we’re also causing others to suffer. This does not make us bad people — and it didn’t make Ed one. And then the “apology” came and went. The only member of the crew Ed really sits and ever has a drawn out conversation with about anything is Fang, and even this is somewhat shallow. Fang absolves him and moves on. We don’t get to see whether or not Ed ponders this conversation long-term or whether or not he battles with himself over how to move on.

We’re left with a traumatized crew who semi-accepted a half-hearted apology and a beloved character who hasn’t actually been held accountable at all. “But he apologized and wore the bell and fixed that door latch!” Yes, and? He physically mutilated his first mate, instructed him to be killed, traumatized an entire crew — and this all takes a backseat to his relationship with Stede. And what a stunning scene between the two of them in the moonlight, where Ed finds it in him to ask to take things slow. Where he recognizes his needs and vocalizes them. I left this episode feeling so hopeful, because half-baked apology aside, Ed is actively learning to vocalize his thoughts and ask for what he needs when he recognizes in himself that something is going to be harmful to him. We had a kiss, we had Ed asking for help when he needed it, we had a proposal, we had “not moving on is worse,” and even knowing only three episodes remained, I left feeling like we had been so perfectly set up to see how things were only going to keep improving.

In the first episodes of the season, we see murderous raids and mutilated first mates and two suicide attempts (though I suppose one was more of a mass murder-suicide attempt?) and these are all thrown together. In episode six, Stede deescalates a raid from a bloodbath of his own crew and sends another crew on their way with the lessons and values that he has been pursuing since the first episode of the first season. He then, in a parallel to the French ship of season one, causes a man’s death. This is highlighted as a turning point, something that can’t be ever moved on from. (“There’s no coming back from that.”) But what about the other traumatic events of the season that are treated as jokes? Izzy’s drinking, day in and day out, bottle after bottle after bottle — coping with the reality of his life and the way it’s been altered beyond recognition. The mop he used as a makeshift leg snapping, forcing him to pull himself away from the crew with his own hands. Lucius’s mention of being sexually assaulted and Stede’s look of disgust, the way he literally runs away from the conversation. Lucius never gets to air out his traumas, not really, not with someone who listens and tells him he’s safe and allows him to talk things through. Even Pete gets ill instead of being able to offer support.

I struggle to reconcile what is and isn’t comedy in this season, or what violence is meant to be taken for what it is. The Ed and Izzy breakdowns in episodes one and two sat far too close to my chest for me to look past them into comedy — and the suicidality of both men was glossed over and moved on from so quickly, never explored. Did Izzy’s “I wanna go” in the final episode mean he never moved on? That some part of him was still lying in that room with a gun to his head? You don’t become non-suicidal in a matter of days — is there still something lingering in the back of Ed’s mind? There was never a conversation about it, and there was never anything between the two of them that could allow me comfort in knowing that they had reached some sort of understanding. This season pulled domestic abuse, alcohol abuse, and suicidal tendencies straight from my own traumas and never held anyone accountable for any of them. There was no healing. There was no real talking it through. “Well, it’s not a rom-com, so—” Except it continues to be presented as one. Shortcomings of storylines of characters that seem to have been cast aside or mischaracterized this season aside, I cannot for the life of me reconcile how a show about kindness and moving on and being loved amidst all of your flaws could have a season so wrought with traumas and yet never discuss them. Never explore them in a way that allows me to move on. I love this show and there were so many good things about this season; I love these characters, and yet I feel so disconnected from it for the first time in over a year. Not moving on is worse, sure, but moving on without accountability leaves wounds unable to heal. How do you move on from that?

#ofmd #our flag means death #pluviophiliqueue #ofmd s2 #my thoughts and feelings on s2 #ofmd s2 critique

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apostatehamster · 6 months

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Oh no! Another person's 2 cents on the OFMD finale situation!

Yes, because unfortunately my mind still hasn't settled and is in a state of disbelief over what happened, and I am trying to unravel all of this to make sense of it. Written from the perspective of a sad Izzy fan, so if you do not care to read about that or are simply tired of reading these mind pieces... well don't. And do not bother interacting.

