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#apparently 'casted' might have been correct in Old English?
byebyeskylark · 1 year
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The typo constantly catching my eye recently appear across the internet (tik toks, reddit, instagram, tumblr) is "casted."
I see it when folks are trying to say something cast them in a bad light, or they were "outcasted" and oh my god autocorrect just turned "cast" in this sentence into "casted."
Mystery solved?? I thought there was some language shift or maybe ESL commonality, but now I'm wondering if the rules programmed into autocorrect features are going to change our language without us even realizing it.
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childofaura · 1 year
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Hiya sorry to drop in but this would be a very different ask than what is normally discussed (you might even consider it as discourse):
So apparently, there is a new mobile game that is based off Tower Of God (a Korean Webtoon manga) and even had an anime 3 years ago (Fun fact: Johnny Yong Bosch, Cherami Leigh, Jeannie Tirado and Chris Hackney are in it) made by Crunchyroll no less.
However, Laura Post apparently posted a thread about how the upcoming TOG mobile game didn’t even brought back the original English VA’s. Granted, the directors and production team aren’t responsible of it (it’s possible they’re aren’t aware of the situation) but Crunchyroll is responsible for it.
It is then later revealed by Laura that Crunchyroll acted pretty entitled when the client making the TOG game wanted to be localized, even going as far as saying that they owned the voice prints. What’s even scarier is that Crunchyroll said that the client isn’t allowed to bring back the OG cast and even blacklisted them no less! Laura tried to get her lawyers to look through her contract and it’s stated that there isn’t anything stopping her and the OG cast to return.
This got pretty long but all I want to say is that Crunchyroll went too far with the VA’s and because the TOG game is unionized, it screwed the VA’s over. (I can even link the thread that Laura Post has said about it)
I mean, I'll maybe tag it as discourse anyways but I think we can all agree it's pretty shitty anyways.
I've vaguely heard of Tower of God because Johnny was in it, I think I had tried to watch one episode but got sidetracked by a bunch of other stuff. Maybe once I'm done with Demon Slayer and Vinland Saga I'll get to it.
I've stated it numerous times, but I feel VERY negatively about Crunchyroll, for a lot of reasons:
The big one I have to bring up first because on my blog I've actually got some of the info wrong. Kyle McCarley wanted to sit down with Crunchyroll to discuss being paid union wages for his role as Mob in Mob Psycho 100; he's been Mob since the very beginning. Crunchyroll refused to even listen to his request to sit down, and so contrary to my previous belief that they let him go, what actually happened was that he stepped away. That's at least all the info I've gotten so far, so if I'm wrong about anything, if someone knows the correct info please let me know. Still a douche move on Crunchyroll's half, I'm not blaming Kyle at all.
The whole High Guardian Spice bullshit. All the money that went to that shitshow was supposed to go to underpaid animators in Japan, or so Crunchyroll claimed. Instead it went to a mediocre-animated, shittily-written, absolute filled-to-the-brim-with-bitch-characters excuse they called a "show".
The fact that they still actively employ Daman Mills, and in fact a voice director (we don't know if it's from Crunchyroll though) tried to cover it up by contacting ANN after the news article released (which honestly fuck ANN but still this article had vital info) and threatening that Daman Mills was gonna commit suicide if they didn't take it down. The whole Daman Mills thing is a fiasco in and of itself; People try to claim that because the victim retracted what he said that it didn't actually happen, but keep in mind that A) Those allegations had been posted since November of 2021, and it wasn't until ANN published the article in 2022 that Daman nuked the shit out of his social media accounts, but not before people found some pretty heinous shit (Like calling a 14 year old "jailbait" and literally saying "I'm not a pedo BUT!"). B) Daman himself admitted through his lawyer that he had a consensual relationship with the victim at that age, then tried backpeddling (again through his lawyer) and saying "W-well when I say a consensual relationship I mean a consensual friendship!" Bitch, no one EVER uses the term "consensual" for a friendship. Daman is still listed in Crunchyroll productions and even had one of his directors, David Wald, outright state he supported Daman and would continue to employ him.
There's also minor stuff with licensing and dubbing, and adding to that some side stuff about purchasing other merchandise-selling websites and censoring their inventory heavily. But this news with the mobile game doesn't surprise me in the slightest.
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lucindamned · 1 year
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Google Doc | Tumblr | Follows back from @bombardanne
Independent Role Play Blog for OC Lucinda Reina Salvatierra of Hogwarts Legacy
The same information is posted below.
Header bg and Ravenclaw border from Hogwarts Legacy site!
READ FIRST
Blog created June 8, 2023. I am 28. I thought, what if Hogwarts Legacy had a Ravenclaw companion for the Sixth Year?? I immediately decided to make this blog after coming up with the perfect url.
For Lucy’s Questline, any OC / MCor canon muse can be her quest companion! It’s totally optional but something I want to try! I’m aware it might be OP if Lucy just somehow knows all 4 of the “Rewards” offered, so we can discuss if she learns it from your muse or if she teaches them to your muse instead but I think at least 2 of the 4 should be explored!
Undesirable anons or asks will be deleted. Not here to fight anyone regarding JKR.
Dark themes and spoilers won’t always be tagged unless it is stated in the rules of other blogs I follow.
Please correct me kindly if I get certain Wizarding World facts wrong.
I don’t do exclusives or mains, I always believed those come naturally over time and regardless of ‘Likes’ for such title.
That’s it? Don’t make me add more bullet points here. Let’s all have fun!
Follows back from @bombardanne
LUCY’S QUESTLINE
LISTEN FOR THE GOLDEN SNIDGET Join tryouts with Lucinda Salvatierra at the Quidditch pitch. ───※ ·REWARDS· ※─── Vulnera Sanentur
UNPLOTTABLE NO MORE Break into The Daily Prophet office with Lucinda in Diagon Alley. ───※ ·REWARDS· ※─── Reductor Curse
CASTING YOUR AFFINITE LIGHT Choose a location to practice the Patronus Charm with Lucinda. ───※ ·REWARDS· ※─── Patronus Charm
YEARNING FOR ROWENA’S WISDOM Travel with Lucinda to release her friend from Azkaban prison. ───※ ·REWARDS· ※─── Apparation
BIOGRAPHY
LUCINDA REINA SALVATIERRA
“A lover’s eyes will gaze an eagle blind. Even Rowena is said to have died of a broken heart. So please, spare me the judgment as I withdraw, hoping to be my own companion in this world. Maybe then I can find my own heaven on Earth, a constant heart beating for myself and not foolishly for another once more.”
───※ ·NICKNAMES· ※───
Lucy, Delinquent of Ravenclaw, Church Girl, Mudblood
───※ ·BLOOD STATUS· ※───
Muggle-born
───※ ·NATIONALITY· ※───
English
───※ ·HOGWARTS HOUSE· ※───
Ravenclaw
───※ ·FORMER ASPIRATION· ※───
Private tutor children of wealthy families, marry her formerly betrothed muggle-born fiance, live an honourable Catholic wife’s life 
───※ ·CURRENT ASPIRATION· ※───
Survive Hogwarts. Become a Curse-Breaker, Obliviator or Unspeakable.
───※ ·FAVOURITE SUBJECTS· ※───
Charms, Flying, Ghoul Studies, Muggle Art and Muggle Music
───※ ·FAVOURITE CLASSMATES· ※───
Everyone muggle-tolerant in Ravenclaw! And anyone else who is muggle-tolerant and kind to her. She especially adores Sophronia Franklin, a studious girl two years Lucy’s junior.
THREADS & AU’S TO EXPLORE
───※ ·LUCY’S QUESTLINE· ※───
Lucy has been a part of Hogwarts since her First Year, but her mind is often somewhere else. Or maybe she needs more to occupy her mind and time while adjusting from the muggle life to a witch’s.
With the return of Quidditch in her Sixth Year, she is excited to make a new friend during tryouts, of whom she can share her knowledge with… and possibly enlist to help break out an old friend who’s been wrongfully incarcerated to Azkaban.
───※ ·LEGACY· ※───
Self-explanatory?
Please specify if you would like Lucy as the new Fifth Year MC.
───※ ·A SHORT HISTORY· ※───
Lucy was once a devoted Catholic, Holy Cross draped over her neck and all. She grew up as the eldest muggle-born daughter of three sisters and two brothers, assuming many domestic duties typically expected of her time. To break out of poverty, her father arranged for her from the age of seven to be betrothed to the son of a wealthy Portuguese merchant. Life was simply predictable and perfectly planned out, or so she thought.
Unfortunately or fortunately, the discovery of her abilities as a witch became a conflict of interest.
While she was eager to attend Hogwarts, she didn’t realize how difficult it would be to part from her mother, who struggles to raise her non-magical siblings when her father walks out. She also struggles to maintain her engagement. In an effort to balance it all, she ends up resorting to using Obliviate on her family members during a heated altercation. She inevitably loses the young man she formerly considered as her “First and For-ever Love”. She got kicked out of Ravenclaw’s Quidditch team by her Fourth Year and is currently at risk of expulsion from Hogwarts.
Sometimes she wonders if it would be easier if she just drops out of Hogwarts to retreat to the countryside as a nun, but through her education and potential as a witch, she is drawn to learning more of how she can lead a more independent and fulfilling life. Who knew Gringotts Bank needed people to break curses to bring gold to the vaults! Who knew a dedicated team is required to scout the muggle world, to erase a muggle’s memories of magic and its existence in honour of the International Statute of Wizarding Secrecy! Who knew Unspeakables of the Department of Mysteries saved lives by tampering with the laws of time?
Alas, who knows if she’ll complete her Hogwarts education… or if she’ll become distracted by something or someone else, and ultimately lose her chance to be properly trained as a witch.
FC: Caoimhe O'Malley
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honeypiehotchner · 3 years
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winter love (all i want for Christmas is you) -- Hotch x Fem!Reader
Hi hi hi!! I have literally been writing this on and off since September, and now I finally get to share it!! A few quick things: this fic has very much Hallmark vibes but does have a good dose of angst too; for the sake of this fic, Aaron was born and raised in Virginia; and Jack was never born (sorry buddy!).
I listened to Michael Bublé’s songs “All I Want for Christmas Is You” and “Cold December Night” a lot while writing this, so feel free to play those while you read! xx.
(The gif is from google because once again, my gif search is broken on here because apparently this post is too long?? Rip me)
Summary: You’ve returned back to your hometown after leaving to get your education, but you didn’t expect to run into your childhood best friend (and first love). 
Word count: 9.4k
HOTCH MASTERLIST || MAIN MASTERLIST
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If you told yourself a few months ago that you’d be moving back to Virginia, you would’ve scoffed and probably laughed -- loudly. Your mom, on the other hand, would’ve been elated, and swore she knew it.
Like she’s doing now.
“I’m just so excited to have you home again,” she gushes, helping you carry boxes of your clothes up to your old childhood room.
The room needs some work, like taking down all these embarrassing posters and changing the sheets to something not so cringe-worthy (thankfully, it’s a full-size bed instead of the old twin you grew up sleeping on). But it’ll be fine for the time being. It’s not like you’re going to find an apartment right before Christmas, or that you even want to. It’s been a while since you’ve spent a full Christmas season with your mom.
You’ve been studying out of state for the past six years, working to get your masters and doctorate degrees — which you’ve completed. But now you need a job and a new start, which is why you decided to come home.
You’ve missed Virginia a lot more than you’ll admit. It’s hard not to miss your hometown when you’re gone from it for so long.
“We need a Christmas tree,” you say, as you come back down the stairs. “Christmas is next week, how do you not have a tree up yet?”
“I wasn’t going to get one without you,” your mom says like the fact should’ve been obvious to you.
You laugh as you plop down next to her on the couch. “I know. We should go tomorrow.”
“Whenever you want to,” she smiles, squeezing your arm. “Have you been to your coffee shop yet?”
“My coffee shop?” You raise an eyebrow. “Since when has it been mine?”
“Since you practically lived there during high school,” your mom counters.
She has a point. “Well, no, I haven’t. I just got here.”
“You should go.”
You raise both eyebrows this time, turning your entire body to face her. “What are you doing?”
“What do you mean?”
“Why are you trying to get me to go back there?”
“Why don’t you want to?”
You give her a look. “You know why.”
“I don’t.”
She does. She knows exactly what happened there.
“I’m not repeating it,” you mutter. “And I’ll be finding a new coffee shop, thank you very much.”
“Oh, you can’t let one bad experience stop you from going there!”
“So you do remember!”
“How could I forget? When you were a wreck for months after. I still never forgave him for that, you know.”
You shake your head, settling back against the couch pillows. “It’s been long enough now that I think forgiveness won’t hurt anyone.”
You say that, and yet you don’t want to step foot in that shop ever again.
+++
It was the summer before your junior year. Aaron was a rising senior, so there was the weight of it being his last year already hanging in the air. Especially when he was already looking at a pre-law track for college — meaning he’d be insanely busy after graduation with not much time for you.
Unfortunately, you didn’t realize that his being too busy for you would start before then.
You were a year younger — technically almost two, but the way your birthday fell, you were only one grade younger — but that didn’t stop Aaron from being your friend. At first you thought he had ill intentions (as most older boys in high school did), but he didn’t. He genuinely enjoyed your company, and you genuinely enjoyed his.
More than genuinely. You say now that you don’t believe in love at first sight, but you know that’s because it already happened for you, and you believe it to be a one-time deal.
That one time was when Aaron sat across from you at the lunch table.
You were alone and reading a book. You were a freshman then, and being an extra year younger didn’t exactly help in the whole making friends department. Especially when a lot of your peers were already aware of your age.
But Aaron wasn’t aware, nor did he even care.
He saw that you were alone, and reading, and he decided to sit with you. He wanted to read too, anyway, but he knew he didn’t always like being alone when he read. Something told him you were the same way.
He was correct.
It took almost the entire fall semester before either of you said one word to each other. Sometimes you’d be too engrossed in the book you were reading to even notice he’d sat down in front of you. And when you would finally notice, he would be the one with his nose too deep in the book to notice.
But eventually, you started sharing book recommendations.
Which eventually turned into helping each other with homework. You were always better at math and Spanish than he was (you were already in the sophomore levels of these classes as a freshman), but he was always good with history and English. He must’ve noticed you were in freshman English and history, but he never commented on it — at least not in a way that said he was bullying you.
That winter break was when you started going to the coffee shop together. It was within walking distance of the high school, so the two of you would go at the end of the day until your parents could pick you up. Sometimes your mom would drive him home, or vice versa.
And when Aaron got his license, he’d drive you both there and drop you off at home.
The two of you were inseparable. Almost literally.
Until Aaron met Haley.
Haley was in theatre. She was everything you weren’t. Aaron’s age, pretty, funny, outgoing, and worst of all: popular.
You watched your best friend fall in love.
And that wouldn’t have hurt as bad as it did if it wasn’t Haley he was falling for.
You kept your feelings for Aaron quiet, even to your mom — though you found out later that she always knew. You had almost thought he felt the same, or that he might be beginning to, and then suddenly he was talking about some girl named Haley.
Only she wasn’t just “some girl” to him, or even to you. Everyone knew Haley Brooks.
Slowly, your lunch table conversations were less about what the two of you were going to do the coming weekend, and more about Haley. How he was going to get her to notice him (join theatre, even though he never liked theatre before her). How he was going to ask her on a date (it wouldn’t be a date at first, just dinner after theatre rehearsal, that ended up being with the entire cast, but he sat next to her). How he was going to win her over (he brought flowers to the first performance and surprised her backstage). How he was going to ask her to be his girlfriend (that was the same night as the flowers, completely unplanned, but she said yes).
How he thought he might want to marry her one day.
The last hurt most of all. He confessed it to you one night out of the blue as he was driving you home after school. You knew you could handle him being in love with someone else. Some sick part of you knew — or hoped, rather — that the relationship wouldn’t last. What high school relationship lasts longer than a few months, anyway?
But when Aaron fell for Haley, he fell completely. And hard.
He started cancelling plans with you to spend time with Haley — before they were even dating. When they were dating, he stopped making plans with you altogether.
Then came the summer before his senior year.
It had been months since you saw him last. You had a new lunch period the second half of the year because one of your favorite teachers asked for help during the period, which meant you didn’t have lunch with Aaron — but you don’t even think he noticed.
June came and went. The two of you barely saw one another, barely talked when you did. But when you did, you clung to those moments like they were your only lifeline. In a way, they were.
July finally came and he actually made plans to see you. He said he wanted to get coffee again, catch up, hang out for a few hours, sit in silence, even, whatever you wanted. You were excited.
Some part of you thought that he had broken up with Haley — wishful thinking, but you were sixteen and in love, what else were you supposed to think?
But he hadn’t broken up with her. They were very much in love. You know. You witnessed it.
Apparently, Haley didn’t like the idea of Aaron getting coffee and lunch alone with a female friend. So, she took it upon herself to tag along.
You saw them sharing a kiss through the window, Aaron’s back facing you. When they pulled away, Haley’s eyes caught yours, but she said nothing to Aaron, just pulled him back in for another kiss.
You didn’t go into the shop that day. And you haven’t since.
The last time you saw Aaron was the day before he moved to college. He was stopping by to say goodbye to you.
You were reading a book in your room, and your eyes caught the movement on the driveway. You told your mom to say you weren’t home.
You watched him leave from your bedroom window, hands stuffed in his pockets.
+++
You heard that Aaron and Haley got married. Not because you wanted to hear, but because your mom told you. She probably meant well, but you drank an entire bottle of wine that night. You weren’t even 21 yet at the time.
Of course, it’s been years since then. You’re all fine now, and you’ve got the student loan debt to prove it.
But even with three degrees, job hunting can be a bitch. Especially this time of year.
You need coffee.
You blame the fact that this coffee shop is the best one around. And the fact that it’s Christmas season, meaning they have your favorite drink again.  
Dark chocolate peppermint mocha. It’s a godsend. And you haven’t had one in years.
Well, you have. But they haven’t been from here. They haven’t had this shop’s specially made peppermint whipped cream, or the peppermint stick that can be used to stir.
You hate how much you have to psych yourself up before you walk inside. You don’t even know where Aaron is these days or what he’s doing. He could be halfway across the country for all you know.
So, with that fact in mind, you walk inside. You embrace the familiar sight and smells, remembering what it felt like the last time you were here.
You move toward the counter, falling in the short line to the register. And your stomach flips when you see a familiar face standing in front of you.
Well, his back is facing you, so you don’t see his face, but you know it’s him. There’s this thing about first loves. It doesn’t matter how long it’s been since the last time you’ve seen them. You’ll always recognize everything about them. The back of their head, their shoulders, their hands, the way they walk.
Their voice. Even if it’s deeper than the last time you heard it.
Maybe he won’t recognize me.
But what you don’t know is that no amount of time could pass to make you unrecognizable to Aaron.
Or that he saw your reflection in the glass case next to him when you got in line, and he’s been internally trying to figure out what the hell to say to you since.
If it hadn’t been for his voice, you wouldn’t have recognized Aaron at all. A black coffee? That’s it?
The barista pours it and slides it over to him before he’s even done paying. He’s at a coffee shop -- this coffee shop, and he orders a black coffee?
Who is he?
You step up to the register as he steps away, and you swear you see him looking at you through the corner of your eyes. But you must be seeing things because why would he do that?
You focus on ordering -- a medium peppermint mocha, complete with the whipped cream and peppermint stick. After paying, you step to the side to wait for your coffee.
You nearly knock right into Aaron, but you stop yourself, well aware of his presence.
Another thing about first loves: you’re always painfully aware of their presence.
“Hi,” he says, awkward and fumbling even though it’s only one word. He’s wearing a stuffy suit and tie, which seems odd, but you’re positive that’s just normal lawyer attire. He probably lives in a suit these days. His hair is shorter than it used to be and he looks older, but so do you. Despite all of this, he’s still Aaron. He’s still the same Aaron Hotchner you fell in love with at sixteen.
“Hi,” you return the awkward smile, tugging on the strap of your purse. After a beat, you nod toward his drink. “Black coffee, huh?” You try to tease. “Who hurt you?”
He laughs loudly then, shoulders and head shaking. “I’ve missed you.”
“I’ve missed you, too, Hotchner,” you murmur, wrapping your arms around yourself.
The conversation dies for a moment, so you busy yourself by looking at the different cakes and pastries in the glass case. You probably should’ve gotten one, but maybe another time.
