FUCK IT. PEARL
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♪ Feeling goooooooood in my skin ♪
Los Angeles, Night XV. (29.01)
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"I've grown these for you."
My first entry for the @rexobibingo - because what is a Gardener/Gardening about if not making leafy things grow out of love? (You can, of course, grow your leafy things out of spite too, I guess, that's always a very fair motivation if you ask me)
Keeping to good old habits from my previous bingo experience, please allow me to wholeheartedly and very passionately recommend @dharmaavocado's fic that has been on my mind throughout the whole time while I was working on this drawing We Who Love Our Hands in Dirt which was likely the first fic that has sold me on this ship, and Hanahaki as allergies will never stop being fascinating to me as a concept *w*
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tbh i think that even unwinnable fights should be winnable. some of the BEST fights i've ever run as a dm were ones i built kill the players (in a fun way. I had some cutscenes prepped so even the loss would be a different flavour of win)- but then they were clever bastards and managed to either win the fights or pull themselves out of trouble. I think it's perfectly fine to plan for a fight that players aren't supposed to win, but you need to let them. if they can't win, they can't lose, and the meaning of that encounter is diminished. do that too many times, and they stop trusting you to give them roleplay prompts and start expecting to sit there waiting while you drive the story for them.
but if they can win... if there is always the chance to win, no matter how impossible the odds, then they ALWAYS have hope. they always get invested. they feel the big emotions of success or the big emotions of failure, and you fucking Win as a dm/roleplay prompter/lead bastard.
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Imo Jason is “irredeemable” by default because I don’t see what he needs redemption from.
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Delusions (Patreon)
"Could I have your hand, sir?" Max didn't move, which Dexter was, sadly, getting used to.
"Sir?" Max jerked, then turned and stared at him, lost and blank. "Your hand, please."
Max's hand lifted shakily, and he laid it gently in Dexter's upturned palm. Dexter gave a quick and quiet "thank you," then turned it over in his own hand, observing him closely.
Too closely - his knuckles were rough and his fingernails were dull and cracked in places. His once-soft, not-a-day-in-his-life-subjected-to-hard-labour hands were now, already, toughened and split and scarred in places, especially the heel of his palm. He turned it over again, this time to stop looking so intensely. He had only wanted to give it a cursory glance to begin with.
"Do you know what I see, sir?" he asked as conversationally as he could manage, running his fingers along Max's abused flesh. He seemed to be at least half paying attention, his eye gazing down between them, and he'd occasionally twitch, encouragingly Dexter thought. He seemed to want to curl around him, then stopped and shook, his hand squeezing into a fist. Dexter coaxed him back out, encouraged him to hold himself lightly.
"What do you see?" He was almost startled by Max actually continuing their conversation, that happened so rarely now, shaking and quiet as it was. He took a deep breath, was he really going to do this?
"I see a hand, with five fingers." Max remained quiet, though his brow curled, and a guarded look came into his eye, though he still wasn't looking at Dexter. He felt a pang of guilt, but he had to try. "What do you see?"
Max's eye unfocused and began to water. He looked up, but not enough to reach Dexter's gaze in return, instead staring through his chest, and he felt just as hollow and empty as he must look to him.
"Do you take me for a fool, DAX?" Quiet and as close to angry as he'd heard since they'd been here.
No, not angry.
Betrayed.
He swallowed down the stinging lump at the back of his throat. He had to put on a brave face, had to keep his composure if he wanted Max to get better. That was the only thing he wanted, more than anything.
"Of course not, sir. Genuinely, what do you see?"
Max pulled his hand away and turned his body, his bandaged side facing Dexter. Shutting him out, pointedly. Dexter's empty hand curled into a fist, he was no better.
"Please, don't..." Max took a shallow, shuddering breath, and several beats before he spoke again, even quieter. "Don't ridicule me." Dexter could hear his breath catch, and he wanted nothing more than for this all to just stop.
"Sir, I didn't-"
"I've had enough of that." He shook his head stiffly, the action strange and wrong, like he had forgotten how. He stilled, his head turned even further away. "More than enough."
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Saw a Sansa fan say this about Arya when ranting about how unfair it is how everyone is treating Septa Mordane. "Ned gave her the impossible task of making a lady out of Arya, but he indulges his daughter when she rolls on mud or behaves in a socially unacceptable way. So Arya obviously doesn’t listen to Septa Mordane (or Catelyn, for that matter) when she tries to correct her behavior. Why would she? Septa Mordane’s power comes from Ned, and with his behavior he’s taking away her authority to establish rules and to enforce discipline". They just want to completely ignore the fact that Septa Mordane bullied Arya to the point of tears, attempting to embarrass her in front of Myrcella.
The "Septa Mordane was trying her best" takes are always hilarious because they always ignore the context of the situation. They act like she was some poor, frazzled old woman who was at her wit's end when it came to dealing with Arya.
First, nowhere is it that Arya routinely disregards Septa Mordane. I know people have this idea that Arya was just running around Winterfell doing whatever she wanted, but it's clear she was subject to very structured learning practices. The two major examples of her disobeying Septa Mordane are both under uncommon circumstances. If Arya was truly so disobedient and never faced consequences for her actions, then she wouldn't have been in her sewing lesson and attempting her work in the first place. Instead, she is working on her lesson without issue until the moment when Mordane remarks negatively on her work and embarrasses her to the point of tears. Arya's remark that she's going to "shoe a horse" is in response to Mordae telling her she has the hands of a Blacksmith, so it's obvious that her insulting Arya's work and making an example of her was a fairly common occurrence. She also uses her as a measure of bad behavior; she tells Sansa that she is "as willful as Arya" when she's behaving "improperly" and Sansa internalizes this + later thinks she felt as "wicked as Arya".
