#beastly icons
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beastly (2011): lindy taylor icons.
like or reblog.
#icons#beastly icons#lindy taylor#vanessa hudgens#icons beastly#lindy taylor icons#vanessa hudgens icons#icons lindy taylor#icons vanessa hudgens#romance#icons romance#romance icons#movies#movies icons#icons movies
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#vanessa hudgens icons#lindy taylor icons#beastly icons#linda taylor icons#filmedit#movies#icons#icons sem psd#request
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#alex pettyfer#alex pettyfer icons#beastly#beastly icons#male icons#twitter icons#twitter stuff#without psd#movie icons#random icons#boy icons#icons alex pettyfer#boys#boy
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Here admire Spider's design a little closer
#Arachnophobia#(just in case)#Spider (oc)#Beastly old woman....#My ocs#Monster girl#This is from like last year#But sereeerriously#I think it's so cool how her whispy white hair resembles spiderwebs#She's a seamstress too so Like. Mooore spider themes#She has snake bites piercings#She keeps her little eyes hidden (closed) on her face until boom time to monster it up in here#Her face is skull shaped because ooooooo spooky#She has a bite mark on her shoulder#She is iconic she is the moment she is.
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< @drxconisfvlgur approached. >
Oh. That's a new creature. Y'know, completely unfamiliar to her vast knowledge of creatures at home? Maybe if she just... crouched low and appeared smaller it would move on disinterested.
Still as a statue.
they both seemed to completely freeze in their tracks the moment their eyes met; though, the akhlut had to lower its gaze to actually lock it with the other. she was like nothing he'd ever met before, so of course he was intrigued.
low growls rumbled in the beast's throat after what felt like minutes had ticked by where they simply stared at each other, unmoving. nostrils flared a bit to take in her scent that had been carried along the wind towards his towering stature, before he, with no warning whatsoever, bounced upon paws and brought his chest close to ground, while rear was stuck up high in the air; whip-like and finned tail swishing back and forth behind him in a very canine-like manner.
he wanted to play.
#< interactions. >#drxconisfvlgur#// i'm rly big eyes and curious about danabird because!! i've known of her existence since we first met and started talking more or less#// but i never saw her a whole lot besides just some art or ur avatars n such!!!!!#// anyway zero clue if this is some crossover stuff or if noah is now in veskrea so i left that vague but i'm open to possibilities#// i also have no icons for his beastly forms so that's a big shrug gnfjkgkf
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Ooh, ooh! Out of the icons, who do you think would most enjoy a game of chase? (Prize could be sexual or other..) who would win and who would probably cheat?
— Anon 404
Oh there's no one who likes the hunt quite like Kalymir. None of the others can hold a candle to his level of rabid enjoyment in chasing you down.
He especially likes to see the chilling terror crawl up your spine when he's right behind you, when you're struggling to stay ahead so you stretch your muscles even further for that last desperate kick of speed. When the hope of getting away starts to leave your eyes, it's beautiful. The prize ends up being sexual more often than not because Kalymir simply goes rabid by the sight of you in the role of prey. As much as he enjoys seeing you destroy someone.
A close second is probably Rinx. You are his belonging, attempts to get away, even if playfully discussed beforehand, trigger an erratic seeker instinct in him. While not as brutally strong or fast as Kalymir, he's better at sniffing out hiding spots.
Vesper does enjoy a good chase, but his mannerisms are different, in the sense that he'll sometimes prefer to lure you out with pheromones and filthy promises.
Vorticia is a predator at heart, but chasing you is a dangerous game with dangerous consequences...
Zizz prefers to do this in dreams, which is to say that he'll absolutely fuck with you by altering your surroundings randomly.
Cero claims he has no time for such games. That he's above such beastly displays, but be a little brat running down his halls and he'll crawl over the walls if he must just to put you in your place.
Livius is better at it than he lets on. He prefers to trick you into thinking he's going to make a certain turn only to go the opposite way, or slow down for only a few seconds before speeding up again.
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Currently yelling over how cool the icon I commissioned from @droolfang is ❤️
Consider this my fursona! A big ol' fat beastly doberman with an alt/goth fashion sense ⛓️ Not sure if I'll just name him Hutch or give him his own name, but yeah, full permission to draw this big round guy if you want!
