Nico referring to his mom as "Mama" implies he most likely at least used to refer to Hades as "Papa" and i 100% headcanon he still does but mostly in the manner of him having the entire Underworld wrapped around his finger for being the baby of the family
Don’t think I ever quite said what my LGBTQ+ headcanons are for the boys, so these are my current thoughts! Always changing of course but this is what I feel most strongly right now.
thinking about the relationship between sif and the universe, and related theories / headcanons aka I listened to a song and I need to get these feefees out of me
this is a lot of prelude for something that can be shown with just the video clip, but I want to include all the strings that make up this knot
Its not explicitly stated, but I believe it's pretty clear that whenever sif repeats something three times while hoping for something (sharpening the keyknife, carving in general, praying to the change god statue in dormont), he is performing wish craft.
however, he doesnt repeat anything three times when getting the keyknife. he doesnt even need to pray to get it at all, the change god just gives it to him. they say themselves that they dont care for rituals. they never even take credit for the stat buff, they only take credit for the keyknife
when sif changes how they pray at the change god statue, their method more strongly resembles the ritual to make a wish at the favor tree (picking the one you like best), and as a result the buff gets better. it is the wish craft ritual that is the important part of the prayer to that statue, not the change god
one thing that IS explicitly stated is just how powerful wish craft is for those who know the rituals, and how dangerous it is in the wrong hands. between the disappearance of colors (Im pretty sure that was the result of a wish, I may be misremembering), the disappearance of the country, and the king being nearly successful in freezing all of vaugarde in time, it only takes one wish to take out massive chunks of the world at a time
we know that wish craft is very entwined in the culture of the country (the story written about in the journal is told as a cautionary fairy tale, the rituals themselves are so deeply ingrained in sif that the wish to forget the country did not restrict his memory of the rituals, and he can perform wish craft without even being fully aware he is doing it)
it seems reasonable to me that the reason for the country's disappearance was to hide the existence of wish craft and the rituals to access that power from the rest of the world. considering sif didnt even remember his culture AND had good intentions, and still nearly ended the world, seems like that concern is pretty well founded. however, thats not the important theory Im making this post about
the country has knowledge of wish craft in conjunction with worship of the universe. "the universe leads, we can only follow," "the universe willed it," seems pretty safe to say that sif's Universe is the "entity" that is granting wishes
the way wishes are described, they dont seem like something the universe grants based on who worships it. as long as you know the ritual, you get the wish. everyone is part of the universe, after all, worshiper or not
Admittedly, its a bit of a stretch to say that the universe as a collective force has any sense of empathy for human struggles. but using the change god as an example, as spiteful as they are to sif, and unsympathetic to anything other than a human's role in the concept of change, they still show a great deal of care and favor to mira, someone who loves them. it is possible for a deity to care for those that care about it
sif, despite no longer having access to his culture or why he cares about the universe, still loves the universe, very very deeply, just as much as mira loves change. the change god says that sif's deity will never answer him, but I dont think thats the case
and this is the important headcanon that I am making this post for
sif is performing the rituals, so he gets the wishes, simple as. but I feel strongly that his wishes getting granted in very small but noticeable ways, despite not knowing how or why hes doing it, is the presence of his universe helping him, caring for him, even when he doesnt remember it
the strongest evidence for this, and the basis for this whole thing, is exactly how euphrasie breaks down in act 5
at first I only really noticed when she laughs, it reminded me very much of how the change god, a being who uses sprites of other characters and has done a whole possession, laughed during their encounter. they and euphrasie are the only two that use anything other than "ha," and right after this laugh is when her breakdown pauses and she says the lines
"... Soon you'll be able to go back to your normal lives. Away from battle and strife.
Finally, you'll all be able to go home!!!"
which, knowing the end of the game is coming, is incredibly relevant. very deliberate
before this pause, her breakdown seems pretty chaotic. the characters and the player are just coming out of one harrowing experience, and are clearly headed for another. the cohesiveness of this glitchy breakdown amongst a mess of the rest of the world doing the same isnt really high up on the list of priorities. none of the characters notice anything beyond the fact that reality is breaking, not even sif. it just sounds like scary nonsense.
but with the context of euphrasie being possessed to talk to sif, every single one of her lines makes perfect sense
(footage from Zhain Gaming on yt)
the universe is there its talking directly to him, it was there the whole time
- hey so I haven't seen an interpretation of the bar scenes in Half that I fully agree with, so I wanted to throw my own two cents out there into the void and pray that it makes sense !!!
so, in the bar scenes in Half we see what I interpret as a hangout with old friends (or, hangout with old friend + his wife.) These scenes used to be the biggest piece of evidence for the cheater theory, but now that that's been debunked by the man himself, I have a new way of looking at them
~ before I go any further, I just wanted to say that I'll be calling the brown-haired woman whiskey for simplicity's sake
In this scene, Kazui turns to look at Whiskey, saying the lyrics:
"laughing together, side by side, this distance in our relationship is misleading me, is this what happiness is?"
