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quohotos · 9 months

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what's something you would want to see in an animated adaptation of the underland chronicles?

Oh BOY where to begin?

These are going to be in no particular order...

Each trailer should have the prophecy read out in a dramatic voice. The trailer for the first one will go "And eight will be left when we count up the dead" and then a quick montage of some pretty scary shit happening but the cuts are too fast to see what's actually happening. The only exception to this is the marks of secret where the fact that the song is a prophecy is a reveal (however the song plays in full in the trailer, it's just structured different from the others)

The animation should be a little edgy. Give things hard angles, stay away from the bulbous smooth (Modern) Disney look.

Really go nuts with the bat designs. Embrace the warrior cats OC-ness of it. Let all the background bats be just as vibrant and wacky as the main cast.

Everyone's bond should sorta look like them, kinda the way that dogs kinda look like their owners. Solovet's bond should look like a total villain. Euripides should look like Vikus. I mean, Aurora's got that gold thing going on which Luxa also has with the crown. The bonds gotta look like they belong together spiritually.

The nibblers need to have more of a role before the marks of secret. Have them in the background of other shots, have them actually get lines in the jungle, see if they can be more present at the council discussing the plague, write some new scenes for them, etc. I wouldn't even be against them inventing a new nibbler character and putting them on one of the earlier quests. The audience should already know and care about them before we see them being horribly brutalized in a reenactment of a real world genocide.

Ares, and all the other bats for that matter, need to have very expressive eyes. They don't always get a lot of lines so they should still have a way to have visible presence in the scene's that they're in.

Every time the bats do that thing where they detect rats and their ears shoot up it should play a musical sting

All the underland creatures/factions should have their own leitmotif. Ripred's lieitmotif should be this uncanny blending of both the rat's theme but also with hints of the Regalians and Gregor's. After Gregor think's that boots has died in the labyrinth there should be this super dramatic and gutwrenching theme, and then all the music just stops for the rest of the movie until they reunite and then the music can come back. The most you get is like a minimalist drum and base sequence, but nothing properly melodic until we know that boots is safe.

The sequence Gregor escaping with Ares and Pearlpelt from the labyrinth should be all in one take.

Every time Gregor slips into the Rager state it should be accompanied by a recognizable sound effect sting and have it's own sound effect and muscial sting. Something like glass shattering mixed with reverb and pitch shifted down. Rager sequences should be in first person and show just how much he's dissociated from the violence he's doing. The audience just sees that split vision with all the weak points highlighted and one by one they get crossed out.

I hope they cast someone appropriately nasally to play Ripred, I think he should be a little high pitched and scrungly. However, I would make an exception if they somehow got Kieth David to voice him. I would be very unsatisfied if they cast Ryan Reynolds

I hope they cast someone with a deep voice to play Ares. He needs to be big and imposing and scary. He needs to be like the big kid at the playground. The fact that there's a more pained sensitive side to him needs to be a revelation. He needs to be a bit monstrous so you can understand why everyone sees him that way, and why he's dying not to be seen that way but has basically given up and accepted how the world sees him. I would be very Unsatisfied if they cast Ryan Reynolds. It would be fucking hilarious if they cast Chris Pratt... I would hate it but it would probably work and that makes me very mad.

I don't really care how Gregor is cast. Caleb McLaughlin would be a perfect Gregor, but he's all grown up now. He could probably still voice him but it wouldn't be the same. I do not care so long as it's not Ryan Reynolds.

Please don't have anyone call Gregor "Greg"... that just feels wrong. Well maybe Ripred would do it specifically to piss him off.

Henry needs to have a dumb haircut, like... it has to be stupid and ostentatious.

The audience should get to see Ripred from close to Gregor's perspective often. Have the camera right over his shoulder and tilted up to see just how tall this beast is.

Let us see more of the happy times that are alluded to at the start of the marks of secret. Even if it's just a montage, let us see them being normal. Let us see Gregor and Ares play that ball game and see the kids just hanging out. Please 😭

Make Gregor more talkative. There's great moments of internal monologue that could be lost in a screen adaptation, let him talk to Ares or Luxa or even temp about it.

In the code of claw Ares should go with him to the prophecy room to learn that he's going to die. Gregor should tell him about the stone knight and it can be something they share. You can even set it up with them doing the bond handshake there while laying on the floor so that it's a visual callback later (Fuck, I just thought of that and now I'm destroyed again).

I mentioned this in another post, but I think it would be cool to have Gregor get a walkman or other battery powered music player from the museum. They can have a few tunes to bond over, but eventually they have to take the batteries out to put them into flashlights.

A huge missed opportunity in the books is how basically every single human in the Underland we see is royalty or part of the military. I think it would be cool to let us see a bit more of how the regular people live. Maybe have one or two characters who aren't royal or soldiers.

Earlier entries should try to cut away from the violence, simply showing the character's reactions to the horrible things happening around them. Later entries should stop hiding it, paralleling the loss of innocence of the characters. By the code of claw Gregor and Ares, or at the very least Ripred, should be allowed to swear. There's no way you're getting that story on screen without at least a PG 13 rating, and these people just witnessed a genocide and are about to kill a bunch of people in a war. Gregor can say "Holy shit" instead of "aww Jeez" at least once. I also just think "What's your plaaaaaaan" is great but "What's your fucking plan?" lands pretty hard as well.

Don't make the underland too visible. Don't add global illumination. Let there be darkness, let there be long shadows, let us only barely see distant things. When Gregor finally gets echolocation then make the distant things visible through a strange shader... but cut out the bit where he can echolocate heat that makes no sense.

Ms. Cormaci needs to sound exactly like how she did in the audiobook, this isn't up for debate.

When the Bane calls Gregor and Ares to battle it needs to be one of the most disturbing, blood chilling things the audience has ever heard. It needs to be loud, and painful, and monstrous. You gotta see that the pup we all loved and coddled has fully lost it and become this fascist ball of hatred and murder and violence. It should cut through the audience's core and silence everything else in the scene. Just have it hold there after he's shouted, showing them locking eyes on each-other and cutting back in between the two. Yes, the Bane has completely been subsumed as a symbol of his side, but so has Gregor. He's in the black armor, he's the figurehead as well. There are parallels, y'all.

Let the Shiners be at least 20% less awful. They're funny, but let them have their hero moment where they're redeemed in the marks of secret rather than saving it for the end of code of claw.

Old Hamnet in the flashbacks to the flooding of the garden should be hot. Flashback Ripred who was there is of course also hot. He remains so in the present as well.

The narrative that Gregor is told in the first book, that the natives just let Sandwitch have the Underland because they weren't really using it... it's heavily implied that's a lie, especially after we learn about the Diggers and how they were genocided and basically expunged from history. I think there should be a direct callback to it, make this implication an explicit part of the story.

Give my girl Aurora some more lines. She goes on all these adventures and never gets to be more than "Luxa's bat".

Oh no I hit character limit for this post... uh... I have a lot of thoughts and I probably will have more in the future 😅. Probably way more than you asked for but you opened the floodgates and this was the result.

Thank you for the ask!

#ask quohotos #gregor the overlander #the underland chronicles #tuc #tuc adaptation

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fallinginaforrest · 6 months

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SPOILER WARNING FOR WORKIN BOYS, I BREAK DOWN MY FAVOURITE SHOTS. SPOILERS WILL BE HERE. YOU HAVE BEEN WARNED.

Okay here's my opinion:

Curt being the DP for Workin' boys is the best thing that coulda happened to it. There are so many choices that were made during filming that just absolutely heighten the level of comedy. It's shot like a Mockumentary almost? The shakycam and the randomized movement? As someone who wrote a Mockumentary last year, I can only dream of pulling off a film like this.

A couple things I wanna point out:

-the minuscule push in on Hidgens when he realises he won the workshop competition feels very office-ey.

-the cut back to MK's amused face had me WHEEZING

-the pan over to Paul as be reminds Hidgens to remember the changes

-"apparently a musical about six men bonding on a football field isnt 'of the times..."'etc, this line right here felt like a talking head, I appreciated it.

-those time cards eg: "Rehearsal #2, 28 days until opening" lent itself so much to the documentarian feel of it.

-"wow, what an auteur", not a camerawork comment but I appreciate the joke for all of the film and theater theory studiers

-the "rehearsal montage" I love a good meta joke.

-even in this montage, the camera is never really onstage. At all. Like, it's always situated off to the side or in the audience, and then zoomed in, the documentarian is trying to capture all of the action on stage instead of trying to make us feel immersed in the rehearsal process. We're not really aligned with any of the characters, we're an audience, and we better stay that way. For our own sake.

-and then this dynamic totally changes, and shifts away from the mockumentary feel

-but I'll get to that in a second

-henry is almost always by himself in the shot. I think the one of the only other times that the entirety of another character's face is seen alongside Henry's (I mean, both faces are CLEAR and uncovered in the shot) is in the two shot of him and Paul's stage manager in the rehearsal montage. He is totally singular in his experiences with this show! He is not one of these girls, if anything he is opposed to them. And this becomes clearer later, but it's a nice seed to sow, establishing that he is not in a collaborative mindset at all. The only other time I can think of is him and Zoey behind the curtain, even then, the only time both of their faces are actually IN the shot is when they're behind all the workin' girls. There's probably more but ykwim.

-also the sheer number of times that Henry is off centre in the shot with just a bunch of space surrounding him.

-okay after "two week notice" or whatever tf that song is called (Kim sounds amazing as always) is when the style shifts. It feels less like a mockumentary and more like this sort of voyeuristic peek into Henry's psyche. I LOVE IT.

-the fact that he is never shown in the shot with the workin' boys! It makes you absolutely feel like he is just talking to the air around him (this is hatchetfield so who knows, either way its unsettling)

-we get aligned with ruth, for the first time, we see the audience from the perspective of a character, not just from a stage POV

-the camera roll!! We don't get a full rotation but we feel dizzy and unsettled when we look at ruth, which is exactly how she feels!

-camera roll close up on Zoey. Uncomfortable, unsettling! Rests in a canted angle before continuing to roll on Hidgens! Who is centered in a low angle shot! We don't see the axe until he brings it up to his face! He is not only in a position of power here, but revealing the axe only when Henry makes it clear he is gonna kill them makes it clear that he calls the shots! We've departed from the Mockumentary style completely, as if this was never a documentary to begin with, more like we're flies on the wall or spirits in the theater or omniscient eldritch beings... anyway-

-long shot of Henry dragging zoey's body, no footage of them being killed, aligns us with the audience

-our friend the camera is getting shakey again, the chaos is in the process of ensueing

-THE PULL OUT SHOT OF GRACE WITH THE GUN. I GASPED. I KNEW IT WAS GONNA HAPPEN AND I GASPED. Fun fact on my first watch I thought this was a dolly shot but I dont think y'all are fitting a dolly on the Hudson theater main stage steps, and also the distance is too short so it must have been a pull out. It was REALLY SMOOTH.