I want to preface this by saying, I do believe Writers should be writing the story they think is right. It is impossible to please everyone so I prefer Author's sticking to their vision rather than bending to the loudest (in most cases, read: displeased) voices of the audience. However, I also think people are entitled to voice their displeasure over writing decisions in a constructive way. I don't condone hate towards authors, actors or anyone involved in the making of the show and if you feel angry enough to send hate or threats, take a walk and calm down instead of being a jerk. That being said, I watched many shows with decisions I did not agree on and few made me as angry & sad as this one, hence me trying to dismantle why.

False marketing, expectations and broken promises

Frankly I hadn't seen much advertising about the show before, most of it was fandom activity that praised the show as feelgood and comfort, with good queer representation. I got into it pretty late, so I can't tell what the show itself presented itself as, but to me it seemed like they fully embraced that image and encouraged the show to be perceived as such. It's a rom-com after all, many laughters and sappy feelings. A safe space-ship for outcasts, so to speak. We expected drama but also making-up and possibly more shenanigans. What we did not expect, was a rather prominently featured character dying as one got used to happening from other shows.

OFMD promised to be different, or at least that was my and many others' impression, and then it turned that around in the last 10 minutes of the finale. But more about that and tonal shifts later.

What baffled me most were the interviews hailing in at the start of season two. I've read articles about how season 2 was leaning into the Ed/Izzy/Stede triangle with David Jenkins saying these three "are on an arc together that’s pretty inseparable". I mean we had Izzy being called a jilted lover before, and in addition to Ed & Stede's love declaration, we also had Izzy declare he had love for Ed, and Ed as well saying He loved him, best he could. There was a lot of love, but it was complicated, and the article gave hope that this season would sort this out.

But after the finale, we got interviews that declared Izzy was a father/mentor figure to Ed, which is such a weird claim that is absolutely unfounded in the way the characters interacted with each other, as well as the fact that Izzy's death apparently was something planned from the beginning as an ending to his arc. And well, I find that death separates characters quite definitely.

I am not saying that Steddyhands was promised to us, gods no, but we were definitely given a chance at it happening, when in fact, the ending had already been written as the complete opposite.

Reception and cognitive dissonance

Every person is different and thus has different feelings and opinions. I've seen Izzy fans hating the finale obviously, I've seen Izzy fans who said they liked it. I've also seen people who weren't explicitly Izzy fans say, they did not like the finale, so really, opinions can go any way.

However what baffled me is Jenkins feeling he delivered a truly happy end. Personally, I've never watched a character die and thought "This makes me happy." I especially would never describe a character struggling through hardship, just to ultimately die as happy or beautiful. I can only imagine that the focus was on Ed and Stede, when a happy ending was mentioned, but Jenkins kept pointing out in the interviews, how Izzy was his favorite, which gave hope for a happy ending for Izzy as well. As much as I enjoy seeing my favorites go through hardships, I also prefer to keep them around by not dying. I especially do not build my favorite up to be a well fleshed out character with growth, just to reduce them back to a plot device for the main character.

I know this is all based upon the interviews, and less on the show, but when I read "And what's the most interesting thing we can do with Con[...]?" my answer definitely wouldn't have been "kill his character off". Con O'Neill does a great job at playing emotional scenes, but we already had him act his heart out in the first three episodes. A last hurrah wasn't needed.

I am also trying to put myself in David Jenkins' shoes here, because I think he truly expected the last episode to be a happy ending, and a gift, just to be proven differently. I just wonder what went wrong, how one can read the room so completely wrong.

It wasn't malicious, but the fact that it was apparently meant to be a genuine attempt at offering a happy end makes it even worse.

Tonal shifts and established in-Show laws

It's an understatement to say that the tone of season 2 was decidedly more dramatic. To the point where I questioned myself if this was still allowed to be called a comedy show. I would have described season 1 as mostly slice-of-life, little adventures between the crew and the captains. People got hanged, fingers severed, people got stabbed, but you never felt the threat of actual death hanging over anyone's head, because everything was kept humorous. (Speaking of the non-baddies here. Calico Jack got a cannon ball to the head but with plausible deniability of his death & (apparently) an interview saying he could be brought back, if needed)

Enter season 2, which starts off with murder attempts, major wounds and a suicide attempt. Nothing was played off as a joke, and for that I am grateful because that would have been in poor taste, but the tone was noticeably different and darker. But it still wasn't 'realistic' by any standard. With no real doctor on board, Izzy should have died from his wounds and comatose Edward would have wasted away in the hidden cabin. Everyone came out (fucked up but) relatively fine.

