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#but mostly it's just people wanting the most boring character traits out of some sort of perceived morality
theminecraftbee · 4 months
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Hi! I’m like 90% sure you answered this already, but I was wondering if you had any advice on keeping all the hermits in character? There just too many for me to keep track of.
actually, unlike the answer to "do you have a list of characterization notes for each hermit, i want help writing [x hermit]", i have an answer to "there are too many hermits to keep track of"! and it's, uh, maybe not the answer you expect/want to hear? but...
my advice for keeping all the hermits in character is that you don't actually need to write all the hermits.
some stories ARE served by an ensemble cast! but many stories are not; you'll note most of my fics have a cast that is really only two or three leads deep, sometimes four or five in my larger casts but normally two or three! and that's because trying to keep a bigger cast than that perfectly in-character is REALLY HARD because you do not have the space in your story for it. read a LOT of things; MOST people do not fully flesh out a cast of 26 in their stories! because there just is not time.
there are two solutions to this. the first is, if you are committed to an ensemble cast, accept that everyone won't have as much depth to begin with. in large ensemble casts, it's pretty normal for everyone to just sort of have One Character Trait each, except for whoever the most common POV characters are, and that's okay. 
additionally, you'll note most TRUE ensemble casts are found in things that are long-running; the way something like an ace attorney game or a shonen fleshes out its ensemble cast is that it'll take turns with who's turn it is to get characterization. before it's that character's "turn" to have their backstory/characterization/motives explored, they typically stick to the point in their arc/character traits that have already been revealed, and that is okay! economy of storytelling is important, after all, and no audience is going to be able to follow twenty-six character arcs happening simultaneously. like, that's normal. that's fine. so use shortcuts to get through them!
the second solution is like... just don't write all the hermits! choose the ones you are comfortable with (or, alternately, you want to get more comfortable with by practicing). those are now your leads. focus in on characterizing THOSE GUYS and ONLY THOSE GUYS correctly for your story. use other hermits as bit side characters as needed, but they won't need to be characterized as well, because they are side characters.
and like. okay. that's the thing: it is OKAY if you have particular hermits you write less often or that you use as side characters. fandom sometimes shames people for not having everyone be a richly-characterized, perfectly in-character character, but like... there are TWENTY-SIX HERMITS. you will not be able to write them all perfectly. hell, i take shortcuts to write them all too (mostly related to my ability to write efficient dialogue but that's a thing you learn with practice and i can't really easily teach you to do), and i still get praised for writing them alright! i certainly don't even try to claim i keep track of all twenty-six hermits in every fic i write with them. that would be absurd. it is okay to have leads, to focus in on specific characters, and almost certainly better for your story, i promise.
anyway the third answer here is "also you just need to practice" but i acknowledge that's the boring non-answer. it's true, unfortunately. just... practice, and if there's a specific hermit you're trying to write that you're shaky on, practice them and watch a few of their videos to at least get the cadence for how they talk down, and you'll start to figure out what to do with them.
so,,,,,,,, yes i hope this actually helps with your question,
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literary-illuminati · 4 months
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Book Review 70 – American Psycho by Brett Easton Ellis
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I’m honestly not sure I ever would have gotten around to reading this on my own, but ended up buying it through the ‘blind date with a book’ thing a bookstore in New York was doing when I was visiting (incredible gimmick, for the record). The fact that it then took me a solid three months to actually finish probably tells you something about how genuinely difficult a read I found it. Not in the sense of being bad, but just legitimately difficult to stomach at points. Overall I’d call it a real triumph of literature.
Not that anyone doesn’t already know, but; the book is spent inside the head of Patrick Bateman, high-flying wall street trader and Harvard blueblood at the close of the Reagan era. Also a serial killer. The story is told as a series of more or less disconnected vignettes, jumping from dinner conversations at one exclusive bar or club or another to the brutal torture and murder of a sex worker to several pages of incredibly vapid pontification on Nina Simone’s discography. The story vaguely tracks Bateman growing ever-more alienated and out of control as the year goes on, but there’s very much not any real single narrative or cathartic climax here. - most stuff just happens (stuff that’s either incredibly tedious or utterly nauseating by turns but still just, stuff).
So yeah this is an intensely literary work (obviously), a word I’m here using to mean one that is as much about the form and style of the writing as about the actual events portrayed. Bateman is a monster, but more than that he’s just an utterly boring and tedious husk of a man, traits which are exaggerated to the point of being fascinating– if you told this story in conventional third person narration without all the weird asides, it would be a) like half as long and b) totally worthless. The tonal whiplash of going from an incredibly visceral depiction of Bateman cutting out the eyes of a homeless man to six (utterly insipid) pages on the merits of The Doors is the selling point here (well actually I think Ellis goes back to that specific well probably one time too many, but in general I mean).
Bateman is a tedious, unstable monster, but as far as the book has an obvious thesis it’s that he differs from the rest of his social milieu only in degree. A symptom of a fundamentally rotten society, not a heroic devil among sheep. The book’s climax, such as it is, involved Bateman getting into a drug-fueled gunfight with the NYPD, shooting multiple people in the middle of the street, and then stumbling home and leaving a rambling confession to every crime on his lawyer’s answering machine – but despite very clearly wanting and trying to get caught and face some sort of consequence or justice, people just refuse to believe that someone like him is capable of anything like that. (It’s not, it must be said, an especially subtle book).
There is, as far as I can recall, not a single character who gets enough screentime to give an idea of their personality who I’d call likeable. Sympathetic, sure, but that’s mostly because it’s pretty much impossible not to sympathize with someone getting horrifically tortured and torn apart (at one point a starving rat is involved). The upper crust of New York yuppie-dom is portrayed as shallow and vapid, casually bigoted towards quite literally everyone who isn’t identical to them, status-obsessed to the point of only being able to understand the world as a collection of markers of class and coolness, and totally incapable of real human connection. Bateman is a monster not because of any freak abnormality, but just because he takes all of that a few steps further than his coworkers.
The book is totally serious and straight-faced in its presentation, and absolutely never acknowledges any of the running gags that are kept up through it. Which shows impressive restraint, and also means that none of them exactly have a payoff or a punchline – it’s just a feature of the world that all the expensive meals at trendy restaurants everyone competes for tables at sound disgusting when you think about them for a moment, or that the whole class of wall street trader guy are so entirely interchangeable that ostensible close friends and coworkers constantly mistake each other for other traders and no one particularly cares. Or – and I’m taking this on faith because fuck knows I’ve got no idea what any of the brands people are wearing are – that the ruinously expensive outfits everyone spends so very much time and money on for every engagement all clash comically if you actually looked up what the different pieces looked like. The book’s in no way really a comedy, so the jokes sit a bit oddly, but they’re still overall pretty funny, at least to me.
I like to think I have something of a strong stomach for unpleasant material in books, but this was the first work of fiction that I had genuine trouble reading for content reasons in I can’t even remember. I’m not sure it’s exactly right to call the violence pornographic in a general sense, but as far as American Psycho goes the register and tone Bateman uses to describe fucking a woman and torturing her to death are basically identical (and told in similarly explicit detail), and all of Bateman’s sexual fantasies are more or less explicitly just porn scenes he wants to recreate, so. Regardless, the result’s pretty alienating in both cases – his internal monologue never really feels anything but detached and almost bored as he relays what he does, sound exactly as vapid and alienated as when he is carefully listing the exact brands and designers every person he ever interacts with is wearing at all times, or arguing over dinner reservations for hours on end with his friends and lovers (though both those terms probably deserve heavy airquotes around them). He legitimately sounds considerably more engaged when talking about arguing over sartorial etiquette. It all adds up to a really strong alienating effect.
Anyways, speaking of sex and violence – perhaps because my main exposure to the story before this was tumblr making memes out of scenes from the movie, but I was pretty shocked by just how explicitly awful Patrick is ‘on screen’. The horrible murder, sure, but also just the casual and frequent use of racist and homophobic slurs, the pathological misogyny, the total breakdown he has at the idea of a gay man being attracted to him and thinking he might reciprocate – all of these are entirely in character for an asshole Wall Street ‘80s Guy even if he wasn’t a serial killer, but it’s still oddly shocking at first to see it so thoroughly represented on the page. It makes how comparatively soft-pedaled the bigotry and just, awfulness, of villains in a lot of more modern books stand out a lot more, I suppose? I have read a lot of books that are in some sense About queerness and/or racism in the last year, and no one in any of them holds a candle to good old Patrick Bateman.
Part of that is just the book being so intensely of its time, I suppose. The New York of this book is very much one of the late ‘80s, incredible wealth living side by side with social rot and decay, crippling poverty everywhere and a society that has to a great degree just stopped caring. Absolutely none of which Bateman or any of his peers care one bit about, of course – they’re too busy showing off the latest walkmans and record players, going to the newest clubs, and just generally enjoying all the fruits of Reagan’s America. Recent history has made the fact that Bateman’s personal idol is Donald Trump almost too on the nose to be interesting, but in 1991 I’m sure it was a bit more subtle in how telling it was.
Anyway, yeah, horrifying and exhausting read, triumph of literature, my god did Easton Ellis hate America (this is a compliment). Now time to go watch the movie!
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kissingrhi · 6 months
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pls send me traits and things about u and i’ll give a succession character i think would be the most into u and why (and maybe some cutesie headcanons) i’m bored
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Im bored too so😭:
- I’m 24
- Latina
- Law student
- Love Taylor swift and Shakira
- I practice pole dancing (don’t know if it’s relevant but hey)
- Aquarius sun, scorpio rising
- Ppl perceive me as rly quiet and mysterious at the beginning but goofy once they get to know me
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i think your best match would be....
kenny baby!!!!!!!!!!
we all know that kendall is much more artistically inclined than the rest of the sibs (L to the OG, his 40th birthday party, the play, etc etc)
which is why i think he'd be absolutely enamored with the sight of someone pole dancing
i think he'd hold a much deeper appreciation for the art of it than someone like roman
i also feel like he's drawn to people he can unravel/peel layers back from, like you, and i'd say he's got a hard exterior as well.
it's just much harder to get to his soft core
you guys definitely would meet at a party, most likely with you dancing your sweet tail off and him falling head over heels instantly
like, stuttering mess as soon as you guys meet sort of attraction
i think he's much more drawn to someone he considers a challenge. he loves being kept on his toes
so, a pole dancing law student? that's mysterious? right up his alley.
he'd try so hard to be smooth
"i- uhh, noticed your dancing." in that monotone ass voice
and from that point forward he's entranced by you, trying to keep up (often times failing)
the more he gets to know you, the more he falls in love with you
kendall overtly craves comfort. it's seen in vague ways throughout the show, but i think the best peek into how he'd be in a healthy (!!!) relationship is in the last episode (meal fit for a king)
all the goofy giggling and crinkle-eyed smiling. yeah.
especially because you're funny. i think he's soft for that.
so i think that when kendall is with someone who isn't so uptight, but can be when it's necessary, he fits in perfectly
he can keep you grounded, but you can also encourage him to loosen up
shamelessly bothering him when he's overworking himself with paperwork
"hey can you stop working for like five seconds?" "i don't know, can you fuck off?" "shut up, you love me." "......yeah."
also, the fact that you're a law student??
you're insanely hardworking, just like him, which both balances you out and fucks you two over.
being delirious with each other in bed while up late doing work, eyes bloodshot and running off of energy drinks type of fucked over
but it's okay because you have each other. even if you definitely have to coddle each other from time to time (mostly you coddling him oops)
1000% will ask you to pole dance for him privately
mans a freak! sorry!
you also give him the creative freedom to delve into his interests, which he is a slut for
kendall will go wild for some validation! don't play!
overall, i think it would just take a while to break down his shell, but once you do.... oh he's absolutely hypnotized by you and does not want to let you go
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elysianymph · 9 months
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also 🔥 for mary
this turned into mostly a rant about the fandom and how they ignore my fav girl sjjsjsjs
funnily enough i used to dislike mary. or maybe dislike is a strong word. i just found myself so apathetic to her bc guess what guys??? she has no real character outside of particular aesthetics and ships. and then she wiped her memory so it's not like it's important what or who she was anyway. but she's also literally my favorite character rn (right next to sirius) soooo... this is what happens when you sit down and explore characters by yourself instead of letting fanon guide you through everything.
the thing with mary is that she doesn't exist really. not as a character with real personality traits anyway. she's mentioned as lily's friend which most likely puts her in gryffindor and we know she was a muggleborn because mulciber attacked her and... that's about it. you can't really expect anything better when the harry potter books barely gave any of the main women characteristics outside of motherhood, let alone some random character mention twice. BUT THAT'S THE FUN PART! we could've had so much fun with mary bc she's literally just a name and we could've made her anything and yet she's absolutely nothing bc MISOGYNY YAYY!
