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#buckleming answer for your crimes
gentlemancowboy · 15 days
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Gayest Dean Moment Not Involving Cas Number 3 ➼ Church Confession
Bonus:
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nikadd · 1 year
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happy two years to that man running up the stairs with his old man knees
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deanmarywinchester · 6 months
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totally forgot that s12 has lucifer in it. booooo being back the bmol it’s someone else’s turn to be the big stupid villain
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justsomeguygn · 3 years
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Obviously the worst misogynistic crime of 10x21 is the fridging of Charlie but the SECOND worst is the implication that Mary thee Shelley, teenage inventor of science fiction, didn’t actually invent squat. she just like. described some guys she met. heinous.
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bookdork1 · 3 years
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buckleming discourse buckleming discourse so i’m looking up dead side characters from season 7 onwards to see what and who wrote their fate:
bobby: 7x10; Sera Gamble (7x09 -when he gets shot- by Ben Edlund)
emma (for those who care): born and buried by buckleming 7x13
meg: killed in 8x17 by Robbie Thompson
benny: killed in 8x19 by buckleming
kevin: killed in 9x09 by buckleming
charlie: killed in 10x21 by buckleming
metatron: killed in 11x21 by buckleming (i mean i don’t mind this one)
gavin (crowley’s son): killed/sent back in time in 12x13 by buckleming
mick: killed in 12x17 by buckleming
eileen: killed in 12x21 by buckleming
kelly: killed in 12x23 by Andrew Dabb
missouri: killed in 13x03 by Robert Berens
gabriel: apparently (though it could be back tracked if you really wanted to) permanently killed in 13x22 by buckleming
mary (take two): killed in 14x17 by Meredith Glynn/14x18 by Robert Berens
duma (what I liked her): killed in 14x19 by buckleming
rowena and ketch: killed in 15x03 by Robert Berens
becky: killed in 15x04 by Davy Perez...was she supposed to reappear with all of chuck’s other disappeared people we didn’t get to see?? who knows
michael/adam: killed in 15x19 by buckleming
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deanwasalwaysbi · 3 years
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Who TF wrote Jack in the Box because they must answer for their crimes
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proposing a new theoretical frame work specifically for analysing supernatural inspired by schrödinger's author (authorial intent matters except for when i don't like it) it's called authorial intent matters when the episode was written by berens edlund thompson or yockey authorial intent doesn't matter when the episode was written by someone else and i am beating the author to death in a denny's parking lot when the episode was written by bucklemming. an extension of this paradigm is called i would like to tie bucklemming to a chair and have them explain dean's confession scene to me. another extension is dabb and berens answer for your crimes in red meat
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katsidhe · 3 years
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Because I love hearing your thoughts about Supernatural and think you have a very insightful mind, here's a random questions: What in your opinion is the BEST thing Buckleming have ever brought to the show?
this is not something I was able to answer offhand, because I sincerely do not pay attention to individual writers. (Even though I know it’s fashionable to hate them.) And honestly with a show like SPN, I have no doubt that collective responsibility for the success/failure of an episode or an arc is far more complicated.
So instead I just looked up a list of their episodes and prepared to list my favorites. And then I found 11.09 on that list, and there is my answer, done. 11.09 excuses all crimes.
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rupertgayesarchive · 3 years
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CASSIE MY BELOVED HOLY SHIT I'M SO EXCITED
i will be honest i thought route 666 was gonna be fun until i like. rewatched the episode for the first time in however many years. bucklemming please answer for your crimes. 
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mishastoesies · 3 years
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5, 8, 2!!
5. Favourite character that appeared in only 1 episode?
CASSIEEEEEEEE MY LOVE MY BELOVED!!!! they did her SO DIRTY by confining her to the racist truck episode!!!! buckleming you WILL answer for your crimes one day and whatever does the answering will not be so merciful as i! 
ask me about my elaborate “cassie and dean’s summer of doomed love feat. The Comeback” au it’s quite sad and emotional imo
8. Season rankings and ratings
oh hell here we go
s1 and s2 occupy the same space in my brain and so they both get a 6/10 from me because they’re mostly a setup to the stuff thats yet to come.
s3, s4, and s5 ALL get 9.5/10 because the hits just keep coming. sam’s demon blood hot girl summer. castiel thee angel and ruby thee demon. gabriel the archangel. the literal apocalypse. all of it is just sooooo good. 
s6 and s7 get 8/10s like the storylines ARE incoherent and they ARE dull in some parts but come on!! castiel’s massive betrayal and The Actual Monster Was A Billionaire? CHARLIE?? how can you not love them? 
s8 is a 10/10 for many reasons but it’d get that rating even if the only episode was 8x17 Goodbye Stranger. they were all dean. 
s9... 2/10. gadreel storyline bad. dean kicking cas out bad. 
s10 though... oh she’s a 8/10. drowley summer of love. 10x22 The Prisoner. ugh iconic. 
s11-12 are both 9/10s for me because i hate british people and i love seeing dean get hatecrimed by casifer. 
s13 is a bit of a lowpoint for me imo, i’d give it a 7.5/10, it had some fun episodes but like... idk what it was but it didn’t click. 
s14-15 are such a mixed bag; the good episodes are a 10/10 because Baby Boy Son Boy Jack and his gay dad castiel + bunker family + EILEEN LEAHY but also like... when an episode is bad it’s BAD, like 0/10 level bad. so like i’ll average it out and apply a curve to give them a solid 7/10. 
2. What’s a character that you dislike?
is it a copout to say j*hn winchester? yeah it’s a copout to say j*hn winchester. i’ll give you my hot take though, i don’t find late seasons lucifer to be that compelling. he truly is Just Some Guy: a loser, a deadbeat dad, just generally kinda pathetic :/ but it WAS funny to watch cas emotionally torment him when they were in hell jail together
send me questions from this list!
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gentlemancowboy · 3 years
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Supernatural x Schitt’s Creek [35/?] ↳ Raise your hand if you have ever been personally victimized by Dean Winchester
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What the Fandom (actually) thinks about the SPN Finale 15x20!