The second time is when Arya leaves a meal without permission. The lack of empathy for Arya is just so blatant because moment's before we have Arya's internal monologue of mourning her friend's death and thinking she doesn't feel safe among her father's men like she used to. All of this gets ignored and this moment is reduced to Arya being difficult. This person used Ned's quote about Septa Mordane turning Arya into a Lady but apparently, they neglected to read the entire conversation.
"I wasn't playing," Arya insisted. "I hate Septa Mordane."
"That's enough." Her father's voice was curt and hard. "The septa is doing no more than is her duty, though gods know you have made it a struggle for the poor woman. Your mother and I have charged her with the impossible task of making you a lady."
This moment that they quoted is Ned doing exactly what he, supposedly, never does and supporting Septa Mordane + disciplining Arya. This entire conversation between the two is Ned telling Arya that she has to grow out of her wild behavior and listen to her teacher. And the only reason that they're having that conversation in the first place is because she went and told Ned of Arya's behavior. So I'm really lost on this logic. There is not a single moment in the story where Septa Mordane is undermined by either Ned or Cat. She has their support in both instances of Arya disobeying her. She isn't even ever faulted for Arya's lack of progress. She is allowed to be incompetent at her job with full authority. So I guess??? Ned and Cat were just never supposed to be nice to Arya or allow her to have fun??? I'm not sure what their idea of Ned "properly" supporting Septa Mordane looks like since we already have that in the story.
Septa Mordane as a teacher, and an adult, has authority over Arya. Whether or not her every word is being directly enforced by either Ned or Cat, that power dynamic still exists. And again, both times that Arya disobeys Septa Mordane she faces consequences. I'm not sure how Arya playing on the way to KL is an example since literally nobody but Sansa remarks on such as an issue, but it's obvious this person is just in the camp of "Arya's behavior is unacceptable". That's why they want her to be constantly corrected by everybody and think it's a failure on Ned's part that he *checks notes* allows his daughter to have fun while they're on a very long and tedious journey. I'm sure this person was also upset when Ned comforted Arya after her emotional outburst. As for Septa Mordane's abilities as a teacher, I think the fact that we never actually witness her teaching anything says it all.
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I opened a shop ^_^!!! Currently doing pre-orders with two babymetal designs and one gloomy bear design, which will be shipped by the end of the month. also selling misprinted keychains there’s only six of each design.
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Why did they create such a useless character to show Cinder's backstory when Salem is literally right there AND the real question the audience wants answered???
Imagine if it had been Salem who stayed at the hotel and saw something of herself in the scrappy servant girl. She saw how the Madame treated little Cinder and offered a way out only if Cinder has the power to be useful to her. Maybe she put Cinder to a test of how far she was willing to go for freedom, or maybe Salem wanted something from the Madame that she wouldn't give so it was up to Cinder to provide
Either way, Salem gets a young disciple that's ruthlessly ambitious and easy to manipulate and Cinder gains the illusion of freedom under a new master
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Bo sinclair has tried to wax his chest before right like theres no way in hell this man with all his vanity has not attempted to wax himself. Anyways I want to imagine him with one strip of chest where it’s obvious he attempted waxing himself. Imagine ur playing housewife for ur murder boo and u slide ur hand down his chest bein all domestic and shit and then theres one patch of skin that’s like sticky and devoid of hair and ur just not allowed to laugh about it or even ask about it because he’ll throw a man tantrum
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it should be illegal to advertise products that encourage starving yourself i think
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'Malcolm, I'm In Hospital, I'm Not Wearing Any Pants': Homosocial Intimidation and Bodily Proximity as Penetration in Armando Iannucci's The Thick Of It (2005-2012)
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Bro I hate people who repost art they find with 'I don't know the source please let me know if you know!!!!' and meanwhile it takes literally 5 seconds to go to images dot google dot com, click and drag the image into the search bar, and immediately find the artist's name if not their socials as well. It's honestly more annoying to me than reposting without even attempting to acknowledge a source
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Yes hello I am here to ask for these unpopular headcanons 😈
i thought long and hard (20min) for a headcanon we haven't already talked about in DMs. so this one isn't a salty unpopular headcanon, but it's one i find very funny:
any connections to high society the Theerapanyakul family has comes from outside sources. the Theerapanyakul family was just some low or mid-level crime family that got lucky and acquired a lot of their excessive wealth and property holdings from Namphueng's first family. no one (rich) gave a shit about them before, and after that still only regarded them with curiosity at best and mild disdain mostly. Korn happened to catch the eye of a daughter from a wealthy and influential family, the rich bitch circles still think she was a fool and think him bumbling but lucky. it's an open secret that the daughter of a similarly influential family married Gun for money because her family was on a decline.
Korn tries to pretend he's high society, particularly through his tastes (having fine whiskey, eating fine food, smoking fine cigars, etc), but he can't actually tell the difference. he surrounds himself with wealth designed by other people's opinions trying to fit in. Gun's 'earned rich' gaudiness gets a lot more sneers, but it's much more honest. however, all these society circles Korn and Gun want to be a part of consider the sons to be 'proper' rich folk. any invitations to society events like bread galas and diamond auctions are extended to the sons due to their mothers, with an extended invitation to Korn and Gun tacked on at best, and Korn and Gun hate it
send an ask, get a headcanon
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✨Cool Old Ladies I love, 13/??✨
Sophie Hatter (vaguely based on Lili Hayes, Howl’s Moving Castle, Diana Wynne Jones)
“It was odd. As a girl, Sophie would have shriveled with embarrassment at the way she was behaving. As an old woman, she did not mind what she did or said. She found that a great relief.”
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