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#and it's just a wonderful time i love their playthrough SO much
aparticularbandit · 5 months
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player, to sayori: do you remember how i said i always know what's best for you? matpat and steph: -simultaneous groan- NOOOOOOOOOO player: i know what you need the most right now matpat and steph: -more simultaneous groaning- NOOOOOOOO steph: what is it steph: i don't wanna know what it is player: and that's what i'm going to give to you matpat: oh no matpat: -cringing- what's he gonna give her steph: please say it's a puppy please say it's a puppy
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yo9urt · 5 months
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bald gate.
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soppsop · 8 months
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feeling normal about investigations I see (i hope you are having fun) (this is meant positively)
im NEVER normal about investigations i want to replay those games so badd(hehe)dddddd
tbh i wasnt specifically looking for investigations content tumblr is just giving me a lot of it recently lol. not complaining, hell yeah investigations!!! >:3
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fingertipsmp3 · 1 year
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Realising (not for the first time) that I really do have a soft spot for bird & dog adjacent pokemon
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lilnasxvevo · 4 months
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The new Wylde Flowers update drops in like 2-3 days so you are about to more or less lose me for a few weeks as I do a complete new play through to get all the interactions with the new character
#i wonder if I’ll love them enough to want to romance anybody but Westley#i tried to romance Kim in my most recent play through because I do think Kim is pretty cool#but Kim is simply not a werewolf who owns an independent bookstore. like there is no competition#also I love Westley’s ugly lil outfit so much#and his RUMBLY VOICE ITS SO GOOD#the point of marrying a character and having them move into your house is being able to hear their voice at any hour you want#and not just during daylight hours#which is why it’s pointless to marry anyone from the coven you can go talk to them in the woods whenever you want#also if you marry Damon he calls you ‘kitten’ a lot which I’ve learned that pretty much everyone who’s married Damon VISCERALLY HATES#i don’t want to date Damon or Amira bc they both come on wayyyyyy too strong the first time you meet them and I don’t like it#and I don’t want to romance Cameron bc he fucking sucks#which leaves me with uhhhh#man there are currently 7 romanceable characters but I’m just blanking rn#Westley Kim Damon Amira Cameron. oh there’s Kai too. who else#i don’t want to date Kai because he’s dumb as a sack of rocks#ok I gotta go look it up I’m gonna feel so dumb#IT WAS GIVA. WHO I LITERALLY MARRIED IN MY FIRST PLAYTHROUGH. SORRY GIVA#(I kept bringing her gifts in the week leading up to her witch trial bc I felt so bad for her)#(and then I felt too bad to NOT date her when the option came up and then I felt like I had to marry her too)#(but I started a new save to date Westley shortly after that)#(you can divorce people but Giva is such a sweet woman that I didn’t want to do that)
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nimthirielrinon · 5 months
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I need to talk about Gale’s insecurities. For all his noted overconfidence, this is a man whose entire self-worth is based on his prowess with magic.
He was a “gifted” kid whose abilities started out well advanced for his age, just to begin with. He very much thinks of himself as annoying, which you learn in the Durge playthrough after the dead bard incident, when he says that if being annoying we’re reason enough to kill someone, he’d “be dead 1000 times over!”.
If you romance him and convince him not to take the Crown after the second romance scene in Act 3, he mentions how he’s used to being seen as over-confident and even self-deluded regarding his abilities, which I think would only make him posture even harder as a defence mechanism.
I think for a long time, his relationship with Mystra was likely something he used as a flex on other wizards who had been cruel or mean to him, based on how he brings it up, when he does.
But what gets me is his utter relief whenever he isn’t rejected by Tav. When he first opens up to you, he has pretty much already prepared himself to be kicked out of the party. He’s even got a plan for when his bomb goes off, to do the least amount of harm he can, and when he says “Even I’ve grown tired of the sound of my own voice” I swear his voice cracks and he sounds like he could cry.
If you romance him, when he tells you he’s in love with you, if you say “I love you too” instead of going straight for a kiss, he’s once again relieved. Despite the fact that you’re there with him and have been romancing him, he still has a doubts that you would return his feelings.
It’s no wonder he made the mistakes he did. This is a man who’s been told his entire life that he’s annoying. Though he’s had other mortal lovers (and we don’t know how those relationship were, only that they clearly ended), he is clearly primed for rejection. And then his ex-girlfriend, the goddess of magic herself, tells him she’ll only forgive his transgression if he kills himself.
Like I said at the top, his precocious talent for the weave is the entire basis of his self-worth, unless and until Tav assured him that he has value beyond his mastery of the Weave. It’s no wonder he felt like he had to “prove” to Mystra that he loved her enough. As long as his self-esteem was based on his magical abilities, he was never going to feel like he was good enough, especially for the goddess who is all magic. He was never going to be able to feel as though he was loving her well enough.
I guess what I’m saying is that his “ambition” and his hubris make so much sense when you consider the hinted-at reasons for his insecurities, his clear desire for friendship and affection (he summoned a Tressym who became a lifelong companion and a lava mephit or something with whom he is still in touch; he even says he didn’t have friends growing up), and his main talent/special interest.
I think he’s a superbly-written character, and I definitely feel like he deserves neither death nor godhood, but a good and comfortable life surrounded by a loving family who encourage him to be his best self.
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polakina · 2 months
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how they fuck you
red dead redemption headcanons #2
hc masterlist // masterlist
on my third playthrough of rdr2 and i cannot bring myself to play low honour. why do i put myself through this?
also this is ridiculously long, got a little carried away but i shall not apologise
rating: explicit
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is always gentle with you at first
delicate touches, lingering kisses, gazing eyes at your every movement or ministration
"what do you want, mi amor? tell me"
loves to hear you beg for him, want him
it just turns him on even more
dirty talk through the ROOF
this man knows how to talk you through it
"fuck you feel amazing, hermosa. yeah, just like that, huh? anything for you"
will eat you out for days if he could
never really tried it before, even when he lived in Mexico, he never really gave it a go
but with you, he wanted to try everything. whatever you wanted, he was up for it
so when you first asked him, he was nervous as hell, but willing to try
he found out he loved it and does it every single fucking time he had you all to himself
buries himself between your thighs like a man starved, his arms wrapped tightly around your thighs to keep you still
his tongue worked fucking wonders on your pussy, knowing exactly where to focus his attention, loving how you always moaned a little softer when his tongue dipped inside your cunt
fucks you slow, savouring the moment when he can
loves to have you riding him. seeing you on top spurs something inside him
his hands grip your waist fiercely, guiding your hips to grind against him, pulling sweet, elicit moans from your throat
loves to cut your clothes from your body with his knife
it's so much more satisfying than just taking them off with his hands
kinda likes quickies. prefers taking his time but there's something about pulling you away for a few minutes to have his way with you behind the protection of a tree or something that he loves
usually happens out on missions, so there's risk of the gang seeing you guys, but what's life without a little risk?
you could be on watch beside your tent while everyone sleeps, and javier will come over to keep you company
but it doesn't take long for his hand to slip into your pants as he whispers all sorts of things in your ear as he sits behind you while you try and continue your watch duty
was terrible at aftercare before, never really understood the in's and out's of it
but learned eventually with you, when you explained it to him
now he's at your beck and call whenever you need it
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wear this man's hat around camp and that's all he needs to pull you to a secluded tent
but wear it while you fuck him? arthur would die happy in that exact moment
likes to call you 'cowgirl' when you ride him. you always roll your eyes at how stupid it sounds, but it doesn't stop him
the two of you don't have all the time in the world. being one of dutch's most trusted members, he's needed away from camp a lot more than anyone else
so you've both learned the art of being fast
and it doesn't take long for him to make you cum
never asks for them, but loves blowjobs
he likes to draw in his tent when he's got time to himself, so when he sees you come in and sink to your knees in between his lap, he can't think of a better sight
the absolute king of praises (have you heard how he talks to his horse?? imagine him talking to a woman oml)
not a fan of degrading, he never saw the appeal, but uses other methods to 'punish' you
"what do you want, darlin?" he'd say as he's fucking you from behind, your face pressed into the pillow to stifle your moans, your ass in the air held up by his hands on your hips. "oh babygirl, you wanna cum, huh? then you can beg me for it, can't you?"