she used to be overly sexualized and slutshamed in fics and now she's just... boring. she's the accessory we can add onto lily to make sure she isn't left alone so our mlm ship can happen!! she's an obstacle that stands between sirius and remus getting together!! and she's given nothing outside of that. this fandom has written and rewritten stories for the same old boring men a million times and yet one of the main characters isn't given any story at all?? what was her family life like?? did she have any siblings?? who was her first crush?? how did her status as woc affect her life at hogwarts?? and being a muggleborn?? was she good in school?? what career path did she want to go down?? why didn't she join the order like all of her other friends did??? how did mulciber literally assaulting her affect her??? nah that's boring let's rewrite wolfstar one more time
it may look like you're working with nothing but you're really not. if she's sorted into gryffindor she must've had their defining traits. she didn't back out of the wizarding war because she was a coward. it must've been something else. if she was lily's friend she must've been similar to her in some way. they must've shared experiences of what it was like being a muggleborn in an environment that literally wanted you dead. why did mulciber attack her in particular? was she quiet and timid and he thought she would be the perfect target? or was she opinionated and loud and mulciber wanted to scare it out of her? it's not much but we've created more out of less
mary literally isn't allowed to exist outside of men and ships. even then it's the male gaze lesbianism of going on a picnic, braiding each other's hair, whatever. can she not be a complex character?? why not?? even when we are writing her in slash fanfics why can she not have any personal issues to sort through?? if you don't care about her just say it??? it's obvious when someone includes her in content bc they just feel bad (she's become peter 2.0 tbh) and don't want anyone hating bc she's not included in a particular post. don't half ass her character bc you're scared of backlash. it's not misogynistic to just not be interested in a character (though it's important to unpack why you would get bored by a character most see as a woc yet be interested in a death eater man despite having the same amount of information on both of them). don't get me started on people who ship her with peter so they can tie everything in a nice little bow and it's all perfect. literally shut up.
anyway mary is beautiful and smart and the it girl of hogwarts. she taught all the other girls how to do their make up because her older sister taught her and she always dressed up for hogsmeade trips even though her friends made fun of her for putting in so much effort. she uses cherry scented everything because she loves the way it smells and she twirls her hair and blows bubbles with her gum. she winks at guys who stare at her to get free drinks and she's never looking for a fight but she'll pull on anyone's hair if they provoke her enough. she didn't understand why lily made such a big deal about james asking her out and rejecting him when he's literally a fit guy who seems nice enough?? maybe she didn't understand how someone could reject a real relationship when given the chance to have one because none of the guys cared enough to look at her like that.
it's late and i'm tired and i can't elaborate further bc i don't even know what i'm saying but expect more mary posts in the future bc she is my darling <33
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do you have any musings on the light aspect? you mentioned at one point that people tend to misidentify its presence in their lives, and i feel like it would be an interesting subject to hear you talk about
- maybe an heir of light
This is VERY true. People might be light players, but often times they completely misread how Light works into what they might be.This is, of course, when we are discussing people who ACTUALLY care at all about thinking too deep into Andrew Hussies nonesense enough to wanna classpect themselves seriously for the fun of it like me or others.
I clarify that partially because there are obviously a lot of people who dont try to think too deep into classpects, just get the Light result on a test, and super commonly blanket themselves as Witches of Light or sometimes Sylphs, and it stops at them just liking Aranea or Jade in the comics and slapping their possible aspect on their titles. Theres nothing wrong with that, and people should have fun with classpects and titles and the concepts Homestuck brings to the table however they want to. really, what I have to say shouldnt inherently matter at all if this kind of thing doesnt suit your tastes.
However it should be acknowledged, still, that often times this is the case.  this is also a reason my absolute least favourite classpect is Witch of Light in particular - Its very much the MOST popular classpect you will see around for Light players as a whole, whether it be for an oc/character classpecting or a person blanketing themselves as a Witch of Light as some sort of generic Default Light Aspect Haver classpect. You see it, a LOT, and this is acknowledging the fact I also have an OC with the classpect too. Its still an interesting classpect to mess with. So most people could definitely see the appeal of a Witch class, mixed with something like the Aspect of Light.
But its mostly how people see “manipulator of Light” Witch class, and think “i have light aspect, therefore i am manipulator of light aspect” without considering HOW they tend to manipulate the Light around them and what they are really “bent” towards structurally with the aspect in mind.
The biggest issue I think when getting deeper into it, is that, obviously - Most people think their outward interests are actually inherently tied to their classpect. Which I hate to sound like a broken record about this, but its just not true. Not every light player is going like the topic of Psychology and Cosmic Horror like Rose or even enjoy things like History & Theory Speculations like me, Classpects are based on the Archal Type system of how a persons “Story” goes and what “role” they play inside their own personal narratives and which directions they are most likely to pick for themselves and how they interact with a certain aspect that might cling to them as people. in a vague sense, Its how you walk and your reasoning for why you have walked a certain direction, not what food you like and how you enjoy the taste.
Classes are a skeleton structure of a persons character development into an Adult or where theyve gone in their story. This is a very complex way of thinking of it, because humans are complex. Boiling them down into only their interests or just “if you are nice and peppy enough, you are a heart player!” would be not only boring to mull over but it’s just generalizing human beings. Even Andrew Hussies characters have a lot more facets to them the more we learn about them outside a few cliff notes and a handful of their interests in the beginnings - thats for a reason.  Its also why, while classpectors can give their 2 cents on a few things, and we can squint and try to squeeze things out of a few different traits, we will never be able to really figure out what your classpect is for you. As Homestuck itself, is, in the end, about kids growing up into adults through different choices and paths theyve taken, the different ways of living theyve had and then they start to see the results of that come alive around them, and even how they effect other people.
An aspect on the other hand, is an aspect in your life thats stronger than the rest of them. Which can be pin pointed a bit easier, sometimes. Which one becomes easier or harder kinda depends on the person in question. Theres lots of variables to this, in the end you will always have only one aspect that trully matches up to you; on the other hand, we have theories of how people can Invert into the oppositional aspect or class, they can mimic and try to “roleplay” another persons class (Vriska does this, Rose does this, Tavros tries and failes to do this) and we also have the fact someone else can rub off on us, causing further confusion as sometimes somebody elses aspect sync can be so strong it masks our own real selves’, overshadowing us.  The key thing is, even with real people, there WILL be commonality between someone who shares a full Classpect and the reality is - there are a few general genres of interests that certain people drift towards; With LIght players its blantantly Knowledging seeking and obsession with things of the grandiose; Things like dark Gods or a life as a member of a pirate crew. There will be. and there often times, almost terrifyingly so, are a lot you will probably have in common with someone with your inversion classpect and the same classpect as you as well. There is bound to be common ground. Whether it be experiences, choices youve both made, and sometimes, yes,  This means you might share the same interests, but it also means you might have some common ground in how you act more as a whole, how you get A to point B inside your head through subconscious means, and certain choices in your life too that arent all that dissimilar even if there’s still some fracturing as you are still, of course, two separate individuals. Because thats the Character Arch typing root; how commonly some people tend to behave or form into the arch types in question. Similarity and commonality in a story that can be compared and be close to something else that exists but still be something unique in its own contexts. its how you get terms like “herculean story” and the like. Theres commonality in many things between certain kinds of people and how they go about things.
Im being a little vague in some ways - And thats because I dont really specialize in Classpecting real people. Its not particularly the point of the blog. But I obviously deep dive into all this hooplah enough to get opinions on if I think someones godtier appears accurate enough or not (this mostly with those that ask me in private, or people who im actually friends with who i could even give a genuine opinion on)
But the main issue is people boiling themselves down to just small amount of traits they have, or counting exclusively their own interests into certain things, and then deciding thats all there is.
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The aspect of light can be kinda tricky, so I dont exactly blame anyone who has difficulty deciphering what the fuck they could be even if they know they are a Light player, and they for sure seem the part at that. I personally went from Maid of Blood > Sylph of Breath > Knight of Space > Maid of Mind > Thief of Heart > Mage of Mind > (almost) Knight of Life > Mage of Light. Trust me, the classpect identity crisis is real. and part of my own was frankly me just hating the light aspect cause Vriska was my least favourite character at the time, even tho Light aspect has always unsettlingly fit me too well no matter which description of the aspect I read. I kinda just tried my damnest to get out of it.Same with mage, I for some reason had this weird distaste for the mage class for no reason at all for the longest time, likely because I knew it was actually painfully fitting given what I had read and I didnt like the call out.
The light aspect is exactly what it says on Andrew Hussies Extended Zodiac Quiz. I hate to say it (not really) but the description of a Light player is me to a T as a person, generally speaking and once this quiz came out I was just straight up called out on it (i was sent the whole description and told its me by several people lol, take with that what you will). While interests themselves can be whatever - one thing every single light player shares is the desire to Discover. They WILL love knowledge for knowledges sake, they will be fussy on the details of things that interest them. Thats stuff thats a given. Our propensity for knowledge is true. So are the facts that most light players probably will be the types of people to chose the least popular “moral” or socially acceptable thing, to possibly get the route they want for the results they might want, making us look self centered or eccentric to most around us. 
They might not always be popular, but the things they do tend to get or be to get the results they want when they are pushing for it, as they tend to be correct in their hindsight of what might produce these results. These results are usually knowledge based, or to “get the best outcome possible” in whatever situation they are in. But in a more specific manner I always have some trouble coming up with words to really describe it with. 
Its Fortune, Knowledge, Discovery - self awareness, situational awareness of things, Hindsight that others around you might not have, or noticing  the little things people miss to point A to point B. Its how bad luck and good luck play into your life.Its literal light, its enlightenment, becoming knowledgeable, etc.
what relationship do you have with Luck? Good? Bad? Do you believe in Myths and such? Like if you walk passed a black cat, do you believe somethings really going to happen to you? do you look at the cat with indifference? Do you air on both sides and take it with caution but say you dont really believe in it, but would “rather be on the safe side” or secretly worry about it inside your own head, but walk passed it anyways? Do you do this about Fae circles/Mushroom rings? Would you take the Fae memes to heart and/or be the type to say “i wouldnt fuck with that real or not”? Would break mirrors on purpose to fuck around and find out? Have you ever broken a mirror, and actually did get a streak of horrible luck thinking nothing of it at first, but now your paranoid of everything superstitious? Theres a lot more questions outside the topic of superstitious beliefs I could ask, but, how you answer things like this, as just an example, can put a more simplistic aim towards what category of class you might have as a light player.
How do these things - The aspects general focus of knowledge seeking, Fortune and misfortune, Awareness, even literal Light or the sun, having attention or spotlight on you in some fashion - play a part into your life? How does it effect the things youve done? your choices? your interests? your thoughts? Your beliefs on folktales or the like? How has Light, impacted you? How much of these focused on things seem to appear or be an occuring theme in your life and how youve grown up? Do you feel a solid connection to the obtuse and figuring things out? thinking abstractly? Or would you rather keep things obtuse and a mystery? Have you ever been on a metaphorical or literal stage for others to watch and criticize you? What part of your life thats influenced how you are now, was surrounded by these themes? when it comes to the types of attention youve been given, would say thats large part of why youd make a choice? Attention, the spotlight? - a result of treasure or a reward you wanted? Have you always breezed through things, being weirdly lucky, but never really noticed till something has jarred you out of it? Do these effects seem to weirdly always rub off on others?
For me, as a Mage, while not special for others when generalizing like this, has always been a mixed bag. Im very conflicted about the spotlight no matter how little of it that i receive, Ive been metaphorically burned before and I easily lose my spoons to be in front of others, and completely isolated myself as a result in the past. Its why this blog is pretty crazy to even have as a Mage of Light, no matter how inactive it gets sometimes cause im focusing on other things. The spotlight is not my natural forte by any means, you could say, but at the same time I crave the attention on the good things Ive done, or something Ive created to have the spotlight. I want success in my endevours and I keep trying. I have a lot of goals to accomplish. LIke comics, to help produce art for a game, to have my concept sketches used for something big some day. Maybe do something with all these ocs I have. But Im also deeply anxious about too much attention at the same time and its stopped me more times than I can count from ever putting the really big things just out there no matter how bad or good the ideas are, Im also talking both good and bad attention, as they are both very overwhelming to me personally, and you can see how that can be a massive problem that conflicts quite a lot with goals like those.
You need to allow the spotlight to be placed on you for better or for worse if you actually wanna do something big. “You need to try in order to succeed”. You have to just push stuff out sometimes to ever get anywhere, otherwise they are all just drawings and ideas in your head and dont exist.
