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revasserium · 11 months

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狐と蛍の物語 (the story of the fox and the firefly)

harrison; 4,064 words; fluff and angst a/n: for @violettduchess and @aquagirl1978's summer days, sultry nights event -- prompt "fireflies" (obviously); i'm also gonna say this counts for my 31 days of au prompt -- reincarnation!au; inspired by hotarubi no mori e and catheryn m valente's deathless and honestly, i'm so proud and happy with this one that i'd encourage you to read it even if you have no idea of the fandom/character. u__u i would love, love, love to know what you guys think!

once upon a time, a long, long time ago, there lived a girl who only danced to the firefly’s light and a fox who could tell nothing but lies.

01.

for as long as you can remember, there’s always been the wood. and it has always been behind your house, it’s leaves and branches foreboding in the winter wind, and somehow less so in the simmer of mid-summer afternoons, when the sunlight dappled light across the soft, forest floor. it isn’t a very large wood, but it’s a wood nevertheless, and deserves all the respect and fear afforded to bigger woods in faraway places. woods that warn of teeth and terrors, woods that hide both dreams and monsters.

you’d been wandering the wood from when you were a little girl, and to you, there’s not a single rock you don’t know, a single tree you haven’t tried to climb. and the forest knows you, as forests do the people who frequent them, and it welcomes you with open arms, it cradles you to its chest, whispers stories into your ears, carves itself open to show you it’s secrets —

“you’re late.”

you crinkle your nose at the familiar voice, letting out a huffing breath as you drop your picnic basket in the middle of the small, sun-lit clearing, taking your time with laying out the checked picnic blanket and two cups and saucers for tea, and finally, pulling out a tray of confections, covered by a thin, linen baking towel.

“no, i’m not! you just want me to think i am so i’ll give you more than half of the sweets.”

a boy settles over the picnic blanket, cocking his head at you before you narrow your eyes.

“well? isn’t that true?”

“ahh… i wonder if it is…” he says, but you can hear the grin in his voice, even through the material of his fox-faced mask, which, after a few more seconds of posturing, he pushes up onto his forehead. he shakes out his milk-tea hair and slates you a poison-ivy grin. you know that grin like you know the woods— and you know the woods like you know the backs of your own hands. better, even, you think sometimes.

because for as long as there’s been the woods, and as long as you have wandered it’s depths, the boy with the fox-faced mask has always been there.

“there were fresh strawberries at farmer’s market today,” you say, setting up the tea service as you nudge the opened picnic basket towards the boy with a foot. he peers in with wide, curious eyes before letting out a soft noise of contentment as he reaches in to pull out a slice of freshly baked strawberry cream cake.

“your grandmama makes the best pastries in the world,” he says, and there’s such sincerity in his voice that for a moment, you almost believe him.

but you nod and take the compliment in stride, “she sure does!”

he digs in with gusto even when you tut that the tea hasn’t steeped properly, but you laugh as he smears a large dollop of whipped cream across his cheeks. you point it out to him with a dainty finger, and as always, you fight the urge to reach over and wipe it off for him. instead, you hold yourself still and sigh as he finally gets to it, smudging a bit into his hair in the process.

“clumsy fox,” you giggle, pressing a hand up to your lips.

“picky girl,” he snipes back, but there’s that full, sated grin on his own lips as he leans back, his elbows propped up on the soft grasses of the clearing.

after a moment of pleasant silence during which the leaves sang on their trees and the grasses swayed beneath the breeze, the boy turns towards you.

“so. no dancing today?”

you turn your head towards him before casting your eyes up towards the still bright blue sky.

“you know it’s not time yet.”

the boy heaves a melodramatic sigh, sound much bigger and larger than his 14-year old body should be able to hold.

“ah… right, right — because you can —”

“— only dance by the fireflies’ light — yep!”

the boy regards you with an imperious sort of look before breaking into a fit of bright, open laughter.

“you’re the strangest girl i’ve ever met!”

“just you saying that tells me it’s not true,” you stick out your tongue at him, even as heat washes up into your cheeks.

the boy shrugs, lying back down on the picnic basket, “i don’t always have to lie, y’know.”

and it’s your turn to regard him with the imperious look, and, a the cock of a singular eyebrow, his lips tug into a lopsided grin. his eyes flash, the color of budding spring.

“liar,” you say, but you’re smiling too as you lie back down to watch the clouds pass.

he makes no sound to correct you.

02.

once, you’d asked him what his name is and he simply shook his head and said —

“call me whatever you’d like.”

“but i want to call you by your name.”