will edge you for days
especially when he knows he's going to be away for a few days afterwards
definitely grabs the headboard
mainly for his own stability to be able to thrust into you harder as you moan his name into the room
has his hands on you at all times
holding your hands above your head by your wrists, holding your face against the mattress with his hand on the back of your neck, curling his fingers in your hair and gently yanking your head back when he pounds into you
when you do get a night away from camp, he wants to make it last the whole night
takes his time with you to the point where he's practically teasing you for hours
takes his time undressing you, kissing every part of your body, touching every part of you until his fingerprints were practically imprinted into your skin
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give this man some guidance or it's like walking through a maze blindfolded
learned a lot with you
figured out really quick what you liked and what you didn't like, what places he could touch you that would send your head spinning
this eventually led him to learn how to be very sneaky in public
he could touch you in such simple places, in such an innocent way that no one else would think anything of it
but you'd know, and you wouldn't stop it
you like the way he touched your neck? he was all over that shit, cupping your cheek, his fingers tickling your neck
you liked his hands in your hair? his fingers tangled at the base of your neck, pulling your hair slightly to tease you
his hand would rest on your thighs, fingers slowly creeping up your thigh while you were all sat around the campfire
you'd always give him a little glare, which he would ignore, a goofy smirk on his face
and the way he fucked you was no different
he had mastered the art of teasing your body and your limits, and put that knowledge in every time he had you alone
"come on, marston. stop teasin' me like this"
he'd always smirk, working his way down your body in a painfully slowly manner
"i'm takin' my time with you, sweetheart. you just lay back and relax. lemme take care of you"
loved to make you feel good before he even thought about himself
but when he was too pent up, he came a lot quicker than he wanted
but he made up for it when tending to you afterwards until you were practically pushing him away, too sensitive for his expert fingers
not the best at going down on you, but makes up with experience
but what he's really good with is his hands
his fingers
they know exactly what they're doing when he pushes them inside your soaked pussy
curling at that devastating spot inside you that makes you crumble to your knees
loves to be on top of you, seeing your face contort when he pushes inside you slowly, deeply
he's basic, a lover of missionary, but seeing your face and watching your body writhe under his grip is really what turns him on
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orkbutch · 7 months
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I really love that the origin playthroughs add real, otherwise inaccessible context for what the origin characters are experiencing and how their world view works, its amazing. That said first experiencing the actual lived reality of Shar's wound on Shadowheart's hand was fucking gutting. Not a mere bad = pain shock collar, but traumatic visions of being abused as a child forced into her head. Your Goddess who you love and who you fear utterly holds a controller that allows her to trigger & retraumatise you at any moment, and she does it when she arbitrarily disapproves of your thoughts and feelings.
Not only is that obviously deeply controlling and traumatising itself, it also captures an experience I think is really interesting, and may be unique to Shadowheart's Lack Of Autonomy Trauma (tm); it turns her automatic internal self, not just her body or thoughts but her Feelings, into things that she fears, and things that betray her. Who she is becomes a threat that she must resist expressing or even experiencing at all, because Shar may notice and punish her for it.
This is why I think of Shadowheart as most likely to be highly dissociative (on top of yknow, the lost time, the focus on oblivion, the routine abuse and the alienation from herself), because she can't really retreat inwards. Even the internal world is unsafe and needs to be escaped sometimes. When thats the case, you either sedate yourself (which I hc that she probably does too often) or you fracture, and numb out.
I think this is why Shadowheart seems to be the least obviously angry of all the companions toward her abuser; anger, even secretly held within to fester into resentment and rage, could not be abided. It had to be totally muted. When she turns from Shar, she is not angry but fearful, regretful, sad, confused. Even when she's free from the wound, she is more mournful than angry. She is ashamed, and deeply devestated. But she doesn't express rage. That emotion is still locked away for her.
I wonder how this impacts Shadowheart's self-trust. Her ability to believe herself, to trust her thoughts and emotions are real. I speculate that Shadowheart internally probably would dismiss lots of thoughts, feelings and desires she had as her being stubborn and disobedient. They were punished as such since she was a child, why wouldn't she believe it? It's difficult to live like that. Nothing feels certain. Nothing but something undeniably bigger than yourself, like faith or a God or the abuser that has put themself there.
When I think about that and the wound on her hand, and Shar's utter cruelty... I'm just floored by how brave Shadowheart is. In most cases, if you've befriended Shadowheart and been nice enough, she will choose to save The Nightsong without any input from you. She is so, so brave. She wants to fight for what feels right, for freedom, and for herself, even when she knows what Shar can and does do to her. She faces down the wrath of a capricious Goddess she's personally angered, and handles it with unsettling grace. Shes so used to pain, and making herself nonexistent, but she still fights for herself. I just love her so much
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paper-mario-wiki · 6 months
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Shangri-La Frontier mid-season review
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This is by far the best fake video game I've ever seen written in fiction.
Most MMO-centric isekai stories have trouble with providing accurate and realistic depictions of the complexities and minutia that give MMOs the allure they have. I've seen so much handwavey bullshit tacked onto fake-games that introduce unrealistically overlooked mechanics for reasons like giving the protag immense power just because they're the protag and the story is about them. A good example of this is another MMO Isekai airing this season, "A Playthrough of a Certain Dude's VRMMO Life", wherein the main character becomes extremely rich, powerful, and famous by episode 2 because he stumbled into a stealth archer playstyle, a build which apparently no human in that universe had ever conceived of before, and then making a fortune by selling basic potions to everyone after NPCs stopped selling them (another thing he was uniquely able to do because not a single other player had the forethought to spec into alchemy). These lesser, dime-a-dozen isekai add up to be boring fantasy strories with gaming elements clumsily put in so that the author can demonstrate how powerful the world's inhabitants are by showing their stat allocation screen instead of, say, explaining anything about what they do that's so uniquely powerful and how they figured it out. Ya know, stuff you'd hope to hear about from any competent story.
Shangri-La Frontier is a breath of fresh air for anyone who, like me, is sick of authors ignoring the things that actually make video games compelling in service of creating a stock-standard narratives in fantasy worlds because it allows them to get away with bullshit. I've always found it very convenient that many isekai narratives indulge in things like chattel slavery, because it's societally normal enough for the protag to purchase a beautiful, vulnerable girl to add to his harem (dont worry, she is always inexplicably in love with him no matter what because he's SUCH a kind master). And it never really seems to go anywhere. Because the Video Game Isekai, while an interesting premise in theory, is more often than not used exclusively as a means to simplify the structure of a world's power scaling to abide by an arbitrary set of omnipresent universal rules (e.g. what people who have never cared to look into game development think of video games). This anime, by comparison, is VERY clearly authored by someone who plays a LOT of games.
Every piece of logic used to drive the plot forward, so far, is congruent to a real-world example of video game conventions, and I'm not just talking about levelling up and selling monster parts. Story elements that I've rarely (if ever) seen explored in other isekai are ever-present and genuinely clever and amusingly introduced. My favorite example of this so far has been the way the protagonist has been able to go head to head with so many overlevelled foes in the first 9 episodes. The story of course makes note of how good of a gamer Sanraku (our hero) is, but much like in real life games, being super duper good at dodging attacks doesn't really make up for a 70 level gap in items and learned skills. For that reason, he gets his ass whooped more often than he actually outsmarts others (so far he hasn't beaten a single player in pvp). So how is he getting out of these situations without dying so frequently? Simple: he got access to a later area too early relative to his level (sequence break) and got access to a high level follower NPC that's been carrying him. This is something he acknowledges directly several times, specifically using words like "Emul has been hard-carrying me for a while." This, to me, is extraordinarily meaningful. That's something you can exploit in Skyrim, man. That's REALISTIC CHEESE STRATS. The excitement and wonder I find in this show doesn't come from watching the protag do something unexpected, but by watching him do something that I would think to do.
This knowledge the author has demonstrated regarding modern gaming culture extends further into the actual realistic nature of game design and community. The story exists in a reality where full-dive VRMMOs are the be-all-end-all of gaming, and given the prohibitively expensive nature of developing and designing expansive, immersive worlds, most games are pretty shit. It's been hinted at so far that this is due to a monopolistic megacorp which is one of the only entities rich and powerful enough to make a good game (the game in question being the one that shares the title of the anime), but so far the strife of the characters have been pretty centralized to the happenings of the game world and its politics. By the way, lets talk about the game world's player base politics, which I'm also quite pleased with. It exists in the form of guilds and clans who struggle for power not by participating in seemingly random pvp with other powerful players to see who is the most epic and badass warrior (again, like many contemporary isekai typically opt for), but by gaining actual realistic support from a fictional playerbase with realistic desires and playstyles. Some guilds are interested in lore, some gather for alliance and boss raids, some for things like animal husbandry, and (naturally) at least one is dedicated to trolling and PKing. Each of these factions, through the very little that we've seen of them so far, communicate on forums and only know as much as is reasonable for them to know. The only reason they give a shit about the protagonist at all is because he gained access to a high-level unique scenario quest that they want information on how to access, and the only reason word of that got out in the first place was because someone posted a screenshot of him with a unique NPC onto a forum, asking about it as "where can i find this pet summon, its super cute!" That's real. That's video games, baby.
I like this show a lot so far. I like that it cares about video games, but I also like its writing. I like the main character and how hes less of an ultra badass super cool guy, and more of an earnest challenge-run lets player. Like, a lot of his dialogue straight up sounds strikingly similar to Japanese youtubers. And he's naturally always quick to point out inconsistencies in the game world's logic. I ALSO really like his community of pals from a janky old fighting game, and I ADORE the girl from his school who has a crush on him and also just so happens to be an exceptionally high level player from a top clan, and how she had to spend 9 episodes working up the courage to send him a friend request. I love that so, so much, dude.
I highly recommend this show if you're into a single thing I've mentioned. The animation is great. The world is beautiful. The character design is immaculate. And I'm looking forward to watching it continue.
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felikatze · 3 months
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THE ISLANDER EUPHRASIE THEORY: THE CRACK HEADCANON THAT RUINED ME FOREVER
HI. you might know me as the kingphie divorce guy. or as the guy who wrote the 6k ludonarrative essay. Today i am going to introduce to YOU @the-bitter-ocean's fantabulous ISLANDER EUPHRASIE THEORY!!!