A short while ago I posted a Quiz  [Which Part of Supernatural Season 16 are you?]  and the post has 27 notes, so I thought barely anyone would have taken this, but it turns out actually a couple people did.  And I´m so glad I did put in one free form question: “Would be please be so kind to sum up the finale in 3 words. (Or 333 if you want to...)”  Because the past days I clicked through the notifications on the quiz, which is kind of tedious, but I could not stop cause what people put in there is a mood, a riot, the pure unfiltered truth, eloquent and outrageous in the best way!   And so I collected the answers and tried to roughly group them. Which you can find under the cut. (If someone that took the quiz wants to be tagged or have the commentary removed please just message me!)  Can you guess what the most common 3 words were? 
 The rare acceptance or praise  not that bad  // Not entirely horrible.  //  satisfaction and closure :D  //  good idea, shaky execution, ultimately fulfilling  // epic love story
Grounded Truth & the well adjusted It was something // well that happened
CW & Network aka. put the blame where it (probably) belongs network fuckery afoot  //  Corporate Fuckery Ahoy!  // network bullshit ruined everything  // fuck the cw // Fuck the CW //  Fuck you cw //  cw ships wincest  //   FUCK ROBERT SINGER  // Greed won
Make some Effort (@show) Lazy //  half-assed fever dream  // feverish dream (nightmare)  // Could be better  // Not comprehensible, stupid, low budget  // How did buckleming do better  // Fuck you, spn writers. Could have done better
Hate Crime  A hate crime // literal hate crime  //  The hate crime //  I only need 2 and it's hate and crime // subtle-but-not hate crime // hatecrime to all Homophobia Call Out Straight Gay Chicken// not gay enough // bad unsexy homophobic // Where's my gay? // horrific hetero nightmare // Homophobic queerbait bullshit // no homo shitshow // Bury your gays // silencing, erasing, ugly  //  Homophobic and incestual  // homophobic disappointing stifd // Character assassination and homophobia //  Stinky, censorship, offensive // Disappointingly heterosexual & bland You need to speak  fandom for that  why lamp wtf //  It’s the turbo hell we were all sent to // Wheres the tapes??? Castiel centric  so no cas?  // So no cas? // Needs more Cas // No Cas, pathetic // where is cas // why no Cas // where was cas //  yo a ti  // where was castiel Bless you I released scripts for a reason
Deserving Better! Damn Right! They deserved better // They deserved better // They deserved better // dean deserved better //  dean deserved better  //  dean deserved better // Dean deserves better  //  destiel deserved better // Destiel deserve better. //  Jensen deserved better  //  dumb , idiotic , horrible and #deanwinchesterdeservedbetter
Trash, Shit  & Garbage aka. The scatological truth FUCK THIS SHIT // Shit shit shit // Shit shit shit // total shit //  Shittiest fucking shit// Total and utter shite. //  Piece of shit // Fuck this shit  //  Complete utter shit //   Fucking pointless shitshow // stupid As all fuck // That was shit.  // A shit show  // what a shitshow // An absolute shitshow // total shit show // a shit show // A shit show //  total shitshow lmao // absolute shit show  // A shit show // Rancid shit show  // i would say it's a shitshow but that's mean to shit // Complete utter shit   // fuck that shit //  fuck that shit //  fuck this shit // Absolute fuckin bullshit // fucked up shit  // Utter shit bro //  Distilled horse shit // Absolute horse shit // Absolute Horseshit. 3. //  Absolute dog crap // Piece of crap // pile of crap // piece of trash // Steaming trash fire // Shit ass garbage   //  Gar ba ge // Fucking trash fire // Absolute garbage fire // A dumpster fire //  piece of trash // unfortunate dumpster fire //  Flaming pile of garbage // disaster dumpster fire  // Unsatifying flaming garbage // Dumpster fire on ice. A mess. Underwhelming. Incomprehensible. Oof // I got 2: dumpster fire // Complete. Fucking. Bullshit.   // Complete utter bullshit // utter gross bullshit // Shit fuck shame // hot mess inside a dumpster fire inside a train wreck
Still won´t read any praise here The worst thing  // a complete disaster // so fucked up //  It was terrible //  it really sucked  //  Man it sucked //  Well that sucked  //  Fucking sucked bro  //  it fucking sucked  // it sucked ass it was fucked // Sucked major ass.  // It sucked ass // very not good :(  //  it was bad :(  // Absolutely fucking awful  // The very worst //  bad. bad. wincest...  // Bad bad bad  //  bad poop ending // bad funni yuck // horrendous nightmare fuel  //   A fucking nightmare // worst thing i’ve never seen in my life //  an absolute atrocity  // a fucking disaster  it was terrible // an absolute disgrace  //  Just so awful // Really Fucking Bad // Literally the worst // Real real bad  //  Bad stupid bad  // uhh very bad  // crap bad lacking //  horrible rude worst // awful  //  bad // bad  //  Crap //  wack Ugh. // No  // UGH // Bad, messy, dumb   // Bad terrible worst ugh  // Oof my dude  // deep deep sigh 9000+ epic failure  //  Small dick energy
Demands!  Suck my dick   // Not it motherfucker
Thinking of all of us! We all lost
Summed up in 3 Words               Bitch. Fucker. Ass.    //  Death age heaven  // Dead, married, forgotten  // Sam Dead Car  // Dead, Sad, & Car.  // Dead, Sad, Car  // Slow shambling death  //  burns in hell // Absurd, wtf, huh  //  fucking odoriferous stench.