Another time. Fifteen minutes ago you wouldn’t be caught dead in this shop and now you’re already thinking about another time.
“Are you busy?” Aaron suddenly asks, prompting you to look at him with furrowed brows. “Do you mind if I join you?”
“Not at all,” you smile gently, knowing you might regret this later. But it’s been over a decade since you’ve seen him last. One coffee won’t hurt.
And I’m over him, you remind yourself, no matter how untrue it might be.
Once you have your peppermint mocha -- finally, you think, it’s been too long -- you walk with Aaron to find a table. A lot has changed about this shop, but one thing that hasn’t (because there isn’t much that can be changed) is the seating.
Aaron leads you to your old table. The table the two of you practically lived at.
It makes your heart warm and ache all at once. The drink you decided to order isn’t helping matters either.
“So…” You pause, shifting in your seat. “What are you up to these days?”
“You stole my question,” he jokes.
“Tough,” you smile into your drink. “I asked it first.”
He chuckles, but answers anyway. “I’m working for the BAU now.”
“The B-A-What?”
“The-- FBI’s Behavioral Analysis Unit.”
Your eyes widen. “Did you… Did you really just say you’re working for the FBI?”
“I think so,” he says. “I’m the unit chief.”
“You’re the-- Okay. So, you don’t work for the...the BAU, they work for you.”
“We’re a team,” he offers.
“Said every boss ever,” you quip, taking a long drink of your mocha. You take the peppermint stick in between your fingers and stir, eyebrows furrowing down at the swirl of coffee and whipped cream. “So...what do you do exactly?”
He opens his mouth to answer, then stops, hesitating. “Do you really want to know?”
You give him a look. “Of course I do.”
“It’s not great.”
“Aaron, just tell me, or I’ll start reciting my dissertation word for word.” Your statement stuns him to silence, so badly that you almost laugh. “That’s boring. Working for the FBI can’t possibly be boring.”
“Oh, it’s never boring, that’s for sure,” he mutters. “We profile serial killers.”
“You what?”
He laughs. “We look at their behaviors and crimes and build a profile, what they might look like, their age, that stuff.”
“Intriguing.”
“I can’t believe you’re interested.”
“I can’t believe you thought I wouldn’t be,” you counter. “You know I thrive off this stuff.”
“I remember,” he says quietly.
And just like that, you remember, too.
It’s so easy to forget about all the hurt he caused, all the pain he left behind. Especially because you know he never intended to hurt you. He would never do that, not to you, not on purpose. You never told him how you felt. It’s not his fault he couldn’t read your mind.
“Well, you’ve got a doctorate,” he says, shifting the conversation. “What else are you up to?”
“How did you know it’s a doctorate?” You raise an eyebrow. “Are you profiling me? Did I use that correctly?”
“Yes,” he smiles. “And no, not intentionally. You said you’d recite your dissertation. Those are normally written to get doctorate degrees. You always wanted one, I assumed you met your goal.”
“You assume correct,” you nod. “I’m back to start job and apartment hunting, but after the new year. I wanted to spend some time with my mom.”
“How is she doing?”
“She’s good, she--” You pause, shaking your head with a laugh. “She actually brought you up yesterday.”
“Me?” Aaron looks genuinely shocked.
“Yeah, you,” you knock your foot against his leg without thinking, but you pay no mind, not wanting to draw unnecessary attention to it. “She’s actually the one who put the bug in my ear to come here.”
“Really?”
“Yeah, I haven’t been back here since…”
It takes him a moment, but he nods slowly. “Right.”
“Yeah,” you draw your legs closer to you on instinct. “But that was a long time ago. How are you and Haley?”
You don’t expect the way his face falls. You glance down at his left hand. No ring.
“We got a divorce a few years ago, split up about a good year before that,” Aaron explains. “She’s good, last I heard. Remarried already.”
“Wow,” you murmur, not knowing what else to say. “What-- I mean, what happened?” When he hesitates, you backpedal. “Sorry, I shouldn’t even ask, it’s probably a sensitive question.”
“It’s okay,” Aaron chuckles. “I don’t mind talking about it with you.”
That sends a dangerous flutter through your stomach. “Okay. Well I’m all ears.”
“Oh, it’s not a long story, it was just my job,” he shrugs. “I took the unit chief position and she was happy at first. But then, there was a period of time where we had what felt like case after case after case.” He shakes his head. “I was barely home, but I was barely in one state for long, anyway. It was a stressful time. We were everywhere at once.”
“That does sound stressful,” you frown. “Has it slowed down now?”
“Kind of, it has its moments,” he admits. “But being gone so much, it took a toll on her. She wanted to start a family, but said she couldn’t do that if I was never there.”
“But I mean she had to have known how your schedule would be with the new job, right?”
“Yeah,” he says, then shrugs. “It’s been so long now that I stopped trying to understand her thought process.”
“I get that,” you say sincerely. You understand not wanting to waste energy on something like that anymore. Sometimes you just have to give it up and have peace with the fact that you’ll never understand.
“What about you?” He asks suddenly, catching you off guard. “Seeing anyone?” He adds it quietly, like he’s shy.
Aaron Hotchner. Shy. Around you.
“Oh,” you nearly laugh at the prospect. “No. No, I’m not. Do you really think I would be if I was moving back in with my mom?”
He laughs, bringing his coffee to his lips. “You have a point there.”
A comforting silence settles over the two of you after that.
You shouldn’t feel slightly giddy that his and Haley’s relationship didn’t work out in the end. You’re over him by now, anyway. But something about being right has you fighting a smile. You smother the urge, though, knowing he probably doesn’t want to hear anyone, let alone you, say, “I told you so.”
You do feel bad for him, genuinely. Divorce is never easy for anyone, and you hate he went through that. Especially like that. Haley knew his work schedule would change. Why would she act supportive if she knew this in advance? Just sits uneasy with you, that’s all.
Of course, you feel that overprotective-best-friend nature coming back to you.
“What plans do you have now that you’re back?” He asks, keeping the conversation up, but you can tell he’s earnest — which makes you smile.
“Nothing, really. My mom and I are getting a Christmas tree later, but that’s all I have on my schedule.” You pause, giving him another look. “We both know you were my only friend in high school. Who do you think I’m going to see while I’m here?”
“Hopefully a lot of me,” he replies easily, smiling around his coffee.
And for once, you don’t hesitate to reply. “I hope so, too, actually. I didn’t think you were still around here. And I really didn’t expect you to be working for the FBI.”
“This might be presumptuous of me, but what are you doing this weekend?” He asks, quickly adding on, “A good friend of mine is hosting a Christmas party for the team, and I’ve basically been threatened to bring a plus one.”
“Threatened, huh?” You raise an eyebrow.
He nods seriously. “They won’t let me inside without one.”
You gasp comically, keeping up the act. “Well you can’t miss the party!”
“I know,” he sighs, propping his head in his hand.
“Well, I guess I’ll just have to come with,” you say, still deadly serious.
But Aaron’s lips split into a grin the same time yours does. “It’s this Saturday.”
“Lucky for you, I’m free.”
He doesn’t stop grinning. “I can pick you up, if you want.”
“Yeah, I’d love that,” you say. “I should probably give you my number, shouldn’t I?”
“I was going to ask,” he admits.
You roll your eyes playfully. “I figured.”
After exchanging numbers, the two of you return to your idle conversations. Only, they’re less idle than they ever have been before.
He vents about still not understanding how people can be capable of the things he sees. How he knows that everyone is capable of unspeakable things, but it’s how they do it that still makes him stumble sometimes. And you try to sympathize, though you know you can’t. But still you tell him not to try to understand.
“You’re a good man,” you say. “You’re not going to understand it because you’re not like them.”
“Thank you,” he whispers. “I know that, consciously. Sometimes it’s good to hear it from someone else.”
Then he tells you it’s your turn, and again, you don’t feel the need to hesitate.
You tell him how you weren’t planning on moving back here at all. But the job market where you were didn’t...fit you, for some reason. You never felt like you belonged, and so maybe that’s why you wanted to come back here.
Because even though you left this place heartbroken, you still felt like you belonged when you were here. You felt like you belonged when you were with him, but you don’t tell him that.
Something tells you he heard it anyway, though. Being a profiler and all. Which you still don’t quite understand, but you’re sure he’ll have plenty of time to tell you in the coming future.
+++
After an hour or two, you decide it’s time for you to head back home. Partly because you need to make some lunch for yourself, and partly because you’ve watched Aaron dismiss at least three phone calls in the last twenty minutes.
But he didn’t say a word each time, so you know he won’t tell you who it is or if he needs to go. It makes your heart warm at the thought that he wants to spend more time with you, but if it’s his job, then he needs to go.
He walks you to your car and you hug him around his neck, unashamedly taking a deep breath of his cologne when you stretch up to wrap your arms around him. He didn’t wear cologne back in high school. But this one smells good.
You mentally prepare yourself on the way home for the amount of questions your mom is no doubt going to ask.
You’re supposed to be going to pick out a tree with her today, which means you were supposed to be home a little earlier than this, which means your mom probably already knows what happened and you won’t even get a chance to explain yourself.
In the end, your prediction was correct.
“How was your peppermint mocha?” You glance over to the couch and find your mom sitting there, idly reading a book.
The question is as directly indirect as they come. You raise an eyebrow and kick the front door closed (yes, she asked before you even stepped foot inside the house). “It was good,” you reply, shrugging your jacket off your shoulders. “Why?”
“Oh, you enjoyed it for almost two hours, so I was just wondering.” Your mom fights back a grin, but she’s not doing a very good job.
You sigh. “Just go ahead and ask.”
She closes her book. “Alright, fine, I will. How is Aaron?”
There it is.
“He’s good,” you answer rather pointedly, making your way into the living room. “He’s working for the FBI now.”
“Oh, I knew that already.”
You plop down next to her on the couch. “Seriously?”
“Of course!” She cries, like it should be obvious. “Small talk happens when you see someone in the store.”
“Right,” you scoff. “Anyway, thanks for not telling me him and Haley divorced.”
She grimaces.
“Yeah, exactly,” you nod at her expression. “That’s how I felt. I bet it was just awesome of me to ask about how him and his ex-wife are doing.”
“I’m sorry,” your mom says. “It completely slipped my mind. It’s been so long since those two split.”
“Why didn’t you tell me when it happened?”
“Because I didn’t want to bring him up,” she answers sincerely. “You seemed like you had really moved on. I figured it didn’t matter, and I didn’t want to make you start thinking about him again when you had finally gotten over it all.”
“Oh,” you murmur. “Well, thank you, then, but...still. I feel like an idiot.”
“Did he seem angry when you asked?”
“No, the opposite,” you sigh. “He explained what happened and I let him talk about it for a second, but he seems mostly moved on from it.”
“I don’t know how he can be,” your mom scoffs. “She’s already remarried, you know.”
“Yeah, he told me.”
Your mom shakes her head. “I should’ve shook some sense into that boy when he came to say goodbye that day.” Then she pauses, poking your leg. “And I should’ve made you say goodbye to him. I’ll never forgive myself for that.”
“I didn’t wanna talk to him,” you shrug. “We barely had all year, anyway. And one goodbye would not have stopped him from going to college and marrying Haley, you know that.”
“Yeah, I know.” She sighs. “It’s fun to think about, though.”
“Well stop thinking about it,” you mutter. “We are friends and he’s probably seeing someone by now. I don’t even know how long I’ll be here, so.”
Your mom raises her eyebrows. “I never said anything about what you guys are now.”
Damn. Caught. “I know, but I’m just...catching you before you do.”
“Mmm, more like catching yourself.”
“Shut up.”
She lightly hits you with a pillow. “Don’t say that to your mother,” she jokes. “Especially not when I’m right and you know it.”
“Yeah, yeah. Are you ready to pick out a tree?”
“Of course,” she replies. “Just let me find my shoes.”
While she’s getting ready -- because “finding her shoes” really means fixing her hair and makeup and changing outfits a couple times -- you get a text from Aaron.
Aaron: It was nice catching up with you today
You smile and type your reply. Ditto. We should do it again sometime.
He doesn’t reply, but you figure he’s busy at work, anyway. And you’ve got a tree to pick out and decorate, so you’re technically busy, too.
You try not to think too much about it.
+++
And truthfully, you don’t think much about it, until Aaron finally replies. It’s hours later when you’re decorating the freshly-cut Christmas tree in the living room, with Michael Bublé’s Christmas album playing through the stereo speakers. It’s just like when you were younger.
You check your phone and see that it’s Aaron texting you back, but you pocket it before reading the message. You’re busy.
Your mom notices the change on your face. “Everything alright?” She asks as she places a snowflake ornament on one of the smaller branches.
You nod without thinking, hating yourself for even feeling what you’re feeling right now. A glittery red ornament hangs from your index finger as you try to find the right branch to hang it on -- and while your mind wanders all over the place.
“Clearly not,” your mom replies. “But alright.” She turns and reaches into a different box, picking up one of the golden jingle bells that she always hides deep within the tree each year. When you were younger, she’d hide them without you seeing, and then on Christmas Eve you’d have to search the tree for them before you could open one present before going to sleep.
You snort a laugh, always loving her way of getting you to open up: sarcasm. “It’s just Aaron.”
“Aaron?”
“Texting me,” you explain, looking down at the glitter coating your fingertips from the ornaments.
“Aren’t you going to reply?” She asks, grabbing another jingle bell.
“Technically he’s the one replying from earlier today.”
“Okay…”
You sigh. Time to cave. “He invited me to a Christmas party this weekend.”
Your mom doesn’t even try to hide her excitement or her wide grin. “Really? That’s great!”
Is it? You want to ask, but you stop yourself. “Yeah,” you shrug. “I guess so. It’ll be nice to hang out with him more.” You pause, finally hanging the small glittery red ornament on the tree that you’ve been idly holding for the past two minutes. “Apparently a friend of his is hosting it and basically told him he wouldn’t be allowed inside without a plus one.” You chuckle quietly, knowing Aaron had to have rolled his eyes when his friend told him that.
“So it’s...a date, then?”
“What? No,” you shake your head. “No, no. Not a date. He didn’t phrase it that way.”
“Sweetheart, plus one implies date.”
“Who says?”
“Everyone!” Your mom laughs. “Bringing a plus one to a wedding is usually a casual date, if not bringing your significant other along.”
“This isn’t a wedding, it’s just a Christmas get together.”
“Same difference.”
“Well, I think you’re doing that thing again where you try to plant seeds in my brain for things that are unnecessary,” you raise an eyebrow at her when she avoids eye contact, so you know you’ve caught her red-handed. “All that aside,” you sigh. “I’m over him. It’s been so long. If something was going to happen, it would have already.”
“Whatever you say,” she shrugs indifferently, grabbing the final jingle bell to hide in the top of the tree. For a brief moment, you wish you hadn’t been watching where she hid them, so you could do the search on Christmas Eve one more time.
+++
You bump into Aaron one more time, two days later, at the same coffee shop.
“Back for more?” He teases as he slides into the seat across from you, another black coffee in his right hand.
You’re sitting at the table the two of you call home with yet another peppermint mocha sitting in front of you and your laptop. More job hunting is the task for today, even though you’re ready to give up and just pick it back up after the New Year. It’s not like your mom is making you pay rent, and you have enough in savings to help with groceries (without her knowledge, of course, because she refuses to let you pay for anything) and buy your own coffees. But, you decided to give it one last go today.
That is, until Aaron slid into the seat in front of you. Now, you close your laptop and place it back in your bag. “Just needed some fuel for more job hunting,” you grin. “What are you doing here?”
“I took off for lunch for once and thought I might find you here.”
“Oh?” You raise your eyebrows. “Were you seeking me out, Hotchner?”
“Maybe a little,” he admits with a shy smile. “Are you still good for tomorrow?”
“As long as you are,” you nod. “What time?”
“I’ll pick you up at five, if that’s good?”
“Perfect,” you smile. “Are you ready to introduce me to your friends?”
“Depends,” he exhales exasperatedly. “Are you ready to meet them?”
“They can’t be that bad.”
“They might be. If you aren’t used to them.” He pauses. “They don’t know you’re coming, by the way.”
“What?” You almost laugh. “Why not?”
“I told them I was bringing someone, but I didn’t feel like hearing it all week about who I was bringing.” He pauses again, like he’s holding something back, and then he lets it out. “They know all about you.”
You blink. “They do?”
“Yeah,” he smiles gently. “I talk about you all the time.”
“No,” you shake your head. “No you don’t. There’s no way.”
“You’ll believe it tomorrow,” he chuckles. “I’m sure they’ll try to embarrass me.”
“I-I mean...what do you even say about me?”
He shrugs. “That you were my best friend in high school and...that I missed you and wondered what you were up to these days, and how we used to hang out here.” He looks around the shop, then back to you and your bewildered expression. “What?” He laughs. “You didn’t talk to your friends about me?”
“No, I did,” you laugh quietly. But I said different things. And most of the time I was crying because I missed you, especially my first year of college when my roommate tried to get me to go on a double date with her boyfriend and his roommate, but I refused and had to confess that I wasn’t over you and that you broke my heart, and I was such a mess that she brought ice cream and chocolate back after their date.
But you don’t say any of that. Obviously.
“I just didn’t expect you to even...think about me, I guess,” you finally spit out, still shaking your head. “I mean...we haven’t talked since high school, I figured you’d forgotten or moved on, at least. Especially since you had Haley.”
Aaron’s expression softens and turns sad, quickly. “I’m sorry,” he murmurs. “I didn’t know you thought any of that.”
“It’s fine, don’t worry about it,” you wave his worry away. “It’s years ago. Water under the bridge.”
“Yeah,” he agrees. Then, he says, “Haley was jealous of you, you know.”
You immediately look up from your mocha, your eyes wide in shock. “She was what?”
“Oh yeah,” Aaron laughs. “Devastatingly jealous of you. She swore we were dating or that I was in love with you or something.”
Or something. “Wow,” you chuckle, trying to mask your hurt as much as possible. “Why did she even think that?”
You know why. You know exactly why. Because before her, you and Aaron were attached at the hip. You sat together during lunch, walked each other home, hung out at the coffee shop, went to school functions together (well, you’d actually go with a big group, but you two always ended up together anyway), and so on and so forth. Anyone would’ve been an idiot to not assume you two were dating.
“We were so close,” he shrugs. “She said she was so surprised when I asked her to be my girlfriend because she swore I was dating you. She actually asked me that, when I gave her the flowers. She said, “What about Y/N?” And I said, “Y/N? She’s just my best friend.” And she didn’t believe me.”
“That’s so crazy,” you say, but you’re really thinking back to that day you and Aaron had decided to meet up here and hang out after so long. When Haley crashed the hangout. When she locked eyes with you and smirked before pulling him back in for another kiss.
She was jealous. She was jealous and she knew exactly what she was doing that day.
Aaron’s phone starts ringing and he sighs heavily, pulling it out. He almost declines it, but then stops himself. “It’s the boss,” he says. “My boss. I’ve gotta take this. I’ll text you later?”
“Sure,” you smile, knowing he might forget or get too busy to think about it. But that’s okay. “Good luck with the phone call.”
“Thanks,” he chuckles. “I’ll need it.” And then he brings his phone up to his ear. “Agent Hotchner,” he says, and you hate that you find it so hot.
+++
You almost cancel with Aaron a dozen times before 2p.m.
You blame the conversation the two of you had yesterday. For some reason, the thought of Haley being jealous of you had never crossed your mind. Because to you, it was so obviously the other way around. Of course, you weren’t vocal about your jealousy, but you were certain she knew. Not that it was the other way around.
Old feelings have already resurfaced, which is bad enough, but the talk about Haley and about how Aaron’s friends know all about you made things worse. Especially the latter.
Why would he talk about you so much if the two of you hadn’t spoken in years? Not even years, but like an entire decade. Why would he still talk about you and think about you that much?
You have dwelled over those questions since he left the coffee shop yesterday.
But now, you have no idea what to wear, and Aaron will be here any minute. You’re assuming the attire is casual, not fancy, since it’s just a get together with his friends -- who all happen to be his team of agents. FBI agents. Because he’s just casually the Unit Chief of the BAU.
It still baffles you. He wanted to be a lawyer. Not in the FBI. God.
He’s still your Aaron. That’s what shocks you the most. He’s experienced law school, marriage, practicing law, working for the FBI, becoming a Unit Chief, divorce, and yet he’s still the Aaron Hotchner you were best friends with in high school.