The show goes back to the humorous tone with Anne & Mary who enjoy a good backstabbing and poisoning. We had our crew surrounded by death and a curse in the next episode, but there was any fear of them coming to harm, obviously. The crew gets boarded and tortured by Ned and his crew after that, but they are able to take it out and come away unscathed (some wounds aside). Oh no! Stede challenges Zheng Yi to a duel! Which we know means no one is allowed to interfere, until one of the duelants dies. But it's fine, Zheng Yi is just playing with her food. But watch out, a Cannonball flies towards Zheng Yi's head! Ah but she is fine, she escaped. The Swede pulled a Rasputin and got immune to poison without him even noticing! Look, even Auntie survived the explosion, badly wounded but she lives. Oh no! Izzy gets shot! But it's his left side, we established no vital organs are there. Roach and Stede are already on their way to get bandage- Wait they are back with no bandages, and Izzy he-

Oh, wait. He...died?

When watching season 2 I legitimately considered Izzy dying as an end result, because I am used to my favorite characters dying, frankly. But then I dismissed that thought because OFMD has proven again and again, that people do not die. Heck, Lucius was considered dead in the season 1 finale and he came back, albeit traumatized. But he lived to tell the tale.

Season 2 finale made it a point to leave no room for doubt that Izzy did indeed die. They dug him a grave, and they panned to his grave at the end to remind you, he is definitely dead. So, why did Izzy have to die in a world where our favorites can survive about anything? "Pirates die, that's just pirate life", okay but why was he specifically singled out to be the only pirate dying? In comparison to everyone else, it feels unjust, and it feels cruel towards the fans who felt safe in the knowledge that this was the one show where none of their favorites would die. And it feels like such a betrayal of the fans’ trust, who had hoped this show would do better.

I've seen a take along the lines of "Nowadays people expect the stories to be written explicitly for them, and then they get upset when it doesn't happen" and that take pissed me off enough to write this down. This isn't a case of entitled fans asking to change the story to be exactly what they want to be, there is fanfiction for that. No, this is fans upset that their favorite character got singled out by the narrative to be the one exception to the no dying rule. And I use the narrative loosely, because there was no ramification to the death that couldn't also have been established by the character staying alive and giving advice, so the death didn't even feel purposeful. And for a show that always stresses the "Talk it through as a crew" point, they did not care much for choosing talking it through as a solution.

I also heartily disagree that Izzy's arc was over and had no more stories to tell. I mean the guy followed Edward around for decades, I would have loved to hear more about their past.

I would have especially loved to hear more about their future, as two people who learned to let go of Blackbeard and became their own people again. Where exactly did the idea of that even come from, I don't know.

Pacing and Confusing decisions in the Final episode and the build-up into nothing

(Rambling alert!)

Personally I didn't feel any pacing issues until episode 6. While I generally liked the episode, it felt crammed with both set-up of the baddie, fun-times, then appearance of baddie (and disappearance) and return to fun-times. The episode ended and I was literally perplexed that it was over, like we basically ran through that episode. But episode 8 took the cake.

Now I am well aware they had to cut corners, and the strike didn't make it easier either, and I wish we could have seen the result without these factors. But we got what we got now, and I have to judge based upon that, but I really would know how the final cut decision came to be.

I did like the beginning with Ed chilling as a fisherman, but in hindsight I wished they had cut that part a bit shorter to give more room for the final parts. We get a lot of Ricky dicking around the pirate republic, showing Jackie reluctantly bringing them drinks. Later on she finally decides to poison him. Why she didn't do so earlier, I have no idea, unless the show is trying to tell me The Swede had to build up enough poison tolerance within one episode to withstand the poison attempt, which would be ridiculous. Why the Swede was held as an emotional hostage, I don't know either. I don't want him dead but Jackie has many other husbands, the Swede being singled out was more to hurt the viewers than for Jackie imho.

