neil newbon also mentioned that, besides the feral cat that visits his house, another inspiration for astarion's physicality was the harlequin mask from commedia dell'arte, which i find very funny given astarion's canonical feelings about clowns
This analysis on why Here Lies Love flopped on Broadway is just... bizarre. They seem to mostly blame it on the marketing failing to sell audiences on the "innovative" show concept, or failing to appeal to the younger crowd. Hardly any mention of the subject of the musical itself drawing controversy — the closest being a perfunctory mention of "the messaging being unclear".
If younger people are smart enough to know the framing of the entire Israel/Palestine conflict on mainstream media has been profoundly fucked up, they're probably also smart enough to realize a disco musical written by white dudes sanitizing a third world dictatorial regime (whether intentionally or not) may be in bad taste.
New exhibit at the Museum of Asian Art features artwork from Edo period Japan depicting scenes of spirits and entities from kabuki and noh theater. It’s extremely rad and very much my thing.
started the year determined to watch more international movies & directors of color and now we’re halfway through and 8 of my top 10 films of the year so far qualify. and i wasn’t even trying. “there are no new ideas in hollywood” that’s bc all the boring people are there making blockbuster sequels while the good stuff gets made elsewhere
The Sea Elephants by Shastri Akella
Shagun knows he will never be the kind of son his father demands. After the sudden deaths of his beloved twin sisters, Shagun flees his own guilt, his mother’s grief, and his father’s violent disapproval by enrolling at an all-boys boarding school. But he doesn’t find true belonging until he encounters a traveling theater troupe performing the Hindu myths of his childhood.
Welcomed by the other storytellers, Shagun thrives, easily embodying mortals and gods, men and women, and living on the road, where his father can’t catch him. When Shagun meets Marc, a charming photographer, he seems to have found the love he always longed for, too. But not even Marc can save him from his lingering shame, nor his father’s ever-present threat to send him to a conversion center. As Shagun’s past begins to engulf him once again, he must decide if he is strong enough to face what he fears most, and to boldly claim his own happiness.