Theres more reasons than that, obviously, that Mage of Light fits me personally. Theres small things too, things that if you were to look up Mage of Light you could easily see on the descriptions people tend to give - My eyes sensitivity to sunlight, my displeasure at getting my photos taken by others ive had since I was kid, the fact Im paranoid about sunburns even if I rarely get them ever, even my sensory issues adding hyper awareness to things im experiecing or touching, noticing things others might miss often or a lot actually, and my absolute sometimes unhealthy hyperfixations / hyper focus/attention on certain things because of my autism could be a pinpointer for me. Along with the negative unwanted attention you get, whenever your behavior or attitude is outside the “norm”.  Theres bunches more, some being even more personal I wont be putting here. But how Ive classpected myself is through a fuckton of self reflection on where these themes of the aspect seem to bend around me and my life.And while this all seems very extra, to me, its just done for fun because i AM extra and like thinking hard about these sorts of things, as is my nature to just do so.
As a mage, this means a lot of mixed signals and a lot more negative attention thats screwed me over that ive had to learn from, or a lot of situations where Id have to reconsider how I went about handling the attention Ive received in a way thats more managable for me for the future. I am, however, a pretty “stereotypical” example of what people think Light players are. By far the funniest comment is still being tiold my classoect is “Rose Lalonde, but more depressed”. Admittedly Im pretty default mode, so im not exactly the best choice of example for how each light player can still be “unique” past some commonality or outside the cookie cutter molds most people use for them. But its the best one Ive got for the sake of this topic as I only know myself and what brought me to my own conclusions.
Witches tend to invert, they think they know best about things, and they will pretend to be the opposite of the classpect in order to get what they want or before they are given full access to their Aspect. Jade Harley inverts into a Seer of Time BIG TIME, and its barely discussed in classpecting in my opinion. Witch of Light for instance, for a good portion of their lives could act like a Seer of Void, believing in anti supertitious things or having the mentality of someone who disapproves of thinking of beyond what they see as a blank slate of reality, keeping things at a stand still or “inside the void”. Maybe they have, heaven forbid, a history of certain things like Roxy or Equius do, maybe being ignorant at one point and extremely stubborn with some less than savory beliefs,“I know this thing, so no other variables are real unless I agree”, maybe being elitist or substances played some part in their lives where they intentionally blinded themselves from the truth or decided to stay ignorant until something pushed them out of it.
Heirs are the types to breeze through their aspects and let it lead them on, sometimes without noticing until later. Maybe their the types to have a really really strange amount of luck in really weird ways, and they really never noticed it till some friends pointed it out. Something like “they got struck by lightning....but they survived and won the lottery” cause the reason they were struck by lightening is cause they were somewhere they shouldn't have been during a storm that they dismissed as nothing and had picked up a random ticket on the floor. (could take this metaphorical for various situations, or literal! heirs are weird) Heirs are the opposite of a mage. So there's even less I could say about this one. It gets a bit weird when you're talking about your own inversion with the context of your actual aspect.
Theres a million different ways beyond these.
And so much you can look at for commonality, but obviously I wouldnt realistically be able to go off on EVERY SINGLE thing Ive noticed about certain types of people with these classpects or titles- Thatd be sheer insanity, and Ive already made an essay instead of just giving some musings.But you can see how someone might misinterpret even their own way these sorts of things can be bent for which.
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lnterrobcng · 8 months
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ʟᴇᴛ'ꜱ ꜰᴜᴄᴋɪɴɢ ɢᴏ …
BASIC INFORMATION
FULL NAME: Atlas Kanade NICKNAME: n/a (yet? feel free to call him whatever you want) BIRTHDATE: [ coming soon ] AGE: twenty seven ZODIAC: [ coming soon ] GENDER: cis man PRONOUNS: he/him SEXUAL/ROMANTIC ORENTATION: gay asf ETHNICITY: japanese/indonesian LABLE: the mongoose LOYALTY: White Crocodiles OTHER: he’s a replicant
[ tw for non graphic mentions death, parental death, and drug use ]
INTELLIGENTS ...
OCCUPTATION: owner of ralphs boxing gym OCCUPTATION HISTORY: n/a LANGUAGES SPOKEN: english, japanese, mandarin, cantonese, french, spanish, portuguese, russian, probably more if he really wanted to
SKILLS: he’s very naturally talented at most if not all things he tries, he’s just that skilled idk what to say. definitely isn’t any sort of programming. / hyping up and interacting with a crowd. / networking with other people. / good at thinking on his toes. / more coming soon ... WEAKNESSES: anything artistic rip. / really bad at reading people. he’s very un-insightful. / attractive men will always be his biggest weakness. he’s just a thot. / he’d rather be anywhere than doing work. he’ll do it, but he will complain the whole time. / more coming soon ...
PSYCHOLOGY ...
POSITIVE TRAITS: outgoing, friendly, strong willed, intelligent, quick thinking NEGATIVE TRAITS: self serving, dramatic, arrogant, bad listener, oblivious MBTI TYPE: tbd ENNEAGRAM TYPE: tbd MORAL ALIGNMENT: tbd... TEMPRAMENT: Sanguine MENTAL ILLNESSES: n/a
TROPES: [ coming soon ] CHARACTER INSPIRATION: artemis fowl (artemis fowl), young jun (warrior), nydas okiro (critical role exu: calamity), more coming soon ...
HISTORY ...
[ what actually happened ] ... he was created and programmed in a lab at stoneage industries ██████ ██████ ██████ ██████ ██████ ███████ ███████ █ ████████ ██████ █████ ███████████ █████ ████ ██████ ██████ ██████ ██████ ██████ ███████ ███████ █ ████████ ██���███ █████ ███████████ █████ ████ ... [ what he believes happened ] he was born to parents Kento and Eka Kanade in Tokyo Japan where he lived until he was about ten years old. After working hard to earn the money his parents moved their small family to New York City where – like with many foreign parents – they encouraged their son to do the best he could, and integrate into their new home as best as he could.
[ what actually happened ] ... atlas was programmed to be a skillful individual that specialized in bodily-kinsthetic intelligence, linguistic intelligence, and logical-mathematic intelligence ██████ ██████ ██████ ██████ ██████ ███████ ███████ █ ████████ ██████ █████ ███████████ █████ ██████████ ██████ ██████ ██████ ██████ ███████ ███████ █ ████████ ██████ █████ ███████████ █████ ██████████ ██████ ██████ ██████ ██████ ███████ ███████ █ ████████ ██████ █████ ███████████ █████ ████ ... [ what he believes happened ] atlas did well in school. a little too well at some points, finding it mostly boring, and pointless. Like many kids who were not engaged he ended up acting out, getting in trouble, and falling in with the wrong crowd. Despite this he managed to keep his grades up and graduated at the top of his class, though nothing much came from his education beyond that.
[ what actually happened ] ... ██████ ██████ ██████ ██████ ██████ ███████ ███████ █ ████████ ██████ █████ ███████████ █████ ██████████ ██████ ██████ ██████ ██████ ███████ ███████ █ ████████ ██████ █████ ███████████ █████ ██████████ ██████ ██████ ██████ ██████ ███████ ███████ █ ████████ ██████ █████ ███████████ █████ ████ ... [ what he believes happened ] it wasn’t long after graduation that Atlas’s parents died in a car accident. It was this that frayed what little connections he had to any responsibility, and ... he left. He took the money he got from his parents life insurance (a very large sum) and he left his home that he had almost no connection to, he left his friends that were not very good friends to begin with and traveled the world. He hopped from party to party across the globe. doing nothing but using, drinking, fucking, and fighting. what else was there to really do in life?
[ what actually happened ] ... ██████ ██████ ██████ ██████ ██████ ███████ ███████ █ ████████ ██████ █████ ███████████ █████ ████ ... [ what he believes happened ] eventually after a blur of five years indulging in self destructive behavior anywhere that would have him, he found himself back in NYC.
Everything previous to that is a bit fuzzy, but somehow he found himself living in an apartment above some boxing gym called Ralph. Ralph was the older man who owned the gym, and his apartment. He was wise, he was kind, and he took a look at what a mess Atlas must have been and helped him become ... well, nothing to really shake a stick at, but at least less of a mess. Atlas had a mind for money, and business, and was good with crowds of people. In no time at all the small Ralph’s Boxing Gym became a fun place to come Friday nights to spend a little money on your favorite fighters – under the table, of course.
When Atlas was around twenty three Ralph passed away, leaving him fully in charge of the gym, and anything that might happen with it. Uncertain of what to do, and on the verge of panicking at all the new found responsibility some people he’d made connections to through the fights stepped in and offered to help. To run the betting (unbeknownst to Ralph who likely would have disliked the idea) Atlas had formed a few connections with the White Crocodiles, a local organization who specialized in things like that. After Ralph’s death those connections did nothing but grow stronger. Atlas found himself a member of the organization himself, and allowing not only them to run the betting, but use the gym for other activities, the location fully becoming White Crocodile territory for the past five years.
Not only has the gym thrived in the past five years but so has Atlas, integrating easily within the White Crocodiles. It was difficult at first, as he does not exactly come across as a strong individual, but he’s proven himself time and time again to be a worthy asset for the organization, and they have proven themselves good friends to have for Atlas. Things are going smoothly, he can’t complain.
CONNECTIONS ...
PARENTS: kento kanade [ father, deceased (non existent) ], eka kanade [ mother, deceased (non existent) ] OTHER FAMILY: n/a POSITIVE CONNECTIONS: [ coming soon ] ROMANTIC CONNECTIONS: [ coming soon ] NEGATIVE CONNECTIONS: [ coming soon ]
WANTED CONNECTIONS:
[ hook ups, fuck buddies, friends with benefits, etc ] this boy puts the ho in homosexual. so if you are interested in anything like this whether it was a one off thing, or regularly happens. he has no inhabitations and is always down to clown.
[ drinking buddies, party pals, etc ] when he’s not working, he’s out getting wasted, and partying. what else are you going to do? it’s not like he sleeps all that much for some odd reason. so any characters who work at bars, or clubs, or just go out a lot it’s very likely they would know atlas well.
[ white crocodiles ] please
[ stoneage industries ] so he would not know anything about these people, beyond what he might have heard in the news. but I have a very clear idea of someone from stoneage industries that does know who he is, though he has no idea who they are. maybe just some random person he’s run into, that he’s become friendly with. maybe they are keeping tabs on him, maybe they are checking in on him, maybe they really did just randomly run into him. I think it would be an interesting relationship to form. someone who knew everything about him (more than he actually knows about himself), and him having no idea who they really are.
[ a mentor figure ] this boy does nothing but look for people to help him know what to do, because he does not know what to do on his own. likely someone within the white crocodiles, but it can be someone neutral, or from stoneage industries perhaps.
[ more serious relationships ] I mean either platonically or romantically. I don’t think he would have any currently, but I’d love to see him struggle to form one. he is not the type to really legitimately connect with a person on a serious level. and maybe this really all depends on dash chemistry, but if you are interested let me know.
[ enemies ] simple. let’s do it. he’s a bit of a brash guy, stubborn, and does not read people well. I can imagine anything from annoyances, to really being legit I will kill you if I see you again enemies. I’d love to come up with some chaotic reasons for this.
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unluckyuncle · 1 year
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canon questionare \ @nobully \ still accepting!
nobully asked: 1, 2, 7, 8, 12
7 & 8 answered here but I have many good and bad things I love about the canon that I could talk for ages about LOL
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1.  What made you pick up this character?
I'd say that there are very few canon characters that ping-pong in my head quite like Donald Duck. Generally speaking, I'm someone who tended to make/write for O.Cs for no other reason than it never occurred to me that I could do neat things with the canons too.
Honestly, this is like, the first proper canon character that I have written this long for. I was in the Sugar Rush/WIR fandom for a while and sometimes wrote stuff, but my primary fandom experience is drawing for the most part and even then I wrote my O.Cs.
I'm glad I started with Gyess still just to get used to how Tumblr works, but she can be a little limited in the types of interactions she can have (vaguely. She's mostly just, not emotionally mature to do stuff that I love writing about) I actually did almost start with Donald, but I was intimidated by writing for canon (and I needed time to finish watching the show LOL)
I just think Donald is real neat, and I just want to provide myself some justice for how the show treats him at times. I also like that he can swing from emotional depth to absolutely chaotic so I never really get bored writing him if that makes sense.
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2.  How did you get into this franchise/fandom?
uuuuuuuuuuuuuuuuuuuuuuuuuh, I like Ducks LOL
No seriously though, before the show came out Donald Duck was still my favorite Disney character. I'm a bit of a Disney nerd when it comes to this sort of thing. He's just been a long-standing interest of mine. Something about him just clicked with me when I was younger, and my obsession has only gotten worse LOL
When the remake was announced, I feel like I was excited, though I've never watched the original DuckTales show. I should really check it out though lol I just don't know if I ever thought too deeply about it?? I was just like "Oh cool! New animated show! I love those"
I would say I wasn't ever in the fandom of DuckTales. I don't have much history of like, being involved in fandom. Interacting with people online, talking about a show or characters. I don't even know if I really made fan art for this show actually.
