That kiss between Nozue and Togawa was ✨chef’s kiss✨

I just revived my old iPod touch that I haven’t used since ~2013 after believing it to be dead dead for years and oh my god it’s like opening up an old time capsule. There are photos of me and my friends that I haven’t seen in years, taken in an old high school building that doesn’t exist anymore. I have games that are no longer downloadable on the app store. It’s running iOS 5 with the original skeuomorphism app icons. I still have the youtube app. My contacts app is full of maiden names and deadnames. The music app has songs I haven’t heard in almost a decade but still remember all the lyrics to. A daily alarm set for 5:30 AM (god I can’t believe I had to wake up that early in high school) and another set to 11:11 PM to remind me to make a wish. Reminders to finish homework assignments, or to write my application essay for the university I ended up attending, and one marking the release date for the final episode of Cabin Pressure. The last thing I googled was “how to draw people hugging”.

Possibly the strangest thing is that the tumblr app still opens, but it’s stuck in a permanent snapshot of 2013 where it won’t show me any new posts no matter how many times I refresh. My dash is full of old BBC Sherlock posts from long-lost mutuals who have either since deactivated or got unfollowed or changed urls so many times that I don’t even recognize them. Lady Gaga and Game of Thrones are the top trends. My profile shows my previous url and icon, with only 43 followers. I feel like a time traveler

what pet names (if any) do you think the svt members would use? ⸜(｡˃ ᵕ ˂ )⸝♡

this is such a cute ask ahh!! sorry it took literal ages to get to, i’ve had the worst case of writer’s block and i’m slowly working through my reqs!

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Pet names seventeen would call you

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SEUNGCHEOL

doll. you’re his world and he’d spoil you to no end. every thing you’d want would become yours and you’d never have to lift a finger. he’d dote on you so much and all he’d expect in return is your love, you’d be his lovely doll.

“look at what i got, doll. you like it? do you think it’s pretty? it’s for you”

JEONGHAN

angel. of course, the angel needs his twin flame. you’d be his angel and his partner in crime. you both have your mischievous, devilish streaks too, so the nickname would be perfect. to him you’re angelic and could do no wrong, even when you’ve baked a cake but won’t let him touch it yet.

“angel, you’re being so mean. just one look? i promise i won’t take a bite”

JOSHUA

love. simple and sweet. he prefers to use ‘love’ because it’s exactly what he feels for you and he wants you to know it, remember it all the time. you’re his love and he wants to shower you in it as much as he can.

“mm, i’ll be there in 10. of course, love, i’ll pick it up for you, i love you, too”

JUN

beautiful. jun is in awe of you. you’re breathtaking to him and he’s going to make sure you know it. he’d call you beautiful so often it becomes a nickname for you. neither of you realise when it happens until you’re being called beautiful for the 5th time in the day.

“there’s a fresh towel on the bed for you, beautiful. you don’t need to find a new one”

SOONYOUNG

babe. simple but sweet. he also uses your name often, he says it softly and gently, like it’s his favorite word. he’ll still follow up with a ‘babe’, though. and if he’s within arm’s distance of you he’s definitely punctuating his sentence with a squeeze of your hand or waist.

“babe, we can do the laundry later, it’s so warm in bed, stay just 5 more minutes? please…”

WONWOO

pretty. to wonwoo, you’re the prettiest person he’s ever seen. it comes so naturally to him, especially when you are the embodiment of the word in his eyes. you could be sat on the couch flicking through apps mindlessly when you’ll hear him call for you. whether it’s to ask for help or just for the sake of having your attention on him.

“want to play a couple of games later, pretty? or watch a movie? what are you feeling?”

JIHOON

your name. jihoon has a way with words, he pours meaning into every single one he speaks. so to him nothing comes close to the love and meaning he puts into saying your name. it would be tender and loving and it would be yours.

“do they fit well, does it pinch at your ankle? they’re very pretty, ____. i’ll get them for you”

MINGHAO

gorgeous. an almost sensual nickname that rolls off his tongue so easily. it shows just how lucky he feels to have you and it makes your cheeks heat up every time you hear it. he particularly loves seeing you flustered when he springs it on you when you least expect it.

“you’re at lunch with your friends today, right? need me to drop you and pick you up after, gorgeous?”

MINGYU

baby. a classic name for a hopeless romantic. something about you being his baby makes him melt and he just can’t get enough of saying it. you feel so cherished when he uses it and he loves the rush of warmth and pride he gets calling you it. often comes with a sudden back hug, maybe even a pout if he’s wanting your attention.

“please, baby, can we watch just one more episode. it’s only 2am… baby…”

SEOKMIN

buttercup. this is SO seokmin. you’re delicate and pretty like a flower to him. and combined with the fact that he’d love being called sunshine or honey? you both are so sunny and bright together.

“i found them! i found the keys, oh my god they were under the cabinet, buttercup. can you believe that?”

SEUNGKWAN

my sweetheart. seungkwan would use ‘my’ a lot, he would love the intimacy as well as the slight possessiveness that comes with the word. my love, my darling, etc. he’d be a sucker for calling you his and showing you off to everyone that way.

“you’re always the most beautiful in the room. let me introduce you to everyone, my sweetheart, hm?”

VERNON

babe. also keeps it simple. he’s more about subtle affection and wants his actions to speak louder than his words. a soft ‘babe’ accompanied by a gentle tap on your knee to wake you up when you doze off on the sofa, another call while he wordlessly points out something on his phone. he’s all about showing, not telling.

“babe, how many eggs should i put in for two ramen packs?”

CHAN

darling. he’s so affectionate with you it’s unbelievable. while he isn’t one for over the top romance, his affection comes through in so many other ways. when he wordlessly refills glasses of water for you throughout the day or throws a towel in the dryer so it’s nice and warm for you after your shower.

“i’ll tidy up, darling. you get ready for bed, yeah?”

DogDay x Reader part 5

<----- part 4, part 6 ——->

A/N: 2k words this time! Enjoy!!

As I laid in bed, I couldn’t seem to get DogDay out of my thoughts. I knew today would be a hard day for him since Darla was leaving Playcare. To him it probably felt like his kid was being taken away from him. The longer I started to think about it the more I thought about myself in his position. Yes, I’ve only been working there for a week but already I have a close connection with Damian. As I thought of Damian, I turned on my phone to see my lock screen. I changed it to the picture I took of his drawing yesterday. I looked at the time and saw that I had extra time before my alarm went off for work. I decided to head to the store and pick out a card for DogDay. 

--------------- 

Sitting in the cable car I started writing a heartfelt message for DogDay until on the TV a cartoon started to play. Odd. Usually music would play but this time I guess they wanted to change it up. “S-M-I-L-E every day!” I watched as the intro to Smiling Critters played out. I haven’t seen any of the episodes, but Damian did tell me about the show. I smiled when DogDay appeared on screen. He looked just like his cartoon version but tall and life like.  

“DogDay says ‘When you see someone without a smile, give them one of yours!’” The screen went black as the cable car came to a stop. That was a cute cartoon. I tucked the card away and stepped out of the cable car and headed to my office. 

--------------- 

I opened my door and saw DogDay was laying down on his bed looking sad until he saw me and sat up with a smile on his face. “Angel!” I shut the door behind me and set my bag down onto my desk. “Morning DogDay. Did you sleep well?” I went over to him and gave him a hug around his neck. He rested his head on my body and sighed. “Not really Angel. Anytime a kid from my group gets adopted I always get so sad.” I moved one of my hands behind one of his ears and started to scratch him there.  

DogDays tail started to wag, and he started thumping his foot. "No need for sorrow, let joy appear, with your Angel near, all troubles disappear." I sang out to him. DogDay pulled away and looked at me with such awe. “Did my Angel just sing for me?” I laughed a little nervously. “Yes?” I was quickly brought into a hug and could see his tail wagging faster. “I can’t believe I had the pleasure of hearing my Angel sing for me! Hearing you sing has made me feel much better.” I hugged him around his neck and laughed. “I’m glad to hear that.” He brought me back down onto the ground but his face was pretty close to mine. “Could you sing for me again Angel?” “Tell you what, anytime you’re feeling down I’ll sing for you okay?” “Okay!”  

--------------- 

Me and DogDay oversaw decorating the outside of Home Sweet Home for Darla, so we started with streamers. I was on the roof while DogDay wrapped some streamers around the railing. “Be careful Angel.” I heard DogDay call out to me. “Relax, I used to climb onto roofs all the time when I was little to see the sunrise; I’m a pro.” I saw him chuckle and shake his head. We both went back to decorating. 

After a while the house was decked out with streamers and balloons. “Looks great Angel! Now come on down so we can head into the Playhouse for today.” DogDay held the ladder steady waiting for me. I started to slide down to the ladder but then heard a notification from my phone. I went to go check my phone but felt that my phone wasn’t in my pocket anymore. I looked around and saw that it was just a few feet in front of me. “Hang on I need to get my phone.” I scooted back up and reached over to my phone. I picked it up and turned it over to see the notification but instead saw a little spider on the screen. “AH!” I dropped my phone so fast and started to scoot backwards as fast as possible. In doing so I scooted all the way to the edge of the roof and slipped off. “I gotcha Angel!” DogDay pushed the ladder away barely catching me in time. The weight of my fall and him not expecting to catch me made him fall onto the ground while I landed right on top of him. 

DogDay groaned as he sat up and rested his front paws behind him. My face was buried into DogDays chest. Thankfully when he caught me his pendant moved out of the way. “Are you alright Angel? What happened?” I pushed myself off his chest but was still sitting on top of him. “I’m so sosososo sorry! There was a spider on my phone, and I hate spiders- and I freaked out but I’m so sorry! Are you alright?” “I’m fine Angel. Glad that I caught you.”  

“Woah- Am I interrupting something?” Me and DogDay both turned our heads to see KickenChicken grinning down on us. I saw how I was sitting on DogDay and blushed super hard. I quickly got off him and brushed myself off. “Nononono we were just um- putting up decorations for Darla!” DogDay got up after me and stepped in front of me a little. “KC why aren’t you with your group?” DogDay sounded cheerful but also a little annoyed that he was here. “Relax DD. I have extra time to spare and was making my way to the school until a phone out of nowhere smacks me on the head.” In his hand was my phone. “Oh gosh I’m so sorry about that KickenChicken. Thank you for picking it up.” I went to go reach for my phone, but DogDay had taken it from him. 

It was silent for a few seconds before KickenChicken spoke. “Didn’t mean to interrupt your guy’s...uh thing...Welp I’ll go ahead and take my leave.” KickenChicken started to walk away before turning his head back and saying, “See ya later, Angel.” As he walked away, I heard DogDay start to growl. I put my hand on his paw, and he stopped and looked down at me. “Hey what's wrong?” “Hearing him call you Angel...it sounded weird coming from him. I didn’t like that.” Was he jealous? I couldn’t help but smile at him. “Don’t worry, hearing him call me that doesn’t give me the same feeling as when you do it.” I immediately froze up after what just came out of my mouth. 

I saw DogDays ears perk up and he smiled at me. “What did you say Angel?” I know he heard me but I didn’t want to repeat myself. I started feeling my face grow warm. “N-nothing! Come on, let’s go!” DogDay laughed and handed me my phone back. I looked at it and thankfully there wasn’t a crack on the screen. However, when I turned on the screen, I saw that my lockscreen had changed from the drawing to KickenChicken. That motherfu- 

--------------- 

“Alright friends gather around!” DogDay called out to the kids in the Playhouse. “As you all know Darla will be leaving Playcare today and she has requested that we play her favorite game one last time.” I could tell that he was starting to get emotional, so I spoke out for him. “Darla has asked that we play ‘tug of war’ so get into your groups and get ready to play!” The kids all cheered out and went into groups of four.  