Not Canon & Fake  &  Insulting insulting. not canon  // Unsatisfying, degrading, noncanonical // Disgusting Insulting Fake // sad, bullshit, not-a-finale // Embarrassing, ridiculous, insulting // disheartening, harmful, horrible // Terrible. Disgusting. Hilarious  //                 Incomplete. Unkind. Nonsensical.  // Traumatising, stupid, horrendous  // horrible incomplete unsuccessful  // Disgusting, disrespectful, unreal
Disappointments & Complaints very big disappointment  //  disappointing, disrespectful, baffling  // An utter disappointment // disappointment of the decade  //  Fruitless, regressive, insulting, disturbing, and all-in-all just disappointing //  the complete unpackage  // supernatural finale clusterfuck  // WRONG, Horrible, Offensive //  poo rehash bad  // Unnecessary character deaths  Betrayal & Inconsistency   Stupid awful depressing poorly written inconsistent betrayal  // Boring betrayal // inconsistent, monotonous mess  //  inconsistent disappointing mess
Denial! Aka. The wise!  Finale? What finale? //   What finale ?  // what finale? //  Finale? What finale? Ohhhh yeah 15x18 was great // you mean 15x18?  // Did not happen.  // What the...what?? // What finale ??? // um.........what finale? // finale? what finale. // what finale? it didn't air yet. last episode that aired was 15x18 pffft  //  what finale :) //  Does Not Exist  //  It never happened  //   That didn’t happen // No, i refuse, there was a finale??? // what finale?? // It doesn't exist  // it doesn't exist // Weird of season 15 to end with 19 episodes and an open ending // what finale? the show got canceled after 15x18  // Finale? What finale? Supernatural isn’t over. I’m not in denial, you are //  an atrocity i've erased from my memory //  I Can't See Suddenly. I Don't Know// Don’t know her.        
Consequences & Emotions (I hope you´re all okay, have a hug!) Oh my god it was awful. Hated it. Made me reactivate in the fandom. And obses over that show AGAIN. Oh, and yeah, yeeted me to a place so dark that I got me some new scars.  // Ymmmmm, fuck the finale. It got me spiraling down back to depression and self harm. Didn't make sence. Badly written. Badly executed (well, except acting) // Never wanted to claw my own face off more than watching that heap of garbage // fuckin hated it // My heart hurts  // Stupid unsatisfying pain  //  slap inthe face // I am unhinged  // Im throwing up  //  I am sad //  i went feral  //  Broke my heart  // hurt my feelings  / I wanna die // i hate it <3  // I hated it  // I hate it //  Extreme rage inducing  // Trauma, It was   // Oh. Oh dear. // Absolute soul crushing, sucked sunshine and joy out of this world and any other possible reality this abomination exists in. It hurt so much I actually disassociated and had a real life horrible week. Luckily anger finally swept in and fan fiction ultimately saved the day. // AWFUL. HARMFUL. DEPRESSING. I HATE IT // Waste of time //  My villain origin story // Destroyed rewatch value
This is unfortunately too true  disturbingly pro-suicide   //   odd lacking empty
Valid Questions:  why’d’ya do that // Why why why
WTF?! What the …  “The popular 3” What The Fuck // What the fuck// what the fuck // What the fuck. // what the fuck // What the fuck //  What the fuck //  What the fuck. //  What the fuck // What. The. Fuck.  //   What The Fuck  //  What the fuck // what the fuck // what the fuck // What the fuck // What the fuck // What the fuck?! // What. The. Fuck. // What the fuck?!  // what. the. fuck. (was that????) // What the actual fuck? // 1. What 2. The 3. Fuck //  'what the fuck'  // The actual fuck? //  What the heck, //// What the heck //  What the heck // what the hell // What the hell? // what the hell
Narative & Character Development That was pointless // Failure of storytelling //  15 years of story and character development down the fucking drain // Fuck character arcs, no free will // Assassination of character  // Lost character development // character development is dead // disjointed alien mess I don't know these characters what the fuck // boring, loveless, characters are ignoring  // Season 1 Finale.  // From darker timeline // Awful Forgetable OOC //  piece of shit all the character development thrown out the window. cas deserved better (also to be with dean cause they are in love)   //  Underwhelming, disappointing garbage, a slap in the face of chatacter development. //  the dark ending //  The Chuck ending we didn't deserve. // a dumpster fire on the level of the GoT finale - all character dev & story arc thrown out. CLOWN VAMPIRES  
The Jokers among us, or those finding a laugh in the grimmest things a comedy  //  Just a joke
Relateable:  AAAA AAAAA AAAA  // AAAAAAAAAAAAAAAAAAAAAAAA
I see what you did there and I love you 333 // 333 // 333  // 333  // 333 variations of the word fuck I especially love you  666
Rebels! 4 words (sorry): they showed their hand  //  The end of hope (that’s 4 words but too bad)
Didn´t watch the Finale  for various reasons  Haven’t seen it,  //  i didn't watch it out of spite  // haven't seen it yet for some reason // didn’t watch it  //  I didn’t watch it but everything that happened because of it activated the decade-old sleeper agent part of my brain that was a spn fan  // I stopped watching spn in the middle of season 12... The finale was awful from what I gathered
Hello Stranger, we welcome you here  I don't actually watch SPN I'm taking this for kicks bro
The Refusal (either of the finale or the  question) Nope //  No thank you // no // No   // No thanks, fuckers // No thank you. // No // This is bullshit // haha what? No  // Please, not this  // Oh god no // noooooo oooo ooo  // ....no. //  No. It sucks // I will not <3  //  no thank you  // no no no  //  no thank you  // Lmao wtf no // Nope. Just no. Refusal is self care!  No, I won't let it hurt me again. //  I can't, it's too bad
The offensive Wig! Party city wig // party city wig  //  party city wig // Homophobic, bad, wig // shitty sam wig // party city wig // Party City Wig // party city wig  // Jared's fucking wig //  bad, homophobic, party city wig // The Wig™ Blurry wife Sam's blurry wife
The Nail / Rebar!  ( @the-rusty-nail-that-killed-dean  @therustynailthatkilleddean  you are recognized) nailed by dickbar //  rusty nail wins  // Rusty fuckin nail.  //  Nail Dean Death Clown  //  dean got nailed  // Rebar. Cas helped.
All of those  Dickbar, Blurry Wife, Driving for 40yrs,Party City Wig, Drone Shot (cringe) // absolute trash fire garbage, burn the party city wig and the cw down but keep the dog
Those with crystal balls expected i guess // disappointed, not surprised
Puzzled (Yeah me too) or Undecided or Eh i don’t even fucking know // Jggfdv //  Huy  // Meh // Meh // meh  // it was bad ??