I just know I got invested in it pretty quickly, at least Donald's side of it (I lowkey, mostly just watched the show for Donald LOL) and saw posts about it on my pintrest boards from tumblr occasionally.
IDK I'm super weird about this stuff, but at least now that I'm older and more into writing as a hobby and such, I have more awareness about this type of stuff like character development, voices, portrayals etc. But I don't have a grandiose story or anything ^^ legit, I just love these ducks.
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12 What would you say is the most unique trait about your character?
That is an excellent question LOL I mean, if we're comparing him to like other characters in animation then I'd say there's quite a lot in the realm of the obvious.
Besides being a duck, he talks funny, has a short fuse, is a sailor man, and is ridiculously unlucky. All four of those traits definitely exist in other characters, but I don't know if I've ever seen another character who has all of these, plus a very kind and gentle side.
I think though, what makes Donald specifically in DuckTales a unique character in all media is that he's an adult father figure who bettered himself. I've talked about it a little bit already, but I think just the fact he went to therapy at all in the show is absolutely the most unique thing about him AND for just Donald media in general.
Dad characters in most media get shafted to be the stupid ones who like love their family but generally, cause problems and then don't really do anything or change. (Homer and Peter are the ones I'm thinking of, but I know there are others)
Of course, Donald is in a unique position of not only becoming a father at 25 but specifically a father of three kids that aren't even his while also simultaneously grieving the sister he lost WHO'S KIDS HE HAS TO RAISE!!!!!
But Donalds a dad who has sacrificed so much for the kids recognized his flaws and went to better himself because of his love for his family. He could have easily been written to be a goofball dad who doesn't really care or is so bitter about his sister and the burden of raising kids that he gets worse as a person... BUT THEY DIDN'T DO THAT!!
Anyways yeah. If there's anything I desperately wanted from the show, is just an Episode of Donald finding his moment where he broke down from the weight of everything that was dumped onto him, and then rising above it for himself and the kids especially. It's so sad that it's implied off-screen, but hey I'll take that over what they could have done LOL
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risingsouls · 2 years
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🦎 + and for fun, what are you most loathed headcanons throughout the DBZ fandom ( bonus points for LoZ, too! )
🦎 for a Ramble || Always Accepting!
[I'll try to think of one for both. The trick is finding something that isn't the dumb shit canon did and are actually headcanons the fandom seems to have latched on to.
It's bad because all my brain can come up with is that I disagree with the pervasive narrative that Vegeta is a sub/bottom, mostly because some art i would rather never see again was suggested to me. 🤣🤣 I guess I struggle with this because most of my frustrations come from canon and fans touting every canon decision as absolute top tier greatness when it's garbagio at best. I also don't actually interact with a lot of fan made stuff tbh. The most I get is face.book's obsession with suggesting DB fan pages with their absolute trash takes. And I'm finding this is even harder with DB because the writers are so into fan pandering and taking shit the fandom has latched onto and pushing it in canon. So hm...
Alright. I'm going to channel @unboundpower here for a second and go with this (and she probably influenced it if I'm real because I never really considered it before interacting with her), but I hate how it seems a lot of people assume and write the fusions as just like...Vegeta's/Goku's replacement and with very cut and dry personality traits from both. Like yes, to a degree, you have to. They're a fusion of these two characters. But that's bland and boring. I like a more nuanced approach that treats them like their own being with their own personalities--influenced by their creators than just cut and pasting them exactly might be a way to put it--ambtions, and lives rather than just being a Goku and/or Vegeta clone. If that makes sense. Like this one is probably very fine line and hard to explain, but if you want a better idea, hit up Nebula's blog and you'll understand what I mean. She does soooo good with the boys and it's fantastic.
On that note, I'll add that, when it comes to the fusions, most of the fan content I see puts them into a relationship with Bulma after they fused permanently. Like not only is it fucked up because ChiChi was basically widowed as well, but it also goes back to what I was talking about in the fusions shouldn't just be Goku or Vegeta's replacement, and I like it WAY better when they're treated as their own beings in every facet, including their personal lives and dealing with how their existence effects those Goku and Vegeta had in their lives. It's makes for a more interesting narrative than, "oh well of course he just got back with Bulma and continued his (read Vegeta's) life."
Now for Zelda. Let's seeeee. It's been a hot minute since I've really interacted with that fandom or fan made content so gotta THINK.
Alright. We're gonna get controversial. And this is probably less headcanon than just like...how fans treat things, but I cannot stand when fans ride the black and white, good vs evil thing with the stories of LoZ, especially when it comes to Ganondorf. And, disclaimer, I do contend that I understand why it happens because the story itself does really push that with some probably too subtle wiggle room to play with that. But to be more specific, I LOATHE the idea that Hyrule is blameless for what happens to it. It's not something outright rampant in the fandom, but I know I had a few run ins back in the day that reeked of this sort of "blameless Hyrule" vibe when it's suggested that the shit they've done help cause the strife they go through (also note: this is me barring Demise's curse; I don't care what anyone says, I don't accept it. It's a cop out at best and cheapens the story).
Ganondorf is probably the greatest example of this. The shit he pulls is a result of how Hyrule treats his people. Yes, he definitely takes it too far and loses sight of that goal and is a horrible person for what he did. This isn't Ganondorf apologist hours by any means. But it's not Hyrule apologist hours either, and I hate how it often feels a lot of fans don't grapple with the other side of the coin, ESPECIALLY after WW comes out.
Which brings up another point: WW suggests Hyrule literally just prayed to the gods and waited around for the hero to return rather than trying to deal with Ganondorf's return themselves. Like there was PROBABALY a better fight than that but I don't know. The way Hyrule as a whole is written, it's VERY dependent on its heroes and the monarchy in a lot of games. But where are people calling that out HMMMMM???
Honestly, what that one comes down to is I just like it more when fans engage with the narrative on a deeper level than what's presented. There are arguments to be made that Hyrule isn't the guiltless, helpless victim that often portrayed, and there is often more eto the villains than gets looked into (and the writing doesn't help *side eyes Skyward Sword for that damn curse*).]
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sylleblosscm · 1 year
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You know, there are a lot of aspects of Luna that feel really strange to write, because they're key points about her character, but not really the point, if you get me. Obviously she occupies that "tragic woman, too pure to live" trope but I'd argue that it's mostly superficial because, at her best, Luna functions not in opposition to that trope, but rather in spite of it.
The hardest thing about writing Luna is walking that line of exploring the breadth of her experiences and personality without falling into the trap of fetishising her inexperience. Not just in a sexual or romantic sense, but in other ways too. In Dawn, Luna actually has a hard time befriending Sol - and you would think making friends is easy for her because she's such a compassionate and welcoming person, but the truth is she's spent so long in this perfect Oracle persona that she has no people skills outside of that. That, in turn, is the result of a traumatic upbringing and years of brainwashing that is difficult and painful to untangle. Again, the pure virgin-ness of her is a point, but it's not the point. There's a greater cause to it, and a much greater narrative.
I was in a similar position with my last, really big years-long muse. My Baby Boy Baby, if you will. He was presented as this antagonistic presence in his source material, and did a lot of really outlandish things. He was iconic enough to be reduced to a sum of a few memorable quotes and memeable actions, which ultimately obfuscated the semi-consistent, deeply rooted personal philosophies that underlied everything he said and did which in turn, like Luna, came from an incredibly tragic series of events. I'm not saying tragedy is necessary to make a good character, or that it should be the source of everything they do, just that it's a real waste to reduce a character to a small facet of the whole when the whole is so enormous.
In Luna's case, I mostly blame Square. They just don't care what she thinks or how she feels. If you want the good stuff you really have to go out of your way, so it makes sense most casual players will never see the full potential of her as a character. Even liking her as much as I do now was an entire journey, and not one everyone should feel obligated to go on. Sometimes I see common assumptions about her like "she knew what was going to happen to Noctis and was therefore Bad, Actually" or "she just sits around all day drinking tea and braiding her hair and her only character trait is being nice which makes her Bad, Actually" or "she was a simpering mary sue who couldn't hold her own in a fight which makes her Bad, Actually" and I can't even be mad because it's hard to construct a complete person from what we see in-game. But I also think there's an inherent knee-jerk reaction to the Pure Good GirlTM to assume she must be inherently vapid and empty because media is very good at pigeon-holing women, and we are all very jaded by it. (There's also something to say about the role of a woman whose strengths are defined through mostly traditional feminine qualities and how we respond to that and why, which....it's a whole can of worms in and of itself; but I don't need to tell anyone here that both "woman are forced into showing those qualities and that's bad" and "some women naturally embody those qualities and that's fine" are two things that can coexist.)
That sort of brings me to the topic of characters who are fundamentally "nice". Nice is typically the compliment you give when you don't know what else to say about someone because it's a nothing word, and being designated the "nice character" is never a good thing. It just means there's nothing else anyone can say about them. It's hard to imagine, but in the beginning of B.uffy, Tara wasn't a well-liked character. (And, if you've been keeping up, it should come as no surprise that she's my favourite). The Gay Stuff aside, she was perceived as boring when paired alongside the rest of the women on the show. She couldn't fight, she didn't use her magic to fight very often, she just wasn't the type to be on the front lines. And for a show that was deemed progressive for the time (despite certain...creatives' involvement) on the merit of its women being able to fight for themselves better than the menfolk, she seemed to derail the message of the show. But I'd argue that characters like Tara, Luna, and a dozen others I can think of who are branded as "too nice" for their roles have another kind of strength. Tara's compassion and kindness wasn't a passive quality, but rather an active trait. She often went out of her way to be considerate and empathetic of others. Even as she came into her own and learned to set boundaries and stand up for herself, retained that compassion all the way until her final moments. As a result, she became the heart of the team. In a lot of ways, she held the team together all through season six, and when she died, everything immediately fell to shit. A bit like Luna if you think about it. She didn't even interact with most of the cast on-screen, yet her death - albeit through Noctis - destabilised the core characters and set the stage for some of the darkest moments in the game.
Of course, I really wish these characters would be centred more. They hold a special place in my heart, and they don't deserve to be killed off all the time to make way for other peoples' character development. I'd argue that, when they're put in the protagonist role with that active compassion as their driving force is when we get some of the most beautiful and poignant storytelling I've ever experienced - certain episodes of D.octor Who, G.host of T.sushima, Noct himself to a degree and the like. And no, it does not escape my notice that these and every other example I can think of off the top of my head are all men.
Anyway, I don't really have any special grand point. I'm just talking here, I think it's important not just to examine how we feel about characters that other people write, but how we feel about the ones we do write and why. And I really enjoy writing Luna. Aside from the fact that all my partners are top-tier and that makes having fun way easier, she's complicated, and motivated, and brave, and she has a rich inner world that I really enjoy engaging in, and at the end of the day she genuinely just wants to make a positive impact on others.