The first teams walked up to the rope and got into position. Damian was on one side while Darla was on the other. DogDay lined up the center of the rope and tied a yellow flag to it. “Ready and go!” Both teams started pulling with all their strength. “Come on Darla you got this!” DogDay yelled out. Darla nodded her head and pulled the rope even harder to her side, leading them into victory. Damians team seemed upset but not him. He gave a thumbs up to her and she returned the gesture.  

Everyone soon had a turn, and we were about to clean up until Darla spoke out saying that she wanted one last round; her and DogDay vs me and Damian. DogDay seemed to like this idea and so all four of us headed to the rope and got ourselves situated. DogDay and I were in the back with the rope wrapped around our waists while Darla and Damian were stationed in front. I already knew that me and Damian would lose because DogDay was the strongest one here, but I didn’t want to lose. “Get ready to lose Angel.” DogDay said teasingly. “Ha, like I’d let myself lose to you. Come on Damian, lets win!” 

The children all watched and cheered each of us on as the game had begun. DogDay was just standing there smiling at us. The only time he would pull the rope was when me and Damian got close to winning. The flag was about to cross onto our side when Damian yelled out “Ok now!” Both him and Darla had let go of the rope and jumped away which meant I was about to get yeeted onto DogDays side. DogDay saw this and smirked and pulled the rope hard making me come towards him. I slammed into his stomach. I heard the kids all laugh at this. I looked up at DogDay and he had the biggest grin on his face. “I win Angel.” Click! We both turned and saw that Damian had my phone and took a picture of us.  

--------------- 

I sighed and fell into my chair at my desk. The going away party for Darla had just finished and I was worn out today. I rubbed my eyes for a moment before hearing DogDay outside my door. “Can I come in Angel?” “Yes.” I said while yawning. DogDay entered and shut the door behind him before walking over to his bed and laying down. He had just seen Darla off with her family and I could tell he was sad. I grabbed the card I had gotten for him and made my way over to him. “Mind if I join you?” “Not at all Angel.” I then sat against his side and handed him the card. “Here, for you.” The card read, "To my dear DogDay; As Darla embarks on this new chapter of her life, I understand that her departure leaves a void in your heart. The bond you shared was special and filled with countless cherished moments. But as she finds a loving home and family to call her own, let us take solace in knowing that her journey is one of hope, love, and endless possibilities. While her absence may be felt keenly, remember that the love and friendship you offered her were immeasurable gifts. Your kindness and companionship made her days brighter, and your memories together will forever be etched in her heart. As Darla embraces her new beginnings, may you find comfort in knowing that you played a significant role in her life's journey. And as one door closes, may countless others open, filled with the joy of new friendships and shared adventures yet to come. With love and understanding, Angel.”  

DogDay didn’t say anything, but I knew he was grateful for my card. He then had tears form in the corner of his eyes. “I think I need your singing now Angel.” He said while chuckling. I got up and climbed on top of DogDay and leaned down and started to scratch his ears. DogDay sighed and closed his eyes while his tail slowly wagged. I started to sing a little song for him. After a while I could tell that DogDay had fallen asleep. I stayed on top of him and pulled out my phone. I changed my lockscreen back to Damians drawing and changed my home screen to the picture Damian took of me and DogDay after tug of war. In the picture DogDay had his arms around my waist and had a soft look on his face while smiling at me. I was also smiling back at him with a small blush. I then went to my camera roll and deleted KickenChickens picture.  

A/N: Idk why but it wouldn’t let me color KickenChickens part yellow. Anyways thank you for reading!!

“At least it's not ferociously attacking God quite as directly as Steven Universe did…”

Not that I’m surprised by this statement, but can you elaborate on this? Kinda intrigued by your thoughts on Steven Universe.

Okie dokie, you’re not the only one who has asked me about this, so I suppose I’ll poke the hornet’s nest. 😅 I haven’t talked about this before because I assumed that everyone who wanted to hear my kinds of opinions on stories wasn’t watching or interested in Steven Universe.

It’s like asking vegetarian if they enjoyed a turkey dinner. The turkey dinner was so obviously not made for vegetarians to enjoy, so why would the vegetarian even bother analyzing the turkey?

But I think if some people are asking me why I think Steven Universe is anti-God (of the Bible) its because maybe they don’t know what the turkey is. Not completely. (Maybe not you, because like you said, you’re not surprised by my comment.) So I’ll explain my thoughts on Steven Universe.

If you’re just following me because you liked some stuff I posted, but didn’t realize that I’m a Bible-believing Christian and don’t want to hear about it, unfollow me now. Because I’m going to talk about some hot button issues here and the trolls will come out.

Steven Universe is really well-done. The jokes are funny, the writing is believable, the characters have great chemistry, great design, the concept is fascinating, the slow build-up and reveal of the plot elements is great. But when you watch the throne room scene in the last episode of Season 5 “Change Your Mind,” it’s alarmingly clear how much the whole show is not just settling for defending and championing the LGBTQ+ worldview—it goes all the way to attacking what Christians believe, on the other side.

Anything that’s pro-LGBTQ+ is doing that by default, but this show goes out of its way to do that.

You have to understand: God created and designed us. Deeper than that; He created and designed romantic relationships, and invented marriage. He didn’t just create love—He is love. So when humans come along and do what we’ve always done since the fall, and say, “I’d rather define what Your thing is and how it works for myself, God,” it’s not only an incredible slap in the face, it’s an attack on God’s actual identity—and it’s destructive for us and the people around us. Like a fish insisting it can breathe oxygen.

But Steven Universe goes beyond that. It knows that the Christian worldview is it’s biggest opposition. It digs right down to the heart of the worldview-battle. LGBTQ+ worldview says, “I should get to love what I want and be who I am, because I’m me. Love is love. (By which I mean, any action or relationship I choose to call love is love, because I’m the one calling it that.)”

Biblical worldview says “No, wait, you shouldn’t base your decisions on you alone; what you want changes day to day, and you’re broken, so you can’t ever be satisfied based on what you want—the Bible says God made you for something, and you rejected that, and it broke you. You’re not how you’re meant to be: even what you want and what you think love is is twisted up and can hurt you and others. But if you submit to God He’ll help you, He’ll fix what’s broken and give you new life by making you how you were supposed to be: He’ll live in you and through you.”

Are we beginning to get the picture?

See, the whole thing with the opposing views between LGBTQ+ and Christian people is as old as time. It’s not a new debate. It’s Satan and Eve in the garden. She says, “This is not how God said things should be,” and Satan says, “Are you sure that’s what He said? He knows if you do this thing, you’ll be like Him. You’ll be god: you’ll get to decide ‘how things should be’ for yourself.”

He lied and said that disobedience would satisfy her. That she knew what her own heart needed better than the God that made it did. That the very act of being imperfect would make her godlike.

And then Steven Universe comes along and says “if every pork chop were perfect, we wouldn’t have hotdogs.”

And has a cast of created being characters who’s imperfections (Garnet’s forbidden “love,” Pearl’s obsession, Amethyst’s insecurity) are supposedly “the best thing about them; what makes them who they are.”

And has a main character who used to be a part of the god-like creator relationship, but used her power to come down to earth and completely change who she is into a fully different person.

And has a godlike Creator character who claims she “doesn’t need” her created beings (just like the God of the Bible) but they all have a little part of their creator in them so she has to repress their imperfections; she holds them all to a standard that’s impossible to reach called “perfection” and punishes them when they don’t meet it even though it hurts them to try; she expects them all to do what they were created by her for; she fixes them when they can’t meet her standard by shining her light through them and making them extensions of their Creator.

And has a main character who argues, fights back, tries to stop her, and is answered with lines that sound surprisingly like what LGBTQ+ people hear when Christians argue with them: “you’re only making things worse; you’re just deceiving yourself; even while you resist it your actual light can’t help shining through,” etc.

White Diamond just wants everything to be perfect. Like her. She just wants her created beings to “be themselves.” But what she means is, be how she created them to be.

And she’s the bad guy. She’s playing God in this show, and Rebecca Sugar is saying, “If God is telling us that can only be happy by being perfect, as He is perfect, and doing what He created us to do, then He’s wrong. Our imperfections are what make us special—unique—individuals—free—and there is nobody who has the right to take that freedom away from us, not even out creator!”

And you know what?

If God were like White Diamond, like Rebecca Sugar believes Him to be, Steven Universe would be right.

But He is NOT.

God is not a dictator who forces us to conform to a standard of perfection and then smashes us when we don’t meet it. He is a King who made us perfect to begin with, and we rejected him, because He allowed us to do that. He knew that true love was love that had to be chosen, and He wanted us to love Him by choice, so he gave us the option. But Rebecca Sugar doesn’t understand—there was never “Choose God or Choose Yourself.” There was only, “Choose God or Choose Nothing.” There was nothing except God. Then He created everything. There is no version of reality where you have something better than God, or even slightly less good but different, to pick. You’re not jumping from one ship into a smaller one, but at least it’s yours—you’re jumping from one ship into a void, and then complaining that there’s no other ship. That’s humans. That’s not God. / White Diamond didn’t make her creations perfect (Amethyst) and she didn’t make them for love. She made them for power. That’s not the God of the Bible.

Even when we did choose to try and love ourselves instead of God, and therefore warped our ability to perfectly love at all, He didn’t smash us. True, everything fell and was cursed, which is exactly what He warned us would happen if we chose it, but it was a natural consequence of breaking ourselves. And then He didn’t leave us that way. He didn’t give up on us. And He certainly didn’t just zap us, snap His fingers, quick-fix it and turn us all into robots who are extensions of Him, who say they love Him but only because it’s His voice puppeting us to say it.

No. He came to us, chose to give up His life at the exact point on the timeline when Romans, masters in the art of slow, humiliating, torturous death, would be the ones to carry out His crucifixion, and saved us Himself. Through the sacrifice of His own life. And even then, we still have a choice. We get to choose to accept that incredible self-sacrifice when we don’t deserve it, and be given new life and a relationship with the Creator who knows us and loves us better than we can love ourselves or receive love from others—OR we can just keep stubbornly insisting that our slavery to the opposite of what God wants is somehow freedom, and our twisted versions of love are genuine, and we’re not broken, and die like that. Die broken creatures who lived their whole lives stomping their feet and screaming “I’m not a creature, I’m a god!”

White Diamond sacrifices nothing, because Rebecca Sugar doesn’t know the God of the Bible. She just knows her idea of Him. She’s never actually gotten to know Him. If she had, she’d learn how silly and twisted her idea is.

Because you know what, yeah, if every pork chop were perfect, we wouldn’t have hot dogs. But people aren’t pork chops. And hot dogs have flavor (not better than pork chops) but they are awful for you.

Christians aren’t perfect cuts of meat with no individuality or flavor. Just because we all know and love the same God doesn’t mean we have no personalities. It just means we don’t think so freaking much about what we are, or who we get to be, or what we like and want. Jeez, what a self-centered, narcissistic, self-obsessed way to live. She plays Steven like he’s this wonder-child, innocent and full of heart, who encourages his friends to love and keep trying. But honestly?

This is very pretty animation but it’s not real. Steven looks happy hugging Steven but self-love doesn’t ultimately get you that.

That’s all based on the premise that what he’s encouraging them to do is actually good, and will make them happy, and will help them love better. And it just won’t. Not in real life. That’s not how any of this works. Self-love is just self-obsession. And that is a sure-fire way to hurt you, and everyone around you.

You’ll never be free by choosing to run to a worse master. You’ll never be satisfied with your crappy attempts at loving yourself, because you were made to be loved flawlessly and forever by someone who is Love Himself.

And choosing to identify with your imperfections doesn’t make you uniquely you. It just makes you exactly like every other human being marching in the same line since the Fall.

White Diamond’s not relational. She’s up high and distant. That’s not God. He made you to be in relationship with Him. He loves you, totally and perfectly, and He proved it by sacrificing for You.

So yeah. That’s the problem with Steven Universe. Come get me, SU fans.