With my guess (cuz that's really what it is there's no evidence for it) that Whiskey is the Bartender's wife i think this scene is Kazui being conflicted with what he's been told is true, that marrying Hinako is "true love", versus what he feels is true, that marrying Hinako has brought distance into their relationship.
He looks at Whiskey, a woman happily married, and wonders why his relationship with Hinako isn't like that.
~ shout out to @prisoner-000 for the following screenshot
in this post he points out that Hinako and Kazui's rings are silver in Cat, not gold like they were in Half, yet Bartender's ring colour stays the same.
For the sake of this writing I'm going to go with the first meaning they put out, that Bartender's ring is gold because his marriage is genuine.
But wait!! I hear you ask. This is Half and Kazui's ring is still gold in Half!! EXACTLY MY FRIEND!!
Kazui's ring IS still gold in Half because at the time of these scenes he's still fooling himself that this relationship is good, that he will eventually garner real romantic feelings for Hianko.
"laughing together, side by side, this distance in our relationship is misleading me, is this what happiness is?"
Remember this lyric that plays during the Whiskey -> Hinako scene. You know what other scene in Half this lyric reminds me of?
laughing together, side by side,
this distance in our relationship is misleading me,
is this what happiness is?
He's beginning to doubt if what he believes is true, he's beginning to believe the feelings telling him something's wrong (and remember, the scene right after this one is when he confesses (?) his secret to Hinako) ARE infact true, and that maybe the logic he's been following for so long has a couple holes in it.
I think these scenes are meant to show Kazui gradually realising that his relationship with Hinako will not work out. It just won't, no matter how hard he tries.
He's able to laugh together and talk with Whiskey because she's his friend, yet he can't do the same with his own wife? Even though, according to his gold ring, their relationship is supposed to be real and true and genuine?
Page 15, for the second time! Apologies to those that saw the version I posted last night with the typo. My days lately have been busy, so sometimes I feel a bit brain foggy. A couple of people left comments on either here or Twitter and it killed me to delete everything. ;_;
"To dream the impossible dream, that is my quest." - Prince Fernando of Asturias
+ Seb not getting what he ordered
+ the usual
Hello yes, look! It's baby Renault Fernando, isn't he so cute??? Who wouldn't want to force him into an arranged marriage, like cmon man be real. Here is the progress as usual, as well as his suit without the design, cause I'm pretty proud of it just blank even!
Okay so this is pure Fernando, innocent Fernando, before he had his apirations ripped way from him. Well not fully ripped away tbf, because that's the crux of his character: is it more humiliating to never succeed or to only succeed because someone handed it to you with concessions? I guess that's up for him to decide though ;;;
The thing I love about this drawing and young Fernando in general is how much easier it is to see his and Seb's similarities. Look how similar they look! Seb is just a bit more evil.
I think that's a big part as to why his feelings about Seb are so complicated. He both loves and hates how similar they are. From an egotistical point, he can appreciate and respect the familiar traits in Seb, the hunger, the exuberance, the pride, the ego. But also we hate seeing our own traits in other people, it's almost like turning a mirror on your worst traits and suddenly being able to see yourself from a new perspective. The biggest point here though is that Fernando turns that resentment onto Seb, as a way to clamp down on self hatred.
He becomes more bitter and resentful as he grows older, and loses a lot of his whimsy and joy. So it hurts him to see Seb, who in addition to getting everything he's ever wanted, also retain his whimsy. He, wrongly, just sees it as something that had to happen in order for him to grow up fully. It's more of a survival tactic, it started becoming unbefitting for him to have that level of unfounded confidence. That's the main reason he sees Seb as childish, immature and undeserving. He hasn't fully grown out of his capacity for whimsy and joy, and thus is below Fernando.