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shkspr · 3 years
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hi. on your post where you may or may not have ended on 'moffat is either your angel or your devil' did you have maybe an elaboration on that somewhere that i could possibly hear about. i'm very much a capaldi era stan and i've never tried to defend the matt smith era even though it had delightful moments sometimes so i wonder where that puts me. i'd love to hear your perspective on moffat as a person with your political perspective. -nicole
hi ok sorry i took so long to respond to this but i dont think you know how LOADED this question is for me but i am so happy to elaborate on that for you. first a few grains of salt to flavor your understanding of the whole situation: a. im unfairly biased against moffat bc im a davies stan and a tennant stan; b. i still very much enjoy and appreciate moffat era who for many reasons; and c. i hate moffat on a personal level far more than i could ever hate his work.
the thing is that its all always gonna be a bit mixed up bc i have to say a bunch of seemingly contradictory things in a row. for instance, a few moffat episodes are some of my absolute favorites of the rtd era, AND the show went way downhill when moffat took over, AND the really good episodes he wrote during the rtd era contained the seeds of his destruction.
like i made that post about the empty child/the doctor dances and it holds true for blink and thats about it bc the girl in the fireplace and silence in the library/forest of the dead are good but not nearly on the same level, and despite the fact that i like them at least nominally, they are also great examples of everything i hate about moffat and how he approached dw as a whole.
basically. doctor who is about people. there are many things about moffats tenure as showrunner that i think are a step up from rtd era who! actual gay people, for one! but i think that can likely be attributed mostly to an evolving Society as opposed to something inherent to him and his work, seeing as rtd is literally gay, and the existence of queer characters in moffats work doesnt mean the existence of good queer characters (ill give him bill but thats it!)
i have a few Primary Grievances with moffat and how he ran dw. all of them are things that got better with capaldi, but didnt go away. they are as follows:
moffat projects his own god complex onto the doctor
rtd era who had a doctor with a god complex. you cant ever be the doctor and not have a god complex. the problem with moffats era specifically is that the god complex was constant and unrepentant and was seen as a fundamental personality trait of the doctor rather than a demon he has to fight. he has the Momence where you feel bad for him, the Momence where he shows his humility or whatever and youre reminded that he doesnt want to be the lonely god, but those are just. moments. in a story where the doctor thinks hes the main character. rtd era doctor was aware that he wasnt the main character. he had to be an authority sometimes and he had to be the loner and he had to be sad about it, but he ultimately understood that he was expendable in a narrative sense.
this is how you get lines like “were the thin fat gay married anglican marines, why would we need names as well?” from the same show that gave you the gut punch moment at the end of midnight when they realize that nobody asked the hostess for her name. and on the one hand, thats a small sticking point, but on the other hand, its just one small example of the simple disregard that moffat has for humanity.
incidentally, this is a huge part of why sherlock sucked so bad: moffats main characters are special bc theyre so much bigger and better than all the normal people, and thats his downfall as a showrunner. he thinks that his audience wants fucking sheldon cooper when what they want is people.
like, ok. think of how many fantastic rtd era eps are based in the scenario “what if the doctor wasnt there? what if he was just out of commission for a bit?” and how those eps are the heart of the show!! bc theyre about people being people!! the thing is that all of the rtd era companions would have died for the doctor but he understood and the story understood that it wasnt about him.
this is like. nine sending rose home to save her life and sacrifice his own vs clara literally metaphysically entwining her existence w the doctor. ten also sending rose with her family to save her life vs river being raised from infancy to be obsessed w the doctor and then falling in love w him. martha leaving bc she values herself enough to make that decision vs amy being treated like a piece of meat.
and this is simultaneously a great callback to when i said that moffats episodes during the rtd era sometimes had the same problems as his show running (bc girl in the fireplace reeks of this), and a great segue into the next grievance.
moffat hates women
he hates women so fucking much. g-d, does steven moffat ever hate women. holy shit, he hates women. especially normal human women who prioritize their normal human lives on an equal or higher level than the doctor. moffat hated rose bc she wasnt special by his standards. the empty child/the doctor dances is the nicest he ever treated her, and she really didnt do much in those eps beyond a fuck ton of flirting.
girl in the fireplace is another shining example of this. youve got rose (who once again has another man to keep her busy, bc moffat doesnt think shes good enough for the doctor) sidelined for no reason only to be saved by the doctor at the last second or whatever. and then youve got reinette, who is pretty and powerful and special!
its just. moffat thinks that the doctor is as shallow and selfish as he is. thats why he thinks the doctor would stay in one place with reinette and not with rose. bc moffat is shallow and sees himself in the doctor and doesnt think he should have to settle for someone boring and normal.
not to mention rose met the doctor as an adult and chose to stay with him whereas reinette is. hm. introduced to the doctor as a child and grows up obsessed with him.
does that sound familiar? it should! bc it is also true of amy and river. and all of them are treated as viable romantic pairings. bc the only women who deserve the doctor are the ones whose entire existence revolves around him. which includes clara as well.
genuinely i think that at least on some level, not even necessarily consciously, that bill was a lesbian in part bc capaldi was too old to appeal to mainstream shippers. like twelve/clara is still a thing but not as universally appealing as eleven/clara but i am just spitballing. but i think they weighed the pros and cons of appealing to the woke crowd over the het shippers and found that gay companion was more profitable. anyway the point is to segue into the next point, which is that moffat hates permanent consequences.
moffat hates permanent consequences
steven moffat does not know how to kill a character. honestly it feels like hes doing it on purpose after a certain point, like he knows he has this habit and hes trying to riff on it to meme his own shit, but it doesnt work. it isnt funny and it isnt harmless, its bad writing.
the end of the doctor dances is so poignant and so meaningful and so fucking good bc its just this once! everybody lives, just this once! and then he does p much the same thing in forest of the dead - this one i could forgive, bc i do think that preserving those peoples consciousnesses did something for the doctor as a character, it wasnt completely meaningless. but everything after that kinda was.
rory died so many times its like. get a hobby lol. amy died at least once iirc but it was all a dream or something. clara died and was erased from the doctors memory. river was in prison and also died. bill? died. all of them sugarcoated or undone or ignored by the narrative to the point of having effectively no impact on the story. the point of a major character death is that its supposed to have a point. and you could argue that a piece of art could be making a point with a pointless death, ie. to put perspective on it and remind you that bad shit just happens, but with moffat the underlying message is always “i can do whatever i want, nothing is permanent or has lasting impact ever.”
basically, with moffat, tragedy exists to be undone. and this was a really brilliant, really wonderful thing in the doctor dances specifically bc it was the doctor clearly having seen his fair share of tragedy that couldnt be helped, now looking on his One Win with pride and delight bc he doesnt get wins like this! and then moffat proceeded to give him the same win over and over and over and over. nobody is ever dead. nobody is ever unable to be saved. and if they are, really truly dead and/or gone, then thats okay bc moffat has decided that [insert mitigating factor here]*
*the mitigating factor is usually some sort of computerized database of souls.
i can hear the moffat stans falling over themselves to remind me that amy and rory definitely died, and they did - after a long and happy life together, they died of old age. i dont consider that a character death any more than any other character choosing to permanently leave the tardis.
and its not just character deaths either, its like, everything. the destruction of gallifrey? never mind lol! character development? scrapped! the same episode four times? lets give it a fifth try and hope nobody notices. bc he doesnt know how to not make the doctor either an omnipotent savior or a self-pitying failure.
it is in nature of doctor who, i believe, for the doctor to win most of the time. like, it wouldnt be a very good show if he didnt win most of the time. but it also wouldnt be a very good show if he won all of the time. my point is that moffats doctor wins too often, and when he doesnt win, it feels empty and hollow rather than genuinely humbling, and you know hes not gonna grow from it pretty much at all.
so like. again, i like all of doctor who i enjoy all of it very much. i just think that steven moffat is a bad show runner and a decent writer at times. and it is frustrating. and im not here to convince or convert anyone im just living my truth. thank you for listening.
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tomatograter · 4 years
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New to the fandom, Could you explain June? 💯 Love and support her. But homestuck 2 doesn't have her and I'm just confused?
June Egbert precedes the concept of homestuck^2! I’ve seen a lot of people be confused about this because they weren’t active on the fandom at the time the epilogues dropped, when reading her as a trans woman got a lot of discussion going and eventually lead to multiple confirmations.
So here’s an attempt at contextualization:
Throughout Homestuck, a few key ideas about Egbert’s identity and motivation to push forward with her hero’s journey are dropped like breadcrumbs. She’s meant to play the default straight-man protagonist. Her defining traits are ridiculously… generic, when compared to how all the other kids present themselves and stick to exaggerated bits. She’s a perfectly normal, regular suburban kid with normal, suburban issues. 
She may not leave her room a whole lot. She may not have a lot of real life friends in the neighborhood. She holds a comical irritation for the concept of birthdays, even though her father is extremely supportive, and is delighted to see his son grow up nice and healthy. There’s no reason for her to be so irrationally upset at cakes and gifts, and that’s what makes the setup funny! June doesn’t even know why she’s annoyed with half of the things that annoy her, what the heck.
But under all that playing around there is a sense that her life is so normal, so blasé, so unexciting and limiting and hollow and fake that she’d give anything to not be herself, even if only for ten minutes. This goes way, way back. It’s why June needs SBURB to happen.
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June lives as though her life hasn’t started yet. She’s stuck in the Tutorial stage. I would argue while most kids (and trolls) play SBURB to escape a shitty environment or the end of the world as they know it, June plays for a simpler reason: She needs to escape herself, and she needs to do it before it is too late. 
Being thirteen means crossing the homeric abyss between being a child with no care for the world sporting a generic hand-me-down identity and becoming a Teen (capital T) who needs to figure out how to cope with atrocious bodily changes while building the adult they’re meant to be AND deciding what the fuck they want out of life, and how they’re going to work to get it, forever and ever.
When you’re trans, and you don’t yet know you’re trans (or that this is a thing you’re even ALLOWED to be) the above feels a lot like serving a life sentence for an intangible crime.
You know what you’re supposed to do. You’ve seen it on tv, you’ve heard it from your dad, you know what are the normal trials and tribulations. You know you'll grow a few pimples and stubble and you'll need to learn how to shave, obviously, because it's basically a tradition in your family, and no one is really happy to be a teen. You know at some point you'll find a nice girl and you'll grow a hat out of your skull and then you will have to pay taxes and maybe you will have a baby daughter? You'd like it to be a daughter for no particular reason. And when you get a daughter you're going to name her Casey and she's going to be adorable and this is something you've dedicated a lot of thought to. Maybe its because you thought Nic Cage looked really cool with those long flowing locks in con air, the movie who featured a trans woman as a minor character for a few minutes (and she gets quite a bit of compliments, regardless of how the movie has aged), and he had a really exciting life, but goddamn did he love his daughter. There is no purer love than the bond between a father and his daughter. 
This absolutely has nothing to do with your father and you, or how you hold no excitement for becoming an adult man, or how your father's excitement for you becoming an adult man in your stead feels a little stifling.
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But i digress.
June spends her time on SBURB mostly hassling karkat, and readily following the instructions of zany, dangerous, COOL girls that seem to know what they're doing. June lets Terezi lead her to certain death without blinking. June lets Vriska dress her up as soon as opportunity presents itself. June thinks its really funny to trick this troll Who Types Really Oddly into believing she's Rose, and also into believing that she's a very silly girl. You may even say Homestuck employs a few of jokes pertaining to how her name looks like EGG !
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June has a ball playing this game until it starts to get shitty. She's never able to mend her relationship with her dad, as he's one of the first causalities. She has to spend a lot of time waiting around with jade on a ship until things get cool and exciting again, but she never stops growing during those three years. Its fine, though, because there's always more things to be done and more people to fight.
Until there aren't, and they make a new earth, and while everyone cheers and claps for the birth of a new planet June realizes all her excuses are over. Her friends begin to grow up. Rose gets married. Jade is living her best life. Dave has a not-boyfriend glued to his hip. Jane has a job. Jake is on TV for some reason. June doesn't want to leave home. June's birthday is around the corner again. Here come all the congratulations for becoming a strong lad for yet another year! Vriska is gone. Terezi is gone. SBURB is over. Wacky hijinks have been swapped for real-ass, boring-ass Regular life. We watch her unsuccessfully chase after the glory of days gone by when Rose presents her the possibility of going back into the game, when things were cool and mattered, or her flimsy decision to settle down with a nice girl she hasn’t really made an effort to know and become a father and be absolutely miserable for four decades as she asserts nothing is real, not anymore, and this is just how it is.
Depersonalization, depression and general apathy towards the world are all pronounced aspects of dysphoria that seem like unrelated incidents for someone who hasn't came out yet. June's trainwreck of a life post-game, specially her feeling of hollowness and chasing after anything that could fill it struck a chord with trans readers who left the epilogues to read HS again and discovered this has always sort of been here. June being a trans woman who doesn't have the proper vocabulary to express she is a trans woman makes a lot of earlier bits from the comic click into place, now in a broader context. We settled in the name "June" because it's what she imagines Vriska is calling her at some point, amid laughs, but even that was discussed for a lengthy period last year. What would she want to be called, what are possible tags for this, etc. But it was mostly for fun and games, because the prospect of the protagonist of a 10 year old beloved cult series being ACTUALLY confirmed as a trans woman just wasn't something that was done.
Until word got around to Andrew Hussie and he was reportedly so pleased with this interpretation of events he’d be making references to it, and some time later, a box of toblerones was left in a cave as a gift for fans to find. The first person to find a toblerone thought it would be funny to dedicate it to June, because now she was an ongoing reference that was fun to make. Instead of it ending there, Hussie logs on twitter for the first time in a long while to say 'Oh yeah, i'll make it happen' and that's when the whole thing exploded. I have a post detailing this made a year ago (with pictures!) so i won't keep you here.
In the year since, June has been vaguely alluded to in Pesterquest (in jade's end card, she's having her nails painted by rose.) Has been widely adopted by the community, those making their own fanventures and continuations, and the team behind Homestuck^2. In every way that matters, she's already thriving within the community that brought her to light a year ago. But her coming out in canon is something that will take time and a proper narrative arc to happen, one that is still being set up. We know it'll come eventually, the only question is “how”.
Not that the wind waits for anyone.
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robininthelabyrinth · 3 years
Text
extra 1 for Tedious Joys, with thanks to all the suggestions from people engaged in the discussion on tumblr, your ideas were fantastic and I used all that I could fit in!
