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#but I also mentioned
tiny-cloud-of-flowers · 8 months
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You brighten my day so easily, you must be the Sun! ^^ (dragonsmooch)
(source: this post (I think?))
;w; that's so kind of you to say, dragon, thank you so much!!!
I will admit that I'm not sure whether I'm more like the sun or the moon. I think I would default to the moon, since it tends to come across as more calm/serious/darkness-associated, but I also know that I've described my selfship with Aqua as "moon in the day x sun in the night" in the past (with Aqua being the former and my self-insert Aria as the latter). But, to be like the sun because I brighten your day easily is a very kind compliment that I will hold close and remember for a while, because it really means a lot to me. Especially coming from someone I would also describe as a sun for the same reason!! I always enjoy seeing you around, friend.
Thank you so much once again for this!! I hope that you are doing well!!
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void-kissed · 1 year
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oh i LOVED reading about how alectra would fit into the genshin plotline... if she were an NPC id be visiting her during every major plot beat to see what shes up to. she sounds like a very fun easter egg, kinda like those fatui guys who hang out near the mondstadt city waypoint
aaah thank you so much!!!! yeah I got way too attached to the concept of her foreshadowing stuff going wrong, ‘cause like - the first time you see her is during Ending Note, and you can only see her right at the start of that specific quest; she’s waiting outside the cathedral, looking up at the Barbatos statue, and she won’t give any dialogue when spoken to by the Traveller (or, if she did, it’d be something short, like.. “Isn’t there somewhere else you’re supposed to be going at the moment?”). However, her being there means she’s then right there to be in the cutscene where Signora first appears and then gets Venti’s Gnosis, so if you noticed her waiting outside beforehand, that’d clue you into who she was without actually telling you much of anything about her. But she only appears in a very short interval, so she’d be easy to miss.
The next time she could be spotted would be during the part of the Liyue archon quests where you’re going around buying things with Tartaglia’s money, and the idea is that she’s sitting high up on the rooftops, so that if you wanted to go to try and talk to her it’d be a massive hassle (and she’s not very easy to spot). If you actually went out of your way to do it though, she’d maybe say something like.. “Ah, so you actually managed to make it up here? I must say, you’ve quite the keen eye to have sighted me. Even so.. you’re still setting the stage at the moment. So, please, carry on as you were. I wonder how ready you think you should be for the show.” This is foreshadowing the upcoming (though not as immediately upcoming) boss fight with Tartaglia himself - he’s her brother, or as close as she has to one anyway, so it’s no wonder she’s keeping an eye on what he’s up to.
I don’t quite know if there’s an opportunity for her to show up again in the game itself here, but one thing that I do know happens is that she has a bit of a confrontation with Tartaglia some time after the boss fight, because she didn’t realise he wasn’t in on the same things that she was regarding everyone’s plans. She then also runs into Zhongli again after the cutscene where he gives up his Gnosis to Signora, and she manages to get a lot of comfort - and a hug - that she needed from that interaction (since.. well, I associate Zhongli quite strongly with my grandad. for some reason. so I wanted to have him and Alectra (and Lamia because she visits Liyue with Yoimiya during Lantern Rite) be close, even if it makes little to no sense, because of that.)
When it then comes to Inazuma, Alectra has the first act of her story quest - “Luscinia Cineris Chapter - Act I: To Be Fooled By A Familiar Face” - slotted in to try and space out the pacing of that nation’s archon quests somewhat. Her story quest revolves around the Traveller being mistaken for Alectra by some guards, and subsequently having to clear their name by figuring out what was really going on (since all they saw was someone “fairly short, wielding a sword, with blonde hair” wearing either “dark clothes” if playing as Aether or “a sleeveless dress” if playing as Lumine). In the process they would probably find out more about Alectra by overhearing some Fatui working for her or something. The section of this quest where you get to play as Alectra comes right at the end, when everyone goes “okay so we’ve established it definitely wasn’t the Traveller who’s been causing the problem. But then.. who was it?” and then you switch to Alectra successfully breaking into some official building or other, taking care of all the guards there, and stealing some important documents. Something, something, be gay do crime? =P
..oh crumbs I’ve been writing for nearly an hour. Help. This was supposed to be a quick reply. I hope it was alright ;w;
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dendrochronologies · 3 months
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maya angelou saying the funniest thing anyone has ever said about editing, which i can never let myself forget EVER AGAIN [x]
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a-method-in-it · 25 days
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You know that Chris Fleming line that goes "Call yourself a community organizer even though you're not on speaking terms with your roommates"?
I honestly think every leftist who talks about the "revolution" like Christians talk about the rapture needs to spend a year trying to organize their workplace. Anyone who sincerely talks about building a movement so vast and all-encompassing that it overwhelms all existing power structures needs the dose of humility that comes with realizing they can't even build a movement to get people paid better at a badly run AMC Theaters where everyone already hates the manager.