You wonder if you’re still the girl he was best friends with in high school. Or if you’ve changed so drastically that he doesn’t see you that way anymore.
You take a deep breath, going back to digging through the many boxes of clothes that you have yet to unpack. You need a sweater or something. That’s safe enough, right? It’s too cold for a dress, and frankly, you’re not in the mood for wearing one, anyway.
Finally, you find the sweater you were looking for. You tug it over your head, figuring your jeans are fine enough. You’ll wear some low heels to make it look like you put in a little more effort.
Your quick thinking is to your benefit because the doorbell rings almost as soon as you’re done doing the clasp on your second heel.
But because your mom is quicker than you, she’s already opened the door and let Aaron in before you can make it downstairs. And by the time you are coming down the stairs, Aaron is sitting on the couch with your mom, making idle conversation.
“Hey,” you smile at him, resisting the urge to glare at your mom. “Ready?”
“If you are,” he nods, standing to his feet.
When he turns, you shoot your mom a look. “We’ll be back later.”
“You’re not in high school,” your mom laughs. “You two have fun for as long as you like.”
“I know,” you say. “But I also know you’ll wait up until I get back.”
“And you can’t stop me,” she replies pointedly.
Aaron laughs at the two of you, your banter just as he remembers from all those years ago. Neither of you have changed one bit.
After a final moment of bickering, you bid your mom goodbye and leave with Aaron.
In the car, you ask, “Have you told them about me coming yet?”
From the driver’s seat, he shakes his head. “No, so prepare yourself for a lot of questions.”
“I think you’re the one that’ll be in hot water, but alright,” you chuckle. “I can hear them now. ‘Why didn’t you tell us you were bringing her!’”
He laughs loudly. “That’s not a bad impression, actually.”
“Why, thank you,” you smirk. “It’s a hidden talent of mine.”
“Oh, really?”
“Mhm.”
The two of you share a grin as he keeps driving.
+++
After some time -- long enough that you were beginning to wonder where he’s taking you -- Aaron finally turns into a subdivision. But it’s still not what you were expecting.
You assumed FBI agents must make good money, but not this good. This is a mansion. It’s massive. There has to be at least six bedrooms in there, maybe more.
“Is your friend a millionaire or something?”
Aaron chuckles, “Maybe. Probably. Maybe more.”
“More?” Your eyes widen. “Wow.” And then Aaron pulls into the driveway. “Wow.”
He puts the car in park and says, “Try not to look too surprised. Dave won’t shut up about the house if you get him started.”
“What if I want to hear everything?” You ask, scrambling out of the car to look up at the house. “Jesus Christ.” Then you whip your head around to look at Aaron exasperatedly. “Does your house look like this?”
“No, no,” he shakes his head. “No. This is too big. Dave’s crazy for buying it.”
“He’s definitely insane,” you nod. “I mean, what do you even need a house this big for?”
Aaron shrugs. “Christmas parties, I guess.” He pauses, holding out his arm for you. “Ready to face the lions?”
You roll your eyes through a laugh, loosely holding onto his arm. “Quit being so dramatic. I bet it’ll be just fine.”
“Let’s hope so,” Aaron replies. Because truthfully, he is a little worried that they might scare you off. They have a habit of doing that.
The two of you walk up to the front door, and you try your best to act like you’ve been in the general vicinity of a house this big before. Dave must be a really good friend of Aaron’s, because instead of knocking or ringing the doorbell, Aaron twists the doorknob and walks right in with you on his arm.
“Dave’s making pasta,” Aaron whispers, smelling the air. He shuts the door gently, wanting to surprise the team as much as possible.
You sniff the air, too, smiling happily. “Smells really good. Is that carbonara?”
“Good nose,” a voice says from the kitchen.
“That’s Dave,” Aaron chuckles, walking you down the hall toward the smell.
The team’s eyes all widen dramatically and comically when Aaron Hotchner steps inside the kitchen with a woman on his arm.
“Well, hello,” one of them says, sliding off the stool at the counter to saunter over to you. He’s all suave and swagger.
“Derek Morgan, this is Y/N,” Aaron introduces you quickly, knowing the reaction your name will get.
“Hold up,” Derek pauses, glancing between you and Aaron. “Y/N? As in the Y/N?”
“I don’t know about being the Y/N, but that is my name,” you laugh. “Nice to meet you.”
“The pleasure is all mine,” Derek says, a hand over his heart to add to the sincerity. “Where have you been hiding all this time?”
“Getting a doctorate,” you shrug, only now realizing that your hand is still holding onto Aaron’s arm, but he doesn’t seem fazed by it either, so you don’t move.
“Oh, alright,” Derek chuckles. “Hey Reid, we’ve got another doctor here.”
The man in question, Reid, looks up from the book he was reading with furrowed eyebrows. “Hi.” He waves.
“Hey,” you wave back. “What’re you reading?”
“War and Peace. In Russian, though.”
“In-- Wow, okay.”
“He’s a genius,” Morgan explains.
“I see that,” you chuckle.
Aaron finishes the introductions for you. “That’s JJ, handles the press for us because none of us want to do it.”
“He’s not wrong,” JJ replies with a laugh. “It’s nice to finally meet you.”
“You too,” you smile.
“You met Reid, his first name’s Spencer,” Aaron supplies, and Reid is too far gone in the book again to notice. “This is Emily Prentiss.”
“And I have been dying to meet you,” Emily says. “You are exactly how he described.”
“In a good way, I hope?” You laugh nervously.
She nods. “Definitely.”
Aaron points to the other woman at the counter. She’s dressed in all sorts of crazy colors with glasses that match her outfit. And before he can introduce her, she says, “I’m Penelope Garcia, technology extraordinaire. I keep them out of trouble.”
“And we love you for it,” Derek adds.
“And this is Dave,” Aaron finishes.
“It is very nice to finally meet you,” Dave says, and actually shakes your hand. “Do you know how to make carbonara?”
“Yes, actually,” you say, earning a surprised look from Aaron. “I went through a phase when I was younger, wanting to make anything and everything that sounded good, so I’ve made this a few times. My mom loves it.”
Dave loves the sound of that. “Would you like to help me?”
You practically light up inside and out. “Seriously? I’d love to!”
“Oh, here we go,” Derek groans. “He’s roped her in.”
You ignore him, slipping away from Aaron to grab the other apron off the hook by the entrance to the kitchen. You slide your head through the loop and tie it at the back in a matter of seconds, too excited to contain it.
“I almost went to culinary school, you know,” you say to no one in particular, but Aaron is listening, and so is Dave.
“Why didn’t you?” Aaron asks.
You shrug. “Didn’t seem practical.” Which isn’t the real answer at all. The real answer is you got your heart broken and needed to do a complete 180 in life, so you did. Culinary school was out. Getting a doctorate was in. You turn on the water in the sink and begin washing your hands. “What do you need me to do?”
For the next hour, you help Dave make the carbonara, occasionally answering any questions Aaron’s friends have for you.
Aaron pours you a glass of wine and sits at the counter, watching you cook. You look more at peace than he’s seen you since a few days ago when he first bumped into you again.
You catch him looking at you more than a handful of times. It feels good. Spending the evening with his friends, his team, with him. You’ve missed spending time with him more than anything else.
Dave serves up the carbonara, telling you to sit down since you helped so much already. You don’t make him ask twice.
+++
After dinner, everyone moves into the living room, scattering on the various couches and chairs. Reid has finished reading War and Peace, so the book sits discarded on one of the coffee tables.
You take the spot on the couch next to Aaron, careful not to spill your wine. Penelope sits on the other side of you, with Derek on her other side, which all but forces you to move closer to Aaron, and something about the look on Penelope’s face tells you it was done on purpose.
You’re not exactly complaining, though. With a full stomach and a fresh glass of wine, Aaron’s presence is even warmer than before. You pay no mind when he shifts his left arm, stretching it over the back of the couch and allowing you to scoot closer, your legs pressed against each other’s.
The conversation continues, and somehow the subject of relationships is brought up.
“Yeah, why was I the only one asked to bring someone?” Aaron asks. “I’d like to see all of you find a last minute date.”
Another warm rush goes through your body at the word date. This is a date. Alright then.
“I think you did just fine,” Dave says, nodding to you. “Don’t you?”
You shrug, not sure of what to make of it. “I’m having fun, so I guess so.”
“See?” Dave gives Aaron a look. “You did fine.”
Aaron gives his friend a tired glare. “Only because she happened to be back from getting her degrees. Otherwise, I would’ve been stuck.”
“Nah, man, you could’ve called Beth.”
You feel Aaron tense next to you, but you aren’t sure if he tensed up or if you did. Maybe both. Probably both. You weren’t aware there was someone else.
“Who’s Beth?” You ask as casually as possible, ignoring the heated glares Penelope, JJ, and Emily alike are sending Derek. Seriously, Derek would be dead three times over right now if looks could be deadly.
Aaron shrugs before answering you. “Her and I dated briefly last year.”
You nod slowly, trying not to seem hurt or upset or anything by this because it’s ridiculous of you to be fighting back tears, but you can’t help it.
It’s high school, goddamnit, it’s fucking high school all over again.
The topic of conversation shifts thanks to Reid being the endless supplier of random facts. One question about Russian from Emily and he’s taking over, washing the awkwardness away in two languages.
Unfortunately, it doesn’t work as well for you as it does for everyone else.
You set your wine glass down on the table and tell Penelope you’re going to use the bathroom. You have no clue where it is, but she doesn’t know that.
Aaron does. And Aaron hears the tone of voice you use.
He waits until you’re down the hall before he stands to follow you, foregoing any explanation to his friends. They already know what he’s doing.
Aaron’s suspicions are correct when he hears the front door close and sees your coat no longer hanging next to his on the hook by the door. He grabs his and only gets one arm through a sleeve before he’s opening the door, eyes searching the premises for you.
Thankfully, he finds you after two seconds, and his racing heart slows a little. You’re standing by the reindeer lights on Dave’s front lawn. Your coat is only hanging on your shoulders, something you’ve always done since high school when you were upset.
“It feels more like a blanket,” you had told him one day. “Blankets are more comforting than jackets.”
He doesn’t see the difference, but you do, and that was enough for him.
He has both arms through the sleeves by the time he’s next to you. He gently touches your arm to get your attention, adding a soft, “Hey,” for good measure.
You turn your head at the sound, having already known he was coming because you heard the front door open. In the back of your mind, you had wanted him to follow you out here, but now that he’s done it, you aren’t so sure this is what you wanted.
You wanted to ignore the feeling. Get it to disappear on its own. Survive the night, then never talk to him again. You were heartbroken, but it was better when you weren’t speaking to him. At least, that’s what you tell yourself.
“I’m sorry,” Aaron says softly. “Beth and I haven’t spoken since our last date a year ago. It was only three dates. We weren’t serious at all.” He pauses. “I have no idea why Derek said that. He doesn’t think before he speaks sometimes.”
You nod, not having it in you to laugh at Aaron’s small jab, even though he is entirely correct. Derek is a quick thinker with a sharp wit, but you can see how it might backfire sometimes. Like tonight.
You believe Aaron, you really do. But it’s so hard. “Did you love her?”
Aaron is stunned for a moment, but says, “No. I don’t think I did.”
“Okay.” You shake your head, looking down at the grass. “I’m just trying to figure out why Derek would’ve brought her up if...if you guys dated so briefly.”
Aaron sighs. “I don’t know.”
“And is this a date?” You blurt, finally finding the courage to get that one out. “Because if it is, I…I don’t know.”
“Don’t know what?”
You shake your head again, trying to find the right words, but they always seem out of reach. “Just...tell me this won’t be like high school.”
This time Aaron is too stunned to form a real answer. “What?”
“Please,” you sound like you’re about to cry and you feel so pathetic that you wish you had never agreed to come tonight. But you’re here anyway. “I was in love with you then, and I’m still in love with you now, but I can’t do that again. So if this is a just friends thing and always will be, I need you to tell me before I hurt myself all over again.”
Aaron can’t believe his ears. He swears he heard you wrong. He must have. “You were in love with me in high school, too?”
“Yes-- Wait, too? What do you mean too?” Now you’re looking at him, eyes wide in confusion, shock, every emotion possible. “Too?”
“I was in love with you, Y/N,” he chuckles, reaching for your hands. “I thought you just saw me as an older brother. That’s why I never...said anything.”
“What?” You breathe, letting him thread his fingers through yours. “Are you serious? You better not be pulling my leg, Hotchner. Don’t do that to me.” You tug on his hands for emphasis, giving him a stern look.
“I’m not joking,” he says, taking a step closer. “I wouldn’t joke about this.”
“Oh my god,” you say, disbelief a powerful thief of words. “I can’t believe… So you went after Haley because…”
“Because I heard from one of her friends that she had a crush on me,” he admits. “I did love her, but not as much as I loved you. Never as much as I loved you.”
You don’t know what else to do or say. He looks so beautiful in this light that it hurts, and now he’s saying words you never thought you’d ever hear.
“Do you forgive me?” He asks. “For breaking your heart?”
“Only if you forgive me for breaking yours,” you whisper.
He shakes his head. “I broke my own. I should’ve told you how I felt.” He pauses. “I even talked to you about Haley all the time. Is that why you didn’t say goodbye to me?”
You nod. “It sounds so stupid now, but I was so hurt.”
“I’m an idiot,” he laughs. “I’m the dumbest fool to ever walk the Earth.”
“We both are,” you correct him, taking a step closer. It’s cold out here, but he’s warm. He’s always been so warm. Like home.
And you-- you’ve always been who Aaron thinks of when he thinks about being happy. It’s always been you. A moment like this, and a thousand others. He wants them all. And to think, you do too.
His lips meet yours in a long-awaited kiss, cold noses bumping against one another, his warm hands holding your face, your chilled fingers finding their home on his neck, stealing his warmth.
From the window, the team watches, and Emily exchanges money with Derek.
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camdentown-library · 3 years
Text
The flames in your eyes || ENG ver. Ethan Torchio x reader
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❝ 𝐌𝐚𝐫𝐥𝐞𝐧𝐚 𝐝𝐞𝐜𝐢𝐝𝐞𝐬, 𝐚𝐟𝐭𝐞𝐫 𝐚 𝐥𝐨𝐧𝐠 𝐭𝐢𝐦𝐞, 𝐭𝐨 𝐠𝐢𝐯𝐞 𝐚 𝐛𝐫𝐞𝐚𝐤 𝐟𝐫𝐨𝐦 𝐭𝐡𝐞 𝐞𝐯𝐞𝐫𝐲𝐝𝐚𝐲 𝐥𝐢𝐟𝐞 𝐨𝐟 𝐡𝐞𝐫 𝐝𝐚𝐲𝐬. 𝐀𝐜𝐜𝐞𝐩𝐭𝐢𝐧𝐠 𝐚𝐧 𝐢𝐧𝐯𝐢𝐭𝐚𝐭𝐢𝐨𝐧 𝐟𝐫𝐨𝐦 𝐡𝐞𝐫 𝐠𝐫𝐚𝐧𝐝𝐩𝐚𝐫𝐞𝐧𝐭𝐬, 𝐬𝐡𝐞 𝐰𝐢𝐥𝐥 𝐠𝐨 𝐭𝐨 𝐬𝐩𝐞𝐧𝐝 𝐭𝐡𝐞𝐢𝐫 𝐬𝐞𝐜𝐨𝐧𝐝 𝐡𝐨𝐦𝐞 𝐛𝐲 𝐭𝐡𝐞 𝐬𝐞𝐚. 
𝐖𝐢𝐭𝐡𝐨𝐮𝐭 𝐭𝐨𝐨 𝐦𝐚𝐧𝐲 𝐞𝐱𝐩𝐞𝐜𝐭𝐚𝐭𝐢𝐨𝐧𝐬 𝐭𝐡𝐚𝐭 𝐭𝐡𝐚𝐭 𝐬𝐮𝐦𝐦𝐞𝐫 𝐜𝐨𝐮𝐥𝐝 𝐡𝐚𝐯𝐞 𝐛𝐞𝐞𝐧 𝐝𝐢𝐟𝐟𝐞𝐫𝐞𝐧𝐭 𝐟𝐫𝐨𝐦 𝐭𝐡𝐞 𝐨𝐭𝐡𝐞𝐫𝐬, 𝐬𝐡𝐞 𝐰𝐢𝐥𝐥 𝐦𝐚𝐤𝐞 𝐭𝐡𝐞 𝐚𝐜𝐪𝐮𝐚𝐢𝐧𝐭𝐚𝐧𝐜𝐞 𝐨𝐟 𝐚𝐧 𝐮𝐧𝐮𝐬𝐮𝐚𝐥 𝐛𝐨𝐲, 𝐰𝐡𝐨 𝐢𝐧 𝐡𝐞𝐫 𝐨𝐫𝐢𝐠𝐢𝐧𝐚𝐥𝐢𝐭𝐲 𝐰𝐢𝐥𝐥 𝐩𝐨𝐢𝐧𝐭 𝐨𝐮𝐭 𝐚𝐬𝐩𝐞𝐜𝐭𝐬 𝐨𝐟 𝐥𝐢𝐟𝐞 𝐭𝐡𝐚𝐭 𝐬𝐡𝐞 𝐡𝐚𝐝 𝐬𝐞𝐭 𝐚𝐬𝐢𝐝𝐞 𝐟𝐨𝐫 𝐭𝐨𝐨 𝐥𝐨𝐧𝐠. ❞
Genre: Fluff ;; romantic ;; slowburn
Pairing: Ethan Torchio x fem!reader
Warning: English is not my native language, I may have made grammatical errors. do not hesitate to correct me
N / A: The facts told are purely the fruit of my imagination, it is not my intention to do any wrong to any person mentioned, and above all the character of Ethan could (surely) not reflect the person in reality.
Happy reading to you all!
CHAPTER 1
The first rays of July had cast on the roofs of the houses in Rome, giving the off-white plaster and rosy tiles a golden sheen that tasted like honey. The wisteria were in bloom, as was the medlar tree under Marlena's house; the scent of life in the full act of her cycle, always knocked on her dining room window, filling it with sweet fragrances.
The girl used to take her place at the table during the late morning hours, surrounded by books and tomes quite old and gnawed by the dust, with the good resolution that even that day she would read and study those very boring pages of that equally boring examination. of Egyptology. The university summer session had already begun, she had just taken a couple of exams last June and was now preparing two more that she would take in the first weeks of September.
That time could seem apparently short, Marlena didn't care that much, what could ever distract her from her work? She had no friends, and by now, even though she had crossed the threshold of 21 years in the autumn, the girl was now completely extinct her naive youth, as well as her desire to laze.
The out of tune and unexpected sound of the intercom triggered her head bent over the books of the young woman, who after having heaved a sigh perhaps a little annoyed, she decided to get up from her chair, leave the dining room and cross the wide and not too long corridor in the shape of an "L" of his apartment, finally arriving at a brisk pace towards the device it had croaked in order to answer.
"Yes?" she asked quite firmly but not too cordially.
"I'm the postman, will you open me?" answered a stranger, as she pushed the button to open the gate.
Marlena therefore opened the heavy old door of her house, remaining patient to wait for the man to arrive at the door. Although she had lived in that condominium with her father for as long as she remembered it, she had not yet found a rational explanation for its lack of mailboxes. Was it because it was a palace built in the 1920s? Well that would explain the absence of an elevator as well, but a damn mailbox wouldn't be hard to add.
The man's gasping breath brought her back to reality as her eyes saw him peeking from the flight of stairs. Was he already that tired after not even crossing the second floor? The young woman wondered a little disappointed.
"Are you Madam Levavi?" the postman then asked, catching his breath and rummaging through her purse. Marlena wrinkled her nose instinctively.
"Ahm ... not madam, I'm her daughter" she replied shaking her head, what could that postman ever care if she was "miss" or "madam"? The girl lightly bit the inside of her cheek as a reproach.
"Here you are. How many floors are there still?" She asked the man wiping her sweaty forehead with a handkerchief after giving her the mail.
"Two more ..." Marlena replied disinterestedly as she closed the door, observing her letters.
Bills for electricity, water, the tax to be paid for the next university year and ... a letter?
Well, it certainly wasn't sent by her father...
The girl looked at the text of that letter once more, rereading it and rereading it several times, wrapped in a silence that was probably inherent in memories that clouded her common sense, while slowly after taking a few steps back, she gently placed her back to the wall.