Let´s create great fanworks!! free real estate
Defies Categories and is good stuff  everything for nothing. // traumatizing, badly-written, comedic   //  devastating yet obnoxious //  God is dead but hegemonic masculinity is still kicking // maam this is a wendys  // am so glad that I was a whovian. I've dodged two bullets. // F's in the chat // >:((
I´m sorry, I failed you with this quiz quiz was wrong // Dude. Dude you gave me "liking the finale" a minute ago. I assure you; i did not. "You have found peace" bro I haven't known a SECOND of peace since that ill-begotten nightmare of a shitstorm  //  [[“I STILL HOPE UR DAY WAS G”:]]  HOW THE FUCK DID I GET THAT I LIKED THE FINALE PLS OP THIS IS NOT A MARK ON YOU OR ANYTHIG I LOVE U EVEN IF I DON'T KNOW YOU BTU PLS THE DEPRESSIVE STATE THAT I SPENT MY LIFE IN POST-FINALE DOES NOT DESERVE TO BE SHAMED IN THIS WAY I. PLEASE. I DID NOT LIKE THE FINALE. HOW DO I GET A DIFFERENT ANSWER PLEASE
Misha? Was that you? Rancid Nut Work
Particular Stuff Fuck john Winchester  // [[“ Mj”; ]]fucking disgusting shitshow [okay so that was 3 words, but MAY I JUST SAY, c*w was incredibly disrespectful to Misha, Cas, Jensen, and Dean. Misha played a Cas for 12 years, and then he's not even in the finale? and Cas gets mentioned a whopping total of 2 times after he confesses his love to Dean?? and then, Jensen. 15 years of his life on Supernatural. Jensen turned down the role to be Captain America, and his best friend is Dean, the character he plays. But then Dean dies on a rusty nail, never getting to actually live his life? Dean died how he always thought he would- and he died as "Daddy's Blunt Instrument", finishing off his dad's unfinished case. J*hn Winch*ster ab*sed him and Sam mentally, emotionally, and possibly physically too, and does NOT deserve to get a Heaven at all, least of all, a Heaven right by Deans. Dean never got to live how he wanted to and was repressed as fuck, and this is all because of his dad, the resident shit head. And don't even get me started on the queer erasure, and racism. Kevin Tran deserved better. He, after through all he suffered on Earth, deserves to go to Heaven, not be tortured in the afterlife forever. I fully believe that it's just because he was Asian. If J*hn got into Heaven, why couldn't Kevin. Also, not to mention, Charlie, Rowena, Claire, Patience, Kaia, Crowley, Donna, and Jodi, and probably countless of other queer characters who were erased. They were silenced and fuck the cw for doing that. I could add so much more, but for now, have an excellent day and a wonderful year :)]   //  [[“Yellowcollins”:]] hat the fuck was that literally what the fuck. I’m convinced the writers did not watch a single episode they made past season 3. There was literally not a SINGLE character from season 4 onwards in the finale. LITERALLY. NO. ONE. and what about “family don’t end in blood” that they’ve been preaching since LITERALLY season 1??? huh??????? nah fuck 15x20, this will go down and the WORST ending in the history of endings.
[cookie] < for everyone that made it that far ;)  
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shirtlesssammy · 5 years
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7x13: The Slice Girls
Welcome to our last episode before hiatus is over. We’re knocking out another Buckleming episode. Natasha has some strong words at the end. Buckleming are the worst.
Then:
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Oh, yeah, Bobby died, and I never watched that episode again
Now:
A white man™ sits quietly at his computer at home one night. He hears a noise and suddenly he’s getting sliced and diced in good old cold open fashion.
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Sam and Dean are on the road. Sam’s driving so Dean can indulge in his “coping through season 7 juice”. He saved Bobby’s flask and we all know ghosts can’t inhabit personal items, *cough* *cough*. Anyway, Dean’s drinking his way through his grief and Sam’s working cases his way through his grief. 
They head to the coroner that holds the cold open victim. AND, I’m sorry, but is Dean flirting with the coroner? I rarely rewatch Buckleming so when I find these forgotten moments in the wild I’m taken aback. I thought I knew the full extent of Dean’s little world, but wow, apparently not.
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They learn that all the victims are male and there’s weird ritualistic mutilation with the bodies after they are dead. And any DNA from potential suspects doesn’t match anything human. 
After the morgue, Sam wants to do more research, and Dean needs to blow off some steam. He decides to go undercover. 
Later at a bar (It’s a fancy bar and Dean’s wearing his suit, so not like Dean), he chitchats with a woman (he’s an investment banker who speaks minimal Japanese) and she’s into it so she invites him back to her place.
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While Dean works through his coroner frustration, the show intercuts it with another man’s murder. Bravo on the editing. 
The next morning, the brothers head to the latest crime scene. Dean asks Sam if he made any headway on the symbol. “We’re gonna need an expert.” “Expert? Our expert’s dead.” OMG. OUCH. 
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At the crime scene, a friend of the victim’s stops by and Sam asks him some questions. It turns out the victim cheated on his wife a couple nights prior. The neighbor insists the wife wouldn’t have harmed her husband though. Also, whoever has been killing these men were big and strong.
It’s at this moment that Dean realizes that he forgot his flask at Lydia’s (his workout buddy from the prior night). He calls her but she hasn’t seen the flask and she hangs up. 
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She’s pretty busy at the moment --being really pregnant! 
Cut to later at a very dangerous birthing session (way too many candles), Lydia is told that the “pain is an honor” and I’m not a mother but that is SOME bullshit there. Anyway, she has a healthy 3-4 month old baby she’s told to name Emma. 
Sam and Dean head to interview the mayor of Sunnydale a professor with some knowledge on the sigil carved on the men. He wants money before he’ll talk. They pull the FBI card and tell him that they’ll put in a good word with the IRS and they want answers by tomorrow. 
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Dean is missing Bobby after that little exchange so he decides to head to Lydia’s to get his flask.
Lydia’s surprised to see him. Dean really needs that flask. She goes to get it and he follows her inside. He finds a baby (at least 12 months old?) and Lydia admits that it’s hers. Dean Bean goes into the room to see the baby closer (brb, off to read a few hundred domestic Destiel AUs to fill this giant hole my heart.) 
Dean’s phone rings and it’s Sam. While he’s on the phone with him, Dean hears the baby and Lydia talk. Uh…
Sam heads to inspect the latest vic alone. He finds out a lot of the victims visited the same bar Dean was at a couple nights ago. 