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the relationship between vampirism & queerness
Vampires are inherently queer characters. Their queerness is represented in countless texts including Bram Stoker’s novel, Dracula (1897), Sheridan Le Fanu’s novella, Carmilla (1872), the film Interview with the Vampire (1994), and Rainbow Rowell’s novel Carry On (2015). Vampires’ queerness is enforced by a multitude of factors; notably the sexual nature of a vampire itself, the relationship vampires have with ‘normal’ society, and the inherent evilness behind vampires.
The queerness of vampires is enforced by the sexuality behind the concept of a vampire itself. Unlike other monsters, vampires are not apparently beastly or undead. Their evil nature is hidden beneath a suave, charismatic personality. The ‘charming vampire’ character was first popularised by John William Polidori in his 1819 short story, The Vampyre. This story was a source of inspiration for Carmilla and Dracula, who further cemented ‘charisma’ into the fundamentals of the vampire archetype. A part of vampires’ hunting method is seduction, which often leads to a blurry line between ‘prey’ and ‘romantic interest’. One of the most iconic traits of a vampire is the bite to the neck. Popularised by Bram Stoker, vampires typically drain their victims of blood from the neck. While it’s a convenient spot because of the carotid artery, a plentiful source of blood, it’s often argued that the sexual nature of biting one’s neck played a large part in the popularisation of it.
The sexulisation of vampires opens up an opportunity for authors to explore queerness in a non-explicit setting. The relationship between a vampire and their victim can mirror that of a romantic/sexual couple. Often vampire characters are more fluid with their sexuality and they influence their human prey with their vampiric, sexual, queer nature. In Interview with the Vampire, Louis de Pointe du Lac’s story starts with his partner, Lestat de Lioncourt turning him into a vampire. The scene in which Lestat bites him includes him pinning Louis to the ground and biting his neck before whispering in his ear. “You can be young always, my friend, as we are now.” Lestat’s use of ‘we’ as opposed to ‘you can stay young’ shows his interest in staying with Louis. Louis’ character development stems from a queer male vampire changing his life. Count Dracula’s prisoner was Jonathon Harker, with whom he was extremely infatuated. Upon finding other female vampires attempting to bite Jonathon’s neck, Dracula was outraged. "How dare you touch him, any of you? How dare you cast eyes on him when I had forbidden it? Back, I tell you all! This man belongs to me!” Dracula was possessive of Jonathon, which alludes to an attraction beyond chaste fascination. In Carmilla, the titular character came into human Laura’s life and engaged her in a romantic relationship. Carmilla says “‘I have been in love with no one, and never shall,’ she whispered, ‘unless it should be with you.’” to Laura, who consistently described Carmilla as attractive, “She was so beautiful and so indescribably engaging.” While it’s up to the reader if Carmilla’s feelings were simply an act used to lure Laura in or true love, their relationship was intimate and unmistakingly queer. In Carry On, Tyrannus Basilton ‘Baz’ Grimm Pitch never bites Simon Snow, but they are involved. Baz says “You were the centre of my universe. Everything else spun around you.” While Baz did not attempt to make Simon a vampire, he was knowingly queer before Simon; Simon was unaware of his own queerness before Baz. This is another example of a queer vampire influencing their human partners. The queer themes in these texts are fueled by the sensual nature of the vampire characters.
One way vampires are shown as an allegory for being queer, is the relationship vampires have with regular society. A vampire fitting in with human communities is difficult, due to the inability to be in sunlight or eat normal food. Queer folk historically struggle to fit into heteronormative spaces seeing as, like vampirism, it’s been widely viewed as a negative trait. That sense of displacement or otherness felt by queer people is mirrored by vampires. Count Dracula’s odd behaviour was quickly picked up on by Jonathon. Upon finding Jonathon using a shaving mirror, Dracula was enraged. “This is the wretched thing that has done the mischief. It is a foul bauble of man's vanity. Away with it!" And opening the window with one wrench of his terrible hand, he flung out the glass.” Similarly, Simon always suspected Baz was a vampire, and spent his highschool career trying to prove it. “Are you saying you don’t think Baz is a vampire?” “I know he’s a vampire. But it’s still unconfirmed.” Baz being odd because he was a vampire is not unlike his being different because he was queer. Baz was always self aware he was unlike everyone else. Baz and Simon in a crowded room: “They’ll know that we’re gay.” “There go my job prospects. What will my family say? Baz, you’re actually, literally the only thing I have to lose. So as long as doing gay stuff in public doesn’t make you hate me, I don’t really care.” Regular, heteronormative, human society makes both the vampire community and queer people feel like outsiders; creating a sense of guilt for being different. Baz and Louis have both chosen to drink rat blood to avoid drinking humans. Their inner turmoil over being a blood-sucking demon reflects the common queer mindset of feeling guilty over being different. The sense of ‘otherness’ unites queer folk and vampires.