"Dear Marlena,
I know perfectly well that it might have been easier to call you, but you know I've always enjoyed writing you letters.
Unfortunately I noticed that in the last few I sent you you didn't answer, I guess it's because the university keeps you very busy ...
However, I learned that your father is out of Italy on a business trip and he will be away until the end of August; It seemed only right to invite you to spend these last months of summer in our house outside the city.
I know that since your mom left, you haven't had the desire to visit us anymore, but I think it would do you good to change the air for a while. The place is quiet, there is the sea and also a large and extensive countryside with a pine forest and the locals are really friendly and helpful.
You can also bring Lapo if you want, I know you are very close.
Either way, let me know your verdict.
A strong hug.
Grandmother Agata.”
She had distant memories of that house, distant but still happy. He remembered when he woke up early in the morning with grandmother Agata and grandfather Laertes to be able to go to the sea and his little hands while looking for hermit crabs and shells on the shore, as he remembered the music in the square and the laughter echoing in the same way as the bells of the church on Sunday, everyone was happy ... and life seemed to be less unfair to those who deserved it less, it tasted like jam and fruit jellies, salt on the lips and bees flying.
Marlena's chest swelled with air, as if she had been holding her breath until then...perhaps because diving into one's childhood was like floundering in a stormy sea pretending to stay afloat.
The cheerful barking of her dog Lapo brought the young woman back to the present, who decided to place the letters on a window sill not far from the front door and set off together with the playful animal towards the kitchen. Lapo was a nice Bernese Mountain Dog, with a black, brown and white coat. It had been given to her five years ago, perhaps because her father had sensed that even his absence had created in the heart of his only daughter, a sense of distressing loneliness, which had consumed her to the bone making her totally apathetic for certain verses.
But Lapo, Lapo had saved her from her, with Lapo she spoke and shared gestures of affection, such as caresses and little licks between her fingers and hair. Sometimes Marlena fell asleep in her bed, with the bulky dog ​​on her, because feeling her warm and humid breath on her blankets reminded her in her sleep that she was not alone in the dark of the night. As long as Lapo's heart had beaten the young girl she was not afraid of having to wake up or sleep.
Although she tried to convince herself that staying in her comfort zone would be easier than answering "yes" to her grandmother's request, a part of her was again attracting her to that letter; her gaze was captured by the horizon of her mind, while in the distance she could almost hear the sounds and flavors of a place almost too fairytale to be part of the material world.
"I know I should answer..." she murmured as she was intent on washing the peel of a red apple in the kitchen sink. Meanwhile the dog sat up looking at her intensely while she wagged his tail waiting for her.
"...It's just that, that place...and then I should finish studying, I have an exam to take at the end of the summer, Lapo" but the dog tilted his head in disappointment and then got up and trotted out of the room, looking for of who knows what amusement, leaving Marlena to her thoughts, as she bit into the freshly dried fruit with the kitchen towel.
All of this would only be for a little over a month and a half, just a month and a half and then she would leave it all behind her again, as she did a long time ago.
“Hello grandma. I'm Marlena..."
Marlena after putting the letter back next to her bedside table, she grabbed the cell phone not far away and typed some numbers on the screen, not too convincingly, and then brought the object to her ear.
There were those ten seconds of waiting that seemed the stroke of half a century, until a voice said "Hello?".
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Marlena had brought two large bags with her. One for clothes and the other full of junk such as: books, objects for the dog, tricks and everything that for her mind, not so familiar with travel, she considered indispensable. She was not so convinced that both of them would enter the trunk, but the exemplary ability to know how to adapt and make do with her grandfather always left her with amazement on the edge of her lips.
It took two days before grandfather Laerte's small and overly backward FIAT Punto made its peerless entrance next to the bottle-green gate of the small cloister of the Marlena palace.
The man had taken more or less ten minutes just to park, the niece had wondered how long it would take him to get there and start again.
The young woman was sitting in the back seats, together with Lapo. She held in her hands a small bunch of tulips that Laertes had brought her, made by herself. He said to her:
"I went for a walk in the countryside and tried to capture the most beautiful of all, like my granddaughter!" followed by a proud, croaking laugh. Laertes had always been a proud and incurable romantic, without ever giving up some of her drama, grandmother Agata did nothing but remind her of it in her letters.
Like when Marlena pointed out to him, that the steering wheel of the car was too damaged for the latter to be considered in accordance with the law, but he had always replied that a good soldier and partisan would appeal to his driving experience and a little 'of elbow grease, in order to be sure that the itinerary of the journey would be peaceful and without unpleasant hitches.
Lapo let out an enthusiastic bark when the croaking car left the endless concrete of the highway behind, and then took a narrow, winding, uphill road that would have led them to the small town.
Her gaze stared blankly at what was running, like tape in a movie camera, out the window; She saw the buildings of the city become less present, as well as the stench of smog, then there was a long stretch of highway, immersed in the wheat fields and every now and then some small farm or spare parts industry or other jobs would emerge.
In the car there would have been complete silence, had it not been for the old radio which played an entire disc of all of Lucio Dalla's masterpieces; Marlena's grandfather liked that singer, but not in the same way chatting while driving, because according to him it would have increased the chances of road accidents by 50%, and frankly, the granddaughter didn't mind at all this acknowledgment ... she didn't even know where she should have started and however much her relatives tried to make her feel at ease, she imagined herself as a stranger, a stranger, who had knocked on their door and was now just trying to learn and remember their common manners.
"If you look to the right you will see the sea, Marlena" Laertes informed her, while he struggled with the steering wheel at every bend, but he did not dare to make even a moan under stress. The girl decided to accept those words, and looking out (after rolling down the window) a crisp air of salt pervaded her nostrils like the balm of a mint. Her eyes tried to show as little as possible the defeat of an amazement that had overwhelmed her like a raging wave, making her heart pound.
The sea. Marlena loved the sea. And for a few moments she was wondering what she had forced her to shut up in the house all that time, but then her mind went back to static and clear. She knew why, and there was no other reason to get her back together, even if it was difficult.
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Yet there seemed to be few people around the streets, perhaps because at that time anyone with a minimum of wit would have holed up in the cool four walls of their home, just to escape the scorching heat that did not yield until the stroke of five in the afternoon .
By now it was almost two in the afternoon when Laertes' car passed the threshold of the square of the small town, while the attentive (even if apparently lost) gaze of his granddaughter observed everything in detail.
Nothing seems to have changed in that place since the last one who went there. The street was always covered with the usual, old and coarse slabs of white stone and eroded by the weather, as well as the various shops that surrounded the square and the small houses side by side, glazed with a fresh off-white plaster and dark brown roofs, the fountain in the center, and the small restaurant with its balcony overlooking the long pine forest that extended at the foot of the modest hill that supported the town.
A jolt suddenly shook Marlena, when her grandfather decided to pull over and pull up the handbrake of his FIAT, thus causing a slight recoil unexpectedly enough to suddenly wake the girl from her thoughts. She cleared her throat, while she opened her door, so that Lapo could finally trot and wag his tail excitedly around, on the other hand she didn't blame him, it must have been hard for a dog to stay good in the car for so many hours.
"Here we are!" proclaimed the elderly man putting the car keys in his pocket and then ring the bell of the small house next to FIAT "Your grandmother will be so happy to see you, I bet she will have prepared ciambelle with red wine to celebrate your reunion" he added while he waited for the woman he mentioned to open to him, already anticipating on his lips the pungent and sweet taste of those sweets he loved so much.
"So I suppose you made at least thirty" commented the young woman ironically, as she dragged out the two bags with extreme difficulty, attracting the attention of Laertes who, hastily adjusting his frizzy white hair, hastened to reach his niece to give her your support.
“Ah don't worry, kid. I'll take care of it, maybe you can ring the door, your grandmother has now gone deaf as a bell...” he said as he gave a slight snort and then muttered something.
"C’mon, grandpa" Marlena replied then raising her eyes to the sky trying not to smile, how melodramatic could that man be?
After pressing her finger on the bell again, the girl waited for someone to answer and hearing the approach of some quick steps together with the rubbing of flip-flops on the floor, made her realize that Agata had finally heard their arrival. Marlena did not even have time to greet the elderly lady, who took her in her arms, wrapping her in an embrace that caught her unprepared and to which she did not respond immediately.
“Oh my love! I’m so happy to see you again! But look how you have grown! It seems only yesterday when you reached mid-thigh and now...” the hands a little gnarled, but from the soft fingertips of the woman, gently took the face of her niece like a cup, as if to feel if her presence was only fantasy or reality "...You are a woman to all intents and purposes" she whispered and then fussed with kisses all over her face, while Marlena whining pretending to be somehow annoyed.
After climbing a short flight of stairs that led to the house located on the upper floor, the girl's nostrils and consciousness were flooded with memories and sensations already savored. She observed the now old floor of the house, granite tiles that alternated with one hand painted and another not; Marlena rejoiced with a touch of amusement when she as a child she spent boring afternoons playing on them, jumping only on the decorated ones because according to her imagination those remains were made of incandescent lava.
The walls were always the same, covered with a light blue paint and slightly lumpy at times, she could feel it, when the index and middle fingers of her right hand absently brushed the surface.
The house of Marlena's grandparents was very simple and perhaps apparently a little cramped. Having opened the wooden entrance door, after having passed the landing and the stairs, she had in front of her a corridor that extended along to her right, thus marking the various doors of each room that the house gathered inside. Almost parallel to the entrance there was the kitchen door on the opposite wall, without doors, next to it the bathroom door, and then the door to the room of the two elderly spouses. At the end of the corridor there was a small balcony with the railing covered with hanging vases where, like a multicolored waterfall, a thick branching of coral red bucanville came out which, in addition to poetically letting itself fall from the small niche, climbed elegant and graceful on the handrail of the then hug the outside walls of the house.
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Marlena took advantage of it, to be able to peep there, while she deeply breathed the fragrant and velvety scent of those petals, mixed with the sea breeze that came from beyond the pine forest that surrounded the town. She observed the small houses around her while if she winked she could distinguish the clear line of the flat and calm sea that merged in perfect alchemy with the clear sky on the horizon.
The young woman tried in every way to convince herself that that enchanted place, that little corner of paradise had never failed her...but she suddenly proclaimed herself foolish for having thought such a cynical thing in the least.
TO BE CONTINUED . . .
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deadmandairyland · 3 years
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Guess who’s back with another tier list!
So I found another Black Lagoon tier list, this one including both Fabiola and Ginji, and this time I decided to go a different route with the list. Maybe some time I will use it to make a new, actual tier list, but today I decided to talk about probably one of the most confusing things about Black Lagoon (especially in the anime): the language barrier!
...So basically this list is just what languages the characters are speaking based on what I picked up on over the past decade of being a fan of this series.
This list was inspired by the fact that people watching the anime tend to be very confused on what languages the characters are actually speaking because unfortunately there is no perfect dub of Black Lagoon that actually shows what characters are actually speaking at any given time. Don’t get me wrong, still one of the best English anime dubs of all time, I’m in full agreement of that, but both the Japanese and English dubs of this anime fall apart when the language barrier becomes a key component in the series. And honestly it’s not their fault. I imagine translating this over to anime must have been hell for both dubs.
One important thing to mention: I do not claim that this is 100% accurate. This is what I’ve picked up on as I read the manga and watched the show, but obviously there may be other languages these characters speak that either I missed or was just never really addressed in the series. Also in several places I filled in the blanks myself because, well, obviously English isn’t going to be the first language for, for example, Ibraha.
I also remember reading in a few places that it was confirmed that English is a common language in Roanapur, but I cannot find the official source that said this. This is one of the reasons why I’m not claiming that this is 100% accurate, because while I do think this is probably what was intended for the story, no proof means no proof at the end of the day. But it’s also worth noting that--spoilers btw--the United States basically runs the city behind the scenes, so that’s something to keep in mind.
Another reason why I’m not claiming that this is 100% accurate is because human beings are fallible and as shown in some of my corrections below I know I’ve made a few mistakes here and there in the list, and there could be more that I’m missing or that I’ve got wrong. At the end of the day, this list is not to be seen as a definitive answer to the question of “What languages do these characters speak?” but rather something to look at to get a better understanding of some of the more confusing parts of Black Lagoon wherever language is a key component in the story.
One final note: at one point I refer to the main mob bosses of Roanapur as the Big Four. This is just a name I came up with to describe the balance of power among the four mob bosses, so it’s not an official name as far as I’m personally aware. I figured I should point that out to clear up any confusion.
So with that being said, here’s the breakdown. Expect lots of spoilers.
Revy speaks English, and a small handful of words or phrases in Cantonese (as mentioned in The Wired Red Wild Card), and that seems to be it. She is the most likely person to tell some to speak English when they speak another language to her, or to just say that she doesn’t speak whatever language they’re speaking. In the Japan arc especially, if you’re reading the manga or watching the Japanese dub, it’s clear that she doesn’t understand what most of the Japanese characters are saying. Canonically the vendor she has a shouting match with is actually shouting at her to speak Japanese and she thinks he’s insulting her (and her being unable to talk to the vendor is why Rock goes back and forth between them in the first place to talk about the fixed game), she never actually communicates with Ginji or the kids verbally (she talks to them, but they don’t understand each other’s words), when Rock asks her if she and Ginji can work together in the anime’s English dub when they enter the bowling alley he’s actually asking if they can communicate (Revy basically says when the action starts, they’ll be in sync without needing to talk to each other), and the dude who’s like “I GIVE UP, SERIOUSLY, I GIVE UP” is actually desperately trying to say he gives up in English. Also if you’re only familiar with the English dub, this video is a great example of why this arc is so confusing for everybody, and why the English dub was like “Fuck it, we’re not bothering with the language barrier subplot.”
Benny speaks English. He’s also Jewish, so it’s possible he may know Hebrew or another Semitic language.
Eda speaks English. She’s a CIA agent who claims to be from Alabama and is shown to be very patriotic when in CIA mode. Not that I’m saying this automatically means she doesn’t know any other language, but I haven’t seen any proof that she does.
Lotton... is mostly speculation based on everyone else, particularly Sawyer and Shenhua. I don’t even think he has an official nationality, he just... exists.
Sawyer speaks English. She is British and her name is of English origin. It is possible she speaks a Chinese dialect as well since she seems to do jobs for the Triad and befriends Shenhua, but she seems to be more freelance than a member of the Triad so this isn’t very clear.
Rowan is also mostly speculation. His name is of Irish origin, his last name is likely Pigeon, and Revy can understand him.
Chief Watsup is the chief of police in Roanapur and is the only recurring character in the show who is actually Thai. He can communicate with both Revy and Balalaika, so whether or not he speaks English depends heavily on whether or not Revy and Balalaika speak Thai (and given that Revy says in The Wired Red Wild Card that she only speaks English and a tiny bit of Cantonese, it’s more likely that he knows English).
Yukio and Ginji speak Japanese and do not appear to speak English. It is ignored in the English dub of the anime, but everywhere else it is often brought up that Revy can’t understand what they’re saying and they can’t understand what Revy is saying. To add on to what I mentioned above in Revy’s section, also consider that Yukio curiously asks Rock if Revy is Japanese when they first meet, with the thought in mind that the first thing Yukio and Ginji see when they first meet Rock and Revy is Revy shouting in English at a Japanese vendor who is yelling at her to speak Japanese.
Mr. Kageyama obviously speaks Japanese, and I assume he speaks English as well as he seems to be able to speak to both Dutch and Balalaika, the latter of whom is confirmed to not know Japanese.
Chaka canonically speaks both Japanese and English. Not only can he and Revy understand each other, but being able to speak English is one of the things he brags about to Revy when they first meet, saying something along the lines of “Can’t run a place like this without being able to speak English.”
Takenaka obviously speaks Japanese, more than likely speaks English as he’s able to communicate with Revy, and likely speaks Arabic as he has allied himself with Ibraha.
Ibraha obviously would have Arabic as his first language and he presumably speaks English as well (and possibly French as he’s from Lebanon, but this isn’t relevant). The important thing is that he does NOT know Japanese, because it is implied that THIS is the reason why he gets angry out of nowhere during the interrogation. Takenaka and Rock are speaking in Japanese during the interrogation (signified by a change in font in the manga, which would only be important if the language barrier is important to the scene) and Ibraha interrupts by saying something along the lines of “Even I know this is no longer an interrogation!”
All of the canonically English-speaking cast can understand Roberta, Garcia, and Fabiola, whose first language is obviously Spanish. Rock and Fabiola both act as interpreters in different points of the series. It’s also worth noting that Lovelace is obviously of English origin, which suggests to me that the Lovelace family in particular has a very ethnically diverse background.
Rico communicates with Revy and Eda, but judging by his name he probably can also speak Spanish (or possibly Portuguese, but Spanish is more likely as there are many Spanish speakers in town).
Balalaika and Boris obviously speak Russian, but they can communicate with the English-speaking Lagoon Company as well as Roberta.
Hansel and Gretel are Romanian, can communicate with several English-speaking characters including Revy and Eda, and are working for the Italians.
Verrocchio obviously speaks Italian, and presumably English as well as he’s part of the Big Four of Roanapur (this again ties into the idea that English is a common language in Roanapur). Also where IS Ronnie the Jaws? Or Abrego for that matter? This list said “All Characters.” False advertising smh
Bao is Vietnamese, but often speaks to characters that don’t speak Vietnamese (e.g. Revy).
Mr. Chang would likely speak Cantonese as a leading figure of the Hong Kong Triad and would likely know Mandarin as well. He can communicate with Revy, who according to The Wired Red Wild Card only knows bits and pieces of Cantonese and likely not enough to hold a whole conversation. He is also the CIA’s lapdog, so unless Eda speaks Cantonese they are probably talking to each other in English.
Shenhua is from Taiwan and as such would most likely speak Taiwanese Mandarin. She speaks with Revy who makes fun of her for her thick accent and way of speaking when she speaks English. She also might speak Cantonese as well since she works for the Hong Kong Triad.
Ahbe from the WWII flashback obviously speaks German.
Sir Alfred the old Nazi fuck would also speak German, but he’s able to talk to Dutch over the phone and he has American Neo-Nazis doing his bidding so he likely speaks English as well. He is also apparently living in Spain so it’s possible he might also speak Spanish.
Caxton and Yolanda speak English as they are constantly speaking with known English speakers throughout their appearances. Caxton in particular is about as ‘Murican as it gets without being a negative stereotype. It is unknown if they know any other language.
Jane is almost always speaking with English speakers. She is from India, so she likely also speaks Hindi. She is also part of an international team of counterfeiters, so it’s likely she knows other languages as well. After I made this tier list I remembered she also speaks German at one point and I think Theo was also from Germany, so she probably speaks German fluently as well, but I’m not redoing this list.
Leigharch speaks drugs... and presumably English and Irish as well.
Rock pretty much knows every language that ever existed in the history of mankind. He is basically the go to guy to translate anything. That being said, Japanese and English are the languages he’s most fluent in.
Dutch knows English, and--spoilers for L’homme Sombre btw--probably French as well, and also probably one of the many languages spoken in Burkina Faso, especially if he was born there (which I sadly didn’t think about until after I made the list). This arc is still ongoing in the manga, and more than anything I’m just excited to see Dutch's backstory being explored. It was long overdue. (Now we just gotta hope that the same happens for Benny.)
As I mentioned in that caveat, Roanapur is in Thailand, and it’s possible the people living in Roanapur may know Thai, but actual local Thai citizens are a rarity in Black Lagoon (with Chief Watsup being the only recurring Thai character), and American influence is so strong in the city that it’s probably the reason why people drive on the right side of the road with steering wheels on the left side, in a country where people drive on the left, and why US currency is accepted along with Thai currency, so that’s worth pointing out.
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ghost-writing · 4 years
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Fee+Bear 2/?? - Home (Henry Cavill fanfic)
This is a re-post from my other blog… I’ve decided to post my writing on a separate page, it’ll be easier to access like that.
I’ve edited this a little, but there might still be some spelling mistakes & grammatical errors. (English is not my 1st language!) So, if you see something that irks you, please tell me! :)
Word count: almost 1.8k
Warnings: brief mentions of sex, AND SOPPY SUGARY FLUFF. 
This is a prequel of this, but there might be some inconsistencies in the Fee+Bear stories, as it’s more a collection of one-shots, so be warned!