A few Armand thoughts that currently have me in a chokehold:

1. The building in Dubai only “groans” when Armand is around, and specifically when Armand is mad. Some of my favorite times I’ve noticed it include when Louis tells him to go take care of Daniel’s room in ep 1, after Daniel slaps Louis in episode 5, when Daniel tries to put Dr Fareed “on the record” in episode 6, and when he declares “this session is over” after Daniel starts pressing Louis about the rats in episode 7.

2. This, along with the fact that Armand is literally controlling the windows and balcony doors with his iPad, really adds to the feeling that he’s holding both Louis and Daniel hostage in a trap of his own design. When he mentions the interior designer that pitied Louis and his separation from the natural world and added the tree to compensate? That was definitely Armand’s idea, to make the captivity a little more bearable.

3. I’ve always wondered why I find the Beethoven Sonata 14 to be such effective scoring at the end of episode 7. There are a lot of contributing factors I think— it’s dramatic, it’s recognizable and therefore builds suspense, it’s used in the beginning and end of the episode as bookends. But it feels so *right*— even though I LOVE all of Daniel Hart’s original score. But here’s the thing. Armand controls the diegetic music being played in the penthouse. That’s established in ep 2 when he turns it on before Daniel and Louis have dinner. And when the sonata is first playing at the beginning of episode 7, Daniel and Louis are back in the dining room (being served by Armand/Rashid). So we can assume that the music is diegetic in that scene, and that Armand is controlling it. When it comes back in the moment of conflict and reveal at the end of the episode 7, the music is nondiagetic. It’s not playing literally in the room for the characters, but is part of the score. But we’ve already established that Armand is controlling it. It’s like his control has suddenly spread to the entire narrative that we’re witnessing. He’s in control of the whole show.

4. This is kind of a separate thought and more oriented towards season 2, but Armand is always styled— costume but also especially hair— to match whoever he’s romancing at the time.

I kind of assume the Dubai aesthetic is what he has chosen, and Louis is more matching him (see above points for my reasoning on that I guess).

But when Louis meets him in Paris, he’s perfectly positioned aesthetically to be attractive to Louis (especially coming off his experience with Lestat). He looks mature, capable of leading the coven. He’s suave, with his well fitted suits and slicked back hair.

In the 18th century flashbacks (god I can’t believe we are getting to go back to the 18th century, my favorite of all historical eras) he is matching Lestat like, down to the color palette.

But in San Francisco (and forgive the bad quality screen grab for these, I don’t think we have any high quality stills of this yet) his hair is light and curly, and he looks a fully 5-10 years younger than the Paris or Dubai scenes.

Because he’s matching a 20-something Daniel.

*proceeds to internally combust*

Why Sir Pentious got redeemed:

1. He was killed so his soul got re-evaluated (if so what happens to all other Sinners who die?)

2. He got redeemed a millisecond before Adam killed him, the intent of sacrificing himself being enough to get into heaven

3. He was destined to be redeemed when he put his pride away and confessed to Cherri

4. Being in Heaven or Hell is based on whether or not you believe you’re a good person. At that moment his opinion of himself shifted enough to qualify for Heaven.

5. He racked up enough good points to be redeemed, as did Angel, the only reason he’s there and Angel isn’t is because Valentino owns Angel’s soul.

6. Susan owned Sir Pentious’ soul, keeping him tied to Hell. She died at that very moment though, releasing him.

7. Susan is a bad bitch and can’t die. But she saw how stupid he was about to be and was like “I give up”, releasing him.

8. The universe knew that Adam was going to die and there always has to be one Alex Brightman in Heaven. They couldn’t take Fizzarolli because they don’t want to deal with Asmodeus, so they defied their own rules and took Sir Pentious.

9. He didn’t get redeemed. His design was just re-used and this is a totally different Winner, the story just ended like this to give us hope

10. He didn’t get redeemed, this is Charlie’s hope of what did happen because she can’t accept his death

11. All of Hazbin is a story being told by Frank, and he added his boss going to Heaven because that’s what he believes happened (either a conspiracy theory or that’s what the Hazbin crew told him.)

12. Using a war machine to kill people was the last sin he needed to repent for, the fact he was redeemed before Adam’s blast is just luck.

13. Adam’s blast beamed Sir Pentious up to Heaven

14. Adam’s blast is actually a de-Sinner, usually it kills people but because Sir Pentious didn’t have a lot of Sin-juice he was reborn

15. He chose that moment to convert to a born again Christian. He was born again.

16. He sneezed and an angel blessed him

17. This was another “fuck you” from the universe: he kissed the girl he liked and made a family only for it all to be taken away

18. It’s a Good Place situation where he thinks he’s in Heaven but it’s really not and this is just extra torture.

19. He’s in purgatory and this is what he’s dreaming.

20. It’s a test by the higher ups in Heaven “OH you think heaven is good for Sinners? Wrong!” Then they chose a guy who was starting to find happiness in Hell to prove their point that Sinners can’t find joy in Heaven

21. His death was so anticlimactic the universe felt like it had to give him a second chance.

22. Vox is a heavenly official in disguise (the TV is just a mask.) And told him back in episode 2 to kill himself, Sir Pentious sacrificing himself fulfilled that wish, so the universe redeemed him for fulfilling Vox’s challenge

23. Lilith ex-machina came in last minute like a girl boss and saved his ass. Her powers transcend time.

24. That’s Sir Pentious’ clone, which Pentious had programmed to be released the second he died (there may be tons of Alex Brightmans in the world, but there can only be one Sir Pentious.)

25. Charlie learns how to redeem Sinners in the future. She also learns to time travel, so she grabs Sir Pentious at that last second before he died, helps him get redeemed and then chucks him back into the timeline because screw the consequences.

26. Alex Brightman got amnesia and said “H-huh?! Where-where am I?!” during recording. Everyone though he just ad-libbed a line and tried to make it fit in.

27. The Eggs are secretly gods. They blessed and saved Pentious before Adam could kill them.

28. Emily saw what he was about to do and pulled a lever. It was the right lever.

29. Last minute someone realized the play on words with Pentious’ name (Sir Repentious) and added this scene in

30. Alex Brightman was originally not going to return to the show, so Pentious and Adam died. Later things changed and he could return, but most filming had already been done so they took him aside and filmed that final scene separately and added it in.

Ok so. Confession time. I’ve been in fandom, shipping various pairings on and off for like 20 years, give or take, and I have never. NEVER. Felt so satisfied by what canon has done with my ship as I was today watching Our Flag Means Death.

It felt like I was reading a fanfic.

LITERALLY.

No no really, you don’t understand.

Our Flag Means Death is LITERALLY structured like a fanfic.

Normal shows, right? The character and relationship development serves the plot. If it doesn’t serve the plot, it gets cut.

In fanfics, on the other hand, the plot serves the character and relationship development, if there’s even a plot at all.

And guys, I didn’t realise this until today, but in Our Flag Means Death, the plot serves the character and relationship development.

Like, let’s look at season 1. The first 3 episodes introduce the characters, set the scene, and get the ball rolling. Then episode 4 is all about Ed and Stede getting to know each other and getting rid of the Spanish ship that only served to facilitate Ed and Stede meeting in the first place.

Episode 5? The dinner party. Does anything of consequence happen in that episode? It’s all there to facilitate the ‘you wear fine things well’ scene

Episode 6? Who cares about the ship they perform the fuckery for? They never come back. It’s all to explore Ed’s past and give us the bathtub scene. And then Izzy leaving the ship

Episode 7? We’ll, we get a Jim backstory, and ‘Oh my god this is happening’ and Ed & Stede deciding to be co captains.

Episode 8 is just an excuse to enjoy jealous Stede and then ‘you came back’ ‘never left’

And then the plot comes back but it’s still all about the relationship and character development.

Think about the middle episodes though. The plot could have been literally anything and it would have made absolutely no difference as long as the character and relationship beats still happened.

And now look at the two episodes we got today. Did… did anything actually… happen in Fun and Games? I mean other than relationship development and character stuff. And episode 5 (I can’t remember the name). Do you think the cursed jacket will have any consequence to the plot? Maybe the ship they left it on will come back, but you could probably swap out the cursed jacket with literally anything else and it would make no difference.

GUYS THESE EPISODES READ LIKE FANFIC CHAPTERS.

You’ve got the first few chapters to set the scene, then you’ve got a bunch of chapters where things happen and in each chapter it all culminates in a progression in the characters’ relationship. Then in the last few chapters the plot gets resolved.

This is just so surreal that an actual TV show is doing this. It’s like, have you ever fantasised about being a show runner, and how you’d just be so indulgent towards the shippers with your show? David Jenkins is living that fucking fantasy and we are all being so fed.

Listen.

Look at me.

We DESERVE this show.

If you’ve ever had your heart broken by canon, and not in the good fanfic way, you DESERVE this show.

I still cannot believe this is happening.

Spoilers for Gundam: The Witch from Mercury Episode 12

Hi Tumblr! So, I’m breaking, like, a FIVE YEAR bout of silence and shit, but I can’t just sit quiet about this one. Witch from Mercury has been one of the best Gundam Series I’ve had the pleasure of watching. Today, the last episode of this cour ended on a heavy note. Now the majority of takes that I’ve seen have been saying that Suletta was either totally cavalier in what she did to Nameless Grunt Number 5 or that Prospera activated her somehow with her typical ‘move forward, gain two’ line. So, mainly to fight the opinion that Suletta is now just suddenly a murderous psychopath, I’d like to point out a few things. I’ll be laying out evidence from the series, from the Prologue story, Cradle Planet, and my own observations. So, first and foremost, Suletta has shown to act very impulsively whenever Miorine is in any sort of danger (slapping Guel in episode 1, her confrontation with Shaddiq in episode 9). She trusts Miorine implicitly and after last episode, after having been separated from her after a really tender moment, she’s undoubtedly panicking about whether or not she’s okay. Even Prospera can see that, because she makes sure to namedrop Miorine when she tells Suletta that if she gets in Aerial she can save everyone.  The GUND-bits told her that the transport and Earth House is safe. She activates what I assume is Permet Score 6 (same tetrahedron shield as ep. 9, along with Prospera telling Delling in ep. 11 that that’s as high as Aerial’s PS went during the Grassley duel), and is able to locate Miorine. I find it hard to believe that she didn’t also see Delling and Nameless Grunt Number 5 (because I’m guessing that the bits identified them via their personal Permet ID). She came into that room hard and fast, and Aerial immediately adopted a combat stance. That wasn’t the entrance of someone who knew the danger was over and was going to enter through a proper airlock or hanger. Then, of course, we get to the slap. I’ve seen people talk about how she could’ve just blocked or captured Nameless Grunt Number 5, but he had just overcome his shock at Aerial’s arrival and leveled his gun to finish Miorine and Delling. He was about to kill them. Suletta didn’t have time to think ‘Oh I can solve this nonviolently’. With everything we’ve seen from her so far, I’d be shocked if her first and only thought, and the one that she and Aerial acted on, wasn’t ‘Miorine is in danger I need to stop him’. Then, she gets out of Aerial. There’s blood everywhere, she trips and falls. Suletta, who we’ve never seen properly navigate any kind of social interaction ever. Suletta, who just minutes ago was in shock, nearly shut down over her mother having killed Nameless Grunts 1-4. Suletta, who just watched Nameless Grunt Number 5 try to kill Miorine, does not have the emotional capacity to deal with all of this. So she does what she’s had working for her so far with Earth House. She plays it off as clumsy, as silly. Suletta Forgetta indeed. A brief side bar on those who think the motto ‘run, lose one, move forward, gain two’ is some kind of trigger phrase, the Prequel story Cradle Planet shows us that Suletta has been using that since the age of nine to get over things she’s afraid of. She comes to Aerial one night because the elders at the Mercury colony don’t respect or trust her. She’s in tears. She climbs into Aerial’s cockpit, and she repeats that phrase until she’s brave enough to face the world again. Flash forward, she’s 17 now (last age given in the story was 15, but with context clues we can assume this next part is right before ep. 1). Prospera’s putting her plan into action, Miorine is being married off to whoever claims the title of Holder at Asticassia. Suletta comes to Aerial again. She tells her about what’s happening (Aerial knows already, Prospera told her the night before. Aerial doesn’t want Suletta to go, doesn’t want her to be used for revenge). She starts to panic, she’s anxious. Then she tells herself, ‘If you run, gain one. Move forward, gain two. Right, Aerial?’. She uses the words to propel herself forward once again. Just as she has done before, and just as we see her do so many times throughout the series. Suletta is clearly coded as neurodivergent. Whyever that is and whatever she’s specifically coded to be, I’m not going to speculate on, but she doesn’t understand social graces. She doesn’t always know the right way to respond. She defaults to a lot of reactions (hiding, playing it off) because those are what have worked for her. She’s not some manic psychopath suddenly and gleefully happy to kill, and she’s not the Winter Soldier waiting to be activated (that might be Aerial, if the red eye stickers in the Gunpla kit are any indication). She’s just doing her best. And that’s not always going to be the right thing to do, as we saw. Thanks for coming to my TED Talk.