DISCLAIMER
This post contains SPOILERS for ALL of In Stars and Time. INCLUDING THE ACT 6 SECRET!!
You have been warned.
ALSO!!!!
The original headcanon/theory is VERY MUCH Ocean's fantastic work! I am merely rehashing all the arguments for it that have been laid out across various chats into one cohesive thing people can look at. Also citations! Who doesn't love those.
WHAT IS IT?
Well, it's quite simple. It's the theory that Euphrasie, love of my life and Head Housemaiden of Dormont, is from the forgotten island, same as Siffrin and the King.
(Yes, this is why divorce AU exists.)
WHY DO YOU EVEN BELIEVE THIS?
Quite a lot of reasons, actually.
It's really funny
Let us begin with: the basics.
SUPERFLOUS AESTHETIC DETAIL
HAIR COLOR
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This is Euphrasie. She's very pretty. I love her.
You might notice several things about her, like her fantabulous white hair.
Well. What other characters have white hair?
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You have guessed correctly. The ONLY OTHER white haired characters with actual artwork are Siffrin and the King, both from The Island The World Forgot. Thus we can assume that it's a typical hair color for islanders. Makes it stand out very much that Euphie also has it.
(What about the beautiful one- sh sh sh he's blonde. He's blonde.) (Well, actually, considering that they are the only one who acknowledges that Vaugardians are also weird, what if he's from the island as well? Checkmate atheists.)
EYELASHES
Correct. Eyelashes.
Going back to our portrait of Euphie, she is drawn with precisely three eyelashes. Why is this notable? Because Siffrin and Loop are.
So much so, that being drawn with three eyelashes, is specifically an element of foreshadowing to Loop's true identity.
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(squints at character portraits) literally no characters besides Siffrin, Loop, and Euphrasie have eyelashes? Oh my god. What? Nobody has eyelashes? What the fuck? (okay, some moments later: Mirabelle has eyelashes in some battle artwork, but these three are the only ones specifically with eyelashes in dialogue portraits, which is still incredibly odd.)
SPEAKING HABITS
Hey, so, you know when you talk to people in Dormont, a lot of the NPCS will have a nametag that just says "[something] One" right? Daydreaming One, Castle-Loving One, Beautiful One?
And I've seen people wonder, are these titles? Nicknames?
And I bring you this: Siffrin addresses these people with these epithets in his head, because they have no fucking clue what anyone's name is.
So Siffrin just naturally lapses into this style of nicknaming strangers.
Which two other people also do.
Bright one... ...... Do you remember? Traveling one! Are you done talking with your companions? Yes, wonderful, wonderful!
Funny little tidbit that these three characters all speak alike isn't it :)
Okay. With aesthetics out of the way, let's move onto the next tier of this iceberg:
THE MECHANICS OF FORGETTING AND BEING FORGOTTEN
I realize in the process of writing that we must outline the nature of the curse. What gets forgotten and what gets to stay?
The particularity that's important to us right now is: what people get forgotten?
All evidence points toward this: an entire person is only forgotten if they were physically present on the island when it vanished.
I'm pulling up two example cases to prove it: Siffrin and the Daydreaming One.
The thing with Siffrin is: we know he witnessed the exact moment the island vanished. And, very notably, Siffrin was in a boat.
You can get the dialogue that proves this only in ACT 2 in a secret room most people don't find on their first playthroughs, which is both very funny and very evil. Here's the dialogue.
Siffrin: "I ran away from home once!" [...] Siffrin: "And so I took our boat! Got to the beach, rowed away from the shore a bit. I was going to come back right away, I just wanted to scare my parents a bit!" [...]
Siffrin: "I started to row back towards the shore... And then, I... I... ..." Isabeau: ... Sif? Siffrin: (Woah! What?) "Um, yes?" Isabeau: Um... You were telling us how you ran away from home? Siffrin: "I... was?" Odile: You... Were. Bonnie: DID YOU FORGET WHAT YOU WERE TALKING ABOUT WHILE TALKING ABOUT IT?!?
Siffrin is from the island, but was not physically present when it disappeared. This resulted in Siffrin forgetting their entire identity, including given name and spoken/written language.
Additionally, this is confirmed via Word of God to be the exact moment the island disappeared, so here's proof I'm not reading into it:
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Shoutout to bibliomaniac's insane google spreadsheet for the easily searchable screenshot. god bless. Brinny, ily.
On the other hand, with the Daydreaming One, we have proof of a person who is not originally from the island, but was physically on it at the time of disappearance.
Siffrin: "Don't you have a sister?" Daydreaming One: I... I don't? I just said I'm an only child, silly!
(For her to forget someone like her sister, so easily... Her sister must've traveled to...)
Secondly, we know that remnants of the island were not completely forgotten immediately.
Memory faded gradually, starting with the ability to still speak and think about it with accompanying headaches, until it ramped up in intensity and everything is simply gone.
The Sparkling Diary in the library is more or less proof. Memory of the island was gone, but... people still remembered that they forgot something. People still knew what they were talking about, (an island north of Vaugarde), just without the specifics.
"Urgh. Also, Dad noticed no one can say the name of the island north of here anymore?" "I tried to say it yesterday and I got like the WEIRDEST headache for HOURS."
And Odile also remarks the following
Odile: We also know that people could remember that country clearly, before.
This will be relevant later. Moving on.
CONTRIVANCES
THE HOUSE'S OBSERVATORY
SO. The House of Change of Dormont has this funny little room on the third floor. It's an observatory. To look at stars with. When entering this room for the first time, Mirabelle says this:
Mirabelle: What...? Was there a room like this in the House? Y-yeah, I remember! Someone was working here... Studying... They looked like... ... Um... Sorry, I can't remember.
This reveals to us several things:
This room is innate to the House, and not brought here by the King's weird redecorating
Someone from the House was using it for study
All memory of who or what was studying and being studied was erased alongside the island's existence
Of course we can say, "yo, what if Euphrasie was using this room and just forgot?" but that is. a headcanon. I ADMIT! It is a stipulation
However, I find the general presence of the Island written all over the House incredibly interesting.
Inside the Observatory, there's a pile of papers with messy handwriting. You can't read these in until ACT 4. Even in ACT 4, you can't read them. But you do learn what's written on them.
(A pile of papers.) (It looks like someone was trying to write your country's name.)
Inside the observatory is also a globe. Upon repeated interaction in... act 4, i think, you get this:
(You see a spot on the globe where the paint has started wearing out, like someone kept dragging their finger on it.) (You drag your finger there too.) (Erased. You almost want to look for lightless paint.)
BOOKS
During the various quests to discover the truth of the loops, you run into a lot of books, written in the forgotten language. Now, Dormont is not close to the island. Dormont is not close to the coast.
Bambouche is. That's why Bonnie has heard about the island before and knows it was a big deal - they lived really close to it.
Bonnie (and then1): I think, I think my village was really close to it!!! My sister said it was all everyone could talk about for weeks!!! Mirabelle (anxious1): That's so frightening... I'm glad that whatever happened, she didn't get caught up in it!
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As we can see in this map, Dormont is in the southern half of the country, and very centrally at that, meaning it has basically maximum distance from all waters and ports. So why does this landlocked small town have so many books in this language?
These aren't just dry books, either. In Dormont's library, there's actually a translated version of volume 2 of The Cursing of Chateau Castle.
(You take the book out again.) (You can read its title, now...) (Your heart is beating, badump, badump, badump.) (It's...) (... A translated copy of "The Cursing of Château Castle", issue #2.) (You start laughing.)
CONCLUSION OF THIS SECTION
Islanders lived in Dormont. Maybe even multiple! We've established that whoever is in Dormont when it vanished would not simply disapper, instead
they forgot where they're from.
One day, the islanders in Dormont could no longer remember being anywhere but Dormont. Being anything but Vaugardian. The observatory fell into disuse, as the person studying there gradually forgot what they used it for, even as they desparately tried to hold onto it, boring holes into the globe, and scribbling its name over and over until its unintelligible.
And, in all likelihood, eventually that knowledge was just gone forever. They simply became part of Dormont, none the wiser to their own history.
Books slipped into cracks. Rooms fell into disuse. Nobody remembered to clean out the remnants.
Now. The real cinch of this.
Why, in particular, do I think Euphrasie is one of them?
Answer me this, then.
How does Euphie know what Wish Craft is?
1. How could she read it?
Euphrasie knew specifically that Wish Craft exists, when all books on it are written in a language nobody can read.
The book in the storage room? The diary in the room behind the star door? The book in the secret library? None of them are legible.
There are no legible records of Wish Craft.
2. What about the Favor Tree?
Euphrasie knew specifically that Wish Craft is related to the Favor Tree. It's also a Vaugardian practice to make requests of the Favor Tree, but they're just that - requests. Nobody thinks they actually have power.
Only Euphrasie does. She thinks it's the key to defeating the King.
(This is... A list of people who wished to save Vaugarde!!!) (You look around her desk, trying to find out more.) (Why would she record the people who wished to save Vaugarde?) (... There!!!) (It's a little notebook, jammed between random boring paperwork...) (In it, the Head Housemaiden talks about Wish Craft... How in the days before the King attacked, she noticed everyone was wishing to the Favor Tree for the same thing:) (To save Vaugarde.) (And she started wondering if this wish could be the key to the King's defeat, somehow...) (So the Head Housemaiden knew about Wish Craft!!!)