“what’s in a name anyway?”

“uhm… nothing’s in it but…” you’d frowned then, your eight year old mind spinning to try and catch up with this strange, strange question and this strange, strange boy.

“see? so why should it matter what my name is? just… call me whatever!”

but you’d only frowned hard enough for him to roll his eyes.

“fine then — uhm — what’s the name of the current prince?”

you’d blinked, “harry.”

“then call me that.”

“but is that your name?”

“well, now it is.”

you hadn’t been convinced but you liked it better than not calling him anything at all.

“harry, then,” you’d said, smiling. and the boy — harry — had smiled too, slipping his fox-faced mask back in place as he led you further into the forest.

03.

“y’know…” harry says, his voice light as the sun dips beneath the horizon line, leaving behind a blaze of reds and pinks. you turn your head, eyes catching on the shape of him, inked out against the dying light.

“you’re the only person i’ve ever met who’s wanted to be cursed.”

you take a long breath and turn your eyes back up to the bleeding sky.

“well. you’re cursed, and you seem just fine to me,” you try to keep your voice strong, resolute and steady. grandmama had always said that if you keep your voice strong, people are more willing to believe your words. you wonder if that’s why harry’s voice is always soft, always lilting, his words slippery as moss-covered stone.

“yeah, but you can’t even touch me,” he says, and for once, his voice is harsh, his words sharp and hard as broken glass.

“that’s okay though — once i get my own curse, i’ll be able to touch you, right?”

harry fights back the urge to turn, to take you by the shoulders and shake you till you push him away. he wants to scream, to howl at the moon like the mother wolves and the hungry cubs that live in the heart of the wood. he wants to run through the woods, crash into things, climb up the trees and shake off all their branching leaves.

but he can’t, and so he doesn’t.

instead, he turns to look at you and look at you and look at you.

he wonders if it’s a strange thing, to like looking at someone so much, to find something new about a face every single time it’s looked upon — the wisps of hair fallen loose to frame your face from the velvet ribbons holding it back, the curve of your button nose, the dip of your cupid’s bow. he wonders if this is a normal thing, the thick weight of it in this chest, the truth of his curse sitting heavy on his tongue.

“yeah… probably,” he says — and the lie is smooth as milk, sweet as just-spun sugar.

“good. then we won’t have long to wait, hm?”

04.

there’s a story, so you’ve been told, of a fox that lives in the woods — and the fox can tell nothing but lies, lest the truth cut open it’s throat. and when it bleeds, because even monsters bleed (oh especially monsters), it will bleed in blue and silver, which everyone knows is the color of magic.

“but why would telling the truth kill it?” you’d asked, your eyes wide and round as the full-bellied moon.

your grandmama had sighed, rocking you in her lap as the forest outside shivers and shakes with the steps and breaths of creatures unseen.

“that’s what curses do, my sweetest… they’re unfair things, they are. and they don’t like to make a lot of sense.”

and that had been that. she’d moved onto a nicer story, a sweeter story, a story that was not so much truth and mostly lies — because the truth, as your grandmama had said, is sharp and unfair and makes so very little sense.

lies are much, much the better for the makings of stories.

05.

he has never complimented you on your dancing, not even once — not in all the years you’ve been dancing for him, by the light of a million and one fireflies.

you’d been eight when you made the promise, it’s been ten years since then.

and at eighteen, you wonder how many more years it’ll be before the moon or the forest or whatever it is that chooses people to curse will take pity on you.

it’s just after sunset, and you’d just finished your customary sunday afternoon picnic. harry is sprawled out on the picnic blanket, his fox-faced mask lying in the soft, long grasses, an arm thrown over his eyes. you wonder if he’s asleep, though you don’t think you’ve ever seen him fall asleep, not in all the time you’ve known him.

“music, please…” you announce to the clearing, and after a long pause, as if the forest itself is coming to life, the wind picks up — the leaves rustle on their branches, the birds sweep up into a twitter wingbeats and song, the grasses around the clearing hish and hush the thrumming baseline to a music that only you and harry and the forest can hear.

slowly, harry pushes himself up, making a show of rubbing his eyes, and in the darkness you can only see the shape of him.

you don’t see the prickle of tears at the edge of his eyes as he wipes them away.

instead, you close your own eyes and wait.

and wait.

and then — at the first flicker of a firefly’s light, you lift your hands and start to dance.

06.

once, you’d asked him how he’d gotten cursed in the first place.

“it’s a long story,” he’d said.