Well that was depressing oops! As the chibi art represents, this is probably a painting Seb got sent in the early days of planning their marriage. This is the Fernando who is still prideful, the Fernando who is still confident, the Fernando Seb vaguely remembers meeting his youth. Seeing this definitely pushes him even further towards the marriage(though tbf it's not like he even has a choice either.) Though when the time to actually start courting comes around, Fernando looks very uh different. This is both a joke about how different Fernando was in his first renault stint vs his second. But also I think he does show up very moody and disheveled, as a sort of last chance way to try and turn everyone on Seb's side, including Seb, off from the marriage. However, it's pretty much a done deal by that point.
Seb is uh, definitely confused, but I think he would be drawn to Fernando regardless. Actually, this might make Fernando even more appealing. Seb gets to push him all the time, try to break down his walls and get a glimpse at the real Fernando, if even just for a moment. Seb wishes he had more that just a blurry, vague recollection of Fernando at his peak confidence. Fernando definitely grows into something resembling his past self, after recovering from all the hurt, but there's just something about youthful exuberance that can't really be fully replicated.
Okay so about the quote. I went with Don Quixote this time instead of the typical Napoleon, because I thought it'd be funny. Fernando picks up the book at some point during his youth, and it inspires him a lot. He doesn't really see the satire in it, and comes to really admire Don Quixote's mentality, he's like "wow he never gives up! That's so admirable!" It definitely helps him through dark times to aspire to never give up no matter what. Though later Seb definitely rags on him for not knowing it was satire, and Fernando is like "wh-what do you mean satire?" But he's mentally strong enough atp for it to not cause his whole worldview collapse. About the quote specifically, there's definitely some part of him, even when young, that knows his aspirations are borderline impossible. I wonder if that part of him feels weirdly safe and comforted about the marriage. Yes, it's not ideal, but it's safe and secure. He gets what he wants, and there's no chance of anyone taking it away from him, no matter what.
I think his title would be Prince of Asturias? It was either that or duke, and I think prince fits him bettee(Machiavelli reference?) That title is currently the title for the heir to the Spanish throne. In this time period, it's also commonly used for the heir, but for Fernando it's a bit unsure. Like in real life, he's not directly the offspring, but he's still the most obvious choice for heir. But there's still enough room for Seb and his house to try to vie for the throne themselves, so it makes it all complicated.
If you had to pick 5 fics you’ve written to make a “crash course” and sum up your writing personality, which would they be?
Oooh thank you so much for asking! <3 I had to ponder this a bit, but here's what I think:
I love angst/confronting your feelings at the moment your loved one faces mortal peril so Only Ghosts (4,267 Words). It's all the tasty Zevran/Wen feelings after she takes a deadly wound in the Deep Roads.
I have to include As Two Reflected Stars (12,429 words) because I also love hurt/comfort and tracing the role a specific habit or occurrence has in character growth over time. In this case, healing.
Internal conflict is (I think!) one of my specialties so I offer up Only a Kiss (1,215 Words), the first thing I ever wrote for Wen and Zevran. Wen is always such a treat to write because so much goes unspoken with her, but I feel like this is a peak example of her warring with herself.
I also consider tropes I don't love a little puzzle to unwrap for myself, so next is Search Your Hands (13,581 words). I wrote it as a silly little story about cultural misunderstandings between Cullen and Lavellan. It wound up being a more well-liked fic than most of mine, which surprised me a lot!
Aaaand last but not least I will always be a sucker for unspoken feelings, idiots in love, and romantic tension, so Summer Tea (897 Words) with Elowen and Cullen. These two are the worst at making that first move with each other but it's so fun to write the lead-up.
it's actually so fascinating to me that Brennan has created a character that maintains a pretty relaxed and mild-mannered demeanor and has said multiple times that the absolute Core of her is "FEAR" and how often we see this Fear manifest specifically in Avoidance; it really nails a relationship to that mentality where your brain fully Stops recognizing the emotion properly out of like, sheer self-defense from the stress of having to carry it all the time
I think this is also perfectly showcased in the way we tend to see Tula swing so suddenly from 'level and steady' to 'snarling Panic' and then back again - Just because your brain has detached itself from the Conscious Recognition of the emotion doesn't mean it can Actually stop itself from experiencing it. So the Fear is always there and always acting as a stressor, but because of that inability to Identify it there's no way to recognize or address it before that final straw hits and your bodymind jumps Straight into Full Meltdown Mode; but then once again, once you drop even a Little bit below that Peak Terror your brain ceases to process the emotion; it's like the most exhausting form of Poor Object Permanence in the world
And even if Tula is aware of this happening to her, that doesn't really make it any easier to deal with / address. Even if you're able to spot the symptoms Around the emotion -- chest pain, irritation, nausea, whatever -- because the Emotion Itself is basically impossible to find, you can't really Successfully Pin Down what the problem is OR a way to cope with it. If you can't figure out That You Are Anxious, then figuring out What Is Making You Anxious is impossible, which makes Find A Way To Make Peace With That incomprehensible. That's where the Avoidance comes in: you can no longer identify what might be a Dangerous Situation, which means that Anything New has a big potential to be Really Bad in a variety of ways (ranging "I don't Feel Good" to "Fully Lashing Out bc you've entered Fight/Flight and can't get out of it" to "Actual Outside Danger This Time") and that means the Only Way you know how to be Safe is to just Avoid Doing Anything New and Only stick to Familiar Situations, because anything unfamiliar is a monster of a gamble you don't know how to prepare for or cope with
For a second request: Philza and Ghostbur interacting! Ive always found this idea SO interesting. Like, that's your son that you killed interacting with you even though it's not technically your son but he looks like him and kinda sounds like him but it's NOT him. The mental toll that would take.