From their conception in common folklore, vampires have been written as evil, soulless beings. Vampires are undead demons that drink blood and transform innocent humans into more blood-drinking demons. The queerness behind vampire characters is linked to their being inherently evil. Vampires turning humans into vampires is a metaphor for gay people ‘corrupting’ others with their homosexuality. After the death of his wife and child, Louis was attacked by Lestat and turned into a vampire. Lestat gave him a whole new life and they adopted a daughter, Claudia. Louis went from a ‘straight’ human man who played his part in regular society, to a queer vampire. Vampires have a massive influence over their victims and partners. Their influence, in terms of both vampirism and homosexuality, leaves lasting effects on their prey. In the aftermath of Carmilla and Dracula, Laura and Jonathon are said to have struggled with recovery. From Carmilla, “The following Spring my father took me a tour through Italy. We remained away for more than a year. It was long before the terror of recent events subsided.” Vampires’ impact on their human partners is not necessarily for the better. For Laura, it was detrimental to herself, whereas in other stories, such as Carry On, Simon Snow was better off with his vampire boyfriend. Baz helped him find a version of himself he was unfamiliar with and they started their new life together. “He's not a villain. He's just a boy. I'm kissing a boy. I'm kissing Baz.”
Vampirism is an allegory for being queer. The queerness with which vampire characters are written is shown through the sexulisation of vampires, the sense of ‘otherness’ felt by both parties, and the inherent evil nature behind vampires. The evidence and recurring themes across Dracula, Carmilla, Interview with the Vampire and Carry On show the ways in which queerness shows itself in vampire texts. Writers using vampires as an outlet for queer allegories implies an urge on the author’s part to explore a more fluid perspective on sexuality. I think a lot of the appeal of vampire texts and characters lies in the desire to fantasise about a different way of being — it’s a safe, abstract way of exploring one’s own sexuality through stories. Vampires represent homosexuality in a subtle, indirect way that connects with the queer community and create a way to show queer stories without being blatantly queer.
#essay#writing#vampires#queerness#dracula#bram stoker#interview with the vampire#anne rice#carry on#rainbow rowell#carmilla#sheridan le fanu#vampire#dracula daily#you might be interested#queer#gay#1313 words#which is cool#jonathon harker#count dracula#simon snow#baz grimm pitch#tyrannus basilton grimm pitch#carry on series#louis de pointe du lac#lestat de lioncourt#iwtv#carmilla x laura#snowbaz
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Alright here's part 2 (or part 3 maybe?)
I think its scientifically impossible to fuck up Scrooges design because its just so iconic. I mean the gold hat might be a bit much but I like the jet pack.
.......Oh my God.
NEXT TIME ON LION KING Z!!! SIMBA HAS ONLY FIVE MINUTES TO DEFEAT SCAR BEFORE THE PRIDE LANDS EXPLODE! IN ORDER TO STOP SCAR, HE WILL HAVE TO USE THE CIRCLE OF LIFE BALL!!! CAN HE FORM IT IN TIME? FIND OUT TODAY!!!
I can't even MOVING ON.
You know at first I thought they gave her a scythe, but looking at it now I realize its a giant pickaxe. Which makes sens because the Dwarves gave it to her. Like you think she would be healing or support because of how she was in the movie but nope, Snow White gonna crack some skulls. She's through playing nice. Also really like her costume.
Like what do you want me to say? its Stitch in his space suit. Its fine.
Okay power Armor for Mike I kinda get But Sully's already a big guy (I mean so is the Beast but Beast is supposed to be fighting back his beastly urges, not sure what Sully here is going for).
Okay, Tinkerbell looks suspiciously close to her canon form, what is going on here...
Ah there we go. Like I made the Simba going super Sayian joke. I don't even know what Tinkerbelle is doing.
Not gonna lie was never a big Tron guy. Moving on.
Hey did you know that Ursula's design was based on a famous Drag Queen? I feel like they may have leaned into that. I also like she carries a giant contract on her back. This almost feels like a league of legends design with how cartoony and over the top it is.
Oh come on this is just being mean now. Don't make WallE fight. DON'T MAKE WALL E FIGHT. Come on. He's a little guy.
I did not se Lightyear either, but I'm guessing they were trying to bridge the gap between the toy story version and the new one. He looks fine I guess.