We have Zheng Yi suffering through Stede's presence. Our queen is suffering through the loss of her whole crew and her aunt, while Stede unsympathetically offers that being a failure gets easier. I expected more compassion from a guy who treasures his own crew and also enjoyed the hospitality of Zheng Yi's ship, but okay. Being a dick for the sake of comedy, I suppose. "Thing's have a way of working out. At least for me" And Zheng Yi proves Stede right by killing the soldiers, and Stede claims that went just as planned. I am not sure what happened to the Stede who successfully avoided being backstabbed in episode 5 and defended his crew in episode 6 and actually seemed competent, just to go back to an ignorant fool, but hm.

Fisherman Ed returns, thinks Stede in danger, and recovers his leathers that somehow are still in the same place, after mindlessly killing everyone in his way. Whatever happened to not wanting to be a monster and not killing and running away from that, it doesn't matter anymore. The flashback of pop-pop tells him he needs to go back to what he is good at, and I guess... this is it??? The Kraken rises from the sea again. Will there be consequences for Ed's emotional state after that? Well, no. Not really. Or not in this season anyway.

Okay Ricky invites Izzy to a drink, he's quite obviously a Izzy fanboy. For what reason he took him out of prison, I don't know. He later says "Sad, I wanted to let you live", implying he had plans for Izzy. What those plans were, we will never know, Ricky never tells us. Izzy talks about what piracy means to him. "It's not about getting what you want" and I don't know if he means pirates generally robbing ships to get treasure, or of himself being perceived as a mastermind or being a captain, because he never inclined he wanted either. So, what a weird thing for him to say. "It's about belonging to something when the world has told you, you're nothing" is a beautiful line that makes me wish we had gotten at least some backstory to Izzy. Then we're shown a picture of the crew from season 1.... with Izzy in the background, quite obviously not belonging (yet). What an odd choice to cut into. You could have used something from season 2 that showed him actually belonging

Ed finds one of Stede's love letters, it's cute, but I am not sure why we needed that to somehow reinforce that Ed loves him. We already saw him worry for Stede and literally revert to his Blackbeard persona to set out and save him. He also didn't leave because he didn't love Stede or doubted Stede's love for Ed, but because he needed to find himself first to make it work. It's not a long scene but it took a bit of the momentum of the Kraken rising from the water from me.

Ed and Stede see each other again and we have a callback to the episode one opener. Which was also the moment where I slowly realized, death was in the cards for Izzy because that dream sequence meant his death. But no, this is OFMD, it'll be fine...

We're back in the cell, and our mates are trying to escape. Auntie is there! Very much alive, despite having been on an exploding ship. Who brought her there?? When was she brought there?? How long has she been there and why did no one bother to check the cloaked figure in the corner? NEVERMIND, Auntie is here and alive I suppose. Bleeding out and we've got no supplies to treat her, but she will walk it off just fine.

Captain trio congratulate themselves on beating a bunch of soldiers. Honestly impressive, outnumbered as they were. Mh, maybe they should get back to the crew tho...?

Auntie realizing she was harsh on Zheng Yi and admitting maybe she needs a different approach. I am seeing a parallel to Izzy later admitting his approach was wrong too. Except (and excuse the bitterness) Auntie gets to continue to "mentor" Zheng Yi.

We get a weird hard cut from "I don't do soft" to the talk between Izzy and Ricky. I really thought the talk had been talked, but some more insults get thrown at Ricky, and the deus ex machina happens as all prisoners are freed from prison, the captain trio arrives and all soldiers die of poisoning. Personally this was the moment where I had to slow blink in disbelief, because everything was happening so fast.

Stede talks about how they need a plan, and how a royal hostage could prove valuable. Another hard cut "SO, that's the plan". We do not hear the plan. We just gather from the following montage that it has to do with dressing up as English soldiers. We get a montage of everyone preparing for battle and dressing up, looking cool in slow motion. And, they did look hella cool, but there was so much buildup for them dressing up for the plan...without knowing what the plan even IS.

