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#burned film
yogadaily · 1 year
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(via Пин от пользователя atamas___ на доске Растяжка | Фотографии тренировок, Фотографии йоги, Спорт   || Curated with love by yogadaily)
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suuunsmusic · 28 days
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Sanatorium Jaruçon, S-W of France, March 2024.
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bixels · 3 months
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Posting a sneak-peak of this now because I'm about to be In The Shit school workload-wise, so this'll take me a while to finish.
Doing some character design exploration/expression sheets for Celestia and Luna. Figuring out Celestia's weird ass anatomy while I'm at it.
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Halloween is coming
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stannisbaratheon · 7 months
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DORIAN COREY: I always had hopes of being a big star. Then as you get older, you aim a little lower. Then I say, "Well, yeah, you might still make an impression."
PARIS IS BURNING 1990, dir. Jennie Livingston
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liyazaki · 8 months
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THE HANDMAIDEN (2016) | directed by Park Chan-wook
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zanephillips · 1 year
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Sam Heughan in Love Again (2023) dir. Jim Strouse
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bingiessm · 1 month
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WARNING, LONG POST
Hello, welcome to the Bridgerton Season 3 trailer over-analysis corner. I am bingiessm--a film student that needs an outlet right now and wants to practice some film analysis--and am here to bring forth the FIRE/FLAME/CANDLE motif that was all over this trailer and I feel will be a HUGE motif throughout this season for Penelope and Colin (Polin).
So within the Polin context, let's look at each shot where a flame of a candle or lack thereof could represent their romantic interest in one another--and in particular the understanding/recognition of it.
This show is going all out putting candles EVERYWHERE--yes it was actual lighting in regency era, but you don't have to have it in the shot. That is a CHOICE. Also a choice to have it lit or not.
Also, "I burn for you" anyone?
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FIRST SHOT: somewhat obvious but considering the context of both the mirror as well as other future shots within this trailer, this flame represents the feelings Penelope has for Colin, that she is well aware of and has held for a long while.
I also just have an inkling that she is seeing herself differently in this moment (feeling something for the first time possibly)--the way Nicola looks feels shocked/contemplative, but not scared as if it might be Whistledown-related.
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SECOND SHOT: they are outside, talking about Penelope being a "lost cause." WHY IS THERE AN UNLIT CANDLE IN A MARKET STALL, if not to represent some unrealized feelings on Colin's part? It is also on his side of the frame. This is similar to this next one, both of which I believe are earlier in the season, as this is the start of him "helping" her.
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THIRD SHOT: Once again, right there on Colin's side of the frame, YOU DID NOT NEED THIS IN THE FOREGROUND. It was a CHOICE to put a candle there again. They could have not had it, yes the shot would have had less depth and this does give a better sense of the space, placing them in a corner of the room instead of in an open space--but they didn't need to make it another CANDLE.
Colin has not fully recognized his feelings for Penelope yet, though they have always been there, and these two shots demonstrate that lack of understanding/feeling, but one that is soon to come with an unlit candle.
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FOURTH SHOT: this, in the timing of the trailer, does come before the third, but RIGHT THERE IS A MIRROR AND CANDLES. It is on Penelope's side of the frame, but Colin, the mirror, and candles are what is in focus. She might be center frame, but we are drawn to the light as well as the contrast in Colin's outfit. This could arguably be Penelope's perspective, her burning feelings as he compliments her--also her future (we all want that mirror scene).
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FIFTH SHOT: a HUGE TURNING POINT--a small flame, barely noticeable suddenly burning brighter as we focus on Colin in the background. This is so clearly him realizing his feelings for Penelope. It is also at the midpoint/turning point of the trailer when there is a big tonal shift. There is no more talk of Colin helping Penelope, but a larger focus on his perspective of her (all the gazing), the idea of romance, as well as mention of Debling--his rival. It will be a turning point for Colin when Debling--an actual suitor vying for Penelope's hand--comes into the picture. EDIT: Also going to add in, the candle is in a lantern--though that might have been easier to manage filming-wise--which could also represent him still holding back, especially with Debling in the picture.
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SIXTH SHOT: This comes right after we hear Debling say "You look especially beautiful tonight, Miss Featherington." One of the many examples of Colin staring at the two of them, being jealous/worried. But right behind him? Oh, more candles. That they totally didn't need to have in the frame. Also, it doesn't look so much like a candle, but they are placed so close to one another that it looks like more of a flame. The lack of focus adds to this.
THEN WE GET TO THIS FINAL SEQUENCE--which imo is a FANTASY SEQUENCE
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SEVENTH SHOT: Colin is coming from the darkness, with an unseen flame flickering directly behind him (small ember that he can't see).