Again, this is something I could see Jafar wear in canon.
Okay, Jasmine is the best Disney princess don't think anyone is gonna fight me on this, and I really like this design. It works better than the Aladdin one at least.
Tigger come on now. He looks like he's about to go camping. You're gonna send that poor plush toy to die fighting the Heartless or whatever? For shame.
Well that's all the Mirrorverse characters. Thank you for listening to my Ted Talk.
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Never seen ultraman
What should I watch first to see if I like it or not?
Ultraman is a tokusatsu series with a very large variety of tones and styles. Each season is distinctly different from the last, especially in the New Generation era. Some seasons are very serious and gritty, some are slice-of-life, and some are light plot/heavy action. It's up to you on what you'd prefer!
I want to preface with the three eras (and sub eras) of Ultraman, just so you're aware of these terms when they come up:
Showa (1966 - 1987)
Heisei (1996 - 2012)
-> Heisei Trilogy/Part 1 (1996-1999)
-> Heisei Part 2/Phase 2 (2000 - 2012)
New Generation (2013 - Present)
-> Reiwa (2019 - Present)
That being said, I give you 5 equally valid options to begin:
Option 1:
Ultraman (1966)
Start with where it all began!*
Ultraman (1966) is Japan's take on the Twilight Zone but with a superhero-esqe twist. If you enjoy older sci-fi like the early seasons of Doctor Who or the first Star Trek, you'll greatly appreciate the practical effects, deep but episodic plots, and the unique kaiju/seijin.
From there, watch in order of release and enjoy just how much the show evolves. All the highs and lows.
*(Side note - technically Ultra Q (1966) is the first show but does not feature Ultraman whatsoever. This show serves as a prequel to the idea of kaiju and seijin in the modern world. If you're a completionist, you can start here and be amazed at how there are *still* monsters and plots making reappearances from this show)
Option 2:
Ultraman Tiga (1996)
Ultraman Tiga is the beginning of the Heisei Era and is widely regarded as one of the best series in the entire franchise.
I have lots of love to give to Tiga specifically, and this post of mine explains why that is:
Option 3:
Ultraman Mebius (2006)
Ultraman Mebius is the 40th anniversary of the Ultra series and is a beautiful continuation and love-letter of the Showa Era timeline. It features returning cast members, monsters, and plotlines from Ultraman, Ultraseven, Jack, Ace, Taro, Leo, and 80 (which all take place on the same Earth).
This show is a perfect introductory piece to the series because it exposes you to such a large amount of lore from the past while recontextualizing it with modern effects, richer storytelling, and a more serious tone. Mebius has so much heart, happiness, and hopefulness. It's a very positive and "heroic" type show.
Option 4:
Ultraman Orb (2016)
Ultraman Orb is, even while nestled in the near-middle of the New Gen Era, a fantastic starting piece and my typical recommendation for starters. It's quite fun and light-hearted but has an intense emotional core surrounding lost love and a broken friendship. The action and special effects are top-notch, and the main villain is an ICONIC character who pops up many times in later shows.
This show introduces fusions, which become a frequent New Gen trend (Orb does it the best of all). Great choice if you're looking to get dropped somewhere not too confusing or plot-intensive yet still action-y and engaging.
Option 5:
Ultraman Blazar (2023)
Ultraman Blazar is the newest season of Ultraman and started airing back in July. As of writing this, we are currently at Episode 8.
Blazar is unique and inventive so far in both its plot and aesthetic. It has a semi-serious sci-fi/military feel mixed with amazing new kaiju and.... a really strange Ultra lol. Blazar is unlike most thus far. He's primitive and beastly, kinda like a caveman.
It may not be the most completely accurate representation of the series as a whole, but nothing beats the excitement of watching the newest season as it airs!! The Tsuburaya official YouTube channel simulcasts each new episode as it airs in Japan (with japanese or english audio and subs).
~
I wish you luck on your multiverse-spanning Ultraman adventures!