“i’ve got a long time,” you countered.

he’d crinkled his nose, pursing his lips as the pair of you hopped over a narrow stream, him watching as you teetered on the edge of the water.

“hm… well, if you do something a ton of times in the wood… the wood decides that that’s all your good for, and it becomes your curse!”

you’d blinked up at him from over your shoulder, a soft smear of mud on your cheeks.

“oh… it’s that easy?”

“easy?”

“i mean, to get a curse.”

he’d narrowed his eyes, “why would you want a curse?”

you’d straightened up, pressing your palms down your rather sullied dress.

“because — you said that i can’t touch you cause i’m human, right?”

“uh-huh…” harry had nodded, uncertain of where your child-logic had taken you.

“but other cursed things can touch you, right? like the wolves and the shadows and the queen of ravens.”

harry bit his lips. but you seemed to have taken his silence for consent and happily skipped off further into the forest. he’d never corrected you even as he heaved another world-weary sigh and followed after you. because technically, you hadn’t been totally wrong.

and his curse was only that he couldn’t correct you.

07.

your mind wanders as you begin to dance, and these days, it’s been doing a lot of that — wandering. so your grandmama says that it’s a part of growing up — learning when to let your mind wander and when to reign it back in, hold it on a tighter leash and tell it to wander no more. it’s a blessing to be able to let your mind wander, and so you do.

it’s just that these days, you can’t help but notice that it’s less of wandering and more of… well, a straight-shot descent to a well-known destination. and you know from a whole childhood of actual wandering that if you know the way and you know what you’ll find at the end, then it’s not wandering at all.

it’s just going.

but still, you let your mind go where it wants, and lately, it’s been going and going and going... to harry.

harry and his soul-soft laughter, harry and his knife-edge smiles, harry and his loose, lethargic movements, unhurried and always so certain. back when you were both still children, he’d led you through the forest with nothing but his voice, spouting out random facts that were much too outlandish to be true, and later, when you were both a bit older (and you’d long since memorized every bit of forest there was to memorize), he’d walk alongside you in companionable silence.

you knew his favorite trees, his favorite flowers, his favorite birds and colors, his favorite season, his favorite sweet, his favorite fruit and so many others.

and still, it feels as if you don’t know him at all, even though you’re certain he knows everything there is to know about you.

except…

you spin out on the long grasses, the light of a million and one fireflies dancing across your skin, dancing with you, singing with you as the forest does. and above you, a crescent moon cuts a sinister smile into a lonely, starless night.

years later, you’d wonder if the night had known — if the wood had known (of course, of course it had known, because there are no secrets the woods do not know, no secrets the waning moon doesn’t keep from the sleeping earth), if the entire world had conspired against you and for you that night.

when you finish dancing and the last of the fireflies flicker down to rest on the long, soft grasses, you’re breathless with exertion, luminous with exaltation and drunk on the song of the forest and a million and one lightless stars.

in the middle of the clearing, harry is smiling, you can see it even from here, and for the first time since you’d danced for him the very first time, he brings his hands together and claps.

“that was… beautiful,” he says, and his voice is deeper now, supple and sweet with the night air.

“th-thanks! phew — i really think that might do it,” you say, plopping down on the picnic blanket next to him, spreading wide your arms and staring up at the velveteen sky above you.

08.

once, you’d been told another story, though you don’t quite recall who you’d heard it from. maybe your grandmama, and maybe the old man who sits in the village square after all the longest days of the year, smoking his pipe and telling his stories.

“do you know why the cursed forest creatures can’t touch humans?”

“why?” a village boy had asked before you had the chance to.

“because… if a cursed creature touches human flesh, the cursed creature will die.”

“oh…” you said, clutching your hands to your chest, and you’d never really thought about dying. because really, what ten year old in their right mind would? but you knew of the concept from when grandmama talked about grandpapa — how he was there one day and then the next day he just… wasn’t.

“he died in his sleep,” she’d said, a tone of sadness in her voice that you’d never heard there before and wished you’d never have to hear again, “it was the best way to go.”

you’d wondered then if there’s really such thing as a “best” way to go. wouldn't the “best” thing to be not going at all?

“then… do the cursed creatures get to live forever?” you asked, before the village boy could cut in.

the old man took a long sip from his pipe and blew out a few concentric rings of smokes before coughing and waving it all away.

“no… you see, if the cursed creatures get to pass on their curses, they’d get to be reincarnated into being a human once more.”

09.

“do you… really want to be cursed?” harry asks as the pair of you share in the silence after your dance.

you suck in a long breath before pushing yourself up to sit in front of him, careful to keep your knees from bumping his.