Wille & his family

If you think about it, Young royals is a story of many journeys, but one of the most central ones has been Wille’s journal away from his family. 

He starts the series with his family deciding that he will change schools. He tells them he doesn’t want to but is ignored. When Erik dies he spends what feels like two days with his family, trying to grieve together, but his mother immediately tries to get him involved in his role as crown prince. After all the shit with the video been leaked, his mother makes Wille apologize for it (still think this is one of the most fucked up things to happen in this show) and forces him to make a statement denying (himself) that it was him in the video, thereby betraying Simon, hiding his queerness and ruining his relationship. But Wille does this because this is his family and he has trusted them his whole life, and he doesn’t dare to take the leap and rely on Simon whom he’s only known for a few weeks/months at this point. And then he is betrayed by his family, when he finds out that Kristina knew it was August and didn’t tell him and is also still actively protecting August by deciding not to prosecute him. This is a key moment, because Wille learns that the foundations of his life, his family, was ultimately completely fine with betraying him and forcing him to do the speech. 

In season 2, we see the fallout of that betrayal, the aftermath. With Wille shutting out his mother, refusing to talk with anyone from the court etc. They try to take him from the school, to regain some control over his actions, but he manages to make a fragile peace with his mother by agreeing to see a therapist. His mother seriously believes that she doesn’t need to address her son’s struggles personally in any way, as a mother, and instead just makes Wille someone else’s responsibility. This is another important step, because the queen’s plan backfires and Boris is actually helping Wille realise that he doesn’t have to be defined by his family’s rules and it is possible for him to go after what he wants. At the end of season 2, when he makes that speech, he takes his first definite step away from his family, signaling to them that he will try to live his life on his own terms. 

And in season 3, we learn that this lead to the Queen having a breakdown. I know she always says it’s all about Erik, but she was dealing with that before and the only thing that has changed is that Wille has started standing up for himself. Now throughout season 3 Wille and his family are in a tricky situation: Wille collaborates with the royal court for his work as a prince and for his and Simon's safety, but he is completely on his own in his family. He receives help and support from Farima, not his parents. The Queen’s illness puts pressure on him to be ready for the crown, and at the same time no one in his family wants to really speak about it and when he meets his mother she pretends that everything is fine. Then even his belief in Erik is shattered, and he has to question the only thing he really held on to with his family: his brother and the ideal he represented, the responsibility he felt to continue Erik's legacy. All of this leads to the confrontation in episode 5, where he rightfully calls out his family for never supporting him throughout any of it. He literally yells at his father „I am your only son now. Can you see me?��� and tells Kristina that she is doing a shit job of both being a mother and the Queen. And they prove him absolutely right by just refusing to engage with him, and just leaving the room because they can’t handle the situation. 

So at the point we’re at now, Wille is the furthest away from his family he has ever been. He starts out sitting in between them when he gives his first speech after the fight at the club in episode 1. And he has become completely isolated from all of them by the end of episode 5 of season 3. Does that mean he will go one step further and turn down the responsibility of being crown prince and abdicate? I don’t know. But his journey throughout three seasons has definitely been going in that direction. He becomes more and more estranged from his family and has realised more and more that he can’t rely on them for emotional support, or rely on them to even just consider him in the decisions they make that affect his life. A part of me wants him to just get away from them and make his own way in the world. But another part also wants Kristina and Ludvig to step up and become the parents that Wille deserves and needs. 

Hi hi,

I'm also having wine, Salud! Now that we've had some time to digest episode 6 of the Monuments doc (did you see it?) do you have any thoughts regarding the scene and set up inside Jimin’s kitchen? Did it strike you as odd that we got a scene there at all?? That JK was there? That they decided to set it up and that the scene became (or was set up to be) a moment to talk about Jimin’s depression as remarked by an unnamed 'friend'?

Hope you have a lovely night. 🌙

Oh! Cheers to you too!

I love a hearty glass of wine to unwind or an Old Fashioned. I wonder if anyone else is also drinking wine right now with us (it’s always after 5 somewhere right 😊)?

I did watch it! I admit I’m one of those that shares a family members’ account and so was able to watch all the episodes when they aired.

Jimin’s Place

I don’t really know how to feel about Jimin and Jungkook having a parts of the episode together at Jimin’s place. It did feel weird because Jimin in particular had until recently not shown use even the edges of his TV! Us loosing it over his billboard number 1 live and seeing a chair?! Then the live with his house tour?? I still don’t believe that was not a dream

All I can say is it’s Jimin’s place and if he allowed the cameras in, in 2022, when this was filmed then he was comfortable enough. He had confidence in the show showing what he felt comfortable with showing. Jin, Hobi, Jungkook & Yoongi didn’t show their places, so if he didn’t want to, I’m sure he wouldn’t have to.

What was the reason 🗣️

I kinda felt like the whole point of the show was to continue the mantra of Bangtan, that they love ARMY and they love each other, among other things.

I found it crazy sus that they showed the members as a whole unit and they showed them as individuals but the only two they showed in different setting was Jikook, not just cooking, drinking, talking and eating together but also making music together, with the parts of the recording of ‘Letter’ being shown.’

It was soo hard to ignore though!! They literally had Yoongi eating chicken alone, Namjoon cleaning his place alone, Tae chilling in his place and eating alone but Jikook cooking together, eating together, laughing together, being introspective and honest in front of each other.

What does it meeaaaannnn?!

The same way it’s being drummed into our heads that BTS love performing, love ARMY, love each other and are also individuals…I feel like it was also being drummed into our heads the reality of the closeness of Jikook?

That one can call the other over and they spend time together and do thing none group/work related. BUT that they also can rely on each other in anyway work related, including solo works. That there is nothing not accessible to each other when it comes to Jikook?

Jungkook has access to Jimin’s home, kitchen and also studio sessions during their solo careers, that Jimin can call on him and give him that access, that it’s mutual?

I mean we not only have this from the Monuments show, we have their companionship enlistment and the ‘coming soon’ Jimin & Jungkook show. It’s like neon signs on the closest duo in the group, at least to me. I LIVE! I LOVE IT! I can’t wait for more of it, however Jikook want to give it to us.

The ‘Friend’

In regards to the ‘friend’ that Jimin speaks about in his story, the one he had a little fight with, that he went to help move the next day and said he thought Jimin might be depressed. I personally don’t think it was Jungkook.

For me, it’s just because I don’t see the need to think that Jikook are each other’s only friends and only people they know. We know Jimin is a very loyal and loving friend. We know that he has friends that aren’t famous as well as those that are. Him not mentioning the name of his friend and just referring to them as ‘friend’ may not have been due to him ‘hiding in plain sight’ with Jungkook but more like just protecting the privacy of a non-celeb friend OR a celeb friend.

If Jimin wanted to say ‘Jungkookie and I were having a drink the other day and talking’ he could have, it would have been no different than him saying how Jungkook came to his hotel room several times day or night, multiple times on live and on the PTD DVDs. No different than him talking and drinking with Jungkook there in camera.

I do feel like Jungkook had heard the story before, but not because Jungkook was the friend in question, but because Jikook are close and talk to each other and Jimin would most likely have told Jungkook about this around the time it happened.

Thank you for the ask!🫶

💜

Happy Saturday all :) We only have 5 eps left in this season. I can’t believe it. 17 days to the premiere. Well 18 for me since I don't have cable just Hulu but still. Ahhh the Dim and Juicy Ep. I remember the 3 week hiatus to get to it was the worst. Felt like we had a lot of extended breaks in S5. Drove me insane. But anything is better than the one we’re coming out of now ha I’ll take 3 weeks over 9 months any day heh.

I liked the parallel in this how unhealthy Jake/Sava were. And how solid Tim and Lucy are. I mean Dim And Juicy were a mess. My god the man cheated on her more than once. They are not relationship goals lol I enjoyed them nonetheless though. I know Eric and Melissa had a blast filming this. Did my best to get everything in. Content heavy one. Let us get started.

5x18 Double Trouble

We hit the ground running in this one. Sava is waiting for Jake outside of prison. He’s getting released due to overcrowding. Not because he was good LOL Even Sava makes a crack it wasn't that. Been serving about 6 months for the drug charge got in 4x22. It’s a trip to watch them. We get all the benefits of Melissa and Eric’s chemistry inside another couple. It's wild. Sava all but squee's when she see's Jake which is pretty cute.

They launch themselves at each other once he’s free. All kisses and hands. Saying how much they missed each other. All the chemistry and swaying cuteness that comes with them. This scene is pretty cute to watch. They do look like they are so in love which makes what Jake does later so confusing and awful tbh. He greets her friend Lisa with a hug and you can see Sava breaks it up pretty quickly.

Sava brings Jake back to her side. Asking what he wants to do first? Being the classy gentlemen he is saying she knows what. Ha Horny horn dogs. I do love it though. it’s like getting the most reckless AU version of Tim and Lucy. Although they wouldn’t cheat so it’s not entirely accurate lol Sava asking him if he wants to go straight? Jake replying 'Nah, screw that. Let's be bad.'

This leads us into the documentary. Shots of Jake and Sava during it. My god they are sex crazed af. I think that’s why everyone loved watching them though. heh They legit were gonna make a sex tape and got caught LOL I remember being so excited and confused as to what this episode was going to be ha. All I knew was going to be a documentary one and I always have a soft spot for these ones.

We start off with Lucy getting mic’d up. She looks way more nervous this time around. Why you ask? Her person isn’t with her. Her safe space and grounding force is missing. She even asks why she can’t be interviewed with him? They want their POV's to be separate this time. It’s so sweet she misses him and needs his presence to calm her nerves. This makes me so happy I cannot.

We watch her take a deep breathe knowing they have to be apart. They ask how Lucy knew of Jake Butler in the first place? Lucy goes on to explain about Tamara’s car and drugs they found in it. Which led them to Jake. They bring up the fact he and Tim look alike. Tim is already grumpy and hates these damn things. What happens when you remove him away from his sunshine human.

He’s extra grumpy. It shows in his very first shot. His body language screaming how much he doesn’t want to be here. The crossed arms (mmm hello biceps.) Tim defiantly saying how they don’t look the same at all. Refusing to believe they are anything alike. Other than looks Jake is the complete opposite of everything Tim is for sure. He’s so sassy and salty when the director says they’re identical. ‘Says you.’ Oh my love. I adore you.

They come at Lucy with both barrels about being Dim and Juicy for their OP in 'Double Down.' Knowing their ‘pretend’ intimacy was so much more than that. Lucy looks like she’s getting overwhelmed poor thing. She tries to divert it back to what they accomplished with their OP. Not the fact that they were UC together as a couple. The director presses more asking if that’s when her and Tim became intimate?