Feel free to ask more questions if you have any 💛💛💛
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Favorite Archetypal Evil Villains
Jafar - If there's one villain who defines villainy, in all its classical, theatrical, archetypal glory, it's Jafar from Disney's Aladdin. He's got it all: the black robe, hat and cape, the elongated face, the arched eyebrows and glaring eyes, the twisted beard, the shoulder spikes on his outfit, the pathetic sidekick, the secret lair, the dark magic powers, the snake-shaped staff, and the deliciously sinister voice courtesy of Jonathan Freeman. He unashamedly seeks power and dominion over all, engages in any ruthless means possible to achieve it, and has a dry, witty and sophisticated personality that eventually gives way to bombastic, cackling madness as he wreaks sorcerous havoc on his foes. How can you not love to hate him? Beyond the iconic Disney version, I must also give praise to the live-action version from Once Upon a Time, played by Naveen Andrews on the In Wonderland spin-off that he serves as the Big Bad of and by Oded Fehr on the main show. This version manages to embody all that is great about the character while excising the cartoony caricatured aspects in favor of a darker, more realistic and frightening take who commits some truly heinous (and violent!) atrocities.
No Heart - From The Care Bears Family we have this dark wizard, who has much less of a personality than Jafar but stylistically accomplishes a similar feat in representing evil. Living in a twisted castle that resides within perpetually storming clouds, No Heart is a demonic conjurer who seeks to rid the world of love, friendship, caring, and all tender feelings. Powered by a mystic amulet, No Heart is capable of transforming into anything he pleases, from vicious animals to a freaking tornado. While generally depicted as a serious and legitimately creepy threat, especially in the first season, No Heart does have his moments of comedy when playing off of his dim-witted minion Beastly and spoiled teenage niece Shreeky. Incidentally, a new version of the character appeared this year in the series finale of Care Bears: Unlock the Magic. While not nearly as fearsome as the original incarnation, this version of No Heart is still the most dangerous threat this series' Care Bears have ever had to contend with, pulling off a Near Villain Victory before the Care Bears saving and making peace with their regular foes, the Bad Crowd, unleashed a wave of positive energy that vanquished the demon in No Heart, turning him into a good human sorcerer (an outcome lifted straight from Dark Heart of the second Care Bears movie, a somewhat similar villain. Which honestly begs the question both times as to what to call them now. Just "Heart"!?)
#Disney#Aladdin#Care Bears#Jafar#No Heart#Evil#Villains#Opinion#Analysis#My All-Time Favorite Villains
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i am so behind on everything i wanted to post for Eric on his birthday. for one, i have an edit in mind i want to do but i want to make it pretty so I might take my time on that one. second, i’m still working on chapter 4 of chances (i’ve already started writing it but have been suffering from writer’s block. i MIGHT post little bits and pieces of it as a preview).
lastly, and believe it or not, i have been wanting to attempt to do Mr. Stewart’s most iconic, beastly guitar solo in “Feel the Benefit” but that one might take some time so stay tuned
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MONSTER MASH '23
ROUND TWO POST MORTEM
The following monsters have been SMASHED back to the graveyard!
Poor Wolfie... not only did he get eliminated, but he suffered the two most one-sided back-to-back losses since ol' Leprechaun. What's less surprising is that said losses were to Freddy Krueger and Alien--two 80s superstars that are still genre icons today.
On the flipside of those beastly beat-downs, round two saw our two closest matches yet: Bride of Chucky picked off Samara thanks to a single vote! Carrie actually TIED with the Creature from the Black Lagoon, but CftBL (if I called him Gillman would you know who I meant? This dude needs a shorter, punchier name) gets the TKO thanks to his higher season score.
You're swimmin' under thin ice, buddy! Creatch SQUEAKED by this time, but can he Shape of Water his way out of Candyman's clutches? Also in round three, sci-fi slaughterhouses Terminator and Alien will finally cross universes and test future steel against deep-space chitin! Tune in and place your bets!
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Please! I need to know which hair colour your Laurence and Ludwig have!
Omg hi!! Laurence has brown hair and amber/orange eyes while Ludwig has blond hair and blue eyes!!
I got attached to blond!Ludwig after my first ever fanart I saw had that colour and it stuck 🤭 I hc that his “iconic” black hair started showing when he showed signs of the beastly scourge
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Giving Cero a handjob while reading to him our marriage contract and fawning over him
Can I also just say your blog is the love of my life I love your characters and content you put so much heart into it so just thank you and hope ya basements always full of bagels😭💞💞🫶🫶🫶
[Girls, guys and ghouls give it up for the biggest brain in the basement! Also, thenk you so much, that means a lot to me. :'7 <3 Fem reader.]
Cero expected a couple of outcomes when he slid the marriage contact your way and sat at a certain distance as you read.
You could be intelligent, come to the conclusion that he's offering you a better life than you'll ever have otherwise, recognize him as the savior he is and sign it. You could sign it out of fear, not ideal but he'll take it. Or you could throw a little baby tantrum and force him to use less appealing methods of making you reconsider.