“of course i do! it’s… it’s what i’ve been trying to do since i was like — eight!”

“but… why?” and harry’s voice is small, smaller than you’ve ever heard it, even though now, his eighteen year old body should carry a much heavier, harder sound.

“because,” you say, resolute as you’d always been, “once i’m cursed, i’ll be able to touch you.”

“and why… is that so important to you?”

harry casts his eyes towards you; you catch his gaze with yours, holding it steady. and in that moment, you mind lets go of the story that the old man told you. because it was a long time ago, and the story was so, so far away. and sometimes, the mind chooses which truths it wants to listen to, which truths it wants to believe in.

sometimes, it chooses truths that don’t look like truths from the outside in, but from the inside out — they’re the truest things to ever be true.

like this one —

“because i want to touch you. because… it’s what i’ve wanted since i was a little girl. because�� sometimes, i think i want to do more than touch you — sometimes —” your voice catches on a hitched breath, lost somewhere in your chest, somewhere between your heart and your throat.

but then, darkness descends over your vision and it takes you a long moment to realize that you’re staring at the inside of a mask, thin but solid — the fox-faced mask that harry always wears.

and then pressure, and warmth, right where the fox’s dagger-carved grin usually is, so close to your own lips you can feel the heat.

it holds for a long, long moment, and then it’s gone.

the light returns as harry tugs the mask from you, grinning that teasing, lopsided grin of his, though there’s something about it tonight that makes your heart seize.

“tell me, one more time…” he says, and his voice is jagged with something that sounds painful and true and so, so terrible.

“i — i want the curse…” you say, before you really realize what you’re saying, and it takes you a moment to realize that this too, is the truth.

“okay then… it’s yours.”

and he leans in to press his lips to yours.

the truth, harry realizes, is always bitter, and harsh, and much too sharp. when he pulls back, he presses his palms to yours and lets the moon wash the clearing in blue and silver. you gasp as you feel the magic creeping into your bones, tugging you under, dragging you through the cracks in the world even as harry is tugged away from you back to the world of the living.

“w-was this all a lie?” you ask, because inside you, your heart is fighting for it’s last few beats.

“no,” harry says, his voice is pained, and his expression even more so, because every truth he tells cuts him a little deeper, and he feels his throat constrict over the words, “your dance really was beautiful… and…”

he swallows hard, feeling the knife-edge of this one final truth slicing through him, sharp as moonlight, sweet as the lightless stars.

“i love you. please… don’t forget me.”

and already, you can feel the truth starting to hurt, starting to constrict inside you like a curse. but still, you force it from you as harry flickers and fades along with the light of a million and one firefly lights.

“i — i won’t.”

10.

“but how exactly do you transfer a curse?” the village boy asked, his voice loud and jarring.

the old man takes another long sip of his pipe, puffs out a few more smoke rings.

“through a kiss,” he said.

you blinked. a kiss?

“ew!” the village boy recoiled then, shrinking back from the thought of kissing — because that’s what children are taught to do at such grown-up concepts as kissing.

you, on the other hand, you stayed right where you are, but a frown has creased your tiny, child-like brow.

“and the trick,” the old man continues, his smile going wide and a little lascivious, “is getting someone who will take their curse willingly… to accept the kiss.”

01.

for as long as harry can remember, there has always been the wood. and in the wood, there’s always been a girl with a fox-painted mask who danced to the light of the fireflies.

once, when he’d gone exploring (even though his grandpapa had warned him time and time again about going into the wood by himself), he’d nearly run into her and she’d cocked her head when he’d fallen face-first near the bank of a tiny stream, smearing mud across his cheeks.

“you’re strange little boy,” the girl said — and she could be no more than his age, harry thinks.

“and you’re a weird little girl,” he counters, his eyes catching on the bright red of the fox’s painted mouth.

there is magic at work here, harry knows, though he doesn’t know what kind, and all he really wants is to explore the woods behind his house, to know all there is to know of the world, and perhaps — he thinks as you turn and make your way deeper into the forest — to one day hold the hand of the girl with the fox-faced mask.

but that’s a wish for another day, he decides as he follows after you, jogging to catch up and ask for your name.

“ah… what’s in name,” you say, you voice light and languid, even as he frowns, “you can call me whatever you like.”

02.

once, harry had asked his grandpapa what the truest feeling in the whole wide world is.

and his grandpapa had answered —

“that, harry, would be falling in love…”

“falling in love?”

“yes, my dear boy — and the thing about love is that it’s like a curse… but it’s also like a blessing.”