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setaflow · 5 months
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Gay pride happens in June and gay wrath happens whenever hbomberguy drops a 3+ hour video essay about a specific topic
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inkskinned · 9 months
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you're in the habit of denying yourself things.
if someone asked you directly, you would say that you love a little treat. you like iced coffee and getting the cookie. you drink juice out of a fancy cup sometimes, and often do use your candles until they gutter out helplessly.
but you hesitate about buying the 20 dollar hand mixer because, like. you could just use your arms. you weren't raised rich. you don't get to just spend the 20 dollars (remember when that could cover lunch?), at least - you don't spend that without agonizing over it first, trying to figure out the cost-benefits like you are defending yourself in front of a jury. yes, this rice cooker could seriously help you. but you do know how to make stovetop rice and it really isn't that hard. how many pies or brownies would you actually make, in order to make that hand mixer worthwhile?
what's wild is that if the money was for a friend, it would already be spent. you'd fork over 40 without blinking an eye, just to make them happy. the difference is that it's for you, so you need to justify it.
and it sneaks in. you ration yourself without meaning to - you don't finish the pint of ice cream, even though you want to. the next time you go to the store, you say ah, i really shouldn't, and then you walk away. you save little bits of your precious things - just in case. sometimes you even go so far as putting that one thing in your shopping cart. and then just leaving it there, because maybe-one-day, but not right now, there's other stuff going on.
you do self-care, of course. but you don't do it more than like, 3 days in a row. after that it just feels a little bit over-the-edge. like. you can't live in decadence, the economy is so bad right now, kid.
so you don't buy the rice cooker. you can-and-will spend the time over the stove. you can withstand the little sorrows. denial and discipline are practically synonyms. and you're not spoiled.
it's just - it's not always a rice cooker. sometimes it is a person or a job or a hug. sometimes it is asking for help. sometimes it is the summer and your college degree. sometimes it is looking down at scabbed knees and feeling a strange kind of falling, like you can't even recognize the girl you used to be. sometimes it is your handprint looking unsteady.
sometimes it is tuesday, and you didn't get fired, and you want to celebrate. but what is it you like, even? you search around your little heart and come up empty. you're so used to denying that all your desires draw a blank.
oh fuck. see, this is the perfect opportunity. if you had a mixer, you'd make a cake.
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gojosbf · 5 months
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"Give me back my boyfriend"
"I don't know what you're talking about"
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gibbearish · 1 month
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kids who werent raised christian being like "lol baptising children is whack if they tried to do that to me i would start doing things to make it look like i was possessed" no you would not. you would bask in the pride and approval coming from the adults around you and you would quietly wait your turn because you were told from birth that sinning sends you to hell and baptism is The Promise that youre dedicating your life to jesus that youve had hyped up for years and watched other people be fawned over as they cry happy tears about it and you do NOT want to fuck up your One Big True Promise To Love Jesus Forever So You Don't Get Tortured For Eternity when you are literally 8 years old. im begging yall to remember its a thousand times easier to see the church's bullshit for what it is when you're not actively in the church. eight year old you is not thinking about trying to fight back against an oppressive religious group indoctrinating children because You Are The Children Being Indoctrinated. stop acting like you would've magically known better if it were you.
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stil-lindigo · 1 year
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the calamity.
a comic about being seen.
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creative notes:
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all my other comics
store
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fictionadventurer · 5 months
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Personally, it's always a bit wild to me to see commentators interact with the Hunger Games franchise as if Collins were writing science fiction stories instead of essays with faces. She's just not that interested in fleshing out side characters or digging into the details of the worldbuilding. These characters are concepts and symbols before they're people. There's an almost mathematical precision to who and what she explores and how deeply she does it. This is a step or two away from pure allegory. If she were writing a couple of centuries ago, she'd have named her characters things like Innocence and Anger and Watch-Carefully-Your-Soul-Lest-Ye-Be-Damned, but since she's writing for modern audiences, she has to settle for puns and allusions. If she has another essay to write, she'll assign some faces to it; she's not going to look into backstories or other eras just for the sake of storytelling, and it's not a failing as a writer that she doesn't.
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FNAF Vanny cooked too hard with M.X.E.S,,
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shadowtraveled · 1 month
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"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.
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but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)
mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…
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the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.
every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.
first, the snake part of the chimera appears to be modeled after some species of coral snake mimic
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which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.
which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.
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the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.
walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?
well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.
you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?
it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.
when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.
and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.
kui laid it out in three panels better than i could hope to.
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yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.
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no-sorry · 8 months
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"Astarion bad because he doesn't wanna help the tieflings / grove" imagine you've just escaped a crashing alien ship and the first level 1 adventurer you meet tells you "we gonna go save some people you don't know, 4 of us vs like 50 goblins, you in?" girl I would quit the party right there
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rusticfurnace · 1 month
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face studies with the vaqueros i did some time ago!🤠🤠
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...and some white guy ig.
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captainjonnitkessler · 4 months
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Do you guys notice how when Shawn Fain, president of the United Auto Workers union, started planning a general strike, he did it by a) targeting his messaging towards unions with the ability to safely and effectively strike in large numbers, b) laid out a clear, actionable plan for those unions to follow (setting contracts to all expire at the same time, since many unions cannot strike while under contract), c) is using union contracts to set clear, actionable demands that can be met in order to gauge success and provide an end goal, and d) started organizing FOUR YEARS before the proposed strike date to give people the chance to plan accordingly, because it takes a really freaking long time to get tens of millions of people organized?
You notice how he didn't do it by slapping a message on Twitter saying 'hey nobody go to work on Monday, that'll really show 'em'?
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nyerusnova · 7 months
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yeah... things are pretty yikes right now in the current batfam storyline,
but at least Tim is rocking those thigh-high boots and I just wanted to appreciate that for a sec
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