There’s a reason they pulled Tim from her for these questions. He would’ve knocked this guy out for them being so personal. Also for making her feel uncomfortable asking them. She can’t even look the man in the face when she says this BS line about pretending. Cause it’s utter crap and she knows it. Yeah they were in other relationships at the time. To quote Angela from 5x01 ‘All true. Not what I asked.’

Lucy defending them both. Saying they didn’t get together until they were both single. Which is true and I am eternally grateful for. Do love her making sure everyone knows this. That they didn’t do anything untoward during their OP. Cause they wouldn’t while in relationships. Not who they are. They were damn close but didn't. Why they are the opposite of Jake/Sava. The director says he wants to dial in on that. Lucy becoming agitated asking do we really have to?

These questions clearly getting under her skin. The director noting it’s astronomical they would even meet the both of them. Let alone have both Jake/Sava together and her and Tim as well in a relationship. Before she can answer Tim interrupts says interview is over. She asks what's wrong? He tells her not here.. Lucy thinking it’s linked to questions she’s being asked. I love him holding the door for her as they leave. Ever the gentlemen.

The closeness and height difference is glorious in this shot. You can tell when they’re alone by her body language Lucy goes into calm down Tim mode. Her hand reaching out for his and subtly touching it. Thinking she has to get him to settle down for hearing those questions. Before Lucy can talk Tim explains why he removed her. Has nothing to do with that. He pulled her over because Jake has gone missing. Doesn’t want to do police work in front of the cameras. Saying Nolan and Celia got missing persons call and it’s about Jake. Lucy is shocked saying 'What?'

Nolan and Celina show up and Sava is freaking out cause Jake is missing. The director asks why Jake and Sava are at a mansion in Beverley Hills? We find out they’ve been casing rich families. Taking over jobs like handy man, nanny etc so they can live in these fancy houses and steal their stuff. It’s pretty smart despite being awful LOL This last family needed a handy man. Jake beats the crap out of the current one. Strong arms his way into taking his job.

I do love seeing how tall he is in that camera shot. mmm. Tall drink of water that man. Jeans and a leather jacket? Yum. Gimme. Luckily this family needed a nanny as well. So they both fit right into this scenario. Angela saying Sava slid right in LMAO I’m dying at Wes’s reaction. They’re so cute I can’t stand it. I do love me some Wopez. He tells her that's a really descriptive way to say it HA These documentaries always produce the funniest little moments like this. Why I love these and have a soft spot for them.

We return to Nolan’s and Celina questioning Sava. She is still panicking. Saying this is why she didn't want to call the cops. Nolan noting because they're doing something illegal? She tries to defend their jobs there. That they're "straight" now. John gets her back on track by saying Jake disappeared? We cut to another video slash moment. Sava and her videos ha it is super cute how he looks at the camera. That smile we all love. Jake saying she needs to remind him to erase security footage. My god they’re sex bunnies LMFAO. He gets up to grab another beer and asks if she wants anything? She said lobster salad.

The ass tap he gives her on his way to get another beer. my goodness. I love it. Reeling over here. Don't worry about me. They must’ve had so much fun filming this. I mean Eric mentioned it was one of fav eps of the season. The BTS they did leading up to his showed how much they enjoyed it. Her little dance after he says he’ll get her lobster salad. Haha Sava just living her best life in this moment and it’s showing. Sadly this is the last time Jake is seen alive on camera.

We find out Jake took off and never told Sava where he was going. Which is heartbreaking. Because she clearly loved this man very much. Moral compass or not she loved Jake. That gets them on the topic of lying and secrets in a relationship. They ask her if Tim and her keep secrets? Lucy says nothing big.

That honesty is the most important thing in a relationship. Cutting to Tim and his reply I’m rolling. Eric killing it in this episode with his sarcasm. The king delivers once again. I mean he’s not wrong he is sitting there because of her secret. Well intentioned secret though LOL One born out of love. This one was funnier than the other two I thought. Just lots of funny/punchy bits like this one. I enjoyed it so much.

We return to station. Aaron’s calling in he found a body. That it’s Tim. The expressions in this scene are primo. First off Lucy and Celina's confusion is hysterical. Standing next to him and hearing this when he's very much not. Tim looks so annoyed Aaron couldn’t tell it wasn’t him LOL Also irritated at the thought of being dead. Like he's insulted he would ever be dead in a dumpster haha Oh Tim I love you so much.Like Aaron you’re all looking for Jake and your mind goes to Tim LMAO Never gonna live this down my dude....

Tim grabbing Lucy’s radio off her hip is doing things to me. I also adore the looks when he does. She just allows it only looking down. Such a deep level of comfortability in this action too. Lucy doesn’t react at all. Just used to Tim and his antics. It’s the little glances through out this portion love too. Tim's look into the camera cracking up as well. Like this friggin dope thinking i'm dead... His face the literal version of SMH ha I loved this mini moment so much.

They ask Tim if it was disconcerting he saw a version of himself dead in the dumpster? Being Tim he’s not going to show a documentary crew of all people his vulnerability. That’s reserved for one person and one person only. We shoot back to Lucy who says she has nightmares. God I can only imagine the nightmares seeing that produced for her though. Even though it wasn’t him you know she carried that with her when they left.

I bet you she had nightmares that night and Tim had to soothe her. Damn that would be good fic... LOL Anyways they ask Lucy if she thinks Tim has nightmares? Lucy tells them no but he’s been doing the job longer. I love her defending his high walls though. Saying why they’re in place. Not wanting them to judge him for it. Refusing to let anyone cast a negative light on him.

The director asks if she’s jealous he can turn it off like that? Lucy’s answer is great because it’s very her. Telling them No. Personally she needs to feel for people it’s who she is. I totally get that I am a massive empath. It’s how I connect with people as well. It has it's downsides it’s true but worth it in the end. When they ask her bout his walls being an issue? I LOVE her smile. Because those walls have never really been an issue. A challenge for Lucy yes in slowly breaking his down over the years. But never an obstacle for them.

We all know she saw behind his walls very early on in their relationship. Saw the man hiding behind that wall. Tim has been a soft marshmallow for her for YEARS. Legit years. Why she has zero hesitation in her reply. He was soft for her long before they got together. It’s just now he allows himself to fully be this way openly and he’s ok with it. Well when they’re alone he is. Of course he’s going to be rough and grumpy with the crew. They’re not his person. Nor would he ever tell them he was soft for her.

That's not Tim Bradford at all. But his actions speak louder than his words ever could. You have to earn that out of him though. Lucy earned it million times over. Why she is the only one who gets to see it. Does crack me up the way the director says. ‘No sir....’ After Tim asks him if he looks like a big softy? You know Tim loved instilling that fear in him. He may be super gone for his wife. But he’ll be damned if he doesn’t command fear and respect around everyone else. These two the epitome of Grumpy x Sunshine per usual. Tim is hard ass unless you’ve made past his wall. He loves Lucy most so she gets all the soft goodies haha

Sava shows the director a video she’s scared to share with the team after being questioned. Thinking they’re gonna use it against her. It’s a video of them driving around being all cute. Saying I love you to the camera and such. But then get run off the road in an attempt to kill them. Their car gets totaled and Jake has them bail completely. Car and everything they leave behind. They were able to locate the car for evidence after they see this.

They couldn’t get anything from the car scrapings unfortunately. Had the most common paint out there. So another layer was added to this mystery. Who was the driver? Sava then gets a text threatening her about an item she had no idea about. One that needed to be delivered. It was sent to her and Jake. The texts went on to be violent in nature toward Sava. So it was time for Lucy to go UC to figure this out. Meet up with this person threatening her.

Thanks to Lucy’s UC Op the SL finally has some answers. The guy contacting them was related to Jake they were cousins. He was into some shady stuff and was an international arms dealer. This where I really feel bad for Sava. She had no idea about these back ally dealings he was doing. Not only that but he was cutting her out of the deal on top of it. That Jake targeted this family for a specific reason and she had no idea. Makes me sad when she says she thought he loved her oof.

That she knew him. Pretty sad. We find out later through Sava. That Jake always had a burner phone. They were able to get that number through this whole thing with the shady cousin. It’s where we find out Jake was cheating on Sava. Again….Lucy calling him the Shakespeare of sexting LOL They ask her if she’ll read some of them? It’s adorable how flustered she gets. Saying she can’t her Nana would be watching this. HA

The director does the dumbest thing he could do. Asking Tim if he would read some? Like did you really think that was gonna happen bud? Like really? His reply of if Lucy wasn’t gonna he sure as hell wasn’t going to. Telling him to take that away from him. Have you not paid attention at all in these documentaries? Why would they think asking was a good idea? LMFAO Mess with the bull gonna get the horns people.

We find out the person Jake was cheating on Sava with was Lisa. Her best friend…Like damn it’s bad enough to cheat but with her best friend? God…As douchey as it gets on his part. Jake breaks up with her via text but Lisa can’t handle the fact he was choosing Sava. It’s when everything comes together. We find out she tried to run them off the road and kill them. When that failed she asks for Jake’s forgiveness. Wanting to meet up. When he showed up she killed him immediately and dumped his body. Shit….That's a seriously scorned women right there.

This next portion is the definition Grumpy x Sunshine. They ultimately decide not to charge Sava with anything. The director asking what Lucy thinks of this? She of course gives the softest, most empathetic, and hopeful answer. Because it’s Lucy Chen. She exudes all that in her decision making. It is her super power after all. Naturally her answer was geared towards a second chance. Thinking maybe this will put Sava on the right path.

We cut to Tim saying ‘Of course she said that.’ He knows his girl so well. What’s so great here is his expression as he says it. That smile of his when he says that line. We all know one of the reasons he fell for her is that sunshine. That empathy and her seeing the best in people. She charmed her way into his heart with it. He truly does admire her for it. You can see the fond affection his face and tone when he says this.

He may not agree with her but he loves that about her. The man loves her so much even when he’s being sassy it comes off as affectionate. It's the first time we see him smile this episode. Why? He’s talking about Lucy. She brings it out in him. She melts him even without even being present. Just the thought of her and he lights up. Her compassion is one of his fav things about her. Gah they cute.

They finally get to to be interviewed together. It’s the best part of the episode. Director not wasting any time with his first question. Asking them if they’re worried cause their doppelgänger relationship was so dysfunctional? Lucy once again seeing the best in them. Telling him it was an unfair characterization of them. That Jake cheated not only that but cut her out of a gun deal after that. Not healthy in the least but to her not dysfunctional.

I adore how riled up Tim is with his questions. Protective Tim has entered this conversation. Getting very agitated with what he’s implying. Look at how Lucy looks at Tim as he goes off on his rant. She loves this man sitting next to her. Grumpy rants and all. The amount of affection on her face as he continues his tangent. She could watch him go off all day. My heart. The director saying he thinks it's reasonable question. Tim doesn't agree and tells him off. Saying they’re working too hard. Ha I love him.

Tim continues on (very passionately might I add) about separating their relationship from Jake/Sava’s. Want's to make it VERY clear they are nothing like those two. That the only thing they share is looks. He is so offended he would even compare the two. I mean it’s true. They’re not on the same planet as Tim and Lucy. Lucy continues to look at her man with serious heart eyes. Her smile giving me all the feels.

She is loving his fierce defense of them as a couple. Saying Jake/Sava based their lives on deceit. Of course it infected their relationship. He’s not wrong…This next bit gets me all in my feels. The way he looks over at Lucy. A real genuine smile just for her. Look at his smile. I'm a puddle. He is the absolute softest for her. *heart clutch*

Saying they’re in a very different place. His passionate defense is of them is sexy if you ask me. Also look how different he is with her by his side. Sharing more than he's been doing in his previous interviews. Being a little vulnerable cause she’s there with him. More than he has the entire episode. I cannot. This makes my heart so happy.