“but… how can a thing be a curse and a blessing?”

then, his grandpapa had smiled, a smile that is starlight and wolfsong and all the secrets the forest ever has to tell.

“because we are doomed to always, always fall in love, my boy — and it will always, always be like handing someone and knife and asking them to cut open your throat.”

#harrison gray #ikemen villains #ikevil #ikevil harrison x reader #ikevil harrison #harrison gray x reader #ikemen series #summer days sultry nights ccc #angst mcgee #floofy floof floof #uHM i refused to apologize hoLY shit you guys i fucking adore this story.#fUCK goddamnit i am so high rn on having written this u__u but like PLS dear god tell me what you thought i have SO MANY THOUGHTS AS WELL #here are some concepts that i rly fucking adored: the ease of lies and the difficulties and harshness of truths #the fact that loving someone will always be the most painful thing you'll ever do #and that sometimes a thing can both be a lie and a truth -- or a lie that becomes the truth #and GOD it is not a sin to want things because sometimes the world wants us to want things that we shouldn't want #and sometimes the world wants us to want things because there are stories carved into the grooves of the world #stories so old that the world would end before it stopped telling these stories and children have been getting lost in the woods #since the inception of humanity itself u__u and that's a story that always needs to be told #because isn't that what growing up is about? the realization that not all truths are true and not all lies are all the way lies #and that most things actually live in between? uGH #anyway u__u im emotional and tired #pls read this <3

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lulu2992 · 9 months

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Before things got better, they momentarily got worse…

(Although more violent things happen or have happened in Far Cry 5, I felt this needed a Mature Community Label, just to be safe)

Chronologically, this is the first time my Deputy Taylor’s story (you know, the one I’ll never fully write) really diverges from canon. This is also the least pleasant thing that happened between her and the Baptist.

Context and explanation under the cut:

While John is busy taking Hudson back to her “room”, Taylor manages to grab a knife in his toolbox (with her teeth) and to cut the ropes around her wrists. She considers leaving the Confession room to go look for her colleague, as we do in the game, but she quickly realizes that not only has she no idea where Hudson is, but that trying to find her way through an unknown, presumably huge bunker filled with cultists also isn’t the best idea. Instead, since the chair is still intact in this scenario, she decides to sit down, hold the ropes around her wrists to make it look like she’s still tied up, and wait for John to arrive so she can ask him where Hudson is… and maybe tie him up and steal his key, while she’s at it.

When he comes back, he seems relieved that she’s still here, and he politely (but not without a hint of irony) thanks her for her patience. She tenses when his eyes linger on the ropes for a few seconds, but he then simply smiles at her and asks if she’s ready to Confess her sins. She shrugs and replies that she doesn’t really have a choice.

“Very well,” he says. “But before we begin…”

He comes closer and leans over her, placing his hands on the ropes around her wrists.

“…did you really think that I wouldn’t notice?”

At this point, he’s not smiling anymore. Feeling suddenly cornered and in danger, Taylor pushes him over using her feet and a fight ensues, during which they mostly try to subdue (and not kill) each other. He’s a more powerful opponent than she expected him to be, partly because he’s absolutely furious that she “betrayed” him, and anger makes him stronger. At one point, he even manages to overpower her and, in pure rage, puts his hands around her neck.

A few seconds later, the Deputy’s survival instinct will cause her to deal a powerful blow to the Baptist’s left cheek, effectively knocking him out.

Taylor was wearing a t-shirt when she woke up in the bunker, but it was ripped open by John, as it is in the game, and she lost what was left of it in the fight. She even briefly used it as a “weapon” to try to make him lose his balance. That said, I want to stress that this scene isn’t supposed to look sexy, and they were too busy fighting to really pay attention to that anyway. John also lost his glasses that day, as you can see on the right of the picture.

I don’t know if you noticed the bruises on Taylor’s neck, on her knuckles, and on John’s cheek here, but if you did, that explains them.

Later in the story, when their Wrath has considerably subsided and their relationship has positively evolved, they will get to talk about this incident again so they can move forward together. Acknowledging your past helps you build a better future.

#I don’t want to overlook the ugly parts of their story #and I think they shouldn’t either #that’s how you grow #‘enemies to lovers’ means they were enemies after all #taylor rook #my deputy #the deputy #john seed #john seed x deputy #well not here obviously but it’s still part of their story #my art #fan art #traditional art #digital coloring #far cry 5 #the background is an edited screenshot #two edited screenshots actually #one from new dawn and the other from the arcade editor #I rebuilt part of the confession room for this #story: 'that fic I’ll never write'#drawn in january 2023 #this is the antepenultimate ‘old’ drawing!#will I manage to post them all before inktober?#I still like the lighting #but it’s too bad we can’t really see john’s outfit because I spent time on it #I struggled with his shoe and it’s barely visible :’)

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the-jam-to-the-unicorn · 28 days

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Easter Greetings by the President of Ukraine

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Great People of Great Ukraine!