-
Before Lan Qiren left to attend the first discussion conference held after Nie Mingjue’s ascension to the position of Nie sect leader – a notion that still gave Lan Qiren a stomachache merely to think of it – Lao Nie made him promise three times over that he would keep an eye on his painfully earnest, straightforward eldest son and keep him from doing anything foolish.
“Of course I will,” Lan Qiren finally said, exasperated: any more nagging, and he was going to be late. When he’d thought to himself that he’d picked up a wife, he hadn’t really expected this part of it; if anything, he assumed he’d be the one doing the nagging. “You know perfectly well that he’s as dear to me as my nephews! I don’t know why you feel the need to even ask.”
“Your nephews have good self-control, a trait my Nie sect most definitively lacks,” Lao Nie said. “We’re all in agreement that it’s not yet time to challenge Hanhan. What if A-Jue forgets that and, I don’t know, punches him in the face?”
“He won’t,” Lan Qiren said. “He’s a good boy, your son; you’ve told him not to, so he won’t. Anyway, if it really comes to it, I won’t let him.”
Finally, Lao Nie let him leave, and Lan Qiren made his way to the Lotus Pier for the discussion conference. Nie Mingjue and his retinue had arrived shortly before he did, the circles under his eyes and the small signs of mourning he still wore making him look older than he ought to be; there was a scowl fixed on his face that did not disappear entirely even when he nodded to Lan Qiren, although it did soften a little.
Lan Qiren’s heart hurt for him. To manage an entire sect at fifteen – even with support, the pressures of it must be well-nigh unbearable, and it looked as though Nie Mingjue had started using his cultivation to get him through all the nights of missed sleep, as unwise as that approach was in the long term.
It was strange to go to the habitual meeting of the Great Sect leaders, the one they had with each other before they mixed with all the other sect leaders, and bow to Nie Mingjue as if to a peer, rather than to a junior.
Stranger still to see Wen Ruohan do the same, a mocking smile on his lips as he raised his head from the greeting.
“Sect Leader Nie,” he said, and there was almost some sense of satisfaction as he said the unfamiliar words – no one had had to use them when it was Lao Nie, of course. “I bid you welcome, as the newest member to the ranks of leadership among our Great Sects.”
Nie Mingjue did not respond with words the way he had when similar sentiments had been offered by others – no Please give me guidance here, though that was understandable given what the entire cultivation world knew he believed about Wen Ruohan – and contented himself by merely jerking his head again in a nod.
“Your father was a very involved member of our little group,” Wen Ruohan continued, and was he really going to offer Nie Mingjue his condolences for Lao Nie’s death? Propriety demanded he do so, but he’d never cared much for propriety, and given his actions it would be an offense to all sensibility. “One could hardly hope to match him in his passion and enthusiasm in all that he did. I look forward to seeing you...take his place.”
His eyes flickered over Nie Mingjue from head to toe, blatant in its unspoken unspeakable implication, even as Nie Mingjue’s eyes went round with disbelief.
A moment later, it ended up being Lan Qiren’s fist that found its way to Wen Ruohan’s face.
Luckily, Wen Ruohan found it funny - laughing at how he’d managed to break Lan sect discipline, rather than taking offense - and no war was started.
Whether that would last once Lan Qiren reported the substance of the conversation back to Lao Nie, however...
-
“You know,” Lan Qiren said, staring at the ceiling and wishing it would come down on top of him. “It’s very nice that you’re all such good friends.”
His nephews both bobbed their heads in a polite nod.
“I’m sure Mingjue and Huaisang greatly appreciate it.”
Another nod.
“However, they are now sect leader and sect heir, and we must treat them with the dignity that those positions require.”
A third nod. He was starting to wonder if they’d been replaced by dolls with loose necks.
“This is why they were assigned their very own rooms in our guest quarters, rather than spending their nights in yours.”
“Nie Huaisang will be lonely if he sleeps by himself,” Lan Wangji said, stubborn as ever. “My room is better.”
“Wangji. Yesterday, you chased Huaisang up two separate hills with your sword, sat on him, made him cry, and then wouldn’t let him up until he admitted you were superior in every respect.”
Lan Wangji smiled briefly, a rare and beautiful sight that warmed the heart. “Mm. Deserved it.”
Lan Qiren flailed a little. “Wangji, do you even like him?”
“No.”
“Then why do you care where he sleeps?”
“If he sleeps badly, he will do even worse than he already does,” Lan Wangji said. “Someone might make fun of him.”
“…and what happens then?”
“Bite.”
“Wangji! We’ve discussed this, no biting people. Not even if they’re making fun of your friend!”
Lan Wangji nodded in a way that suggested he was only being agreeable so that Lan Qiren stopped insisting on silly things like Nie Huaisang getting his own bedroom instead of sleeping on the spare bed in Lan Wangji’s and not actually agreeing in the slightest.
They were still working on the biting thing.
Giving up, Lan Qiren turned his gaze to his older nephew.
Lan Xichen squirmed. “…sometimes I go to stay in his rooms instead?”
“You’re not even planning on coming up with an excuse?”
“Lying is forbidden, uncle.”
Lan Qiren pinched the bridge of his nose.
-
“For this sort of thing, you go to your eldest uncle,” Lan Qiren said flatly, and after a moment of contemplation, Lan Wangji conceded that he had a point.
After all, Lao Nie had been married several times, presumably intentionally, whereas Lan Qiren had ended up with a wife through circumstance and luck.
Lao Nie was a very good wife, though, even if for some reason Lan Wangji was required to refer to him as eldest uncle rather than calling him aunt – though that was mostly his uncle’s preference. Lao Nie thought being called auntie was hilarious.
In retrospect, though, Lao Nie’s tendency to think things were hilarious was a lot less endearing when it was aimed at him.
“Just tell him you like him,” Lao Nie suggested, as if that wasn’t the most ridiculous Nie sect style advice possible. “Tell him you want to spend more time with him.”
Lan Wangji shook his head firmly.
“How is this Wei Wuxian supposed to figure it out, then?”
He wouldn’t. Obviously. The question was how to get rid of the feelings, not how to actually let Wei Wuxian know that they existed.
“I don’t know, I find sex works really well to deal with repressed emotions associated with pining.”
Lan Wangji wanted to die.
Or possibly find and bully Nie Huaisang the way he used to when he was a kid. Not that he would, of course, he was above that, and also Nie Huaisang was really good at getting revenge and he couldn’t risk that happening where Wei Wuxian might see.
“Sex is not a valid solution in all cases,” Lan Wangji’s uncle interjected.
“Ah, Qiren, Qiren. Are you still holding Hanhan against me?”
“Yes, I am. He tried to kill you.”
“So?” Lao Nie shrugged. “That describes basically everyone I ever slept with.”
“Have you ever considered that that may be part of your problem?”
“Don’t act like I’m the only one! Look at Wangji here; the first thing he noticed about this Wei Wuxian character was his excellent fighting skills – a moonlight duel on the rooftops, how romantic –”
“You don’t know what romance is –”
Lan Wangji was just going to go back to his unrequited pining.
It couldn’t be worse than having to listen to this argument again.
-
Lan Wangji was fighting frantically, but he already knew his sword would not be sufficient.
They were going to burn the library.
All those precious books..!
His uncle had already sent Lan Xichen away with the most important ones, but Lan Wangji didn’t want to lose any of them. These books had been his friends growing up, the source of his strength and the consolation in his loneliness – their pages bore silent witness to his childish tears, the imprints of his dirty fingerprints, the good times and the bad. There were books he had thumbed through a thousand times until he knew them down to the last idiosyncratic quiver in their calligraphy and books he had not yet acquainted himself with, had only seen on the shelves and thought one day. To lose them now, old friend and future friend alike, would be to break his heart.
There was a sound behind him and he spun, already tired, exhausted, and it was Wen Xu behind him, the leader of the invading Wen sect cultivators himself. He was smiling so cruelly, holding a fire talisman aloft like a flare, knowing that Lan Wangji wouldn’t make it in time to stop him –
A hand wrapped itself around Wen Xu’s wrist from behind, freezing the motion.
Freezing not just him, but all the Wen cultivators around him, each one of their faces twisting in horror as they realized that a cultivator dressed in astere mourning white that might be mistaken for the colors of the Lan sect had managed to get through their forces to stand at their master’s side, even if his hands were empty of any weapon.
Their horror quickly turned to agony, and then nothing at all, as the reconstituted Jiwei flew through the air, battering through their swords with overwhelming force and piercing their bodies, as vicious and free as if she were alive – there was nothing that quite compared to the Nie sect’s fierce sabers when unleashed at the beck and call of their masters, a weapon against which regular spiritual weapons had difficulty holding up.
With their bodies fell their fire talismans, their flares, and suddenly Lan Wangji felt hope thudding in his chest: one man could not change the tide of war, but he could change the course of a single battle, especially if he could convince Wen Xu to order a retreat.
If Wen Xu ordered a retreat now –
The library would survive.
“Tell Hanhan that Lao Nie said ‘hello’,” Lao Nie said in Wen Xu’s ear – his face was as pale as a ghost in the fire and moonlight, his lips red as blood and his smile full of viciousness like a slash across his face –and with a single twist he snapped the bone of Wen Xu’s wrist.
-
“It really isn’t me!” Wei Wuxian protested. “For one thing, didn’t the sightings of old Sect Leader Nie start before I took up demonic cultivation?”
“I don’t think it was you that did it,” Nie Mingjue said, not for the first time. His eyes kept flickering around the room as if seeking help, and his expression, to those that did not know him well, was stormy; Wei Wuxian saw this and clearly panicked, continuing to try to explain.
To those that did know Nie Mingjue well, it was immediately obvious that he was trying very hard not to laugh.
Lan Xichen sympathized.
It wasn’t Wei Wuxian’s fault that it served their purposes for the moment to have it be thought that Lao Nie was a spectre arisen from his grave in search of personal vengeance on Wen Ruohan – it was certainly causing Wen Ruohan no end of agony, judging by the way his strategy got a lot less rational and a lot more frenzied whenever Lao Nie put in an appearance – and if he was even slightly more discreet a personality, they would have simply brought him in on the secret already.
They were planning to – Lan Wangji had insisted, looking pained on his secret beloved’s behalf (secret in the sense that Wei Wuxian didn’t know about it, not secret in the sense that everyone else in their small family knew about it) – but they hadn’t had a chance. Lao Nie had insisted on being there to make things clear, since apparently he’d accidentally-on-purpose bumped into Wei Wuxian a few times in the Cloud Recesses while masquerading as a Lan sect elder so that he could evaluate his nephew-by-proxy’s crush, and he hadn’t yet arrived.
Which led to the current situation of Wei Wuxian being earnest and Nie Mingjue attempting to send mental smoke signals to Nie Huaisang in an effort to have the latter rescue him.
To no one’s surprise, Nie Huaisang was being no help at all.
In fact, his occasional well-timed sobs of “Wei-xiong! I thought we were friends! My father’s corpse! How could you?!” were in fact making things notably worse.
“I didn’t! I really didn’t!” Wei Wuxian yowled.
Lan Xichen was not going to laugh.
He wasn’t.
-
“And who’s to say the Yiling Patriarch won’t try to take charge of the Nie sect, too..?”
“Well, for one thing, I’m actually alive,” Lao Nie said loudly, and Lan Xichen flinched at first before relaxing. He’d forgotten, somehow, that Lao Nie had been the most shameless member of the last generation; it was no surprise that he, who could be as blunt as his son when he wanted to be, would address the whispered rumors drifting around them directly and without pretense. “Wei Wuxian may be a demonic cultivator who created a conscious fierce corpse, but no one has yet suggested with any plausibility that his abilities extend to living people who were just in hiding – which is a good thing, given how many people here would fall into that categorization.”
There was an awkward silence.
Sect Leader Jin coughed. “No one is suggesting that you’re Wei Wuxian’s puppet, Lao Nie,” he said, even though someone had very clearly been suggesting exactly that and if anyone believed that they had done so within Sect Leader Jin’s home without his knowledge then Lan Xichen was worried about what else they’d be willing to believe. “We’re merely expressing concern regarding his increasingly reckless actions – and on behalf of the Wen sect, no less! Especially with him having custody of such a powerful tool as the Tiger Seal, it is a little suspicious…”
“Wait, are you suggesting that you think Wei Wuxian has been possessed?” Lao Nie said. “By Hanhan? That’s ridiculous; they’re nothing alike. Wei Wuxian attended the hunt at Phoenix Mountain and didn’t hit on me once, there’s no way Hanhan is possessing him.”
Sect Leader Jin’s eye twitched.
Lan Xichen did not smile, but it was a challenge. Truly there was no one quite like Lao Nie when he was in full swing.