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The sun is shining outside London. For once, the weather is great, even if a bit cold. But after spending most of the day in the garden playing with the kids and the dogs, Sofia decides to retreat to her office, because the script for episode 6 is not gonna check itself. And it needs to be sent to twins John and Paul, the writers and showrunners, for their own corrections, with still enough time left to print the final version for the whole cast and crew. 
There are a lot of people depending on her now: she’s not just the star, but also one of the executive producers of her new show. A show that she’s abandoned a lot for, that she’s invested a lot in. She was working hard for it before, and is working even harder now that the lock-down is finally over, to make up for lost time.
Work is a lot on its own, but she also wants to be there for Gigi and Noah. Carmen and Elena had moved to London with her, and she owed them a huge debt for that. Their presence allowed her to dedicate herself to rehearsing and filming during the week, but she insisted on staying at home on the weekends as much as possible. Her schedule was so full, she was sure no man would have wanted to be included in that constant chaos, but Henry was not any man. He worked hard too, but came to spent most of his free time with her and her kids, instead of partying or doing whatever he used to do before they got together. She had sworn not to rush back into a relationship so quickly after her divorce, but he changed her mind easily. From the moment he met the kids, blissful, happy moments were the norm in their home when he was around.
But right now, she has to work just a little to be able to enjoy the rest of the 4-day weekend they had managed to squeeze into their extra tight work schedule. (Just one more proof that Henry was committed to their relationship.) And the quicker she gets it done, the sooner she’ll be free of it. She knows that, but she’d pushed it to later several times already.
The room is cool, which Sofia welcomes after the overheating she endured in the garden. Even in shorts and a top, the intense playing made her blood boil. But maybe that was because Henry took of his t-shirt at some point… Of course, the cat had followed her, trying to escape the ruckus Kal, Kit and the humans made (the big one being the loudest), bothering his fifth nap of the day. Sirius knows that in here, he’ll find peace and quiet, and maybe some belly rubs.
Sofia grabs the small stack of paper that’s been sitting on her desk for almost two days now, a purple pen (her designated colour for corrections, the twins using blue and green), her phone and headphones, and goes to lay on the sofa, the huge Maine Coon in tow. As soon as she settles, her head resting on a big cushion at one end, facing the door, and her bare legs and feet on the other end, Sirius looks for the best spot: her belly isn���t large enough for him to curl up in a ball on, and there’s not enough space for his large fluffy body between her and the back of the couch. 
Sofia lets out a slightly annoyed sigh. “Can’t you decide already?” The black feline lifts his majestic head and looks at her right in the eyes with those enormous green marbles of his, as if to argue that this is the most important part of his routine. She melts, as usual. “Alright, baby.” She lifts him up, kisses his forehead and pets him gently, long enough for him to purr for a moment, and places him on the armrest, above her feet. She knows that in ten minutes tops, he’ll get down from there to get closer to her, demanding attention, but at least, she’ll cool down before having to deal with him. She puts the headset on, turns on some heavy rock music, like she always does when she needs to concentrate, and begins to read.
She’s about halfway through her task, and Sirius has moved spot three times, when Henry’s head peaks through the door.
“What?”, she says, taking the headphones off.
“Can I come in? I have to make a phone call.”
“Sure!” She smiles at him. “And you also need to hide from my adorable but exhausting kids, don’t you?” She winks.
He sighs deeply. “I do love them, but they. never. stop.” After removing Sirius with the utmost care and putting him gently on the ground, he sits next to her. The tiger looks at him with disdain, making Henry recoil a bit, before searching for another position of power.
“It’s all your fault, Cavill!” She brings her legs closer to her upper body to give more room to the big man. “Don’t be so goddamn nice to them, and they’ll play with each other, instead of always asking you to entertain them!”
“I tried, but I can’t say no to them! Gigi always makes that sad puppy face, and I cave… Every time!”
“Superman defeated by a pouting 6 year old… Batman’s got nothing on my girl”, she mocks. “Ok, make your call and let me finish this, please! When I’ll be done, I can teach you how to fight off the Evil Curly Dragon and her sidekick, Deadly Birdie.” She puts the headphones back on, not waiting for her boyfriend to groan at her.
Henry calls a friend or one of his brothers, presumably. She turned the music down to a more acceptable level, and she can hear him laugh. She can’t help but peak out from behind the sheets of paper every now and then: he smiles, he frowns, he makes gestures with his hands, fully immersed in his conversation. She forces herself to concentrate on her work.
Minutes pass, she’s getting close to the end of the script. Sirius is now resting on top of the sofa’s back, close to her, his legs lazily dangling on each side. His butt is turned towards his rival for Sofia’s affection, showing his disapproval.
Immersed in her script, Sofia suddenly realizes that Henry’s hand is resting on her legs. Her bare feet were now pushing on his meaty thigh, as she was looking for warmth, subconsciously. She always had cold feet, and Henry was hot in more than one way. He starts moving up from her feet, slowly caressing the ankle, then up the calf, lightly massaging the muscle with the pulp of his fingers. She looks at him, ready to scold him for distracting her, but he’s still talking over the phone, apparently unaware of what his hand his doing. He’s gone a bit quieter, so she can’t hear what he says.
From the corner of his eyes, he sees her looking at him. His hand leaves her briefly, gesturing for her to take off the headphones.
“Mum says hello!”
“Hello, Marianne! See you soon!”
“You heard that? Yeah, maybe in…”
She puts the headphones back on, decided on finishing her task rapidly. But his hand is back on her leg. His whole palm is rubbing her calf now, going back down to her feet.
“God, this is divine…”, she thinks. Henry is very tactile, and she always welcomes his gentle touch. Thinking of it, they had barely shared a moment alone yet this weekend, just the two of them… They arrived really late on Thursday night, exhausted, so she just snuggled in his arms as they both fell asleep rapidly. The children had been all over them from early Friday morning. Only last night did they finally make time for some intimacy, but they were still tired, so they did what they had to do, and quickly called it a night. Maybe he was attempting something now… She couldn’t deny it was slowly putting her in the mood.
Until he touches her sole with his thumb, which makes her wiggle her toes at the tickling feeling. She puts the script down harshly, slapping it on her thighs. He silently apologizes, continuing his conversation with his mother. This time, his hand stays still on her legs, not going back to his delightful ministrations. And she feels like pouting at him just like her daughter, to make him start again. No, she has to finish work first!
A few minutes later, she sighs with pride and relief, closing the script and throwing it in direction of the desk. It bumps on it and falls on the ground, the noise making Sirius flinch and almost fall from his perch. She turns to face Henry, who’s looking at her, a grin on his face.
As soon as she takes her headphones off, he queries “Finished now?”
“Almost! I just have to scan it and send it to the twins!”
“Can you do that a little later?” He places his hand on her exposed thigh, his expression speaking without the need for words.
“Why would I wait?”, she replies, as innocently as she can, while he stretches his gorgeous body above hers, one of his knees placed between her legs. She can feel the heat emanating from his broad chest, flowing down to her stomach, and lower.
“Because your legs are cold, and I have to warm you up… Should we go to your bedroom?”
He dives his nose in her neck, his stubble scratching at her skin deliciously, his lips and tongue tracing a wet trail on her veins and nerves. They’ve been together less than four months, but he very quickly found all of her weak spots. Only four months, but things got serious between them even before they actually could start. After talking to each other almost everyday over the phone for several months, it did not feel like they were rushing into anything thoughtlessly. Maybe it was time for another step forward…
“Our bedroom?”, she asks.
He lifts his head from her neck and looks at her, not talking for a moment. She feels worried that he won’t agree. But he kisses her lips, and she kisses him back, her arms grabbing his neck while he wraps her legs around his waist. She pushes him gently with one hand, breaking the deep kiss, needing a clear answer.
“To our bedroom, then!”, he says, the biggest of smiles illuminating his face.
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incarnateirony · 4 years
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Hey dude! Do you have any recommendations for LGBTQ+ movies in the romance genre that have like a happy ending. I really don't care how old they are. I'm feeling the Gay™ hence I need the Gay™. You feel me?
HIIIIIIIIIIIIIIIIIIIII NONNIE
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First sorry for taking so long, not only did I have to timeline this :) but :) my computer :) froze :) after writing like :) 2 pages :) and I had to do it again :)
So anyway let it be said, the LGBT dialogue is one of osmosis and shared growth and awareness. Some of these films will be very poorly dated, but as you (thankfully) mentioned that them being old wasn’t a *problem*, expect a lot of old stuff. Because one of the most important things to have under your belt when talking about the LGBT media representation battle is the actual journey from A to B – be that incrementalization, subtextual inclusion, text-breeching features, outright evocative and groundbreaking films at the time (which is what MOST of this list will be) and an improvement in our dialogue; let us never forget that while tr*nss*xual is considered a slur and transgender is proper, tr*nss*xual was at one point the politically correct way to speak it – things like that breach in our growing understanding of the spectrum of human sexuality. 
I *WILL* disclaimer these aren’t all romance, so if you explicitly want romance, google them and take a look if it sounds to appeal, but I’m taking this as a general cinema history plug considering what a confused mess fandom conversation about LGBT history in film or modern text as applicable, accepted or not.
Wonder Bar (1936) (I wouldn’t really call this queer cinema, but if you have the time to watch it too, I think it was the first explicit mention of homosexual engagement even if it was fleetingly brief. You might even call it Last Call style. A blink and you’ll miss it plug that was still decades ahead of its time)
Sylvia Scarlet (1936) (Again, I wouldn’t call this queer cinema, but a lot of the community takes it as the first potential trans representation on TV due to the lead literally swapping gender presentation, even if the presentation is… not what we would modernly call representation IMO)
Un Chant d'Amour (1950) (Worth it for the sheer fact that it pissed off fundies so bad they took it all the way to the US supreme court to get it declared obscene.)
The Children’s Hour (1961) (also known as the 1961 lesson to “don’t be a gossipy, outting bitch”)
Victim (1961) (The first english film to use the word “homosexual” and to focus explicitly on gay sexuality. People might look on it disdainfully from modern lenses, but it really helped progress british understanding of homosexuality)
Scorpio Rising (1964) (Lmao this one deadass got taken to court when it pissed people off and California had to rule that it didn’t count as obscene bc it had social value, worth it for the history if nothing else)
Theorem (1968) (Because who doesn’t wanna watch a 60s flick about a bisexual angel, modern issues and associations be damned)
The Killing of Sister George (1968) (by the makers of What Ever Happened To Baby Jane)
Midnight Cowboy (1969) (…have I had sassy contagonists in RP make a Dean joke off of this more than once, maybe)
Fellini-Satyricon (1969) (AAAAAAAAAAAAAAAAAAAAAAAA THIS)
The Boys in the Band (1970) (This… this… this made a lot of fuss. Just remember leather)
Pink Narcissus (1971) (a labor of love shot on someone’s personal camera)
Death in Venice (1971) (This is basically a T&S prequel but whatever, based on a much older book)
Cabaret (1972) 
Pink Flamingos (1972) (SHIT’S WILD)
The Bitter Tears of Petra von Kant (1972) (The title doesn’t lie, be warned)
The Rocky Horror Picture Show (1975) [god I hope you’ve at least seen this]
Fox and His Friends (1975) (some really hard lessons that are still viable today, that just because someone acknowledges your sexuality doesn’t mean they give a shit about you as a person, and that some will even abuse the knowledge for gain)
The Terence Davies Trilogy (1983) (REALLY interesting history look it up, it’s sort of one of those “drawn from own experience” story short sets)
The Times of Harvey Milk (1984) (Documentary)
Desert Hearts (1985) (Pretty much the first film to put lesbianism into a good light as a true focus based on a novel from the sixties)
Parting Glances (1986) (the only film its creator got out before his death from the aids epidemic)
Law of Desire (1987) (two men and a trans woman in a love triangle, kinda ahead of its time)
Maurice (1987) (This one’s really interesting, cuz it was based on a book made about 15 years before it, but the book itself had been written half a century earlier and wasn’t published until after the guy died, he just thought it’d never get published Cuz Gay, so basically it’s based on a story written in like, the 20s finally getting screen time. It has a bittersweet but positive-leaning-ish ending without disregarding the cost that can come with it and even addresses class issues at the same time 100% DO RECOMMEND)
Tongues Untied (1989) (a documentary to give voices to LGBT black men) 
Longtime Companion (1990) (This one’s title alone is history, based on a NYT phrasing for how they talked about people’s partners dying, eg longtime companion, during the AIDS epidemic)
Paris Is Burning (1990) (Drag culture and related sexual and gender identity exploration as it intersected with class issues and other privileges explored in a documentary)
The Crying Game (1992)( I should correct this that I guess it’s more, 1992 considered, “SURPRISE, DIL HAS A DILL!” – I guess I really didn’t do that summary justice by modern language and dialogue as much as how people in the 90s were talking about that and that’s a my bad. LIKE. SEE, EVEN I CAN FUCK UP MY LANGUAGE I’M SORRY CAN I BLAME THE STRAIGHTS T_T) #90skidproblems – I guess I should call it a trans film. And this alone tells me I should go watch it again to recode it in my brain modernly rather than like circa de la 2000 understanding.
The Bird Cage (1996) (So you mix drag culture, otherwise heterosexually connected lovebirds, and then realize the girl comes from an alt-rightish house and the guy comes from a Two Dads Home and does cabaret, how to deal with the issues OF this conflict when it’s between you and your happiness, even if the fight isn’t even your own as much as it is that of the person you love. The answer is PROBABLY NOT to dress in drag and pretend to be straight, but what are you going to do? – while played for laughs we’d consider modernly crude, the fact that they even dared to approach this narrative was pretty loud)
The Celluloid Closet (1996) (Ever heard of the Vito Russo test for LGBT representation? This is based on a book by Vito Russo.)
Happy Together (1997) (Ain’t this shit an ironic name; a mutual narrative, via chinese flick, of hong kong ceding to china and an irrevocably tangled MLM pairing as a giant mirrored metaphor)
Boys Don’t Cry (1999) (one of the most groundbreaking films about trans identity at the time)
Stranger Inside (2001) (As easy as it is to recoil to the idea of “black gays in jail”, the film makers actually went and consulted prisoners and put a great deal of focus into intersectional african american issues that really weren’t around even in straight films at the time)
Transamerica (2005) (While it made a bit of a fuss for not casting an actual trans actor, it was one of the first times a big budget studio really tried to tackle it which really pushed us forward)
Call Me by Your Name (2017) (since I’ve apparently leaned really heavy old cinema throw in a modern one lmaooooo)
Also honorable The Kids Are All Right (2010) mention for the sake of the fucking title alone. 
And to any incarnation of “On the Road” by Kerouac, which
Was originally a book
Released a sanitized de-gayed edition because of the times
Later released the full homo manuscript
had a few film adaptations
Was one of Kripke’s founding inspirations for Supernatural once he left behind “Some reporter guy chases stories” and took the formula of Sal and Dean (and tbh later, Carlo) in a beat generation vibe gone modern as we know it today.
Reading both versions of this can actually help some folks currently understand that when you get confused over some shit (WHY IS CARLO SO UPSET? WHY IS HE ACTING LIKE AN UPSET GIRLFRIEND??? WHY IS HE SO JEALOUS AND SAD WHEN DEAN IS AROUND GIRLS???? WE JUST DONT KNOWWWWWWWWWWWWW) it’s because some big money asshat bleached the content, and sometimes, it takes a while for the full script to come out and again, surprise, it’s been GAY, they just didn’t want to OFFEND anybody. *jazz hands*
Now if you wanna go WAY WAY BACK, during 191X years, a bunch of gender role flicks came out like Charley’s Aunt, Mabel’s Blunder and the Florida Enchantment.
Also where is @thecoffeebrain-blog to yell about the necessity of watching Oz, for the next few hours? But no, seriously, just look into the entire LGBT *HISTORY* of Oz.
Beyond that though I’m gonna stop here cuz hi that’s a lot. I really don’t know how much counts as “happy ending” but if I had to give an LGBT cinema rec list, that’s it as a sum. I don’t really have like, a big portfolio of UWU HAPPY ENDING GAYS because 1. there aren’t a lot of those but 2. to me, it’s not about the ending, it’s about the journey. Be that in flick or through culture and history itself.
If you want more happy ending stuff, you definitely have to look at 2010+, but it’s not like we’re in a rich and fertile landscape yet so honestly just googling that would probably serve you better since I don’t explicitly explore romance genre or happy endings to really have a collection. LGBT life is hard and film often reflects that if we’re making genuine statements about it and really representing it, and we’re just now getting to a point of reliably having the chance at a happy ending. That or maybe someone can add like “Explicit happy endings” lists after this that has more experience in that subgenre.
Also, I can’t emphasize ENOUGH to remember what was progressive then is not what is progressive now, and frankly, what some people think is progressive now they’ll probably look back on what they said and feel really fuckin’ embarrassed. See: “It’s not text because by alt right homophobic dialogue, M/M sex isn’t gay if you do the secret handshake” MGTOW kinda crazy ass dialogue or parallel narratives they inspire that encourage self-closeting and denial based on the pure idea that being gay makes you somehow lesser, so It’s Not That. Like. I am. 99% sure. At least half of the people talking in this fandom. Are going to regret that the internet is forever. And maybe hope hosting servers end in the inevitable nuclear war that will annihilate this planet.
Also, edit: Speaking of mistaken dialogues and words aging poorly, I’d like to apologize from the poor description I rendered “The Crying Game” with, but that really goes to show how deep-seated the issue is we can so casually fuck up identifying a trans narrative as SURPRISE DICK IS GAY when we were all absorbing the content like 20+ years ago and HOW HARD it can be to de-code yourself from that kind of programming because here I am, writing a giant assed rep post and fucking it up because my brain hadn’t soaked that movie since Y2K. Guess what, time for me to go watch the Crying Game again.
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Monday, 10 February 1840
8 3/4
1 1/2
Dawdling writing bit of rough draft of note to Countess Panin snowy morning Reaumur 8 1/2º in my room at 9 a.m. – Breakfast at 10 in about 40 minutes – 
Hardly over before Colonel of the Engineers and Mrs. Gottman nice intelligent people called, and then Mr. Baehr, and then the General Gouverneur’s nephew and aide du camp Mr. Tolstoy and then the Prince de Georgia or properly Gurinsky so that it was 12 10/’’ by my watch (and as it appeared afterwards to be 3 hours instead of 2 1/2 hours too late) and 12 40/’’ by the day here the carriage having waited 3/4 hour – 
Mr. Tolstoy had met us the evening we spent chez la Princess Tcherkasky – And saw us (tho’ we knew nothing about it) when we drove to tea at Aleschkowo (vide p.[page] 10) and told George to desire our Courier to bring us here in the part of the Town where all the nobility lived and not take us to any of the Inns in the basse ville – Tolstoy a gentlemanly intelligent fast-French-speaking young man – 
Drove directly across the Oka (the verst-long bridge of boats taken away in the winters) a busy enough scene of laden traineaus and people – To all appearance terra-firma – Merely its valley-form to indicate the bed of the river – Drove straight to the Cathedral Church of St. Macaire – Lofty light and handsome rich handsome Iconostase and altar of solid silver given by the merchants that frequent the Fair which begins 15 July and lasts till 25 August O.S. – Large candelabra also en argent massif – Pavement of about 18 in.[inches] squared iron flags – Passed thro’ to the winter church in the large neat building the residence of the clergy at the back of the cathedral – The winter church a beautiful chapel covered vaulted roof painted in imitation of a lightly clouded sky – Effect warm and admirable – Here too rich, beautiful iconostase – Did not go to the Armenian church or Mahomedan Mosque – 
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The Pechersky Ascension Monastery (in the background), where the Church of St. Macaire was located.
Then to the Governor’s apartments – Large handsome house – The bel étage on a forest of open arcades – Then along the Dvor (Gastinoi Dvor) – Went into one of the shops – Consisting one large room below and a small one and above a good sitting room, and a small bedroom? and a cabinet – This shop lets for 800/- for the whole time of the Fair – But there are still better situations which let for 1000/- - the frontage seemed to be 3 arcades on one side and 2 on the other – 
The merchants live in their shops – 2635 shops en pierre, and as was said afterwards chez le General Gouverneur 2600 en bois – All the pillars supporting the galleries of the Dvor are en fonte (cast iron) – And said the General Governor at dinner the length of the Dvor is just one English mile; and a person going into every shop and perfectly well knowing his way (so as not to go out of his way) will have walked 40 English miles at the end of his journey! 