hiihiii i love the way u write shidou smmmm so if ur requests r still open id like something with shidou + lies <3
Hellooo thank you!! Shidou zoomed his way into my favorites and I really enjoy writing him, haha! Here's a bit of him hanging with the smoking group T1
The problem with lying, Shidou had found, is that you end up fooling everyone involved. If you spend time trying to deceive someone, the people close to you will also believe it. If you continue, it will affect all those in proximity. And, if you do it for long enough, you’ll start to deceive yourself.
Shidou had certainly lost track of his lies for a while. Right before it had all come crashing down around him, he’d almost believed all the beautiful tales of hope and health he’d been spreading. He’d almost seen the world as the place he’d been describing.
And then the truth hit him; it crushed him. Seeing all the blood on his hands, he’d tried to swear the whole thing off in what little time he had left in this life. But, like his other habits, it was a difficult one to break.
He exhaled smoke into the room, listening to Mikoto go on about the busy days of his office job. Shidou was concerned how he still spoke about everything as if he’d be heading right back after all this.
He wanted nothing more than to sit him down for an examination. There were several reasons he may not remember his crime -- it was most likely the emotional shock, but Shidou couldn’t rule out the possibility of a head injury, an illness, a seizure, a stroke, or even it being a side effect of whatever drugs Milgram must have given the prisoners when bringing them here. It took everything in him to let Mikoto be. After all, no one was going to request help from a “killer doctor,” and he didn’t have any of his usual equipment.
So he just stood and smoked in silence.
“What about you?” Kazui asked. “My line of work definitely stressed me out, too. But I don’t think I’ve seen you bat an eye at anything since coming here.” He nudged Shidou. “Are you just as cool under pressure as those movie doctors?”
Shidou’s lips angled to a smile. “I suppose so. Though, I believe they look calm because they’re meant to appear perfectly competent. I’m calm so that patients don’t realize I am imperfect.”
Was that all he was, when he killed those people? Just ‘imperfect’?
Seeing the way Mikoto’s eyebrows shot up, he clarified, “I’m very competent, mind you. But no doctor is perfect. Many patients will panic if you show even the slightest sign of doubt.”
He teased, “so you just lie to everyone all day? Damn, remind me to watch out the next time I go in for a checkup.”
“No, it isn’t like that.” Wasn’t it?
The other two continued the conversation, but Shidou grew quiet. Was that something else he’d started to believe? Another thing he’d convinced himself was normal when, in fact, it was very, very wrong?
“I get that. Confidence is really important when dealing with dangerous situations.”
“Heh, I’ve definitely put up a bit of an act around here for some of the younger prisoners. I think it’s been helping, they seem calmer from when this all started.”
That’s right -- his goal was always to help, to calm. He watched Mikoto rub his temple absently, and knew another headache was approaching and knew what to do for it. He’d helped Haruka get over a cold the past week. He and Kotoko had discussed nutrition tips the other day. He was still doing good. The smile that he put up for the others was still doing good.
“Well, I’m glad we’ve got a professional around here.” Kazui gestured his cigarette to Shidou, snapping him away from his thoughts. “Nothing against the guard, but it’s nice to have someone like you who can help me look out for everyone.”
“Yeah, feel better about being here already!” Mikoto slung an arm around him. The boy's expression showed he was trying to appear in on some joke. “So, doc, you think that all of us are getting out of this crazy place in one piece?”
Shidou wanted to warn him the situation was more serious than he knew. Milgram was not a big joke. He was not a man to be trusted. He was not a man to be forgiven.