The look on Lucy’s face when they ask what place they’re in? She is also ready to throw down with them. Incensed they would even ask that. Her reply is perfection. Saying ‘If you don’t know, then you haven’t been paying attention.’ I remember thinking this was a shot at anyone complaining this season. (and I LOVED it) Which blew my mind btw whenever I saw it. Cause if you could be negative in a season this good what makes you happy? I remember unfollowing some people cause I didn't want their tainted vision in my feed. If you could look at their relationship and not see the beautiful progression you weren't watching the same season as me.

To not see what they’ve built to this point in the season. You are like Lucy said clearly not paying attention. I remember seeing some posts about not enough PDA, kisses or intimacy. (there was lots of intimacy btw just not straight up making out) You’re missing the point of the realistic healthy adult relationship that's being portrayed. They're not teenagers who will be angsty over nothing. These are people in a stage of their life where that nonsense isn't going to happen. Any angst they've had has been productive. If you came out of this episode thinking they needed to be more like Jake/Sava you missed the point entirely. Of this season really. They are not them.

The beauty of Lucy and Tim is in the small tender moments. The little things that add up to so much. Yes I love kisses and such don't get me wrong. God I love them. Will lose my mind over any in S6 no doubt. But there is so much more to a relationship than just that. The emotional intimacy and how they’ve grown together since 5x10 is unreal. The massive shift in Tim alone is enough to tell you how well written they are. What a healthy adult relationship looks like. Had their bumps along the way but what couples doesn’t? I just loved that line from Lucy. S5 is a game changer in the best way for them. If you can’t see it or how they've both grown together you clearly haven’t been paying attention. That line was amazing and I loved her saying as such.

The director takes shot at what place they're in. Coming up with some buzz words. As generic as he could possibly be. Lucy calls him out for it. Because it no where near describes what these two have. Tim is simmering as this guy continues to try and rile them up. I adore him ready to go off and Lucy immediately calms him with a single touch. That’s all takes for him to go from raging bull to heart eye Tim in an instant for her.

Tim was ready to thrown the hell down. I love protective Tim. Lucy taking the wheel in this moment is everything. Her touch basically saying she's got this. Looking directly at her man when she says this next line above. Also don’t think I didn’t see your eyes move to his lips madam. I do adore how she is looking at him. Exuding every ounce of love in her body for him as she speaks. They’re so in love make my heart hurt in the best way. Her eyes so full of warmth and affection for the man sitting next to her. They really are in a beautiful place. Making my shipper heart so very happy.

Tim’s sweet smiles as she rubs her thumb up and down his wrist in a soothing manner. I love it so very much. Never be over how she make's sure to keep eye contact as she calms him down. Tim also doesn't break his eye contact with her as she does this. They're killing me with all the shipper feels in this moment.

Let’s not forget her necklace on full display here. In this beautiful moment. Happy looks so damn good on them everyone. Another thing I love so much is how Tim lets her take over. He was ready to shut this down. Kick them out. She places her hand on his arm and he’s at peace. Lets her direct them from here on out. Only Lucy has the power to soothe him this quickly and effectively.

She’s calmed Tim down enough to have him rejoin the convo. Saying as police officer your future is never certain. Lucy adding on anything can happen at any time. Tim rolling it into kicking them out is amazing. Telling them straight up they’ve overstayed their welcome at this point. I mean they really have LOL Cracks me up how she turns her head towards him. Not really shocked but realizing he's over this now. Her smile is the best.

I love him pointing his finger. The shots at his relationship with Lucy were his breaking point. That is the most precious thing in world to him. Something so sacred. Why Lucy had to stop him from eating them lol Lucy’s reaction is the best. She loves this insane man sitting next to her so much. Her pushing his arm down like 'Ok babe that’s enough.' lmao. Such a wifey move to do that but also she knows Tim is at his limit. Tells them it's time to go now....