-notice, when grace quotes the bible, we are EVER SO SLIGHTLY looking up at her. It gets progressively more obvious the further she gets into the line, but she has the power now. Somehow she always ends up with the fuckin' power, maybe I should convert to christianity smh.

-shakeycam is back again baby!

The creative minds put so much love and care into Hatchetfield, and you can tell that every project is a passion project. People know starkid primarily as a theater company, and that's great and all, but in reality it's an Avenue for all kind of creatives to not only have the opportunity to create all kinds of amazing things, let alone theater, but also have a way to show people. It's moved past being a theater company, with things like Starkid returns and Workin' boys, it's more like a production collective, and it feels like the beginning of a new era. Not only in terms of broadening the way that they Express themselves and be creative, but also in terms of finding a new niche in the industry. Finding a new, wider audience. Because yeah, you're always gonna have people that dislike the new media you produce, for nostalgia's sake or whatever, but beyond that, there are going to be be people that absolutely love what you have to offer. There's no point in trying to revert back to the way it was before, or trying to cater specifically to an audience from an era gone by. How do you grow as an artist if you're always thinking in the past? Starkid is moving in a new direction. The next musical is likely not going to be hatchetfield, but I dont even mind because it's going to be new. New is always good, and Starkid has a bright future.

TL;DR @curtmega you're a literal genius, and starkid is TOTALLY AWESOME

#workin boys #workin boys spoilers #starkid #hatchetfield #curt mega #team starkid #henry hidgens

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unlikelyjapan · 9 months

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s2e3 rewatch notes

One more before the weekend...

"When I was a kid anything that would give me some type of excitement, or amusement or enjoyment would get fucked ... Sometimes they'd try too hard, or they'd make promises they weren't able to keep" - everything in Carmy's AA statement can be related to cooking, the restaurant, drawing, Claire - pretty much the sum of Carmy's parts now.

Second Carmy/Syd kitchen scene:

Carmy is always the first to ask about anyone's parents (but only to Syd) - just like he inquires about Syd's Dad, his first concern is to ask about Marcus' mom while they debate sending him to Copenhagen. Family and people, in general, are always at the forefront of his mind, while progression is always at the forefront of Syd's (even if she does genuinely cares and checks in, it's secondary)

Carmy's "I want to make a suggestion" to go out was so loaded - it was obviously a premeditated move that he wanted to do the food tour with Syd. "I think WE need to go out, and we need to try some stuff"

After he tells her he'll see her in an hour, Goodbye Girl by Squeeze starts playing, and the track ends as Tina realizes that Ebra isn't ever going to be by her side in class *dies twice*

Richie dropping off his daughter: I have a precocious 6-year-old daughter as well and.....they tried to squeeze way too many lines into Eva to advance Richie's storyline when it should have come via Tiff or something - I hate being a negative nelly, but this part is so botched/lifetime drama-y.

(His obvious tenderness is sweet though)

10:44am call with Claire: this is only 2ish hours after his AA talk - I guess the subject matter was resonating with him?

Her forcing the convo on how ingratiated she is with his family makes me throw up my hands and say "no wonder the guy had a fucking panic attack later!". I was just highlighting how in AA how his family tries too hard sometimes - this is a prime example with her "I know all the fuckin' Faks" jousting.

And my god, she knew he was about to tell her that he was busy today, and she claps back "can you not make this weird?" - it literally harkens back to his family's bullying and expectations that Carmy will pacify them. (I know she can't know all this, but damn)

This part of the conversation gets its own bullet point:

"You know, he [Fak] told me that you guys are really close and that he's your best friend" - I didn't realize the first go around how bold the attempt at enmeshment was. With Fishes as context, the toxicity levels in this conversation are off the rails.

Also, her demented smile when she says "really?" when he says "no...no, Fak's not my best friend" - aggghhhh!

"No, no. He is. He's probably my best friend"

What the hell is this? "That's interesting, to sit with, for you" with the continued weird little smile -this isn't flirting, this is her relishing in the fact that she can manipulate him.

Why didn't I clue into how caustically fucked this scene was the first time? I think I was so distracted by the whispy dialogue and cadence of the conversation that I actually blacked out of the dialogue. Thank goodness for subtitles, because this script is mildly psychotic to read.

I know Storer said that one of the themes of this season is "winning is losing" - Claire is definitely playing to win at all costs. Is s2e10 showing that she lost? Or am I sitting through this dialogue again next season? I NEED TO KNOW.

Anyways, Secret Teadrops by Martin Rev (google the lyrics) plays as sydney enters Kasama - God, the music suggests she was thrilled to be spending a day out of the usual context with Carmy, and her checking her phone constantly is killing me.

Twenty Five Miles by Edwin Starr starts playing at the start of the food montage, just as Sydney gets the text from Carmy that she'll be doing it alone.

"I've been walking for three days and two lonely nights, and you know that I'm mighty mad"

After the owner of Avec tells her that she needs a great partner above all else, the lyrics blare again with "although my feet are tired, I can't lose my stride" - she can't abandon faith in Carmy just yet.

After the Pelican meats scene where the butcher (I forget his name, sorry!) tells Syd that he and his wife lost their restaurant in Bucktown after a business partner cut and ran, the song again blares with "I'm SO tired, but I just can't lose my stride"

Syd starts to adjust her language to "I'm not exactly solo" in the next restaurant scene- ugh - painful.

Enter conversations about profit sharing. Naiya assumes that she and Carmy are INVOLVED involved, and when she finds out they're just "gentleman's agreement" partners, she basically tells her to watch her back. Syd registers the statement, but looks so dejected, like she knows she's on a fool's errand now.

The lyrics flare one last time simply with "I've got to walk on"

Cue Carmy's phone going to voicemail as she has the jitters on the loading dock. She looks so sad, but also resigned to her fate at this point.

Sydney calls Marcus right after trying to call Carmy looking for any kind of sign or reinforcement. We're at the triangle again, with Marcus interpreting it one way, and Syd....really not reading anything into it at all.

I feel like Fak making fun of Marcus for "looking forward' with that big, dumb smile on his face means he knows Marcus' affection for Sydney.... and I'm starting to realize all the plots I don't like are the result of Fak's intuition and/or meddling.

Syd awkwardly trying to poach BOH workers is adorably baller and shows how aggressive she is just now realizing she needs to become- and she's so terrible at it, and I love her.

Future Perfect by Duretti Column (what an awesome deep cut) playing - I love that this part of the montage is Syd diving deep into herself and her more analytically-bent creative process and fuck everyone else. It's just her carrying the creative load of the restaurant right now, but she's truly free.

Lyrics repeat "You tell me stories, you speak in pictures"

She's being absolutely present ("Don't live in the future") and letting the food and the city that birthed it speak to her honestly and it's just so beautiful. The old family pictures surface in her memory alongside the plates she's crafting - her own contribution to the chaos menu, her past and present combined, her future (The Bear) undetermined.

Back to The Bear with "Make You Happy" by Tommy McGee playing in the background - I feel like enough ink has been spilled on this scene, but honestly read the lyrics here - ack.

One small observation after Carmy says "I'll let you know" - in the background, Marcus looks completely defeated, Fak's suppressing a laugh or something, and we get Richie's "ooooooohhhhhhh!"while Carm gives him dagger eyes. Y'all....these are not great men.

Syd rightfully realizes she needs to get the fuck away from everyone in that instant if she's going to do anything productive with the inspiration she's culled from her day of exploration and calls in the favor from the kitchen. I love that it almost immediately cuts to her there with her emotional support spoon 🥺

The ravioli failure - i.e. the fantasy vision of the food she had on the plate during her journey day not matching the reality of what she can craft on her own = the fantasy vision of the restaurant/life she could craft with Carmy not matching the reality of what she can is forced to craft on her own.

Oof, taking a break for a few days now....

#the bear fx #the bear season 2 #the bear spoilers #the bear #carmy x sydney #carmen berzatto

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immaturityofthomasastruc · 11 months

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IOTA Reviews: Perfection

This is another Lila episode, so get ready for dumb writing and lies only an infant would find convincing.

Let's get into the twelfth episode of Miraculous Ladybug's fifth season: Perfection

We start off with a sort of funny scene of Ladybug and Cat Noir doing heroic things while casually discussing the new relationships they're both in, unaware that they're talking about each other. It's less the irony that I like, but just the visuals showing how they're so experienced as superheroes at this point, they can casually chat while saving people.

Of course, even though the last scene confirmed that Marinette and Adrien are officially dating after four and a half seasons, the main conflict for the civilian plotline is that Marinette somehow isn't able to simply tell Adrien that she loves him. So basically, even though they're now in a relationship, the show is still going to rely on Marinette stuttering around Adrien like an idiot. Oh, thank God! I thought the writers were actually going to have Marinette and Adrien talk with each other like humans beings for a second there.

We then get a montage of Marinette struggling to get closer to Adrien, stumbling around and breaking stuff as if she was a character in an infomercial, culminating in a scene where Marinette attempts to confess to a picture of a cow, only to say “I love moo” instead. Get used to her saying this, because it's going to be a running gag.

During the aforementioned montage, we get a decent moment where Lila helps Chloe realize she needs to be more discreet when it comes to screwing with Marinette instead of her usual blunt attitude, which does a good job showing the one thing that sets Chloe and Lila apart: Their approaches to dealing with Marinette. It's not much, but it's something.

Meanwhile, the writers remembered Adrien is a musician, as he wrote a song for Marinette. A bunch of their friends come over to the Liberty, including Kagami.

Adrien: It's great to see you here, Kagami. You get to hear the song I wrote for Marinette.

Kagami: You made your feelings clear and you're dealing with them. That's good. I'm very proud of you.

Man, even the characters are glad the Love Square is finally going somewhere.

After another scene where Marinette once again tries to confess to the picture of a cow (the writers are really running with this gag, aren't they?), Adrien starts to perform the song he wrote for Marinette. Fun Fact: Adrien was originally going to sing a cover of that one song from Miami Connection, but Luka helped convince him that it would be better if he used his own song instead.