Dean’s staking out Lydia’s place, and watches as the women present at Emma’s birth arrive. 
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Sam calls and gives him grief for obsessing over the woman. Dean thinks there’s something strange going on and he’ll tell Sam when he figures it out. Sam tells him about the bar but Dean hangs up on him as Lydia’s door opens again. The women all emerge with what appears to be a 8 year old girl. Dean can’t believe what he’s seeing. “I hate when this happens.” Yes, fathering a monster baby is a bitch, Dean. He follows the women into a back alley warehouse. 
Dean prowls down an alley, following the car full of women. (Hey, that sentence came out really creepy.) The women disappear into an unmarked building.
Later, Dean briefs Sam on the situation. There was nothing that screamed “baby” to him when he was at Lydia’s earlier. Now, Emma’s an elementary-school-aged kid, to all appearances. He’s suspicious.
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Sam thoroughly mocks Dean for feeling like something’s off with Lydia and Emma. The professor calls, interrupting their conversation. He’s got info!
At their mysterious destination, five young (but slightly older) girls are offered pieces of raw (presumably) human meat and big ol’ glasses of milk. Yum! They’re instructed to complete their “blood missions.” Emma is hesitant to eat the meat. (And who can blame her? Blech.)
At the university, the “I’m super busy don’t talk to me” professor has managed to create a whole slideshow for the boys, who settle into one of the middle rows to watch.
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The symbol is Greek. It’s a combination that symbolizes Harmonia and Eres, a goddess and god who begat the Amazons. The professor disparages the cartoon version of Amazons: Wonder Woman (them’s fightin’ words!). He describes Amazons as having little use for men. They procreate, then kill the male, cutting off several body parts.
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Elsewhere, the head detective holds a hissing phone call with the head Amazon. It turns out that they’re buddies. They know that Dean and Sam are giant fakers and more than that, they suspect they’re hunters. 
Back at their current hotel HQ, Dean digs through Bobby’s dusty old books and drinks from his flask. Sam info-dumps more lore. The Amazons were nearly decimated and bargained for Harmonia’s gift to grow their ranks. She made it so they mate, give birth in a few days, and then the child is mature in just a handful more. Dean realizes that he’s now a father, just as Sam grasps that as well. Use birth control, kids!
Back with the Amazons in training, they’re lectured about joining the ranks of the other women and branded with the symbol on their wrist. 
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Sam summarizes all their victims as rich, successful businessmen - perfect for the Amazons’ gene pool. (REALLY is that the mark of “good” DNA? Really??? Fuck that. There’s so much wrong here I could write a whole damn book on it.) Sam wants to know why Dean got picked. Dean confesses that he pretended to be an investment banker. While Sam judges Dean heavily, papers move mysteriously in the room, exposing a single sheet. Sam pulls out the EMF and it wails at him. Skeptic Sammy points out power lines and a breezy window. Dean thinks it’s Bobby’s ghost. 
Sam picks up the exposed paper, written in Greek, and brings it to the professor to read. Meanwhile, Dean stays where he is, holed up in their room when there’s a knock on the door. It’s Emma! She tells him that she needs his help and that she knows she can trust him because he’s her father. 
Dean’s on guard, but Emma says that she was trapped with the rest of the Amazons and ordered to do terrible things. There are tears in her eyes as she describes getting branded. Dean quietly lets her in.
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Emma asks for Dean’s help to leave town. “I know you don’t want me,” she tells him. (I throw a rotten banana at the screen. How DARE this show.) She begs for his help in finding normalcy. 
The professor - who is doing some really LATE office hours - excitedly tells Sam that the Amazon child is meant to kill the father, not the mothers.
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As Sam leaves the university, the detective from earlier stops him with a single, very strong hand. He notices her Amazon brand and she calls him by name - she knows she’s a hunter. She hurls Sam down the stairs and pulls out a sword, but Sam whips out his gun and shoots her in the chest before she can kill him. So apparently a bullet works just fine.
Emma continues to make a case for freedom. When she says she’s hungry, Dean heads over to check out the fridge.
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Emma pulls out her Amazon blade while Dean’s back is turned and Dean whirls around and confronts her with a gun. Emma argues that it’s her place to kill him. Furthermore, she calls Dean on his hesitation - he won’t kill her. “You haven’t killed anybody yet, Emma. Walk away,” Dean pleads. 
Emma says she doesn’t have a choice just before Sam breaks in and points a gun at Emma. She flashes him a shine of smug monster-face before pleading with Dean, one more time, to help her. Sam shoots her and kills her while Dean looks on in horror. 
A little while later, Dean and Sam sneak into the old building Dean tracked the Amazons to. It’s abandoned. 
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They drive away to the next case. Dean acts optimistic: they’ll find those sneaky Amazons and kill ‘em dead next time. Instead of rallying, Sam goes off on Dean, shouting at him about his hesitation in killing Emma. “She was not yours. Not really.” 
Dean smiles mirthlessly. She was his child, even if she wasn’t his daughter. 
Sam (in a thoroughly OOC way, in my opinion) blows right past this enormous minefield of emotion to tell Dean that he’s off his game. First losing Cas, then Bobby have sent Dean into a tailspin. Sam caps off his inspiring speech with “Don’t get killed.” Thanks, Sam. Good talk.
Natasha: Hi, hello, I HATE this episode. Dean’s lost Cas and Bobby and then this show has the GALL to lob a child at Dean and then CHIDE HIM for not wanting to kill her. Meanwhile, Sam belittles Dean’s hesitation and parallels it to the necessity of his friend Amy’s death. Do you know how dirty and awful I feel every time I think about Amy’s death? DO YOU? And she’d actually killed multiple people by then. We never talk about that one time Dean accidentally fathered a child and Sam killed her mid-conversation, and I can only assume this remains a deep and terrible scar on their souls. I’d forgotten the “breeding” detail but that paired with casting choices make this episode a big pile of YUCK for me.
______________________________
Quotazons:
“Didn’t match anything human” usually seals the deal for me
Nice decor. Very early slaughterhouse
It's a flask, not the holy grail
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Want to read more? Check out our Recap Archive! 