Except, when Isabeau talks about it...
Isabeau: Well, it's just a random big tree. But when you're a believer of the House of Change, the biggest tree in a certain place is called a Favor Tree! It's like, it’s the tree with the most power, so you can ask it things? As a favor?
He struggles a little to explain it. Almost, as though the tradition came from some other culture, imported into Vaugarde, and no one can definetely remember where it came from.
To note, here, is that the Favor Tree is hugely associated with Loop, and wishes in general. Wishing on a Favor Tree is such a hugely powerful ritual when executed correctly, that it caused the entire timeloops.
And I'm not even gonna break out citations to prove that Wish Craft is associated with the island. Come on. You know that. You played the game. It's required to beat the game.
If you haven't beaten the game, what the fuck are you doing here. Go back and play it, baka.
3. Something's breaking, failing, rotting
At the end of ACT 4, when Siffrin confronts Euphrasie about her knowledge of Wish Craft, Euphrasie is distinctly aware of this: the people of Vaugarde are wishing wrong.
It's true. All of Vaugarde wished to the Favor Tree, wished for us to be saved. We wished for a savior. A way for us to win against the King. And Wish Craft gave us the means to do it, didn't it? Made sure it'd work? [...] But... But something went wrong, didn't it? Something goes wrong, every time!!! [...] The only answer I can find... Is it's because we did it wrong. I don't know what happened But we must've done it wrong!!! None of us in Vaugarde knew the exact ritual, but-- But we must have done it so wrong, it broke, and it doesn't answer to us at all anymore!!! [...] I don't know, I don't know, I don't know!!!
There's only one person who knew how to make a Wish correctly. And he made it by sheer instinct. Something they could not place even if they tried. Just... a forgotten ritual, dredged back up by muscle memory. Something he's probably been doing since he's a little kid, something that's so backed into their habits they use Wish Craft to carve figurines out of wood.
To end, I leave you with this. Dialogue you get when you try to talk to Euphrasie again, before you talked to everybody else.
If you talk to me... REALLY talk to me... It's all over. What "it" is, I have no idea... I know... I can feel that... I couldn't change whatever comes next, even if I wanted to. But I know it is the will of the Change God. Or, no, perhaps... The will of something even bigger... ... Something will end, once you talk to me.
There is a way for Euphrasie to know all of this. To know Wish Craft exists, to be aware she's doing it wrong, but not knowing, remembering quite enough to get it right.
If she knew it all beforehand already.
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wellen-katze · 3 months
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much love and well wishes to you! What are your thoughts on a Minthara comic? I think she's a very interesting character. Thank you and have a great day!
Thank you so much!
Oh yes, It's true Minthara is a very interesting character and I really love drow history. That made me remember I had an Eilistraee doodle with her I never uploaded!
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I always loved her design (for me she is actually the most beautiful companion) and her performance actress made her voice so very cold and wonderful dark.
Now, in my opinion she is missing on some deeper backstory in comparison to the other companions, which is understandable because there is probably just not enough space for her potential complex history, but it always made me feel like she is a little bit lost as a character and has not more to offer than the typical evil, tragic drow lolth background.
That's why I wasn't very inspired to draw her a story. Yet. To be honest I was never able to get her as a companion one single time because she would want to kill me, I accidently killed her oder she was bugged, haha, so I probably have to do a 'romance minthara' playthrough or do more research, maybe then I'll have an idea to draw something about her. But who knows~
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underdark-dreams · 2 months
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The Elturian Tieflings: Act 1 Exposition
I don't know if you've ever investigated the room in Waukeen's Rest where Benryn is trapped, but there is this scroll:
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It's an interview transcript by the Flaming Fist with a survivor from the night of Elturel's descent into Avernus. Broken into 2 screenshots:
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Honestly, the first time I found this, I couldn't believe this info wasn't spelled out anywhere else in the game.
There are of course other dialogues that generally reference the racial discrimination Tieflings face (Aradin and others throwing around slurs, the early dialogue option with Rolan of "Baldur's Gate? Do they even welcome Tieflings there?" etc.)
But this little scroll informs you that the Flaming Fist are literally stationed all along the Risen Road to track and arrest anyone fleeing Elturgard. Essentially, every single one of the Elturian Tieflings. Not only were they cast out of Elturel, there's a large and powerful merc group literally hunting them down to imprison them for some indeterminate amount of time.
Of course, the game doesn't really specify how long Elturel was in Avernus. Perhaps just a month or two. Maybe by the time the city was returned to the surface and the Tieflings were exiled, the Fist wasn't rounding up any escapees anymore.
EXCEPT Waukeen's Rest is smack dab on the road from Elturel to Baldur's Gate. And it's teeming with the Flaming Fist. And there's also this lovely little note sitting in the very same room of the inn:
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If I'm reading this all correctly...that's insane?? And it really puts the Tieflings' plight into perspective. They're not only victims of discrimination; they are potentially in hiding and on the run from the law.
Like good god, no wonder Rolan is so dead-set on his apprenticeship no matter what anyone (Gale, a Baldurian Tav) tells him about Lorroakan. His station might just be the only thing keeping him & his family out of prison simply for existing. No wonder Ikaron snaps at you not to give his people any more grief. No wonder Asharak is spending his days teaching the kids how to hold a sword.
Anyway...I just re-encountered these notes in a new playthrough & felt compelled to make this post. I just love the Tiefs so much and they deserve the world 😭 Tief lovers let me know your thoughts!
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from-the-clouds · 1 year
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texas sun - joel miller x f!reader - vol. 1
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series masterlist | series playlist | writing masterlist |
summary: When you let your new neighbor’s daughter inside to call her father from your landline, you never expect to be dealing with the fallout twenty years later. Series will take place before and after the outbreak, and is partially inspired by this request. Slow-burn(ish), eventual smut. pairing: pre-outbreak!joel miller x f!reader words: 6.4k chapter warnings: mentions of/encounters with a drunk person, references to absent parents, i imply that both reader (and joel) like pineapple on pizza. a/n: i need to get my shit together and make a proper masterlist/post for this series but i'm absolute garbage with photoshop/making collages so that is a project for another day!! for now, i wanted to get this first part out to ya'll. i watched a playthrough of the game too so ill be including some references to that throughout the series. this will be some hallmark-movie ass romance so strap in!! this chapter was super fun to write and i loved writing for reader and sarah, give it a read and let me know what you think!
-March 7, 2003- 
“Excuse me? Ma’am? Excuse me?”
The voice behind you is so timid you don’t hear it right away, especially not when your phone is pressed to your ear with your shoulder as you sort through the mail, your coworker droning on and on…
“Ma’am?” 
It’s a little more forceful this time, a little closer too, and that’s when it finally gets your attention. Turning around on your heel, you find a young girl standing behind you, one hand hooked in the strap of her backpack that hangs off of one thin shoulder, the other worrying about the butterfly pendant of the necklace she’s wearing. 
You recognize her immediately as one of your neighbors, the girl from across the street whose name you didn’t know yet, because you only moved in about two months ago. You’d met the man who you assumed was her father – Joe? Or was it Joel?, you couldn’t remember – the first day you’d moved in, but there had been so much going on that you were too flustered to be engaged.
It’s a Friday, but apparently that doesn’t keep you safe from work calls after you leave the office, because you’re getting an earful of a whole lot of hot air, so much so that you’re probably unintentionally frowning at the girl in front of you while you try to follow the conversation.
“....I think you’re right, but they’re not going to budge unless we sweeten the deal somehow-”
“Can I call you back?” you blurt, ultimately thankful for the interruption. You don’t even wait for his response before you click off your blackberry, sighing, looking up. “Hi, yeah, sorry. Can I help you?”
“Uhm, I’m Sarah…..Miller….I live across the street?” her voice goes up slightly at the end of the sentence, like she’s unsure, even as she points to the home behind her, a two-story place that’s considerably bigger than your own, but maybe a little older. “I uhm…I locked myself out and I was wondering if I could use your phone…to call my dad at work? Please?” 
“Oh, yeah,” you say. “That’s fine. Just uh..follow me I guess.”
Tucking the stack of mail in your hand under your arm, you wave her after you, your kitten heels clicking on the hard pavement of your driveway. 
“Be careful here,” you warn her as you step over the middle step to your front porch that has rotted, and gives easily under any amount of weight. You’d learned about it the hard way, last week, and still had the bruise on your leg to show for it. 
Your front door is open, and Sarah pauses to take off her shoes when you do, a pair of beat-up white Converse that have been doodled on in Sharpie.
“Here, phone’s right there,” you lead her into the kitchen and point to the landline. “Can I get you anything to drink?” 
“Uhm, could I just get some water…please?” She stands rigidly in your kitchen, rocking back and forth on her heels.
“Of course,” you reach into the cabinet. Once the glass is filled and placed in front of her, you retreat to your front living area to give her some privacy while she makes the call, sitting on the couch and scrolling through unanswered emails on your blackberry. Sarah mumbles indiscreetly, until you hear her call out again. 
“Uhm…ma’am…I’m sorry, Miss…uh-what’s your last name?”
“Oh,” you sit up, giving her your first instead. 