Today we celebrate a significant holiday — the Resurrection of the Lord. Easter. Easter symbolizes the liberation of the human soul from the slavery of evil and darkness. It symbolizes the victory of goodness and justice, the victory of life over death.

We have been fighting for all of this for 802 days in a row. 802 days of freedom standing up to darkness, valor standing up to terror. 802 days of our resistance, which can be described by the words from the Gospel of John: "The light shines in the darkness, and the darkness has not overcome it…"

The exact same words are dedicated to one of the exhibitions at St. Sophia Cathedral, where I am now. Together, this exhibition and the other works by various Ukrainian artists convey a deep meaning. These are the icons on ammunition boxes. They are saturated with the smoke of our land and the spirit of our people. They are the symbols of great trials and great power that helps us overcome them. Each of these icons is like a divine manifestation, a proof that the heavens are with us, an answer to the question of why Ukrainians have withstood. It is because in the most difficult circumstances and in the darkest times we are able to create light. We can do it on boards scorched by fire and grief, that came from Ukrainian cities and villages exhausted by suffering. We can do this by combining the seemingly incompatible: the war and the Lord, by overcoming evil with faith, overcoming adversity with hope.

When taking a closer look at these icons, one can understand the feelings of our entire nation. It's a mirror that reflects our reality in times of war, the path we have already taken, and this Easter, and our entire present. This is what our amulets look like today. This is how we feel that God is protecting us through the hands of our warriors. This is how we see the protection of the heavenly forces, embodied in the Security and Defense Forces of Ukraine, every Ukrainian who devotes themself to the sacred cause of defending their native land from darkness and evil.

These icons bear the names of heroes who sacrificed their lives to protect us. They showed that Ukrainians kneel only to pray. And never do they kneel in front of invaders and occupiers.

The Bible teaches us to love our neighbor. And the present has shown us the true meaning of this word. When we support and help each other even hundreds of kilometers away from one another. We protect each other. We pray for each other. When we all have become closer to each other, we have become each other's neighbors. And our former neighbor, who was always making us take him for a brother, remains distant from us for centuries. They have broken all the commandments, coveted our house, and come to kill us. The world sees it.

God knows it. And we believe that there is a chevron with the Ukrainian flag on the shoulder of God. Therefore, with such an ally, life will definitely prevail over death.

As we overcome a common path and experience common pain, we are all united today by one common prayer. We pray for all our warriors who are celebrating Easter in the trenches and on the positions. We pray for our warriors of light, who restrain demons in all directions. We pray for those who keep another commandment in their lives: to defend Ukraine. We pray that they all come back alive.

We pray for all our civilians who work hard every day to strengthen our state and ensure that it successfully overcomes evil. We pray for those who live and work for this purpose.

We pray for all our children, for all the boys and girls brave far beyond their years, whose childhood was stolen from them by Russia, but who, despite everything, have not forgotten how to smile and believe in miracles.

We pray for all our mothers and fathers who were robbed of a happy, peaceful aging, and who, despite everything, are holding on and taking care of us.

We pray for all our cities and villages, that should feel the Lord's grace, not the constant terror of evil, and which have black clouds hanging over them, and bombs and missiles coming from those who belong in hell, not in the Ukrainian sky.

We pray for our lands and our people, whose spirit cannot be broken. And we remember the words written in St. Sophia Cathedral above the Oranta image, which came true in our lives: "God is in the midst of the city, and it will not be shaken. God will help it before dawn.”

Today, we are praying for all Ukrainians who are waiting for this dawn and will certainly see it. They will find peace, truth, and God, who will return to the scorched land, the land scarred with craters and trenches. He will return with peace, tranquility, and flowers instead of mines in the fields. He will return with children's laughter instead of the roar of an air alarm. The light that will return to all of our Lord-given land, to all the territories that are temporarily occupied by the devils. God will return to Mariupol. To the slag heaps and the seashores. It has always been so. It will definitely be so. I believe in this every day, especially on this glorious day in this glorious place, the history of which reminds us that neither the Horde invasion, nor the Nazi occupation, nor the Russian terror will be able to wipe us off the face of the Earth.