As for the song itself? Well, the music itself is nice, but the lyrics? They're decent, showing how Adrien doesn't want anything complex from his relationship with Marinette, but I'm just going to say it: I don't like the way Bryce Papenbrook sings. Like, I don't know how to describe it. It's not awful, but I just don't like the way he delivers the lyrics. He just sounds so monotone when he sings, which makes it hard to take this grand romantic gesture seriously.

Marinette once again struggles to tell Adrien she loves him, so we get even more of Marinette blaming other things for her hesitance, but not before we get more jokes about the cow picture.

Marinette: I'm just grabbing the cow to tell Adrien that I love him because I have the "I love" but not the “moo”. I know it's ridiculous. I'm ridiculous.

You know, at least C.O.W.-Boys of Moo Mesa, a show full of cow puns, actually did more with the jokes instead of just saying the words “cow” and “moo”.

Kagami tries to talk to Marinette, only for her to essentially be ignored. After Marinette transforms into Ladybug as an excuse to get out of there, Kagami then decides to call Lila about Marinette failing some kind of “friendship test”.

Kagami: You were right, Lila. I checked every box on your friendship test. Marinette doesn't consider me her best friend. I'm not even sure she ever considered me a friend.

Lila: Oh, no, Kagami... I'm so sorry she didn't see all the effort you've been making to get closer to her. Someone as amazing as you deserves a more considerate friend and... I'd be honored to be that friend.

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I know I used this clip last time, but this is essentially the same problem I had there. Lila only had a single line in this episode before this scene, and it was her talking to Chloe, and I don't think Lila and Kagami have even shared a scene together before this episode, much less exchange numbers. Yeah, Kagami had been checking off things on a sheet of paper earlier in the episode, but we never got any explanation as to where and when Lila even gave her the friendship test. While we know that Lila's test was obviously fake, it seems out of character for Kagami to be this gullible, given that she was able to easily see through Adrien's lies last season (Lies).

Kagami then decides to just give up on having friends entirely, deleting all of her contacts except her mother's. I'm not sure if it was an animation error, or if the writers forgot, but for some reason, Adrien wasn't listed in there. We then cut to Lila, cutting Marinette's face out of some random pictures she got.

The scene's clearly supposed to be menacing, but I'd be more invested if I actually knew why Lila was so obsessed with Marinette outside of Marinette telling her to stop being a liar.

Kagami goes somewhere so she can be alone where she cries, where Monarch senses this and akumatizes her into Ryukomori through her ring.

Ryukomori's design is simple, but I think the concept behind it and use of Miraculous power makes it work. Monarch gives her the power to make it hard for her to see or hear anyone (insert your own Helen Keller joke here), and thanks to the Dragon Miraculous's Wind/Lightning/Water Dragon, Ryukomori is now a giant cloud person who can shoot lightning. Yeah, you have to wonder why Monarch gave her powers that would make it harder to see people, much less get Ladybug and Cat Noir's Miraculous, but this is the kind of stuff I wanted to see from the Miraculous powers used this season: Past heroes getting akumatized and having perverted versions of the powers they're familiar with.

Adrien sees this and transforms into Cat Noir, meeting up with Ladybug and showing her the friendship test he found earlier. Ladybug and Cat Noir try to talk with Ryukomori, but in her current state, it's hard to talk to her, so they'll need to find a different way to communicate. Ladybug and Cat Noir try arranging some cars into a kanji sign.

Hey, this is a French show! I'm supposed to be seeing french words I don't understand, not Japanese words I don't understand.

Ryukomori ignores the kanji, so now, the two have to come up with another plan while Monarch goads her into trying to kill them so she can finally be alone, whipping up a storm in anger.

Ladybug summons her Lucky Charm, a box of ironing beads, and gets an idea. Cat Noir goes to Socqueline's art shop (because I guess the animators really want to get their money's worth out of this character model and set) for supplies while Ladybug assembles a bunch of her friends and shows her a picture she made using the beads, wanting to make a bigger one for Ryukomori to see by holding up these panels to reveal it.

As simplistic as it is, it's a pretty cute visual, and it does the trick, causing Ryukomori to reject the Akuma. While I guess the Akuma was already de-evilized by Kagami, Ladybug hands her a Magical Charm as the students cheer for her.

Marinette apologizes to Kagami about how insensitive she was, but Kagami explains that she feels pressured to be perfect around others, which is meant to parallel Marinette's anxiety around Adrien. The two make up, and Marinette calls Kagami her best friend alongside Alya. Of course, Marinette somehow never asked about the friendship test, because that would actually clear everything up, and then we wouldn't have Kagami and Lila becoming friends again. Marinette and Alya talk about what exactly is keeping her from getting closer to Adrien, something that they'll figure out together. And so the episode ends with Tomoe storming into Gabriel's office that she endangered her daughter's life by akumatizing her... ignoring the last four times she's been akumatized (Riposte, Heroes' Day, Oni-Chan, Lies). In fact, if she's working with Gabriel, shouldn't she know Kagami was also Ryuko, and—okay, forget it, episode's over.

This episode was very hit or miss. The scenes with Ryukomori were well done. I like the way they called back to earlier episodes and how emotional the memories made Ryukomori, and the overall message of friendship was handled pretty well. But while I really like the way Ryukomori was handled, the road there was a pretty bumpy one. The subplot with Marinette wasn't funny, Adrien's song was really forgettable, and the writers just expect us to assume Kagami would fall for Lila's lies when earlier episodes have shown how perceptive she is. I get that the episode's probably setting up Kagami learning the truth in a later episode, it seems very out of character for her.

Overall, this episode just had a great Akuma fight, and a mediocre first half. Nothing too special, but it's still better than “Illusion” or “Determination”.

THE BIGGEST IDIOT OF THE EPISODE IS... KAGAMI

While Marinette came close thanks for her inability to say three basic words, Kagami ended up taking the award home. Not only did she fall for Lila's lies without even questioning her, she assumed that Marinette didn't care for her in the slightest, and after that, decided she had no other friends, not even Adrien, and after everything that happened, she still chose to believe Lila even though her test ended up being false when earlier episodes showed her being able to see through lies.

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heliza24 · 1 year

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Let's talk about the music in Young Royals! (Part 1)

This post, which will focus on the needle drops used in the show, is the first part of a two-part analysis. Part 2 will focus on the original score.

I love the way music is used in Young Royals. It was one of the first things that attracted me to the show, but it's only recently that I’ve stopped to think about why I find it so effective. I used to (in a pre-disability past life) work in the music industry, and I’ve been missing my old job a lot lately. So I thought I would use some of my knowledge (and my media analysis skills) to write this meta. I've tried to link a youtube video for every song I reference, so you can go and listen to the tracks if you want to.

First, let’s talk about some logistics. “Needle drops” are when a show uses a pre-existing song as part of the score (like literally dropping a needle on a record player; isn’t it weird how that terminology has stuck around even while the technology has changed?). You can also call them music syncs, which refers to the fact that in order to use pre-existing music in film, you have to obtain a music synchronization license from the copyright owner (this ensures that the recording artist and the songwriter get paid for the use of their music). The person in charge of selecting songs and clearing the rights for them is called the music supervisor. The Young Royals music supervisor is Magnus Palmborg, and I think he does an incredible job. (He was also a co-writer on Simon’s Song, so we really have a lot to thank him for).

Music serves a very important role in Young Royals. I believe that the selection of songs and use of the score really helps establish one of the most important themes of the show: the dichotomy between the public and private self. So much of Young Royals is about the images characters consciously try to project and the pressure society puts on them to act a certain way, and the way that conflicts with their actual internal feelings. And this dichotomy exists very clearly in the music too.

Most of the needle drops in the show are big, bold pop and hip hop songs. They are usually played over montages of the students at Hillerska, often towards the beginning of the episode, and they reflect the “cool” image that the students are trying to project to each other. The very first time we see Hillerska, “Wannabe Ghetto” by Fata Boom is playing, and the lyrics “keep up the front like it’s your mission/Look our best, cover up what’s missing” perfectly sums up the pressure the students feel to fit in at such an elite school. When everyone is getting ready for the welcome back party in 2.1, the incredibly confident "Ripe" by Flavia is playing. The lyrics “no need to go to work unless you're working on my body” are full of sexual confidence, but they also play while students are putting on makeup and trying to look their best, literally working on their bodies. (Flavia is one of my favorite finds from the soundtrack by the way. She makes total queer bangers, I recommend checking her out).

It’s probably worth talking briefly about the opening title card here. A lot of shows have full opening sequences, with their own theme song. Young Royals eschews this, choosing instead to just flash the title on screen over an existing scene, often with a needle drop (but this changes each episode). I think this approach works really well, because it lets the music clue us in to the mood of each episode. A lot of episodes start with a very intimate scene, like the music room scene at the beginning of 1.3, and then contrast that with a burst of pop music during the title card that reminds us of the front the characters are normally projecting. In 1.3 the title card is shown over a montage of Felice struggling in the stables and is accompanied by a loud, lyricless pop song. That contrast from the intimacy of the music room, to a space where Felice feels like she’s always pretending, is really effective.

But sometimes needle drops are used to reflect more intimate, genuine emotions. Sometimes the show does this by making the song semi-diagetic. (Diagetic music is music that exists within the story that characters can hear; so Simon’s Song for instance is diagetic). At the beginning of episode 1.1, Wilhelm is listening to “Bad” by Farveblind, which has the lyrics “I think it’s bad/I think it’s lame/I think it’s horrible” over and over again, which is a pretty clear indicator of how Wilhelm is feeling. The show does a similar thing in 2.3, when Wilhelm listens to “The Lonely Ones” by Lova in his headphones when he walks by the lake. He’s feeling lonely! He listens to a sad song! That’s pretty straight forward.

But sometimes the way the music captures characters’ genuine feelings is a little more subtle. I actually think that there’s a lot more of this in season 2 than there is in season 1. There are a few examples I love from season 1, but most of my favorite examples are from the latter half of season 2. This perfectly reflects the journey that all of the characters, but especially Wilhelm, are going on; as season 2 goes on he gets more and more in touch with his real feelings and less and less able to pretend to please the royal family. These songs tend to be a little quieter than the flashy pop and hip hop that represents the facade of Hillerska, and you sometimes have to think a little bit about how the lyrics are illuminating what the characters are feeling.