“Okay….Uh, my dad wants to talk to you…could you-”
“Sure,” you stand, stepping back into the kitchen, and accepting the receiver from the girl. 
“Hello?”
“Hey, this is Joel Miller,” you’re greeted with a low, gruff drawl. “You’re the new neighbor, I believe introduced myself a while back”
“Joel,” you repeat. It’s Joel. Joel, Joel, Joel, you force yourself to remember. Joel and Sarah Miller. “Yes, we met very briefly.”
“And it sounds like you met Sarah.”
“Yeah.”
On the other end of the line, you hear him hesitate, let out a long sigh. “Look, I hate to put you out, but she lost her key to the house, and she tells me the Adlers aren’t home. Do you think she could stay at your place until I’m able to get off work in a couple hours? I know it’s a big ask, but-”
“Of course she can,” you cut him off, peering over your shoulder at Sarah, who’s staring up at you expectantly with wide, terrified eyes. 
“Really?”
“Yeah, it’s no big deal.”
“She’s probably got homework so I’ll make sure she stays quiet and out of your way. I’m so sorry, she should know better than this. It’s the second time this month this has happened, I keep tellin’ her-”
“Like I said, it’s not a big deal,” you cut him off, unintentionally, before wondering if it was rude you didn’t let him finish. It’s the native New Yorker in you, always in a rush and uninterested in drawn-out excuses. It’s an unfortunate instinct you’ve been trying to train yourself out of, particularly now that you’re living in the southwest. You soften your tone. “She can stay as long as she needs to, seriously. I don’t have anything planned.”
“Okay,” the voice on the other end sounds relieved. “Thank you. Thank you so much. I should be home by nine, I’ll call if anything changes. Thanks so much.”
“Of course, we’ll be fine. See you soon.” You hang up. 
Sarah is still behind you when you turn around, clutching the glass of water she’s got in both hands like a vice. “You can stay here until your dad gets home,” you tell her. 
“Did….did he sound mad?”
“Maybe a little stressed,” you’re honest. “But….not mad. I also don’t know him, so…”
“I bet he’ll be mad. This is the second time I’ve locked myself out this month because I forgot my key, and I already got lectured once that last time because he had to leave work early.”
“You made a mistake, people forget things…” you shrug. “I’m sure he’ll get over it.”
Her shoulders relax slightly, and she looks around like it’s the first time she’s actually registered where she’s at. “You have a nice house. It’s cozy.” 
“Thanks,” you put your hands on your hips and look around too. “I’m still settling in, so not everything’s unpacked, but I could give you a tour if you’d like?”
“Yes ma’am.”
Ma’am. That tickles you. The address is still not something you’re used to hearing, even though you’ve only been in Austin a few years. “You can just call me by my first name, you know? Ma’am makes me feel old.”
“Really?” she grins, following you down the hall. “I can’t wait to be old.”
“You’ll feel differently someday,” you answer. “But…I guess it’s not so bad.”
Compared to the house you grew up in, your new house is nothing special, but it’s yours, and you couldn’t be prouder that you’d bought it all on your own. It’s a three-bedroom ranch, and you’d converted one of the rooms into an office for yourself. There’s a kitchen, living room, and den. But your favorite part is your large, screened in back porch that overlooks your yard. Now that it’s getting closer to summer, you sit outside in the mornings with a cup of tea and read the newspaper, listen to the birds. 
“Can I do my homework at your kitchen table?” Sarah asks once you’re finished showing her around.
“Make yourself comfortable wherever,” you answer. “I could probably stand to get a little work done myself.”
Sarah sits at your dining room table, spreads out her books, and works quietly while you answer some emails and look over some contracts. You’ve got a big meeting Monday with a potential client, and a giant stack of term sheets to go through, but if you could manage to get some of it done tonight it might actually help you down the line. As much as possible, you try to avoid doing too much work outside of your office’s standard hours, but sometimes, it’s inevitable.
The subject Sarah has homework in is algebra, which renders you useless. Even when you have to do any accounting at work, you’re used to having a calculator nearby. It’d been awhile since you spent time with anyone as young as she was – in sixth grade, she told you – and it was starting to serve as a confirmation of your own dysfunctional childhood, because her carefree, sweet nature was so drastically different from anything you remembered feeling. 
After about an hour, Sarah slowly starts to close her notebooks, zipping her pencils back up in plastic pouches. You look up from making revisions on a contract, the smell of blue ink heavy in the air around you. “I’m done,” she announces. “Could I sit on your couch and read?”
“Of course,” you answer. “Give me five and I’ll join you.”
It doesn’t take long for you to find a good stopping point, and you pack up your messenger bag, and join Sarah in the living room. “So…I’m starting to get hungry,” you tell her. “Are you?”
Sarah nods sheepishly.
“I could order us something,” you said. “What do you like?”
You aren’t much of a chef, though you can generally figure your way out around any recipe. However, cooking for one is notoriously tedious. If you had multiple mouths to feed, maybe you’d be tempted to hone your skills in the kitchen a little more. Most nights you usually treated yourself to a depressing, hastily thrown together salad, scrambled eggs, or a PB&J. Tonight, you had actually been planning to take yourself out to dinner – there’s a cute little French bistro down the street and you were hoping to treat yourself to a cocktail and a nice meal while you read.
Sarah closes her book, contemplating. “Could we….get a pizza?”
You think about it. “Sure, yeah. Pepperoni…cheese?”
“Can we get….one of both?” she tests. 
“Yeah, we can do both,” You smile. “I bet your dad will be hungry, too, he can have some if he wants.”
“Maybe…he likes pineapple on his,” Sarah wrinkles her nose.
“He has good taste. I do too.”
“Gross.”
“Don’t worry, I’ll keep them separate,” you call over your shoulder as you retreat to the kitchen. 
Once the pizza is ordered, you return to your living room and curl up on the opposite side of the couch from Sarah, who is engrossed back in her book. “They told me about 30 minutes. What are you reading?”
“To Kill A Mockingbird,” she says, showing you the cover. 
“That was one of my favorites growing up.”
“I have to read it for school…but it’s pretty good so far.”
Your phone pings with another email, and you glance at it quickly. 
“Is that work?” she asks. 
You nod. “Yeah. It still finds you, even when you leave.”
“What do you do?” 
“I’m a lawyer.”
“No way!” Sarah perks up. “Like on the tv shows? That’s so cool.” 
You snort, shaking your head. “No, not exactly. I’m a corporate lawyer so it’s not as fun, actually, it’s just a lot of paperwork and meetings…”
“So…you don’t like it, then?”
“It’s….” you think about it. “....Fine.” Did you like your job? It wasn’t really something you thought about in that way, you’d always seen it as a means to an end. “I went to law school because my dad wanted me to…he wanted me to work for him someday. And…that didn’t pan out so…yeah. But you know…it pays well, and….”
“You get to wear cool outfits,” she gestures to you.
“Yeah, I guess I do. Although the heels do get a little uncomfortable.”
Sarah’s eyes shift behind you for a second to the hallway leading to your bedroom, then widen excitedly. “You have a cat?” 
You turn around to see what she’s looking at, the white and gray ball of fluff that you’d found underneath a dumpster one late night in college. 
“Yeah, that’s Martini.”
“Martini,” she giggles, and the cat approaches her cautiously. He’s notoriously shy and quiet, and not even particularly cuddly, but he likes to sleep at the foot of your bed and will sit next to you on the couch if you stay still for long enough.
The cat sniffs Sarah’s outstretched hand, then presses his face into Sarah’s palm so she can scratch him under his chin, his favorite spot. “He’s not usually a fan of strangers, he must like you.”
“I love animals,” she says. “My dad won’t let me get a pet because he says he’ll end up taking care of it.”
You chuckle. “Cats are pretty easy…at least, he is.”
Martini allows himself about twenty seconds worth of affection before he darts out of the room and heads to his food bowl. 
“I’m gonna go change out of my work clothes, I’ll be right back,” you push yourself off the couch and walk down the hallway. Any other night and you probably would’ve been in pajamas awhile ago but that’s probably not acceptable, so you settle for jeans and a sweater, which is much more comfortable than the dress and tights you had been in before. 
The pizza arrives and after you tip the driver, set it on your kitchen island and pull some plates out of your cupboard. You and Sarah are both long settled with full plates when you speak again. 
“Wow….I forgot how good pizza is…” you say, staring at the half eaten piece in your hand. 
“You don’t eat pizza?”
“Usually only when I’m drunk,” you say, then immediately realize you’re talking to an eleven year old. “Oops, I…probably shouldn’t be telling you that.”
She giggles. “It’s okay.”
“So, it’s just you and your dad across the street?” you ask. “Does your mom live with you?” 
The second the question registers, you immediately regret asking. Sarah shrinks before you, her face dropping, shaking her head. “No I…I don’t really have a mom.”
“I’m sorry,” you say, softly. You just assumed she existed although you’d never seen her, and you feel guilty, racking your brain for something that might help make her feel better. “I understand, my mom wasn’t really around growing up.”
“She wasn’t?” Sarah asked, looking up. 
You shake your head.  “My parents got divorced when I was young, my dad took us, and she moved across the country, so….I didn’t see much of her.”
“My mom… she left when I was a baby.”
“I’m sorry.” You say again, staring at the girl in front of you. 