I love them instantly going into couple time mode once it's over. Lucy asking if he wants sushi? Tim saying how it’s perfect. Then looks back at them glaringly. Saying this place better be spotless when they get back. I love her escorting him out of the apt. Hand on his back directing him towards the front door before he pops off more. Such a married move. God damn I love them so much everyone. Fantastic ep from start to finish. ❤️

~~~~

Side notes-non chenford

Grey’s picture and how happy it makes him I love it so much. It’s so cute I can’t stand it.

He was so distraught when it was destroyed lol They replace it and it’s so sweet hilarious adorable thing for Grey.

Thank you to all my readers you make my entire day when you like, comment and reblog. Tis been a joy for me. See you all in 5x19 :)

It’s been made pretty clear by the fandom, not just Buddie Shippers, that we aren’t really fans of who Buck and Eddie end up with in the finale.

The biggest issue I have with the pairings is that they weren’t worked up, they kind of just showed up and we have no reason to care about them.

If these women are supposed to be endgame, at least give us ample reason to support the choice.

Natalia: They really screwed up her character because there was so much potential in making her interesting and someone we would like to get to know. She’s a death dula and Buck died. Instead of having her tell Buck that it’s so “cool” that he died they could of had her play an active role in having him process his death. I mean they still have the opportunity to do that but after they gave us a cringe date, a recycled story line, but with less depth, they gave us too many reasons to dislike her as a character for me to even see that play out.

They made the same mistake they made with Lucy. Instead of having Natalia be a friend to Buck they force her to be a love interest which adds nothing new to bucks character.

But imagine Buck’s character development if Natalia was a friend. He would have gone from Buck 1.0 ( The guy who only does hook ups), to Buck 2.0 (the guy who just ends up in relationships) to Buck 3.0 (the guy who chooses himself and is able to be friends with a woman).

We can also address the fact that there is a lack of chemistry between Buck and Natalia. The kiss in the finale was awkward and not in a cute endearing way. I will say, I love that she doesn’t look like she could be related to Buck. I’m willing to see their relationship play out during season 7, but I just can’t see it being the end game.

Marisol: Where did she come from. What do you mean this is the girl that has Eddie acting like a middle schooler. She came out of nowhere and we know almost nothing about her, besides the fact that she fixes her brother’s mistakes.

I rewatched Season 6, Episode 5: Home Invasion, where we are first introduced to Marisol and after watching the episode, I believe the fan theory that her brother’s rescue was originally written as a boyfriend being rescued. But after the scenes where already filmed, the writers decided she’d be the love interest so they re-recorded the audio of the scene. I’m serious go back and watch her emergency, there is something off about it.

Marisol to me feels like another Ana. No substance, no reason for me to care about her. They both barely interacted, so their phone call makes less sense the more you think about it.

The same episode where Eddie is told he can’t look for love, he finds what he’s “been looking for”. This feels like Eddie is again only doing what he thinks he is supposed to do. Instead of processing his feelings of loneliness, he’s doing what he thinks the world expects him to do and date someone. He married Shannon because he felt like he had to. He stayed with Ana because he thought it was best for Christopher. And he’s settling for Marisol because he doesn’t want to be alone. None of those reasons are good reasons to pursue someone for a serious relationship.

It’s one thing to have Eddie date because he wants to be outside his comfort zone, meet people, and have fun. It’s a completely other thing to have him date because he feels like he needs to.

The only way to make Marisol a good character is by having her be a person that helps Eddie figure that out. She helps him realize that it’s not just about the end game, but his ability to just enjoy her company and not so worried about what the end result. She can just be someone he dates because she was fun to date. A relationship that shows him that you can have someone be an important part of your journey, but not your end game. Like a summer fling.

Given the fact that the actress who plays Marisol recently reposted a transphobic meme and couldn’t even attempt a sincere apology, I hope we don’t get to see her at all in season 7. She can be explained away by Eddie mentioning her once and just saying it felt promising but she just wasn’t the one. I have no interest in see their relationship play out.

Buddie: In my opinion, the best match for Buck and Eddie will always be each other. The writers have their relationship set up as the perfect slow burn, friends to lover scenario. And even though they screwed up the finale a bit, they can easily correct their wrongs. Buck and Eddie’s chemistry is undeniable and having them end up together would play into their individual story lines so perfectly.

I need this relationship that has developed organically to flourish in Season 7.

I will continue to manifest Buddie and let me use this moment to state couch theory is not dead. Buck will just need to get rid of another couch.

Is Only Friends Slut-Shaming Boston?

"Sometimes bad people don't need a back story, they're just born sluts" Jojo Tichakorn

"I can’t (have sex with someone without knowing them), I’m not like Boston" Mew to Top in episode 1

"Whoever has you as their boyfriend is so unlucky. You’re slutty" Cheum to Boston in episode 4

"Serves you right for being slutty" Nick to Boston after learning about Gap’s revenge porn in episode 5

"Even a heartless slut like Boston has a lover" Cheum in episode 6

"Your slutty ass just sleeps with anyone" Ray to Boston in episode 6

"This asshole sleeps with everything that breathes" Mew about Boston in episode 10

"You sleep around too much and things get messy. Don’t you learn" Nick to Boston in episode 11

The whole Atom plot in detail with @chaos0pikachu

This post from @spicyvampire and this answer from @lurkingshan

And this is just what I remember from the show so I would answer...yes? I don't know how much of it is intentional, but it definitely feels like it, yeah.

...I actually have so many things to say I don’t even know where to start. Is anyone gonna read all that? I doubt it, but I still need to let it out.

Warnings: english is not my native language so have mercy & I’m writing this mostly by memory so I will definitely forget things or get things wrong

I really logged back into an old tumblr account just for this because I still can’t believe how people can’t see it. I know people are allowed to have their own opinions and see things differently but...really?

Many people have already written about this on Tumblr & Twitter so I will also add links and quotes from people smarter and more eloquant than me (I hope I’m allowed to do this. If not I will delete it)

First of all, this is not only about the last episode, it’s about what happened in OF since episode 1 + some interviews of Jojo and Ninew. So rewatching the finale only will not give you the full picture.

"Is the narrative is punishing Boston? Is the narrative punishing Boston because he is a slut? And not because he slept with his friend's boyfriend.

First of all, what is a slut? Sorry for the Wikipedia definition but :

‘Slut (archaic: slattern) is an English-language term for a person, usually a woman or girl, who is sexually promiscuous or considered to have loose sexual morals.’

Who is said to have a lot of different sexual partners or sexual relationships? Boston, Top & Sand (kinda).

Who is shown having a lot of different sexual partners or sexual relationships? Only Boston. We see him with Gap, Nick, Top, Atom & Boeing. And you know what? Let’s add all the pictures of the guys we see in his dark room while knowing that they were taken after sexual intercourse. That’s a lot!

Also big difference, Top and Sand are actively shown to want a committed, monogamous relationship. Sand just sleep with different people to avoid getting attached and getting hurt. Top is a newly reformed slut who "exists only to be Mew's True Love" (see chaos0pikachu’s take on Top, very interesting and sad tbh, he could have been so much more).

However, Boston is currently enjoying the slut life, he enjoys the freedom of being promiscuous. I just think this is interesting to note.

Boston may deserve to be 'punished' for sleeping with Top. Yeah, sure. But don’t you think it’s weird that he is the only one getting punished by the narative like this? And does he deserve this amount of punishment ?

Yes, the difference between Top & Boston is that Top feels remorse right away and Boston doesn’t. So while Top spends the 2nd half of the show pathetically trying to get Mew back (coughboringcough, sorry), Boston gets (and I hope I don’t forget anything):

- his car wiretapped by his jealous friend with benefits, which leads to an audio recording of Top and Boston having sex (also, Nick used the information to blackmail Top into staying away from Boston...weirdo)

- that same recording getting shared by Sand (after he stole the recording by lying and manipulating Nick). So now, 4 people (Nick, Sand, Ray, Mew) have been in contact and passing around an illegal, unconsented recording of ‘the sluts’, with little repercussion tbh

- punched by Ray in episode 6

- punched, almost drowned and told he should have never been born by Mew in episode 7

- Boston is also out of the friend group, but is still ‘allowed’ to be involved in the group project (fair enough)

- Nick telling a revenge thirsty Mew that Gap has illegal, unconsented video recordings of Boston having sex to blackmail him for money, aka Revenge Porn material (for what reasons??? Nick just cried to Boston that he would never hurt him on purpose...I’m still lost)

- Mew doing all that seducing Gap thing to get the revenge porn and threaten to show it to Boston’s weirdass, probably homophobic dad

- Nick trying to talk to Boston during the Halloween party in episode 8, without any apology for what he did, and still defending himself with "yeah but you slept with your friend’s boyfriend" deserves a mention imo (just in case we forgot i guess...)

- The whole Atom plot (really vile, I have no words). From Atom being the one insisting on having sex with Boston and Boston reluctantly agreeing, to the accusations, to Mew & Ray’s gross smiles during Cheum & Boston’s confrontation (sirs, Atom has been allegedly assaulted, what is so funny? Unless you don’t actually care about the truth, you just love to see Boston in that situation, actual monsters.) to Nick and Cheum empathy & compassion going towards Atom rather than Boston. Just, gross.

And it also leads him to be 100% out of the group and jeopardizes his graduation

- Not sure if I should add Nick basically saying "deserved" to Boston after he tells him that his friends left him for good, because I have no idea if Nick is saying because of the Atom thing or not

- And finally, the last episode (especially all the groveling, very uncomfortable)

Overkill much?

Especially compared to the other characters and their ‘punishments’ for their actions, we can clearly see a difference, no?

Here is a good post from @thewayuarent comparing Boston’s offenses to the other characters.

Boston (the only active slut) is the only character who ends up with a bad/sad ending

And what makes it a bad ending? It's not BostonNick not being endgame. It's not Boston ending single. It's the framing. The way the information is being presented.

Boston's last appearance in the show is him being rejected, alone, teary eyed on the floor on the side of the road while the other 4 monogamous couples end up with their unrealistic happy ending. It is super weird. It just feels mean, out of place, moralistic (and kinda boring). As if Boston was what was keeping them from being happilly coupled. And after an uncomfortable round of one-sided apologies to his ‘friends’ on top of that. Just, ew.

I recommand reading these posts :

- Look at this happy ending gifset of Boston by @technicallyverycowboy. He’s thriving, no?

- This post from @neuroticbookworm

- This post from @hellolimitless

- This post from @nozunhinged

- This post from @chalkrevelations

- This answer from @lurkingshan

- This good point from @odd-one-advocate and that good point from @no1petesimp (read the tags)

- This interesting point from @porschesbabydaddy, completed by this alternate universe where Boston’s spirit isn’t broken by @keepthetension, 10/10

This is Boston's bad ending, because it's not what he wanted

The ending Boston wanted was to be Nick’s boyfriend (romantic and sexual) for the 3-4 months he had left in Thailand, while being able to also get intimate (only sexual) with other guys. That is what he wants, and definitely not what he gets.

At least, Nick gets to have the last word, because ending the relationship is his decision, backed by Sand.

Non-monogamy could have been considered

It wouldn’t have hurt to see the characters involved have a conversation about non-monogamy, before the whole Boeing thing. Without framing it negatively, of course. But we didn’t get it.

About Nick and what he wants from Boston

He might have wanted a monogamous relationship from Boston from the start. Even though to me, it seemed more like, while jealous, he especially wanted to be loved by Boston and not only being seen as a sex doll.

Something I don’t really like about Nick’s characterization. He’s so wishy-washy.

"I love him, I don’t care about not being his favorite/number 1, I just don’t want him to hate me" to "the word boyfriend should only apply to me"

"I know what I’m dealing with, Boston is nasty but I’m nasty too" to "why are we (Nick and Sand) attracted to bad people" to "you’re not a bad person Boston" and then back to "I’m nasty too, so we suit each other"

"I love you for who you are, you don’t need to change" to basically "actually yeah be who you are, but without me, let’s go our separate ways" like????

I mean yeah, people are allowed to change their mind, but damn.

About Sand having Nick's back (and Cheum having Top's back)

I don’t know if we can count this as slut-shaming as I’m not sure he’s shaming Boston for being a slut. But Sand is definitely shaming Boston (the only slut).

Sand always has a negative things to say about Boston when he talks to Nick. But especially him saying ‘compared to Boston, you’re a saint’ to Ray (I have to laugh), and the ‘don’t lower the bar’ to Nick? Very icky to me.

And I would have been ok if we saw the same energy from Nick. Sand being like "you love him so much that you don’t love yourself". AND WHAT ABOUT YOU, SIR? Dating a man that calls you a whore every time he gets angry and hasn't apologized for it once? A man who pushes you around so much you end up being bruised? Peak of self love, methinks...

And Cheum being on Top’s side forever and ever from day 1 and she barely knows him.

Boston is just treated very differently. Even Nick, the only person shown to side with him sometimes, is only 50% on his side at most.

Boston had to apologize for what he did but never received a proper apology for any of the horrible things that were done to him

BostonNick post time-skip

Boston and Nick are supposedly main characters, and yet, are nowhere to be seen after the time skip. Boston gets a sentence, Nick vanishes. Their last scene (aka, their ending scene) in the show being the breakup. We don’t know how they feel about that months later. Are they happy now? Did they move on ? Are they single? Are they thriving? Are they miserable? We don’t know anything because we don’t see them. How good of an ending is that for the characters?

The narrative is biased towards all the characters and against Boston.

Now, I’m gonna talk about the directors.

From what I know, Nick’s story is inspired from Ninew’s love experience. And just with that information, I know damn well it’s impossible to get an objective point of view about BostonNick’s relationship. Ninew has no way to know what was going on in irl Boston’s life, his thoughts, etc. Which explains why they didn’t bother with his backstory.

+ Mew was supposed to be a good guy, loved by the audience and Boston, the bad guy. Jojo said "Mew is a guy that everyone is going to be in love with". Meanwhile, to the question about Boston’s lack of backstory he said "sometimes bad people don't need a back story, they're just born sluts" which tells me everything I need to know.

+ they did their best to not ruin the image? likeability? of the other characters:

"We knew we had to cast Khaotung because he is a very empathetic guy so even when Ray is bad, people like him"

"F*ck we didn't realize they would hate Top this much, so we tried to edit things to help reduce the hatred."

During the TopBoston elevator scene, Nick was actually there. But they cut that portion because they thought Nick was being too much of a stalker.

They also mention Mew 's violent dream about Top and Boston that was cut and the Ray blow up scene in YOLO having a more dramatic version which was obviously not aired.

You can’t do all that (and probably more), but still say "At the end of the day, after we're done with our part, the show belongs to the viewers. We love good and bad feedback and know it's [the show] not perfect, but we like that viewers can judge the characters for themselves." It doesn’t add up.

So? The answer?

Boston definitely got disproportionately punished for being a slut because it is heavily implied that his biggest crime was to sleep with Top, and that he did that because he is a slut. And all his other problems were related to having sex, while also being blamed to some extent for them.

While especially Mew, Cheum and Ray (and to some degree Nick and Sand) got off scot free while also being awful people (borderline criminals but not sluts I guess).

"If your writing penalizes the only character who remained promiscuous but absolves everyone who only has sex within their monogamous and tbh heteronormative relationship, that's the messaging you will inevitably give." @paciouspolca

(edit: I guess I have to specify that I don't agree with the heteronormative part of the quote, because I see that it understandably made some people angry but i don't think it's fair to negate the rest of the quote and the whole post because of it)

One last thing: this is the novel BostonNick breakup (written after the series script). From I’ve heard, the novel kinda works like a fix-it version of the series. And while I’m still not a 100% on board with it, this version feels definitely less punishing (and sadder actually, I would’ve cried if it was in the show).

Interview with Chris Keyser, co-chair of the WGA’s negotiating committee, on 100 days of the strike

'Chris Keyser, the co-chair of the Writers Guild of America’s negotiating committee, doesn’t see the 100-day marker of the ongoing strike as a moment to celebrate. In fact, Keyser has a few choice words for the Hollywood studios and streamers who comprise the Alliance of Motion Picture and Television Producers, calling the anniversary of the work stoppage “shameful” and “a day of infamy.”

In an interview posting Friday as part of The Hollywood Reporter’s TV’s Top 5 podcast, Keyser talks about the stalled state of negotiations with the AMPTP, why companies boasting about cash savings during the work stoppage is a “smokescreen” and his thoughts on what it will take to get both sides back to the negotiating table.