Some of my favorite examples in season 1 include “Holes (Deep Throat Choir Remix)” by Zhala that plays during Erik’s funeral, which has the lyrics “And I lose myself inside”, reflecting Wilhelm’s descent into grief and the way that he’s about to push Simon away, and “Sunday” by Gina Dirawi that plays as the girls are setting up for the sleepover and Wilhelm is going over to Simon’s house in 1.5. The lyrics “but I can see you clear here” reflect the fact that both sets of characters have found a sense of comfort with each other. But my absolute favorite example in season 1 is “Samurai Swords” by Highasakite, which plays while August uploads the video of Wilhelm and Simon to the internet. “I am leaving/I’m unleashing/I unravel to the leeches/I’m unpleasant/I’m unloving/So call out the guys with the samurai swords” plays while the camera focuses on August, reflecting his emotional state and also the fact that uploading the video is an act of self-harm for August (the image of samurai swords makes me think of seppuku, or the ritualized suicide that samurai warriors would commit instead of falling into enemy hands) and an act of aggression against Wilhelm and Simon. And when the camera cuts back to Wilhelm and Simon the lyrics say “someone else will love like a rainstorm”. The melody is so wistful and sad, like the show is already nostalgic for the perfect love that Simon and Wilhelm had which is about to be marred by the outside world.

In season 2, I really love “My Awe Sustains” by Ari at the top of 1.5, which perfectly captures the feeling of longing between Wilhelm and Simon (this is my other favorite discovery from the soundtrack; the whole album For Evig by Ari is one of my favorites now) and “I Wanna Be Someone Who’s Loved” by Tusse, which is included after the fight in the music room in the same episode. The lyrics to this one are really heartbreaking: “You make me feel like I’m invisible… Thought it would help but no one hears my call/No I won’t give up/I want to be someone who’s loved.” The lyrics capture how much Wilhelm wants to make his way back to Simon, but there’s frustration in melody too, which reflects how trapped he currently feels. “Please Don’t Go” by April Snow and Elias in episode 2.3 is another really interesting example. It plays right before August invites Sara to his room “just to talk” and before Simon tries to break up and Marcus doesn’t let him. The lyrics “I asked you to leave but I meant that I want you to stay/I need you to hear what I mean and not what I say” seem to capture the push-pull in both sets of relationships, and how all of the characters are trying but failing to really communicate what they mean.

But I think my favorite needle drop in season 2 that's used to illuminate the inner thoughts of a character is "Mirror" by Mogli. The song starts playing right after Wilhelm's last session with Boris in 2.5, when he realizes he has a choice: he doesn't have to become king. He could let August inherit and be with Simon. The lyrics "You don't want to be sad anymore/And I can't laugh/ No I can't laugh/I want to win this race but you can't lose/I let you score" underscore Wilhelm contemplating August in the Forest Ridge common room. Letting August inherit the crown would be letting him "win" in their invisible war for power, but what would that matter if Wilhelm gets to be happy with Simon? We see Wilhelm come to that realization, and then in the next scene he tells Simon that he's willing to give up the crown for him.

Since we’ve talked about the opening title card needle drops, we should probably address the fact there is also often a song over the closing credits as well. Again, this doesn’t happen in every episode; sometimes original scoring is used instead. But when a needle drop is included at the end of an episode, it feels like foreshadowing for things to come. My favorite is the end of 2.1, right after Wilhelm has a meltdown on the call to his mom. “Seize the Power” by YONAKA plays, and seems to signify Wilhelm’s arc for the rest of the season:

“Woke up this morning, I feel so fucking important/Look in the mirror, I’m different, I finally made a decision/All the rejected that lost a lack of respect in themselves cause people get hectic/they hurt you and make you feel helpless/they’re not brave like you/they’re too scared to do/anything that’s different, anything that’s new/I don’t need lessons/I do what I want it’s refreshing/as soon as you taste independence/you start living life in the present”

Season 2 is all about Wilhelm realizing he needs to claim his independence and start living his own life, so the lyrics perfectly represent his arc. Plus, the melody of this song is driving and angry, which helps carry forward the momentum of Wilhelm’s conflict with his mom through the end of the credits and reminds us how urgent this need to stand up for himself is.

You’ve probably noticed that I haven’t talked about “Revolution” by Elias or “The Most Beautiful Boy” by The Irrepressibles yet. I saved these two for last because I think they get the most fan discussion of all of the music choices in the season, and for good reason. To me these two are almost the theme songs of their respective season; everything centers around them. They occur at the same place in the season (at the end of 1.4/2.4 and 1.6/2.6) and they encapsulate the lessons that Wilhelm needs to learn: how to stand up to his mom and defy what is expected of him, and how to prioritize his love for Simon.

(I’ve also already talked about “Holy” by Elias in my post about the sex scenes here).

Overall, I love the way that needle drops are used in Young Royals. I know some people have complained that the songs don’t have much to do with the story, but to me nothing could be further from the truth. The songs capture both the societal expectations of Hillerska and the tender, inner workings of the characters. They help us understand the pressures put on our main characters and illuminate how they are really feeling inside. Plus the soundtrack is filled with queer, female, and POC artists who are a delight to discover.

I would love to hear your interpretation of the needle drops in the show. Do you have a favorite song on the soundtrack? Is there something I missed that you want me to talk about? My ask box is open and I would love to hear your thoughts!

#young royals #cinematic analysis #my meta #needle drops #wilhelm young royals #prince wilhelm #music analysis

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spaceorphan18 · 7 months

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Glee Musical Retrospective: Hell-O Extras

Don't Rain on My Parade (Instrumental)

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I couldn't find the actual scene - but I found this really fun karaoke version in case you guys wanna play at home ;)

Anyway... this song plays in the background of the opening scene when Rachel, Mercedes, and Kurt are all walking in the hallway. It's the only song that isn't related to the word 'hell' and is really a nod to the previous group of episodes, their sectionals win, and the fact that Rachel believes she's now a star -- her own triumphant music playing in her head. Of course that all comes crashing down as they get slushied, but it's a nice opening touch.

It's also quite the energetic and provocative piece even without the vocals and gives the reentrance of the show some oomph. I recommend taking a moment and just singing it for yourself! ;)

Hello, Again

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Will and Emma dance to Neil Diamond's Hello, Again. I find it kind of interesting that they didn't let Will sing this to her -- and for that matter, Will (and Emma) don't have any songs to sing together this episode -- which shows the departure of the story from the adult world.

I think this is a really nice song for them, though. The lyrics reflect a man who's happy to be in the arms of his love and friend -- and the scene kind of does the meta'ing for you, actually. It's gentle and calm and kind of reflects the friends-turned-lovers relationship that Will and Emma have taken. Plus, the dancing together is somewhat reminiscent of those old school romantic films.

What I don't totally buy is that it's Will and Terri's prom song. Not only do I not buy that teens in the mid-90s would be into Neil Diamond, but I'd bet Terri would be much more vocal and dominating about that kinda thing. But it does very much reflect Will and his personality, so who knows.

I do think it reflects that the writers often write Will as being much older than he actually is -- since a lot of their choices often reflect someone who grew up in the late 80s. But I digress...

Hello Twelve, Hello Thirteen, Hello Love

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Oh my gosh, this scene.... lol

I can see why they cut it. I mean, it was probably for time more than anything, but I feel like this whole sequence really highlights how Rachel and Jesse 'get' each other. It might also be a lot -- too much too fast, especially when Finchel was a tirelessly slow burn over the previous 13 episodes -- so it's a bit head spinning.

But I do like the scene overall. The song is about growing up -- and discovering your sexuality -- though in the most theater kid way (which makes it kind of funny, tbh). And it's interesting to me -- that while Finn was the subject of Rachel's idolatry, Jesse is a very realized romantic partner for her. And I wonder if one reason they cut it is that it undermines the overall Finchel story when Rachel and Jesse click in a way that Rachel and Finn never have.

(I also wonder if this scene is too similar -- though in a more childish way - to the upcoming Like A Virgin montage that will be coming in the next episode - another reason they probably cut it.)

Anyway, the song is cute, but is a minor inlay of the major fabric of the St. Berry romance.

#the great glee rewatch #so's musical retrospective #glee #glee music

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will80sbyers · 2 years

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Mosquitoes saying ''you are making the monologue and everything about Will!!'' will never not be funny because it's literally the show itself that makes everything about Will anyway.

They put Will in literally every Melvin scene, it's not like we tricked them into putting Will at the center.

They made Melvin be separated for the whole season and have El grow and have a character development arc by herself while giving Will and Mike multiple heart-to-heart conversations.

They made Will confess to Mike by cosplaying as El, and tying Mike's confession built on Will's lie/confession.

They made Mike be prompted by Will during the monologue scene.

The monologue music is named ''You are the Heart'' which are Will's words... Literally, they could have chosen any other music that is connected to Melvin, they just didn't. The name of the music is Will's words to Mike instead, which is embarrassing for Melvin since it is completely disconnected from Mike and El's relationship. Not to mention they used ''unambiguous true love'' music this season for couples like Lumax and Jopper but never once used it for Melvin...

They used basically no Melvin montages in Mike's monologue aside from the day they met, which seemed to be just there to show Mike was lying his ass off (or making stuff off as he went tbh). No snow ball kiss scene, no cute Melvin moments together, no other moments.. at all.

Constant close-up on Will's face during the monologue and focusing on Jonathan's expression. If this moment were to be a moment between Mike and El why not have a focus on Mike's face or something? Why show Will's face while Mike says the first ILY to El's face.

They show Mike and El have no real talk aside from the pizza scene which was interrupted by Argyle. They show El and Mike not being together after the supposed big monologue. They have El ignore Mike, side-eye him, and close the door behind her by 3 inches. They have Mike not going to talk to her at all and have him go talk to Will instead.

They add a Mike and Will moment instead and have Mike and Will stand together in the finale with the rest of the canon couples while El is by herself on the front looking slay as fuck.

''B-but Morbius has been together for 4 seasons!!''

How? In S1, they weren't dating, they seemed attracted to each other and then El left. They were apart from each other for 1 year when El came back in S2. In S3, they were apart from each other because El broke up with Mike, and was slaying together with Max. They started dating again but were away from each other and sent each other letters but El basically was lying her ass off (not blaming her, just stating the fact) so what they were really talking about anyway? In s4, when they finally saw each other face to face, they weren't even being themselves because both Mike and El were lying to each other. Mike was acting like someone he's not, El was faking it, and then they ended up fighting like the way it was expected. And El left, went to slay on her own and they don't talk again.

How's this building up their relationship tbh. Seems like they are actually tearing down Melvin while building up Byler to me.

you said it all 👌

#byler #will byers #mike wheeler #ask

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tulsajesusfreakblog · 2 months

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All of the love in the world

chapter one | performance

masterlist

Performance is the attraction that an artist presents, in a limited time and space, in front of an audience. The word derives from the Old French parformer, parformance, to make, fulfill, and from the Latin performáre, to give form, to establish. It is a construction, a presentation, a montage in which artist and audience shape the work together. The momentary nature of the performance gives it an ephemeral subtlety, an almost desperate sensation of art that vanishes into thin air.