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seenashwrite · 6 years
Note
Dearest Nash, I've touched on this before in (I believe) in a discussion re: why some mainstream fics get oodles of notes while more original ones do not, *but* I wanted to get a bit more specific here. There are certain writers here whose writing has a definite vibe to it (if you will) that separates their work from others, and your name is one of the first that comes to mind. Bear with me, because trying to detail what makes your writing stand out is difficult while trying to articulate a Q
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^ this is a gif with parts 2 - 4, just FYI
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Hmmm… this is a bit of a brain buster. But I can answer it, and I think succinctly, maybe with a touch of that Spidey sense you mention:
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Thank you for your inquiry, hope that helps! 
I kid. But this is a brain-turner. And a characteristic which, like you say, ain’t limited to me. I’d honestly throw comedians under this umbrella, too, not because I’m necessarily gunning for a laugh every time, but because it’s pretty much their job to take a “basic” (a tenet or fact of life or present reality or whatever) and present the observation with a twist. I think of storyteller comedians specifically, your Patton Oswalt-s, Maria Bamford-s, Kathy Griffin-s, and John Mulaney-s.
So if I can sum up, assuming I’m tracking with you, what you’re more or less driving at with the “how” is this –> Is there anything beyond simply personality, or an auto-pilot thought cascade (for lack of better terminology) that contributes? Are there things someone could do/be proactive about, to perhaps cause this same sort of reaction to happen in their brain?
I think there just might be.
Folks reading this, let me ask you a question, and you cannot look it up:
What was the name of the Sherpa guide who led Sir Edmund Hillary up Mount Everest?
.
.
.
His name was Tenzing Norgay.
Nash, what in the name of the frozen corpse of George Mallory does this have to do with Lion’s question?
I shall tell you.
My father told me that fact when I was quite young, so young I legit couldn’t even ballpark my age for you. The context was that having little facts tucked away in your brain may come in handy. Not in a Jeopardy kind of way, more in a conversational way. I’ve no idea why the man thought the Sherpa guide who led Hillary up Mt. Everest would ever come up during a conversation with enough regularity to justify my knowing that fact (aside from him randomly quizzing me throughout my life) but hey, I guess it just did.
But speaking of Lil’ Nash, the situation for her was that she was the eldest of all the Nash litter by miles… like seven or eight years, I’m not bothering to check. So I had a lot of alone time, and my grandmother was my chief babysitter, so prior to kindergarten and then til I was in about second grade (so: all day long during the week, then every weekday after she picked me up from school), I was pretty much always at her house. Yeah, there were toys, but not a lot to do. And I’d read. I’d been reading on my own for a decent while, not because I was some prodigy but because my dad read to me *constantly* when Lil’ Nash was Itty-Bitty Nash, and it “took”. My mom also, every time she went to the grocery store always - and I mean always - brought back a book for me. It might’ve been an Archie comic—-
Mandatory #fuck the CW’s Riverdale tag
—-or a Babysitter’s Club, or Sweet Valley High, Judy Blume, Madeleine L’Engle, Zilpha Keatley Snyder, you get my point. Some small paperback. It would piss Dad off because he’s a cheap bastard and two buck books once or twice a month were really gonna cut into the savings [eyeroll] but also, in a way, because I’d kill it in a half day/a day. Wouldn’t put it down. After awhile, I started writing my own silly little kid stories, then - and this is where the creative writing love came about -  I started writing soap operas for my Barbies. (When I was older - like, 5th grade? 6th grade, maybe? - none of my peers were still playing with Barbies, and I got made fun of when, at a sleepover, they saw my stash. And I was like - No, no, no. Those aren’t for playing. That’s my cast.)
Time went on, and when I was bored at post-church lunch/dinners, I would also read the old encyclopedias at my grandmother’s, the ones from the late ‘60s/early ‘70s that she had for my mom and my aunt. As I got even older and became fascinated with rooting through the boxes in gran’s basement, looking at all the cool old clothes, I stumbled upon my aunt’s collection of Whoa-Hooooo Shit There’s No Way My Grandparents Knew You Read These books. Those kinda Harlequin-esque ones, except my aunt’s tastes run close to mine, none were the same shtick with different covers, shmultzy-sappy romance, there was always some sort of intrigue along with the sexy times, and she also had, like, every legit V. C. Andrews (meaning: not the ones from the ghostwriter, this was way before her death) book.
What is my point? I read a LOT. Now-a-days, other than fanfic (which… straight up: I don’t read a lot of that, either. I peace out on probs 80% of it before the third-to-fifth paragraph. It’s gotta sell me fast, yo) I haven’t read fiction in probably, oh…. 12 years? I think the last ones were the first couple Divine Secrets of the Ya-Ya Sisterhood. Wait, no! I lie! I read the 50 Shades books when I was traveling 2x/wk for a job about 4 years ago, and I needed the laughs. It worked. Oh my days, that woman can’t write. The screenplay might’ve been worse, it goes her, then Buckleming, then everyone else. It’s bad. In any event, past decade or so, it’s more historical stuff and true crime and science stuff and all that old fart jazz.
Okay, so that’s #1: Read. And not just anything, be well-read, and that doesn’t mean developing some level of expertise, by “well” I’m saying to cover the spread. You’re building your tool kit, is all. You won’t use most of it, but it’s nice to have options. You also don’t always have to get this stuff from reading now-a-days, because podcasts. Cover the spread there, too. Lemme look at my bookmarks…. 
[Spongebob narrator voice: A few moments later]
I’m back. Science - Skeptic’s Guide to the Universe; General current stuff without being news - CGP Grey’s Hello Internet; current events with shittons of pop culture, past and present - Greg Proops’ Smartest Man in the World; fun history stuff - The Dollop; entertainment stuff - How Did This Get Made.
#2: Keep a notebook with you and jot down turns-of-phrase that spark something in your brain - things you read on websites, on twitter, in articles, things you hear people say (real life, TV, movies, podcasts), and write it. Don’t snap a pic with your phone or make a note in your phone. There are studies behind this, I’m not hunting them down, you’ll just have to trust me, but there are, and it goes to being reflexive, a brain “muscle memory” thing, if you will. You’re not doing it to plagiarize, you’re doing it to dissect it, kind’ve like you did with the example you gave on me —> went from punch action to punch spiked with booze to a punch with a spiked gauntlet.