For a moment, looking at her, you see yourself, and you wonder how a parent can wake up one day and choose to ignore someone that’s one half of themselves. Someone they made. If they really understood what that might do to a person’s psyche, growing up thinking that they weren’t wanted. You had always told yourself that your mother, your parents must have not understood, because if they did, and they still chose to do it…
“Are you married?” Sarah asks, and you’re snapped out of your train of thought.
Taking a bite of pizza, you shake your head no.
“So you live here alone?” 
You nod, chewing.
“Do you like it?”
You nod, swallow. “It’s better than having a roommate, or living in the city.” 
Standing up, you walk towards the fridge for a can of sparkling water. It hisses while you open it, and you lean over the counter while Sarah continues to drill you. “Do you ever get….scared? Like at night?” 
“No….not really. I have locks. And this is a safe neighborhood. And uh, I may or may not have a nightlight still.”
Sarah giggles. “Me too.”
There’s a sturdy knock on your screen door, which you’d left open to let in the cool spring breeze, and you notice Sarah’s eyes widen. “I bet that’s my dad.”
As if he heard her, and maybe he did, the guest calls out. “It’s Joel!” It’s the same voice from over the phone, but much clearer. 
“Come in,” you answer.
The screen door creaks open, the sound of boots shuffling inside. “Sarah?” It’s the same voice from the phone. Joel steps into the warm light of the kitchen.
When you first met it had been from a distance, you were carrying boxes and he was loading something into the back of his truck. It’s clear you hadn’t gotten a good enough look at him, wouldn’t have forgotten his name, because fuck, he’s kind of gorgeous…tan skin, dark wavy hair, and a sharp jawline covered in stubble. In the archway to your kitchen he looks huge, taller than you remembered.
“Hi Dad,” Sarah says. “Miss-“
You cut her off simply by saying your first name. “Nice to meet you…again.”
“It’s nice to meet you, too, and thank you so much for keeping an eye on her. We’ll get out of your ha-”
“We got you pizza,” Sarah pipes up, looking at him. You can tell that she’s trying to stall. Or at least, trying to offer him something that might soften the inevitable lecture she’s going to get. It’s a smart play, and definitely not something you would’ve been above trying at her age.
Joel looks at the three pizza boxes spread across your countertop. “You didn’t have to feed her, really, like I said, she should’ve known better,” he turns to look at her pointedly.
“I had to eat anyway. Please, help yourself. There’s a ton of leftovers,” You really did not want cold pizza in your fridge, because it’d be too tempting to eat as a late night snack or even breakfast on your way out the door in the mornings.
Reluctantly, he looks at you before taking a plate. “Thank you,” he turns to his daughter while he opens one of the boxes. “Did you get your homework done?” 
Sarah nods. “And I got ahead on my reading for English.”
“That’s good.” 
Joel turns back to you, settles in a chair with the plate of food in front of him at the island. You do the same. “I’m sorry I haven’t had the time to come over and properly introduce myself. Sarah too.”
You shrug. “I’m the new neighbor, that’s probably my responsibility anyways. It’s been kind of hectic settling in.”
“Where’d you move from?”
“Well, I’ve been in Austin for the past few years, but originally I’m from Manhattan.”
Joel nods. “Why Texas?” 
It’s far away from my insane family, you think, and then settle on something else. “Work.”
Sarah is staring at her plate and tearing a piece of crust into tiny pieces. Joel eyes the slice of pizza he’s just taken a bite of.
“Pineapple?” he looks over at Sarah. “Are you tryin’ to bribe me so you don’t get in trouble?”
“It’s my favorite, too,” you offer, then wink at Sarah when Joel isn’t looking. She tilts her head down, her hair hiding the grin on her face from her father.
A buzzing sound cuts through the room before Joel can answer, and he digs in his pocket to fish out his cell phone. “Hold on, I gotta take this.”
When he steps out of the room, you begin to clear the empty boxes and plates off your kitchen island and bring them over to the sink. Sarah brings her plate over as well, stands next to you at the sink while you rinse them off and load them in the dishwasher. 
“Thank you for dinner,” she says. 
“Of course,” you answer.
“I just really hope he’s not disappointed with me.”
Placing your hand between her shoulder blades, you give her an encouraging pat. “I don’t think he is….” you hear Joel on the phone in the other room, his voice rising in volume. “....and honestly….it sounds like he might have bigger fish to fry…”
“Tommy…are you fucking kidding me? Again? How many times is this gonna happen? Okay…fine. fine. I’ll be there soon, but you can’t keep doing this shit.”
Sarah grimaces, and you both turn back to the sink sheepishly when you hear Joel’s footsteps returning. She bumps you with her elbow while you clear your throat. 
You’re sure there’s still a residual smile on your face when you turn around to face Joel, who has his hands on his hips. “Alright, Sarah, we gotta get going.”
“Is everything okay with Uncle Tommy?” 
“No, I’ve gotta pick him up at the police station.” 
“Did he drink too much again?”
“Sarah!” Joel exclaims. “Please, it’s gettin’ late and you’ve got a soccer game tomorrow, you need to get to bed.”
You’re biting your lower lip so hard to keep from laughing you almost taste blood. It’s not funny, definitely not funny to Joel, who you can tell is having a rough night, but it’s objectively funny as an outsider, watching all their familial drama being put on blast by his daughter who doesn’t quite have a filter yet, and is first and foremost trying to protect herself from getting into trouble.
“She’s a lawyer, I bet she could help Tommy,” Sarah looks over at you. “Couldn’t you?”
Joel frowns. “That’s not how that works-”
“What’d they bring him in for?” you ask. 
Joel runs a hand through his hair. “Public intoxication. Are you really a lawyer?”
“Well…I’m a corporate lawyer so that wouldn’t really be my specialty. But uh…I’ve definitely been able to talk my friends out of that kind of thing before.”
“But this is not the first time,” Joel says. “It’s probably useless.” 
“Didn’t you say you can’t afford to keep-”
“Sarah, enough.” Joel’s voice is as stern as you’ve heard it, and he digs into his pocket, producing a keychain. “Go home and get ready for bed. I’ll be home in a minute.”
Sarah sighs, defeated. “Okay.” 
Joel stands dead still while she shuffles to the door, cramming her feet in her shoes with her backpack slung over her shoulder. 
By this point in the evening, you’d usually be curled up on your couch by the fireplace with your latest knitting project, moderately stoned, watching bad reality television and sipping sleepytime herbal tea. But your night has already gone drastically different from your expectation. Why stop now? “If you wanted…I could try to help.”
Joel shakes his head, looks at the floor. “I can’t ask that of you.”
“You didn’t ask,” you shrug. “I offered.”
He looks up, a soft smile breaks across his face, revealing a row of straight, sparkling teeth, the corners of his eyes crinkling. It’s the first sincere smile you’ve ever seen from him, and your knees feel a little weak at the sight of it. You think you might offer him anything just to see it again. “It’d be a huge favor. But….I’d appreciate it.”
“Alright well…” you look around, push yourself off the countertop. “I probably should change before we go. I don’t think I’ll be taken seriously in this.”
He chuckles. “Yeah, I need to make sure Sarah gets to bed alright, how ‘bout you meet me on my porch in ten?”
“I’ll be there.”
“Thanks again,” he raps his knuckles on the counter twice before retreating, and you stay in place until you hear the screen door close behind him.
─── ・ 。゚☆: *.☽ .* :☆゚. ───
“I feel like you’re meeting us all at a very chaotic time….I promise, things aren’t usually like this.” 
Joel’s not sure why he feels the need to clarify this to you on the drive to the police station. In fact, he might be saying it more to convince himself, because he thinks ever since Sarah’s mom ran off, things have never not been chaotic. 
In some ways, he’s glad it happened. It was a doomed relationship from the start, they’d both been far too young to understand the consequences of their actions, so it was probably for the better that she was no longer around. But he was caught in a constant state of feeling like he could never quite get a handle on things. 
Joel glances over at you in the passenger's seat of his truck. He decides that you look a little out of place there, dressed in a black pantsuit, a messenger bag tucked between your heel-clad feet. He can’t remember the last time there was an adult woman in his car. Three months, maybe? It had been a date, a third date, and subsequently, a last date. But right now the context is different.
Your head is tilted towards the open window, the breeze casting stray pieces of your hair around as the radio cuts in and out of an old Eagles song and then to static, and then back into music again. He needs to get his damned stereo fixed but unfortunately it hasn’t exactly been high on his priority list. His gaze travels down the slope of your neck, where your skin dips into the collar of your silky blue blouse, then back to your profile, your lips moving as you mouth the words to the song, but don’t sing. 
I get this feelin' I may know you
As a lover and a friend
You stop when his words register, turning to look at him, and he averts his eyes back to the road. “No offense or anything….” you say. “But compared to the family I grew up in….this is all pretty tame.”
Joel ponders that for a moment, notices the way your eyes are narrowed, the corners of your lips quirking. “What, you got a problematic little brother, too? A precocious eleven-year-old?”
“No kids,” you answer. He didn’t think so. “But I do have a problematic older brother. And the stress he’s caused has definitely taken years off my life.”
At least you seem like you understand. 
He’s shocked you’re in this car with him, that after entertaining his daughter all night, you’d offered to help him out with this Tommy mess. Though, he assumes you’re doing it out of guilt because Sarah made it sound like he was broke.