Painters want to illustrate eternity, writers want to live forever. Performers are aware that no pigment is durable enough. They know the mutability of words and know that not even mineral life will be absolved.

Magnolia Gold was a little bit of all three, depending on day and mood. “I’m not an artist because I was born in New Orleans,” she used to say. “I was born here because I am an artist. And I accept my fate as the ancient heroes of Greek tragedies.” But no one ever knew whether she was serious, acting, or simply drunk.

She walked the streets of New Orleans as if she walked the halls of a museum. For her, that city was the quintessential performance, a great and glorious installation through which crowds roamed in small, explosive spectacles.

She tried to dilute her pain with solvent and alcohol. When oil paint proved useless and she felt too pathetic drinking alone, she left her dorm and headed to a party. She used to avoid the Abattoir — to avoid Marcel Gerard —, but her boyfriend had insisted so much that she accompany him that she gave up on counterarguing.

But she wouldn't stand a party full of vampires sober. The colorful lights and loud music seemed to come from another dimension. She was already so drunk that she could barely stand, but she managed to climb onto the table and raise her glass in a toast. Few people paid attention to her words, busy with their own fun. “This is the city of death!” — She screamed.

“Fires, floods! — She continued, theatrically — We can laissez le bon temps rouler, but we turn life here into one big party to distract ourselves from the fact that we are all going to die.”

Her boyfriend, Tom, and her roommate, Jules, tried to get her away from the table, without success. They asked her to stop and she ignored them. Her voice was slow and choked, slightly out of control, but she enunciated each syllable as if she were the best actress in town.

"I? I think that's the best of us. Death dances silently in the shadow of each one of us, and she doesn't give a damn. So why should we give a damn about her?”

“That's enough, Nolly,” said Tom. “You're embarrassing me.” Jules held her waist tightly and lifted her off the table, her improvised stage. She complained, but gave up trying to stop them.. She was tired and wanted the comfort of her bed, preferably right now. She leaned on her two companions, who carried her to the exit.

Once, she turned her head, looking out at the dancing crowd and then out to the balcony, where Marcel watched everything. She felt the arrogance of that imposing posture and resentment churned her stomach. Beside him, however, was a man she had never seen before. Also imposing and observing the party below him, although he didn't look pleased. For a second, his gaze stopped at her and held her as if he were capturing her. There was a strength in that look that pulled her towards him, sucked away the last bit of self-determination she still had. A hypnosis beyond hypnosis. He was a vampire, yet she felt something familiar from him, something undetectable. But everything was lost when she was taken from the party and the distance between them freed her from that look.

They walked many blocks, took two streetcars to the college, and she continued feeling those eyes fixed on her, as if any time she turned around she would see them.

It was only the next morning that, as the revelation of invisible ink, she realized that the familiarity emanating from him was the beast hidden beneath skin. A werewolf, without a doubt, a vampire, for sure. Klaus Mikaelson, definitely.

#all of the love in the world #aotlitw #fanfiction #klaus mikaleson imagine #klaus mikaelson #klaus mikaelson fic #the originals #the originals fanfiction #milly alcock

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constantviewings · 3 months

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A (Not So) Weekly Wrap-Up

Saltburn

Struggling to find his place at Oxford University, student Oliver Quick finds himself drawn into the world of the charming and aristocratic Felix Catton, who invites him to Saltburn, his eccentric family's sprawling estate, for a summer never to be forgotten.

From what I've seen, the opinions of this film are pretty hot and cold and I fall somewhere right in the middle. I had a lot of fun watching it, but it still has it's flaws. Starting off, I love the look of this film, the warm lighting and the film grain just makes me think of a home tape from the 2000s. Also, the cast are great, Barry Keoghan is an obvious standout but doesn't overshadow the great performances from the rest of the cast. I know people read this as a class commentary, but I think it's more about obsession than class as somewhat proven by the reveal at the midway point. My only gripe is that the montage at the end showing Oliver's perspective feels like it's overcompensating, maybe most of those shots could have been left where they take place and we just get to see the monologue?

Rating: 4

Final Destination (all movies)

After a teenager has a terrifying vision of him and his friends dying in a plane crash, he prevents the accident only to have Death hunt them down, one by one.

I'm not reviewing these movies one-by-one because, as we all know, they're basically all the same movie. I'm only going to point out two in particular, Final Destination 3 and The Final Destination. The third installment of this franchise is my personal favourite, I like that the mystery changes from the order of death to how each person will die; it helps it feel fresh even though it's the same movie three times over. The Final Destination is my, and most people's, least favourite: the effects are so fake looking and none of the deaths are really that memorable. At least with the others you can remember 'the train one' and 'the eye one' the only half decent death is the guy who dies in the pool, but only because it's so dumb.

Rating: -4

Ghosts (UK)

A cash-strapped young couple inherits a grand country house, only to find it is both falling apart and teeming with the ghosts of former inhabitants.

I binged this entire series in maybe a week (?) after realising I'd spent years putting off watching for whatever reason. Honestly, I love this show, I laughed and I cried. What a great little show and I can't wait to see what the team do next.

Rating: 3

Taylor Swift: The Eras Tour

Since I'll never see the tour live, I guess this is the next best thing! 2023 saw me re-entering my 'Taylor Swift Era' and this movie is the perfect nostalgia trip while also introducing me to the music I hadn't listened to in the meanwhile.

Hell Camp

Out-of-control teens across America were sent to a therapy camp in the harsh Utah desert. The conditions were brutal, but the staff were even worse.

Holy crap, this is actually fucked. Like, I understand the organisers were sugar coating it to the parents, but the fact they didn't believe their own kids is insane...wow.

#Film Reviews #Saltburn #Final Destination #BBC Ghosts #The Eras Tour #Hell Camp

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jackiestarsister · 4 months

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OUAT Rewatch: Season 6

Overall thoughts: This season finally feels like a return to the style and tone of the first two seasons, with the present-day action taking place in Storybrooke, and multiple storylines with multiple potential villains playing out. Those are the seasons I like best!

Episode 6x01 “The Savior”

~ The teaser sets up the conflict for the whole season: can a Savior get a happy ending?

~ “There’s nothing more dangerous than an untold story, and the people who don’t want them told.” What a great line!

~ Where did all of Zelena’s baby supplies come from? Did Robin Hood own any?

~ Regina and Zelena are so endearingly awkward interacting as new housemates!

~ The camera freezes on a cross-shaped headstone when Regina says “Heroism comes first”! Was that an intentional symbol?

~ “When it comes to fixing our biggest problems, there are no shortcuts.”

~ When characters visit the asylum/prison part of the hospital, it usually feels like an homage to One Flew Over the Cuckoo’s Nest. Emma’s visit to Hyde is the first time it feels like an homage to Silence of the Lambs!

~ Rumple/Gold has already faced the challenge of making Belle fall in love with him again, back in Season 2 when she lost her memory. Having him do so again in the dream world feels unnecessary.

~ The Oracle basically quotes Yoda from The Empire Strikes Back! I’m surprised Emma doesn’t call this out.

~ It’s amazing to see Regina acknowledge that she was a horrible stepmother to Snow, and for Snow to realize that Regina was the one who made her learn about hope!

~ Regina’s monologue and the montage at the end are soooo lovely! I much prefer her new attitude, that one’s life is made up of many stories, over her Season 4 obsession with an Author controlling her life.

~ When Belle passes by the pawnshop, the camera looks out over a candelabra like Lumiere!

Episode 6x02 “A Bitter Draught”

~ The Count of Monte Cristo seems like the kind of story that should be in a Hook-focused episode, since it deals so much with revenge and piracy.

~ I love Hook and Belle’s scene, the fact that he apologized for trying to kill her in the past, and the acknowledgement that he still has work to do in the area of forgiving himself. That baggage did not go away when he decided to return from the Underworld. And Hook’s music theme sounds so sad and pensive during that scene!

~ Regina swordfighting … is not something I ever expected to see, but okay, cool.

~ Why the heck does Rumplestiltskin suddenly act like he wants Regina? They might be past the teacher-student phase of their relationship, but it’s still incredibly uncomfortable!

Episode 6x03 “The Other Shoe”

~ Looks like Hester Prynne from The Scarlet Letter is now in Storybrooke! I guess it would make sense for her to have sought refuge in the Land of Untold Stories.

~ Emma watching Hook interact with Alexandra is soooo sweet!

~ I like that this episode revisits the backstory of a character who had a one-off episode so early in the show.

~ It seems strange for Ella to say “There’s no such thing as magic.” Did she not live in the Enchanted Forest, or at least a neighboring kingdom?

~ Dopey getting his master’s degree! And Grumpy/Leroy’s attitude toward Emma!

~ It might have been better setup to show Ashley’s reaction to seeing Lorinda’s name on the list of newcomers.

~ Mary Margaret was already shown returning to her teaching job in the middle of Season 4, presumably after she took some maternity leave. Her time away in Camelot and the Underworld only amounted to a couple months, at most. Why is her return to teaching such a big deal now?

~ Hook and Henry practicing swordfighting is great, and shows that Hook has now joined Henry’s father and maternal grandfather in the role of mentoring him!

~ They brought back Gus! It’s nice to see Ella having a friend with her in her home and at the ball.

~ I like that they show how Ella and Snow met! That helps explain how they recognize each other at Ella and Thomas’ engagement/wedding ball.

~ It almost seems odd that OUAT hasn’t depicted the Cinderalla ball before, earlier in its run.

~ Cutting from the glass slipper to the glass chess set—both possessions/gifts of Rumplestiltskin—is great!

~ David’s desperation seems a bit out of nowhere after he appeared so optimistic in his scene with Mary Margaret.

~ Hook really let Belle settle in and put her own mark on her cabin, which was previously his own!

~ Looks like Snow was as responsible for Ella’s happy ending as Emma was for Ashley’s!

~ Dr. Jekyll meeting Dr. Frankenstein is hilarious! As is the fact that Snow thinks getting them to teach is “part of getting this town back to normal”!

~ Snow and David’s final scene is so sweet, and their conversation about Neal is full of truth! Childrearing may not be “epic,” but it really is the most important work.

~ They really contrived a way to get Robert Carlyle to read poetry in his full Scottish accent!

~ How can the Evil Queen simply free Hyde? Did Regina not take any precautions against this after finding out she had visited him?

