Joel!! (to be read in the way Iskall says it)

My idea that in Joel’s cyberpunk town food is made out of local ingredients that he farms: glowsquid, glowberries, and sakura ofc! (does he have honey as well?)

Oh, and those things on his back? They are some high tech stuff that allows you to model light after anything, so it can be basically used for carrying berries, or transform into an elytra!

Dr Nefarious (in his mechanical form) is bug coded... TELL ME IM WRONG

And I try my best, to prove that nothing’s out to get you.

november by @softcodes

preview / code

sharing the theme i’ve been using on my main blog, which a couple of anons have asked for (some of them a while ago, sorry!!). finally got around to polishing it up!

single column theme with a left sidebar and optional right sidebar that includes sections for updates, a featured project, and site info. geared towards writeblrs, but of course anyone can use! includes a sidebar image, icon, project image, five custom links, four post sizes, any google font, custom title, and iconsax icons. the audio player is the “light accent” color, which doesn’t show up in the preview for some reason! icons and sidebar image in preview via unsplash. (full list of credits here.)

pls like or reblog if you use:)

warning: this depicts what it feels like (through my own personal lens) to go through the motions of trauma; ie panic attacks, meltdowns, ptsd, etc.

if you’re not in a spot to watch something like that do not please

be kind to yourselves out there 💜

drink water, take meds, eat food

[Start ID. A digital drawing of Gabriel and V1 from Ultrakill in super-saturated, pixellated colors. It seemingly takes place during phase two of his second fight, judging by Gabe's bright yellow-cyan wings and the consequent blush shining through his helmet. Gabriel is pictured on the left, facing the left side of the screen with his head turned to V1, preparing to strike them with the bloodied spear in his right hand. Small but frequent splatters of blood dot his armor and outstretched wings, fabrics torn through in places. V1 is on the right, aiming its piercer revolver at his face. Their arms are stacked in pairs on either side, idle Feedbacker and Knuckleblaster on the left and Whiplash tucked atop their default arm on the right. Both parties are stylized to resemble insects, Gabe with beetle wings and a halo in the shape of antennae, and V1 with the four wings, four arms, short antennae and bristles expected of a dragonfly. End ID]

woah.... happy 1 year anniversary to gay people

also a couple alts (background removed, just gabe, and just v1, respectively) in hopes it'll be a little easier to understand what's going on and all!

additionally once again: special thanks to @magnumopos and @muzzleroars , neither of which I have actually spoken to in my life but both of which are credited with partially inspiring this! (dedicated section under the readmore due to the fact I do not generally tag people at all ever and wasn't sure if I should, but thought it was worth mentioning!) The former for giving me the wonderful idea of dragonfly V1, the latter for drawing V1 like a strange little creature + for the feedbacker plate, I enjoy both your works :]

(retroactively, on march 27th of 2024, assigning them a full bingo with credit to deep-space-lines. ehehehehe)

i feel that so many people seem to take the basis of naruto and sasukes characterization and switch them…. i see too many people infer naruto is made of happiness and love while sasuke of hate and anger but i have always seen naruto as a character that is full of hatred and anger and he has to let go of that with the love of others. sasuke as a character is so full of love yet he has to follow that through with grief and anger and learn to bear others hatred.

naruto never really had the heaviness of love in his heart until he went through the process of controlling kuramas chakra and had to confront the hatred inside him. frankly it says it blatantly that he had always held hatred in his heart for the situation he was forced into and the way the village treated him because of it, until he was able to accept and move past that hatred and have love for kurama and his dad and the people of his village. so i genuinely don’t understand where this notion that naruto is just pure sunshine and happiness came from. sasukes whole story starts out with wanting revenge on his brother because he loves his family and his clan so much. it’s a constant clear notion that he hurts so bad from his brother’s betrayal because he loved his brother, and that his rage against konoha is because he loved his clan that konoha sanctioned a genocide of. it’s constantly stated that the uchiha hold intense love in their hearts.

it’s sasukes connection with the people around him that formed his love where it’s the lack of that connection that formed narutos hate…. the way they expressed their emotions is very different because they’re both in insanely different scenarios no matter how much they understand the others pain. narutos hatred makes him want to finally receive the love that the village never gave him, but sasukes love makes him want the village to experience the pain that they inflicted upon him and his clan… maybe sasuke expresses his love more negatively and maybe naruto expresses his hate more positively, but that doesn’t change the fact that sasukes actions came from a place of love and narutos actions came from hate. they just needed each other to balance the other out….

tfw the existential nightmare clone of yourself wont leave you alone so you just end up hiring him to work at your pizzeria

I most humbly request buggy Sollux please

YEAH!!! i changed his design think ill print this as a sticker for a friend

happy 2024!! 🐉

*debugs you*

Here's my thing (after watching some of the Thor movies). MCU has queer-coded the fuck out of Loki since his introduction because he has been a villain (it's at Jafar levels, honestly), and now that queer fans are reasonably asking them to put up or shut up because there's a man he's not related to that he's gotten extremely close with, MCU is like "Bisexual? Who is she? We don't know her. Genderfluid? Do they even exist? Male friendship is all that you should expect from us."