“You know for the record, I actually have the money to bail him out.”
“I figured.”
“Then why’d you come?”
You shrug. “I don’t know. My life has been pretty boring lately. I can’t remember the last time I did something exciting on a Friday night.” 
“This is exciting to you?”
“It’s objectively exciting,” you sound assured. “Maybe more exciting than being the person who got arrested for public intoxication.” 
Despite the stress of the evening, he can’t help but laugh. 
“And whether you’re broke or not, bailing someone out of jail is no joke. If you can at least try to talk your way out of it, you might as well.”
Joel can’t argue with your logic.
“What is it you do again?” you ask, eyeing the protective glasses he has in the cup holder of his front seat. There are nails stuck between the rubber grooves of the mat beneath the seats, a pair of thick gloves resting on the dashboard.
“I’m a carpenter.”
“Makes sense,” you answer. “So you’re handy?”
“You could say that,” Joel lifts the can of flat, warm seltzer from his lunch break to his mouth, just to take a sip. 
“That’s hot,” you say, and he nearly chokes when he hears it.  Are you….flirting? Though, you can’t be, because when he looks over at you, you’re staring at the road, face neutral. 
“What makes you say that?” 
“I don’t know, I don’t make the rules of what’s hot and what isn’t….it’s just a fact. Everyone knows that.” 
“Do they?” 
“Uh-huh,” you respond. “I mean, I wish I was handy. I’m pretty much a lost cause in that department.” 
“If it paid the bills, you’d figure it out.” 
“If it paid the bills, I can tell you, I would not be living in our neighborhood.”
Joel puts his blinker on, preparing to pull into the police station. “You probably still could, it’s not that nice of a neighborhood.” 
“Shut up,” you snort, rolling your eyes. “But in all seriousness, it is peaceful. It’s quiet.”
“See, but you still didn’t say nice.”
“It is nice. I like it.” 
When he parks the car, you straighten up, unbuckling the seatbelt and exiting without a word. On the opposite side of the truck, he observes how you rebutton the front of your blazer, smooth down its lapels and shift your shoulders back before turning to him. 
“You ready?” you ask. 
He nods. 
“After you.”
─── ・ 。゚☆: *.☽ .* :☆゚. ───
When Joel spots you again, Tommy is walking a few paces behind you. You turn your head over one shoulder, smirking at whatever he’s saying. From where Joel is sitting in the lobby, he can just make out the soft curve of your hips, the tops of your thighs over the barrier that separates him from all the desks of the officers and staff at the station. You’ve got an easy, relaxed gait and you give Joel a wink when he catches you staring.
He can tell it’s just meant to be celebratory thing, since both you and Tommy seem to be in good spirits, but he likes the sight of it anyways, the idea that you’re both in on some secret that no one else is. 
Joel stands to greet you and his brother to get the download, but as he approaches, your group is intercepted by one of the cops that had been hanging around reception. 
“Miller,” he says lowly to Tommy. “This better be the last time I see you in here.” 
When Tommy doesn’t answer right away, you pipe up. 
“I assure you my client will be on his best behavior.”
The cop turns to you for a minute, turns back to Tommy, contemplating. “You’re lucky you have a good lawyer…” he says. “Although I’m still not convinced you’re really paying someone to get you out of a public intoxication charge.” 
“I-” Tommy opens his mouth but you cut him off.
“Alleged…intoxication,” you interject, stone-faced.
“He can hardly walk straight.”
You purse your lips. “But….you never did a sobriety test, so, would it hold up in court?” you grimace. “If I had to guess….probably not.”
The cop narrows his eyes at you. “Don’t push it, princess.” 
Despite the infantilizing nickname, You respond with a polite smile. “Thanks again, officer. Have a nice evening.”
“Mhm,” he murmurs before backing away. 
You turn to Joel, your smile fading, and Tommy cuts in. “We should get the fuck out of here before he changes his mind.”
“That’s it? You’re free?” Joel asks.
Tommy nods. 
“Tommy’s right, we should definitely leave.”
It’s a mad scramble, the three of you settling back into Joel’s truck, and if he was feeling a little less angsty about the way the whole evening had gone, he might’ve even peeled out of the parking lot for dramatic effect. But at this point, his patience is wearing thin.
He’s back on the main drag, en route to Tommy’s place, with you on the passenger’s side, and his brother in the back, leaning forward with his elbows resting on your seats when his brother speaks up.
“Holy….shit!” Tommy turns to you. “That was fucking awesome, are you kidding me? Joel, where the fuck did you find her?”
He’s still drunk, words slurring together, and he shakes both of your shoulders ferociously. You actually giggle — the sound of it is fucking adorable and Joel wishes that these are not the circumstances for hearing such a noise. He rather it be because of something he said, but he knows Tommy has always been more charming, even when drunk 
“She’s my neighbor, Tommy.”
“No way! How come I’ve never seen you around before?” Tommy asks, and Joel can’t stop himself from rolling his eyes. 
“I’m kind of new to the area,” you answer. 
“Dammit, oh my god, Joel, I wish you coulda seen it.”
Joel looks over at you, and is thankful that he catches your eye. “What’d you say?” 
“Never underestimate your negotiating power when the cop you’re talking to’s shift ended over an hour ago, and he doesn’t want to fill out any more paperwork.” You cross your arms, look over your shoulder at Tommy, who is leaning back against the seat with his head in his hands, laughing, before looking back at Joel. “I told you, I have experience.”
“Oh my god,” Tommy pokes his head back between you. “How’d he even get you to come down here? What’d he have to do, offer to paint your house or somethin’?”
“It’s a long story.”
“Sarah got locked out again,” Joel explained. “And I was over at her place when you called. She’s a corporate lawyer.”
“Ah, that makes sense. You know, Joel’s always liked the smart ones,” Tommy starts, and Joel has to contain the urge to slam on the brakes and send his brother face first into the back of his headrest. Unfortunately, he can’t do that with you in the car. “Too bad he’s dumb as a box of rocks.”
“Okay, watch yourself!” Joel snaps, and he’s only halfway kidding. “You got off easy, but you’re on fuckin’ thin ice, and I’m still pissed that I’m spending my night bailing you out again.”
Tommy doesn’t even catch on to Joel’s irritation – or maybe he does, and has just decided that he’s going to be the Annoying Younger Sibling and see how far he can push it. “Don’t let him fool you, okay?” Tommy continues, and you’ve angled yourself towards him, amused. “It’s not always him lookin’ after me. Before he had Sarah, he was crazy.”
“Alright, alright that’s enough, Tommy.” Joel shoots daggers towards his brother in the rearview mirror, and he watches Tommy’s smile falter, finally deciding to back down. 
“Is that true, Joel, were you really crazy?” you ask after Tommy grows quiet, tilting your head. “I can’t see it.”
“Well we’ve all have our moments, right?” he says sheepishly. 
“We do,” you agree, and then it’s finally silent.
Joel is thankful to see Tommy’s driveway straight in front of him, and his car lurches up the curb. “Alright, alright, this is your last stop,” he says to his brother. “You’ll get in okay?” 
Tommy takes a deep breath, settling himself after all his bravado and sinking back against his seat. “I’ll be fine. I’ll see you tomorrow morning at Sarah’s game.” He slinks out of the truck and slams the door behind him. 
Normally, Joel would’ve chewed him out after something like this, but he knows being hungover tomorrow at a middle school soccer game, sandwiched between screaming parents and the ear-splitting whistles of the referees will be punishment enough.
“I’ll see you then.” He watches his brother stumble up the steps to his home, unlock the door, and give a wave before disappearing inside. 
Joel’s left alone with you. “Should we get you home, now?”
“Yeah, we should.”
Joel puts the car in reverse, puts one of his arms over the back of the bench seat to look for cars behind him, and catches you staring. You don’t even seem embarrassed that he notices, either, you just shift your gaze away to outside the window.
He feels a little self-conscious about the first impression he’s probably made, which is a feeling he’s not used to…caring about what people think. 
“Sorry about him, he’s….a good guy but a real piece of work.”
You giggle. “Like I said, I have a brother, too.”
It’s been awhile since he’s interacted with anyone outside of Sarah, Tommy, and his coworkers, and his day was exhausting. He wants to ask more questions, see if he can hold some kind of conversation, but words fail him, so you spend the short drive on the way back home mostly in silence. You’re so quiet that by the time he pulls into your driveway, he thinks you might be asleep. If you were, he doesn’t even get the chance to wake you, because you immediately sit up straight once the truck has come to a halt.
“Thanks for everything tonight,” he says. 
“You’re welcome, it was no problem,” you get out of the car, sling your bag over your shoulders, and close the door. “Have a good night.” 
Joel’s listening to the retreating click of your heels up the driveway when he rolls down his window all the way to speak again. It’s clear you’re tired, your shoulders are slouched, and he feels incredibly guilty. You worked all day and then had to put up with his entire crazy family. 
“Hey,” he says. “How much do I owe you for the pizza?”
You turn around, still stepping backwards. “Nothing.”
“Look, you’ve done too much for me tonight to say that,” he says. “I’m startin’ to feel bad.”
