gay 70s copaganda thesis is actually about the inherent homoeroticism of the western genre and the cultural image of the male cowboy it borrows from. or as Susan Sarandon once put it, "They got their guns out because they couldn't get their dicks out"
I want to love you so well, your heart relaxes its shoulders all the way down; your body lets out the breath its been holding. I want my love to be such a safe place, the walls never shiver with sharp tongues or high volume. a love solid enough, when you count your worries for the day, our happiness sits miles from the list.
Crowley would be the type of husband to give Aziraphale a kiss each and every time he leaves
I can imagine it so vividly, he would do it so casually it would almost become second nature to him
I imagine Aziraphale sitting down reading a book and Crowley leaning down to give him a kiss on the cheek before grabbing his sunglasses and rushing out of the bookshop
No thoughts, just Ray Stantz watching Phoebe Spengler stand up to Walter Peck with the biggest smile on his face because she reminded him so much of Egon.
He was so proud. And there was so much emotion in his expression. He missed his partner, but he was so proud that his legacy was living on through his granddaughter.
Kimmy Robertson’s letter wasn’t just singing Brian Peck’s praises. The way she actively shat on Drake Bell’s character…a fucking 15 year old boy… “an overtly gay oversexed person with no idea what he is doing to Brian.”
She is hateful. Her letter was vicious and vile and she should never work again.