May the heavens strengthen our will in the battle against thralldom. May they give us courage for new achievements and wisdom to appreciate all that we have already gained. May they give us the strength to maintain unity, and give us unity to enhance our strength. May God grant eternal rest to all those who gave their lives for Ukraine and everlasting peace to their descendants, to all our children and grandchildren, and to all our future generations. They have the sacred right to know what a peaceful Easter in a peaceful Ukraine is.

Today we pray for it and we fight for it.

And the light shines in the darkness...

Happy Easter to all of you, dear Ukrainians!

Christ is risen!

He is risen indeed!

#what a touching and moving greeting #perfect words again after over 800 days of full-scale war #always amazes me how he and his team are able to (still) do this #the shade at russia and all the “russia is your neighbour” people...#also loved the images he painted with his words #god wears a ukraine chevron...#for some reason this easter greeting felt a lot like the on in 2022 #maybe because the situation feels so weirdly similiar #lets hope this also means the same successes for ukraine and they can liberate land #i love how he always talks about the “we”#including all of his people #these videos are never about him and praising himself #theyre always about ukraine and its people in the end #a servant of his people i have said it before and i will say it till the end #this man breathes and lives for his country and his country alone #he is committed to it and his goal and only that #ready to sacrify himself if necessary to give them peace and a future #his people and all the kids of ukraine and with this also his kids #he may be small but he is one of the greatest #i always have to think back to that one interview where he said he wants to be of use #he wants to feel needed #he really wants to change something for the better #and he does #and he is needed so so much #even though this is the worst period of his time and he has to give up and sacrify the dearest thing to him #he probably finds his purpose in it #may he find peace and calm afterwards #surrounded by friends and family to grow old #Youtube #volodymyr zelensky

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thefiresofpompeii · 5 months

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based on all the harsh criticisms i've made in posts above towards the "competing over amy" narrative, i should for all intents and purposes absolutely detest the episode 'amy's choice', but instead it almost reads like a full-on deconstruction. it feels self aware. the dream lord takes on the role of a narrator, a vector for the author's voice, not quite breaking the fourth wall but pressing up close against it, not quite hanging a lampshade but holding it over the light. it's... clever, and tricky, and i need to think about it more, but i'm genuinely leaning towards considering this the best episode of series 5 (so far) by a long shot.

themes and motifs. et cetera. a frozen world with no love or a small life ground into dust by the years? you can get what you want or you can just get old

#and the. fairytale theme. we have to grow up someday...says who?#it's so well written apart from that one (1) misogynistic joke that i'm honestly forgiving #and the concept is finally something NEW that i haven't SEEN BEFORE. was getting a bit tired of #running through dusty old passageways and ventilation tunnels #dw #amy's choice #jamie catches up #jamie.txt

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quillisadoll · 2 months

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I just finished I'm assuming the main ark with the twins

If you don't want spoilers skip this post

OH MY GOD I AM SOBBING

HIKARU DIED HIS HAIR KAROU SACRIFICED EVERYTHING FOR HIKARU KAROU KISSED HARUHIS CHEEK?!?! AND THEY WENT ON A DATE?!?!??!

I just I just

This ark was beautiful I am so happy the twins are trying to be their own people now, well they still have a lot to learn but it's so :( I'm so happy for them.

And yes I knowww Tamaki gets with Haruhi in the end but I'm really hoping hikaru at least tries to get with Haruhi.

I am very attached to these characters and seeing them finally have character development is so nice. In the anime we had very little to go off of we had the Halloween episode and the summer eps AND THAT'S PRETTY MUCH ALL WE GOT IN CHARACTER DEVELOPMENT

I am very excited to write a essay and or make a YouTube video discussing these boys

(guys read my tags I'm funny in my tags)

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todayisafridaynight · 3 months

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my dads never beating the masumi arakawa kin allegations why the fuck did he say to me 'i was like both your mother and father when you were growing up' ???????????

#snap chats #this coupled with my dad just offhandedly being like 'i used to want to be a girl growing up' .... bonkers #he's not wrong tho like before my mom drove him off like an evil witch he really did everything for us #i regularly say i dont have a mom so i mean. my dads free to take the title too ig LOL #hes goofy as hell tho he also has a chronic condition of loving my mom so much. excpet my mom sucks a lot unlike akane #i dont even know why he does .. we regularly talk bout how cringe she is/was but he'll always be lke She Wasn't Always Like That #WELL SHE IS NOW OLD MAN you already blocked her number JLAKRWJFLAKJ #he makes me sad whenever we talk bout her cause he just has so much love for people when he shouldnt 💀#oh but yeah. in case it wasnt obvious i hung out with my dad today :]]]]]]]]]]]]]]]]]] best day EVER I GOT JOLLIBEES #AND MY DAD GOT ME A CUTE LIL GIRAFFE BRACELET VLAEKJVLEKJVLEKJ i cant escape kirins #he keeps giving me bracelets i sound lke a maraca when i shake peoples hands now #ok bye maybe ill doodle something #jk im making tea. again. i had tea.