And then the plan apparently is.... just Izzy holding Ricky hostage? And the rest waits around and sees how it plays out? And they're just trusting Ricky to go along with their plan and say what they want him to say? Why was Izzy the one who had to hold Ricky hostage? The one person with a visible wooden leg? Not sure if peg-legs are an established pirate thing in this world, but the British seem to think so, because they look down at it. Why did no one check that Ricky had no weapons on him beforehand? And most importantly, where the fuck was Stede during this suicide plan? He is the one who planned it, yet he was nowhere around the group with Ricky, nor did he fight any Soldiers. He only reappears when everyone is running away. What the hell!! Where'd he fuck off to. Again, all this epic plan build up, for the barely existing plan to go up in shambles within 5 seconds, and then they all run. At this point they could have just left Ricky at the Inn and attempted to walk to the ship safely in disguise without ever drawing attention to the soldiers, and they would have had as much chance.

Ed asks Izzy if he is okay and I raise an eyebrow, A) because we as the viewers barely saw him get hit and B) Ed hasn't cared much about Izzy after Stede returns. But okay, we're stumbling back to the ship, surprisingly no one else gets shot.

Izzy is bleeding out on the ship, Stede and Roach run off to get bandages. "Bonnet is in charge, oh great I am fucked" is a true statement, considering Stede was in charge with the plan already and got Izzy to here. Later you hear footsteps approaching offscreen, which I guess were Stede and Roach. They just appear again, with no bandages and no comment. I don't want to get into detail how much I despise Izzy's parting words, and the message they send out, but Izzy throughout this season proved he wanted to live and got ready for living again, just to end up saying he wants to go here, and it's just so utterly wrong. This scene was presented as someone who was healed and now got to die amongst his loved ones, but he was not healed. He practically still believed he deserved what he got, and he died believing Ed did not need him and thus he was unnecessary. If he truly was healed, he would fight to live, if not for himself and his new found family, then for Ed who he still loves, but no. Okay maybe I did want to go into detail, but anyway, many have said it better than me already.

The crew who bonded with Izzy over the whole season stands mutely in the background, leaving the stage to Ed, who has barely cared about Izzy all season. Out of nothing I am supposed to believe Izzy means something to him, after Ed shot him down, discarded of him, happily mentioned to Frenchie that "But most importantly, no more Izzy" like Izzy had been the bane of his existence, the guy he didn't even have the balls to approach first to apologize but instead mocked Izzy when Izzy himself finally broke their silence, I am supposed to believe that Edward suddenly realizes Izzy's worth and that he deserves to be the one grieving, not leaving any space to the crew? I don't think so.

All season I was waiting for them to make up again, patiently, full of hope, but the remaining episodes got less and less. And I held out hope for them to bond over talks and teamwork, remembering how well they worked together before it turned sour, acknowledging that they could do better if they tried, but instead we got this. This is supposed to help Edward move on as Not Blackbeard, but Izzy had already encouraged Ed to not be Blackbeard, yet Ed came back deciding on his own to don his leather outfit again. This is such a back and forth, it's frustrating. They could have accomplished growth without a death, but I've already talked about that.

Also Izzy telling Ed has family now, because the crew loves him. Ed bonded exactly with one person outside of Stede, and that was Fang, who was once Blackbeard's crew anyway. Other than that Ed only hung back and did not give a shit about what the crew was doing, but sure they love him after the non-pology. Where were the scenes to back this claim up, it was utter nonsense.

Okay, we get a burial. No one says a thing, no one's got to say a thing about their unicorn. Everyone leaves, and "That's that then". Stede talks about Izzy, like he hasn't personally bonded with Izzy over the last episodes and like he was simply a guy Ed dragged along (the way season 1 Stede would have felt). Also, no acknowledgement that Stede's plan was what got Izzy killed whatsoever, no remorse.

Aye no time to be sad, we got a wedding now! It lasts less than a minute screen time, and I am still recovering from the emotional impact of a death scene + burial, maybe give me a minute so I can feel happy for LuPete? No? okay.