Which leads to #3: Mental dictionary. I have a large vocab repository, and it stems from the tons of reading - I stop and look up stuff if I either don’t know it, or it’s used in such a way that I think they’ve got it wrong and want to double-check that maybe there’s another usage I don’t know - and also stems from a drive to combat the (still fairly thick) deep South drawl I can’t kick, and not for lack of trying. But see, I couldn’t have whipped out that progression if I weren’t aware that one definition of “spike” is “to add alcohol to”, or of the common shtick in stories of spiked punch like at high school proms typically, or knew about the existence of spiked gauntlets / old school armor. 
And I guarantee you that a good chunk of people didn’t really “get it”, and just thought “Nash Be Nashin’, that nutty gal”. So they “get it” on that level, but don’t Get. It., if you see what I’m saying. And that’s fine. Maybe it got something cranking in the back of their mind and it’ll hit ‘em in the middle of the night, or they’ll be watching Game of Thrones or something, see a gauntlet and be like “Oh goddamnit, I just got a throw-a-way one-liner from three years ago” and have a chuckle.
Related, re: looking stuff up and things that people “get”? I didn’t know fuck-all about Twilight, but it seemed of import to the folks around 5 years younger than me, the Nashlings wouldn’t shut up about it, so I got a good working knowledge of it. Same with Harry Potter, and through it I got to “know” J.K. Rowling, who I find to be an exceptional writer, so that was great, and I’ve watched the movies for the most part over the years at Christmastime, and I don’t give the first shit about what “house” I’m in, nor do I care about what Patronus I’d fart, but I have a working knowledge of what those are, and horcruxes and who Snape and Voldie are, you get my point. I can keep up. But to do it, I had to take the time to look it up. One thing I would not trade for gold is Michael Sheen chewing the goddamn scenery in that battle segment from the last Twilight movie. Have I watched the movie? No. But that scene is the shit. And that baby CGI is horrific on several subtle levels. And not-so-subtle. I’ve digressed.
Back to those notes: So if you’ve got these notes jotted, you might see something else and think “I feel like that could’ve been snappier…. why do I think that….” And you’ve got a resource at your disposal, that little notebook. Hell, jot that thing down - things you think could be done better. I have in many documents a highlight around chunks of scenes for my big dog story where it says in bold above or below “DO BETTER”. Meaning: there’s a better way to get from A to B, but I’m just not quite there yet. I’m pretty quick on the uptake and can crank out something snappy on the fly (like say, in CASPN chat or when banging out a short reply or thank you note) but there’s definitely times I gotta slap a DO BETTER on it and walk away til that snappy something-or-other light bulb goes off. 
Here’s a recent one where I backtracked, matter of fact - that noir spoof thing I wrote? Along with my co-writer, Moscato? There was a line that I couldn’t hit with a good zinger, so I just said moments were going by like a fat hamster on a wheel, which is cute, but not really grooving with the setting/the vibe. Less tipsy, when I was correcting some inelegant formatting and a misspelling [sigh], I went “Oh! Why didn’t this occur to me last night? Right. Wine.” So the line is now about moments dragging like a rolling donut with a copper on its tail. Get it? The cop’s a fat ass. The donut-cop stereotype.
…….Fine, it ain’t my best, but it fits better. Moving on.
And this leads nicely into #4, and a specific tip I can impart - assuming you’ve got a passable-to-high level of vocabulary in your tool belt, practice messing around with making nouns into verbs, and twisting random stuff into descriptors and using bizarre words/things in metaphors/analogies. Like, I say “adulting” quite a bit. Ali - @littlegreenplasticsoldier - I thiiiink was writing recently about Sam being drunk, and he’s a tall wobbly Jenga tower on his last Jenga. Going back to the noir, pulpy detective style, try messing with the whole “S/he was like a ___ that ____”. Add on to stuff that’s well known - He was like a dog with a bone, if the bone was a ____ and he was a ____ and we were in a ____. (I have *nothing* in mind to fill those blanks, by the way, feel free to twist it into sumpin’)
What else…. okay, here’s a #5: In drafts, let yourself wander, and see what kicks out. It can be fueled by silliness or anger, but I don’t reckon you’re gonna get the “snappy” you’re aiming for if you’re down in the dumps and going full-court-press angst. The best stuff, IMO, comes from the space in between goofy and pissed, and that is The Land Of Snark. You can always re-style it to bend more dry or wistful should you need to, certainly, depending on the situation.
Have a sample of a primo Nash Digression that was fueled by ire in a recap from Season 12 (episode 19). I had said - RE: the random inclusion of the character Joshua, which still pisses me off because they burned a character that held massive potential for future stuff as he’d been shown to be the only angel with direct access to Chuck, so, y’know, that could never come in handy, like ever again in the series, right? - the following.
Mandatory pre-emptive #fuck Dabb
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[Spongebob narrator voice] A few moments later —> 
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On god, I have no idea where that came from, and here’s where we go back to ol’ Spidey up there, because end of the day?
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All that other stuff’s the foundation, sure, but there’s always gonna be the weird iggy, the thing that can’t be learned or taught, whatever the quirky synapse is that fires off in my/our brains. In my experience, it’s an ADD-ish sort of jam mixed with the Nostradamus effect. Meaning, (A) we’re at Level 10, rapid fire thought processing >50% of the time, and (B) throw out enough stuff for long enough, some of it’s going to stick. And I whiff it plenty. Multiple times in CASPN chat I’ve been like “Whoo, tough room” when something falls flat.
A specific example: @mrswhozeewhatsis - and I think you saw this, but anyone else seeing this may not have - gave probably the most fantastic analogy I’ve seen regarding the whole “getting it” thing, and while it was on the topic of meaty plots that get too far into the weeds (my specialty) and how it can lessen appeal to a broader audience, it still applies here. 
She said “Sometimes, when I’m reading something of yours, I feel like there’s a joke I’m missing. It’s like watching Spaceballs without having seen Star Wars.” I say that to say - nobody’s gonna land references that cover the spread 100% of the time. And, y’know, fine. I figure maybe it’ll prompt someone to do a quick google for - well, let’s use Spaceballs. Most folks will no doubt get the Star Wars part, but maybe not Spaceballs. Maybe they’ll check it out, find something they enjoy. Or learn a new word. Or get a brainstorm for a story. Who knows?