~ I like the theme of this episode, about seeking happiness even when the future is not a guarantee, and the fact that the storyline ends in reconciliation for Ella and her sister and their respective loves.

Episode 6x04 “Strange Case”

~ In situations where you feel powerless, cutting your hair can feel like a way of reclaiming control. So, it makes sense for Gold to take that action, even if it seems random.

~ Interesting to see Gold fixing a watch, and his shop full of clocks, considering the show’s name and theme!

~ Rumplestiltskin basically plays the same role in Jekyll’s story as he did in Frankenstein’s.

~ Gold sinks to new levels of abuse in this episode, imprisoning Belle in the name of protecting her.

~ It’s pretty significant that Gold is comfortable with Belle being with Hook on his ship, considering their history with Milah.

~ Leroy and David have a great, supportive little exchange.

~ Grumpy/Leroy has never articulated the dwarves’ job(s) as “protectors” before. I thought he was going to say that what they do best is work—they seem to gravitate toward physical labor, whether in the mines or in the magic bean fields.

~ “It’s the queen!” Nice little callback to the pilot episode!

~ It looks like Snow is now teaching middle or high school level, whereas during the curse she was teaching elementary school.

~ Now I’m wondering whether Storybrooke’s schools bother with actual certification or accreditation. Does Snow really have the know how to teach?

~ What is with Belle’s outfit? It looks like a nightgown, or hospital gown, or something for the beach or a maternity shoot.

~ Interesting that Hook is the one to save Belle, and Gold sees it!

~ The fact that Gold’s attempt to protect Belle ended up putting her in danger is so emblematic of their now-toxic relationship.

~ Considering how they set up the new arc with Regina and the Evil Queen, I wasn’t expecting Jekyll and Hyde’s story to end so quickly!

~ I like the framing of Regina and Emma’s profiles against the ocean.

~ David’s angst and mixed feelings about Hook and Emma’s relationship aren’t really resolved by the end of the episode.

~ I knew Shireen was Jasmine!

~ The credits list Tom Sawyer as a character! Where was he?

Episode 6x05 “Street Rats”

~ What is with the use of captions for time and location? They were hardly ever used before the previous season.

~ Aladdin’s accent sounds like that of someone from the lower class in some part of England.

~ I like Jasmine’s clothes very much, but she’s wearing way too much jewelry for someone in disguise or on a mission in the desert.

~ What did the Evil Queen mean about her and Archie being a good team? The fact that she forced him to do unethical things during the curse?

~ Jasmine and Aladdin’s argument scene is great! And he does the apple trick like in the movie!

~ Regina is like Satan, or Eris, sowing discord among Emma’s family, and either creating or exposing a lack of trust.

~ The heroes should remember that A) people have kidnapped and impersonated Archie before, and B) he would never betray a patient’s confidentiality.

~ They pay homage to two movies with a single prop!

~ Why would any villain with half a brain discuss their plans and motives in a public place, with other people right in front of them?

~ On the other hand, it’s interesting to see Zelena and any version of Regina talk about their children.

~ Why don’t the heroes rush to find Archie after realizing he’s missing?

~ Regina being the one to comfort someone who’s grieving is new!

~ There isn’t nearly enough spotlight on Hook in this episode, as he learns that Emma’s life may end because of her role as the Savior. But that shot of him looking back at her before leaving her in the crypt is beautiful and speaks volumes!

~ Emma and Henry’s scene is wonderful, and her turnaround makes sense. She wouldn’t change her attitude after hearing a “hope speech” from her parents, but she would do so in order to comfort and encourage her son.

~ Hook manages to turn a banal question like “Pizza or Chinese” into a profound moment: “Your heart’s desire, Swan. That’s all I want.”

~ I had thought that Hook was past keeping secrets, especially from Emma; but it makes sense that he would keep one with the intention of having a way to help/save Emma.

Episode 6x06 “Dark Waters”

~ I spent the whole episode confused about when the flashbacks take place. The opening caption says “At the time of the Dark Curse,” but Hook was frozen in time with Cora for the 28 years of the first Dark Curse being in effect. Did Hook leave Cora at some point and resume traveling on the Jolly Roger after time started moving again, before Emma and Snow arrived in the Enchanted Forest? That’s the only explanation that would make sense of Liam Junior aging yet Hook still being on his quest for vengeance.

~ Hook wants so earnestly to be a good parental figure to Henry, making him a healthy breakfast and offering to play video games with him!

~ Henry is still ambivalent about Hook: one moment Henry sounds defensive against Hook, probably because he is still attached to his father; the next moment, he’s defensive of Hook when the Evil Queen taunts him.

~ If Belle is one trimester through her pregnancy, that suggests that the baby was conceived during her honeymoon in Season 4, not during her brief reconciliation with Gold in Season 5.

~ It’s interesting that Liam Junior followed in his brothers’ footsteps with a career at sea, only in an entirely different way.

~ Hook and Henry’s interactions and bonding are so good!

~ I’m glad that Liam Junior and Nemo reunited, but I wish there had been a little more time given for Liam’s reconciliation with Hook. A lifetime of suffering would not be forgiven that quickly.

~ Of course Emma would have done the same; she practically did the same with Excalibur!

~ Gold is quite bold to refer to Henry as Hook’s son in front of the Evil Queen!

Episode 6x07 “Heartless”

~ The fact that the Evil Queen can just waltz into the Charmings’ apartment and magic one of them away …

~ How did Snow meet the Blue Fairy prior to knowing the dwarves? And how did Snow not realize that the one she thought she met was an impostor, Cora? In Season 1 it is implied that the fairies joined Snow White’s fight because Blue owed Grumpy a favor after he let go of Nova.

~ The Blue Fairy throwing axes!?

~ Wilby and Longbourne sound like nods to Jane Austen!

~ The Evil Queen quoting that Dylan Thomas poem is unexpected but fitting!

~ It is a bit odd to see Hook be the one to give a pep talk/hope speech, but he makes a good point about Emma’s relationship to her parents. The time travel adventure gave her a unique role in bringing her parents together. In a way, she is as responsible for their relationship as it is responsible for her existence.

~ I tend not to like when the writers have characters meet only to forget about it later; but in this case it feels forgivable because they do figure out that it was each other!

~ Why would Gabriel leave Snow unattended in the prison wagon?

~ Belle makes a good point about the difference between being “pure evil” and being too weak to be good.

~ The Evil Queen really reconstructed the glass coffin just so Snow and David could play out that scene?

Episode 6x08 “I’ll Be Your Mirror”

~ It’s amazing to see Regina upset about Snow and David’s sleeping curse, when she was the one who originally put Snow under one!

~ That split-screen montage is so bittersweet, and unusually artistic cinematography for this show!

~ I wish we got to see Hook helping Henry figure out what to wear to the dance! That glimpse of Hook holding up a tie for him is such a tease.

~ The Evil Queen tying a tie around Henry’s neck while deceiving him is so symbolic!

~ When did Belle meet Jasmine and Aladdin?

~ How can Gold quote Cora saying “Love is weakness”? I thought his character couldn’t regress any more, but I was wrong.

~ Is the Dragon’s daughter Mulan?!

~ The Evil Queen really seems to have forgotten how Cora ruined her life, if she is now trying to shape Henry into a king.

~ Even though it’s part of a sinister, almost seductive conversation, I like that they finally addressed the fact that Henry is a prince, and that being royalty is about more than just birth.

~ It’s nice to see an episode focused on Henry, and on his relationship with his mothers! Their maternal love triangle was the main source of conflict in the first two seasons, and it’s wonderful to both revisit his childhood with Regina and see how much they have all grown. Emma and Regina talk about Henry like the coparents they have become.

~ Where was Hook this whole time? Did the Evil Queen knock him out only temporarily, so he was able to arrive just in time to restrain her?

~ Was Sidney once Aladdin’s genie?!

Episode 6x09 “Changelings”

~ From the beginning, the show has always played with the fact that Rumplestiltskin takes children through unfair deals, but never explained why.

~ Rumplestiltskin has a tapestry of the Visitation in his castle! How appropriate, since it’s a story about two pregnant women!

~ The Evil Queen finally has an outfit that I like! She looks more like a warrior now!

~ I never realized until now that a genie’s tie to his lamp, which enslaves him while giving him his power, is just like the Dark One’s tie to the dagger!

~ As can be the case in real life, the thing that keeps Gold from being loved and forgiven is the fact that he believes he can’t be loved or forgiven.

~ This must be the first time Emma actually assists a mother in labor and delivery! It’s beautiful to see, though a little odd to think that Emma’s one childbirth experience was with the newborn’s nephew.

~ Who knew it was possible to simultaneously feel so much hatred and sympathy for a character?

~ So is Belle still living on the Jolly Roger? Or do the fairies let her stay in the convent to recover from the birth?

Episode 6x10 “Wish You Were Here”

~ Regina really should have thought of a better version of her wish! For instance, instead of sending just herself, she could have sent Henry or someone else Emma and the others would have trusted.

~ How can Regina be so certain that the reality she is in is not real? How does she know the doppelgangers aren’t connected to their counterparts in Storybrooke?

~ It was way too easy for David to get hold of the lamp! And the Evil Queen could have just magicked it into her hand.

~ “We’ve been portalled!”

~ Princess Emma’s characterization really doesn’t make sense, even for an alternate reality. If her parents were brave heroes, and she was raising her son to be a knight, she would at least try follow and set good examples of heroism. Surrendering the key to the kingdom in front of her parents makes no sense; they would have taught her the value of sacrifice and the importance of protecting their people.

~ If the Dark Curse was not cast, how in all the realms did Emma meet Baelfire/Neal and have Henry with him at such a young age?

Episode 6x11 “Tougher Than the Rest”

~ They did a great job of casting a teenage August! He both looks and sounds like him.

~ Nottingham does the same thing as Gabriel, leaving the prisoners in transit just so they have an opportunity to escape.

~ Regina never mentions to Robin the fact that his other version had a son. That makes a huge difference in his identity!

~ Didn’t Emma learn from her experience with Marian that you shouldn’t bring people across time and realities in order to save them?

~ Lana Parilla’s acting in a single shot, when she goes from grieving Robin to rejoicing at his arrival, is great!

~ How is it so easy for Emma to knock Gideon back with her magic and destroy the sword?

~ It looks like there is a carving of a swan on the shelf in Marco and August’s garage!

Episode 6x12 “Murder Most Foul”

~ This is one of the biggest episodes about David and his family, but also manages to move forward plot and character development for Hook and his relationship with Emma.