Below is an edited and condensed version of the TV’s Top 5 interview with hosts Lesley Goldberg and Daniel Fienberg. You can listen to the full conversation when episode 226 posts on Friday morning. (Subscribe here.)

Walk us through what happened with the Aug. 4 talks where both sides reunited to see if there was a path forward to resume negotiations.

Keyser: It didn’t go perfectly well, obviously. The conversation turned on Carol [Lombardini, president of the AMPTP] saying, “We’re going to talk about some things” and Ellen [Stutzman, chief negotiator of the WGA] saying, “You’re going to need to talk about everything.” And Carol saying, “I need to get back to you and talk to my member companies.” We’re waiting to hear. So, a stutter step but not really worth worrying too much about in the long run.  [After the meeting THR reached out to the AMPTP, which did not comment.]

How was the temperature of the room when you walked in versus when you walked out?

Keyser: Things are cordial with the AMPTP. People are not yelling at each other. Everything is very professional; coldly professional, probably. The coldness is metaphorical. But no one needs to worry about that. The WGA is not particularly interested in playing games. Talking is the only way forward. There’s a sense somehow that you label something 100 days like it’s some kind of celebration. It’s an anniversary of shame for the AMPTP, let’s be clear about that. There was that early comment in the press about trying to starve us, and then they walked that back. But of course they are. We can make a TV show in 100 days; they can’t seem to get back into the negotiating room and have one substantive conversation. It’s a day of infamy for the AMPTP. It’s shameful. Either they cannot get it together or they intentionally are not getting it together. Or the AMPTP is doing precisely what they claimed they wouldn’t do, which was to try to create a situation in which people who are hungry and desperate no longer have the will to fight for their own survival. That’s not going to work.

Do you have an idea of when talks are going to resume?

Keyser: I don’t know. It’s impossible to get inside their heads. They could be negotiating among themselves about what they’re willing to offer. They could be delaying for the sake of delaying. At some point, I almost don’t believe that anymore. There’s a difference between the companies and the AMPTP itself. There were reports that said Carol didn’t want to meet last Friday. I don’t know if that’s true or not. You can never quite tell [what’s going on] behind that curtain. All the chatter you’ve been hearing from the companies — all of the reports of outreach — that’s because the companies have come to understand that this is no longer a tenable strategy and Wall Street’s repeating it: “We don’t understand what the companies are doing.” “This no longer makes sense.” “They can’t work without product.” It’s an inevitability that companies that make TV and film have to go back to making TV and film — with an asterisk that who knows what Amazon and Apple are up to because they could never make another program and it wouldn’t affect their bottom line. That’s part of the problem with the industry: It has players in it for whom the thing that we all love and value is an asterisk.

One of the things that you’ve been talking about is the possibility that the individual members of the AMPTP do not necessarily have the same agenda and that at some point they could splinter. As we are at 100 days, from your perspective, does that seem more or less likely?

Keyser: It’s hard not to look at the situation and see the differing interests of the companies and the ways in which this strike affects them differently means that at some point, they may need to assert their own interests rather than the interest of the group. I’m not surprised that no one has broken off yet because the AMPTP process has been highly effective for them in putting downward pressure on labor. So, in some sense, I think it needs another step for that to happen. I can easily imagine that Carol would say, “You have to give me a chance to go back in and negotiate.” She’s going to have her chance. It does not entirely make sense for Warner [Bros. Discovery] to tie its future to Apple’s point of view about the industry if Apple is intransigent. Apple [for example] would be fine, and Warner would disappear.

There was a sense of optimism, going into Friday’s meeting, from guild membership that seems to now have evaporated. How important is it for both sides to be at the table talking?

Keyser: There’s always optimism because you can’t be in a struggle for 100 days and not say, “There’s a tiny light at the end of the tunnel.” I just don’t know how long the tunnel is. We put out an email to the membership the Thursday before reminding them that of the AMPTP “playbook.” I use that term meaningfully because they do tend to go back to the same strategy over and over again — not to come right back in and say, “OK, what do you need? Let’s make a really good deal” — but to see how little they can give us. In 2007-08, they did it and talks led to breaking off. Even if we get back into a room, I don’t put it past them to continue to say, “We’ll give you a little bit.”

The AMPTP’s line is the DGA pattern and then a few other things. That’s the same way they negotiated a non-conflict negotiation. That’s what they did in 2020, during COVID. But they’ve got two guilds — 170,000 people — out on strike. You can’t just use the same line over and over again and expect it to apply to every single situation. At some point, that becomes useless obstinacy. We’re going to talk at some point because the companies can’t afford not to.

When you hear concretely that the DGA deal is going to be what they’re offering, how do you respond?

Keyser: The DGA deal was never going to be a meaningful pattern for us. There are pieces of this — like success-based residuals — that the DGA felt like it didn’t need and we feel that we do. The DGA doesn’t get to make our deal. The DGA made the deal that it needed to make. But the companies can’t use that deal as our settlement, because 170,000 people are on strike telling them that that’s not going to be sufficient and it doesn’t allow us to survive in this industry.

Companies are caught between a Wall Street regime that requires certain things of them that are hard in the middle of transition — free cash flow and growth — and the ability to deal with the fact that practices that they have adopted over the last decade have driven their workforce closer to being unable to survive. They have to figure out a way to compensate their workforce fairly, even as they have that sound in their ears saying, “Wall Street wants profitability,” “Wall Street doesn’t want to spend money.” They’re going to have to get through that, because not having us working only hurts them in the long run. It only diminishes their power in the business. It’s disruptive. They don’t even have to listen to me; they can listen to all of these Wall Street analysts.

The 2007-08 strike lasted 100 days, with negotiations resuming after 21 days. What is your expectation for how long the writers strike will go on?

Keyser: There’s no way for me to know that. Once they get into a room and they’re open to having real conversations, you do go very fast. Real negotiations don’t take very long. It’s really a question of how long it’s going to take the companies to say, “We understand that we have no choice but to sit down and have a real conversation.” I can’t determine that. When the broadcast season begins to evaporate, when Sony moves all of its movies from 2023 to 2024, when you look ahead to next year and you say, “What is Warner going to program on HBO once they get through this?” How do they manage that, month after month after month? They’re going to make a deal with us. That deal is going to be some version of what we’re looking for. If they keep us longer, that price doesn’t go down. All that’s going on now is they’re compounding their losses.

Taylor Sheridan is one of the most successful working TV writers in this moment. He told THR in a cover story this summer that he didn’t support the minimum room size, which is one of the WGA’s core issues. Others have echoed those sentiments, including John Ridley. What do you make of their comments?

Keyser: I’m not going to emphasize any one of our areas of negotiation because we had five or so, broadly speaking, areas that we need to make progress on and to make sure that writing is sustainable. One of them is the dismantling of the writers room process, and part of the solution to that is to make sure that writers are hired. We’re committed to that. We have 11,500 members. I don’t worry if somebody disagrees. Taylor Sheridan makes a lot of TV shows, and he’s good at doing that. But he’s still just one voice. And John Ridley can do the same. That’s fine. I think they’re wrong. I don’t negotiate with Taylor Sheridan. He doesn’t determine our bargaining. Whatever he wants to say, he can say.

What concessions might the WGA make in order to get back to the table?

Keyser: It’s a valid question, but it’s not a question you could possibly expect a negotiator to have with you. We have said to the companies that the solutions to these problems that we face can be negotiable. If they have an idea of what formula they want to apply to success-based residuals, they should feel free to suggest one. What we want to negotiate is the solutions, not the existence of the problems themselves. We’re not going to walk out of this negotiation with a company saying, “There are like five different ways for you to die, you can be saved three of those ways and then we’ll kill you the other two.” That’s not going to happen. All of [the issues] have to be dealt with; they can be dealt with in other ways that we have proposed or there may be variations inside that, although I don’t want to promise that every one of them is infinitely flexible. For example, we’ve got to be really careful about the language on AI to make sure that AI does not have the power to replace writers.

Has the WGA considered asking fans — or even members — to boycott streamers?

Keyser: We’re not in the business of running nationwide boycotts. But if fans feel like doing that, fans should take that on. I think the fans, without coordination, will begin to do that. All of these companies know that churn is a big problem and as their original offerings become sparser and sparser, people are going to say, “Why am I spending all this money?”

SAG-AFTRA has drawn the ire from both performers and writers for its willingness to grant waivers during its strike. I’m hearing that the WGA would oppose waivers. But if someone came to the WGA and agreed to such things as room minimums, health insurance for any length of a mini-room, and as well as acceptable AI language, would the WGA grant that network or studio or streamer a waiver?

Keyser: We’re not granting waivers. We will if a meaningful player comes and wants to make a full deal with us. That changes the complexion of this negotiation. We’re open to making that deal. But we’re not granting waivers. We did that in 2007-08 and it wasn’t advantageous; it led to complications. That is not a commentary on SAG and I’m not going to comment on their official policy.

Warner Bros. Discovery and Paramount revealed in earnings reports that they’re saving money by being media companies that aren’t actually producing media right now. Why do you think that’s a message that they’re putting out?

Keyser: It’s a smokescreen; it has nothing to do with the way things are going to work going forward. I think we really need to be concerned as a country about when Amazon and Apple have their quarterly earnings calls and don’t even mention entertainment because the results don’t matter. So, if the argument is, “We can take control over and decimate the entertainment business because it’s irrelevant to us,” that’s a real problem for writers, actors and directors, but also a problem for the public. Having said that, Warner, Disney, Sony, Comcast, Paramount and Netflix need to create product. And a pile of money on their shelves without anything for people to watch next year is only going to come back to haunt them. And they know. But I don’t think any Wall Street analyst is fooled by the short-term vision that says, “Look at us, we didn’t spend anything, we didn’t make anything. We’re rich.”

We’ve heard of back-channeling going on, and there’s been a lot written about who could be the white knight — the Lew Wasserman of this era — with suggestions ranging from everyone from Peter Chernin to Ari Emanuel to Nancy Tellem and Mark Pedowitz, as well as political folks like Gavin Newsom or Karen Bass. Who has the potential to do so and who do you trust?

Keyser: We don’t need a mediator. That’s an old wives’ tale that you need somebody to come in and have a conversation. We’re perfectly OK. Talking about whether the companies need a mediator internally is an entirely different question. I appreciate everyone who wants to help. But what’s necessary here is for the companies to get it together and be ready to talk about the issues on the table. They know where to reach us.

What is your message on day 100 of the strike to the AMPTP and to writers?

Keyser: My message to the companies is we are your allies. We are your asset, we are the way in which you create value. And we are here and ready to have a conversation about how that’s going to happen where we share enough of that value that’s fair and allows us to survive in the business as we have over the past half century. It’s good for you, and it’s good for us. So, we need to get past the rhetoric, and we need to get into a room and talk.

As writers, the real job now is to fight through the fear and the uncertainty and the tendency to think, “How can we end this without getting exactly what we need?” Hold firm and remember why we got here in the first place. With SAG by our side, we’re more powerful than ever. There will be no path forward for writers or for actors who do not say, “Enough.” There is no mercy here; there is only a revolution that comes out of our power. And that’s what we intend to achieve.'

An Underrated Aspect of Wednesday and Xavier

Not really underrated in a traditional sense, but one of the things that I enjoy about this ship is the way Wednesday develops an unconscious trust in Xavier. Despite her suspicions of him being the monster and believing him to be an elitist snob, she relies on him for help when she doesn’t know what to do next.

One thing that stood out to me is that Wednesday—a proven and shown outspoken young woman when she wants to be—is pretty reticent regarding her visions. She withholds confirming Weems’s suspicions even when Weems presses her about it in e2. She withholds the visions from her bestie, Enid, in e6 (via: “What happened? It looked like you were having a seizure.”). She withholds only the information about her visions from Tyler despite involving him in every aspect of her investigation and telling him all her findings (including Nathaniel’s diary, what actually happened the night Rowan died, needing the location of the pilgrim meeting house, showing him the gate, and even when she reveals she’s figured out he’s the Hyde, etc). And prior to finally making up with Morticia in ep 5, she has withheld her visions from her family since they started a while ago despite knowing her mother also has visions and can certainly help with understanding the nature of the thing.

I find it significant that in canon, aside from her mother, the only person she has freely and comfortably told about her visions, is Xavier.

When Xavier figures out that she’s having visions, this happens:

Unprompted. The only thing he asks her is when they started, and keep in mind, her default for anything regarding the visions is to ignore or deflect the question. Despite her being suspicious of him here, not only does she confirm her visions which is, to her, clearly a deeply personal part of her, but she is also freely forthcoming regarding the stuff she has seen in visions and how unsettling it feels when it happens. She doesn't withhold from him what she sees in her visions. For Wednesday? This is theeee definition of oversharing lmao.

But anyway.

What was it about him that made her freely give up that information when she’s usually largely discerning of who she tells?

My point is, she relies on Xavier on a deeper level and seems to like confiding in him. He’s a decent sounding board to help her parse out her thoughts and theories, even with all these signs pointing to him being the monster. And I think because he saved her from the gargoyle, because of his own psychic abilities, because of his innate understanding of how not being able to control the visions is affecting her, and in my personal opinion, because she knows he not only sees her, but likes her for her, she feels some sort of subconscious connection to him.

The trust in telling him she even has visions is one example of it, but also, when she finds herself stuck, stagnant, or lost, she turns to Xavier.

One huge moment of this is the Gate mansion gate vision and pic in e6. She believes Xavier to be the monster and is cold and closed off to him at the beginning of the episode when she’s trying to decipher the message burned in the grass. But… she still goes to him for information about the gate when she hits a "dead-end". When she could literally ask anyone else who has been in Jericho, even Sheriff Galpin, who she’d spoken to earlier and by that point, she was sharing her investigative results with.

Another moment is after the Tyler as a Hyde reveal in e7. She winds up expelled from Nevermore with the knowledge of Tyler’s masterful ruse, authority figures have completely shut her down, she can’t figure out how to beat Tyler at his own game, but of anybody she could have gone to, she goes straight to Xavier for help. Xavier, who is the absolute least capable of helping her because he’s physically chained up in jail. She definitely regards his insight highly, and I think it's because 1) all his warnings had proven true, 2) he’s proven countless times in little ways that he actually understands her, and 3) when he gives up on helping her (temporarily due to anger), she officially gives up for the first time in the entire series and takes heed of his words to leave.

(Which, quick aside, but that scene was so fucking hilarious to me. He’s in chains looking like hell because of her and she sees absolutely zero qualms telling him she made out with Tyler and he is so miserable 😂 Girl...).

With Wednesday, her choices always speak more substantial volume than any words she could possibly say. She’s an asshole sometimes and speaks thoughtlessly and viciously with words meant to wound, but then acts upon her instincts in the most selfless, self-sacrificial, bleeding heart, and/or Care Bear kind of way towards all the people she has come to care for at Nevermore and her own family as well.

And her actions point to some level of trust in Xavier, not just vision-related. Like telling him in the library—her suspected monster—everything she’s collected as evidence pointing to him as the monster (why she would alert her suspect to the full details of her investigation and evidence is beyond me lol); keeping the gifted phone (despite being anti-tech); him being one of the few people she allows to see more of her emotions beyond just deadpan (blinking-gate plus looking down/averting her usually steadfast gaze during conversations with him when he gets a little too close to her erected walls).

Of course, I view their dynamic as a slow burn, but romantic or not, their energies and vibes are kind of in-sync and her growing implicit trust in Xavier is an underlying aspect of their burgeoning deep friendship/relationship that I think the show did pretty well in subtly establishing this season!