Extraordinary ville de boutiques – Bazaar par excellance ou se fait un commerce qui valait l’année passé £8,000,000 said the General Gouverneur at dinner for he said the rouble ought to be 25/- per 1£ but Mr. Marc would certainly be right in giving only 21/- this depending upon circumstances – But said the Governor the merchants always cachent la valeur actuelle – One might add 1/2 to their statement ∴[therefore] instead of 8 millions one should say 12 millions Sterling! – Could not imagine why the merchants should try to hide the real amount of value – No reason for their doing so – It made no difference to them – But they always did hide it – 
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Lower Bazaar in the Nizhny Novgorod Kremlin (c. 1872)
The large handsome salle at the Governor’s apartments was intended by General Betancourt (a Spaniard the planner of the Dvor) for a Bourse – But no! That did not take – The merchants liked to settle an in their own private rooms; and some 8 or 10 millionaires in settling the price of the Tea, settled the price of every other article – People bought and sold according to the rate that should be fixed for the tea some much p.[per] c.[cent] without at all knowing what that would be till at the last – There were merchants that regularly bought tea to the amount of 6 or 8 millions, each! – The principal business is in tea, iron, and cotton –
On entering the winter church Tolstoy pointed to the height to which the waters rose in 1829 – Apparently about 3 ft.[feet] up the door-jamb – The damage done was considerable – But such a great rise was extraordinary – It had been once thought said the Governor (at dinner did not see him elsewhere today) to place the Dvor on the Kremlin Mountain (did Madame B-[Baehr] say it it was 75 or 175 ft.[feet] above the level of the rivers?) but this would not have suited the merchants – They could not have landed their merchandise with sufficient ease – Betancourt was was misinformed that the waters only rose 3 ft.[feet] above the present emplacement before its being raised but instead of raising 3 ft.[feet] it has been found necessary to raise 20 ft.[feet] in some places at an expense of 11,000,000/- but the present Emperor has been here twice and was so pleased with the Town ville, its situation, prospects &c. that he has taken it under his especial protection and spares no expense 17,000,000 more are now in progress of laying out in a large handsome house palace for the General Governor to be finished next summer (we saw it in the Kremlin) – 
One beautifully proportioned Corinthian columned salle de reception) – entrepôts – Sundry additional levellings (gigantic ones already done) the new chaussée &c. &c. the chaussée to be finished in 2 years from this time – Done as far as Vladimir, and part done here – Begins by a magnificent quay along the Oka – The quays here and cloaque can only be seen in summer – The ville on one side the Oka, the Dvor on the other and then the Volga – 
For the moment my idea of the ground and the junction of the 2 rivers is not nette (not quite clear) – But the ville as we looked from the Dvor and crossed the river is very picturesquely drawn in a long line along the high bank of the Oka crowned gits picturesque Kremlin – At the Kremlin, not a large enclosure, no cannon or sign of a fortress – 
Saw the new Cathedral built in the old style and in commemoration of the old venerable cathedral containing the tombs of many of the princes of Souzdal and of Cosma Minim Souk-Hourouky, the patriotic butcher, stirrer up of the people and Prince Pojarski who rid their country of the Poles (about A.D. 1612) – A copy of the banner of the patriot troops marched under (a virgin 1/2 length with an inscription in substance pour la foi et pour le roi) hangs up en face du tombeau de Minine or rather of the inscription for the tomb is just below in the catacombs substantial lofty brick vaults, 3 corresponding to nave and side aisles – On the chalky rock, and dry as possible – We walked thro’ them – 
This Cathedral lofty and handsome and très bien eclairée – The domed ceiling (the domes) in a blue pattern upon white (good effect) the side walls covered with fresco painting which contrasts well with the snow white polished scaglinola of the plain square huge Corinthian pillars that support the roof – The Iconostase rich as usual – 
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The  Saint Michael the Archangel Cathedral of the Kremlin in Nizhny Novgorod. (image  © A.Savin, WikiCommons)
We peeped into the Military Hospital room for 550 – About 450 patients there – all cleanliness and neatness here as in the hospital for poor old people of both sexes, and in the maison des fous – About 15 or 20 men and as many women there in all? – No noise – All still and orderly as if the patients were as reasonable as their keepers – One of the men on our going up to his room (the rooms perhaps 5 yards + 4 yards) came to the door-window (a glass window iron barred in each door) and said in Russian very quietly Ah! Je croyais qu’il était le General Gouverneur, mais ce sont des vagabonds!” – Mr. Baehr had joined us in the Kremlin Cathedral and went with us to the Hospitals – Very civil and intelligent – It seems he is Procureur – 
It was now 3 by the Town clocks – Obliged to return – Home at 3 10/’’ – Dressed as quickly as we could – The carriage waited for us – At the Governor’s house at 4 1/4 or I think not later – The femme du General Gouverneur an agreeable, nice, good sort of aimable person – Dinner soon announced – Very nice good dinner soup and pâtés – A Marinade de Poisson – Round cotelettes de boeuf round a centre of spinach and little roast potatoes as big as marbles – Then Sterlet du Volga (stewed – Excellent garnished with pieces of lemon which one takes to correct the richness) then roast poulet or game and cucumbers handed round at the same time (salés) – Then a jelly – Then 2 plats of sweet meats (a large long excellent sort of plum and cherries), and then a little tumbler of chill-taken-off water in an empty glass saucer (nobody seems to wash anything but the mouth)and then retired to the salon – Coffee immediately – Sat a few minutes – Quite long enough for Madame B-[Baehr] evidently wished to retire to take her siesta, and said we should want repose – 
Home about 6 10/’’ – Sat slumbering dared not undress immediately for fear of anyone’s coming – Tea about 8 – Had Domna put away all my things and it is now 12 25/’’ by the Town clocks just as I have written so far – Snowing in the morning till about or after 11 – Afterwards fine – 
The 3 Lords Paget Clarence and 2 others were at the marriage of the Princess Marie and then here at the Fair last summer and afterwards with the Emperor at Borodino – 125,000 reviewed – 2 corps of the army – But very few of the guards there – The Lords P-[Paget] bought a great deal at the fair – Delighted with it – sorry they could not stay longer than 3 days – Promised to write to the B-s[Baehrs] but had not written – Mr. B-[Baehr] gave me a little set of views of the Dvor and promised me a feuille of the business done at the Fair last year – Very civil – 
Reaumur 10 1/2º in my room now at 12 1/2 tonight – Mr. Tolstoy said we had more than Reaumur -20 on Thursday night – Thinks we had even as much as Reaumur -25º - no greater cold here than Reaumur -30º to 35º - No greater in Siberia than Reaumur -40 and difficult to measure this – Mercury freezes did the Governor say at Reaumur -35º and spirit of wine only marks 3 or 4 degrees plus bas –
[symbols in the margin of the page:]         ✓c       ✓c       ✓c
[in the margin of the page:]             Gastinoi Dvor at Nijeni
[in the margin of the page:]            Nijni Gastinoi-Dvor
[in the margin of the page:]             Kremlin at Nijeni
[in the margin of the page:]             new cathedral service 1st dome in it 27 years ago
[in the margin of the page:]             Dinner chez le General Gouverneur
Page References:  SH:7/ML/E/24/0009  SH:7/ML/E/24/0010 SH:7/ML/E/24/0011
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siliquasquama · 4 years
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I say Black Lives Matter because there’s a lot of people whose money rides on denying that idea
In comparing the history of the Spanish and Portuguese colonies in North America versus the English, I notice a marked difference in rates of racial intermarriage. The Spanish colonies had a lot of it whereas the English ones didn't.
I've always attributed this effect to a greater desire for Blood Purity among English settlers, but the Spanish nobles were the ones who pushed the concept first, and the behavior of Criollos within the colonies does not indicate any loss of race-based thinking among them. So on the part of the Spanish colonists, I usually attribute the rates of intermarriage to the fact that the Encomienda system contained a legal loophole that created an intermarriage custom early enough to render any prohibition futile.
But what about the English, then? They didn't seem to go in for that quite as much, what with the general attitude towards stealing Indian land on an individual basis rather than making Indians into serfs for the Crown. They didn't seem to go in for intermarriage with black slaves and freedmen, either.
And yet -- I have heard tell that the Black Codes of the 1690s were set up specifically to prevent any unity between black and white folk, and people don't make laws prohibiting something unless there is something happening that they do not want to happen. And there was something to prohibit. Bacon's Rebellion had seen an uprising that combined runaway servants and slaves with middle-class revolutionaries, and though they were not the whole population they demonstrated the danger of letting commoners unite; the Virginia Slave Codes of 1705 were a specific attempt to socially segregate white and black people, such that the two peoples would grow apart and estranged. If unity was impossible nobody would ever have had to break it.
Which raises the question of what purpose the anti-black codes of the early 1800s had. In many places such as Connecticut, they were enacted right on the heels of abolishing slavery. Was it a top-down effort to keep the contemporary social and economic structure in place, or an outgrowth of deep-seated prejudice among the general population? Or both? Some states prohibited the settlement of black people altogether, which sounds more like plain prejudice, or, in the case of Oregon, an effort to make sure that white folks got all the good land there was to get first -- is that prejudice or greed? Maybe in that case it's impossible to separate the two.
A proper examination of that particular question would require a thorough look at the arguments made in favor of enacting those laws, if such records remain, or, failing that, a thorough look at the public rhetoric in a given area and year where such codes were enacted. In a country that prides itself on legislators enacting the Will of the People, it would be hard to argue that any law creating great social change did not reflect the will of those people.
The widespread existence of anti-miscegenation laws, the enactment of the One Drop Rule forcing mixed-race people into the lower classes, and the legal enforcement of physical segregation indicates this sort of specific prejudice among the population -- and yet these laws also indicate the existence of what they were prohibiting. Which makes them look like they are propping up something which would otherwise collapse.
Federal policy from the first half of the 20th century indicates that this system was already showing cracks. WASPs in the federal government forced the re-segregation of working-class city districts when granting them federal funding for housing. Apparently there was a quiet de-segregation happening all along, simply as a matter of working-class people living close to their work places.
And even the post-1865 efforts among white midwesterners to drive black people out of their towns indicates the presence of such black people to begin with, and the fear that having them around would slowly change a specific way of life unless something was done about it --
As if even widespread prejudice was not simply a matter of individualized fear and hatred, but a way of propping up something specific whose existence was otherwise threatened. The sudden prohibition of black people from being jockies was presented in my high-school history book as specific reaction against the possibility that it would provide black people a way out of their economic oppression. The part of "The Souls of Black Folk" where the white landowner warns the aspiring black teacher about teaching black folks has the landowner frame the matter a defense of the current system. The white mob in Tulsa that burned Black Wall Street was targeting something they saw as a threat to their own ambitions. The white folks in Chicago who went nuts to see a black man move into their neighborhood had been led for decades to believe such a thing would lower their property values, and the continuing efforts to slyly enforce segregation within suburbs are conducted on the same basis.
For a most contemporary example, see 2008 and the reactions of white republican voters and legislators; so many of them are from states where the economic system still depends upon keeping people poor, and a Black Democrat looked like he would be a Progressive and threaten all that, where a Black Republican would not.
The fact that these people are perfectly happy to let a black man into the party so long as he obeys the whims of the party resembles the old slaveholders who professed to love every one of their slaves as long as they were faithful, which is to say quiet and obedient. Likewise, southern white folks have long held that they are much friendlier and closer to southern black folks than white people are up North. To which I say, sure enough and that's not the problem. Northern whites got mad when black folks got too close; Southern whites got mad when black folks got too big; either way it's about reacting in defense of the current system. Y'all can be as cheerful as you want but when someone threatens the system and your response is murder, I don't give a damn how nice you were before because all that friendliness looks like it really is an inch deep.
As I often say, racism is an economic system that does not arise from prejudice, any more than an engine is built out of lubricant. Hatred and prejudice grease the wheels, but the point is to make lots of money for someone by keeping specific people as a low-paid underclass to minimize labor costs. The reactionary prejudice appears when that kind of economy is threatened by the possibility that these people can escape the underclass, because such an underclass only works to the purposes of high profits when people are held there.
So, when Chris Rock says that "white people were crazy", he is correct to a certain extent, but he fails to make it clear when and where that insanity arose -- it was always the insanity of a reaction, the desperate defense of one's Way Of Life, which is to say one's Money, because this is all built in support of mercantile and industrial Capitalism. it is not some rootless, generalized thing that exists in all societies through the ages. Fear of The Other is enough to organize reactionary movements but the necessity of those reactionary movements indicates that such fear doesn't hold the system together on its own.
Although, if the habits of American racism are seen in most places where colonies are established among a subjugated and resentful native population, one can argue that it is all a matter of supporting Imperialism rather than capitalism specifically. This would be easier to test if one could find such a settler colony whose money depended on something besides Capitalism, and while Rome might be the best source of examples, their empire depended on assimilating conquered peoples without imposing strict segregation. Even the Hebrews, those inveterate foes of Rome, were cast OUT of Judea rather than being confined within it.
Then again, empires of ancient times were not averse to slaughtering peoples who dared resist; one might say that the rise of Mercantile Capitalism created an imperialism where the imperial center wanted to subjugate people without threatening their existence as a source of revenue, and so built various forms of Apartheid as a compromise, using the concept of Blood Purity to steer individuals of the dominant class away from threatening the system. In that sense, the difference between English, French, and Spanish patterns of imperial subjugation occurred because the Spanish and French colonists were able to make big money out of the natives and the English colonists could not. The geography of this middle part of North America was inhospitable to the kind of fur-trading or plantation serfdom that the rest of the continent took advantage of, until the settlers decided to import slaves who could be replaced faster than they died. By this means the native peoples of middle North America were displaced instead of assimilated because it made more economic sense. But it was still a system that didn't really work for the geography without specific and continuing legal efforts to keep it going, which needed to foster a specific prejudice among the commoners so they would blame their system's injustice on the wrong people.
Which is to say, what we have isn't natural. It is built, and it is not even built very well for its environment. All the reactionary movements you see in its support are people trying to patch the machine. Without those patches the damn thing would have broken down three hundred miles ago.
And such reactions are collective, not singular. What distinguishes a lynching from a murder is the fact that the whole town comes out to register their approval. A lynching is a political act that it meant to unify one group of people at the same time it terrifies another into submission. It depends upon community approval, whether in active support or quiet acceptance. Those who would maintain racism have always wielded prejudice as a tool for gathering public support behind reactionary movements. For example, Jesse Helms secured his political career by running a campaign of that stoked anti-black prejudice against his progressive opponent, not to insult the opponent personally but to link his ideas to the idea of Race Mixing, oh horrors, protect your children, your neighborhoods, your property values.
In that light — if you would have a world where racism finally fell apart, you will have to impede the reactionary movements that maintain it. So keep watch for how reaction to economic justice is being organized around you. What rumors are circulating about the progressive efforts of the day? What distortions are you seeing? Most importantly, how are you being convinced to quietly approve of efforts against justice? In our own day we see news reports bringing up the criminal record of someone killed by the police, or focusing on the small gestures of niceness police forces make while omitting the tear gas that follows, or spreading wild rumors about the Capital Hill Autonomous Zone or about Antifascist groups, peddling the lie that police work is comparatively dangerous or that the U.S. is still full of violent crime that you could run into and the police are there to protect you — anything and everything to foster your apathy and your approval for upholding the Status Quo.
Meanwhile, the online rhetoric surrounding the current protest efforts includes posts that assume black and white people will be there together, borne out by the racial makeup of the crowds. It is almost as if we are in another period where sectarian prejudice among the underclass is decaying to the point it threatens the system.
Keep a sharp eye out for anyone trying to revive prejudicial separatism between peoples of the underclass. Keep an eye out for anyone trying to push sharp distinctions between black and white people. Those distinctions wouldn't be there if people hadn't put effort into maintaining them over the centuries. It was always about keeping up the strategy of Divide and Rule so the system wouldn't fall apart. Make sure it falls apart now.
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deduce-me · 4 years
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First Submission - Let’s Play Deductions!
We have our first submission, by email, from a Logan P. Let’s go through a run through of what can be noticed.
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So starting with the first two images, we clearly have a lot to go on here. Clearly this is a living space not just for one individual, but for a family. This is evident not only by the set up of the furniture but where the room is in the house. That is, the dining room is adjacent to the space here and the windows show a room on the first level, in prime living space location (living spaces tend to be in the room with biggest windows). Now, more specifically. Starting on the back wall there are photos on the wall along with some artwork. The photos are a little difficult to make out but never seem to include more that three people. So perhaps a family of four, since the fourth family member would be taking the image. This is supported by the “full” family photo in the second image, depicting two sons and male and female parents. Additionally, it is evident that both parents are still involved, since they not only appear in this “full” family photo, but there is a wedding photo in the bottom right corner. If the parents had been separated, this would not be on display. The photos seem to depict traveling, possibilities including hiking, visiting a statue, and possibly an aquarium. The artwork that is visible tends to denote someone in the family of Spanish heritage. Its difficult to pin the specifics. The largest photo in the center on the back wall is a piece by a Mexican artist, Diego Rivera, called the a “Vendedora de Flores”. This might suggest Mexican heritage or an appreciation for Spanish culture or another Spanish heritage.
Next, there are two bird cages visible in this image. So, they have two birds, one of which appears in the image. The fact that they are cared for in the living room is evident that these are family pets. On that train of thought, it is evident that this family has multiple dogs, obvious from the large pile of dog toys and a durable couch (less for aesthetic purposes and more to last having dogs and children). There is also a dog statue on the left side, denoting their love of dogs. Based on this, they seem to have at least on large sized dog. This is also evident because there appears to be a dog toy on the sofa. On couches that high, only a large or medium dog would be able to put it their or get on the couch to leave it there.
Some general remarks about the room is that it was obviously decorated by the mother, which suggests that the Spanish heritage is at least on her side, if not the father’s too. The couches appear to be facing a television, and there are remotes on the coffee table. Common in this age, but it denotes some value placed on family time spent watching tv or movies. The mother appears to care about the appearance of the room, evident from its coherent color scheme, the level of organization, and the amount of décor. The organization is not strictly maintained. This, along with items such as the tissues, location, and astray pillows, suggests that the room serves as a functional space, not a “show room”. The economic class is somewhere in the upper middle class, evident from the general expense of items and the size of the room (three large windows implicate the size of the room and the modern construction of the house itself) and the ability for the family to do a bit of traveling.
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Now, we transition to a more secluded space in the next two photos, possibly in a basement judging from the lack of apparent windows and natural light. This space is male dominated, likely between the ages of 16-18. I say this because the organization level, and interests, and the fact that, coming from the same submission, this is apart of the living room where it was concluded that two sons live her. The name is also most likely male. The space does not have the same decorative touches from the mother. This person is an obvious gamer. This is evident in the use of two monitor screens (often serious gamers or people who work with computers a lot have these, but since this space is not an office and because of more details to be discussed, it suggests the person is more likely a gamer). This is supported by the numerous controllers that are here. And the game consoles, the one a play station. The user has a keyboard and headphones used by gamers as well. The mouse bares the same symbol as the keyboard, and so it can be assumed this is also a gaming mouse. The outlets appear to be from the United States in appearance. This location is also supported by the brands of certain items (soda, water, consoles), the book in English, and the general appearance of the furniture in the living space. The person spends a lot of time here, evident from the water bottles and soda can, as well as the chair (designed for comfort while sitting long hours). But there is no evidence of eating food. So likely the person has a garbage bin nearby and holds a certain level of cleanliness. Now, the book that appears on the desk is “Feed” by Mira Grant. This suggests some interest in fiction, namely zombies. The book seems to have some damage to the bottom, suggesting it may have been stored in a backpack of some sort. The book does not bare large crease marks or indication other indications of reading use. This combined with the general lack of books in the vicinity indicate he is not an avid reader. The interest in zombies/fiction is also supported by the zombie sticker on the laptop. The other stickers are evident of his strong interest in anime type shows and possibly cartoons. Between all the technology present, it is evident that this person is tech savvy. Based on his interests (fiction book and anime) and his enjoyment of games, he has a large imagination. He appears to be on the more introverted side, though he might have some ambivert tendencies, since he likely talks to people while gaming. He likes the colors black and red, evident on the chair, laptop, and water bottle. He may sometimes have a companion, maybe his brother or a friend, as there is a chair next to the desk. Possibly they watch him game or they game together. This chair is less comfortable and more easily removed than his own, suggesting the companion is not frequent or doesn’t sit there for long. He is likely right-handed, because the desk chair is shifted to the right of the space, where he’d be doing things. The mouse is on the right hand side (this is not proof since both left and right handed people may put their mouse here) and the stuff that is “finished” is on the left, as if casted away (the soda can, tab pulled off (usually something someone does after finishing the soda), the closed laptop is there, and there is more clutter on the left then the right). The water bottle, unfinished, is on the right side. He likely wears glasses, since the items are arranged for someone of nearsightedness. He likely has a mild interest in playing music, evident because the piano keyboard in the background, but there’s no clutter to suggest frequent use or an easily available/comfortable chair, so obviously it is infrequently used. There is also more clutter in the background, as well as another sofa and television, suggesting that this is a place to hang out and have fun/relax (playful old style gumball machine back there as well). Person may have some nervous tendencies, possibly in social situations, evident from the tab being fiddled off the soda can and the isolation (he spends most of his time in a basement).