Last tip: Don’t actively mimic anyone’s style. Much fail. And I don’t only mean because if they’re on a social Venn diagram with you, would likely recognize themselves in your stuff——
Takes a moment to wave to the peeps still trying with me! #bless your hearts
—–but because it’s fucking hard. I did it broadly on the noir thing, that’s not a hard thing, to homage generalities, but the way I’m messing with doing this on that silly Princess Bride series? Purposefully styling it like Goldman? It’s good  challenging and all, and it is making it feel more in the groove with the book/movie, but I have to be in the right frame of mind or it’s like fingernails on a chalkboard, and when I have pushed it, then gone back, it’s sloggy, soggy garbage.
I say all that to say: it’s an amalgam of brain-wiring/personality, and world/life perspective(s), and knowledge acquired over time. The first just is; the second will evolve in myriad ways, maybe for the better, maybe for the worse; the last is the one where you/we have control, we can fill bucket after bucket of information, and the well won’t ever run dry.
Sorry this took so long. I kept adding and subtracting. This is the edited version, if you can believe it. Welcome to Nash Brain. 😉
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Um, I'm sorry to ask this, but I don't know who else to come to for answers. For some reason, I remember Sam sometime in season 8 (probably early in the season) thinking about going back to school - either maybe mentioning it, or just looking at school stuff on his computer or something that gave me that idea. Did I imagine this, or did it really happen? I genuinely don't know. Could you please help, or point me to someone that can? Thank you so much!
it’s from 8x03, so Buckleming, and somewhere in the enormous soup of non-stop exposition that is that episode so I think it’s reasonable no one should remember… :P 
Here’s the interesting Sam Stuff from the episode:
DEANUh, we just spent a week chasing our asses trying to lock Kevin down, okay? And look at us. We’re – [He looks around at their surroundings.] Where the hell are we?
SAM[slowly] Farmers’ market. [He holds up the apple.] Organic. What? I had a year off. I took the time to enjoy the good things.
DEANWhile avoiding doing what we actually do.
SAMWow, Dean, does it make you feel that much better every time you say it?
[…]
SAMWhat?
DEANWhat are you thinking about, organic tomatoes?
SAMUh, I’m not thinking about anything.
DEANI don’t know about you, but this last year has given me a new perspective.
SAMI hear you. Believe me.
DEANI know where I’m at my best, and that is right here, driving down crazy street next to you.
SAMMakes sense.
DEANYes, it does.
SAMOr… maybe you don’t need me. I mean, maybe you’re at your best hacking and slicing your way through all the world’s crap alone, not having to explain yourself to anybody.
DEANYeah, that makes sense, seeing as I have so many other brothers I can talk to about this stuff.
SAMLook, I’m not saying I’m bailing on you. I’m just saying make room for the possibility that we want different things. I mean, I want my time to count for something.
DEANSo, what we do doesn’t count?
[…]
DEANJust heard back from them. They haven’t seen the guy in days. Uh, oh, got another e-mail here, too. This one is for you. From a university. Answering questions about admissions.
SAMJust something I’m looking into. An option.
DEANYou’re seriously talking about hanging it up?
SAMI’m not talking about anything, Dean. I’m just looking at options. [DEAN stares at him.]
[…]
DEANWow. Back in business. Got the win. Admit it – feels good, huh? You know, I was thinking about what Randa said about, uh, you know, what it feels like to be a warrior. I get it, man, I do.
SAMI know. I know you do. I don’t. Not anymore. Hell, maybe I never did.
DEANCome on, Sam, don’t ruin my buzz, would you?
SAMDean, listen, when this is over – when we close up shop on Kevin and the tablet – I’m done. I mean that.
DEANNo, you don’t.
SAMDean, the year that I took off, I had something I’ve never had. A normal life. I mean, I got to see what that felt like. I want that. I had that.
DEANI think that’s just how you feel right now.
(And then he has that flashback about Amelia and looks mournful about his lot in life) 
Burying characterisation in a talky talky skippable Buckleming episode should be a crime :P
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deanwasalwaysbi · 3 years
Text
The Meta I Wouldn’t Write
Some of you know I write a lot of metas on spn. I’m doing my first rewatch of the show, which started post finale just to evaluate at what point deancas/destiel and Bi!Dean became intentional canon.  l’ve ended up analyzing the shit out of this show, finding more subtext, queer characters,  canon ships, and easter eggs than I ever thought possible. I’ve ended up most interested in the extensive queercoding I’m uncovering as I rewatch, something I truly hadn’t studied in detail before. 
SPN played a lot with the genre it was born from, the Hays era horror movies that coded queer characters as villains and vice versa.  The only means of inclusion at the time, caricature rather than silence.  I love teasing out when SPN subverts these tropes or pays homage to pieces of media that were radical or daring.
What I am not interested in is queercoding that is not tongue in cheek, is not playing with films of the classical era, but is rather actually repeating the idea that gay people are villains that the public needs to be protected from.  I write a lot of posts about tiny or hidden moments that punch you right in the feels. So when I tell you that one of these lil queercode references disturbed and upset me so much that I decided not to write it up and publish it, you might understand that’s bad.
When I tell you that the ‘homage’ in 14x02 ‘Gods and Monsters’ reads, in hindsight, like someone told BuckLeming, ‘yeah, we’re queercoding everything now and it’s your turn, get on board’ and then didn’t explain to them that the idea was not to play into the idea that homosexuals are predators, just believe me when I say that I am irate and I am disgusted and I am wondering - If this was a move to a coordinated effort and, if so, why the hell nobody was supervising them?
Is this my proof that Dabb was giving the whole staff the memo? Is this a fluke? Did it not occur to him? Did Dabb not know any f’ing better?
luckily - Speight and Jensen really changed things, [imo and estimation with nearly the only basis for that opinion being I want it to be true and that Jensen acted the shit out of it], making these scenes powerful, and fuck, watchable, but I could not get through the original scene being referenced and I wouldn’t recommend it to anyone.
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