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mister-eames · 10 months

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I know it’s been said before, but you spark so much joy with your headcanon & arthur/eames discussions 🥺 also! Still thinking of that pic of Tom Hardy in a muscle tee & other recent photos of him where he is lots of grey in his beard. Idk if you saw JGL at the ceremony where he presented rian Johnson with an award but he had a deep velvet plum suit on, a beard and his hair is long & wavy. & now I’m thinking about older eames/Arthur who are comfortable happy and still sickeningly in love

Nonnie!!!!!!! Thank you so much for stopping by, these asks always are so thought provoking and indulge me so much, I'm always happy to talk about Arthur/Eames and Inception in general!

Okay so, I had not seen that video and I am SO GLAD you brought it to my attention. JGL LOOKS SO FREAKING GOOD!!! THE SUIT!!! THE BEARD!!! THE CURLS!!!!!! Oh my god. If anyone has not seen the video check it out here you wont regret it.

And, you said it -- "Comfortable, happy and (still) sickeningly in love" is all I want for Arthur and Eames (and my life tbh). My headcanon is that they settle down and retire and while they still dabble in a little criminal action here and there (like being criminally sexy!!!) they live quieter lives a handful of years after the Fischer job. They love each other, right? They want to be safer because they want to build a life over building dreams, because life can be so short, you know, and I think in the film you learn just that--anything can happen at any given moment and you just...slow the hell down. Even when that means taking life in the slow lane and changing course - and so they do.

I imagine Arthur and Eames in their forties and fifties, teaching and consulting for work - Eames being disgusted every time he does his taxes and Arthur being disgusted with himself for wearing polo shirts in the summer and secretly loving it. They are starting to go grey, more grey with every handful of years - they are starting to go soft in places. There are crows eyes and forehead lines and heartburn and creaky bones. Diets to manage IBS and blood pressure. Worse, they start to do things their parents used to do -- like watch the news on TV and mutter into their dinner about idiot politicians and neighbours who park like dickheads on the street and wont trim their trees back out of their yard, and they reminisce about how things were different when they were kids and seriously why the fuck are they the only normal people who live on this street?

They keep busy. They learn new things. For his forty-fifth birthday Arthur builds Eames a library in their Philadelphia home with his bare hands. Eames buys the battered skeleton of a '67 Ford Mustang and restores it for Arthur. They read books and watch movies in bed and keep guns in their bedsides just in case. They go on long drives together and still sometimes travel the world to see old faces and so they still remember what it feels like to be homesick and miss the good life. Eames' knees play up. Arthurs back has seen better days. They're uncles to their siblings kids and to Phillipa and James. And they take that job very seriously.

They still have their domestics and spats every now and then. But they make up and move on. They're partners (in life and crime) and they get their thrills out of making the other happy. They're the people the other cannot wait to come home to.

They have always attempted to manufacture their own luck and they finally did it because here they are, content and happy.

#they trim their neighbours damn trees back in the middle of the night and leave the branches on their doorstep to trip over #they steal their other neighbours paper (they get their dog to do it) at random so no one knows its them #i only do happy endings #maybe i'm getting boring but i just love domestic arthur and eames #growing old(er) together #seeing their priorities change like ours all do when we grow and age #because there is a point in life #especially ESPECIALLY when you lived fast and hard in your twenties #and/or earlier #that you say #'nah no more im done ive done it i want some fucking peace and quiet'#and you are grateful for that peace and quiet #because while you would never regret the experiences you had living hard and fast #even the grief #the loss the awfulness #you wouldn't change the peace for anything #you feel like you earned the stillness and the quiet #and it is valued to the point of it being priceless because of those tumultuous years #when you didn't have it before and you get it you don't want to give it up #and maybe every day is not sunshine and daisies #but you're no longer in survival mode #and while the memories of before are rose-tinted frankly you never want to go back there #the domestic fics are the most 'realistic' ones to me #for this reason #anyway nonnie i appreciate you #arthur x eames #inception #now i want to write a 5k slice of life fic

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