There is a lot of information in these photos so forgive me if I’ve left out something important or made a grammatical error above. I will post the Logan P.’s response to these deductions once I receive them, then we’ll see what was missed and what may be correct. Remember, these deductions depend on submission. The photos don’t need to be more that one location. It’s best if its good quality and a person space of an individual. Anything to add? Contact me. But, until next time! Happy deducing!
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Field of Streams: Ariodante, in Concert, While Making Lasagna
The English Concert was supposed to perform Rodelinda in concert at Carnegie Hall on May 3rd 2020. Obviously they did not. In some ways I am lucky--if the Met hadn’t done Agrippina I might have made plans come to New York to see Rodelinda instead. It wouldn’t be unprecedented. In fact, in 2014, I finally got to call in an IOU over a decade old. As I mentioned on this blog, when I was in kindergarten and first heard Alcina, I managed to get my father to promise to take me to see Alcina live whenever it came to the east coast. And more than twenty years later we finally got to see the English Concert perform it in concert in Carnegie Hall. In the intervening years there was a debate about whether Toronto counted as the east coast, but my father insisted that he had only meant the east coast of the United States. And when the English Concert brought Ariodante on tour in 2017 they were kind enough to take the show to the Kennedy Center which was considerably more convenient.
As a replacement for the aforementioned cancelled Rodelinda concert, they streamed a recording of the Ariodante in Concert recorded at and live streamed from Carnegie Hall in 2017. As I mentioned above, I was lucky enough to see this concert at the Kennedy Center when it was touring, and I also watched the stream at the time, and then I rewatched it when it was streamed again this past weekend (twice, I regret nothing). So I am, shall we say, intimately familiar with this production.
Opera in concert is an interesting phenomena. I’ve seen three operas in concert (Alcina, Ariodante, Zelmira) and a few others that were only ‘semi-staged’ (Don Giovanni 2x, Radamisto, Giulio Cesare at Boston Baroque). Well, Miranda, you say, “the monkey paw has curled, and you got what you wished for in the Acis and Galatea review, an opera stripped of any ‘razzle dazzle’ or distractions. So, can the emotional drama stand alone?” On this subject I cannot speak for anyone other than myself but I believe it can and it does. I am sure that there are those for whom the grand sets and costumes are an integral part of the experience, and that is a legitimate position to take, but not one to which I ascribe.
However, especially in these times, watching operas in concert (stay tuned for my review of the Boston Baroque Agrippina stream) makes me think about what the bare essentials of opera are. The sets and costumes are fun, sure, and all other things being equal, I would rather have sets and costumes and the full spectacle. And they can cover a multitude of sins. It is far more difficult to create an entertaining production when it is just the orchestra, the singers, and an empty stage. But this production is, to me, as moving as some fully staged productions I’ve seen. So what is the immutable core of these operas? What is it that I am searching for when I am “Going for Baroque?”
The value I find in opera is as an emotional touchstone. This is not a novel concept, and I am not the first, or even the thousandth to think it. Why it is Baroque Opera for me and Jazz or R&B for you, I cannot say,* but when I hear this music performed well my heart (or my soul, or my grey matter, or whatever the thing is that is that feels the feels) stirs in response. So what I am looking for when I am going to an opera is not a spectacle. I am looking for a conflict that put the characters through a variety of feelings, music that is performed with care in a baroque style, and singers and musicians who will sing or play with pathos, so I can have the transcendental experience of sharing an emotional response with a room of strangers, and most importantly, with my father. We have been watching many of the same streams, and sharing our thoughts over the telephone but it’s not the same as sitting next to him in a hushed auditorium and seeing, out of the corner of my eye, a small small creep across his face as the horns come in because he knows they are my favorite. I am counting down the days until we can share this again.
But enough philosophizing. Let’s review the stream. So we know the standard, how did this production measure up? Well, I watched it four times, so that’s a hint. In fact as to music performed in the Baroque style, this performance could be considered a gold standard (of course along with the Glyndebourne Giulio Cesare). I am such a sucker for period instruments. To my ear the difference between Baroque Opera performed with and without period instruments is the difference between your average red wine vinegar, and an expensive aged balsamic. The red wine vinegar is fine, but the aged balsamic has a far more interesting, layered, intense flavor. This is especially true with respect to brass, where the natural horn is basically a completely different instrument from the french horn. The English Concert has never once disappointed me. Harry Bicket is always a master of the correct tempo, but in this concert, the flowing dance rhythms that undergird the arias really shone.
So next up we have a drama that puts the characters through a variety of feelings. If you need a refresher on the plot of Ariodante, I covered it earlier here (and if you’re too lazy to click the link, think the Hero/Claudius plot from Much Ado About Nothing), but there is no debating that it certainly takes the characters on a roller coaster of emotional situations. The stellar cast dug deeply into the libretto and squeezed every drop of feeling from Handel’s brilliant arias. Ariodante was composed when Handel was at the peak of his operatic abilities and it contains some of his most sublime music. 
Mirroring the tasteful stylings of the orchestra the cast had subtle but effective ornamentations in the da capo sections that elevated the theme but did not obscure it (no mean feat in such arias as “Dopo Notte”).  The King of Scotland was played by Matthew Brook, who I do not believe I had seen before and nor have I seen him since. I really enjoyed his performance and he was an especially capable actor. He leaned into the paternal aspects of the role, and I found his emotional arc quite moving. David Portillo was a wonderful Lurcanio, and I still hope to see him again in something (hint, hint, DC directors). I particularly enjoyed his “Tu Vivi.”  In this aria Lurcanio tries to dissuade his brother Ariodante from choosing suicide after seeing a woman they believe (incorrectly) to be Ginevra let a man into her rooms. It is often sung in a rage, which allows for blistering speed and impressive displays of vocal prowess, but in David Portillo’s interpretation, it was a desperate plea to save his brother's life. By toning the aria down a notch, he accessed some very interesting interpersonal and emotional drama that added novel layers to a familiar aria.
This was my first time hearing Sonia Prina live, but I had fallen in love with her voice on many Baroque recordings. She has a wonderful vibrancy and fluidity  in her lower register, which is particularly critical for women playing Polinesso, in my opinion. Sometimes they can sound a little stilted in the low runs, but she had full power and flexibility. I also appreciated her aesthetic. The punk rock bad guy Polinesso she portrayed was believable as a love interest for Dalinda, and as a villain. It is not her fault that Polinesso’s arias are all a little one note (think Iago’s extensive monologues in Othello).
I absolutely adored Mary Bevan’s Dalinda. I hadn’t heard her prior to this concert, and I eagerly await my next opportunity (still waiting......). She was believable as a young woman who fell in love with the wrong manipulative man and made a mistake. I loved her portrayal of the rising horror throughout the second half as she realized what was going on. I always love "Neghittosi, or voi che fate?", the aria where she calls on the heavens to strike down the man who wronged her, but I found her interpretation to be a particularly affecting vision of female empowerment and rejecting the notion that she was culpable, and laying the blame squarely at the feet of Polinesso, where it belongs.
This was also my introduction to Christiane Karg, who was a vocal standout as Ginevra. I would have liked a little more emotion from her, but, as I’ve acknowledged above, I like my Handel drama cranked to eleven, so that may just be personal preference. Regardless of the acting, her singing was note-perfect and I have no real complaints.
Which brings us at last to Joyce DiDonato. Her performance in this production is one of my most treasured concert memories, and the kind of magic you are just grateful to bear witness to. Any performance of “Scherza Infida” is a miracle of acting and vocal stamina. As I said in my last review of Ariodante, the song is 12 minutes long, and contains four lines of distinct lyrics. To hold the audience’s attention with no prancing dancers in nude bodysuits, with only your voice and the music--that is a gift. But you can google reviews of this production and read critics who know far more about this than I do raving about her “Scherza Infida” and her “Dopo Notte.” I want to talk about the redheaded stepchild of Ariodante’s third act arias “"Cieca notte." This is the moment when Ariodante learns that he was fooled--that he was betrayed by his beloved, that in fact he has betrayed her. (Apparently I have a thing for arias in which Handelian heros realize they have been fooled, see also, “Mi Lusinga” from Alcina) To watch her sing this aria, and to see the distinct waves of realization rolling across Ariodante’s soul as the aria progresses is to watch a master at work. I will at some point write up my magnum opus on how, when properly performed, da capo arias should replicate the structure of the Hegelian Dialectic, but that is a problem for another day.
So there it is, how you can strip away all but the absolute essential bits from an opera and still have a dynamic, dramatic, engrossing evening (even when you’ve seen the thing three times already). Because for me, I got what I needed out of it. I felt that resonance in my soul. I found a little comfort in these times. It’s no replacement for live opera, but it soothed a bit my parched throat. Okay, I lied, I do have a few things to say about “Dopo Notte.” Ever since I watched this stream, I’ve been listening to “Dopo Notte,” the bravura aria Ariodante sings at the end of the show, rejoicing in his reunion with Genevra, almost every day, because it is the tonic I need during these times (you can listen here if you think it might be the tonic your soul needs too). It is a promise I make to myself; permission to let myself hope. A promise that the sun will shine again, that these dark and stormy waters will not drag us under, and that someday I will sit next to my father in a dark opera house, and we will once again share in the experience of Handel’s glorious music.
“After a dark night, the sun shines in the heavens and fills the world with joy...”
*It was definitely the brainwashing. 
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theorynexus · 4 years
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25 means we are 1/4 of the way to 100. Are we 1/4 of the way through the epilogue?  I cannot say.
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This does not paint Jane in the best light. Again, she continues to come off as self-centered, and now, furthermore, seems to think that she deserves the title of President as some sort of inheritance that is naturally hers to claim-- as if it were an extension of her existence as Heiress.   This is certainly not the attitude that a president should have, given the fact that the title, President, naturally implies a representative system and a role invested with the will and trust of those who place you in that role.    (This is honestly why I am skeptical of any god taking up the role, honestly: it naturally clashes with their nature as existing beyond the populace, and the obeisance which the individuals they have brought into being on that planet seem to pay to them, to some extent or another.) It would also seem that Jane may not value her “friends” as much as one might hope she does, all things considered, based on the quotes, but maybe this just relates to the trolls, who she didn’t have much of an interaction with before the endgame of her session. This could naturally lead to her not feeling a connection with them later on, which I won’t begrudge her, if that is the case.
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Here, while Jane is correct that Karkat did not engineer his campaign, the Crocker heiress makes a crucial mistake in judgment which does not bode well for her capacity to properly estimate the value and capacity of others (which is an essential political skill):     Her lack of serious interaction with Karkat (or apparent desire to, in the past, it would seem, based on the fact that she did not pursue it, regardless of their similar positions in the social order-- something which I would have thought would naturally lend itself to her interest) leads her to misunderstand his natural drive to leadership, or the great charisma which he possesses, regardless of his lack of recent desire to indulge in/make use of them.  The lack of imagination that any of the other ex-Players might be interested in running in opposition to her does not offer a good impression of her qualification, either. If she had been more aware of/concerned with that possibility, she naturally would have investigated all of them more and/or dug into their pasts for potential strengths, weaknesses, and dirty laundry.    What happened to her being an aspiring gumshoe? 
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True, assuming that there is actually some sort of unified planetary government.  Perhaps there actually is, given the Gerrymandering issue related for the Consorts.  It is still oddly ambiguous as to when exactly these electoral rules/regulations were established, and I am wary of jumping to conclusions.  Regardless:  I do wonder if the emphasis, there, is meant to suggest she’s being a bit megalomaniacal?  I am not 100% sure what to make about her concerns regarding whether or not she seems to be prejudiced against trolls. Her paranoia about it could suggest that she knows people think she might be. On the other hand, it could be symptomatic of her concern over possible alienation of non-human votes. Politicians have to (or are at least supposed to, theoretically) be very careful about the way they phrase things; thus carefully considering the impressions one leaves as a result of wording is not out of the realm of reason even without an actual bigoted mindset being involved, I should think.
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*raises an eyebrow at her underestimation of Dave’s frankly incredibly competent and well-developed mental faculties*    (Her analysis of their whole family having a “scheming gene” is interesting, however.) More indication that she is thinking very politically in her mindset, yes, yes~      I am in agreement with her opinion that using the term “stock” might be a bit jarring to the public conscience, considering it seems to border on racist thought, though not necessarily quite reaching that point.  Moreso, it reminds me of the archaic mindset regarding nobility being capable of breeding more capable and well-developed individuals than them masses, and thus certain families having natural advantages over others as a pure result of their family lineage. I suppose this is somewhat fitting, insofar as Jane is supposed to have a bit of an “old soul,” as far as her thoughts and language is concerned, just as Jake does.  Even so: as I said, she is right to be concerned with regards to potential public backlash, probably, considering how diverse that society is, racially. The term is probably even more loaded in their world than in ours.
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This final line of self-reassurance is quite amusing. That said: I wonder why Dave has become so obsessed with such concepts of late.  While I am sure he already had a good grasp on them in general, considering his exploits during the Session, I also don’t recall him talking too terribly much about economic matters during the main course of Homestuck’s story.   I wonder if this is why Dave thinks that Jane has a poor understanding of economic issues, despite her role as a business woman.  The question then becomes: was that one-sidedness a result of Dave’s personality and Jane’s inability to address it properly, or was it a result of her actual lack of knowledge and/or competence in such issues.   There’s also the question of whether Dirk Strider could compensate for Jane’s lack of capacity, should the latter option be the case, in a similar way to how Dave intends to compensate for Karkat’s own weaknesses if said crabby troll ascends to the Presidency.    Given her personality, there may be some level of difficulty for Dirk to convince her to let him work, in this scenario, especially given she may or may not conflate business-running capacity for wider economic management skill, and thus pride herself in her potential economic manipulation/running prospects.    As such, there may be some risk of significant damage, should Jane in fact be incompetent in such matters.  Or, as Dave begrudgingly admits, maybe it’s just an issue of retaining the definition of what it means to be rich, or some such nonsense, which is at stake (at least as far as the economy is concerned). (Random thought:  Is Dave concerned with economic matters more because of the popularity of Hamilton?  Hmm.)
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Oh. Well, this analysis of the leanings of the various demographics of the world is interesting. That comment regarding the Consorts is quite concerning, though. I understand that they may have limited mental capacities (hard to be certain), and they may be short-lived (I will have to check on this to be certain [update: can’t seem to find any evidence of their actual lifespan, despite their prolific breeding capacity]), this does not necessarily mean that they should be barred from representation in government.  Obviously, there are complex issues at play regarding how political rights should be dealt with when alien species are involved. These have not actually been tackled in real life, and thus there are not easy parallels to be drawn, with regards to how one should deal with the above-mentioned significant deviations this species has from humanity; however, this does not mean that they should be stripped of any sort of representative rights. I thus cannot support her attitude toward them in the slightest. Perhaps a more mild form of concern with how their voting capacities might impact her chances might have been warranted, but the way she reacted overall was not.
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I am cast into a similar dilemma here. On the one hand, it is admirable for Jane to be concerned for the balance and well-being of the planet. On the other, the final sentence of this statement is absolutely reprehensible, and considering the fact that there are literal gods remaining on the planet that I am sure could potentially deal with any major danger such as the outbreak of inter-species war, there is absolutely no reason to support such a thought. I cannot support a person with this sort of mindset taking up political office-- especially when such a position is above all the species on the face of an infant planet, which could potentially spread its life to the far reaches of their new little universe.  I very much hope that if she loses, it will be a graceful defeat, and if not, that it shall be a victory which can be tempered in its impact upon the populace of the world via the meddling of the others around her.
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This is a somewhat irrational fear, I would wager, considering the violent history of the trolls was a result of a rigidly-enforced social structure that came as a direct result of Lord English’s influence on the Trolls’ universe, and that of a tyrant whose intention was to maintain and expand a galactic empire-- causing the social structure of her empire’s citizens to conform to a particularly violent bent as a way of ensuring the necessary military force required for the ends mentioned above.  Jane seems to have some major lack of education in matters of political philosophy and sociology, given her incapacity to make such deductions regarding the origins and likely persistence (or lack thereof) of those traits.    Oh, and any sort of conversation with the (ex-Player) trolls or Beta Kids should have given her clear indication that before the Scratch of their universe, the trolls had a very peaceful society. Thus, any rational supposition that the trolls which populate Earth C have any sort of inclination to violence had better be backed up by clear evidence relating to the earlier history of said planet (which for 5,000 years, Jane admits has been idyllic) and/or the events that have happened in the few years that the kids+trolls have been back. Where’s the Beef?
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utopianparadoxist · 6 years
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Dialectic Identity? Thoughts on Fozzer, the Page of Heart:
OK this is gonna be shorter than Marvus obvs but Fozzer DID give me a good amount to think about, so here goes
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Fozzer outright identifying as a dialectical materialist is exciting for a couple reasons. There’s a lot one could say about dialectics and Paradox Space in general (I’ve been trying to write that script for about a year) but here I want to focus on the Materialist half of that, because it immediately reminded me a lot of @arrghus’ idea of the notional/material divide between aspects.
Ever since the Extended Zodiac, we’ve been wondering if the way the Aspect wheel is laid out might suggest some relationships between Aspects, either original to Homestuck, mirroring the relationships the Signs share in the traditional Zodiac wheel, or some combination of both.
Arrghus’ essay series proposes a model for how those relationships might work, at least in part. I’d suggest checking it out for the full picture, but here I want to focus on the divide I find clearest and most compelling: That between the Ideal/Notional Aspects and the Material/Physical ones.
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The gist is this: The top five Aspects (Mind, Hope, Breath, Life, and Light) are more closely aligned with the World of Ideas, and so those bound to them tend to be more concerned with the ideal, abstract, and imaginary. The bottom five (Void, Doom, Blood, Rage, and Heart) are more closely tied to the material, physical, and real.
If you’ve seen my prior writing on Homestuck, you might note that this dovetails easily with Gnosticism’s old cosmology of reality as divided between an imaginary world of Light and a physical world of Darkness. That said, this isn’t a hard binary--Blood obviously refers to some concepts as well as physical experience, and Breath obviously links to some things that happen in physicality, even if those elements are by definition elusive and insubstantial.
Space and Time are an even split, as much conceptual law to be deciphered as they are physical element of reality to be experienced. It could well be that this reflects most strongly in the perspectives those Bound to each Aspect are given to, as opposed to an underlying reality of the Aspects themselves, and in any case all twelve Aspects are necessary to describe a full picture of reality.
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One of the most exciting possibilities this model raises for me is the idea of Aspect “Mirroring”, which is essentially a different kind of relationship Aspects can have. Aspects that are Mirror each other vertically, for example, might express the same ideas through the filter of the Ideal vs. the Material--reflecting the hermetic/magical principle of “As above, so below”.
Heart and Light are a pretty good way to express the relationship between vertically mirrored Aspects, as it turns out. Consider:
In Gnosticism, “Light” refers to directly to Information/Ideas, as the world of Light is the world of the imaginary. This is where “Platonic Ideals” live--the perfect imaginary version of any object, from which all physical manifestations of that object are derived.
Humanity gains the ability to access this world, the self-aware conciousness necessary to think, when the Goddess of Wisdom Sophia descends from that realm and imbues us with her Light--the light of curiosity, of wisdom, of the power to know. The light of the soul.