Stede and Ed decide to build an Inn, nothing either of them has experience in. Also the "family" Izzy promised Ed is sailing away, so that was for nothing as well. What happened to Stede wanting to be a pirate? What happened to Ed returning to being a pirate, because it's what he's good at? What exactly made them change opinions to leave their crew behind and start this? *lame hand gesture at Izzy's grave* This?? I am usually good at looking for clues and details and figuring stuff out in between the lines, but I am left clueless as to what inspired this.

I am 100% sure there were missing scenes that could have helped soften the blow of the death at least, but like this the episode feels jarringly badly patched together. There is no visible impact to the death that would explain the necessity to the narrative (and yes, we are in a story, not real life. Plot points happen because they bring the narrative along, and it didn't here) With everything established beforehand, it felt like the death got shoehorned in, simply because someone said "I want this character to be dead at the end of the season", and then a story was somehow built around this.

And of course people are upset about this, when I watched I thought it was a joke and I was waiting for the little wink telling me it's not what it seems. The theme I gathered from this season was "belonging", and to see the guy accepting that he belonged and deserved to be loved to be left behind and denied a chance to continue with the crew where he BELONGS, because he's dead and gone, is a very stupid choice.

The season had many unexplained and unresolved things that I chose to overlook because the show was still ongoing and I had hoped they would all work out in the end, but they didn't and this sours the whole experience.

Fandom

This has less to do with me unraveling the happenings of the show, but whatever.

I joined very late, a few weeks before season 2 aired. I was however vaguely aware that Izzy was controversial to the fandom and that fans got hate mail for liking the character who "broke the main couple apart". So going into the new season as someone who utterly loved Izzy in season 1, I was skeptical lol

But it was a nice experience. Season 2 showed parts of Izzy that I had already seen but in a way that made it clear to everyone that this guy has Emotional Layers TM and is capable of more than just being the guy throwing a hissy fit. Everyone could sympathize with him, people enjoyed seeing him, and I legit loved going through the tags of the gifsets and reading all the reactions.

Generally I loved seeing the reactions after every new episode, seeing how fandom came together to talk over what happened, and over what they enjoyed. I had expected a very split fandom but it seemed season 2 was somewhat gluing it together. Izzy was finally an "accepted" character and thus it was "okay" now to love him, now that he wasn't trying to break Ed/Stede apart either. The show was feeding fans too, I felt like I feasted every episode up until the finale happened.

And /then/ the finale happened and the illusion went away.

Up to then I thought this was a season for the Izzy fans, with the opener episode showing how ridiculous the take of "Izzy has to die for Ed/Stede to be happy" was in a mocking dream episode, I thought that was David Jenkins acknowledging the hate that has been sent in the direction of Izzy & his fans, and how it's Not That Easy. And then he proved Izzy was more than that.

And then he killed Izzy off, so Ed/Stede could be happy and we've come full circle again.

Of course Izzy fans were upset, because it felt like a final fuck you after a season full of promises that it would be okay, and of course people were voicing their displeasure and sadness over it. Some people were downright grieving the character, and I can tell you I Am People. I went through the 5 stages of grief, through bargaining and anger directly after the finale, sadness the whole day after, crying over it because it felt so unjust to me. And maybe these reactions seem extreme to you, but that does not mean that people aren't feeling awful about the finale, that it truly hurt them. And you do not get to mock people for feeling in pain. What do you gain from that? If you liked the finale, fine, everyone is different, but allow the people who were shaken by it to express their emotions. Processing emotions takes time, and as a part of this I wrote a goddamn essay to make peace. The least you could do is not be a dick.

Parting thoughts are that the final episode was both a product of unfortunate cuts in screen time, and a writer who didn't expect the effect it would have on the audience.

I am not hating on David Jenkins, I loved every other episode of the season and eagerly anticipated the next one, but I am so incredibly sad that one botched finale broke my trust into the show, soured my love for the previous episodes with the knowledge of what it all built up to, and left the fandom back in shambles.

So long, and be kind to each other.

#ofmd s2 #ofmd season 2 spoilers #izzy hands #ofmd meta #That was the longest I've ever typed. But also at least I feel more content now #You actually do have my respect if you went through this #and to everyone still struggling with sadness: i feel you #ofmd critical

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