~ David and James probably both had trauma from being separated from each other as infants.

~ Emma is still wearing the very same clothes she wore when Gideon was born!

~ I wonder how long Hook had been thinking about proposing to Emma, how long he had that ring, and what made him decide to take that step at that point. I’m guessing her defeat of Gideon was a big part of it, as he had been afraid that she would die.

~ Did Hook actually buy the ring, as Archie assumes? How could he afford it? Does he have any savings or income at this point?

~ Regina has a piano in her home! Does she play, or Henry?

~ Why couldn’t Regina heal Robin’s slight wound?

~ What David asks Hook to do really is awful: betray the trust of the woman he loves in order to make a good impression with her father and maintain the friendship they have.

~ Is that the Golden Fleece in Rumplestiltskin’s castle?

~ So Pinocchio existed when David was only six years old?! But he was still a little boy when Emma was born. Does that mean he lived as a wooden puppet for a couple decades before he became real?

~ David handcuffs Hook just like Emma has on so many occasions! Pretty crummy way to treat the guy who just did so much to help him.

~ David never addresses the fact that he sent his brother into the River of Lost Souls, which is supposed to be even worse than death.

~ Why would David challenge George (or anyone) to a duel with knives rather than swords?

~ David’s monologue is fantastic, and some of the best acting we’ve seen from Josh Dallas in this show!

~ For Hook, of all people, to talk someone down from exacting revenge is amazing!

~ David is terrified by the idea that even his best effort might not be good enough. David’s fear is actually one that he shares with Emma and Hook: that he won’t be enough to protect the people he loves.

~ The big question is, why does Robert’s ghost appear to David at that time? And why didn’t David find him, or at least his tombstone, in the Underworld? It’s as ambiguous as Hamlet’s father’s ghost in the play from which this episode seems to draw its inspiration.

~ The blessing scene is so excellent! The only weird thing is David calling Hook old-fashioned, when in the past Hook called David old-fashioned about his expectations for Emma’s relationships.

~ It seems like a stretch for Hook to recognize someone he killed on a dark rainy night decades earlier. It might have been easier to believe that he could recognize a trinket like the lucky coin; but he does not recognize it the whole time he and David are handling it.

~ I would have expected the episode to end with Hook looking at the pages, but having it end with him closing the engagement ring box is even more ominous!

Episode 6x13 “Ill-Boding Patterns”

~ It’s cool to see Beowulf appear in OUAT!

~ It’s so strange to see Gold discourage someone from giving in to their inner darkness. He practically drove Cora, Regina, and Zelena into it, and a vision of him urged Emma to embrace her magic as the Dark One.

~ Since when does Regina wear hats that match her outfits? Is she picking up aspects of Zelena’s style?

~ Regina being willing to let Robin go in order to find his happiness is huge character development from the woman who enslaved Graham and tried to kidnap Owen.

~ I can’t believe they gave Baelfire a storyline about “going dark”! I don’t like it when they use memory potion to create a storyline only to erase a character’s arc; but it says a lot about Rumple that he was willing to let Baelfire blame him rather than himself.

~ It feels odd for Emma to be absent for most of an episode, only appearing in one scene where she is ignorant of the full truth of the situation.

~ Even when split from Regina, the Evil Queen is proud of her town!

Episode 6x14 “Page 23”

~ I bet Henry asked for details about Hook’s proposal because he wants to get ideas for his own in the future!

~ I’m glad to see Nemo still acting as a friend and mentor to Hook, but their scene basically plays out the same way as Hook’s scene with Archie in the previous episode.

~ Why does Henry Senior ask “what are you doing” when Regina hardly moved?

~ The scene with Emma and Hook was inevitable, but I’m surprised it took place in the middle of the episode rather than at the end. Why did Emma come home at that point, after learning that Regina was going to face the Evil Queen? Was she coming to get Hook so he could be part of the action?

~ I like how the conflict between Emma and Hook is more complicated than just her being mad about what he did to her grandfather. She’s upset about the fact that he kept it a secret, because it shows his doubt about the strength of their relationship.

~ “Destinations never matter” is a pretty strong absolute statement.

~ I knew the arrow was going to lead Regina to face herself! But why did it not lead to her magic mirror? That would have been a fantastic tie-in with the themes and symbols of the original Snow White story.

~ Regina literally fighting herself, and then embracing herself, is amazing!!!

~ I LOVE Snow and Hook’s scene! They hardly ever interact with each other, and I don’t think they’ve ever had a scene with just the two of them. It makes sense that she would be the one to renew his hope that he can be forgiven and deserving of love.

~ It feels odd for Nemo to appear, and even mention Liam, without Liam himself showing up, when Hook is wrestling with so much guilt about his past. Liam would have stirred up all kinds of feelings about guilt and atonement.

Episode 6x15 “A Wondrous Place”

~ Wouldn’t “Let’s go fishing” be more fitting than “Let’s go hunting”? Or is kraken not a fish?

~ Hook almost acts parental with Jasmine and Aladdin, telling them to “Get on board before you get yourselves killed” and encouraging her to face her fear.

~ I would expect Henry to do more than sit around with his headphones in and ask “Are you okay?” when his mom is going through a heartbreak.

~ When and why did Emma stop wearing Hook’s ring pendant? Did she give it back to him when they both returned to Storybrooke?

~ Snow refers to her son as a toddler, but he can’t be more than a few months old!

~ I like that Hook and Liam Junior have a goodbye hug, but I wish they had more scenes together! Despite sparing him in their fight, Liam has not really been shown forgiving Hook or accepting him as his brother.

~ Jasmine mentions Scheherazade!!! About time a female storyteller got some credit!

~ How does Ariel’s flashback storyline fit in with her present-day story in Season 3? Did she not tell Eric about her mermaid identity when they reunited in Storybrooke?

~ While I wish Aladdin had been a more active character this season, it is cool to see Jasmine be the one to defeat Jafar!

Episode 6x16 “Mother’s Little Helper”

~ I can’t see Emma allowing Gideon into her home when Henry is there.

~ The Black Fairy is way too giggly. They speak of how evil she is, but she acts like a school bully.

~ Wait, so the Dragon did make it out of the mirror?

~ The way Hook says “civilized” reminds me of Obi-Wan Kenobi, but betting a ship in a game of cards seems like Han Solo and Lando Calrissian!

~ Would Blackbeard really carry something as powerful and valuable as a magic bean in his hat?

~ Captain Hook running from Lost Boys seems a bit undignified.

~ Gold saves Emma’s life in the very same manor where he tried to kill her!

~ How can Emma tell a parent that their child cannot be saved?!

~ If the heroes left behind the Lost Boys who were loyal to Pan, why did they take Felix along when they left Neverland?

~ Having Gideon be controlled by the Black Fairy via his heart may preserve his innocence, but also undermines all his motivation in the last few episodes. Whose idea was it for him to impersonate Aesop? Did he really hope that Emma could defeat the Black Fairy?

~ The Black Fairy’s dress at the end of the episode looks like spiderwebs! I guess spiders are kind of her motif, like the Other Mother in Coraline.

Episode 6x17 “Awake”

~ “Who said this was a rescue?” had me laughing out loud!

~ Emma and Snow wear similar shirts in this episode, black with white collars!

~ What caused the pixie flower to grow at that point, ten years after the curse was cast? Did some evil arrive that caused it to appear?

~ The idea that people woke up from the curse before Emma broke it really undermines the significance of her role.

~ Did David have fake memories when he first woke up from his coma? Did he understand the technology of this world?

~ Who is that police officer/security guard? Shouldn’t it be Graham as the sheriff?

~ David’s confidence that Hook is fighting for Emma is beautiful!

~ Hook references the Tiger Lily at Skull Rock incident from the book Peter Pan!

~ How could there be so many Lost Boys left behind on Neverland? There weren’t nearly that many in season 3!

~ “Why is it never past their bloody bedtime?” Hook must have had more than his share of hearing the Lost Boys’ parties!

~ The pig and the conch seem like allusions to Lord of the Flies, which is also about boys stranded on an island!

~ Emma shows great character growth in that she understands and forgives her parents giving up the chance to raise her in order to let her save the rest of their community.

~ I had to look up Geppetto/Marco’s toast, “Cent’Anni.” It’s a traditional Italian toast meaning “May You Live 100 Years.” That is so beautiful in the context of Snow and Charming’s sleeping curse!

~ The distribution of the sleeping curse in a chalice seems like a strange inversion of the Eucharist (aka Communion or the Lord’s Supper). They are aware of Snow and Charming’s sacrifice for them, and they choose to sacrifice for them in return. It also reminds me of Paradise Lost, when Adam learns that Eve has eaten the forbidden fruit, and chooses to eat it in order to share in her curse rather than be separated from her.

Episode 6x18 “Where Bluebirds Fly”

~ This may be the first Zelena-focused episode that I remotely like!

~ Honestly, Snow and David should understand why Emma and Hook would want some privacy. Both couples just reunited after being separated for a while, and the sleeping curse was going on even longer than Hook’s disappearance!

~ Does Regina just regularly go to Gold and/or Belle to stock up on potion ingredients?

~ Emma and Hook are so sappy and shameless at this point! And their bemused expressions as David and Snow argue over them are hilarious!

~ Hook is a good man to put up with his future in-laws’ bickering over his wedding; but he could have been a little more assertive about what he and Emma want rather than what Snow wants.

~ “If this is about Hook, that ship has sailed, and there’s a pirate on it, deal with it!”

~ David’s monologue is wonderful, but Snow’s reaction, expressing doubt about the outcome of the Final Battle, seems out-of-character for her.

~ Baby Robin’s care is a throughline of this episode, but who is taking care of baby Neal while his parents plan his sister’s wedding?

~ Emma saying Robin is “one of us” in the presence of only Regina and Zelena made me wonder if Robin might be a magic wielder like them!

~ I am surprised that they actually had Zelena give up her magic. When Emma tried to do that in Season 4, it was portrayed as a terrible thing, indicative of self-loathing. And magic has had such a huge impact on Zelena’s life and identity, for her to give it up is a huge personal sacrifice. I’m not sure we’ve seen her reach the point of being able to do something like that unless it was for her child’s direct benefit.

~ I like that Belle has a subtle arc in this episode, with her role as a babysitter having some relevance at the end.

Episode 6x19 “The Black Fairy”

~ I never thought we would see grown-up Peter Pan again!

~ If Tiger Lily was Rumple’s fairy godmother, that raises a lot of questions about her relationship with Pan and Hook in Neverland. Did she know about Hook’s quest for revenge on the person she was supposed to safeguard? Did she try to sabotage him, in order to protect her charge?