“Still, if people are having that sort of nonsense float around, I think it makes perfect sense for me to go check up on him to see how he’s doing,” Lao Nie continued. “I’m a respected member of the previous generation, and no one knows Hanhan better than me. Better still, I’ll take Qiren with me; we’ll make a holiday of it – it’s the least we deserve, really, now that we’re both retired sect leaders.”
“I suppose it would be more appropriate to send someone removed from active politics,” Lan Qiren said, voice a little toneless and neutral as always. “That would allow us to avoid any unfortunate implications that other sects were seeking to utilize the bad reputation of demonic cultivation to extract the Tiger Seal for their own purposes.”
Lan Xichen’s uncle was a renowned teacher, but equally well known for his inability to read the subtle nuances in social situations – no one else could have gotten away with just saying that when everyone was painfully aware that it was the subtext of Sect Leader Jin’s actions.
Though, actually, it was possible his uncle just hadn’t realized it was, in fact, meant to be subtext.
“I think that makes perfect sense,” Lan Xichen interjected before Sect Leader Jin – or Jin Guangyao, for that matter – could say anything. His sworn brother had never entirely forgiven Lao Nie for showing up at the last possible moment to murder Wen Ruohan personally before he could claim his head himself, even though the fame he had won for being their spy had still been sufficient to get him a spot in the Jin family, and as a result he was inclined to use his clever tongue to oppose Lao Nie just because he could. “Sect Leader Jiang, Wei Wuxian is a member of your sect, and therefore you have primary charge of him. Would you be willing to take Lao Nie and my uncle with you when you go to see him to act as impartial judges?”
“But I don’t want to be a third wheel on their old people sex honeymoon!” Jiang Cheng blurted out.
There was another moment of silence, and then Lao Nie burst out in howling laughter.
Nie Mingjue followed suit only an instant behind him, and of course once Nie Mingjue was laughing then there was no hope for Lan Xichen; he’d never been able to resist Nie Mingjue’s laughter, so rare after he’d become sect leader. Within moments, the tense atmosphere Sect Leader Jin had so carefully cultivated had been utterly shattered and the entire room was sobbing with hilarity, excluding only Lan Qiren who was scowling at all of them and Lan Wangji whose laughter was entirely in the way his eyes were crinkled in the corners.
“Sect Leader Jiang,” Lan Qiren said icily as his former student cowered in front of him. “I will have you know that Lao Nie and I are not in a sexual relationship –”  
“Wait, you’re not?” Sect Leader Jin blurted out, clearly despite himself, and that just set the whole room off again.
-
“Welcome to the Unclean Realm,” Lao Nie said.
“Since when do former sect leaders act to greet people at the door?” Wei Wuxian said, grinning at him: they had gotten on splendidly ever since the whole ‘did I resurrect you from the dead by accident’ question had resolved, and Lao Nie helping him out of the tough spot with the Wen sect by arranging his marriage to Lan Wangji had sealed his approval of him forever.
That was why he was arriving with the Lan sect delegation, after all, although Jiang Cheng had kicked his heels around at the entrance in order to ambush him – he wanted to ask some questions about Jiang Yanli’s upcoming wedding plans – and of course the Jin sect had gotten suspicious that they were up to something and waited as well so they were now coming in as one big group.
At least it gave Lan Xichen some time to chat with Jin Guangyao, who seemed much happier to be spending time away from the rest of his family; based on what he’d overheard of their conversation, they were scheming to get Nie Mingjue to relax a bit more and let his father temporarily take up sect leader duties again now that he and Lan Qiren were spending half the year at the Unclean Realm.  
“I’m on punishment duty,” Lao Nie said, looking delighted by it.
Which, hey, seemed weird, but based on everything Lan Wangji had told him about the former sect leader Nie (and his own mysterious ‘eldest uncle’, as he’d been known while he was at the Lan sect) and his former exploits, it seemed very in character for the man. And, well, Wei Wuxian wasn’t really in any position to throw stones…
“Eldest Uncle,” Lan Xichen said, looking over. “Did you do something to irritate Uncle again?”
“I didn’t! It was something different, actually, which I’m not at liberty to disclose to you.”
Oh, now Wei Wuxian was curious, and so was everyone else – Jiang Cheng sent him a ‘you don’t have shame, why don’t you ask’ sort of look at once – and since he did not, in fact, have shame, he asked, “Are you sure? What could it possibly be that you did?”
“Oh, Xiao Nie knows what he did,” an old woman in Nie sect colors said as she passed by. “And he’s going to stand there until he admits that he was wrong.”
“I’ll be here until I collapse,” Lao Nie explained proudly, but by that point everyone had stopped caring about whatever new thing he’d done in light of the newest twist.
“Did she just call you Xiao Nie?” Jiang Cheng said, sounding betrayed.
“…yes? She’s my great-grandaunt, she can call me anything she likes?”
“It’s just wrong,” Wei Wuxian agreed. “Isn’t it just wrong?”
“It is a bit wrong,” Jin Zixuan said, looking perturbed.
“Very wrong, even,” Lan Xichen said. “I didn’t know anyone did that.”
“No one does,” Lao Nie said. “Now stop gossiping and go inside already!”
“They say married couples start to act like each other,” Wei Wuxian said to Lan Wangji, who looked amused. “There really seems to be some truth to it – do you think he’ll start reciting Lan sect rules next? Ooh, or musical cultivation?”
Finding out that Lan Qiren was apparently the musical cultivation equivalent of a mad scientist in his spare time had been the happiest moment in Wei Wuxian’s life.
“Just wait until you see what Uncle is like when he’s drunk,” Lan Wangji said, and stop. What?
That was a thing?
Wei Wuxian had to make that happen right away.
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stitchy-face · 2 years
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hello!! found your blog recently and love hearing about people's worldbuilding! Would like to know more about the Weyr! (p.s. your art is gorgeous)
Hello!! Omg thank you so much, I would love to share more about them!! Thanks for asking 🥰 
Since I foresee this getting lengthy, information is under the cut!
It can be hard to figure out where to start with them being a broad subject, so I'll try and gloss over the simple things first! It also is to be noted that Weyr can shapeshift into human form! Most of my drawings however are them in shifted form. 
First of all there are three different subspecies of Weyr, they fall into these three subspecies as follows! I'll mostly cover the,, boring biology stuff before I get into fun things :' D
- Lykof which are (as we know) any species that fall under the subspecies of Canis Lupus with some general and weird exceptions. Since biology is as complicated as it is I typically just say- if it is categorized as a wolf any Lykof can have that visual trait. This is mostly speaking about character creation though- the most common families I've built out so far are Eurasian wolves or Tundra wolves!
- Canys are visually characterized by their smaller stature than true Lykof, and appear as almost anything being Canis Lupus Familiaris. Again it's hard to have hard rules about this, so I typically say they look more like any old-world version dog breeds (think before pugs became so Brachycephalic, or when German Shepherds were bred to have such a dramatic slope in their back).
- Sphyck, the most visually unique of the three subspecies, are pretty much anything in the Canidae family that does not include the first two categories. This also has a little asterisks to its rule, and I've expanded it to include Hyaenidae, Vulpes, and even the lone Chrysocyon, Maned Wolf! Again the things are really muddied- there can be overlap, and these rules are loose.
Below is a little write up I've made in the past including infographics!
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Rivaling the Saecair in their unique family trees the name Weyr is a blanket name for the three subspecies- the Lykof, Sphyck, and Canys. The Weyr originated mainly in Talis, though in early years made their way to Desilan and then south into Haedera after getting pushback from the Vampyre.
The Weyr, surprisingly, are as strong farmers as they are hunters. While excellent butchers Weyr mostly keep livestock for eggs, wool, milk, or labor and prefer hunting to just butchering. If an animal must be butchered it is done with great thought and respect as Weyr believe they are blessed with intelligence while other beasts obviously are not- but they do not think less of them and are very caring of livestock as a result.
All Weyr are capable of walking upright, or running on all fours. Sphyk are capable of upright walking though it is difficult, and they may not do it for long. They do make up for this by being the fastest runners of all Weyr- as though Lykof are tallest it does not make them faster than the small compact bodies of the Sphyck.
Weyr are known for their soft garments and wools, not only that but they are extremely social and are very open to trade amongst other species.
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Though with the basics of how they work sort of laid out, I’ll sprinkle in some other fun info I’ve got about them! Here’s a short bullet point with some brief facts and tidbits about them (which I’d seriously be happy to expand on more, if you’d want!) 
Weyr folklore + deity is notably much more grim than any other species of Calibreon- this is typically due to generational trauma spanning from The Moth Plague to the end of the plague, leading into Vargavinter (wolf’s winter). The Weyr actually call this event something entirely different than the rest of southern Talis- one name is The Starving Years (but admittedly, I just haven’t found a name I like the most yet to use so it’s nebulous for now.) Their deity consist of ones that tend to stand as lessons to be taught- often cruel ones, but it’s the stories that are passed around most. There’s many I have not developed yet but notable ones are:
Aine - The deity of wildfire, motherhood, and cycles 
Arnica - The deity of shifting, recklessness, and temptation.
Ghasht - The deity of the fair hunt, death, and guidance
Svek - The deity of the moon, and wild parties
Vanupe - The deity of trickery, cleverness, and puzzles (notably: a Sphyck)
Fainlioc - A regional deity specific to Desilan, technically more folklore than he is a deity. He’s a bit hard one to explain because his real name is Adrastos and he’s a character of mine with a lot more complications that’s not easy to explain here (and off topic). Lastly there is Jagshaw but he is by no means celebrated as a deity- being an entity of filth, rot, and many hands and eyes. 
As far as non-deity things goes I did a write-up in the past about Weyr youth and what they wear when herding sheep. Also being as light in color as the sheep sometimes, they’ll wear bright clothes so their parents can spot them (and the herd) against the snow. Here’s an old and cute picture I made of that!
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This got.... unexpectedly long and there’s lots more I could write about but I’ll cut it here for now! I do have other information dispersed about my tag that discusses my headworld at large- Calibreon. 
I do also have a Patreon where I post a bunch of world building information- some of which may now be outdated- but that’s the territory of world building I suppose! I have a bunch of other things there but if it’s of any interest there’s some other Weyr stuff there too (but I do earnestly try and share that info publicly too!) 
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I really wanna talk about homestuck in relation to this post but like, idk if I wanna add to it because it might be a total derailment of the topic but homestuck is such a weird apocalypse narrative.
like... the way it handles it is so odd because earth itself is not very well characterized before the characters leave it. the characters themselves are massively well characterized, and that takes up the bulk of the narrative, but like... we never even hear them talk about school? or much of anything more than their shared interests and what's immediately happening to them. and in a way, that is kind of authentic. because when kids get together to hang out, the last thing they ever wanna talk about is dry, boring stuff about their mundane lives. they'll mostly just yell memes at each other, talk about anime, play video games... it's possible to simultaneously know nothing about your friends, but feel closer to them than ever, because you're mostly around for the parts of their life that they want to experience when they're having the most fun. you see them as they are when they have the most agency to choose that. and that might be totally divorced from the reality of how their day-to-day life unfolds.
in this way, homestuck presents these characters as people who have shed that mundane portion of their lives. they are now left with only the part that they typically share with their friends. and in reality, if a SBURB type apocalypse were to literally happen to you, it'd be traumatic as hell. but this is the place where homestuck chooses to ask you to suspend your disbelief. let's just believe that John didn't have any other friends or family to think about when the world ended. let's pretend they left zero people of any interest whatsoever behind. all they are shaking off is the society that they were obligated to participate in so mundanely. they no longer have to make any compromises with anyone... they get to fully center themselves.
okay, so that's obviously not entirely true... playing SBURB is a cooperative experience, and being friends with someone doesn't always mean that your relationship is easy. but homestuck allows the narrative to become self centered. it's about one individual and the tiny sphere of influence they have, among solely the people they've developed meaningful bonds with. it allows them to become a case study.
so when the world ends, the world is not necessarily what matters. what matters is the identities of a few specific individuals who we spend a lot of time cultivating our own connections with as a reader.
and that all becomes incredibly interesting when you consider classes and aspects.
basically, in terms of the post linked above, classes and aspects are the harry potter houses, the factions, the "what bender are you" or MBTI type... they're not the only way you could categorize the characters, but they're the most universally applicable to all of the characters that are important in the narrative. and what's interesting is just like... what classes are for, and how complicated it actually is to know what aspects are, or what they mean.
starting with classes, these are basically a series of archetypes that are specialized so that everyone has a role to play that makes them uniquely valuable to a collective. if we're considering this in terms of DnD, you can think of what classes might make for a balanced party, and how having a balanced party makes it satisfying to play the game. no one player could handle everything on their own, and at the same time, everyone feels needed. nobody is useless.