Of course, I'm grateful for what we've gotten because it's not nothing. The Lokius friendship has at least been allowed to exist as it is without negative commentary or jokes at its expense (in fact, much of the humor around it bolsters the romantic subtext, like the shots of people reacting to their adorable bickering). But still. Given the amount of feminine-coded and queer-coded characteristics MCU has given Loki in order to, honestly, make the audience other/dislike him from the jump and make their job as creators easier, Marvel could, at the very least, acknowledge Mobius as a positive romantic possibility for Loki. And stop pretending that people who see something romantic there are imagining things, as though Loki being attracted to a man is wishful thinking.

SECRET LIFE SPOILERS!!!

Some Secret Life traditional sketches of Session 6! My digital art was looking doodoo so I tried to fight artblock by going back to paper. MY CAMERA SUCKS THOUGH. Maybe I'll transfer to digital someday.

Edit: FUCK. I FORGOT JOEL HAS THE LIFE MERCH ON THIS SEASON.

Close-ups under cut!:

One last thing I’ve been poking at today regarding the issue of the letters. A small glimmer of something other than miserable to take away. 

It’s not a whole silver lining. A copper one at best, and barely there. But the fact of Jonathan’s cleverness with this attempt at sending out a message and the shorthand itself was a small victory.

The big spotlight is on all the defeats in this entry. The foiled attempt at sending private messages. The ruined hope that Jonathan can rely on his fellow human beings for help. The mockery and crushing of spirit in the burned letter to Mina along with being forced to reseal Hawkins’ now-pointless note and being locked in the room for misbehaving. It’s nothing but endless salt in too many wounds. Jonathan is in no state to harvest anything but despondency from the night’s display.

But.

There is something here that is worth noting. And that’s Dracula’s reaction to that shorthand note itself. What are the exact words? The exact actions?

“--one is from you, and to my friend Peter Hawkins; the other"—here he caught sight of the strange symbols as he opened the envelope, and the dark look came into his face, and his eyes blazed wickedly—"the other is a vile thing, an outrage upon friendship and hospitality! It is not signed. Well! so it cannot matter to us." And he calmly held letter and envelope in the flame of the lamp till they were consumed.

Now obviously, the whole show of waving the letters in Jonathan’s face was a sadistic power play. Just proof positive of his influence and Jonathan’s uninterrupted helplessness, plus an extra dash of renewed hopelessness. All good fun. Right up until he opens the shorthand letter and sees those strange symbols. He doesn’t laugh. Doesn’t feign being puzzled by a stranger’s letter--so it must be!--getting in with Jonathan’s letter to Hawkins.

Just like the moment with the mirror and the bloody cut, just like the surprise of the ladies moving in on Jonathan without permission, Dracula is confronted by something that makes a big ugly crack in the careful masquerade he’s been enjoying so far. He likes this game. He likes being literal king of the castle and playing the host and pulling Jonathan’s spirit apart like so many loose unhappy threads. Most importantly, he likes being the one holding all the cards. All the information. We’ll see later in the book just how well others’ ignorance is used as a cudgel to beat any of his would-be obstacles into paste.

But now, here’s the shorthand. A thing Jonathan knows and he does not.

And Dracula is trapped by the performance. The letter’s already assigned as a prop, a stranger’s note, it cannot matter to them, Jonathan’s letters are sacred to him, blah blah. But if the shorthand is a stranger’s, he can’t even wheedle Jonathan to divulge it for him. So it’s stuck as a surprise mystery. Small as it is, ultimately futile as it is, it’s still A Thing Dracula Did Not Plan. A Thing Dracula Does Not Know. A Card Dracula Does Not Hold.

And Count Dracula, as will be revealed, is many things in addition to being a monster: including an utter control freak. Classic gothic edition mastermind. Every t crossed, every i dotted, every detail and solicitor in their proper place. Now here’s his pet-guest-prisoner not only doing a no-no by trying to reach out to others behind his back, but flaunting some 19th century secret cipher right under his nose! The nerve! Granted, he did tear open the letter to snoop on it, but such trifles don’t matter here. 

What matters is Dracula’s reaction being one that briefly breaks through the guise of the game. A genuine sour note that nettles him into burning the letter outright with a sneer and then, happily, steering immediately back on track with Hawkins’ letter and Jonathan’s timeout. Again, it’s a small thing. A mere mote.

But I’d bet money that part of Dracula’s ‘many labors’ ahead of him now include an almost petulant scrounging through his books for any mention of those odd symbols so he can snap it up too. Research he must do alone, at a loss, because Jonathan unwittingly arranged his writing in such a way that it endangers the Count’s game if the latter has to admit the writing was Jonathan’s after all. So he’s left to huff and puff over it in private. Because all the information under this roof is supposed to be his, damn it. 

And Jonathan, trapped and cornered and bereft prisoner that he is, proved that it isn’t.

i remember i made these designs for snorpy n floofty's parents like 2 years ago, the og post is somewhere on my main blog i dont fuckin know lol, but i felt like redesigning them slightly

Rosie told me not to cry

Look her in her big brown eyes

—

No but this whole scene was really fucked up 😭