In this way, we can think of the Soul--the Heart--of living beings as their inner Light, expressed throughout their lives in the realm of physicality. And we can think of Light/Ideas as abstract concepts, that can only enter reality proper through the doorways created by the self-expression of individuals, as enabled by their soul.
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There are a lot of ideas and concepts that Dirk’s soul seems consistently inclined to express onto reality. The shades, the concept of “being a Bro”, the idea of the Hard Anime Dude, Stoicism, the pervasive homoeroticism innate to the Greek ideals he’s generally shaped by, etc.
The clearest example of this might be his sword, which is itself a physical object seemingly ripped directly out of the “fake” (read: imaginary) world of anime. An idea, made physical, through the sheer expression of will manifested by Dirk’s soul.
This is what makes his katana so powerful:
It’s quite near to being a physical expression of our collective idea of the “Perfect Sword”, much like Bro sets an impossible ideal of “Perfect Manhood” that Dave wrestles with living up to. This might give you an idea of some of the more direct ways Heart’s conceptual toolbox could be exploited or weaponized.
The point here is that just expressing the idea of a “Bro” is extremely important to Dirk, and expressing the idea of “Cats” is similarly important to Nepeta and Meulin.
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In the same way, Fozzer seems like an acutely intense expression of a political Persona. A philosophical idea, expressed in the physical world as an intense commitment to an associated identity. His shovel is an expression of that identity, much the same way Dirk’s katana or Nepeta’s claws are expressions of theirs.
But then again, Fozzer’s identity ain’t exactly stable, is it?
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Before we talk about The Thing That Happens, we should note that as much as Fozzer seems to genuinely believe in his communist philosophy, he mostly seems interested in it as a means for self-expression, rather than an actual political movement with direct goals and results he’s looking to achieve.
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And even though he’s very intense and earnest about it, Fozzer seems inclined to exploit his own identity in somewhat self-serving ways. Unintentionally or no, he more or less uses his ideological speechifying to conscript the Reader into doing work for him, therefore inviting the reader to Serve him through Heart, for Fozzer’s own benefit.
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This, coupled with his strongly noted cowardice, leads me to consider him a Page. But my real point here is that even if a lot of us here on Tumblr find Fozzer’s ideology appealing, Fozzer seems less invested in ideology proper than with the identity it comes with--and even here, Fozzer isn’t exactly being portrayed as unambiguously Good and Correct.
Even if he’s preferable to the alternative. Sigh.
Let’s talk about the thing.
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[WORLDBUILDING INTERMISSION]
So the biggest surprise of this friendsim was that we stumbled onto what’s basically a swell of Scratch energy just...hanging out under Absence Park, apparently?
Which is. A lot. This energy resets our conversation with Fozzer and changes his personality, which we’ll get into in a minute, but first I want to speculate: How the hell does this thing exist at all, and what does it even mean? There’s a couple of possibilities.
Since this is essentially Time-coded Scratch energy we’re dealing with, @blindrapture pointed out that it could have something to do with the Handmaid, which I’d expand to include Lord English--and though I doubt it’s directly linked to Scratch himself, since he’s not too associated with Time the way the former two are, he may be aware of or able to use this...”glitch” in reality.
It’s also possible this is a natural consequence of a Scratch, and pockets of leftover Scratch energy like these are present in some locations of Post-Scratch worlds. For that matter, it could be a consequence of John’s retcon powers, which act like the scratch in some ways and might have had consequences we don’t yet fully understand.
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Finally, given the language, I suspect that the hole in Absence Park is actually just a hole into the Void, leading to the Furthest Ring, much like Roxy’s windows. This Scratch energy seems to have entered the Furthest Ring, and is presumably writhing there until circumstances allow it to vent out through this particular entrance to reality.
What are the implications? Who knows. If this is a hole into the Void, then this is another avenue through which Hiveswap’s cast might be able to exit Alternia and find a new world.
If the Scratch outbursts are recurring enough, then we have at least one way for our heroes to “Time Travel” and basically save scum to try and achieve optimal desires results, like saving a troll friend who gets killed by going back in time for example.
That’s probably the biggest takeaway to me, because having a way to time travel built into Hiveswap’s text already makes me that much more sure that no matter what kind of carnage and brutality our beloved troll friends get subjected to, we’re ultimately headed towards a happy ending where probably nobody dies-- I can reasonably see the possibility that even antagonistic figures like Ardata and even Trizza could be saved, under these circumstances.
Ok back to Fozzer.
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So the thing about “Post-Scratch” Fozzer is that I feel he’s being dismissed somewhat due to his admittedly unsavory politics. This still strikes me as a very genuine and direct expression of Fozzer’s Classpect inclinations.
Fozzer is still taking a very materialist view of reality here, for example--he’s interested in the actual physical history of how this system evolved, and considers understanding that history necessary to understanding society.
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And however he disagrees with you, his instinctual response is the same. He storms off after verbally thrashing the Reader, but its interesting that he does it the same way both times: By imposing identities onto the Reader. Hilariously, Fozzer is unwittingly owning alternate versions of himself, too, and unwittingly inviting self-owns is basically the core of the Knight/Page aesthetic.
So really, Fozzer’s core personality is much the same--what’s taken place is a binary flip in the persona he relates to the world with. In one reality, he conveys the ideas of the hopeful revolutionary underclass.
In the other, he projects the identity of a happy and willing member for the Empire’s war-machine--the joyful slave, the pain of his own exploitation cushioned by a strong sense of societal purpose and identity. Note how the shovel easily parses as a strong symbol of this identity, too--a triumphant tool with which to serve the empire, rather than an ironic symbol of oppression.
I don’t think we should be hasty in assuming one Fozzer is more real than the other, even if we’re inclined to like one of them more. Especially since Fozzer works in Absence Park and seems familiar with these lights, meaning these scratch shifts might have been happening to him for a while.
The two Fozzers give us a fascinating window into the nuances of Heart, and indeed we’ve been told this sort of splintering of self can be common to the Heartbound by Calliope. Their opposing ideologies present us with a self-contained dialectic, in fact.
A dialectic at its core is a search for truth carried out by contrasting and comparing two diametrically opposed ideas, which in Hegel’s dialetic at least are defined as the Thesis and Anti-Thesis, respectively.
In Hegel’s understanding of the term, we can only truly understand an individual idea (say: Fozzer) by examining the tensions and similarities between these two opposed perspectives.
And these tensions are usually resolved not by one winning out over the other, but by achieving a Synthesis that combines he best traits of both.
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Maybe because of that, I find the fact that we can only “win” by embracing the “Happy Slave” Fozzer unnerving. It’s hard to say how Fozzer’s path will evolve going forward, but given how central the idea of conflicting opposites is to his expression of his Classpect, I highly doubt we’ve seen the last of “Comrade” Fozzer.
So, I guess we’ll just have to see how it goes?
[Closing disclaimer: I’m not entirely sure how different Marxism’s Dialectic Materialist approach is from Hegel’s Dialectics. For instance, I’m unsure if it also uses the “Thesis”, “Anti-Thesis”, “Synthesis” model Hegel describes, or if I’m accidentally mixing the two.
@gamblignant8 on the Perfectly Generic Podcast described Dialectic Materialism as being Hegel’s Dialectic applied with a focus on physical reality, mixed with an analysis of humanity’s historical evolution on the physical plain.
Cursory Wikipedia research seems to bear this out, with Marx even describing Dialectic Materialism as simply the opposite of Hegel’s more philosophical and idealistic take on the idea, which Marx regarded as full of “Mysticism��. As a Hopebound more comfortable with the ideal than the material myself, I suppose its no surprise I find Hegel’s dialectics more immediately approachable and comfortable, for now.
What I’m saying here is, take everything I’ve written about dialectic materialism here with a grain of salt: I’m trying to do my homework and make sure I have the facts straight, but it turns out philosophy can get hard to sum up, especially when you’re trying to reconcile it with a fantasy metaphysics system. Feel free to clarify if I’ve messed details up. ]
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steve0discusses · 5 years
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Yugioh S3 Ep 15&16: Noah’s Freakin Dead
I normally space these out a little bit more but like, you saw the title, I kinda need to talk about this situation.
First off, we’ve finally arrived in Kaiba Land, and Seto’s long term memory has gotten so bad at this point he doesn’t seem to remember he’s already built this building
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And bro was like “yeah so the show just kinda pretends like Kaiba Land has never been a thing before now and Seto will have to build it allll over again” and like...
...that’s some intense retconning right there.
Anyways, cool fact about Kaiba Land--it is apparently the easiest place to hack into.
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Chess, huh? Kaiba sure did make a security system that is just chess. Course Kaiba was also the one that got kidnapped by his business partners three times, counting Pegasus. He’s not great at security. He keeps hiring all these guards but clearly those guards are just Dad stand-ins that he keeps around to occasionally pat him on the head, because...
...Chess huh?
Course considering Seto wiped out all the Security in North America by crashing a satellite that one time, maybe he decided digital locks and firewalls were overrated.
(read more)
Inside of the impossible to solve Chess riddle that he solved immediately is an abandoned warehouse.
Ya.
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But here in this warehouse was one of those floaty doors, and on the other side, for once, wasn’t some sort of card game. Instead it was like...unintentionally kind of spooky. Like I don’t know what it is about old timey film equipment but it just has this vibe that something that’s been kept around this long might have a murder on it.
Which there was, PS there was totally a murder on this that bro said they’ve edited out of the English dub. Or maybe the actual incident happens in another episode. Either way, cat’s out of the bag, Noah’s freakin dead.
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So now we get to see home movies of when Noah was a little kid but like...apparently Noah was the same at 3 yo as he is at 12. Either way, we get to see Gozoboro on his only time off he’s taken in 50 years, and for some reason his time off outfit has a little boater hat while his “I’m working” outfit had a cravat.
Gozoboro’s fashion is really kind of fascinating. Firstly because he does wear shorts occasionally, which is not at all his MO, and also because that salmon suit sat somewhere next to that boater hat and that hawaiian shirt for like who knows how many years and he never thought that was weird.
Speaking of weird:
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SO CLOSE to 169 Y’all. It’s gotta be Duke. Duke’s gotta be death 169, I’m calling it right here.
Anyway, we finally find out why Noah hasn’t aged. At this point there was really only 2 explanations -- he’s a cursed dead person (like half our cast, so it’s a good guess), or he’s a robot.
What’s great about Noah is that you are correct if you chose either route because he’s both, as a ghost who haunts a freakin video game.
Ya, that’s right, I cannot freakin believe Yugioh freakin Ben Drowned me.
In this case, it’s more of a Noah Got Hit By A Car But Only In The Japanese Version. Which is probably too long to be a save file on your copy of Zelda.
I mean, this whole show is a creepypasta so I should have seen this coming, but I didn’t think we’d get a Ben. But once again, Yugioh forsees the need for fanfiction and just writes it in itself. Congrats, Kaiba.
Also I DEFFO remember reading like 2 or 3 creepypastas in High School where an adopted kid’s step brother from his adoptive parent’s first child haunted them from their closet or something. Like how many creepypastas did I not realize were just people writing Yugioh fanfiction? Like a lot right? A lot?
Anyways, Seto is unfazed because he has a clinical condition where he cannot think ghosts actually exist.
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On the other side of...the field? The VR zone? Whatever you call the expanse between the miles Seto walked and the 2 turns Joey and Yugi have played, the Big 5 assemble and Voltron to their ultimate form.
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Multi headed dragon--looks better this time.
I still don’t like it, the shoulders are not my favorite thing ever, like why would it only have one clavicle? But it’s much improved.
Anyways, the kids make cheap work of it because this is the second time they’ve beaten the same dragon. The way that they did it took me a little bit by surprise though.
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Remember how I was like “well, because they have to localize for a zillion different countries they can’t put in REAL currency” well nah. That’s--apparently not a thing because that is American currency on a card.
Thanks, Pegasus.
Thanks.
I guess we’ve been using Millennium Pennies because it’s the official coinage of Domino? OR...Yugi really has just been minting these in the background this entire time, which now seems a lot more likely.
I’ll be honest I was way more upset about real ass pennies being real than Noah being a creepypasta.
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There it goes, goodbye Tristan’s body.
Again, I’d be fine if this was him for the rest of the series. That would be fine.
Anyway, speaking of Ben Drowned--Mokuba’s stance. This is just how he permanently is now. Good ol statue Mokuba.
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I mean it sucks Mokuba got mind controlled and brainwashed, but to his credit, Noah has been treating this kid a lot better than everyone else who has abducted Mokuba.
But ya so now the Big 5 should be taken care of maybe. I feel like it’s too early to call it a death count because...firstly this localization wouldn’t tell me if there was a murder just now, and also because Noah seems really bad at this. For all we know, the Big 5 will show up again...next episode. I don’t think Noah has any better security than Seto does. This Digital prison he sent them to is probably a lock made with one game of Uno.
Anyway, if you just got here, this is a link to read the recaps from S1 Ep1 in Chronological order
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fatedcipher · 5 years
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     It’s over.  I beat Kingdom Hearts 3, a game I’ve waited thirteen years for.  And now that it’s all said and done?
     I’m just disappointed.
     What follows is mostly my stream of consciousness impressions of the game, put to text more to organize and vent than anything else.  Be warned of strong opinions and acerbic criticism.
The Good
Roxas
It was one scene, but it was one hell of a scene.  McCartney fucking killed it.
The Sea Salt Trio finally gets justice.  Xion and Axel finally wear something besides the coat.
I had Sora walk around and take selfies while Roxas and Xion effortlessly demolished Saix.  So much catharsis.
Demyx
Yeah, I know, last thing I was expecting too.
Had exactly zero patience for series melodrama.  Every other word out of his mouth had me laughing.
Dude stabbed evil mcdarkness in the back to do the good guys a huge solid and got away with it scot-free.
Lingering Will
He was on screen for all of five seconds, but I cheered for all five of them.
Namine was the one who called him in.
Should have been him to finish off Terranort, but close enough.
Half the Disney Characters
Telling the obnoxious villains to fuck off.
Actually making them fuck off in a couple instances.
Put that Edgelord back where he came from or so help me!
Hayner!  Pence!  Olette!
Twilight Gang actually contributing to the main plot again.
Them giving a shit about Roxas when they didn’t need to.
Fucking bamboozled SoD, he just didn’t know how to react to their Scooby Doo shenanigans.
Mixed Bag
Some of the Disney worlds were pretty charming and had good cast interactions.
Frozen’s world was not.
Sora using the fallen keys was visually breathtaking and played in well to his power to connect to other people.
It was a reference to the stupid mobile game that has only polluted the plot further.
TWEWY world effectively confirmed in whatever is next.
I may not actually want to play whatever is next.
Music
It practically goes without saying at this point but, JESUS CHRIST THERE’S SOME GOOD MUSIC IN THIS VIDEO GAME
OTHER PROMISE/VECTOR TO THE HEAVENS ARRANGEMENT SLAYED ME
I LOVE YOU YOKO SHIMOMURA
The Bad
Gameplay
Plays like a janky version of 2 with a botox injection of DDD flowmotion that only makes the game feel more awkward.
Clunky melee combos have too much start-up, most have no invincibility or even armor to prevent being hit out of them.
Only a handful of the keyblade transformations are actually useful, all of which are a massive step down from drive forms.
Shotlocks still feel like extraneous instant damage and add nothing to gamplay flow.
Oversaturation of minigames leaves several worlds light on actual combat.
Attraction flow is too easy to get, not fun to use, lasts too long, and leaves you vulnerable to damage.
Worlds are simultaneously expansive by individual area and depressingly small on an overall scale.  Most of Twilight Town is inaccessible, Destiny Islands and Radiant Garden can’t be visited.
General Plot and Storytelling
Generally poor writing that fails to resolve several plot threads and introduces ridiculous retcons that only create more questions.
There’s a scene where all of the good guys are in the same room having a discussion about how convoluted the plot is and Jiminy chimes in that they should read the in-game summaries on the in-game phone.  This was when the game crossed over into self-parody for me, and not in a good way.
The total absence of Final Fantasy characters save for the mention of Cloud and Auron at the start of Olympus eliminates half the appeal of what is ostensibly a crossover series.
Awful pacing, having the Disney worlds as unimportant filler with the majority of the plot happening in the last few hours of the game, following what has depressingly become the norm.
General cutscene incompetence, from characters being effortlessly overpowered by enemies to standing around unarmed and slackjawed waiting for said enemies to cut them down.
Bad dialogue and direction clearly mandated by someone who doesn’t speak English mars a number of moments that could have been good.  The script shines primarily when it escapes that ignorant control, which is not as often as it should be.
Mass death and revival scene was entirely pointless, as were the multiple Heartless swarms everyone was suddenly incapable of even putting up a fight against.
Death is still largely non-existent save for a few characters.
It made me more bitter and fed up with this series than DDD did and that is a fucking accomplishment.
Sora
How fucking dare you treat my precious boy like this, Nomura.
Half the cast spends half the game demeaning him and refuses to listen to him for no discernible reason, despite the fact he immediately solves every problem he is introduced to.
It’s not as bad as DDD, but he’s still written to be way less intelligent than he was in 1-2.
He’s the only one who doesn’t get a perfect happy ending and the only who actually seems to suffer any consequence to his actions, despite those consequences being utterly nonsensical.
It’s not even clear what the fucking “Power of Waking” is and he never needs it save for the artificial death scenes.
Riku
Every other line in the script is shilling him and how he’s somehow better than Sora.
This Yozora clown is literally just a palette swap of him.
Three Rikus in one scene.  It is laughable in how stupid it is.
He gets two playable sections and fights the same shitty boss in both.
He’s the one who goes to pick up Namine, not Roxas, Sora, or Kairi.
You can feel how much Nomura loves him and it repulses me.
Kairi
Her lively personality is completely absent along with any agency she might have once had.
Despite getting a keyblade and training the whole game, she gets halfway through a single fight before she’s easily kidnapped, held hostage, and callously executed.
None of her statements about protecting Sora are followed through on and are empty allusions to the first game.
SoKai is finally all but canon, yet the characters themselves hardly interact in the game and the Oathkeeper charm is never even brought up.
Namine
Her in-engine model is only ever used in the character files.
The only thing she does in the entire game is have a single conversation with Sora in the afterlife, in which he still fails to properly thank her.  
Riku is the one to pick her up after she gets a body because Nomura felt like awkwardly shifting Versus XIII’s unused dynamic onto two characters totally unrelated to it.
She’s still wearing the same white dress she has been since her introduction in CoM.
Aqua
Loses every fight she’s in to cutscene incompetence.
Seriously, you kick Vanitas’ ass in her only playable segment for her to throw herself spread eagle in front of some fireballs he throws out, it’s embarrassing.
Likewise jobs to Terranort and has to be saved by the COME GUARDIAN who is apparently Terra’s heartless?
Her single contribution to the plot is finding Ventus.
The refusal to let her age is just bizarre, the same extending to Ventus and Terra.
Antagonists
Xehanort remains nonsensically overpowered and omniscient, using time travel, clone bodies, and other contrivances to achieve his goals and have the heroes play straight into his hands until his actual last scene.
Multiple members of team dark don’t even have a good reason to work for the old man.  The former traitors are the ones to remain unfailingly loyal.
They show up to vaguely talk down to the heroes and/or wipe the floor with them before smugly disappearing without a scratch.  The only instances where this is even slightly averted are a couple scenes with the Disney characters and the defeat scenes in the final boss rush.
The majority of the villains are given cloying and contrived attempts at casting them in a sympathetic light when they have only ever been shown to be selfish, merciless, and cruel prior to their final defeats.  Xehanort himself is the absolute worst offender, being cast as a well-intentioned extremist at the last possible moment, despite this directly contradicting the entirety of his character prior.
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     So yeah, Kindgom Hearts 3 isn’t that good of a game and has a story that’s legitimately quite poorly written and told overall.  Are my expectations inflated by the amount of time I’ve had to wait for this game?  Absolutely, but the series has been on a downward slope in quality since BBS and this was their big chance to correct course.  Even with the promise of TWEWY involvement in whatever is in the future, I can’t honestly say I’m interested in playing another Kingdom Hearts game after this disappointment and that’s depressing for someone who’s loved this series for so long.  There’s still a lot I want to write for Roxas and the rest of the cast, but when most of that stuff is attempting to revise the canon, it can be pretty discouraging.  All the same, I don’t want to give up on this blond haired kid and his friends just yet.  Their story’s too important to me to let it end like this.
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