this already seems fundamentally different from some of the means of categorization that I listed above. a lot of these systems are meant to divvy up the characters into societally recognized in-groups and out-groups... people who can be identified as allies or enemies. even if the groups are ascribed certain archetypal skills, the goal is rarely so explicitly for the archetypes to work together, or cover each other's weaknesses. Avatar is probably what comes the closest to this idea, with its underlying endeavor to find harmony between the elements, but homestuck uses classes both as a way to communicate unique specialization, and as a way to unify the characters by their need for support.
and that's a little weird isn't it? these characters just shed all of their obligations to a broader society, and we're taking that as a freeing event... right? but there is a difference between society and community, and while homestuck might use the destruction of society as a catalyst for adventure, it uses the formation of community as the driving force behind the story's progression. the characters are all motivated to work together and help each other... and that doesn't always mean that it works. even within a community, one person's drive to center themselves and their own personal growth can trample others who were trying to do the same thing. perhaps not everyone in the community consents to being cooperative. perhaps the difference in archetype could drive someone to become competitive instead. and these are all value-neutral observations... no archetype is specifically acknowledged as being evil, even when they have friction with one another.
basically... this is character writing. and I find it funny that these broad categories that kids like to identify themselves with are seen as ways of flattening characterization into broad strokes like "the brave one" or "the sneaky one" or what have you, because in the case of classes, the characterization becomes deeper. and I think that's because the categories are used well... the characters all have specific relationships with the stereotypes they're ascribed by others, and the archetypes they're told they must fulfill. the classes don't define them, but they do give them something to contend with. can they fulfill their role? can they live up to their purpose? is there a place in the story for someone with an archetype like theirs? do they want to be this?
aspects get even trickier, and for this I might just link to a video I really love that covers a lot of the thoughts I've been having. it's kind of front loaded with a lot of technical talk about computer science and philosophy, and tbh I love that homestuck does actually link up those concepts with so much of it's presentation, but the main bit that intrigues me is the way the video talks about aspects as irreducible components of thought. like the periodic table of elements, but for ideas.
this drastically elevates the importance of each character's assigned category, and makes it function so much better as a tool for characterization. because, like, the aspects are actually really abstract. when someone says their aspect is "wind" or "light" you could take that 100% literally if you wanted to... but by the time you've read enough of homestuck to connect those to John and Rose, you probably understand that it's not that simple. and other concepts, such as astrology, have taught you that this is the sort of system that you're supposed to interpret, right? what is a capricorn if not a loose collection of traits that give you a certain vibe? that's what we're working with when it comes to aspects. otherwise, how would you know what void, or doom, or mind are? tbh it's actually pretty genius that astrology was worked into the comic as an aesthetic element, just so we'd all be mentally primed to do this kind of categorical interpretation... hell, even the actual signs themselves constitute a framework with which you could analyze the characters, like, how does Nepeta display typical leo traits, or how is Vriska a stereotypical scorpio... it all still works, even as you understand that each individual is more complex than the traits which support that interpretation.
in this way, the aspects are never really explained exhaustively verbatim, and are almost solely defined by the traits you've observed from individual characters, who act as representatives for what these categories actually are. or at least how they function in this instance, which is what's relevant. it's not just superpowers, and it's not just archetypes... it's both at the same time, and you come at them from a character-first perspective when you're trying to figure out what they mean. the characters inform your knowledge of the categories, and the categories act as a framework for analyzing the characters. and I love how homestuck tricks you into assuming that it has a lot of little rigid categories for the characters to slot into, and how quickly it becomes apparent that everything is way more abstract than it first appears. and yet, it all still means something. and it's really interesting to, say, compare two different time players to try to piece together what is typical for that archetype, while also accounting for their class, and trying to understand how that changes the roles they play and the ways they behave. and then you have the trolls' caste system on top of that, and the astrology angle I mentioned earlier, and there are honestly so many overlapping ways to think about it all, and I think that's the point.
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circlique · 3 years
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How do you make a good OC hetalia nations?
1. Research Seems cliche, but a hetalia OC without research is just...an OC. You’re trying to represent a whole country with a person, so designing a character and then picking a country for them to represent is...not it. You need to actually look into the country’s history and understand how it got to where it is today, what factors influenced its history and current society. Understand why it gets along with some countries and doesn’t with others. And yet this can’t be the only thing you research. I think researching the history and relations is a good baseline but that ultimately does not result in a good character on its own. You need to also research what the people there look like, what people there tend to wear, any common stereotypes (positive or neutral, not negative/racist ones please), cultural norms, etc. I’ve seen plenty of profiles that had obviously had a lot of research put into them, but they read like a wikipedia article for the country. The character themselves just seemed bland, because the creator spent a lot of time on the history, relations, and facts, but not a lot on actually developing their character.
2. A Personality
So that’s really where the other stuff comes in. What are people there generally like? What cultural norms drive morality and society there? It is like Japan where there’s a heavy emphasis on honor, politeness, and working as a group? Is it like America where individuality, strength, and hard work are highly valued? Those are the kind of stereotypes playing into the personalities of Hetalia characters, and those should kind of be the baseline when figuring out what kind of person your OC should be.
And then--just make the character interesting. Stereotypes shouldn’t be the only thing making up their personality. All the Hetalia characters have their little quirks that make them unique, like Prussia keeping a diary or Canada being a fan of Naruto. Don’t be afraid to give them interests beyond stereotypical things people from their country would do. Don’t be afraid to give them relatable, human trait that make them unique and stand out as an individual. Look at their history and think what things might have left an impact on them, for better or worse. Incorporate that into their character!
That’s why the OCs that read like a wikipedia article are boring. You’re telling me what the country is like, not what the character is like. Your character should believably be able to represent someone from that country, but I should also be able to believe that they are an actual person! They should grow and develop and learn from their mistakes, have heartbreaks, have joys and things that are important to them, just like anyone else.
3. Design
I already talked a little bit about researching what people from the country look like and dress like. Even if your character is their own individual, they should still look like someone I would reasonably expect to find in the country. If there are cultural hairstyles that are common, consider giving one to your OC. If people in the country tend to dress modestly, perhaps the OC dresses in the same manner. Race and ethnicity can get complicated and there really is no one-size-fits-all method to determining what ethnic groups your character should represent or what features they should have, but I would highly recommend against making your OC half-(insert colonizer here) for “historical reasons.” (I am mostly talking about things like making Laos half French btw). I really have never seen that sort of thing done well. If anything it tends to make the focus the colonizer’s influence rather than the influence of the culture that existed before the colonizer’s arrival. Don’t fall into the trap, unless there is a very, very good reason, like total death of the civilization that came before and replacement by the colonizers/immigrants, or the intent of the OC to represent colonial populations ONLY (like intending America as “new world” settlers, and personifying Indigenous Nations as separate characters completely).
Another thing about physical design is to try and make it interesting. Traditional costumes and unique uniforms are always good. Plain colored shirts and flag design hoodies are...plain, predictable, boring. Look up some fashion from that country! Dress them as something someone from their country might be interested in! (Australia wearing khakis like Steve Irwin, or America wearing a bomber jacket because the image of a Top Gun pilot in a jacket and aviator glasses is just...very very American) But, also try and keep it realistic and don’t go overboard trying to make your character unique or representing too many things at once. Slapping 3 different curls on them and giving them heterochromia is overdoing it.
4. Relations
You should get a basic idea of how the country gets along with others by researching its history. Common allies are most likely friends, common enemies, at least a rivalry or possibly some disdain between the two (if not outright hatred).
One thing I want to emphasize is to let the OC be their own person though! Don’t define them by their relation to someone else. Isn’t it annoying when someone greets you with “oh, you’re ____’s kid!” instead of your name? I feel the same way when I see an OC described as ____’s child/sibling. Especially if there are plenty of history and culture and things that make that country unique, but the creator has chosen to focus on that time the country was colonized, or part of a union. That’s not to say your OC can’t be related to a canon character, but don’t force it just so you can have a certain family dynamic. Sometimes countries that are close are just friends or neighbors, not family. Let the country be their own character rather than make them an extension or an accessory to another!
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This is getting long, but I think those are things people should consider when making a Hetalia OC. Long story short, the character should be someone I would expect to find in that country, but who is also their own individual who I could really see existing!
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lucent-knight · 3 years
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Ok, so this is my post on hogwart house stereotypes. Now let me make this clear that I am a Slytherin and I have seen the change in the fandom regarding my house but there are still some people who don’t get that. Not only that but other houses also get hate in their own ways so I would like to address that issue.
The first thing is that the author of the books a lot of us love and consider our safe place has already caused a lot of trouble and I don’t want you interacting with my content if you support JKR. The fandom should be a safe place for people not a place where they get more negativity and hate.
First and foremost I want to talk about my own house Slytherin:
Being a Slytherin doesn’t mean someone is evil or is a horrible person, it means that they are resourceful, ambitious, cunning and the type of people who calculate their moves and try to be a few steps ahead.
Slytherins were portrayed as the evil house in the books and movies but we have a lot of people such as andromeda black who left her family for love and a happy life, Regulus black who at the age of 18 figured out the horcruxes and destroyed one of them, we have slughorn who was a loving teacher and made the slug club and invited promising students in it regardless of their house and so many more other wizards and witches we never came to know about.
Our house is not defined by people like Voldemort who tried to push blood purists, Severus Snape who bullied children and discriminated between his students, and all the other horrible death eaters.
Also Slytherins are ambitious and that is a trait that can go in a really good or a really bad way.
Please for merlins sake don’t say things like “you are too nice to be a Slytherin”, “why are you so happy to be in Slytherin” , “Slytherin is the worst house” and don’t assume that someone is not nice just because they are in Slytherin.
We also love our house and are proud of it.
Just like that Gryffindors are also facing unnecessary hate just because they are hyped in the books and it is not their fault that the main character is in Gryffindor.
Being a Gryffindor does not mean that someone is unnecessarily rude and loud.
It does not mean that they are vain idiots who jump in any stupid thing just because they are the brave sort.
I know Gryffindors who are loud and cheerful, who jump in situations because they have a hero complex and that is something that goes against my previous statement but they are not rude or stupid because of that, it is a part of their personality.
Please don’t tell a Gryffindor that they are overhyped, that they are not really a Gryffindor and are lying to be considered cool, that they are stupid and idiotic just because they are a Gryffindor.
The Ravenclaw house are overlooked a lot and are misunderstood as hell and if some of my observations are wrong please do tell me I don’t have a lot of ravenclaw friends and neither am I a ravenclaw but my observations are that,
Being a ravenclaw does not mean that someone is a nerd or is the annoying fact correcting person.
It does not mean that they are the uncool people who would sit in a corner and just go on and on about the homework or schoolwork.
Being a ravenclaw means that you have a in-depth passion for learning new things and being a creative person who would try and find a solution for a problem.
The funny thing is that the ravenclaws I know are the people who would forget about their school work but would sit and research about their favourite topics for 4 to 5 hours straight because they want to know more about it.
We have amazing ravenclaws like Luna who does not care about what others think of her and lived in a unique way, Cho who was an amazing quiddich player and stood by her friend when no one did, Padma Patil who loved her sister even though she was in a different house and was a creative person and so many more people we don’t know much about.
Please don’t tell a ravenclaw that they are nerds who don’t matter, that they are the stereotypical studious kids, that they are the boring house.
The worst type of hate is given to the absolutely lovely Hufflepuffs and I am willing to finish you off for that,
Hufflepuff is not the house where all the unnecessary kids go, it is the house where the loyal and kind at heart people go.
Actually Helga hufflepuff said that she would take the people who don’t fit other house traits and honestly that is what makes them much more stronger than others because just imagine the level of diversity in that house.
They are not the all the stereotypical soft, fluffy people. I know a lot of hufflepuffs who look intimidating but are absolutely lovely people.
We have a lot of amazing people like Cedric diggory who gave up his life and told Harry to run when he could have avoided the situation, Nyphadora tonks who was an absolute punk rock icon, who could have used her abilities too be the most physically attractive person but choose to make people laugh by changing her appearance and fought until the end to bring a change and we have so many more amazing people in that house.
Please don’t tell hufflepuffs that they are the weak house, that they are unnecessary, that they don’t fit in if they are not too flowery and that they are unable to defend themselves.
At the end of it all I want to remind you that we are all a part of the fandom and the houses don’t divide us but only teach us how to be loyal to a certain group and tell us about our strong traits. Don’t stereotype people and spread negativity based on a small thing like houses. Try and make the fandom a positive space for the love and just spread love.
If you have your personal views on this post then do share it because I mostly have strong opinions on Slytherin and the other houses are mostly based on my conversations with the few friends I have from those houses.
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