You stop in your tracks then, the smirk on your face fading a little bit as you slowly step forward to where he leans out the truck window. It’s only a few feet, but you’re much closer now than you’ve been to him all night, and there must be jasmine in your perfume. It smells expensive, he thinks, as your hands lift to rest on the door next to his elbow. “You shouldn’t feel bad,” you say softly, voice low. 
God, you’re fucking beautiful, he realizes, basked in the glow of the moon, a smile creeping along the edges of your lips. Of course, he knew you were attractive, had definitely registered it at some point before –  maybe when he’d walked in on you and Sarah giggling in the kitchen. He was just too busy being worried to even notice until now. 
This isn’t a date, but you’re so close he could kiss you, kind of wants to just to see what would happen, but he doesn’t. You’re his new neighbor, and if he’s reading this wrong, he doesn’t want to be reminded of the mistake everyday, first thing in the morning when you’re picking up your newspaper at the end of your driveway and he’s leaving for work. 
“But uh…if it would make you feel better…one of the steps on my front porch is rotted. Maybe you could come over sometime and fix it? That a fair trade?” 
Joel nods, and you stick out your hand. “It’s a deal,” he says, ignoring the jolt of energy he feels when your palms press together, like you’re a kid wearing a hand buzzer, trying to shock him.
“Great,” you step away. He’s about to put the car in reverse when you speak again. 
“Oh, and Joel?” you ask, he looks back at you. Before you speak again, your eyes shift to the ground, like you’re mustering up the courage to ask him something, and when they return to his again, your expression is somber. “Go easy on Sarah….she’s a good kid.”
Joel nods, understanding.
“I know.”
-
volume ii
taglist: @yaskna @venomous-ko @lomljigg
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y-rhywbeth2 · 6 months
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I know we sickos all love the tragic memory of Durge killing their parents as a child, but honestly - as a lover of interpreting Durge as a tragic eldricht horror cuckoo/changeling creature - my favourite memory is baby Durge playing tag with the other children in a "time before Bhaal".
They're being gentle with their friends, but the narration explicitly describes them as hunting and compares them to a predator. If Durge pities their child self the narration just goes: "Mayhaps that child was already a murderer." "Oh, sorry, did you think this was a happy memory?" asks the game before it points and laughs at your naivete.
You pair that with the little cuckoo killing their foster parents and it's very much like somebody took in a baby predator. Sure, it hasn't grown into its claws and aggression but then we reach the starting point of puberty and suddenly the once cuddly baby is a danger to everyone around it.
Oh, except that apparently there's a chance that Durge was already killing things as a baby!
We know they were aware of Sceleritas following them around when they were young, occasionally talking to them as he does in the dead family memory - even if he hadn't presented himself yet. Even if he doesn't always speak, did Durge grow up seeing him out of the corner of their eye?
The fun thing about Durge is that we get to make our own character out of the scraps we're given, so all of it is up to us to decide for our own characters/playthroughs.
I interpret Durge as being like the Bhaalspawn we meet in Throne of Bhaal, Gavid, and the 3.5e tieflings - they've always known they were different. Always had dark urges and whispers in their mind, coming from the essence in their blood.
Kids have accidents around them, pets go missing. Maybe they have black outs, maybe they're aware but can't stop (small children aren't exactly masters of impulse control). We know from a later memory that Durge feels self-hatred regarding their urges, so presumably they learnt enough to know this is wrong and feel guilt. Do they still feel pain and nausea if they resist? I'm going to assume for my own take that since they got the Urge back then, they did.
I wonder if their family ever took them to wizards and clerics, trying to find out if their child was cursed?
Then that family dies. Violently. Graphically. Another tragic accident taking place around the twitchy weird kid who sees monsters and hears voices.
If you play paladin then the Oathbreaker Knight tells you that you've broken your oath multiple times, so I assume that these disasters didn't stop happening.
And judging from the fact that they showed uncharacteristic compassion to a homeless person at the peak of their "I'm such an evil bastard villains like Elder Brains and the God of Tyranny are impressed" era, I think that Durge ended up homeless themselves at some point between losing their parents and joining the temple (I'm also pretty sure that's the period of their life the cannibalism memory happened in).
And then they "came of age" (I recall the age of majority being 15 in the Realms at some point, but can't find that anywhere so don't take my word for it) and Sceleritas introduces himself, and it's time for a family history lesson that explains everything and Orin gets a sibling she absolutely never wanted, ever - put that thing back in the ditch it came from, so help me.
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inthelittlewood · 6 months
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do you get reminded of your real old series much anymore? im a fan from when you did your ni no kuni: wrath of the white witch playthrough, and i tend to put that playlist on when i'm not feeling jazzy. i expect folks are talking more about Evo than anything else, esp on tumblr given our love of that series and extrapolating its lore, but does anyone ever bring up kingdom of the saplings or yogbox or any of the old yogs smps (did... did we even call em smps back then??)? folks were mentioning the christmas advent-ure in the chunklock stream, but that one might just be because it was an amazing series and its that time of year. just wondering, because being a content creator (as yuck as the job title can be) is a real unique position and ya have a LOOOOOT of content the younglets these days might not know of.
happy holidays by the way ! all love and respect from indiana (USA)
Oh for sure! I've had so many different 'arcs' in my career, which has now spanned over a decade so when I meet people it's such a variety of nostalgia mentions
Minecraft, The Escapists, Zelda (numerous), Mario Maker, Fortnite, Overwatch, Jet Set Radio, Ni No Kuni, VRChat, Pokémon, the PO Box and loads more
I'm glad I was on it with making playlists of my series back in the day because it makes them easy to find on that tab of the Fortnite channel nowadays
I'm incredibly grateful for people's support for this long. I still don't know when the bubble is gonna burst 😅
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pheavampire · 9 months
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Astarion, Cazador and D&D vampire lore
Let’s talk about D&D vampires and some lore inconsistencies in Baldur’s Gate 3.
BG3 is not a game about vampires. It was obvious we won’t get a playable character who will be 100% vampire spawn from the handbooks - the mechanical balance would be disturbed in comparison with other characters. But we can list some weird stuff and missing aspects. For fun, for fanfiction, for nerdiness.
I still wonder why Cazador even asked Astarion if he wants to be turned. Sure, he could do that, so he could say later „ha ha you asked for it!” but still - weird. Anyway, a vampire lord doesn’t need to ask - he just bites his victim, kills it by drinking its blood and boom, a vampire spawn is made. Almost made…
… because at first the victim needs to be buried and layed in the ground before it rises. That’s the next question - how the hell did Cazador make 7000 spawns? Theoretically he needed to bury them all, dig them back/wait until they dig themselves out or something and transport them to his dungeon without being noticed. His servants could do that for him, but it still is a pretty big thing to cover. Besides…
… accordng to D&D 3.5 edition: "At any given time a vampire may have enslaved spawn totaling no more than twice its own Hit Dice" which means it was impossible for Cazador to create 7000 spawns. Sure, Baldur's Gate 3 uses 5 ed rules, but I'm sure they didn't change this one that much. (BUT! We can interpret this rule as: a vampire lord can create as many spawns as he wants, but the number of enslaved ones is limited. That's all right in this case).
That being said, Astarion is surprised when he discovers that all Cazador’s victims are spawns now. One of his dialogue options is „I thought Cazador was feeding on you”. Well yes, he had to feed on them to make them spawns Astarion, I thought you noticed that yourself 200 years ago. But let's say I understand your confusion, 7000 spawns mean Cazador's hit dice is 3500. Lol.
As a vampire spawn, Astarion should be able to regenerate even without biting someone. To be precise, he should get 10 health points at the start of every turn until he gets killed. But ok, this one doesn’t work in the sun, so let’s say it’s justified… unless the party is in the underdark, shadowlands or other dark place. But yeah, that would be too OP.
Astarion should be afraid of holy symbols, mirrors and garlic. That would be quite irritating, as he wouldn’t be able to even get near Selune's stuff or Lathander’s temple (Lathander HATES the undead, just ask poor Jander Sunstar). But let’s say the tadpole gave him immunity.
Spider climb. Imagine Astarion climbing walls or even ceilings like a damn Spiderman - this is what a regular vampire spawn can do. If the tadpole took away this ability, that’s not very nice of it.
Claws. Astarion should be able to transform his fingers into claws at will. That’s right, it works like another melee weapon.
Coffins, graves et cetera - bunk beds in Cazador's palace are a very anti-canon idea. Because D&D vampires have really traditional weaknesses, they always have to „sleep” in the ground they were buried in to recover - just like Cazador. Jander I mentioned earlier invented an un-lifehack, as he was traveling through Faerun by keeping some of the dirt from his grave in his pocket. He was scattering it in the place he wanted to rest for some time.
A vampire spawn can be controlled or banished by clerics like any other undead. That's right, when Shadowheart casts this one, Astarion should roll the dice, or else he will have to run away from her like those zombies you banished during your playthrough.
Last but not least, vampires get damage if they are in the flowing water, for example river, but you already know this one from the early access Astarion. Shame they removed it, in was a bit irritating but I loved it. It reminded me Astarion is a vampire not only in the dialogues.
That's all I can think of now. My knowledge is a mix of 3.5 and 5 ed, do with it what you want. I wouldn't mind more lore accuarte Astarion fanfics though.
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Shocked Astarion reading D&D Monster Manual. Or Libris Mortis.
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