He did not expect this however.
Maybe in his fantasies. The type of thing he'd sooner be caught dead than admitting he wastes energy conjuring in his mind.
You liked that contract.
In hindsight, you liked a lot of things, not just the contract. The demonlord had simply been far too busy trying to predict everything at once to notice the way your eyes would sparkle up at him whenever he said anything, how he basically didn't even have to tug you along to this room, how you exuded raw admiration watching every new room of his mansion revealed to you. Typical that, in his own magnificent intelligence, he didn't even stop to gouge your reactions. Regardless, the contract must have been the straw that broke the camel's back, because the moment you signed it-
-By the Rings, Cero didn't even get the opportunity to gloat about the fact that you signed it- You fucking signed it so fast! So readily! So willingly! You're so docile-
You threw yourself at him like a bitch in heat.
Normally, he wouldn't stand for this. Cero doesn't want to encourage this lack of self-control and discipline in his future Queen, it would be disastrous and cruel of him to allow you to behave so beastly. But, perhaps it was the sheer infectious glee in the air, the euphoria, the anticipation, the feelings he's never felt before being so quickly returned in spite of the minuscule speck of doubt that kept rearing its head... It all sparked together in one horrifically uncouth explosion of base urges gnashing their teeth.
The monster tried to keep his composure when he offered you a drink and dragged your chair closer to himself.
Several glasses of Gluttony's finest wine later, he's standing by your side, panting quietly, sharp yet slightly fogged eyes watching your small hand stroke languidly along his twitching length while you read several sections of his written work -It's a fine contract. A bit rushed, but a product of raw talent and passion he's well and truly proud of- Both of you tug at your own clothes to combat the heated friction in the air, and Cero has to hand it to you, your diction is commendable for someone so incredibly drunk on their first taste of Hell's crimson.
" This is marvelous... " You utter after a short pause when turning the page.
Cero schemes the outline of your tits through the shabby rags you call clothing, hips rocking ever so slightly as he considers dragging his cock between them, size difference be damned. You respond by squeezing around him a bit harder, delightfully so. " You expected less from me? " The last word dips into a poorly concealed moan.
Your grin is lopsided. " ... No. "
Cero will deny it with all his strength later, but his eyes rolled a little at that timid confession.
" Very good. " His clawed hand comes to guide your harmless one more efficiently, letting you know how he likes to be worshipped. After all, it's relevant to the next part you're going to enunciate. " Continue. "
The Icon pays close attention to the reactions in your face as you re-read this particular section. Because, while some parts were left deliberately vague, he knows you can pick up on the insinuations behind much of his professional language. He took care to make it tread that thin line between perfectly adequate, easily defensible, yet deviously secretly filthy. How could you ever miss the meaning interwoven in his phrasing when his dick hovers dangerously close to your face?
The more you read, the more you seem to buzz with arousal. Cero doesn't need to be a concubus to understand those clenching thighs and hasty breathing. He bites his lip for a moment, his own excitement beading at the tip of his member, used by you to further slick things along, a lewd sound now accompanying that trembling speech. You're almost picturesque like this- With your rosy lips, that flustered blinking, reduced to a mess by the mere terms and conditions he crafted. Cero would tease you about likely making a puddle on his chair's cushion if he wasn't already biting back snarls of pleasure.
" G- God, I- Fuck... " You whisper, whatever it is that you're imagining bringing a bead of sweat to your visage.
Unable to keep himself straight for much longer, Cero bends to loom over your figure, one hand bracing his weight on said chair's top rail while a boot rests on of the stretcher.
" I'm sure you must be dying to get started, no? Why, you're already practicing! " Some humor bleeds into his poisonous tone, though the King is much too turned on to make it sound as playful as he wished.
A shiver that looks more like a death rattle makes its way down your back and, adorably, you find your tongue tied in knots. Cero all but chuckles cruelly when you can't find the voice to continue reading, mind muddling into blind want.
" I'm... I'm sorry I- I can't... "
" Hush. You're forgiven, inamorata. " There's no shortage of jubilation in the Icon's toothy sneer when you effortlessly allow his digits to beckon your head closer, turning it.
He swipes the pristine pages from the table, the tip of his cock parked at your lips. You kiss him without being told to, already showing a lot of promise, and he casts you a slightly softer look while he buries as much of his length down your throat as you can handle.
" I'll do the reading for us now. "
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