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EIGHTH SHOT: Penelope, also coming out of the dark, but with another flame on (what in this sequence is) her side of the frame. Though it is somewhat hidden behind these bars--some rough patches/guarded emotions? (probably depends on what point this is in the series).
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NINTH SHOT: Penelope, already in the light of these fires, Colin entering with the large burning flame in the background covered by some growth.
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TENTH SHOT: Penelope, lit by these fires, breathing heavily. A very clear close-up with so much blur to focus just on her face.
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ELEVENTH SHOT: Colin, with a flickering/burning flame literally right behind him, lit by these other fires, staring right at Penelope.
So this whole sequence, in my opinion, is a dream sequence. But, in terms of this flame representation, this is Colin realizing he has feelings for Penelope. We see the flickering from the unseen light behind him in the seventh shot build and become the flame right behind him in the eleventh. It feels so obviously representative of the season. (The fog also seems to lift for him in this sequence, he comes out of the fog to Penelope--I could say more about this sequence and why I do think it is Colin's dream, mostly due to costuming and lighting and the fog as well) ______________________
And thus comes to a close my analysis/evidence of the FLAME/FIRE motif between Polin. I am cutting myself off here because this is a lot and I have an actual film shoot to plan. Thank you if you actually read all this. I love film analysis and Bridgerton is so fun and a stress reliever for me, so this was fun for me to write out.
Anyway, if any more of this fire/flame stuff comes up I might add on later.
TLDR: they are using fire and candles to represent the burning love between these two.
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bibliosauruswrecks · 5 months
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Gävlebocken being destroyed by birds was not something I had on my bingo card this year.
Good for them.
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paris is burning (1990)
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sharkrocket · 5 months
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daniil crying daniil crying daniil crying
i like to imagine that he almost never cries and i just wanna know what finally makes him break down and ugly cry
OH MAN, I 100 percent agree with this, he strikes me as the kind of person to bottle up everything and try to push all his emotions down, but those emotions end up manifesting in negative/self-destructive ways until the weight of everything finally causes him to break down
There's a fic I love that does this really well, please read Shedding Skin by Plaguedboar, I binged all thirteen chapters in two days and was ugly crying by the end of it
Daniil and Artemy come to a slow harrowing realization about their feelings towards each other, but they both recognize how dangerous and destructive acting on those feelings might be. After Daniil takes a bullet for Artemy, it drives a wedge between them, Daniil pushing Artemy further and further away, as Artemy increasingly believes that Daniil sees him as something dangerous - something with the capacity to destroy him. That if Artemy allowed himself to love him and keep him in the town, Daniil will die
❗ SPOILERS ❗
The reason why Daniil ends up taking the bullet is because he realizes that he's also in love with Artemy, but truly believes that he's not worthy of being loved and that he'll ruin Artemy just like how he's ruined everything else he's touched. So, by dying by saving Artemy's life, it would have have been the best thing he could do for the both of them. However, because Artemy ends up saving him, Daniil becomes devastated and does everything in his power to make Artemy hate him and leave him, if he knows what's good for him. In turn, it causes Artemy to question if he's even capable of loving anyone. Thus, begins a cycle of Daniil being as cold and hateful as possible, throwing insults and being self-destructive, while Artemy keeps trying to save him, which only pushes Daniil to be more hateful and self-destructive....
❗ END SPOILERS ❗
There's a beautiful moment at the end where it culminates in Daniil walking out into the steppe to die, and against all odds, Artemy finds him there. After all this time, after all the insults, the coldness, the violence, Artemy decides to love Daniil despite it all and follows him into the wide expanse. Even then, the Capital Snake is still trying to spit venom - doing everything in his power to get Artemy to leave and let him die, but it doesn't work because Artemy finally sees through the facade. He reaches past the Bachelor's many roles and holds on to the Daniil that's terrified of loving and being loved in return, and that's when Daniil finally breaks and allows his vulnerability to bleed through
PLEASE READ THIS!! The angst and catharsis of it all is immense, and I can't recommend it enough!!
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yogadaily · 1 year
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(via Carmen Curtis (aerial yoga) on Instagram: "Come retreat with me in paradise in the Dominican republic for an @aire… in 2023 | Aerial yoga, Aerial hammock, Wellness retreats  || Curated with love by yogadaily) 
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starshroomsofdoom · 29 days
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Omfg they’re edging us
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littlecarmine · 1 year
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congratulations, you guys. you did it.
SUCCESSION — 4.05 “KILL LIST”
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shihlun · 6 months
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Yoshishige Yoshida
- Eros + Massacre
1969
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demifiendrsa · 2 months
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First look at Beetlejuice Beetlejuice
The film is slated to hit theaters on September 6, 2024.
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