~ Gold should know that Hook would be outraged at him for putting Emma into a magic sleep of any kind!

~ “Dreams are a maze” = unsubtle reference to Inception?

~ It’s interesting to see Emma (attempt to) bond with Gold, of all people, over the experience of being an orphan.

~ Regina asking Zelena to look after Henry is amazing, but the timing of it in the middle of their comical driving lesson feels awkward. And shouldn’t Emma also be part of the conversation about who would raise him if his parents died?

~ Granny’s being the heart of Storybrooke … makes sense on some level, but could have benefited from more setup or acknowledgement of it as such.

~ “Jukebox?” “Jukebox.”

~ Finally, someone introduces the idea of passwords to confirm identity! They have fallen prey to too many magical impostures.

~ I find it a bit hard to believe that Regina never killed a fairy during her reign of terror.

~ Regina is wearing light colors when she faces off against the Black Fairy!

~ While it’s a bit of a stretch to believe that a fairy can be bested with a car crash, Zelena coming in to save Regina that way was both awesome and hilarious!

~ I don’t like the idea that the Dark Curse was created by the Black Fairy rather than Rumplestiltskin. Was he playing into her hand by finding someone to cast it, just as Regina played into his hand by casting it? That kind of behind-the-scenes manipulation isn’t needed since it was already there.

~ So after turning Granny’s upside-down, the heroes just have a relaxing dinner there? And they don’t even stand up when Gold informs them that he killed his own mother to protect them? They don’t seem very appreciative!

~ When did they decide to hold the wedding so soon? They just talked about postponing it! Most people wait at least a few months, and all that planning and arranging that had Mary Margaret so excited takes time!

~ Belle should recognize that Gold is singing the same tune he always has, saying that everything he does is to protect his family.

~ Hook asking Henry to be his best man is such a great moment! They started out mainly caring about each other because of their connections to Emma and Neal, but they’ve developed a real friendship and respect for each other.

~ What happened to the Blue Fairy?! Did the Black Fairy really torture her to get the information on the wand? Did Gold really restore her to the other fairies?

Episode 6x20 “The Song in Your Heart”

~ The title sequence is similar to the wedding episode of Steven Universe, with an orchestra tuning their instruments!

~ This whole episode is wonderful! The hilarity of seeing the characters break into song, and be self-aware about it, helps offset the heaviness of the present-day plot, where Emma’s wedding day and her entire future are both at stake. But the theme of music also serves a purpose for the present-day plot, and gives Emma an epiphany about her life, her inner strength/power, and her relationship with her parents. Music lovers know that there is something powerful, almost sacred, about it, and having that explored in the context of OUAT is really interesting.

~ The musical numbers do an impressive job walking the line between parody and earnestness. They represent each of the characters well, and are just plain fun to watch.

~ Hook is the only one who wholeheartedly embraces the singing without questioning it or finding it strange.

~ I can’t tell if Zelena is self-aware about her song or if it is one of those musical numbers that just represents her interior thoughts.

~ Zelena’s actions in the flashbacks don’t really make sense.

~ How can Emma leave behind her family when they’re frozen in the Black Fairy’s custody? Why does the Black Fairy let her go instead of threatening to kill them then and there?

~ Emma tries to do the same thing Henry did in season 3, giving up her heart to one of Rumplestiltskin’s parents.

~ Emma seems like the last person to embrace singing, as she’s always been the most resistant to things like magic and emotion and vulnerability. So it’s really significant that the climax involves her finding power through a song.

~ Emma’s song is the first in the episode that doesn’t feel like it’s half playing for laughs: the music is powerful, and the lyrics are completely serious and show Emma’s growth as a character. She has not only forgiven her parents, she has come to believe that they were right to give her up, because she needed to fulfill her role as the Savior.

~ “A Happy Beginning” is just perfect. The characters understand that there are still challenges ahead they need to face, yet they enjoy the happy moment, look to the future with hope, and commit to stand with each other through whatever comes.

~ Archie and Marco are both at the wedding, but August is nowhere to be seen! He must have been present off-camera, because there is no way he would miss Emma’s wedding.

~ I thought I heard several subtle references to songs from other musicals: “Let It Go” from Frozen, “On My Own” and “A Heart Full of Love” from Les Misérables

Episode 6x21 “The Final Battle Part 1”

~ Is that David’s sword, the one Emma used to slay Maleficent? Is that why they included those clips in the recap?

~ Why is Henry always exempt from the Dark Curse(s)? Did Fiona choose to keep him in Storybrooke so she could use him as leverage over Emma? Letting him retain his memories and the storybook seems like too much of a risk.

~ There seem to be way more asylum patients, and a much better facility for them, in this curse’s version of Storybrooke.

~ Emma taking her medicine gives big Matrix vibes.

~ When Hook wakes up, the first thing he does is look at his hand to see if his wedding ring is still there!

~ How is the Charmings’ old castle standing? Wasn’t it destroyed in the first curse? Didn’t Emma and Snow see it in ruins when they went there in Season 2?

~ Having Hook face the beanstalk again is a great way to get the characters to reflect on the beginning of his relationship with Emma. His speech to David is full of emotion and accurately summarizes what made his and Emma’s relationship so compelling, both similar and different from other love stories in fairy tales.

~ Henry acknowledges that Hook is Emma’s true love!

~ Even when she doesn’t believe him, Emma still loves and appreciates Henry so much.

~ Finally, they addressed the fact that Wish Snow and Charming were killed!

~ So Wish Robin, who was a selfish scoundrel, still met Friar Tuck at some point? Why do they never show this friar?!

~ Henry’s smile is so proud when Fiona talks about how hard it is to get Emma to stop believing.

~ Hook and David have a nice moment in the giants’ castle, but the context feels contrived. And that “obstacle course” isn’t all that difficult for Hook to overcome.

~ Is that dragon supposed to be Maleficent?

Episode 6x22 “The Final Battle Part 2”

~ Hook calling Snow “Mummy” is funny, but it feels a bit immature and regressive after he’s come so far in his relationship with Emma’s parents. And there’s absolutely no need for Snow to say “It’s important.” Hook knows how bloody important it is!

~ I wish Hook and David’s climb ended up making an actual difference in the plot.

~ Unlike when Emma first tried to leave Storybrooke, nothing impedes her when she drives away. Fate does not intervene with a wolf or some other distraction or obstacle.

~ It looks like Henry can draw, just like his father and paternal grandmother!

~ Having Snow and Charming reverse roles and play out the true love’s kiss awakening was not necessary. They already did that back in season 2, and they revisited the sleeping curse imagery throughout this season. There is no uncertainty about their love, so it does not carry any real suspense.

~ Is that the mirror from Beauty and the Beast?

~ What was that shot of Emma barging into the mayor’s office with the sword for? Did she intend to use it against Fiona?

~ How can light snuff out light? It doesn’t make sense.

~ Gold kills Fiona way too easily. How can she be defeated by her own wand? Does it work like the Dark One dagger, being the only thing that can destroy its owner? And why is Fiona’s death the event that breaks the curse, rather than Emma coming to believe?

~ Why did the writers have Belle reunite with Gold only for her to be left behind while he has his final temptation? Why not just have them reunite after?

~ Where did Emma get the beanie? Did she pause to put it on while running from Gideon with the sword?

~ Hook saying they should kill Gideon makes no sense. He was there when Gideon was born, and they know that he’s not in control of himself. Hook knows what that is like from his own experience of someone controlling his heart.

~ David calling Gideon a “son of a bitch” is actually insulting Belle!

~ Emma’s declaration of who and what she is reminds me of a line from Peter Pan declaring his identity to Captain Hook: “I’m youth, I’m joy.”

~ The climax and resolution happen way too quickly.

~ I think Hook should have been the one to kiss and awaken Emma. Yes, Henry doing it is a nice parallel to her waking him in Season 1, but their relationship had been solid and unquestioned for years, and he had already served a heroic role in the finale by getting Emma to believe. In contrast, Hook had just married Emma a day earlier, after many ups and downs in their relationship, and he had failed to break curses by kissing her on two previous occasions (in season 3 and season 5). Plus, his whole adventure in the previous episode had yielded no real effect on the plot. Having him be the one to say “I love you” and kiss Emma to restore her to life would have been more fulfilling for both the plot and the characters’ relationship. Plus, if he thought she was gone for good, it could have been a really emotional growing moment for Hook, seeing his love sacrifice herself for him and everyone else, and respecting that in spite of losing her. Then the kiss would have been completely based on how he felt, not on any pragmatic hope as in the previous cases.

~ Gideon turning into a baby again feels like the kind of false solution Gold proposed to his other son. He offered to make Neal a teenage boy again so they could have a do-over. Does turning into a baby again erase all of Gideon’s memories, the experiences that shaped him? (I can hardly call it character development since his character was not really well written.)

~ Was that Tinker Bell? Did she return to Neverland after all?

~ I’m glad that David is the one taking care of Neal now, instead of him being left with a babysitter while both his parents work!

~ Violet is waiting for Henry at the bus stop! But it’s such a fleeting glimpse it’s easy to miss.

~ Emma making Hook her deputy is excellent! He has come such a long way in his life, from indentured servant to navy man to pirate to law enforcement.

~ The dwarves making new signage for Regina’s door is sweet, but giving her the title of queen again seems weird. Snow and David are the real leaders of Storybrooke, and there are other princes and princesses there too. If they want to have an official leader, they really ought to be elected.

~ Having Gold and Belle dance to the music from “Beauty and the Beast” is sweet, but they’ve done it before, and their reconciliation doesn’t really feel earned after how much he put her through. How does she know if she can trust him now? Does he still have the Dark One dagger?

~ The only thing that seems missing from the montage is a shot of the Jolly Roger. Hook may not live there anymore, but I’m sure it would still be a part of his new family’s life.

~ That last shot of everyone sitting on one side of a long table is just like Da Vinci’s “Last Supper”! After all the jokes and sarcastic comments about family dinners in this show (“Maybe one day they’ll invite you to dinner,” “It’s a good thing we didn’t have Thanksgiving in our land,” etc.) it’s amazing to see them all come together for a meal—even those who have killed their loved ones and tried to kill them.

~ Honestly, that last scene of Lucy knocking on Henry’s door would not have been a terrible place to end the series. Then, if the writers wanted, they could have told Lucy’s story in a separate spin-off.

#Once Upon a Time reactions #ABC's Once Upon a Time #The Song in Your Heart #The Final Battle #Captain Swan #Captain Swan wedding

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