i need a compilation of all the times roier's called dapper tupperware it's my favorite nickname for any of the eggs
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okay I now can elaborate on the thoughts I was talking abt in the tags of my last post-
Jamil has always hated being touched, and physical contact in general. He was raised around kalim, he's had enough hugs for a lifetime, thank you.
well, that is until he started dating Azul.
Azul is very clingy. Physically, at least. He is an octopus, after all. He finds comfort in just, having any kind of contact with someone. It keeps him grounded and focused. So once he has permission, he can and will hang off of Jamil every chance he gets. Jamil doesn't like holding hands (because his training has instilled the need to constantly have them free just in case) so Azul hangs off of his elbow. If they're in class, Azul either has his hand on top of his arm or his hand.
and Jamil realizes... he doesn't mind it. In fact, he enjoys it. Way more than he thinks he should in fact. It relaxes him so much that it almost unnerves him (the first time he found himself dozing off while Azul laid in his lap doing god knows what he quite literally shoved him off in shock.)
belatedly, he figures out that he is in fact, VERY touch starved, he is just very particular about how someone touches him.
it's silence. He likes silence. Azul rarely ever talks when he's laying with him, usually doing other work or something for the Monstro lounge. When kalim would run up and hug him, he knew it just meant he was about to be bombarded with questions and ideas and statements and work. He never gets to relax with Kalim. It always came with noise, with chaos. While being around Azul was like lying on the beach, with nothing but the soft crashes of the waves to bother him.
(Of course, this wasn't every time. Azul was still a schemer and quite annoying, but he quickly learned that if Jamil wasn't in the mood to entertain his ramblings or schemes, he'd simply shove him off of his lap. It always made Azul quite disgruntled, but he'd take the hint and shut up.)
This also lead into another thing: Their forms of nonverbal communication. Azul and Jamil could easily have a whole conversation from opposite sides of a room when they got along. Jamil knew all of Azul’s little ticks (like whenever he fucking clicks, something he learned was an octopus thing (which begged the question of how the fuck he made that noise in his human form-) or when he randomly slaps Jamil or the twins, who then immediately told him it was a sign of affection and he should be immensely flattered over (apparently it was something he only ever did lightly with friends, which he has concerningly little of. But Jamil doesn’t know if he has much room to talk on that front.) and Azul knew Jamil’s. Azul almost knew his too well, in fact, but every time Jamil tried to ask him about it he was simply met with some comment about how ‘he simply couldn’t keep his eyes off of him.’
Jamil still didn’t like people touching him.
Azul was an exception though. And he was quite happy about that.
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"Want him to kiss you, Prongsie?"
James' quill skidded over his parchment. He ignored the jagged line of ink in favour of glaring hotly at Remus, who simply smirked back at the sight of the soft pink that dusted itself over the highs of his cheeks.
"Shut up, Lupin."
"Oh you're positively adorable," the werewolf cooed mockingly, smirk broadening into a rakish grin that pulled at the little scar on his cheek, "blushing at the thought of kissing. How cute."
"Shut up, Lupin."
"Then stop fantasising about him bending you over the table and pay attention to your homework."
"Remus Lupin!"
Remus broke out into raucous laughter, dragging the attention of the rest of the students in the common room. James pushed his lips into a petulant scowl in a rather ineffectual effort to stop the bright red blush that was painting itself over his face.
He hadn't been fantasising about that!
But now that he was thinking— James turned even redder, and his arsehole of a friend immediately caught onto it and snickered.
"Oh Jamesie, you're so cute," Remus crooned teasingly, reaching over to pinch his burning cheek. James swatted his hand away with a huff, feeling the heat crawl over his cheeks all the way down to his neck.
"Fuck off, Lupin," he grumbled, raising both hands to hide his flushed face. Dear deathless Gods above, he should never have told the bastardly little shit about his crush; Remus was never letting this go.
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I'm finished finally I'm empty inside now lol. I wasn't as upset at the ending as I thought I would be, tbh i liked the whole Fitz building a dragon thing. I think the actual concept of Fitz being on the verge of death and instead pouring all of himself into a stone wolf and being joined by the Fool and Nighteyes is pretty good, it was sad but felt like an appropriate mirror to the first series and a tying up of all the times it was made clear that Fitz and the Fool fit together as one being.
The thing I didn't like is what happens leading up to that. Fitz and the Fool have sometimes done this thing before where they fight but then things are resolved due to extenuating circumstances forcing them back into trust and understanding rather than the two of them actually discussing things and coming to a new agreement. This has been like a minor annoyance to me previously but is usually not a huge deal as most major conflicts get real resolution. But i felt like in comparison to previous books their arguments were more bitter and targeted and loaded here, and deserved a full resolution. Instead we had them in conflict for the majority of the voyage from Kelsingra with no real closure to any of the issues they had because suddenly everything started happening and then Fitz was dead and dying and it wasn't an issue.
And the thing that like bites at me is that the exact same thing happens between the Fool and Bee--as soon as Fitz is gone she takes over his role in having this antagonistic and fraught relationship with the Fool but without any of the underlying love and affection that held Fitz and the Fool together despite their differences. I feel like there shouldve been an opportunity to hash out the stuff with Fitz and especially the stuff with Bee (even if it's just her and the Fool gaining a mutual understanding of their shared loss rather than her suddenly seeing him as a father which seems unrealistic). I feel like it made this book hard to read because there's all this tension tension tension in the interpersonal relationships that feels like it will build to something but the resolution, where there is any, is very sudden and all at the end.
And also just personally I feel like I enjoy things better when there's happy or hopeful moments interspersed with the tragic ones--the closest we got to that was with Bee Fitz and the Fool sitting together while they cleared out the bricked-up tunnel, but otherwise the downtime especially towards the end of this book felt either like periods of (as Nighteyes put it lol) boredom, or periods of depression between really sad things happening. Which turns things into a slog rather than highlighting all the sad and bittersweet moments that come later. And because I love him I also really just wanted the Fool to have at least one moment of happiness here and I don't think he even gets that much due to on a character level the constant conflict with Bee and Fitz and then just everything about the entire plot.
Overall I did like the like...raw building-block plot points to this book but I think it could've been more satisfying if it hadn't ground everybody down constantly--like you need a moment to breathe in order for sad things to have their full impact, and you need some hope or joy for things to qualify as bittersweet and I'm not totally sure we got there with this.
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